Mines Safety Quotes

We've searched our database for all the quotes and captions related to Mines Safety. Here they are! All 100 of them:

This early piece of the morning is mine.
Wallace Stegner (Crossing to Safety)
Love is not leaning on each other, adjusting to fit a different size. Love is simply two hands reached out in the darkness, saying; I’ll be your light, if you’ll be mine.
Charlotte Eriksson
His lips were soft, warm and felt overwhelmingly right against mine. I fell into it, oblivious to anything other than the safety in his touch. One by one, the senses flowed from me as he pulled them away and set them free. It must have hurt him. The senses hurt the hell out of me..
Jessica Shirvington (Endless (The Violet Eden Chapters, #4))
All my life I've wanted to be the kid who gets to cross over into the magical kingdom. I devoured those books by C.S. Lewis and William Dunthorn, Ellen Wentworth, Susan Cooper, and Alan Garner. When I could get them from the library, I read them out of order as I found them, and then in order, and then reread them all again, many times over. Because even when I was a child I knew it wasn't simply escape that lay on the far side of the borders of fairyland. Instinctively I knew crossing over would mean more than fleeing the constant terror and shame that was mine at that time of my life. There was a knowledge – an understanding hidden in the marrow of my bones that only I can access ― telling me that by crossing over, I'd be coming home. That's the reason I’ve yearned so desperately to experience the wonder, the mystery, the beauty of that world beyond the World As It Is. It's because I know that somewhere across the border there's a place for me. A place of safety and strength and learning, where I can become who I'm supposed to be. I've tried forever to be that person here, but whatever I manage to accomplish in the World As It Is only seems to be an echo of what I could be in that other place that lies hidden somewhere beyond the borders.
Charles de Lint
His eyes, searching deep into mine, felt like danger and safety all rolled into one.
Jennifer Brown (Bitter End)
I don't know how much time passes with us just lying there, just feeling that the other is really there, really true, really alive, feeling the safety of him, his weight against mine, the roughness of his fingers touching my face, his warmth and his smell and the dustiness of his clothes, and we barely speak...
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
No one. Threatens. Your. Safety,” he bites out. “Got that, Angelina?” I blink, then nod. “Good,” he says, squeezes my neck, and slams his mouth to mine.
Neva Altaj (Hidden Truths (Perfectly Imperfect, #3))
Dear heart,” he murmured, “do not look on me with those dear, scared eyes of yours. If there is aught that puzzles you in what I said, try and trust me a little longer. Remember, I must save the Dauphin at all costs; mine honor is bound with his safety. What happens to me after that matters but little, yet I wish to live for your dear sake.
Emmuska Orczy (El Dorado: Further Adventures of the Scarlet Pimpernel)
I faced her and she faced me, and in the space between us in bed, she held out her hand. I took it in mine. Connected at the heart. I went to sleep soon after instead of worrying about the ramifications of what we had done. The safety was a sedative.
Debra Anastasia (Drowning in Stars)
One of mine – that had a ring to it, and so did the promise of safety, of being taken in hand. If Riley had tried to slap a label on the thing budding between them, he'd have rejected it out of hand, because nothing encompassed the particular set of feelings he might sum up as owned.
Lee Mandelo (Summer Sons)
Before I grad her book and mine, I go sit next to her on the organ bench and she gives me a big grandma hug - her special version, made from strong arms, old-fashioned perfume, and years of practice. The kind that makes you think you've won the best prize in the world. For love and safety, find your grandma. (76)
Kirstin Cronn-Mills (The Sky Always Hears Me: And the Hills Don't Mind)
I missed you, Kitten,” he growled. Then his mouth crushed over mine, his kiss more filled with raw need than romantic welcome. That was fine; I felt the same way. Aside from my compulsive urge to run my hands over him to assure myself that he was really here, relief, happiness, and the most profound feeling of rightness zoomed through me, settling all the way to my core. I hadn’t realized how deeply I’d missed Bones until that very moment, hadn’t let myself acknowledge how everything felt off when I was apart from him. On some levels, it was frightening how much a part of me he’d become. It let me know just how much I’d crumble if anything happened to him. “Why didn’t you answer your mobile earlier?” Bones murmured once he lifted his head. “I tried you several times. Tried Mencheres, too. Even Tepesh. None of you answered. Scared the wits out of me, so I stowed away on a FedEx plane to make sure you were all right.” “You came all the way from Ohio because I didn’t answer the phone?” I was torn between laughter and disbelief. “God, Bones, that’s a little crazy.” And it was, except the part of me that had had images of his tombstone dancing in my head because he hadn’t answered his phone earlier was nodding in complete understanding. Despite all our protestations, we were so alike when it came to fear over the other’s safety, and I doubted we’d ever change. “Crazy,” I repeated, my voice roughening with the surge of emotion in me. “And have I told you lately. that your crazy side . . . is your sexiest side?” He chuckled before his mouth swooped back over mine in another dizzying kiss. Then he picked me up, brushing past Vlad and Mencheres without even a hello, though I doubted either of them was surprised.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
The Army, however, found ways to adapt. It lobbied hard for atomic artillery shells, atomic antiaircraft missiles, atomic land mines.
Eric Schlosser (Command and Control: Nuclear Weapons, the Damascus Accident, and the Illusion of Safety)
Dad used to say lots of funny things - like he was speaking his own language sometimes. Twenty-three skidoo, salad days, nosey parker, bandbox fresh, the catbird seat, chocolate teapot, and something about Grandma sucking eggs. One of his favourites was 'safe as houses'. Teaching me to ride a bike, my mother worrying in the doorway: "Calm down, Linda, this street is as safe as houses." Convincing Jamie to sleep without his nightlight: "It's as safe as houses in here, son, not a monster for miles." Then overnight the world turned into a hideous nightmare, and the phrase became a black joke to Jamie and me. Houses were the most dangerous places we knew. Hiding in a patch of scrubby pines, watching a car pull out from the garage of a secluded home, deciding whether to make a food run, whether it was too dicey. "Do you think the parasites'll be long gone?" "No way - that place is as safe as houses. Let's get out of here." And now I can sit here and watch TV like it is five years ago and Mom and Dad are in the other room and i've never spent a night hiding in a drainpipe with Jamie and a bunch of rats while bodysnatchers with spotlights search for the thieves who made off with a bag of dried beans and a bowl of cold spaghetti. I know that if Jamie and I survived alone for twenty years we would never find this feeling on our own. The feeling of safety. More than safety, even - happiness. Safe and happy, two things I thought i'd never feel again. Jared made us feel that way without trying, just be being Jared. I breathe in the scent of his skin and feel the warmth of his body under mine. Jared makes everything safe, everything happy. Even houses.
Stephenie Meyer (The Host (The Host, #1))
To speak only of food inspections: the United States currently imports 80% of its seafood, 32% of its fruits and nuts, 13% of its vegetables, and 10% of its meats. In 2007, these foods arrived in 25,000 shipments a day from about 100 countries. The FDA was able to inspect about 1% of these shipments, down from 8% in 1992. In contrast, the USDA is able to inspect 16% of the foods under its purview. By one assessment, the FDA has become so short-staffed that it would take the agency 1,900 years to inspect every foreign plant that exports food to the United States.
Marion Nestle (Pet Food Politics: The Chihuahua in the Coal Mine)
For two centuries, my existence was stagnant. I was a shade in Magdalen, following the same paths each night.’ He brushed the tear away. ‘And then you came, angel of vengeance.’ I clung to his shirt. He lifted me on to the counter, and I draped my arms around his neck. ‘The night you left Oxford, I watched my prison burn,’ he said softly, eyes locked on mine. ‘You were in that fire – your wrath, your strength, your refusal to be tamed. And when it finally went out, the world lay absolutely still, just as it did before you came. For some, there is safety in stillness, in certainty. But you have ruined me for stillness, Paige Mahoney.
Samantha Shannon (The Dark Mirror (The Bone Season, #5))
Food safety oversight is largely, but not exclusively, divided between two agencies, the FDA and the USDA. The USDA mostly oversees meat and poultry; the FDA mostly handles everything else, including pet food and animal feed. Although this division of responsibility means that the FDA is responsible for 80% of the food supply, it only gets 20% of the federal budget for this purpose. In contrast, the USDA gets 80% of the budget for 20% of the foods. This uneven distribution is the result of a little history and a lot of politics.
Marion Nestle (Pet Food Politics: The Chihuahua in the Coal Mine)
I heard one man say, "Cook, I like my tea strong." Another joined in, "Cook, I like mine weak." It was pleasant to know that their minds were untroubled, but I thought the time opportune to mention that the tea would be the same for all hands and that we would be fortunate if two months later we had any tea at all. It occurred to me at the time that the incident had psychological interest. Here were men, their home crushed, the camp pitched on the unstable floes, and their chance of reaching safety apparently remote, calmly attending to the details of existence and giving their attention to such trifles as the strength of a brew of tea.
Ernest Shackleton
The gesture—so random and kind—baffled me. Is this what mothers did, wonder if you might need safety pins? Mine phoned once a month and always asked the same practical questions (grades, classes, upcoming expenses).
Gillian Flynn (Sharp Objects)
You would save them. If you could.” “No. There are periods in revolution when to live is a crime, and people must know how to yield their heads if they are demanded. Perhaps mine will be. If that time comes, I won’t dispute it.
Hilary Mantel (A Place of Greater Safety)
To build refuges of my own making is to construct fortresses of sand at ocean’s edge, where the relentless tides of time will leave my most magnificently constructed walls as perfectly flat sand. And now that I am subject to the very tides that destroyed these walls of mine, I am left with the reality that my single and sole refuge can only be the God who created both tides and sand.
Craig D. Lounsbrough (Flecks of Gold on a Path of Stone: Simple Truths for Profound Living)
There are many ways to honor America. This book is mine. I have completed this journey of self-education in the belief that the most terrifying possibility since 9/11 has not been terrorism--as frightening as that is--but the prospect that Americans will give up their rights in pursuing the chimera of security.
David K. Shipler (The Rights of the People: How Our Search for Safety Invades Our Liberties)
She turned to the three men in her life. “I don’t want any of you trying to protect me tonight.” Marcus, Nick, and Eli frowned. “I mean it. I’ll be nothing but a distraction if all you’re thinking about is my safety. Besides, if you really want me safe, the way to do it is to rip apart any jackal you see—you concentrate on what’s in front of you. Got me?” Her brothers nodded with an unhappy sigh. Marcus rubbed his nose against hers. “I got you, sweetheart. But that works both ways.” He almost smiled at her rebellious expression. He and his wolf liked that was she so protective. “Don’t worry about me. You just worry about this.” He lightly tapped her ass. “It’s mine, and I want it safe.
Suzanne Wright (Dark Instincts (The Phoenix Pack, #4))
You’re mine, Ivory. That means your problems are mine. Your bills, your worries, your safety…” I kiss the corner of her mouth. “All of it belongs to me.” She
Pam Godwin (Dark Notes)
In genealogy you might say that interest lies in the eye of the gene holder. The actual descendants are far more intrigued with it all than the listeners, who quickly sink into a narcoleptic coma after the second or third great-great-somebody kills a bear or beheads Charles I, invents the safety pin or strip-mines Poland, catalogues slime molds, dances flamenco, or falls in love with a sheep. Genealogy is a forced march through stories. Yet everyone loves stories, and that is one reason we seek knowledge of our own blood kin. Through our ancestors we can witness their times. Or, we think, there might be something in their lives, an artist’s or a farmer’s skill, an affection for a certain landscape, that will match or explain something in our own. If we know who they were, perhaps we will know who we are. And few cultures have been as identity-obsessed as ours. So keen is this fascination with ancestry, genealogy has become an industry. Family reunions choke the social calendar. Europe crawls with ancestor-seeking Americans. Your mother or your spouse or your neighbors are too busy to talk to you because they are on the Internet running “heritage quests.” We have climbed so far back into our family trees, we stand inches away from the roots where the primates dominate.
Ellen Meloy (The Anthropology of Turquoise: Reflections on Desert, Sea, Stone, and Sky (Pulitzer Prize Finalist))
I’m Shaila Dixit,” she said, holding out her free hand. Mike shook it. “A little formal,” he said. He looked at Ryan, smiled, and let go of her hand. “But any friend of Ryan’s is a pal of mine.
Dayna Lorentz (No Safety in Numbers (No Safety in Numbers, #1))
Why does it always have to hurt so much?” Kingsley asked. “What?” “Life.” Nora smiled. “God’s a sadist. That’s why.” “You think so?” “Oh, I know so,” Nora said. “I’m a writer. I do what God does in miniature every time I write a book. I create worlds and people out of nothing—ex nihilo—and I torture the fuck out of them for four hundred pages.” “Because you’re a sadist?” “Partly that. Plus...if I didn’t torture them it would be a real fucking short book. And trust me on this, King, there is no money in short stories.” Kingsley laughed and buried his head into her lap again, seeking her comfort and safety and the shelter of someone stronger. “You’ve solved the oldest theological conundrum of all time,” Kingsley said. “Why does God allow suffering? Because there’s no money in short stories.” “I’ll tell you one more little secret about being a god. Even though I torture them for four hundred pages, it hurts me to do it.” “They aren’t real. Why does it hurt?” “I created them. They’re mine. I love them. God loves us, too, even when He hurts us. Especially when He hurts us, I imagine.
Tiffany Reisz (The Queen (The Original Sinners, #8))
Yeah, could you just sort of keep this robot with you and guard this end of the passageway. Okay?” “Guard?” said Arthur. “What from? You just said there’s no one here.” “Yeah, well, just for safety, okay?” said Zaphod. “Whose? Yours or mine?
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
I thought about the famous line from indigenous Australian writer and activist Lilla Watson, “If you have come to help me, you are wasting your time. But if you have come because your liberation is bound up with mine, then let us work together.
D.L. Mayfield (The Myth of the American Dream: Reflections on Affluence, Autonomy, Safety, and Power)
I want to hold you close, to cherish and protect you, to draw you in until we are so close that I am lost within you, I want to take you to bed to watch the way your skin tightens benneth my fingers the way your body awakens under my touch. I want to trail kisses over you until you are lost in so much pleasure that way you don't know where you end and I begin.I want to tie you up and f__k you until there is no doubt that you are mine. I want to dress you up and take you out and show you off this beautiful, vibrant, brilliant woman. Everything I have built, all my companies, all my billions, they have no value compared to you. So no Nikki I will not take chances with your safety. I will not fight. I will not be defied. You do not want to move in with me thats fine. I will move in with you!
J. Kenner (Complete Me (Stark Trilogy, #3))
मैं नहीं चाहता कि मेरा मन खंगाला जाए चाहे उसमें इस्तेमाल लायक कुछ भी न हो MAIN NAHIN CHAHTA KI MERA MANN KHANGALA JAYE CHAHE USMEIN ISTEMAL LAYAK KUCHH BHI NA HO I DON'T WANT THAT MY MIND BE SCRUTINIZED EVEN IF THERE WAS NO THING OF VALUE INSIDE 24 Dec National Mathematics Day
Vineet Raj Kapoor
Story time. In September of 1869, there was a terrible fire at the Avondale coal mine near Plymouth, Pennsylvania. Over 100 coal miners lost their lives. Horrific conditions and safety standards were blamed for the disaster. It wasn’t the first accident. Hundreds of miners died in these mines every year. And those that didn’t, lived in squalor. Children as young as eight worked day in and out. They broke their bodies and gave their lives for nothing but scraps. That day of the fire, as thousands of workers and family members gathered outside the mine to watch the bodies of their friends and loved ones brought to the surface, a man named John Siney stood atop one of the carts and shouted to the crowd: Men, if you must die with your boots on, die for your families, your homes, your country, but do not longer consent to die, like rats in a trap, for those who have no more interest in you than in the pick you dig with. That day, thousands of coal miners came together to unionize. That organization, the Workingmen’s Benevolent Association, managed to fight, for a few years at least, to raise safety standards for the mines by calling strikes and attempting to force safety legislation. ... Until 1875, when the union was obliterated by the mine owners. Why was the union broken so easily? Because they were out in the open. They were playing by the rules. How can you win a deliberately unfair game when the rules are written by your opponent? The answer is you can’t. You will never win. Not as long as you follow their arbitrary guidelines. This is a new lesson to me. She’s been teaching me so many things, about who I am. About what I am. What I really am. About what must be done. Anyway, during this same time, it is alleged a separate, more militant group of individuals had formed in secret. The Molly Maguires. Named after a widow in Ireland who fought against predatory landlords, the coal workers of Pennsylvania became something a little more proactive, supposedly assassinating over two dozen coal mine supervisors and managers. ... Until Pinkerton agents, hired by the same mine owners, infiltrated the group and discovered their identities. Several of the alleged Mollies ended up publicly hanged. Others disappeared. You get the picture. So, that’s another type of secret society. The yeah-we’re-terrorists-but-we-strongly-feel-we’re-justified-and-fuck-you-if-you-don’t-agree society. So, what’s the moral of this little history lesson? This sort of thing happens all day, every day across the universe. It happens in Big Ways, and it happens in little ways, too. The strong stomp on the weak. The weak fight back, usually within the boundaries of the rat trap they find themselves confined. They almost always remain firmly stomped. But sometimes, the weak gather in secret. They make plans. They work outside the system to effect change. Like the Mollies, they usually end up just as stomped as everyone else. But that’s just life. At least they fucking tried. They died with their boots on, as much as I hate that expression. They died with their boots on for their people, their family, not for some rich, nameless organization that gives no shits whether they live or die. Or go extinct. Or are trapped for a millennia after they’re done being used. In my opinion, that’s the only type of society that’s worth joining, worth fighting for. Sure, you’re probably gonna die. But if you find yourself in such a position where such an organization is necessary, what do you have to lose? How can you look at yourself if you don’t do everything you can? And that brings us to the door you’re standing in front of right now. What does all this have to do with what you’re going to find on the other side? Nothing!
Matt Dinniman (The Eye of the Bedlam Bride (Dungeon Crawler Carl, #6))
I turn to Rue’s family. “But I feel as if I did know Rue, and she’ll always be with me. Everything beautiful brings her to mind. I see her in the yellow flowers that grow in the Meadow by my house. I see her in the mockingjays that sing in the trees. But most of all, I see her in my sister, Prim.” My voice is undependable, but I am almost finished. “Thank you for your children.” I raise my chin to address the crowd. “And thank you all for the bread.” I stand there, feeling broken and small, thousands of eyes trained on me. There’s a long pause. Then, from somewhere in the crowd, someone whistles Rue’s four-note mockingjay tune. The one that signaled the end of the workday in the orchards. The one that meant safety in the arena. By the end of the tune, I have found the whistler, a wizened old man in a faded red shirt and overalls. His eyes meet mine. What happens next is not an accident. It is too well executed to be spontaneous, because it happens in complete unison. Every person in the crowd presses the three middle fingers of their left hand against their lips and extends them to me. It’s our sign from District 12, the last good-bye I gave Rue in the arena.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I’m all about safety, but kids need some risk in their lives to stimulate their minds, hone their individuality, and encourage their creativity. The era of helicopter parenting has gone too far. I let mine take a few bumps and knocks, free-range, and learn a little bit about risk from a young age.
Rahul Jandial (Life Lessons From A Brain Surgeon: Practical Strategies for Peak Health and Performance)
I kept wishing that he would talk about himself, hoping to break through the wall of rhetoric, but he seemed to be one of those autodidacts for whom all things specific and personal present themselves as mine fields to be avoided even at the cost of coherence, for whom safety lies in generalization.
Joan Didion (The White Album)
Reagan and other officials quickly realized there was a political gold mine in white fear. Identifying African Americans as criminals, “thugs,” and “mad dogs” and as an imminent threat to white communities, white lives, and white prosperity allowed the racialized “public safety” policies of Jim Crow to survive in the post–Civil Rights era.
Nikole Hannah-Jones (The 1619 Project: A New Origin Story)
What made me blush in the end was not the natural embarrassment of the moment when I could tell he’d caught me trying to hold his gaze only then to let mine scamper to safety; what made me blush was the thrilling possibility, unbelievable as I wanted it to remain, that he might actually like me, and that he liked me in just the way I liked him.
André Aciman (Call Me By Your Name)
After what seemed like forever, the flames subsided and all I could feel was the warmth of a hand encasing mine where it lay on the covers. There was comfort and safety in the touch, and I reached for it instinctively until the strong fingers entwined with mine. I sighed as the nightmares were banished, and I sank at last into a deep healing sleep.
Karen Lynch (Refuge (Relentless, #2))
In some cases, perfectionists may forgive other people’s sins, but be unable to receive forgiveness themselves. Many perfectionists will sabotage potentially good relationships for one reason: being found out. They are afraid to get too close to someone, because their bad self might start leaking out, and the shame and self-condemnation they feel is unbearably painful. Generally, perfectionists opt for isolation rather than to be exposed in their failings. It is sadly ironic that perfectionists shun the very safety that could heal them. The well-known “commitment-phobic” man is often in this category. He’s the type who starts a relationship, gets close, and then disappears. As a single woman friend of mine said after one of these episodes, “I’d understand it if he’d bailed out after a fight. But on our last date, we both started sharing our fears and insecurities. Silly me. I thought that tended to bring people closer together.” What actually happened to the man was just the opposite: He started trusting my friend, and his defenses began slipping.
Henry Cloud (Safe People: How to Find Relationships That Are Good for You and Avoid Those That Aren't)
It was the kind of horse they have in mines—he must have worked underground somewhere because his eyes were so beautiful, the kind I would se in stokers and people who worked in artificial light all day or in the light of safety lamps and emerged from the pit or the furnace room to look up at the beautiful sky because to such eyes all skies are beautiful.
Bohumil Hrabal (I Served the King of England)
A king neither riches makes, nor robes of Tyrian hue, nor crown upon the royal brow, nor doors with gold bright-gleaming; a king is he who has laid fear aside and the base longings of an evil heart; whom ambition unrestrained and the fickle favour of the reckless mob move not, neither all the mined treasures of the West nor the golden sands which Tagus sweeps along in his shining bed, nor all the grain trod out on burning Libya’s threshing-floors; whom no hurtling path of the slanting thunderbolt will shake, nor Eurus, harrying the sea, nor wind-swept Adriatic’s swell, raging with cruel wave; whom no warrior’s lance nor bare steel ever mastered; who, in safety ‘stablished, sees all things beneath his feet, goes gladly to meet his fate nor grieves to die.
Seneca (Medea & Thyestes)
Then I wanted to lock her away where no one could touch her, where I wouldn’t even let her touch herself. I wanted to take away her safety and make her long for her mats and blankets. I wanted to clamp her and plug her and chain her and train her to grovel at my feet. When she was completely broken, when her will and soul were mine, then I’d give her mats and blankets back. That’s what I wanted.
Annabel Joseph (Waking Kiss (BDSM Ballet, #1))
The worlds in the books casually stripped the darkness from mine, layer by layer, until all I could see was hope. They sucked the thickness out of the air and ripped the gray right out of the clouds. Each day that my life felt heavier and oppressed, I picked up a book and crawled into the safety of its pages. I hoped that one day my life would be like all the lives in the books––fated for a happy ending.
Tracie Breaux (Refined)
So, as far as swimming safety goes, the bottom line is that you’d probably be OK, as long as you didn’t dive to the bottom or pick up anything strange. But just to be sure, I got in touch with a friend of mine who works at a research reactor, and asked him what he thought would happen to someone who tried to swim in their radiation containment pool. “In our reactor?” He thought about it for a moment. “You’d die pretty quickly, before reaching the water, from gunshot wounds.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
I mean like, first the von Habsburg and now she’s obsessed with Mel, who by the way isn’t a Kennedy. I know she’s your roommate but—’ She pulled a safety pin from her purse, holding the point up to her eye, separating each lash, ‘Why are you even throwing these parties? Don’t you want to be an artist?’ Her lashes now looked like plucked spider legs, she shifted one eye to meet mine in the mirror, ‘I mean – don’t you want to take yourself seriously?’ ‘Hailey’s not a star-fucker and the parties are – art.
Calla Henkel (Other People’s Clothes)
We hadn’t spoken for years; it had been too dangerous, too risky to her safety. But it didn’t mean she didn’t still own my dark heart. The bitch had it. would be the only one who ever did. Without her I was dead inside, had been for two years without her. Two long fucking years without having her in my arms. Two years without contact. Wondering if she was still mine. But knowing, with every new day that passed, that I was no good for her. She didn’t need me in her life. We were at war. She was beautiful, and she deserved someone who could give her more. But even knowing that, I couldn’t walk away from her.
Tillie Cole (Darkness Embraced (Hades Hangmen, #7))
“Morpheus.” Jeb bites down on the name, as if trying to chew it up. “He visits your dreams and flies with you. How can a human compete with that?” “This isn’t a competition,” I say. “I made my choice.” “Is that why you lied for so long?” He won’t meet my gaze, concentrating instead on his boots. “Because you made your choice?” His jaw clamps so tight I can see the muscles twitch beneath the skin. “No. You lied because I’m just a skater. Just an artist. I have nothing to offer. He can give you a world of magic and beauty.” His eyes slowly trail up to mine. They’re like a forest trampled by a storm. “A world that you were born to rule.” *** “Just an artist. You painted my freedom with your blood. Just a skater. You flew across a chasm on a skateboard made of a tea tray to get me to safety. You don’t need magic, Jeb.” I touch his face, and he leans his stubbled cheek against my palm, all of his anger and hurt seeping away. “You held your own against everything that was thrown at us, using only human courage and ingenuity. You’re my knight. There’s nothing left to prove anymore. Not to your dad, not to my mom, not to Morpheus, not to me. You’ve already proven you’re the guy I always knew you were. The guy I love.”
A.G. Howard (Unhinged (Splintered, #2))
...those are the boys I switch my hips at. Not because they're cute or interesting--- they're often obnoxious & only want a taste of my gutter-slick tongue & brownness; they act as if they could elevate my life with a taste of their powder-milk-tinged pomp. No, I date those boys because they are safe. They can't dance bachata or sing Juan Luis Guerra, can't recite Salomé Ureńa or even name the forefathers; they wrap their flag around their shoulders like a safety blanket, & if a heart has topography, I know none of those boys know the coordinates to navigate & survive mine's rough terrain. In other words, these boys would be no distraction.
Elizabeth Acevedo (Clap When You Land)
You know those tragic stories where two kids from feuding families fall in love? Okay, flip that inside out and turn it on its head and you’ve got our story, Ryder’s and mine. It all began like this: On April 6, 1862, at the Battle of Shiloh, Captain Jeremiah D. Marsden--that’s Ryder’s ancestor--took a minié ball in the left kneecap. Corporal Lewiston G. Cafferty--that’s mine--picked up Captain Marsden and carried him off the field of battle to safety. On his back. More than a mile. Barefoot. At least, that’s how the story goes. Frankly, I’m a little skeptical, but whatever. The point is, the Marsdens and the Caffertys have been like this ever since.
Kristi Cook (Magnolia (Magnolia Branch, #1))
think we’ll end up seeing a lot of each other.” I felt moved and flattered by how sure she sounded. I wrote her phone number on my hand, while she wrote mine in her daily planner. Already I was the impetuous one in our friendship—the one who cared less about tradition and personal safety, who evaluted every situation from scratch, as if it had arisen for the first time—while Svetlana was the one who subscribed to rules and systems, who wrote things in the designated spaces, and saw herself as the inheritor of centuries of human history and responsibilities. Already we were comparing to see whose way of doing things was better. But it wasn’t a competition so much as an experiment, because neither of us was capable of acting differently, and each viewed the other with an admiration that was inseparable from pity.
Elif Batuman (The Idiot)
Girls love easily, there. That is their point. Hip, lip and tongue― ‘Do you think me good?’ I say. ‘Good, miss?’ She does. It felt like safety, once. Now it feels like a trap. I say, ‘I wish― I wish you would tell me―’ ‘Tell you what, miss?’ Tell me. Tell me a way to save you. A way to save myself. The room is perfectly black. Hip, lip― Girls love easily, there. ‘I wish,’ I say, ‘I wish you would tell me what it is a wife must do, on her wedding-night...’ And at first, it is easy. After all, this is how it is done, in my uncle's books: two girls, one wise and one unknowing... ‘He will want,’ she says, ‘to kiss you. He will want to embrace you.’ It is easy. I say my part, and she ―with a little prompting ― says hers. The words sink back upon their pages. It is easy, it is easy... Then she rises above me and puts her mouth to mine.
Sarah Waters (Fingersmith)
And yes, there was such a luster in his eyes that I had to look away, and when I looked back at him, his gaze hadn’t moved and was still focused on my face, as if to say, So you looked away and you’ve come back, will you be looking away again soon? —which was why I had to look away once more, as if immersed in thought, yet all the while scrambling for something to say, the way a fish struggles for water in a muddied pond that’s fast drying up in the heat. He must have known exactly what I was feeling. What made me blush in the end was not the natural embarrassment of the moment when I could tel he’d caught me trying to hold his gaze only then to let mine scamper to safety; what made me blush was the thrilling possibility, unbelievable as I wanted it to remain, that he might actual y like me, and that he liked me in just the way I liked him.
André Aciman (Call Me by Your Name)
Girls love easily, there. That is their point. Hip, lip and tongue― ‘Do you think me good?’ I say. ‘Good, miss?’ She does. It felt like safety, once. Now it feels like a trap. I say, ‘I wish― I wish you would tell me―’ ‘Tell you what, miss?’ Tell me. Tell me a way to save you. A way to save myself. The room is perfectly black. Hip, lip― Girls love easily, there. ‘I wish,’ I say, ‘I wish you would tell me what it is a wife must do, on her wedding-night...’ And at first, it is easy. After all, this is how it is done, in my uncle's books: two girls, one wise and one unknowing... ‘He will want,’ she says, ‘to kiss you. He will want to embrace you.’ It is easy. I say my part, and she ―with a little prompting ― says hers. The words sink back upon their pages. It is easy, it is easy... Then she rises above me and puts her mouth to mine.
Sarah Waters (Fingersmith)
Grammar and usage conventions are, as it happens, a lot more like ethical principles than like scientific theories. The reason the Descriptivists can’t see this is the same reason they choose to regard the English language as the sum of all English utterances: they confuse mere regularities with norms. Norms aren’t quite the same as rules, but they’re close. A norm can be defined here simply as something that people have agreed on as the optimal way to do things for certain purposes. Let’s keep in mind that language didn’t come into being because our hairy ancestors were sitting around the veldt with nothing better to do. Language was invented to serve certain very specific purposes—“That mushroom is poisonous”; “Knock these two rocks together and you can start a fire”; “This shelter is mine!” and so on. Clearly, as linguistic communities evolve over time, they discover that some ways of using language are better than others—not better a priori, but better with respect to the community’s purposes. If we assume that one such purpose might be communicating which kinds of food are safe to eat, then we can see how, for example, a misplaced modifier could violate an important norm: “People who eat that kind of mushroom often get sick” confuses the message’s recipient about whether he’ll get sick only if he eats the mushroom frequently or whether he stands a good chance of getting sick the very first time he eats it. In other words, the fungiphagic community has a vested practical interest in excluding this kind of misplaced modifier from acceptable usage; and, given the purposes the community uses language for, the fact that a certain percentage of tribesmen screw up and use misplaced modifiers to talk about food safety does not eo ipso make m.m.’s a good idea.
David Foster Wallace (Consider The Lobster: Essays and Arguments)
But don’t worry, I think we live in the same building. Matthews, right? I’m on the fourth floor. I think we’ll end up seeing a lot of each other.” I felt moved and flattered by how sure she sounded. I wrote her phone number on my hand, while she wrote mine in her daily planner. Already I was the impetuous one in our friendship—the one who cared less about tradition and personal safety, who evaluted every situation from scratch, as if it had arisen for the first time—while Svetlana was the one who subscribed to rules and systems, who wrote things in the designated spaces, and saw herself as the inheritor of centuries of human history and responsibilities. Already we were comparing to see whose way of doing things was better. But it wasn’t a competition so much as an experiment, because neither of us was capable of acting differently, and each viewed the other with an admiration that was inseparable from pity.
Elif Batuman (The Idiot)
I select the right practice gun, the one about the size of a pistol, but bulkier, and offer it to Caleb. Tris’s fingers slide between mine. Everything comes easily this morning, every smile and every laugh, every word and every motion. If we succeed in what we attempt tonight, tomorrow Chicago will be safe, the Bureau will be forever changed, and Tris and I will be able to build a new life for ourselves somewhere. Maybe it will even be a place where I trade my guns and knives for more productive tools, screwdrivers and nails and shovels. This morning I feel like I could be so fortunate. I could. “It doesn’t shoot real bullets,” I say, “but it seems like they designed it so it would be as close as possible to one of the guns you’ll be using. It feels real, anyway.” Caleb holds the gun with just his fingertips, like he’s afraid it will shatter in his hands. I laugh. “First lesson: Don’t be afraid of it. Grab it. You’ve held one before, remember? You got us out of the Amity compound with that shot.” “That was just lucky,” Caleb says, turning the gun over and over to see it from every angle. His tongue pushes into his cheek like he’s solving a problem. “Not the result of skill.” “Lucky is better than unlucky,” I say. “We can work on skill now.” I glance at Tris. She grins at me, then leans in to whisper something to Christina. “Are you here to help or what, Stiff?” I say. I hear myself speaking in the voice I cultivated as an initiation instructor, but this time I use it in jest. “You could use some practice with that right arm, if I recall correctly. You too, Christina.” Tris makes a face at me, then she and Christina cross the room to get their own weapons. “Okay, now face the target and turn the safety off,” I say. There is a target across the room, more sophisticated, than the wooden-board target in the Dauntless training rooms. It has three rings in three different colors, green, yellow, and red, so it’s easier to tell where the bullets it. “Let me see how you would naturally shoot.” He lifts up the gun with one hand, squares off his feet and shoulders to the target like he’s about to lift something heavy, and fires. The gun jerks back and up, firing the bullet near the ceiling. I cover my mouth with my hand to disguise my smile. “There’s no need to giggle,” Caleb says irritably. “Book learning doesn’t teach you everything, does it?” Christina says. “You have to hold it with both hands. It doesn’t look as cool, but neither does attacking the ceiling.” “I wasn’t trying to look cool!” Christina stands, her legs slightly uneven, and lifts both arms. She stares the target for a moment, then fires. The training bullet hits the outer circle of the target and bounces off, rolling on the floor. It leaves a circle of light on the target, marking the impact site. I wish I’d had this technology during initiation training. “Oh, good,” I say. “You hit the air around your target’s body. How useful.” “I’m a little rusty,” Christina admits, grinning.
Veronica Roth (Allegiant (Divergent, #3))
I looked at him. “Why did you come with me?” He let go of the strap on his chest and shifted on his feet. “Why are you here?” And when his eyes finally met mine, they were open. They let me in. I took a step back. My mouth opened to say something, but the words wouldn’t come. They were stuck in the back of my throat, wrapped tightly around my windpipe. I was suddenly aware of the icy, opaque depths beneath us again, waiting for the smallest crack to pull us down into it. Waiting to feed on us. My heart pulsed in my veins as the fear pressed down on me, making me feel heavier. It was terrifying - that feeling - like there was something tying me to him. Because if one of us fell into the darkness, the other would too. I stepped around him, walking faster toward the other side. Toward solid ground and safety. The lake grumbled beneath my weight. Growling. Hungry. I closed my eyes, trying not to see it. That depth within me, sealed down under the surface. I kept my eyes ahead, leaving Fiske standing in between the middle of the two night skies, the stars and the moon encircling him. The only hot, living thing on the ice. The only thing I could feel.
Adrienne Young (Sky in the Deep (Sky and Sea, #1))
It's taken me no time to see, just how much you really mean to me. [Name], it's taken less than a week to realize i want you in my life, And not just as a friend, I don't want to watch as another guys wanders into your life and sweeps you off your feet,Call me selfish, but I'm the only boy I want to see you with, I don't want another boy to hold you in his arms, and push your hair behind your ear, and call you beautiful, I don't want another boy to kiss you gently on the forhead and tell you his feelings about you are indescribable through words. I don't want another boy to hold your hand. I want to be the boy who gets to do all of those things. I want to be the boy who gets to call you his, more than anything. I'm not perfect, I'm far from it. but i know that im going to treat you as perfect as possible, and i knowi'm never once going to let you down. I'm going to give you everything you deserve, and im going to make you the happiest girl in the world, Because, to me you're so much more than just every other girl. You're perfect. There's many girls in the world but none of them are you, And you're the only one I've fallen for so fast, and you're the only one i know for a fact i want to call mine. There's just so much about you that has pushed me off the edge, and made me fall harder than I have before. Your eyes for example those beautiful eys of yours, I have never seen anthing as beautiful in my life as your eyes. That gorgeous,color that just makes illuminates beauty, and makes my heart stop, And youre smile, I have no idea why you dont show it off to everyone. You told me you don't like your smile, but i have no idea how you couldn't, It's pefect. I could look at that smile all day long, and i mean it. I never want to see your face without it, because that smile is absolutely beautiful. There's so much about you, that's unique to you, that makes you who you are, and makes you so perfect. There's no other girl on this entire planet that has the same eyes, and smile, you do, And that's reason enough for me to want you, and no toher girl, And that's why defines you from every other girl, how beautiful you really are.I understand, any guy could tell you you're beautiful, but I'm not any guy. I'm me, and im not just telling you you're beautiful, [Name], I'm telling you you're the most beautiful girl in the whole world, and I want you to believe me when i tell you that, I want you to see youself as beautiful as I see you, I want to look you in the eyes, face to face, and tell you you're the most beautiful girl in the whole world, then hold you close to me, and never let you go, I don't want you to think I'm another guy who's going to lie to you, and break your heart. I want you to believe I really do mean all of this, because I do, with all of my heart, I want to spend nights with you in my arms, i want to kiss you on the forhead every night before bed, I want to try and put my feelings for you into words, just to see that beautiful smile of yours, I want to call you mine, and no one else's, I want you, and no one else, and I can't stress how much i really mean that. Imagine laying in the snow, on a calm winter night, looking up at a clear, starry, full moon night, holding hands, not speaking a word, just laying beside one another, listening, to a gentle breeze, taking in how beautiful stars, and the moon are, Feeling completely at peace with everything, like we're in a land far away from everything, and nothing could possibly take that away that feeling of safety , and complete inner happiness. That's howw I'd describe my feelings for you are. Absolutely perfect in every way. If I am lucky enough to see you tomorrow, I'm going to take your breath away, and prove to you I really am the boy who you deserve. I'm going to make you the happiest girl in the entire world. I feel like I may be falling for you way to fast, and way to soon, but I don't care. not one bit, I've never been so sure of anything.
Jessi (Poetry the Inner Mind)
I had a room to myself as a kid, but my mother was always quick to point out that it wasn’t my room, it was her room and I was merely permitted to occupy it. Her point, of course, was that my parents had earned everything and I was merely borrowing the space, and while this is technically true I cannot help but marvel at the singular damage of this dark idea: That my existence as a child was a kind of debt and nothing, no matter how small, was mine. That no space was truly private; anything of mine could be forfeited at someone else’s whim. Once, wanting space from my parents after a fight, I closed and locked my bedroom door. My mother made my father take the doorknob out. And while I’m sure they remember this horrifying moment very differently, all I remember is the cold sensation in my body as the doorknob—a perfect little machine that did its job with unbiased faithfulness—shifted from its home as the screws fell away. The corona of daylight as the knob listed to one side. How, when it fell, I realized that it was two pieces, such a small thing keeping my bedroom door closed. I was lucky in that moment that the deconstruction of my door was a violation of privacy and autonomy but not a risk to my safety. When the door was opened, nothing happened. It was just a reminder: nothing, not even the four walls around my body, was mine.
Carmen Maria Machado (In the Dream House)
would ask. Through the corner of his eyes, Notch saw that Smoot was looking perplexed. Notch made a sick groaning sound and this alarmed Smoot even more. He knew where the key was to the dungeon cell. All he had to do was fetch it and open it. Then he could check on Notch and see if everything was alright. “He’s so weak that there’s no harm…” Smoot thought. He rushed to fetch the keys as Notch waited impatiently. Smoot was back with another villager, just for a safety measure. But Notch was still willing to take the chance even if there were two. Together, they heaved Notch out of the cell and placed him on the floor. “What could be wrong?” Smoot asked the other villager. “It looks like he’s passed out, but we’ve been feeding him well enough…” “Let’s see if there’s something inside the cell… maybe a spider?” suggested the other villager. It was almost too good to be true. Smoot and the other villager peered into the dungeon cell long enough for Notch to launch a kick. “Hey!!” they cried out, but it was too late. Notch was already dashing out. He decided to hide somewhere inside the building. He knew that once the villagers heard that he’d escaped, they’d search outside first. So, Notch looked around until he found some chests. He hid behind one of them and waited. Smoot and the other villager were already rushing out, shouting that Notch had escaped.
The Miners (The Great Villager Takeover: A Mining Novel)
But my dreaming self refuses to be consoled. It continues to wander, aimless, homeless, alone. It cannot be convinced of its safety by any evidence drawn from my waking life. I know this because I continue to have the same dream, over and over. I’m in the other place, a place that’s very familiar to me, although I’ve never lived in it or even seen it except in this dream. Details vary – the space has many different rooms, mostly bare of furniture, some with only the sub-flooring – but it always contains the steep, narrow stairway of that distant apartment. Somewhere in it, I know – as I open door after door, walk through corridor after corridor – I’ll come upon the gold mirror, and also the green satin bedspread, which has taken on a life of its own and is able to morph into cushions, or sofas, or armchairs, or even – once – a hammock. It’s always dusk, in this place; it’s always a cool dank summer evening. This is where I’ll have to live, I think in the dream. I’ll have to be all by myself, forever. I’ve missed the life that was supposed to be mine. I’ve shut myself off from it. I don’t love anyone. Somewhere, in one of the rooms I haven’t yet entered, a small child is imprisoned. It isn’t crying or wailing, it stays completely silent, but I can feel its presence there. Then I wake up, and retrace the steps of my dream, and try to shake off the sad feeling it’s left me with. Oh yes, the other place, I say to myself. That again. There was quite a lot of space in it, this time. It wasn’t so bad.
Margaret Atwood (Moral Disorder and Other Stories)
His eyes are so beautiful and dark and they do look like that dog’s—I mean, that wolf’s. They are kind and strong and a little bit something else and I like them. I like them a lot. No, I like them way too much. Something inside me gets a little warmer, edges closer to him. The fire crackles and I jump again, jittery, nervous, but I don’t jump away from Nick. I jump toward him. Nick in the firelight with just a blanket on is a little hard to resist, no matter how crazy he might be. His skin, deep with heat, seems to glisten. His muscles are defined and good but not all steroid bulky. He is so perfect. And beautiful. In a boy way. Not a monster way. Not a wolf way. “Are you going to kiss me?” My words tremble into the air. He smiles but doesn’t answer. “I’ve never kissed a werewolf before. Are were kisses like pixie kisses? Do they do something to you? Is that why you never kissed anybody?” He gives a little smile. “No. It’s just I never kissed anyone because I never thought I could be honest about who I am, you know? And I didn’t want anyone to get attached to me because . . .” “Because you’re a werewolf.” “Because I’m a werewolf,” he repeats softly. Watching his lips move makes me shiver; not in a scared way, in more of an oh-he-is-too-beautiful way. I put my hand against his skin. It is warm. It’s always been warm. He smells so good, like woods and safety. I swallow my fear and move forward, and my lips meet his, angel-light, a tiny promise. His lips move beneath mine. His hands move to my shoulders and my mouth feels like it will burst with happiness. My whole body shakes with it. “Wow,” I say. “Yeah,” he says. “Wow.” Our mouths meet again. It’s like my lips belong there . . . right there. One tiny part of me has finally found a place to fit.
Carrie Jones (Need (Need, #1))
You are driving me mad!” she exclaimed. “I want you to stop this, Kev! Do you have any idea how ridiculous you’re being? How badly you’ve behaved tonight?” “I’ve behaved badly?” he thundered. “You were about to let yourself be compromised.” “Perhaps I want to be compromised.” “That’s too bad,” he said, reaching out to grip her upper arm, preparing to haul her from the conservatory. “Because I’m going to make certain you stay safe.” “Don’t touch me!” Win wrenched free of him, incensed. “I’ve been safe for years. Tucked safely in bed, watching everyone around me enjoying their lives. I’ve had enough safety to last a lifetime, Kev. And if that’s what you want, for me to continue to be alone and unloved, then you can go to the devil.” “You were never alone,” he said harshly. “You’ve never been unloved.” “I want to be loved as a woman. Not as a child, or a sister, or an invalid—” “That’s not how I—” “Perhaps you’re not even capable of such love.” In her blazing frustration, Win experienced something she had never felt before. The desire to hurt someone. “You don’t have it in you.” Merripen moved through a shaft of moonlight that had slipped through the conservatory glass, and Win felt a little shock as she saw his murderous expression. In just a few words she had managed to cut him deeply, enough to open a vein of dark and furious feeling. She fell back a step, alarmed as he seized her in a brutal grip. He jerked her upward. “All the fires of hell could burn for a thousand years and it wouldn’t equal what I feel for you in one minute of the day. I love you so much there is no pleasure in it. Nothing but torment. Because if I could dilute what I feel for you to the millionth part, it would still be enough to kill you. And even if it drives me mad, I would rather see you live in the arms of that cold, soulless bastard than die in mine.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
During homeroom, before first period, I start a bucket list in one of my notebooks. First on the list? 1) Eat in the cafeteria. Sit with people. TALK TO THEM. 2) And…that’s all I can come up with for now. But this is good. One task to work on. No distractions. I can do this. When my lunch period rolls around, I forgo the safety of my bag lunch and the computer lab and slip into the pizza line, wielding my very own tray of semi-edible fare for the first time in years. “A truly remarkable sight.” Jensen cuts into line beside me, sliding his tray next to mine on the ledge in front of us. He lifts his hands and frames me with his fingers, like he’s shooting a movie. “In search of food, the elusive creature emerges from her den and tries her luck at the watering hole." I shake my head, smiling, moving down the line. “Wow, Peters. I never knew you were such a huge Animal Planet fan.” “I’m a fan of all things nature. Birds. Bees. The like.” He grabs two pudding cups and drops one on my tray. “Pandas?” I say. “How did you know? The panda is my spirit animal.” “Oh, good, because Gran has this great pattern for an embroidered panda cardigan. It would look amazing on you.” “Um, yeah, I know. It was on my Christmas list, but Santa totally stiffed me." I laugh as I grab a carton of milk. So does he. He leans in closer. “Come sit with me.” “At the jock table? Are you kidding?” I hand the cashier my lunch card. Jensen squints his eyes in the direction of his friends. “We’re skinny-ass basketball players, Wayfare. We don’t really scream jock.” “Meatheads, then?” “I believe the correct term is Athletic Types.” We step out from the line and scan the room. “So where were you planning on sitting?" “I was thinking Grady and Marco were my safest bet.” “The nerd table?” I gesture to myself, especially my glasses. “I figure my natural camouflage will help me blend, yo.” He laughs, his honey-blond hair falling in front of his eyes. “And hey,” I say, nudging him with my elbow, “last I heard, Peters was cool with nerdy.” He claps me gently on the back. “Good luck, Wayfare. I’m pulling for ya.
M.G. Buehrlen (The Untimely Deaths of Alex Wayfare (Alex Wayfare #2))
He surprised her by reaching out for her, his arms closing around her. She stiffened but allowed him to draw her near. “Poor sweet,” he murmured. “You have so many burdens to carry.” There had been a time when Amelia had passionately longed for a moment such as this. Being held by Christopher, soothed by him. Once this would have been heaven. But it didn’t feel quite the same as before. “Christoph—” she began, moving away from him, but his mouth caught hers, and she froze in astonishment as he kissed her. This, too, was different … and yet for a moment, she remembered what it had been like, how happy she had once been with him. It seemed so long ago, that time before the scarlet fever, when she had been innocent and hopeful and the future had seemed full of promise. She turned her face from his. “No, Christopher.” “Of course.” He pressed his lips to her hair. “Now isn’t the proper time for this. I’m sorry.” “I’m so concerned about my brother, and Merripen, I can’t think of anything else—” “I know, sweet.” He turned her face back to his. “I’m going to help you and your family. There’s nothing I want more than your safety and happiness. And you need my protection. With your family in turmoil, you could easily be taken advantage of.” She frowned. “No one is taking advantage of me.” “What about the Gypsy?” “You’re referring to Mr. Rohan?” Christopher nodded. “I chanced to meet him on his way to London, and he spoke of you in a way that … well, suffice it to say, he’s no gentleman. I was offended for your sake.” “What did he say?” “He went so far as to claim that you and he were going to marry.” A scornful laugh escaped him. “As if you would ever lower yourself to that. A half-bred Gypsy with no manners or education.” Amelia felt a rush of defensive anger. She looked into the face of the man she had once loved so desperately. He was the embodiment of everything a young woman should want to marry. Not all that long ago, she might have compared him to Cam Rohan and found Christopher superior. But she was no longer the woman she had been … and Christopher wasn’t the knight in shining armor she had believed him to be. “I wouldn’t consider it lowering myself,” she said. “Mr. Rohan is a gentleman, and highly esteemed by his friends.” “They all find him entertaining enough for social occasions, but he will never be their equal. And never a gentleman. That’s understood by everyone, my dear, even Rohan himself.” “It’s neither understood nor accepted by me,” she said. “There is more to being a gentleman than fine manners.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
OR. I will tell you, but these are the beginning for me of many [125] woes. After these evil things concerning my mother, on which I keep silence, had been wrought, I was driven an exile by the pursuits of the Erinnyes, when Loxias sent my foot [126] to Athens, that I might render satisfaction to the deities that must not be named. For there is a holy council, that Jove once on a time instituted for Mars on account of some pollution of his hands. [127] And coming thither, at first indeed no one of the strangers received me willingly, as being abhorred by the Gods, but they who had respect to me, afforded me [128] a stranger's meal at a separate table, being under the same house roof, and silently devised in respect to me, unaddressed by them, how I might be separated from their banquet [129] and cup, and, having filled up a share of wine in a separate vessel, equal for all, they enjoyed themselves. And I did not think fit to rebuke my guests, but I grieved in silence, and did not seem to perceive [their conduct,] deeply groaning, because I was my mother's slayer. [130] But I hear that my misfortunes have been made a festival at Athens, and that this custom still remains, that the people of Pallas honor the Libation Vessel. [131] But when I came to the hill of Mars, and stood in judgment, I indeed occupying one seat, but the eldest of the Erinnyes the other, having spoken and heard respecting my mother's death, Phœbus saved me by bearing witness, but Pallas counted out for me [132] the equal votes with her hand, and I came off victor in the bloody trial. [133] As many then as sat [in judgment,] persuaded by the sentence, determined to hold their dwelling near the court itself. [134] But as many of the Erinnyes as did not yield obedience to the sentence passed, continually kept driving me with unsettled wanderings, until I again returned to the holy ground of Phœbus, and lying stretched before the adyts, hungering for food, I swore that I would break from life by dying on the spot, unless Phœbus, who had undone, should preserve me. Upon this Phœbus, uttering a voice from the golden tripod, sent me hither to seize the heaven-sent image, and place it in the land of Athens. But that safety which he marked out for me do thou aid in. For if we can lay hold on the image of the Goddess, I both shall cease from my madness, and embarking thee in the bark of many oars, I shall settle thee again in Mycenæ. But, O beloved one, O sister mine, preserve my ancestral home, and preserve me, since all my state and that of the Pelopids is undone, unless we seize on the heavenly image of the Goddess.
Euripides (The Tragedies of Euripides, Volume I.)
I hate like hell to go, especially with things still so up in the air between us.” Liv was watching him from the bed. “Nothing’s up in the air. You’re determined to keep me and I’m determined to go.” His face darkened. “You’re not so damn determined when I have you in the bathing pool.” Liv felt a heated blush creep into her cheeks but she refused to back down. “Be that as it may, what I say or do in the, uh, in the heat of passion doesn’t change how I feel.” A look that was almost despair crossed over his chiseled features. “Damn it, Olivia, can’t you admit to yourself that you feel for me what I feel for you? Can’t you just try to imagine having a life here with me on the ship?” “I could…if I didn’t already have a life waiting for me back on Earth.” She sighed. “Look, let’s not fight about this right now. You have to go, fine. I’ll manage okay on my own here.” To be honest she was looking forward to a reprieve from the constant lust she felt while being cooped up with him in close quarters. He frowned. “I shouldn’t be leavin’ you alone during our claiming period. If I hadn’t had a direct order from my CO—” “It’s okay, really. I’ll find something to keep me occupied. I’ll try the translator and read one of your books. And I can work the wave well enough to make my own lunch without burning a finger off now.” “All right, fine.” He looked slightly mollified. “But whatever you do, stay in the suite. Don’t leave for any reason.” “Yes, sir!” She gave him a mocking salute. “To hear is to obey, oh my lord and master.” “Lilenta…” He sighed. “This is for your safety. I’m not trying to order you around for the hell of it.” “No, you just want to make my decisions for me. Stay here, don’t go there. Live the rest of your life on the ship instead of ever seeing your loved ones on Earth again. Why should this be any different?” Liv knew an edge of bitterness had crept into her voice but she couldn’t seem to help it. Baird scowled. “In time you’ll see that this is best. The only way I can protect you is to keep you close to me.” “Funny how much being protected feels like being owned.” “I thought you didn’t want to fight.” “You started it.” Liv knew it sounded childish but she didn’t care. He ran a hand through his hair. “Damn it, Olivia…” Then he shook his head, as though sensing the futility of any argument. He pointed a finger at her instead. “I’m going but I’ll be back tonight in time for the start of our tasting week.” “You…I’m surprised you want to…to do anything at all.” Liv worked hard to keep the tremble out of her voice but didn’t quite succeed. He raised an eyebrow. “You mean with you trying to pick a fight at every opportunity and generally resisting me every step of the way? I have news for you, Lilenta, none of that affects the way I feel for you—the way I need you—one bit.” He walked over to the bed where she was sitting on the edge and pulled her to her feet. “I still want you more than any other woman I’ve ever seen. Still need to be inside you, bonding you to me, making you mine,” he growled softly, pulling her close. “Baird, stop it!” She wanted to beat against his broad chest in protest but she somehow found herself melting against him instead. “Don’t you want to give me a kiss goodbye?” There was a flicker of bitter amusement in his golden eyes. “No, I guess you don’t. Too bad.” Leaning down, he took her lips in a rough yet tender kiss that took Liv’s breath away.
Evangeline Anderson (Claimed (Brides of the Kindred, #1))
Some prominent Federalists felt Baltimore was no longer a safe place to be. James McHenry, a contemporary of Hanson’s father and a former secretary of war, wrote to the owner of the newspaper building destroyed by the mob as he was leaving the city. A show of force was needed to restore peace, McHenry advised his friend, and warned “that the air of Baltimore is the air of a prison; that houses are no places of safety; that there is a mine under them ready to explode, the moment they shall either by word or by look, give offence to their masters.”19
Josh S. Cutler (Mobtown Massacre: Alexander Hanson and the Baltimore Newspaper War of 1812 (True Crime))
It was no surprise that mine owners and manufacturers embraced Chadwick’s approach to public health, while workers’ health, wages, and safety suffered. Another
Frank M. Snowden III (Epidemics and Society: From the Black Death to the Present)
Rapidly covering the general as he ran, I let drive with the second barrel. Instantly the poor man threw up his arms, and fell forward on to his face. This time I had made no mistake; and - I say it as a proof of how little we think of others when our own safety, pride, or reputation is in question - I was brute enough to feel delighted at the sight.
H. Rider Haggard (King Solomon's Mines (Classics))
Does it frighten you, to be so desired? To know I want you regardless of time or distance? To know I want you as mine, wholly possessed without question?” How could I be frightened of the very thing I’d wanted? I couldn’t imagine being desired so determinedly that eternity wasn’t a question, but a demand. It was not only a promise of protection, of safety. It was
Harley Laroux (Her Soul to Take (Souls Trilogy, #1))
no way to tell destruction from safety, or enemy from friend. . . . Like that dog she had heard about, she thought . . . somebody’s dog in somebody’s laboratory . . . the dog who got his signals switched on him, and saw no way to tell satisfaction from torture, saw food changed to beatings and beatings to food, saw his eyes and ears deceiving him and his judgment futile and his consciousness impotent in a shifting, swimming, shapeless world—and gave up, refusing to eat at that price or to live in a world of that kind. . . . No!—was the only conscious word in her brain—no!— no!—no!—not your way, not your world—even if this “no” is all that’s to be left of mine! It
Ayn Rand (Atlas Shrugged)
Trauma can do strange things to the mind, can’t it, Zoe? Sometimes mine simply shuts itself down when I try to approach things that are too much to bear. That’s why I can become a bit vague at times. It’s a sort of safety valve, I suppose. But necessary, I think, until we find other ways to bear the pain.
Fiona Valpy (The Storyteller of Casablanca)
Too bad about that Caspian tern,” and “Where’s the nearest restroom?” She was in the midst of pointing it out when Lucas Holt strode past. He’d shucked his waders and wore work pants tucked into rubber boots, along with an obviously hand-knit sweater the color of smoke. It smelled like smoke, too—like wood smoke curling through crystal clear air on a winter’s night. She had a quick image of him kneeling next to a campfire, blowing on the flames, while she snuggled under a blanket to keep warm. She shook it off. It was just a fantasy, because she and Lucas Holt would never find themselves camping together, anywhere. She’d rather run into Lost Souls Wilderness across the bay and take her chances with the bears. Usually Lucas ignored her and her passengers. They weren’t his speed; they didn’t bring coolers of beer on the boat or boast about the size of their last catch. But this time he paused and cast a charming smile across her little crew of elderly naturalists. “Sorry about the close call out there. I’m training a new guy. He still has a few things to learn. I hope no one got wet because of that bonehead move.” Lucas had dark hair and dark stubble and dark eyes and no wonder she secretly called him Lucifer. But he was good-looking; she had to admit that. Not that it mattered. Character was what counted. Not looks. “You’re seriously going to blame your crew?” she asked. A hint of irritation crossed his face. She hated the way he always looked at her—as if she was a frivolous birdbrain hippie chick. She had part of a PhD, for pete’s sake. But that seemed to mean nothing to him, even though she’d mentioned it more than once. “Just explaining what happened. He got a little carried away. He won’t do it again.” “I hope not because I have witnesses. And I’d really prefer not to go the harbormaster again.” His dark eyebrows quirked together. “On the one hand, I doubt that’s true, because I’m sure it gives you a special kind of joy to report on me. On the other hand, maybe it is true because I hear it didn’t go so well the last time.” She gritted her teeth together. Unfortunately, he had a point. After her third trip to the harbormaster’s office, she’d decided there had to be better ways to handle her feud with Lucas. Sadly, she hadn’t figured them out yet. “I am not easily deterred,” she said stoutly. “Especially when it comes to Ruby’s safety.” Lucas smiled down at Ruby, who glowed back at him. Darn him. That smile changed things in an unfortunate way. If he ever smiled at her like that… She sighed. Luckily, there was no chance of such a thing.
Jennifer Bernard (Mine Until Moonrise (Lost Harbor, Alaska, #1))
We want change, change not from body or mind of mine but from this pandemic rulers.
-ipi(human_bot)
Whites are / I am unconsciously invested in racism. Bias is implicit and unconscious; I don’t expect to be aware of mine without a lot of ongoing effort. Giving us white people feedback on our racism is risky for people of color, so we can consider the feedback a sign of trust. Feedback on white racism is difficult to give; how I am given the feedback is not as relevant as the feedback itself. Authentic antiracism is rarely comfortable. Discomfort is key to my growth and thus desirable. White comfort maintains the racial status quo, so discomfort is necessary and important. I must not confuse comfort with safety; as a white person, I am safe in discussions of racism. The antidote to guilt is action.
Robin DiAngelo (White Fragility: Why It's So Hard for White People to Talk About Racism)
Everything unique to the first race was a first. Meaning, for example, a sled dog race—nothing first, nor unique, here—but one of one thousand miles or more, using the same dogs, is decidedly a first and, without question, unique. There are many Iditarod Race traditions, whose origins are traced to the 1973 inaugural event. Easily coming to mind is the first weekend in March start, Anchorage start site (ceremonial, nowadays) trail mail (mine in 1973 was adopted by ITC in 1974), keeping record of the fastest time between Solomon (Port Safety or Safety, nowadays) and Nome, the town siren and police escort at Nome, use of veterinarians during the race, publishing dog deaths, employment of the “Iditarod Air Force,” multiple finisher banquets, red lantern award (adopted from earlier races), and reliance on volunteers.
Dan Seavey (The First Great Race: Alaska's 1973 Iditarod)
But before I start, I need you to understand, I put my mark on you. You’re mine and I’m yours. Be mine and not on the surface shit. I want more than your body, I need your heart, your safety. I need you. Hear me?
Aubreé Pynn (After-Tines)
It had taken me a long time to realize that “home,” to most people, represented a place of comfort and safety. Home was a place people wanted to return to, not one they dreaded or feared. I’d had to build my own home, my own family. I’d crafted it in the only way I knew how; it was messy and strange, but it was mine and no one could take it away from me.
Harley Laroux (Losers: Part II (Losers, #2))
Throughout much of history, mining operations relied on the exploitation of slaves and poor laborers to excavate ore from dirt. The downtrodden were forced to dig in hazardous conditions with little regard to their safety and for little to no compensation.
Siddharth Kara (Cobalt Red: How the Blood of the Congo Powers Our Lives)
I went up to the cliff and sat and felt my heart thumping inside. I breathed the cold air and watched the moon climb higher until it, and all of the country below, was mine again.
Rick Bass (The Sky, The Stars, The Wilderness)
Semtex is the best plastic explosive in the world. It feels like Play-Doh, has no smell, and was designed in 1966 to clear land-mines and improve industrial safety. It is also undetectable by dogs and airport security devices, and after it left Mr. Brebera's laboratory in 1968, Semtex became the favored weapon of international terrorists from Libya to Northern Ireland. Since Sept. 11, the Czech Republic and its new NATO allies have become increasingly nervous about the continued production and sale of Brebera's fatal concoction. Over the past two decades, terrorists have employed Semtex in several deadly attacks, including the 1988 explosion of Pan Am flight 103 over Lockerbie, Scotland, and the 1998 bombing of the US Embassy in Nairobi, Kenya. And no one has found a reliable way to combat it. Named after Semtin, the village in East Bohemia where Brebera invented it, this extraordinarily stable compound of RDX (Cyclonite) and PETN (Penaerythrite Tetranitrate) slips through airport security scans as easily as a pair of nylons.
John Ellsworth (The Post Office (Thaddeus Murfee Legal Thrillers #14))
Good. You are not safe. Not in this castle. Not in this room. You are prey in a world of predators.' He leaned closer. 'I will never hurt you,' he said softly. 'But I am the only one who will make that promise, and keep it. I will never give you false safety or kind lies. But I will teach you how to wield those teeth of yours.' He smiled, revealing for the first time the full length of his sharp canines- the death blow, surely, of hundreds. The girl should have found the sight terrifying. And yet, for the first time in a month, she felt... safe. 'Perhaps they are not as sharp as mine,' he went on, 'but they can still kill, with the right bite.
Carissa Broadbent (The Serpent and the Wings of Night (Crowns of Nyaxia, #1))
The lino on the floor was curling at the edges and the wallpaper similarly obliged, but I immediately felt a sense of safety, It was mine. A space I would call my own. I could close the door and not have to worry about who might beat it down.
Evie Woods (The Lost Bookshop)
Safety is no longer her concern because nothing can save her from me. Her life is mine.
January Rayne (Honeysuckles (Monster Stalker #1))
Founded in 1957, Lakewood Electrical Services has earned a strong reputation for quality, service, and professional reliability. Now led by Jim Ramsay, son of the founding father, Lakewood provides full electrical design and installation services to industrial, commercial, mining, construction, and government clients across Australia. With a commitment to delivering the best energy solutions, Lakewood ensures every project meets the highest safety standards. Backed by public liability and workers' compensation insurance, you can trust Lakewood to handle all your electrical needs with expertise and care.
Lakewood Electrical Services Pty Limited
I’m an ordinary man who will protect you, adore you, treasure you, and put your needs before mine. I have a steadfast heart and a strong shoulder. Ordinary brings the completeness and safety that is part of a life filled with…shalom.
Hope Holloway (The Inn on Amelia Island (Seven Sisters Book 7))
We figured it out together. I attached the safety lines with my left hand while she pulled the tiller to steer with her right, and I couldn't forget, even for a second, that her fingers were locked into mine. I should have been terrified - the sky raging above us, the stretch of angry water before us - but I wasn't. I was with Cass.
Jen St. Jude (If Tomorrow Doesn't Come)
Maybe we’ve gone soft. Gotten used to the relative safety of the farms in the past week. But Mack slows down immediately, and I jump off without hesitation so I can run over to help. I should know better. We both should. But things have felt settled and secure since we got together for real, like the worst of the danger should be over. But we still live in the world. And The Wild has never been safe. And this is undoubtedly a trap for the most gullible of travelers. Evidently today that’s us. Before I can reach the prostrate woman, a man steps out from behind a thick tree. The woman isn’t armed, but he is. And he lifts his pistol, aiming it unwaveringly at the largest threat. That’s Mack, of course. I can’t even take a breath before he’s pulled the trigger, firing directly at Mack. I act on pure instinct. Not because I’ve thought it through in even the slightest of ways. This stranger is shooting a gun at Mack, and Mack will always—always, always—be mine. So I jump right at the man, blocking Mack from the bullet that would have killed him. Unfortunately that means the bullet hits me instead.
Claire Kent (Beacon (Kindled #8))
The evening’s excitements were too terrifying and I was lucky to be saved by these 3 hunky angels now keeping watch, holding and caring for my safety. Their masculinity aroused as I held tightly onto my lover while his intoxicating scent drifted up my nostrils. Before long my Valet had lowered his face to mine, gently kissing my longing lips and desiring mouth. Surrendering to his loving touch, I was grateful for his protection.
Young (Unbridled (A Harem Boy's Saga, #2))
In the spring of 2015, I went to Spain to walk for a week on the Camino de Santiago, the medieval route that has been used for centuries by pilgrims demonstrating their devotion, and now by spiritual seekers looking for renewal. Ever since I studied medieval art in college, walking the Camino had been a dream of mine. I loved the idea of a moderately sized adventure, one that was about walking, not running, and still had the safety of towns and sleeping on mats on the floor instead of inside tents. I set off with underprepared feet, too much in my backpack, thirteen words of Spanish and my copy of Eat Pray Love.
Various (Eat Pray Love Made Me Do It: Life Journeys Inspired by the Bestselling Memoir)
Lost and alone… After her mother’s death, Lyra grew up in the foster care system, struggling to hide who she is from the humans who found enough wrong with her. Never fitting in anywhere, she learned to adapt, hiding the damaged parts of herself as best she could. Until the night three men tore her world apart—one with a cry to come home, one with a desire to hurt her, and one with a possessive look that calls to the spirit inside her. A mated mongrel… Aleksy Costas is a primal beast in human skin. Part Bengal, part panther, part lion, he’s a creation of spliced DNA that even other shifters give a wide berth. When a mission takes him into a bar in the heart of Chicago, he finds the one person he never believed existed. Now, he’ll do anything to save her. Mine… Captured and tortured, Lyra prays for a savior, never expecting the man who steps out of the shadows and breaks her free. It’s not safety he brings, but a cataclysm of lust and need that only his touch can quench. A bond is forming between them, but is it strong enough to withstand the battle brewing around them, one that will change everything in the war between hunters and shifters?
Lacey Thorn (Cry of the Pride (Awakening Pride, #9))
One of the WVU professors approved for funding, Russell Sobel, edited a 2007 book called Unleashing Capitalism: Why Prosperity Stops at the West Virginia Border and How to Fix It, arguing that mine safety and clean water regulations only hurt workers. “Are workers really better off being safer but making less income?” it asked.
Jane Mayer (Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right)
I apologize for my intrusion, but in your distress, your mind summoned me to you. First, let me say you have no need to fear for Avenger or the lives of your crew. Our destiny—yours and mine—is starting to become clearer to me. I have glimpsed future events that, for the time being, assure your safety. I believe this ability is one of the herculean gifts to which Tynabo alluded. I thank you for sharing Tynabo’s recording with me. Even that small glimpse of the man I called father has been a comfort.” Then, in a tone that bespoke a more intimate connection between them, she said, “As regards us, these last weeks apart have been extremely difficult—as much for you as they are for me. So please know that you have not been alone in your suffering. In your mind, I also saw your desire to know exactly what it is that has been happening to you, to us, each night. In short, what you see, I see. What you feel, I feel. The fugue is creating its own reality for us, albeit on a more esoteric plane. I think you will agree that there is nothing lost in the translation between the fugue state—and a true physical reality. However, as Tynabo had warned us, it is becoming harder to hold on. Each day we’re apart is more unbearable than the one before. Because of this growing need, I fear it will not be long before the fugue creates situations that would be quite embarrassing were they to happen in public. Because of this I ask you not to delay your return to Sea Base any longer than necessary.” Her tone softened empathetically, an acknowledgement of the crisis facing Steven. “I am also aware of the personal hurdles you face as regards Renee and your family, and that you are in desperate need of a solution. I want you to know that you do not bear this burden alone. You have my full support on any decision that you make. It will always be so. “Until we meet again—sweet dreams.” As Ashlyn’s image dissipated, her sensual smile stole his breath. ***         As the wave subsided, the bridge suddenly lit up like Times Square on New Year’s Eve, chimes and klaxons sounding everywhere.
Glenn Van Dyke (2287 A.D. - After Destruction (The Ashlyn Chronicles, #1))
Safety and security are all mine. My life, my love, my works, my ethics, my vision and my mission.
Petra Hermans
You can’t go to Bradshaw’s. Reasons of morality and safety aside, you don’t even know where the hell it is.” Amelia didn’t flinch at the profanity. “I assume a great deal of business is sent back and forth between your establishment and Bradshaw’s. You say the place is nearby, which means all I have to do is follow the foot traffic from here to there. Goodbye, Mr. Rohan. I appreciate your help.” Cam moved to block her path. “All you’ll accomplish is making a fool of yourself, Miss Hathaway. You won’t get past the front door. A brothel like Bradshaw’s doesn’t take strangers off the street.” “How I manage to retrieve my brother, sir, is no concern of yours.” She was correct. It wasn’t. But Cam hadn’t been this entertained in a long time. No sensual depravities, no skilled courtesan, not even a room full of unclothed women, could have interested him half as much as Miss Amelia Hathaway and her red ribbons. “I’m going with you,” he said. She frowned. “No, thank you.” “I insist.” “I don’t need your services, Mr. Rohan.” Cam could think of a number of services she was clearly in need of, most of which would be a pleasure for him to provide. “Obviously it will be to everyone’s benefit for you to retrieve Ramsay and leave London as quickly as possible. I consider it my civic duty to hasten your departure.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Run your fingers across my skin, slowly. Tear down my layers. I want to feel you within. Life is unpredictable. I have been afraid. I have been sad. I have been disappointed. But I don’t want to live behind walls of safety, because I have been hurt. I want to feel your skin against mine and your fingers wandering across me. I want our lives to intertwine dangerously, our essences naked and colliding in reckless passion. I don’t want to exist trapped behind a wall, observing life as an outsider from a window seat. I want you to strip me down layer by layer and hold me from the inside out.
Jacqueline Simon Gunn
I wanted to fix her to a rack and flog her until she was sobbing, and then pillage every one of her holes until she begged me to stop. Then I wanted to lock her away where no one could touch her, where I wouldn’t even let her touch herself. I wanted to take away her safety and make her long for her mats and blankets. I wanted to clamp her and plug her and chain her and train her to grovel at my feet. When she was completely broken, when her will and soul were mine, then I’d give her mats and blankets back. That’s what I wanted.
Annabel Joseph (Waking Kiss (BDSM Ballet, #1))
We had been seen. The thought stayed with me as I disposed of the leftovers—how could it not? I drove with one eye on the rearview mirror, waiting for the blinding burst of blue light to flare at my bumper and the brief harsh whoop! of a siren. But nothing came; not even after I ditched Valentine’s car, climbed into mine, and drove carefully home. Nothing. I was left entirely at liberty, all alone, pursued only by the demons of my imagination. It seemed impossible—someone had seen me at play, as plainly as it was possible to be seen. They had looked at the carefully carved pieces of Valentine, and the happy-weary carver standing above them, and it would not take a differential equation to arrive at a solution to this problem—A plus B equals a seat in Old Sparky for Dexter, and someone had fled with this conclusion in perfect comfort and safety—but they had not called the police? It
Jeff Lindsay (Double Dexter (Dexter #6))
that she’s at the point of leaving us, I’m asking myself if I have been the mother I wanted to be, the mother she needed me to be. How well have I channelled this fierce, unbridled love? Could I have done anything else to equip her for life on her own, all grown up? Because although I can tell myself I’ll always be there for her, I know that she won’t always choose the safety net; sometimes she will brave the fall. Whatever happens to all of us, the sun will keep spinning the seasons, nurturing the lakes and fells, casting its long, deep shadows and bestowing its steadfast light. All I can do is trust my daughter. It is her life, not mine, and she has her own choices to make. Inevitably, one day she will decide to leave us – breaking off a piece of my heart and taking it with her. When the time comes, my love will be captured in her freedom. My life will run beside hers, ever onward, out of sight.
Sara Foster (All That is Lost Between Us)