Kitchen Granite Quotes

There’s an organic grocery store just off the highway exit. I can’t remember the last time I went shopping for food.” A smile glittered in his eyes. “I might have gone overboard.” I walked into the kitchen, with gleaming stainless-steel appliances, black granite countertops, and walnut cabinetry. Very masculine, very sleek. I went for the fridge first. Water bottles, spinach and arugula, mushrooms, gingerroot, Gorgonzola and feta cheeses, natural peanut butter, and milk on one side. Hot dogs, cold cuts, Coke, chocolate pudding cups, and canned whipped cream on the other. I tried to picture Patch pushing a shopping cart down the aisle, tossing in food as it pleased him. It was all I could do to keep a straight face.

We swept past a kitchen whose granite countertops were crowded with liquor bottles and stepped into the living room at the back of the house. “Normally, we use the garden, but normally God isn’t bowling a perfect game overhead, so inside will have to do tonight. We’re just waiting on one more.

From Time for College - Mr. Chiardi & Other Stories It was time for Junior to go to college. He’d sprouted pubic hair and was eyeing all the girls. “I want to go to college,” he said. “Yes,” I replied, “It’s time.” His mother, my wife, was resigned to the fact that it was time for Junior to leave the nest. She sat on a stool at the granite kitchen counter, spiked coffee beside her, reading The New York Times. She looked almost real.

Smith and Kemp bought a run-down restaurant on the beach that had formerly served burgers and fried clams, and they transformed it into the Blue Bistro, with seating for over a hundred facing the Atlantic Ocean. The only seats harder to procure than the seats at the blue granite bar are the four tables out in the sand where the Bistro serves its now-famous version of seafood fondue. (Or, as the kitchen fondly refers to it, the all-you-can-eat fried shrimp special.) Many of Ms. Kemp's offerings are twists on old classics, like the fondue. She serves impeccable steak frites, a lobster club sandwich, and a sushi plate, which features a two-inch-thick slab of locally caught bluefin tuna.

The fact is,” said Van Gogh, “the fact is that we are painters in real life, and the important thing is to breathe as hard as ever we can breathe.” So I breathe. I breathe at the open window above my desk, and a moist fragrance assails me from the gnawed leaves of the growing mock orange. This air is as intricate as the light that filters through forested mountain ridges and into my kitchen window; this sweet air is the breath of leafy lungs more rotted than mine; it has sifted through the serrations of many teeth. I have to love these tatters. And I must confess that the thought of this old yard breathing alone in the dark turns my mind to something else. I cannot in all honesty call the world old when I’ve seen it new. On the other hand, neither will honesty permit me suddenly to invoke certain experiences of newness and beauty as binding, sweeping away all knowledge. But I am thinking now of the tree with the lights in it, the cedar in the yard by the creek I saw transfigured. That the world is old and frayed is no surprise; that the world could ever become new and whole beyond uncertainty was, and is, such a surprise that I find myself referring all subsequent kinds of knowledge to it. And it suddenly occurs to me to wonder: were the twigs of the cedar I saw really bloated with galls? They probably were; they almost surely were. I have seen these “cedar apples” swell from that cedar’s green before and since: reddish gray, rank, malignant. All right then. But knowledge does not vanquish mystery, or obscure its distant lights. I still now and will tomorrow steer by what happened that day, when some undeniably new spirit roared down the air, bowled me over, and turned on the lights. I stood on grass like air, air like lightning coursed in my blood, floated my bones, swam in my teeth. I’ve been there, seen it, been done by it. I know what happened to the cedar tree, I saw the cells in the cedar tree pulse charged like wings beating praise. Now, it would be too facile to pull everything out of the hat and say that mystery vanquishes knowledge. Although my vision of the world of the spirit would not be altered a jot if the cedar had been purulent with galls, those galls actually do matter to my understanding of this world. Can I say then that corruption is one of beauty’s deep-blue speckles, that the frayed and nibbled fringe of the world is a tallith, a prayer shawl, the intricate garment of beauty? It is very tempting, but I cannot. But I can, however, affirm that corruption is not beauty’s very heart and I can I think call the vision of the cedar and the knowledge of these wormy quarryings twin fjords cutting into the granite cliffs of mystery and say the new is always present simultaneously with the old, however hidden. The tree with the lights in it does not go out; that light still shines on an old world, now feebly, now bright. I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wandering awed about on a splintered wreck I’ve come to care for, whose gnawed trees breathe a delicate air, whose bloodied and scarred creatures are my dearest companions, and whose beauty beats and shines not in its imperfections but overwhelmingly in spite of them, under the wind-rent clouds, upstream and down.

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Ben?” he called. “You’re back early.” “Yup.” Ben strode into the kitchen, and one look at his face had Maddox recoiling against the fridge. Ben’s eyes were hard as granite, eyebrows knit together, and mouth a thin, razor-sharp line. He knows. “Everything

Someday Tatiana must tell Alexander how glad she is that her sister Dasha did not die without once feeling what it was like to love. Alexander. Here he is, before he was Tatiana’s, at the age of twenty, getting his medal of valor for bringing back Yuri Stepanov during the 1940 Winter War. Alexander is in his dress Soviet uniform, snug against his body, his stance at-ease and his hand up to his temple in teasing salute. There is a gleaming smile on his face, his eyes are carefree, his whole man-self full of breathtaking, aching youth. And yet, the war was on, and his men had already died and frozen and starved... and his mother and father were gone... and he was far away from home, and getting farther and farther, and every day was his last—one way or another, every day was his last. And yet, he smiles, he shines, he is happy. Anthony is gone so long that his daughters say something must have happened to him. But then he appears. Like his father, he has learned well the poker face and outwardly remains imperturbable. Just as a man should be, thinks Tatiana. A man doesn’t get to be on the President’s National Security Council without steeling himself to some of life’s little adversities. A man doesn’t go through what Anthony went through without steeling himself to some of life’s little adversities. In this hand Anthony carries two faded photographs, flattened by the pages of the book, grayed by the passing years. The kitchen falls quiet, even Rachel and Rebecca are breathless in anticipation. “Let’s see...” they murmur, gingerly picking up the fragile, sepia pictures with their long fingers. Tatiana is far away from them. “Do you want to see them with us, Grammy? Grandpa?” “We know them well,” Tatiana says, her voice catching on something. “You kids go ahead.” The grandchildren, the daughter, the son, the guests circle their heads, gaping. “Washington, look! Just look at them! What did we tell you?” Shura and Tania, 23 and 18, just married. In full bloom, on the steps of the church near Lazarevo, he in his Red Army dress uniform, she in her white dress with red roses, roses that are black in the monochrome photo. She is standing next to him, holding his arm. He is looking into the camera, a wide grin on his face. She is gazing up at him, her small body pressed into him, her light hair at her shoulders, her arms bare, her mouth slightly parted. “Grammy!” Rebecca exclaims. “I’m positively blushing. Look at the way you’re coming the spoon on Grandpa!” She turns to Alexander from the island. “Grandpa, did you catch the way she is looking at you?” “Once or twice,” replies Alexander. The other colorless photo. Tania and Shura, 18 and 23. He lifts her in the air, his arms wrapped around her body, her arms wrapped around his neck, their fresh faces tilted, their enraptured lips in a breathless open kiss. Her feet are off the ground. “Wow, Grammy,” murmurs Rebecca. “Wow, Grandpa.” Tatiana is busily wiping the granite island. “You want to know what my Washington said about you two?” Rebecca says, not looking away from the photograph. “He called you an adjacent Fibonacci pair!” She giggles. “Isn’t that sexy?” Tatiana shakes her head, despite herself glancing at Washington with reluctant affection. “Just what we need, another math expert. I don’t know what you all think math will give you.” And Janie comes over to her father who is sitting at the kitchen table, holding her baby son, bends over Alexander, leans over him, kisses him, her arm around him, and murmurs into his ear, “Daddy, I’ve figured out what I’m going to call my baby. It’s so simple.” “Fibonacci?” She laughs. “Why, Shannon, of course. Shannon.” The

I am sitting here, you are sitting there. Say even that you are sitting across the kitchen table from me right now. Our eyes meet; a consciousness snaps back and forth. What we know, at least for starters, is: here we- so incontrovertibly- are. This is our life, these are our lighted seasons, and then we die. In the meantime, in between time, we can see. The scales are fallen from our eyes, the cataracts are cut away, and we can work at making sense of the color-patches we see in an effort to discover where we so incontrovertibly are. I am as passionately interested in where I am as is a lone sailor sans sextant in a ketch on an open ocean. I have at the moment a situation which allows me to devote considerable hunks of time to seeing what I can see, and trying to piece it together. I’ve learned the name of some color-patches, but not the meanings. I’ve read books; I’ve gathered statistics feverishly: the average temperature of our planet is 57 degrees F…The average size of all living animals, including man, is almost that of a housefly. The earth is mostly granite, which is mostly oxygen…In these Appalachians we have found a coal bed with 120 seams, meaning 120 forests that just happened to fall into water…I would like to see it all, to understand it, but I must start somewhere, so I try to deal with the giant water bug in Tinker Creek and the flight of three hundred redwings from an Osage orange and let those who dare worry about the birthrate and population explosion among solar systems. So I think about the valley. And it occurs to me more and more that everything I have seen is wholly gratuitous. The giant water bug’s predations, the frog’s croak, the tree with the lights in it are not in any real sense necessary per se to the world or its creator. Nor am I. The creation in the first place, being itself, is the only necessity for which I would die, and I shall. The point about that being, as I know it here and see it, is that as I think about it, it accumulates in my mind as an extravagance of minutiae. The sheer fringe and network of detail assumes primary importance. That there are so many details seems to be the most important and visible fact about creation. If you can’t see the forest for the trees, then look at the trees; when you’ve looked at enough trees, you’ve seen a forest, you’ve got it. If the world is gratuitous, then the fringe of a goldfish’s fin is a million times more so. The first question- the one crucial one- of the creation of the universe and the existence of something as a sign and an affront to nothing is a blank one… The old Kabbalistic phrase is “the Mystery of the Splintering of the Vessels.” The words refer to the shrinking or imprisonment of essences within the various husk-covered forms of emanation or time. The Vessels splintered and solar systems spun; ciliated rotifers whirled in still water, and newts laid tracks in the silt-bottomed creek. Not only did the Vessels splinter; they splintered exceeding fine. Intricacy then is the subject, the intricacy of the created world.

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Every surface is spotlessly clean as usual. They have just finished renovating, and Christian has put a lot of time and effort into the choice of colors and materials. It was his idea; Hanna could easily have lived with the previous decor for a while longer. However, she has to admit that it looks good. The gray granite countertops blend perfectly with the kitchen cupboards, and the eye-wateringly expensive wooden flooring provides that extra-special finish.

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As Jack spoke, Carrington caught sight of me in the doorway, and she threw me a grin. “Are you gonna take Miss Ella fishing?” she asked Jack, who had picked up a Japanese saw and was cutting off the protruding end of the gunnel at an angle. “If she wants to,” he said. “Is she gonna catch you, Uncle Jack?” Carrington asked slyly. “She already did, darlin’.” At the sound of her titter, Jack paused in his sawing, followed her gaze and saw me standing there. A slow smile spread across his face, and his gaze turned dark and hot as he glanced over my pink swimsuit and bare legs. Dropping the saw, he muttered to the other two, “’ Scuse me, I’ve got to talk to Miss Ella about something.” “No, you don’t,” I protested. “I just wanted a peek at the skiff. It’s beautiful, Carrington. What color are you going to paint it?” “Pink like your bathing suit,” she said cheerfully. Jack was coming toward me. I retreated a few steps. “Don’t take him away for good, Ella,” Gage said. “We still need to fasten the gunnel on the other side.” “I’m not taking him away at all, I . . . Jack, get back to work.” But he headed for me without pausing, and I giggled and retreated into the kitchen. “Leave me alone, you’re all sweaty!” In a few seconds, I found myself pinned against a countertop, his hands gripping the beveled granite edge on either side of me. “You like me sweaty,” he murmured, his denim-clad legs corralling mine. I leaned backward to avoid contact with his damp chest. “If I have caught you,” I told him, still giggling, “I’m going to throw you back.” “You only throw the little ones back, darlin’. The big ones you keep. Now give me a kiss.” I tried to stop smiling long enough to comply. His lips were warm as they moved over mine, the kiss erotic in its careful lightness.

Come see the kitchen,” Haven told me, tugging me toward a tiled area with granite countertops and stainless-steel appliances. “Would you like something to drink?” “Yes, thanks.” She opened the refrigerator. “Mango iced tea, or raspberry basil?” “Mango, please.” I sat on a stool at the island. Jack ripped his attention away from the magazine long enough to protest, “Haven, you know I can’t stand that stuff. Just give me the regular kind.” “I don’t have the regular kind,” his sister retorted, pulling out a pitcher of citrus-colored tea. “You can try some of the mango.” “What’s wrong with tea-flavored tea?” “Quit complaining, Jack. Hardy tried this a few times and he likes it.” “Honey, Hardy would like it if you picked up grass clippings from the yard and brewed them. He’s pussy-whipped.” Haven bit back a smile. “I dare you to say that to his face.” “Can’t,” came the laconic reply. “He’s pussy-whipped, but he could still kick the crap out of me.” My eyes widened as I wondered what kind of man could manage to kick the crap out of Jack Travis. “My fiancé used to be a welder on a drilling rig and he’s tough as hell,” Haven informed me, her eyes twinkling. “Which is a good thing. Otherwise my three older brothers would have run him off by now.” “We’ve done everything short of giving him a medal for taking you on,” Jack retorted.

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My room is at the back of the house, so rather than the expanse of garden at the front, it faces north, with a view of outhouses and a cluster of dark trees. It’s the same room I stayed in as a child. I just have time to glance around and put my case on the single bed before Ophelia is hurrying me back downstairs and into the kitchen. It’s a farmhouse-style kitchen, redone since I was last here, with fitted cream cupboards with wooden knobs, and heavy granite tops, speckled with grey. The floor is solid oak boards, and the industrial size stainless steel fridge-freezer is big enough to feed a small army. Her mobile rings, and she picks it up. ‘I’m on my way,’ she says in a low voice. ‘I know. I know. She’s just arrived. I’ll be with you soon.’ She ends the call with a click and hoists Kit onto his booster seat as she gestures towards the fridge. ‘Just give them whatever you think best. They’re not fussy, and everything is organic.’ Then she’s gone, with no explanation about where to, or when she’ll be back. Neither of the children seem bothered by their mother’s departure or about being left with a stranger. I guess they’re used to it. It was my agency who alerted me to the job vacancy. ‘You’re from Suffolk, aren’t you?’ my agent had asked. ‘I think you’ll want to apply for this one. Good money too.’ When I realised where the job was, it felt like fate. I didn’t even need an interview. I got the position on references alone.

She sat down at the black granite counter, kicking her shoes off onto the polished concrete floor. Her minimalist kitchen with its perfect lines and edges had, as Max was fond of saying, "wow factor", but it wasn't warm. Sometimes you didn't want a room to make a statement or to say anything about you, you just wanted it to shut up and be a room.

The house stood on a hill, in a coppice of bare elms still waiting for the blight. It was granite and very big, and crumbling, with a crowd of gables that clustered like torn black tents above the tree-tops. Acres of smashed greenhouses led to it; collapsed stables and an untended kitchen garden lay below it in the valley. The hills were olive and shaven, and had once been hill-forts. “Harry’s Cornish heap,” she called it. Between the hills ran the line of the sea, which that morning was hard as slate under the lowering cloud banks. A taxi took him up the bumpy drive, an old Humber like a wartime staff car. This is where she spent her childhood, thought Smiley; and where she adopted mine.