Kiosk Love Quotes

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There was consolation: The people you loved, they were always there with you, she had learned. Sometimes, she could be in front of a train kiosk or the window of a bookstore, and she could feel Noa's small hand when he was a boy, and she would close her eyes and think of his sweet grassy smell and remember that he had always tried his best. At those moments, it was good to be alone to hold on to him.
Min Jin Lee (Pachinko)
Here, her hand in mine was the one reality that severed us from the cold click-clack of Hell. I rubbed her hand and she sighed; wasn’t that meaning? Wasn’t that something we could cling to? I could be with this other. I could form no other relation, but maybe her hand in mine was enough, both sufficient and necessary. In Hell there was no sense of place, because all places were the same. Uniform monotony. A place without place. A place without context. But, here, now, I could rub her hand and she would sigh. She was a difference. Perhaps each person was the only difference in all these halls of unchanging ranks of books, kiosks, clocks, and carpet, and that, and that, at least, we had to hold to.
Steven L. Peck (A Short Stay in Hell)
Dori Duz was a lively little tart of copper-green and gold who loved doing it best in toolsheds, phone booths, field houses and bus kiosks. There was little she hadn’t tried and less she wouldn’t. She was shameless, slim, nineteen and aggressive. She destroyed egos by the score and made men hate themselves in the morning for the way she found them, used them and tossed them aside. Yossarian loved her.
Joseph Heller
My eldest daughter, Suldana, is in love with another woman. She is eighteen and she spends her days working at our kiosk selling milk and eggs, and at night she sneaks out and goes down to the beach to see her lover. She crawls back into bed at dawn, smelling of sea and salt and perfume. Suldana is beautiful and she wraps this beauty around herself like a shawl of stars. When she smiles her dimples deepen and you can’t help but be charmed. When she walks down the street men stare and whistle and ache. But they cannot have her. Every day marriage proposals arrive with offers of high dowries but I wave them away. We never talk about these things like mothers and daughters should; but I respect her privacy and I allow her to live.
Diriye Osman (Fairytales for Lost Children)
How I Got That Name Marilyn Chin an essay on assimilation I am Marilyn Mei Ling Chin Oh, how I love the resoluteness of that first person singular followed by that stalwart indicative of “be," without the uncertain i-n-g of “becoming.” Of course, the name had been changed somewhere between Angel Island and the sea, when my father the paperson in the late 1950s obsessed with a bombshell blond transliterated “Mei Ling” to “Marilyn.” And nobody dared question his initial impulse—for we all know lust drove men to greatness, not goodness, not decency. And there I was, a wayward pink baby, named after some tragic white woman swollen with gin and Nembutal. My mother couldn’t pronounce the “r.” She dubbed me “Numba one female offshoot” for brevity: henceforth, she will live and die in sublime ignorance, flanked by loving children and the “kitchen deity.” While my father dithers, a tomcat in Hong Kong trash— a gambler, a petty thug, who bought a chain of chopsuey joints in Piss River, Oregon, with bootlegged Gucci cash. Nobody dared question his integrity given his nice, devout daughters and his bright, industrious sons as if filial piety were the standard by which all earthly men are measured. * Oh, how trustworthy our daughters, how thrifty our sons! How we’ve managed to fool the experts in education, statistic and demography— We’re not very creative but not adverse to rote-learning. Indeed, they can use us. But the “Model Minority” is a tease. We know you are watching now, so we refuse to give you any! Oh, bamboo shoots, bamboo shoots! The further west we go, we’ll hit east; the deeper down we dig, we’ll find China. History has turned its stomach on a black polluted beach— where life doesn’t hinge on that red, red wheelbarrow, but whether or not our new lover in the final episode of “Santa Barbara” will lean over a scented candle and call us a “bitch.” Oh God, where have we gone wrong? We have no inner resources! * Then, one redolent spring morning the Great Patriarch Chin peered down from his kiosk in heaven and saw that his descendants were ugly. One had a squarish head and a nose without a bridge Another’s profile—long and knobbed as a gourd. A third, the sad, brutish one may never, never marry. And I, his least favorite— “not quite boiled, not quite cooked," a plump pomfret simmering in my juices— too listless to fight for my people’s destiny. “To kill without resistance is not slaughter” says the proverb. So, I wait for imminent death. The fact that this death is also metaphorical is testament to my lethargy. * So here lies Marilyn Mei Ling Chin, married once, twice to so-and-so, a Lee and a Wong, granddaughter of Jack “the patriarch” and the brooding Suilin Fong, daughter of the virtuous Yuet Kuen Wong and G.G. Chin the infamous, sister of a dozen, cousin of a million, survived by everbody and forgotten by all. She was neither black nor white, neither cherished nor vanquished, just another squatter in her own bamboo grove minding her poetry— when one day heaven was unmerciful, and a chasm opened where she stood. Like the jowls of a mighty white whale, or the jaws of a metaphysical Godzilla, it swallowed her whole. She did not flinch nor writhe, nor fret about the afterlife, but stayed! Solid as wood, happily a little gnawed, tattered, mesmerized by all that was lavished upon her and all that was taken away!
Marilyn Chin
There was consolation: The people you loved, they were always there with you, she had learned. Sometimes, she could be in front of a train kiosk or the window of a bookstore, and she could feel Noa’s small hand when he was a boy, and she would close her eyes and think of his sweet, grassy smell and remember that he had always tried his best. At those moments, it was good to be alone to hold on to him.
Min Jin Lee (Pachinko)
There was consolation: The people you loved, they were always there with you, she had learned. Sometimes, she could be in front of a train kiosk or the window of a bookstore, and she could feel Noa’s small hand when he was a boy, and she would close her eyes and think of his sweet, grassy smell and remember that he had always tried his best. At those moments, it was good to be alone to hold on to him.
Min Jin Lee (Pachinko)
Tatiana really wanted an ice cream. Biting her lip, she let the bus pass. It’s all right, she thought. The next one will come soon, and in the meantime I’ll sit at the bus stop and have an ice cream. Walking up to the kiosk man, she said eagerly, “Ice cream, yes?” “It says ice cream, doesn’t it? I’m sitting here, aren’t I? What do you want?” He lifted his eyes from the newspaper to her, and his hard expression softened. “What can I get you, dearie?” “Have you got…” She trembled a little. “Have you got crème brûlée?” “Yes.” He opened the freezer door. “A cone or a cup?” “A cone, please,” Tatiana replied, jumping up and down once. She paid him gladly; she would have paid him double. In anticipation of the pleasure she was about to receive, Tatiana ran across the road in her heels, hurrying to the bench under the trees so she could eat her ice cream in peace, while she waited for the bus to take her to buy caviar because war had started. There was no one else waiting for the bus, and she was glad for the fine moment to feast on her delight in seclusion. She took off the white paper wrapping, threw it in the trash can next to the bench, smelled the ice cream, and took a lick of the sweet, creamy, cold caramel. Closing her eyes in happiness, Tatiana smiled and rolled the ice cream in her mouth, waiting for it to melt on her tongue. Too good, Tatiana thought. Just too good. The wind blew her hair, and she held it back with one hand as she licked the ice cream in circles around the smooth ball. She crossed and uncrossed her legs, swung her head back, lolled the ice cream in her throat, and hummed the song everyone was singing these days: “Someday we’ll meet in Lvov, my love and I.” It was a perfect day. For five minutes there was no war, and it was just a glorious Sunday in a Leningrad June. When Tatiana looked up from her ice cream, she saw a soldier staring at her from across the street. It was unremarkable in a garrison city like Leningrad to see a soldier. Leningrad was full of soldiers. Seeing soldiers on the street was like seeing old ladies with shopping bags, or lines, or beer bars. Tatiana normally would have glanced past him down the street and moved on, except that this soldier was standing across the street and staring at her with an expression Tatiana had never seen before. She stopped eating her ice cream. Her side of the street was already in the shade, but the side where he stood swam in the northern afternoon light. Tatiana stared back at him for just a moment, and in the moment of looking into his face, something moved inside her; moved she would have liked to say imperceptibly, but that wasn’t quite the case. It was as if her heart started pumping blood through all four chambers at once, pouring it into her lungs and flooding it through her body. She blinked and felt her breath become shorter. The soldier was melting into the pavement under the pale yellow sun.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
There was consolation: The people you loved, they were always there with you, she had learned. Sometimes, she could be in front of a train kiosk or the window of a bookstore, and she could feel Noa's small hand when he was a boy, and she would close her eyes and think of his sweet grassy smell and remember that he had always tried his est. At those moments, it was good to be alone to hold on to him.
Min Jin Lee
Really man? Now you’re the one calling the shots?” Willow had taken off his helmet and finally turned off the bike. “Bringing Robert here to be the getaway driver? If you’re looking for escalation this isn’t it, you prick. I call the shots and the rest fall in line. I love you brother, but this isn’t the move.” A door had opened loudly at the distant motel, an odd-looking fellow had stepped out of the kiosk and was walking briskly towards them, muttering to himself out of earshot. Willow had taken this for even more leverage against his outcrying subordinate, “It’s people like this,” pointing at the approaching motel employee, “That gets us locked up. If we get the cops called on us again, he is the first witness to see us with the car or even the kids if he starts yelling and gets them to come out.
Andrew Hartman (Intertwined: A Biker's Tale)
Haddam has always sheltered oddments like Paul, strangies you get used to seeing hanging around the Post Office or the newspaper kiosk, or at back tables in the library, reading China Today or Lancet and laughing about things only they know. These people wear the same clothes day-in, day-out, always appear fiercely involved in something, though in fact they’re doing nothing, since in an hour you see them involved in the same thing a block away. They are (or were) the love-child son or moody eldest daughter of some ex–New Jersey governor, long deceased, or the sallow, hollow-eyed offspring of some Swiss seminarian, who’s moved on. These aren’t the people who buy bump stocks or take up positions in a bell tower and rain terror upon an innocent world. They’re the watery presences at the periphery of yours and everyone else’s sight line, awaiting nothing, seemingly friendless (though not always), harming nothing and no one, growing old as you grow old, and who repair somewhere at night to sleep. It’s possible to think people like this don’t have lives full of expectancy and small triumphs. But they do.
Richard Ford (Be Mine)
There was consolation: The people you loved, they were always there with you, she learned. Sometimes, she could be in front of a train kiosk or the window of a book store, and she could feel Noa's small hand when he was a boy, and she would close her eyes and think of his sweet grassy smell and remember that he had always tried his best. At those moments, it was good to be alone to hold on to him.
Min Jin Lee (Pachinko)