Coloring Easter Eggs Quotes

Some people don't believe in God but they color eggs at Easter just to change the pattern of their days.

Paint your Easter egg any color you want—we were accidents of evolution. We are a combination of aberrant cell growth, electrical synapse activity, and unbelievable luck. We are what happens when smart monkeys fuck.

At the beginning of the semester, Ulla wanted to pose only for the 'new trends' - a flea that Meiter, her Easter egg painter had put in her ear; his engagement present to her had been a vocabulary which she tried out in conversations with me. She spoke of relationships, constellations, actions, perspectives, granular structures, processes of fusion, phenomena of erosion. She, whose daily fare consisted exclusively of bananas and tomato juice, spoke of proto-cells, color atoms which in their dynamic flat trajectories found their natural positions in their fields of forces, but did not stop there; no, they went on and on... This was the tone of the conversation with me during our rest periods or when we went out for an occasional cup of coffee in Ratinger-Strasse. Even when her engagement to the dynamic painter of Easter eggs had ceased to be, even when after a brief episode with a Lesbian she took up with one of Kuchen's students and returned to the objective world, she retained this vocabulary which so strained her little face that two sharp, rather fanatical creases formed on either side of her mouth.

Whatever are Snorks?" "Don't you really know what a Snork is?" said Snufkin in amazement. "They must be the same family as you, I should think, because they look the same, except that they aren't often white. They can be any color in the world (like an Easter egg), and they change color when they get upset." Moomintroll looked quite angry. "Well!" he said. "I've never heard of that branch of the family. A real Moomintroll is always white. Changing color indeed! What an idea!

You ought to make something for Easter. You know. Eggs and stuff. Chocolate hens, rabbits, things like that. Like the shops in Agen." I remember them from my childhood; the Paris chocolateries with their baskets of foil-wrapped eggs, shelves of rabbits and hens, bells, marzipan fruits and marrons glacés, amourettes and filigree nests filled with petits fours and caramels, and a thousand and one epiphanies of spun-sugar magic carpet rides more suited to an Arabian harem than the solemnities of the Passion. "I remember my mother telling me about the Easter chocolates." There was never enough money to buy those exquisite things, but I always had my own cornet-surprise, a paper cone containing my Easter gifts, coins, paper flowers, hard-boiled eggs painted in bright enamel colors, a box of colored papier-mâché- painted with chickens, bunnies, smiling children among the buttercups, the same every year and stored carefully for the next time- encasing a tiny packet of chocolate raisins wrapped in cellophane, each one to be savored, long and lingeringly, in the lost hours of those strange nights between cities, with the neon glow of hotel signs blink-blinking between the shutters and my mother's breathing, slow and somehow eternal, in the umbrous silence.

When the snow began to fall, Maman was working in the shop, making Easter chocolates. Rabbits and chickens and baskets of eggs. Mendiants and nougatines. Nipples of Venus, and apricot hearts, and bitter orange slices. All wrapped up in cellophane, and tied with colored ribbons, and packed in boxes and sachets and bags, ready to give for Easter.

This morning it was sunny and bright, and Maman was making Easter things. There were eggs, and hens, and rabbits, and ducks, all in different sizes and varieties of chocolate, and Maman was decorating them with gold leaf, and hundreds and thousands, and sugar roses and candied fruit. Later she'll wrap them in cellophane, like fabulous bunches of flowers, each tied with a long curly ribbon of a different color, and put them all on shelves at the back, as part of her annual Easter display.

Eleven finally allowed to dye his own eggs, and then only in one color: red. All over the house red eggs gleam in lengthening, solstice rays. Red eggs fill bowls on the dining room table. They hang from string pouches over doorways. They crowd the mantel and are baked into loaves of cruciform tsoureki. But now it is late afternoon; dinner is over. And my brother is smiling. Because now comes the one part of Greek Easter he prefers to egg hunts and jelly beans: the egg-cracking game. Everyone gathers around the dining table. Biting his lip, Chapter Eleven selects an egg from the bowl, studies it, returns it. He selects another. “This looks like a good one,” Milton says, choosing his own egg. “Built like a Brinks truck.” Milton holds his egg up. Chapter Eleven prepares to attack. When suddenly my mother taps my father on the back. “Just a minute, Tessie. We’re cracking eggs here.” She taps him harder. “What?” “My temperature.” She pauses. “It’s up six tenths.” She has been using the thermometer. This is the first my father has heard of it. “Now?” my father whispers. “Jesus, Tessie, are you sure?” “No, I’m not sure. You told me to watch for any rise in my temperature and I’m telling you I’m up six tenths of a degree.” And, lowering her voice, “Plus it’s been thirteen days since my last you know what.” “Come on, Dad,” Chapter Eleven pleads.

I spent most of the afternoon tempering the new batch of couverture and working on the window display. A thick covering of green tissue paper for the grass. Paper flowers- daffodils and daisies, Anouk's contribution- pinned to the window frame. Green-covered tins that had once contained cocoa powder, stacked up against each other to make a craggy mountainside. Crinkly cellophane paper wraps it like a covering of ice. Running past and winding into the valley, a river of blue silk ribbon, upon which a cluster of houseboats sits quiet and unreflecting. And below, a procession of chocolate figures, cats, dogs, rabbits, some with raisin eyes, pink marzipan ears, tails made of licorice-whips, with sugar flowers between their teeth... And mice. On every available surface, mice. Running up the sides of the hill, nestling in corners, even on the riverboats. Pink and white sugar coconut mice, chocolate mice of all colors, variegated mice marbled through with truffle and maraschino cream, delicately tinted mice, sugar-dappled frosted mice. And standing above them, the Pied Piper resplendent in his red and yellow, a barley-sugar flute in one hand, his hat in the other. I have hundreds of molds in my kitchen, thin plastic ones for the eggs and the figures, ceramic ones for the cameos and liqueur chocolates. With them I can re-create any facial expression and superimpose it upon a hollow shell, adding hair and detail with a narrow-gauge pipe, building up torso and limbs in separate pieces and fixing them in place with wires and melted chocolate.... A little camouflage- a red cloak, rolled from marzipan. A tunic, a hat of the same material, a long feather brushing the ground at his booted feet. My Pied Piper looks a little like Roux, with his red hair and motley garb.

Eleven finally allowed to dye his own eggs, and then only in one color: red. All over the house red eggs gleam in lengthening, solstice rays. Red eggs fill bowls on the dining room table. They hang from string pouches over doorways. They crowd the mantel and are baked into loaves of cruciform tsoureki. But now it is late afternoon; dinner is over. And my brother is smiling. Because now comes the one part of Greek Easter he prefers to egg hunts and jelly beans: the egg-cracking game. Everyone gathers around the dining table. Biting his lip, Chapter Eleven selects an egg from the bowl, studies it, returns it. He selects another. “This looks like a good one,” Milton says, choosing his own egg. “Built like a Brinks truck.” Milton holds his egg up. Chapter Eleven prepares to attack. When suddenly my mother taps my father on the back. “Just a minute, Tessie. We’re cracking eggs here.” She taps him harder. “What?” “My temperature.” She pauses. “It’s up six tenths.” She has been using the thermometer. This is the first my father has heard of it. “Now?” my father whispers. “Jesus, Tessie, are you sure?” “No, I’m not sure. You told me to watch for any rise in my temperature and I’m telling you I’m up six tenths of a degree.” And, lowering her voice, “Plus it’s been thirteen days since my last you know what.” “Come on, Dad,” Chapter Eleven pleads. “Time out,” Milton says. He puts his egg in the ashtray. “That’s my egg. Nobody touch it until I come back.” Upstairs, in the master bedroom, my parents accomplish the act. A child’s natural decorum makes me refrain from imagining the scene in much detail. Only this: when they’re done, as if topping off the tank, my father says, “That should do it.” It turns out he’s right. In May, Tessie learns she’s pregnant, and the waiting begins.

Remember now your Creator in the days of your youth, before the difficult days come, and the years draw near when you say, “I have no pleasure in them.” —Ecclesiastes 12:1 (NKJV) I was making rounds at the veterans hospital where I work, when an elderly gentleman in a wheelchair pointed his cane to a sign on a bulletin board. “Look, hon,” he said to his wife, “they’re having an old-fashioned Easter egg hunt on Saturday. It says here that the kids can compete in a bunny-hop sack race for prizes.” He barely came up for air. “Remember when we used to have those Easter egg hunts on our farm? The kids would color eggs at our kitchen table and get dye all over everything.” Just then, his wife noticed the smell of popcorn in the air. Volunteers sell it for a bargain price—fifty cents a sack. The veteran didn’t miss a beat. “Remember when we used to have movie night and you would pop corn? We’ve got to start doing that again, hon. I love popcorn. Movies too.” As I took in this amazingly joyful man, I thought of things I used to be able to do before neurofibromatosis took over my body. It was nothing to run a couple of miles; I walked everywhere. Instead of rejoicing in the past, I too often complain about my restrictions. Rather than marvel how I always used to walk downtown, shopping, I complain about having to use a handicap placard on my car so I can park close to the mall, which I complain about as well. But today, with all my heart, I want to be like that veteran and remember my yesterdays with joy. Help me, dear Lord, to recall the past with pleasure. —Roberta Messner Digging Deeper: Eph 4:29; Phil 2:14

he was all the colors of an Easter egg.

It’s not just the involvement of eggs that makes Easter traditions so bizarre. It’s also the absurdity of letting young children handle the fragile eggs. Thank God the colorful eggs are hard-boiled because, wait for it, LITTLE KIDS BREAK EGGS.