Kitchen Rugs With Quotes

A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buendía house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread. "Holy Mother of God!" Úrsula shouted.

Aaahh. Home. My place, my smells, my familiar rug under my feet, my kitchen, my Curran in the kitchen chair . . . Wait a damn minute.

Tension fled from me. Tomorrow I would worry about Hugh d’Ambray and Andrea and Roland, but now I was simply happy. Aaahh. Home. My place, my smells, my familiar rug under my feet, my kitchen, my Curran in the kitchen chair . . . Wait a damn minute. “You!

A cold supper, were you thinking? I asked dubiously. I was not, he said firmly, I mean to light a roaring fire in the kitchen hearth, fry up a dozen eggs in butter, and eat them all, then lay ye down on the hearth rug and roger ye 'till you - is that all right? he inquired, noticing my look. 'Til I what? I asked fascinated by his description of the evening's program. 'Til ye burst into flame and take me with ye, I suppose, he said, and stooping, swooped me up into his arms and carried me across the darkened threshold.

Once when I visited Buddy I found Mrs. Willard braiding a rug out of strips of wool from Mr. Willard’s old suits. She’d spent weeks on that rug, and I had admired the tweedy browns and greens and blues patterning the braid, but after Mrs. Willard was through, instead of hanging the rug on the wall the way I would have done, she put it down in place of her kitchen mat, and in a few days it was soiled and dull and indistinguishable from any mat you could buy for under a dollar in the five and ten.                 And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard’s kitchen mat.

Do you want any breakfast, Sam?” my mom asks. I never eat breakfast at home, but my mom still asks me every day—when she catches me before I duck out, anyway—and in that moment I realize how much I love the little everyday routines of my life: the fact that she always asks, the fact that I always say no because there’s a sesame bagel waiting for me in Lindsay’s car, the fact that we always listen to “No More Drama” as we pull into the parking lot. The fact that my mom always cooks spaghetti and meatballs on Sunday, and the fact that once a month my dad takes over the kitchen and makes his “special stew” which is just hot-dog pieces and baked beans and lots of extra ketchup and molasses, and I would never admit to liking it, but it’s actually one of my favorite meals. The details that are my life’s special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced.

George dutifully dusted the marks from the expensive rug and retired to the kitchen to await a grave and disapproving Collins, wishing with all of his boyish heart that he had applied for the stables. Cleaning stalls had to be beneficial exercise, and surely one must become accustomed to the smells...eventually.

Rage that has nowhere to go is redirected against the self, in the form of depression, self-hatred, and self-destructive actions. One of my patients told me, ‘It is like hating your home, your kitchen and pots and pans, your bed, your chairs, your table, your rugs.’ Nothing feels safe – least of all your own body.

I just felt scared and vulnerable lying on that kitchen floor with you. You could pull the rug out from under me whenever you feel like it... whenever you're ready to move on.

I was never happier than on the nights we stayed home, lying on the living room rug. We talked about classes and poetry and politics and sex. Neither of us were in love with the Iowa Writers' Workshop, but it didn't really matter because we had no place else to go. What we had was the little home we made together, our life in the ugly green duplex. We lived next door to a single mother named Nancy Tate who was generous in all matters. She would drive us to the grocery store and give us menthol cigarettes and come over late at night after her son was asleep to sit in our kitchen and drink wine and talk about Hegel and Marx. Iowa City in the eighties was never going to be Paris in the twenties, but we gave it our best shot.

She straightened up the trailer, ran the vacuum cleaner over the braided rug, spread a clean tablecloth and put fresh shelf paper in the kitchen cupboards. That was a little job. In the old days she would have stuffed the dirty paper in the stove and burned it. The electric stove was clean but it couldn’t dry socks, burn paper, raise bread or provide comfort. Cost money to run it. They called it progress.

I tried to imagine what it would be like if Constantin were my husband. It would mean getting up at seven and cooking him eggs and bacon and toast and coffee and dawdling about in my nightgown and curlers after he’d left for work to wash up the dirty plates and make the bed, and then when he came home after a lively, fascinating day he’d expect a big dinner, and I’d spend the evening washing up even more dirty plates till I fell into bed, utterly exhausted. This seemed a dreary and wasted life for a girl with fifteen years of straight A’s, but I knew that’s what marriage was like, because cook and clean and wash was just what Buddy Willard’s mother did from morning till night, and she was the wife of a university professor and had been a private school teacher herself. Once when I visited Buddy I found Mrs Willard braiding a rug out of strips of wool from Mr Willard’s old suits. She’d spent weeks on that rug, and I had admired the tweedy browns and greens and blues patterning the braid, but after Mrs Willard was through, instead of hanging the rug on the wall the way I would have done, she put it down in place of her kitchen mat, and in a few days it was soiled and dull and indistinguishable from any mat you could buy for under a dollar in the Five and Ten. And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs Willard’s kitchen mat.

When it grew cold enough to shut the doors, and have fire at night, first thing after supper all of us helped clear the table, then we took our slates and books and learned our lessons for the next day, and then father lined us against the wall, all in a row from Laddie down, and he pronounced words—easy ones that divided into syllables nicely, for me, harder for May, and so up until I might sit down. For Laddie, May and Leon he used the geography, the Bible, Roland's history, the Christian Advocate, and the Agriculturist. My, but he had them so they could spell! After that, as memory tests, all of us recited our reading lesson for the next day, especially the poetry pieces. I knew most of them, from hearing the big folks repeat them so often and practise the proper way to read them. I could do "Rienzi's Address to the Romans," "Casablanca," "Gray's Elegy," or "Mark Antony's Speech," but best of all, I liked "Lines to a Water-fowl." When he was tired, if it were not bedtime yet, all of us, boys too, sewed rags for carpet and rugs. Laddie braided corn husks for the kitchen and outside door mats, and they were pretty, and "very useful too," like the dog that got his head patted in McGuffey's Second.

I stopped by the super for the new key, climbed to my apartment, and studied my new lock. Big, metal, and shiny. Not a scratch on it. Even the key itself had a bizarre groove carved into it, which made the whole setup supposedly completely burglar proof. Pick that, Your Majesty. I unlocked the door, stepped inside, and shut it behind me. I kicked my shoes off, wincing at the hint of ache in my stomach. It would take a long time before it healed completely. At least I no longer bled. Tension fled from me. Tomorrow I would worry about Hugh d’Ambray and Andrea and Roland, but now I was simply happy. Aaahh. Home. My place, my smells, my familiar rug under my feet, my kitchen, my Curran in the kitchen chair . . . Wait a damn minute. “You!” I looked at the lock; I looked at him. So much for the burglar-proof door. He calmly finished writing something on a piece of paper, got up, and came toward me. My heart shot into overdrive. Little golden sparks laughed in his gray eyes. He handed me the piece of paper and smiled. “Can’t wait.” I just stared like an idiot. He inhaled my scent, opened the door, and left. I looked at the paper. I’ll be busy for the next eight weeks, so let’s set this for November 15th. Menu. I want lamb or venison steak. Baked potatoes with honey butter. Corn on the cob. Rolls. And apple pie, like the one you made before. I really liked it. I want it with ice cream. You owe me one naked dinner, but I’m not a complete beast, so you can wear a bra and panties if you so wish. The blue ones with the bow will do. Curran. Beast Lord of Atlanta.

She straightened up the trailer, ran the vacuum cleaner over the braided rug, spread a clean tablecloth and put fresh shelf paper in the kitchen cupboards. That was a little job. In the old days she would have stuffed the dirty paper in the stove and burned it. The electric stove was clean but it couldn’t dry socks, burn paper, raise bread or provide comfort. Cost money to run it. They called it progress. By nine there was nothing

Nevertheless he thinks: Soon they will be women, and that recognition runs through him like a needle. They will demand brassieres and then reject them, blaming both needs on him. They will criticize his clothes, his job, his turn of phrase. They’ll leave home to live with surly, scrofulous young men; or they’ll marry dentists and go in for white rugs and hanging sculptures made of wool. Either way they will judge him. Motherless, childless, he sits at the kitchen table, the solitary wanderer, under the cold red stars.

Did he use a condom?" Trixie shook her head. "He pulled out before he finished. There was blood on the carpet, and on me, too. He was worried about that. He said he didn't mean to hurt me." Maybe, Daniel mused, he would do all of these things to Jason Underhill. Twice. "He got up and found a roll of paper towels so I could clean myself up. Then he took some rug cleaner from under the kitchen sink, and he scrubbed the spot on the carpet. He said we were lucky it wasn't ruined." And what about Trixie? What magical solution would take away the stain he'd left on her forever?

I was eager to try these delicacies, and was thrilled when Bugnard instructed me on where to buy a proper haunch of venison and how to prepare it. I picked a good-looking piece, then marinated it in red wine, aromatic vegetables, and herbs, and hung the lot for several days in a big bag out the kitchen window. When I judged it ready, by smell, I roasted it for a good long while. The venison made a splendid dinner, with a rich, deep, gamy-tasting sauce, and for days afterward Paul and I feasted on its very special cold meat. When the deer had given us its all, I offered the big leg-bone structure to Minette. “Would you like to try this, poussiequette?” I asked her, laying the platter on the floor. She approached tentatively and sniffed. Then the wild-game signals must have hit her central nervous system, for she suddenly arched her back and, with hair standing on end, let out a snarling groowwwwllll! She lunged at the bone and, grabbing it with her sharp teeth, dragged it out onto the living-room rug—luckily a well-worn Oriental—where she chewed at it for a good hour before stalking off. (Even in such intense circumstances, she rarely laid paw on bone, preferring to use her teeth.)

I feed Volnay, who eats in her unusual way, delicately removing one piece of kibble at a time from her bowl, placing it on the little rug that serves as her dining room, and then eating it before going back in for a second piece of kibble. It takes her the better part of thirty minutes to finish her bowl. I'm sure if she had thumbs, she'd be patting her chin with a linen napkin after every morsel. When she finishes, she hits the water bowl. Silently. No one can figure out how she drinks, she sort of purses her lips and sucks, none of that slurping and splashing that accompany most dogs' drinking. She is a stealth drinker. When she finishes, she heads to her little bed in the corner of the kitchen to groom her fur a bit. Lovely girl.

Once when I visited Buddy I found Mrs. Willard braiding a rug out of strips of wool from Mr. Willard’s old suits. She’d spent weeks on that rug, and I had admired the tweedy browns and greens and blues patterning the braid, but after Mrs. Willard was through, instead of hanging the rug on the wall the way I would have done, she put it down in place of her kitchen mat, and in a few days it was soiled and dull and indistinguishable from any mat you could buy for under a dollar in the five and ten. And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs. Willard’s kitchen mat.

I close my eyes and hear wind rushing through palm trees again. And then laughter. The scene is foggy at first, and then it comes into sharp focus. I am standing in a kitchen. It's one of those big, well-appointed spaces you see in magazines, but this one is well loved, not just staged. A cake bakes in the oven. Carrot. There are matches and a box of birthday candles at the ready by the stove. Stan Getz's smoky-sweet saxophone filters from a speaker somewhere nearby. I'm stirring a pot of marinara sauce; a bit has splattered onto the marble countertop, but I don't care. I take a sip of wine and sway to the music. A little girl giggles on the sofa. I don't see her face, just her blond ponytail. And then warm, strong arms around my waist as he presses his body against me. I breathe in the scent of rugged spice, fresh cotton, and love.

Do you want any breakfast, Sam?” my mom asks. I never eat breakfast at home, but my mom still asks me every day—when she catches me before I duck out, anyway—and in that moment I realize how much I love the little everyday routines of my life: the fact that she always asks, the fact that I always say no because there’s a sesame bagel waiting for me in Lindsay’s car, the fact that we always listen to “No More Drama” as we pull into the parking lot. The fact that my mom always cooks spaghetti and meatballs on Sunday, and the fact that once a month my dad takes over the kitchen and makes his “special stew,” which is just hot-dog pieces and baked beans and lots of extra ketchup and molasses, and I would never admit to liking it, but it’s actually one of my favorite meals. The details that are my life’s special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced. So many things become beautiful when you really look.

Flour on the floor makes my sandals slip and I tumble into your arms. Too hot to bake this morning but blueberries begged me to fold them into moist muffins. Sticks of rhubarb plotted a whole pie. The windows are blown open and a thickfruit tang sneaks through the wire screen and into the home of the scowly lady who lives next door. Yesterday, a man in the city was rescued from his apartment which was filled with a thousand rats. Something about being angry because his pet python refused to eat. He let the bloom of fur rise, rise over the little gnarly blue rug, over the coffee table, the kitchen countertops and pip through each cabinet, snip at the stumpy bags of sugar, the cylinders of salt. Our kitchen is a riot of pots, wooden spoons, melted butter. So be it. Maybe all this baking will quiet the angry voices next door, if only for a brief whiff. I want our summers to always be like this—a kitchen wrecked with love, a table overflowing with baked goods warming the already warm air. After all the pots are stacked, the goodies cooled, and all the counters wiped clean—let us never be rescued from this mess.

The translucent, golden punch tastes velvety, voluptuous and not off-puttingly milky. Under its influence, I stage a party for my heroines in my imagination, and in my flat. It's less like the glowering encounter I imagined between Cathy Earnshaw and Flora Poste, and more like the riotous bash in Breakfast at Tiffany's. Not everyone is going to like milk punch. So there are also dirty martinis, and bagels and baklava, and my mother's masafan, Iraqi marzipan. The Little Mermaid is in the bath, with her tail still on, singing because she never did give up her soaring voice. Anne Shirley and Jo March are having a furious argument about plot versus character, gesticulating with ink-stained hands. Scarlett is in the living room, her skirts taking up half the space, trying to show Lizzy how to bat her eyelashes. Lizzy is laughing her head off ut Scarlett has acquired a sense of humour, and doesn't mind a bit. Melanie is talking book with Esther Greenwood, who has brought her baby and also the proofs of her first poetry collection. Franny and Zooey have rolled back the rug and are doing a soft shoe shuffle in rhinestone hats. Lucy Honeychurch is hammering out some Beethoven (in this scenario I have a piano. A ground piano. Well, why not?) Marjorie Morningstar is gossiping about directors with Pauline and Posy Fossil. They've come straight from the shows they're in, till in stage make-up and full of stories. Petrova, in a leather aviator jacket, goggles pushed back, a chic scarf knotted around her neck, is telling the thrilling story of her latest flight and how she fixed an engine fault in mid-air. Mira, in her paint-stained jeans and poncho, is listening, fascinated, asking a thousand questions. Mildred has been persuaded to drink a tiny glass of sherry, then another tiny glass, then another and now she and Lolly are doing a wild, strange dance in the hallway, stamping their feet, their hair flying wild and electric. Lolly's cakes, in the shape of patriarchs she hates, are going down a treat. The Dolls from the Valley are telling Flora some truly scandalous and unrepeatable stories, and she is firmly advising them to get rid of their men and find worthier paramours. Celie is modelling trousers of her own design and taking orders from the Lace women; Judy is giving her a ten-point plan on how to expand her business to an international market. She is quite drunk but nevertheless the plan seems quite coherent, even if it is punctuated by her bellowing 'More leopard print, more leopard print!' Cathy looks tumultuous and on the edge of violent weeping and just as I think she's going to storm out or trash my flat, Jane arrives, late, with an unexpected guest. Cathy turns in anticipation: is it Heathcliff? Once I would have joined her but now I'm glad it isn't him. It's a better surprise. It's Emily's hawk. Hero or Nero. Jane's found him at last, and has him on her arm, perched on her glove; small for a bird of prey, he is dashing and patrician looking, brown and white, observing the room with dark, flinty eyes. When Cathy sees him, she looks at Jane and smiles. And in the kitchen is a heroine I probably should have had when I was four and sitting on my parents' carpet, wishing it would fly. In the kitchen is Scheherazade.

know my way around here now!” The group, impressed, followed Kells. “Why can’t I go, too?” Belinda asked. “Because I have plans for you, Miss Jessup,” he drawled. He caught her hand in his and led her toward the white frame house. “What sort of plans?” she asked suspiciously. He paused with a secretive grin. “What do you think?” He leaned closer, threatening her mouth with his, so that when he spoke she felt his clean, minty breath on her lips. “Well, I could be thinking about how big and soft the sofa in the living room is,” he murmured. “And how well two people would fit on it.” She could barely breathe. Her heart was thumping madly against her rib cage. “Or,” he added, lifting his head, “I might have something purely innocent in mind. Why not come with me and find out?” He tugged at her hand and she fell into step beside him, just when she’d told herself she wasn’t about to do that. He led her up the steps and into the house. It was cool and airy, with light colored furniture and sedate throw rugs. There were plain white priscilla curtains at the windows, and the kitchen was spacious and furnished in white and yellow. “It’s very nice,” she said involuntarily, turning around to look at her surroundings.

Let me get this straight. You’re telling me I’m supposed to stand in front of a charging bear and spray it with a can of pepper?” Call fought back a grin. “It isn’t my idea of a good time, but it works. At least it usually does.” “You’re not speaking from personal experience?” “I’ve only had to use it once, but it did the trick. When that little stream of spray hit that grizzly in the face, he couldn’t get out of there fast enough.” Good Lord, the man had faced down a grizzly bear with a can of aerosol spray! She stared at that hard, rugged jaw, thought of Max Mason, and didn’t doubt it for a second. She grinned as she set the pepper spray down on what passed for a kitchen counter--a board with a strip of linoleum glued to the top. “That was very thoughtful. You know what they say in the Yukon--a can of pepper spray beats a bouquet of flowers any old day.

This is how it goes in life: sometimes you’re born with a cleft palette or rickets, like my bow-legged Granddaddy, or a touch short on brains, like my Great Aunt Cal who everyone called ‘Stool.’ Me? I’m a double hitter. In addition to being what folks call “large boned,” I came into this world with homosexual tendencies—though back then I thought of it only as my strange, strong affections for some female friends, having no such notion of “homosexual tendencies” as a thing, at least not in Midland, Texas. Notions of this nature found footing in me eight months before I ran away to work in the kitchen at Sugarland Prison, when I got a job at the egg store. The egg store was all wood. Wood floors, wood ceiling beams, wood shelves—that rugged, knotty, reddish wood. The simple kind of wood they used to bury folks in before the floods, when rotting coffins popped from the ground like splinters and dead bodies dropped out in maggoty heaps. The egg store smelled like wood, too, which I liked. That and just the tiniest hint of smoke from Bibby’s metal pork smoker two streets over. I swear he ran that thing day and night, crazy redneck. And that’s where I fell in love for the first time, there in the egg store that smelled like wood and smoked pig fat.

If you replace carpet in an upstairs unit, get the thickest pad possible. Also, put thick area rugs on hard floor surfaces like kitchens, entries, and hallways.

There are signs, however, that a good time was had all last night. Jo might have found herself caught in the middle of a love triangle, but she clearly didn't mind staying around when she thought that one of the angles had been dispensed with. The remains of dinner still grace the table---dirty dishes, rumpled napkins, a champagne flute bearing a lipstick mark. There's even one of the Chocolate Heaven goodies left in the box---which is absolute sacrilege in my book, so I pop it in my mouth and enjoy the brief lift it gives me. I huff unhappily to myself. If they left chocolate uneaten, that must be because they couldn't wait to get down to it. Two of the red cushions from the sofa are on the floor, which shows a certain carelessness that Marcus doesn't normally exhibit. They're scattered on the white, fluffy sheepskin rug, which should immediately make me suspicious---and it does. I walk through to the bedroom and, of course, it isn't looking quite as pristine as it did yesterday. Both sides of the bed are disheveled and I think that tells me just one thing. But, if I needed confirmation, there's a bottle of champagne and two more flutes by the side of the bed. It seems that Marcus didn't sleep alone. Heavy of heart and footstep, I trail back through to the kitchen. More devastation faces me. Marcus had made no attempt to clear up. The dishes haven't been put into the dishwasher and the congealed remnants of last night's Moroccan chicken with olives and saffron-scented mash still stand in their respective saucepans on the cooker. Tipping the contents of one pan into the other, I then pick up a serving spoon and carry them both through the bedroom. I slide open the wardrobe doors and the sight of Marcus's neatly organized rows of shirts and shoes greet me. Balancing the pan rather precariously on my hip, I dip the serving spoon into the chicken and mashed potatoes and scoop up as much as I can. Opening the pocket of Marcus's favorite Hugo Boss suit, I deposit the cold mash into it. To give the man credit where credit is due, his mash is very light and fluffy. I move along the row, garnishing each of his suits with some of his gourmet dish, and when I've done all of them, find that I still have some food remaining. Seems as if the lovers didn't have much of an appetite, after all. I move onto Marcus's shoes---rows and rows of lovely designer footwear---casual at one end, smart at the other. He has a shoe collection that far surpasses mine. Ted Baker, Paul Smith, Prada, Miu Miu, Tod's... I slot a full spoon delicately into each one, pressing it down into the toe area for maximum impact. I take the saucepan back into the kitchen and return it to the hob. With the way I'm feeling, Marcus is very lucky that I don't just burn his flat down. Instead, I open the freezer. My boyfriend---ex-boyfriend---has a love of seafood. (And other women, of course.) I take out a bag of frozen tiger prawns and rip it open. In the living room, I remove the cushions from the sofa and gently but firmly push a couple of handfuls of the prawns down the back. Through to the bedroom and I lift the mattress on Marcus's lovely leather bed and slip the remaining prawns beneath it, pressing them as flat as I can. In a couple of days, they should smell quite interesting. As my pièce de résistance, I go back to the kitchen and take the half-finished bottle of red wine---the one that I didn't even get a sniff at---and pour it all over Marcus's white, fluffy rug. I place my key in the middle of the spreading stain. Then I take out my lipstick, a nice red one called Bitter Scarlet---which is quite appropriate, if you ask me---and I write on his white leather sofa, in my best possible script: MARCUS CANNING, YOU ARE A CHEATING BASTARD.

They didn’t, and now the room felt strangely empty without their grandmother rattling in the corners. They had been here before. Averlee couldn’t place it exactly, but the mix of cigarettes and coffee, the rose-scented air freshener was familiar. The cookie jar shaped like a clock on the kitchen counter. She had seen it, tasted lemon wafers from inside it. They had been here before they had enough words to remember it by. And now she’d left them alone. But it wasn’t her grandmother Averlee missed. It was the braided rug in her bedroom at home, smelling like the cherry sucker Quincy broke between her teeth and let fall like slivers of red glass between the seams. Her grandmother’s voice carried down the hall. “Hospital… Snake… These girls.” Averlee liked to flop onto her belly and read on that rug. She

Harley Diekerhoff looked up from peeling potatoes to glance out the kitchen window. It was still snowing... even harder than it had been this morning. So much white, it dazzled. Hands still, breath catching, she watched the thick, white flakes blow past the ranch house at a dizzying pace, enthralled by the flurry of the lacy snowflakes. So beautiful. Magical A mysterious silent ballet in all white, the snow swirling, twirling just like it did in her favorite scene from the Nutcracker—the one with the Snow Queen and her breathtaking corps in their white tutus with their precision and speed—and then that dazzling snow at the end, the delicate flakes powdering the stage. Harley’s chest ached. She gripped the peeler more tightly, and focused on her breathing. She didn’t want to remember. She wasn’t going to remember. Wasn’t going to go there, not now, not today. Not when she had six hungry men to feed in a little over two hours. She picked up a potato, started peeling. She’d come to Montana to work. She’d taken the temporary job at Copper Mountain Ranch to get some distance from her family this Christmas, and working on the Paradise Valley cattle ranch would give her new memories. Like the snow piling up outside the window. She’d never lived in a place that snowed like this. Where she came from in Central California, they didn’t have snow, they had fog. Thick soupy Tule fog that blanketed the entire valley, socking in airports, making driving nearly impossible. And on the nights when the fog lifted and temperatures dropped beneath the cold clear sky, the citrus growers rushed to light smudge pots to protect their valuable, vulnerable orange crops. Her family didn’t grow oranges. Her family were Dutch dairy people. Harley had been raised on a big dairy farm in Visalia, and she’d marry a dairyman in college, and they’d had their own dairy, too. But that’s the part she needed to forget. That’s why she’d come to Montana, with its jagged mountains and rugged river valleys and long cold winters. She’d arrived here the Sunday following Thanksgiving and would work through mid-January, when Brock Sheenan’s housekeeper returned from a personal leave of absence. In January, Harley would either return to California or look for another job in Crawford County. Harley was tempted to stay, as the Bozeman employment agency assured her they’d have no problem finding her a permanent position if she wanted one.

I shut my eyes and listened to the remainder of “I’ll Be” by Edwin McCain in my car before preparing to get out. My dad used to sing that to my mom when they thought I wasn’t looking. He’d pull her close in the kitchen and dance with her slowly as he softly sang each word in her ear. My dad was sweet like that, and I remember thinking I wanted a guy just like him. A rugged-looking softy who would take the time to dance with his wife for no reason at all. He looked at her like she was the world. And I’d vowed to never settle for less.

She poured a cup of coffee and slipped into Ada’s makeshift bedroom to grab the book she’d left on the couch. Her gaze focused on her goal, she tiptoed across the rug. With book in hand, she turned. The spine of the book cracked on the floor. The coffee cup broke into pieces, the air ripe with hazelnut. Trembling started in her knees and spread through her body. A static roar blocked out any other noise. The corners of Ada’s mouth tilted into a slight smile. Washed-out blue eyes stared at the ceiling. Darcy reached for Ada’s hand. The cool, waxy skin reeled her backward. She tripped over the book and landed half on the couch. She slid to a crouch on the floor and pulled the afghan over her knees. She dared another look. Ada lay still. Her mind pinged from memory to memory. Standing on a chair in the kitchen while Ada taught her the secret of fluffy biscuits. Cuddling next to Ada on the couch learning to read from Dr. Seuss books. Ada in old, rolled-up overalls and a floppy straw hat weeding the garden. The way Ada smelled like books and Pond’s cold cream. Ada’s laugh when Darcy had regaled her with made-up stories as a child. They’d run out of time to make new memories.

Nate came back into the kitchen, his hair slightly messy from having had the beanie on. The gray thermal Henley he wore gave him a rugged, all-man look that made her heart skip a couple beats. For someone who was the opposite of her type, he sure was hard not to look at. Add the quiet sense of humor she'd seen last night and delivering chocolate chips, and he'd tiptoed into perfect territory.

What’s the matter, chile? The debil chasin’ after you?” Emma paused to take a deep breath and recover her dignity. “Yes,” she said. “Do you know where Chloe put Mr. Fair—Steven’s pistol?” “She done locked it up in her desk drawer with the derringer. Why? You gonna give it back to him?” Emma nodded, then proceeded toward the hallway. “I most certainly am.” “Why you wanna do that?” Daisy fussed, following her out of the kitchen and into Chloe’s study. Finding the key in its customary hiding place, Emma unlocked Chloe’s desk and lifted the formidable Colt .45 gingerly from its depths. “There’s always the hope that he’ll shoot himself,” she said cheerfully. Daisy shrank back against the doorway. “Miss Emma, you put that thing down right now, or I’s gonna take you over my knee and paddle you!” Emma raised the gun and sited in on a book shelf across the room. She wondered what it would be like to fire the weapon. In the next instant she found out, for the gun went off with no intentional help from Emma, and several of Chloe’s leatherbound books exploded into a single smoldering tangle of paper. Daisy screamed and so did Emma, who dropped the gun in horror only to have it fire again, this time splintering the leg of Big John’s favorite chair. “Don’t you dare touch that thing again!” Daisy shrieked, when Emma bent to retrieve it. Emma left the pistol lying on the rug and straightened up again, one hand pressed to her mouth in shock. The two women stood in their places for a long time, afraid to move. Emma, for her part, was busy imagining all the dreadful things that could have happened. She was amazed to see Steven stumble into the room, fully dressed except for his boots, drenched in sweat from the effort of making his way down the stairs in a hurry. The expression in his eyes was wild and alert, almost predatory. “What the hell’s going on in here?” he rasped. Emma pointed to the pistol as though it were a snake coiled to strike. “It went off—twice.” Steven was supporting himself by grasping the edge of Chloe’s desk. “Pick it up very carefully and hand it to me,” he said. Emma bit her lower lip, remembering what had happened when she’d handled the gun before. “You can do it,” Steven urged. “Just make sure you don’t touch the hammer or the trigger.” Emma crouched and picked it up cautiously. The barrel was hot against her palm. “Here,” Steven said, holding out his hand. Emma surrendered the gun, and leaning back against the desk, Steven spun the chamber expertly, dropping the four remaining bullets into his palm. He gave a ragged sigh, then just stood there, cradling the pistol in his hands like a kitten or a puppy. “I was going to bring it to you,” Emma confessed in a small voice. “She was hopin’ you’d blow your brains out with it,” Daisy muttered, before she turned and went back to the kitchen. Steven

There’s a large living area that opens into the kitchen at the far end, with tall windows that look over the wide expanse of sky and sea. The white linen couch and armchairs are rumpled and so soft, they threaten to swallow you when you drop into them. Braided rugs lie higgledy-piggledy, a patchwork of color over wide knotted floorboards. A fireplace is set into a brick wall, painted white and stained with smoke from years of use. There’s a stack of logs on one side and a vintage steamer trunk that’s full of blankets on the other. An upright piano stands under the staircase that leads to the second floor.

His eyes darted around the hallway, across the woven blue rug and up to the framed photos of baguettes and cheese wedges that covered the walls. His skin warmed from the heat coming out of the nearby kitchen. The smell of butter and cream mingled together like the tastiest candle you could ever light. He'd never had the food at Lyon, but he already knew what he was missing.

The tall man drew a curved blade from beneath his leather coat. A sword, like from a storybook. Dad was trying to pull the axe free from the doorframe when the man plunged the sword into Dad’s stomach, pushing it upward. There was a sound, like sticks snapping, and an animal cry. Dad fell to the vestibule carpet, the one Mom always yelled about when they tracked mud on it. The rug that was turning red. Mom screamed. Jude screamed. Taryn and Vivi screamed. Everyone seemed to be screaming, except the tall man. “Come here,” he said, looking directly at Vivi. “Y-you monster,” their mother shouted, moving toward the kitchen. “He’s dead!

It’s going out:  remove everything except what is attached to the floor or imbedded in the wall.  Whatever can be washed outside or in the kitchen, do it now and leave it to dry.  We’re talking baskets, floral arrangement, shelves and stuff.  Everything else is set outside the room on the floor and this includes the roll of toilet paper that’s hanging off the side of the vanity.  “Everything else” = towels, rugs (maybe you want to wash them now) toothbrush, tissue box, make-up, hair brush, dryer, blah, blah, blah, get my drift?

With Mr. Tall, Dark, and Rugged in your kitchen makin’ you a feast? Good luck, bestie. You have more willpower than I do. I’d be on my knees, beggin’ him to pick me, choose me, love me.

I get to prepping, slicing up fresh tarragon, the grassy floral fragrance enveloping me. I take two pieces of foil and set filets of cod on each one, followed by the salicornes. Drizzle a bit of lemon. A few razor-thin slices of garlic and lemon. A bit of salt and pepper. Paprika. Some herbes de Provence, my special blend. And, finally, the tarragon. While the fish is baking, I make the rice, deciding to add a dash of cardamom and cumin. Soon, the kitchen smells like heaven, and I feel like I'm floating on my feet. It could be the aromas emanating from the oven, or it could be my wrists, the base notes from the perfume she gave me. Finally, once the meal is ready, I plate it, adding edible violet flowers as a last-minute garnish. Before bringing Garrance her dish, I taste it. And, oh my, now I'm swept away into a fantasy of the sea---the same one I'd had before when she'd first given me the salicornes, but stronger, more intense. I'm running along the rugged beaches, and then I'm falling on the sand. I can hear the waves crashes, the calls of seagulls, the---

The sun had slipped past noon, and a slice of heat fell through the tree-house window, firing Laurel's inner eyelids cherry cola. She sat up but made no further move to leave her hiding spot. It was a decent threat- Laurel's weakness for her mother's Victoria sponge was legendary- but an idle one. Laurel knew very well that the cake knife lay forgotten on the kitchen table, missed amid the earlier chaos as the family gathered picnic baskets, rugs, fizzy lemonade, swimming towels, and the new transistor, and burst, stream-bound, from the house. She knew well because when she'd doubled back under the guise of hide-and-seek and sneaked inside the cool, dim house to fetch the package, she'd seen the knife sitting by the fruit bowl, red bow tied around its handle. The knife was a tradition- it had cut every birthday cake, every Christmas cake, every Somebody-Needs-Cheering-Up cake in the Nicolson family's history- and their mother was a stickler for tradition.

If you are afraid of food being trodden in under the kitchen table, you obviously shouldn’t tempt fate by putting a long-pile rug there—better to choose a naturally resistant, flat-weave woolen rug.

Behind them they left the very essence of their lives: stone homes furnished with couches, tables, rugs, family pictures, and clothing; their kitchens overflowing with spices, dates, pastries, and tea leaves; their olive groves, lemon trees, and fig fields. They did not know it, but they would never return.

The kitchen had no toaster or kettle or microwave or other labour-saving device. In a cupboard he found a set of three rugged iron camping pans – small, medium and large. In another he found a twelve-piece crockery set. The only food he found was an unopened box of cereal. There were enough carbohydrates contained within to keep a person alive for a long time.

he said, and straighten his life out. Georgie and I felt good about helping Mr. Potter reform. Lissa’s answer disappointed Georgie. “I think I’ll just go to bed and read for a while,” she said. “I’m tired, Daddy.” He yawned. “I’m pretty done in myself. We’ve had a big day.” The kitchen light went off and the bathroom light came on. In a few moments, the light in the small bedroom came on, too. Without a word, Georgie and I sneaked across the yard to Lissa’s room. We’d peeked in the windows many times before, often with pranks in mind. To make things easier, we’d hidden cinder blocks in strategic places. Standing on them, we could look in any window except the one in the bathroom, which was higher than the others. Of course, we wouldn’t have looked in the bathroom even if we could have. People deserve some privacy. Lissa was already in bed. The grumpy old men caretakers had used her room for storage, but now it was clean and neat. A green and yellow rag rug covered most of the old linoleum tile. A small desk, a narrow bookcase, and a white dresser with a mirror were crammed into the tiny space, along with Lissa’s bed, painted white to match the dresser. She’d made a little nest of pillows and quilts and stuffed animals, and she looked cozy and comfortable snuggled