Kirby Anime Quotes

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Food-- like sex, politics, and religion-- is an intensely personal, emotional, and complicated subject.
David Kirby (Animal Factory: The Looming Threat of Industrial Pig, Dairy, and Poultry Farms to Humans and the Environment)
Our group pressed west on what was left of Highway 93, toward the pass leading to Las Vegas. Sand covered the road in loose drifts so deep the horses' hooves sank into them. The metal highway signs were bent low by the strong wind, and above us, billboards that once screamed ads for the casinos were now stripped of their promises of penny slots and large jackpots. The raw boards underneath were exposed, like showgirls without their makeup. Some signs had been blown over completely and lay half-buried under mounds of sand, like sleeping animals. Cars dotted the highway, their paint scoured off and dead tumbleweeds caught underneath them. Their windows were fogged with death, and despite my effort not to look, my eyes were drawn to the blurred images of the still forms inside. I tried to concentrate on the dark road ahead of us instead.
Kirby Howell (Autumn in the Dark Meadows (Autumn, #2))
But what if the capture of the young calf had never occurred? Tilikum might still be swimming free in the frigid waters of the North Atlantic, chasing his cherished herring, perhaps alongside his mother. He might be surrounded by siblings, nieces, and nephews, and his grandmother might still be leading the pod. An oceanic Tilikum would be gliding through his boundless home with fearless power and majestic grace, his fin erect, his teeth intact, his interactions with humans minimal and nonlethal. There would be no need for gelatin or Tagamet, antibiotics or isolation. And of course, if Tilikum had never been wrenched away from his family and friends, entirely for the amusement of humans, the family and friends of Keltie Byrne, Daniel Dukes, and Dawn Brancheau might not be grieving to this day. Tilikum was trying to tell us something. It was time to listen.
David Kirby
But what if the capture of the young calf had never occurred? Tilikum might still be swimming free in the frigid waters of the North Atlantic, chasing his cherished herring, perhaps alongside his mother. He might be surrounded by siblings, nieces, and nephews, and his grandmother might still be leading the pod. An oceanic Tilikum would be gliding through his boundless home with fearless power and majestic grace, his fin erect, his teeth intact, his interactions with humans minimal and nonlethal. There would be no need for gelatin or Tagamet, antibiotics or isolation. And of course, if Tilikum had never been wrenched away from his family and friends, entirely for the amusement of humans, the family and friends of Keltie Byrne, Daniel Dukes, and Dawn Brancheau might not be grieving to this day. Tilikum was trying to tell us something. It was time to listen.
kirby david
Georgia’s grandest surviving railroad station; in 2002, it was purchased by the city of Macon and converted to a retail center. Over the northern archway, you can clearly see the words “Colored Waiting Room” carved into the building’s stone surface. Maconites I talked to said it was decided to leave the entryway unchanged as a reminder of a time when an entire race was treated as though they were animals. That wasn’t so long ago, but it was long enough that, to anyone born after 1960, it can seem like something that happened on another planet. My white students play and study with and date black students and vice versa, and to them, the idea of the one race grinding its boot into the face of the other is inconceivable. I envy them their innocence.
David K. Kirby (Little Richard: The Birth of Rock 'n' Roll)