“
This is not a novel to be tossed aside lightly. It should be thrown with great force.
”
”
Sid Ziff
“
If you cast me out of the Dagger Society, then I will form my own. I am tired of losing. I am tired of being used, hurt and tossed aside.
It is my turn to use. My turn to hurt.
My turn.
”
”
Marie Lu (The Young Elites (The Young Elites, #1))
“
My fate is like those envelopes – sealed and tossed aside.
”
”
Jenny B. Jones (There You'll Find Me)
“
Have you heard of the illness hysteria siberiana? Try to imagine this: You're a farmer, living all alone on the Siberian tundra. Day after day you plow your fields. As far as the eye can see, nothing. To the north, the horizon, to the east, the horizon, to the south, to the west, more of the same. Every morning, when the sun rises in the east, you go out to work in your fields. When it's directly overhead, you take a break for lunch. When it sinks in the west, you go home to sleep. And then one day, something inside you dies. Day after day you watch the sun rise in the east, pass across the sky, then sink in the west, and something breaks inside you and dies. You toss your plow aside and, your head completely empty of thought, begin walking toward the west. Heading toward a land that lies west of the sun. Like someone, possessed, you walk on, day after day, not eating or drinking, until you collapse on the ground and die. That's hysteria siberiana.
”
”
Haruki Murakami (South of the Border, West of the Sun)
“
Will tossed the bloody cloth aside. “And you wonder why we aren’t friends.”
“I just wondered,” Gabriel said, in more subdued voice, “if perhaps you have ever had enough.”
“Enough of what?”
“Enough of behaving as you do.”
Will crossed his arms over his chest. His eyes glistening dangerously. “Oh, I can never get enough,” he said. “Which, incidentally, is what your sister said to me when─”
The carriage door flew open. A hand shot out, grabbed Will by the back of his shirt, and hauled him inside.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
The event of falling in love is of such a nature that we are right to reject as intolerable the idea that it should be transitory. In one high bound it has overleaped the massive of our selfhood; it has made appetite itself altruistic, tossed personal happiness aside as a triviality and planted the interests of another in the centre of our being. Spontaneously and without effort we have fulfilled the law (towards one person) by loving our neighbour as ourselves. It is an image, a foretaste, of what we must become to all if Love Himself rules in us without a rival. It is even (well used) a preparation for that.
”
”
C.S. Lewis (The Four Loves)
“
Stop wandering about! You aren't likely to read your own notebooks, or ancient histories, or the anthologies you've collected to enjoy in your old age. Get busy with life's purpose, toss aside empty hopes, get active in your own rescue-if you care for yourself at all-and do it while you can.
”
”
Marcus Aurelius (Meditations)
“
But no, I came by these feelings honestly. And I don’t accept bitter. Wounded, yes. Traumatized, sure. Grieving, okay. Anything other than bitter. I put too much work in to be callously tossed aside as bitter. Bitter is for someone who hasn’t earned it.
”
”
Samantha Irby (Meaty)
“
I’m not going to faint at the sight of your butt,’ she said. ‘Ya might, and I don’t want that on my conscience,’ he said, tossing the jeans aside.
”
”
Jana Oliver (Forgiven (The Demon Trappers, #3))
“
What’s under here?” He toyed with the hem of my shirt.
“You’ve forgotten already?”
He dragged my T-shirt over my head and tossed it aside. “Oh, breasts. Best present ever. Thanks, pumpkin.
”
”
Kylie Scott (Play (Stage Dive, #2))
“
Waiting is an art that our impatient age has forgotten. It wants to break open the ripe fruit when it has hardly finished planting the shoot. But all too often the greedy eyes are only deceived; the fruit that seemed so precious is still green on the inside, and disrespected hands ungratefully toss aside what has so disappointed them.
”
”
Dietrich Bonhoeffer (God is in the Manger: Reflections on Advent and Christmas)
“
Fueled by my inspiration, I ran across the room to steal the cup of coffee the bookshelf had taken prisoner. Lapping the black watery brew like a hyena, I tossed the empty cup aside. I then returned to the chair to continue my divine act of creation. Hot blood swished in my head as my mighty pen stole across the page.
”
”
Roman Payne (Rooftop Soliloquy)
“
But he did decide vegetatively, as a bean when once tossed aside must decide if it ought to germinate or had better let things be.
”
”
Patrick Süskind (Perfume: The Story of a Murderer)
“
Damn it all to hell and back again, you know very well that was a setup. You bloody well know I couldn't put my hands on her."
"Yeah, yeah, sure, sure." Eve shrugged off her coat, tossed it aside. "I know a setup when I see it, and I know your face, ace. I didn't see desire on it, I saw annoyance."
"Is that so? Is that bloody well so? Well, if you knew it was just what it was, why did you sucker punch me?"
"Mostly?" She turned, cocked a hip. "Because you're a man."
Eyes narrowed on her face, he tried to stanch the blood with the back of his hand. "And do you have any sort of idea just how often I might expect your fist in my goddamn face because of my bleeding DNA?
”
”
J.D. Robb (Innocent in Death (In Death, #24))
“
Women are powerful, and I see them stifle this every. single. day. Stop looking to be saved and hiding your magic. Stop tossing aside your voice and valid emotions. Stop wasting your time with fake friends and chasing men like they're cures.
Material things, better jobs, and other people- they won't fill your gap. Only you can do that. Life is short. Rise up and step back into your awesome, innate power. You are compassion and creative force and divine life itself. You are a Goddess.
”
”
Victoria Erickson
“
You’re like Marilyn Monroe,’ Ken tells me, which I take as a compliment and say a nervous “Thank You”. Interrupting, he adds, ‘You’re all velvet and Velcro. Men want you because you’re sexy and broken and when it gets too rough they can say “Hey! This toy is broken!” and toss you aside without feeling bad.
”
”
Emma Forrest (Your Voice in My Head)
“
Look, Gail." Roark got up, reached out, tore a thick branch off a tree, held it in both hands, one fist closed at each end; then, his wrists and knuckles tensed against the resistance, he bent the branch slowly into an arc. "Now I can make what I want of it: a bow, a spear, a cane, a railing. That's the meaning of life."
"Your strength?"
"Your work." He tossed the branch aside. "The material the earth offers you and what you make of it . . .
”
”
Ayn Rand (The Fountainhead)
“
It's mechanical," Leo said. "Maybe a doorway to the dwarfs' secret lair?"
"Ooooo!" shrieked a nearby voice. "Secret lair?"
"I want a secret lair!" yelled another voice from above.
...
"If we had a secret lair," said Red Fur, "I would want a firehouse pole."
"And a waterslide!" said Brown Fur, who was pulling random tools out of Leo's belt, tossing aside wrenches, hammers, and staple guns.
"Stop that!" Leo tried to grab the dwarf's feet, but he couldn't reach the top of the pedestal.
"Too short?" Brown Fur sympathized.
"You're calling me short?" Leo looked around for something to throw, but there was nothing but pigeons, and he doubted he could catch one. "Give me my belt, you stupid-"
"Now, now!" said Brown Fur. "We haven't even introduced ourselves. I'm Akmon, and my brother over there-"
"-is the handsome one!" The red-furred dwarf lifted his espresso. Judging from his dilated eyes and maniacal grin, he didn't need any more caffeine. "Passolos! Singer of songs! Drinker of coffee! Stealer of shiny stuff!
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
He grabbed the nearest lizard, twisted it with a loud snap, and tossed it aside. “Hey, baby.”
“Hi.” I beheaded a lizard. “Where are the kids?”
“With the MSDU.” He disemboweled a beast with a quick swipe of his claws. “You’re having all this fun without me.”
“I’m not doing much. Just having tea and cookies.” I cut at another lizard. “Thinking deep thoughts.” I love you.
“Then I’ll join you.”
He loved me, too.
”
”
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
“
How insane we are as humans when having received a nasty offense we return the same awful offense. If given an apple found to be rotten and wormy, would we not toss it aside rather than force a soul to eat it? Offenses should be discarded, not returned.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
She destroyed egos by the score and made men hate themselves in the morning by the way she found them, used them, and tossed them aside.
”
”
Joseph Heller (Catch-22)
“
Manage me, I am a mess, swept under the rug of yesterday’s home improvement, a whimsical urge tossed aside for the easy reassurance of home and comfort. I am the photograph tucked away as a book-mark, in a book left half unread, once reopened to find memories crawling back into peripheral sight, faded, creased and lonely. I long to be admired, long to be held, torn and laughed at, laughed with, like a distant relative or an old friend breathing in their last breath. I missed the moment when time collapsed and memory was erased, replaced by finicky social experiments, lost in the blur of intoxication, sucked through multi-colored bendy-straws, making way for a spinning world where hub-caps stood still, but our vision didn’t. If I could leave you with only one thing, it would be small, foldable, and made from trees, with a few careless words, scribbled in blue; Take a minute to learn me, take a moment to love me, because I need your love to live,and without it, I am nothing.
”
”
Alex Gaskarth
“
You can boil your life down to a single suitcase, if you desperately have to. Ask yourself what you really need, and it won't be what you imagine - you will easily toss aside unfinished work, and bills, and your daily calendar to make room for the pair of flannel pajamas you wear when it rains; and the stone your child gave you that is shaped like a heart; and the battered paperback you revisit every April because it was what you were reading the first time you fell in love. It turns out that what's important is not everything that you've accumulated all these years, but those few things you can carry with you.
”
”
Jodi Picoult (Vanishing Acts)
“
But really, what was the point of going to school? They nevver knew what to do with me. If you don't fit into once of their boexes, you get tossed aside. I could learn way more at home. Reading my own books and watching Vice . At least when i was at Hanover i could mention Nietzsche with out a teacher staring back with a blank look
”
”
Val Emmich (Dear Evan Hansen)
“
You usually looked at us like we were hoards of gold, precious and rarefied. But now you looked at me the way you looked at one of your books. Like you were draining me of all useful knowledge before tossing me aside.
”
”
S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
“
He tossed the paper aside. “Taxation, gentlemen, is very much like dairy farming. The task is to extract the maximum amount of milk with the minimum of moo. And I am afraid to say that these days all I get is moo.
”
”
Terry Pratchett (Jingo (Discworld, #21))
“
But really, what was the point of going to school? They never knew what to do with me. If you don't fit into once of their boxes, you get tossed aside. I could learn way more at home. Reading my own books and watching Vice.
”
”
Val Emmich (Dear Evan Hansen)
“
Promise me if I don’t make you happy, you’ll toss me aside, no matter how much pressure I put on you. Because even though I can be selfish, all I really want is for you to be happy.
”
”
Erin McCarthy (You Make Me (Blurred Lines, #1))
“
Most craft give a nod, however brief and unfriendly, towards beauty. Vogon ships did not nod towards beauty. They pulled on ski masks and mugged beauty in a dark alley They spat in the eye of beauty and bludgeoned their wait through the notions of aesthetics and aerodynamics. Vogon cruisers did not so much travel through space as defile it and toss it aside.
”
”
Eoin Colfer (And Another Thing... (The Hitchhiker's Guide to the Galaxy, #6))
“
Whirrun ignored ‘em. ‘Then, when I’ve got two cut,’ and he dropped a pale slab of cheese on one slice then slapped the other on top like he was catching a fly, ‘I trap the cheese between then, and there you have it!’
‘Bread and cheese.’ Yon weighed the half-loaf in one hand and the cheese in the other. ‘Just the same as I’ve got.’ And he bit off the cheese and tossed it to Scorry.
Whirrun sighed. ‘Have none of you no vision?’ He held up his masterpiece to such light as there was, which was almost none. ‘This is no more bread and cheese than a fine axe is wood and iron, or a live person is meat and har.’
‘What is it, then?’ asked Drfod, rocking back from his wet wood and tossing the flint aside in disgust.
‘A whole new thing. A forging of the humble part of bread and cheese into a greater whole. I call it … a cheese-trap.’ Whirrun took a dainty nibble from one corner. ‘Oh, yes, my friends. This tastes like … progress…
”
”
Joe Abercrombie (The Heroes)
“
Just like Lucifer with Eve. She didn’t eat an apple. Lucifer fucked her and ruined her for all men. And then tossed her aside because she could never be Lilith.
”
”
H.D. Carlton (Satan's Affair)
“
I tossed the book aside. Great. My dad was a D-list god who frolicked in the woods. He was probably eliminated early last season on Dancing with the Asgardians.
”
”
Rick Riordan
“
He will toss everything aside if he must—Uther, the high kingship, Britain—before he will give up Morgan.
”
”
Joan Wolf (The Road to Avalon (Dark Ages of Britain, #1))
“
He spiked the dirt, twisted out the deformed rose, tossed it aside. His palms sweated.
'Sorry,' Persephone suggested.
'Pardon?'
She murmured, 'You should say sorry when you kill something.'
It took him a moment to realize she meant the rose. 'It was dying anyway.'
'Dying and dead are different words.'
Shamed, Adam muttered an apology....
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
He sipped again, more deeply. “Is this an interrogation, Lieutenant?” It was the smile in his voice that rubbed her wrong.
“It can be,” she said shortly.
“As you like.” He rose, set his glass aside, and began to unbutton his shirt.
“What are you doing?”
“Getting into the swim, so to speak.” He tossed the shirt aside, unhooked his trousers.
“If I’m going to be questioned by a naked cop, in my own tub, the least I can do is join her.”
“Damn it, Roarke, this is murder.” He winced as the hot water all but scalded him.
“You’re telling me.” He faced her across the sea of froth.
“What is it in me that is so perverse it thrives on ruffling you? And,” he continued before she could give him her short, pithy opinion, “what is it about you that pulls at me, even when you’re sitting there with an invisible badge pinned to your lovely breast?
”
”
J.D. Robb (Glory in Death (In Death, #2))
“
Perhaps my grandfather was right, perhaps I was spoiled in the bud by the books I read. But it is ages since books have claimed me. For a long time now I have practically ceased to read. But the taint is still there. Now people are books to me. I read them from cover to cover and toss them aside. I devour them, one after the other. And the more I read, the more insatiable I become. There is no limit to it. There could be no end, and there was none, until inside me a bridge began to form which united me again with the current of life from which as a child I had been separated.
”
”
Henry Miller (Tropic of Capricorn (Tropic, #2))
“
Ill tell you the one that I think will: when a mans in love he wants to keep the one he loves- and cherish her. He wants to build a picket fence twixt them and the world. He doesn't want it temporary, a secret, hidden. He wants the world to know. The one he loves is somebody to him, not a thing to be taken, used and tossed aside. Hell, I'm not saying he shouldn't be interested in your pretty ankles and what a nice sway your bustles got. That's part of it too; but only a part. The rest of it is the long years ahead, the laughing together, and the crying, bringing up your kids, nodding together under the lamplight when your heads have turned white, and finally lying together forever in the long dark...
”
”
Frank Yerby (A Woman Called Fancy)
“
You are wonderfully made. Everything about you is miraculous. Toss aside those self-doubts and criticisms. Celebrate, today, the miracle of you!
”
”
Sheri Kaye Hoff
“
If you lose your ego, you lose the thread of that narrative you call your Self. Humans, however, can't live very long without some sense of a continuing story. Such stories go beyond the limited rational system (or the systematic rationality) with which you surround yourself; they are crucial keys to sharing time-experience with others.
Now a narrative is a story, not a logic, nor ethics, nor philosophy. It is a dream you keep having, whether you realize it or not. Just as surely as you breathe, you go on ceaselessly dreaming your story. And in these stories you wear two faces. You are simultaneously subject and object. You are a whole and you are a part. You are real and you are shadow. "Storyteller" and at the same time "character". It is through such multilayering of roles in our stories that we heal the loneliness of being an isolated individual in the world.
Yet without a proper ego nobody can create a personal narrative, any more than you can drive a car without an engine, or cast a shadow without a real physical object. But once you've consigned your ego to someone else, where on earth do you go from there?
At this point you receive a new narrative from the person to whom you have entrusted your ego. You've handed over the real thing, so what comes back is a shadow. And once your ego has merged with another ego, your narrative will necessarily take on the narrative created by that ego.
Just what kind of narrative?
It needn't be anything particularly fancy, nothing complicated or refined. You don't need to have literary ambitions. In fact, the sketchier and simpler the better. Junk, a leftover rehash will do. Anyway, most people are tired of complex, multilayered scenarios-they are a potential letdown. It's precisely because people can't find any fixed point within their own multilayered schemes that they're tossing aside their own self-identity.
”
”
Haruki Murakami (Underground: The Tokyo Gas Attack and the Japanese Psyche)
“
An imaginary circle of empathy is drawn by each person. It circumscribes the person at some distance, and corresponds to those things in the world that deserve empathy. I like the term "empathy" because it has spiritual overtones. A term like "sympathy" or "allegiance" might be more precise, but I want the chosen term to be slightly mystical, to suggest that we might not be able to fully understand what goes on between us and others, that we should leave open the possibility that the relationship can't be represented in a digital database.
If someone falls within your circle of empathy, you wouldn't want to see him or her killed. Something that is clearly outside the circle is fair game. For instance, most people would place all other people within the circle, but most of us are willing to see bacteria killed when we brush our
teeth, and certainly don't worry when we see an inanimate rock tossed aside to keep a trail clear.
The tricky part is that some entities reside close to the edge of the circle. The deepest controversies often involve whether something or someone should lie just inside or just outside the circle. For instance, the idea of slavery depends on the placement of the slave outside the circle, to make some people nonhuman. Widening the circle to include all people and end slavery has been one of the epic strands of the human story - and it isn't quite over yet.
A great many other controversies fit well in the model. The fight over abortion asks whether a fetus or embryo should be in the circle or not, and the animal rights debate asks the same about animals.
When you change the contents of your circle, you change your conception of yourself. The center of the circle shifts as its perimeter is changed. The liberal impulse is to expand the circle, while conservatives tend to want to restrain or even contract the circle.
Empathy Inflation and Metaphysical Ambiguity
Are there any legitimate reasons not to expand the circle as much as possible?
There are.
To expand the circle indefinitely can lead to oppression, because the rights of potential entities (as perceived by only some people) can conflict with the rights of indisputably real people. An obvious example of this is found in the abortion debate. If outlawing abortions did not involve commandeering control of the bodies of other people (pregnant women, in this case), then there wouldn't be much controversy. We would find an easy accommodation.
Empathy inflation can also lead to the lesser, but still substantial, evils of incompetence, trivialization, dishonesty, and narcissism. You cannot live, for example, without killing bacteria. Wouldn't you be projecting your own fantasies on single-cell organisms that would be indifferent to them at best? Doesn't it really become about you instead of the cause at that point?
”
”
Jaron Lanier (You Are Not a Gadget)
“
We had been given a great and terrible power. For a moment we contemplated responsibility, then gleefully tossed it aside in favor of posting pictures of cats.
”
”
Kelly Weill
“
He turned it over in his hands with a shrug and tossed it aside carelessly, but not so carelessly that it didn't land on something soft
”
”
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (The Hitchhiker's Guide to the Galaxy, #1))
“
Before creation there must be destruction. If my soul stands in the way, then I'll toss it aside. Yes, I have no choice but to move forward.
”
”
Ichirou Ohkouchi
“
Signs and wonders, eh? Pity if there is nothing wonderful in signs, and significant in wonders! There's a clue somewhere; wait a bit; hist--hark! By Jove, I have it! Look, you Doubloon, your zodiac here is the life of man in one round chapter; and now I'll read it off, straight out of the book. Come, Almanack! To begin: there's Aries, or the Ram--lecherous dog, he begets us; then, Taurus, or the Bull--he bumps us the first thing; then Gemini, or the Twins--that is, Virtue and Vice; we try to reach Virtue, when lo! comes Cancer the Crab, and drags us back; and here, going from Virtue, Leo, a roaring Lion, lies in the path--he gives a few fierce bites and surly dabs with his paw; we escape, and hail Virgo, the Virgin! that's our first love; we marry and think to be happy for aye, when pop comes Libra, or Scales--happiness weighed and found wanting; and while we are very sad about that, Lord! how we suddenly jump, as Scorpio, or the Scorpion, stings us in rear; we are curing the wound, when whang comes the arrows all round; Sagittarius, or the Archer, is amusing himself. As we pluck out the shafts, stand aside! here's the battering-ram, Capricornus, or the Goat; full tilt, he comes rushing and headlong we are tossed; when Aquarius, or the the Waterbearer, pours out his whole deluge and drowns us; and, to wind up, with Pisces, or the Fishes, we sleep. There's a sermon now, writ in high heaven, and the sun goes through it every year, and yet comes out of it all alive and hearty.
”
”
Herman Melville (Moby-Dick)
“
… You were summer and freedom and everything I hadn’t had in so long. Everything I hadn’t allowed myself. I’m going to allow myself tonight.” He tossed his shirt aside and she glimpsed his broad chest in the flickering light from the portable woodstove she’d noticed out of the corner of her eye. “You’re going to be my ocean and I’m going to drown myself in you.
”
”
Cari Quinn (Heart Signs)
“
You laugh, rap my woody shell with wicked whispers shaped like knuckles, then toss me aside. Lucky for me, I don't bruise easily. Besides, you loss is someone else's gain for I am coconut, and the heart of me is sweeter than you know.
”
”
Nikki Grimes (Bronx Masquerade)
“
To the man who loves art for its own sake,” remarked Sherlock Holmes, tossing aside the advertisement sheet of the Daily Telegraph, “it is frequently in its least important and lowliest manifestations that the keenest pleasure is to be derived.
”
”
Arthur Conan Doyle (The Complete Sherlock Holmes)
“
Uck,” he said, grimacing, and reached into his mouth like a man who’s got a hair on his tongue. Instead of a hair he pulled out the tongue itself. He looked at it for a moment, lying limply in his fist like a piece of liver, and then tossed it aside.
”
”
Stephen King (Desperation)
“
Each morning she woke with alacrity, tossing the covers aside and springing from bed, her mind one long hungry scream for what the day had to offer.
”
”
Kate Quinn (The Alice Network)
“
No. I didn’t have a heart at all, not anymore. He’d torn it out of my chest, sliced it to ribbons with the blades of his words, and tossed the shreds aside without a second thought.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
If our lives are the stories we tell ourselves, regret reminds us that we have a dual role. We are both the authors and the actors. We can shape the plot but not fully. We can toss aside the script but not always. We live at the intersection of free will and circumstance.
”
”
Daniel H. Pink (The Power of Regret: How Looking Backward Moves Us Forward)
“
You must learn to uproot unwanted seeds without destroying the entire harvest. This is the son’s lesson. Nurture good sprouts, Isaac. Toss weeds aside and never think of them again. Just remember that sprouts and weeds are planted together, and weeds have a valuable function. They teach you what to avoid, what not to embrace. There is no good planting without them.
”
”
Daniel Black (Don't Cry for Me)
“
The irony was that my real enemy had been there all along right in front of me. Smiling crookedly and convincing me we were friends. Trying to seduce me for the thrill of the chase. Chastising me for not trusting him that first year in the tower stairs at the Academy… Telling me he loved me. And then tossing me aside the second I jeopardized his dreams. I wasn’t what he had wanted all these years. I’d merely been a diversion in his pursuit of the crown.
I never should have trusted a prince.
”
”
Rachel E. Carter (Apprentice (The Black Mage, #2))
“
Tyler rolls out of bed, sniffs the armpits of yesterday's T-shirt, tosses it aside, gets another out of the drawer. His dad sometimes asks him why he sets his alarm so early -- it's summer vacation, after all -- and Tyler can't seem to make him understand that every day is important, especially those filled with warmth and sunlight and no particular responsibilities. It's as if there's some little voice deep inside him, warning him not to waste a minute, not a single one, because time is short.
”
”
Stephen King (Black House (The Talisman, #2))
“
How could Gram do this? How could she come here and turn this place to ruin? Lives, people, real things in a real world and Gram took them in her hands like they were game pieces on a board. Tossed them aside.
”
”
Rory Power (Burn Our Bodies Down)
“
I know you,” he continued. “Wantin’ everything, gettin’ none of it. I get that. Hell, I feel that too. You don’t know shit about me, but I know you. Fuck, I know you better than you know yourself.” He released me and all at once began backing away. Stopping in the center of his room, he gripped the hem of his black T-shirt, pulled the threadbare material up over his head, and tossed it aside. Then he kicked off his boots, sending them flying across the room where they hit the wall with a loud thud. Then in one fluid movement, Hawk had removed both his leathers and boxers. “What are you doing?” I whispered, suddenly breathless. “Givin’ you somethin’,” he said.
”
”
Madeline Sheehan (Unbeloved (Undeniable, #4))
“
And a young man with every reason to work—a wife-to-be to support and a baby on the way—carelessly tossing aside a good job with excellent health insurance. More troublingly, when it was all over, he thought something had been done to him. There is a lack of agency here—a feeling that you have little control over your life and a willingness to blame everyone but yourself. This is distinct from the larger economic landscape of modern America. It’s
”
”
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
“
Murmuring soothing noises, Dallas settled himself between her thighs and pressed a soft kiss to her clit. "You're all right." He eased the second sphere out of her. "I've got you."
She laughed and covered her face with her hands. "No, you don't. I can't stop spinning."
He dropped another kiss, this time to her inner thigh. "Nothing wrong with spinning." One final tug and another full-body shudder from Lex, and he tossed the toy aside. "I'll catch you, love. I'll always catch you."
"Will you?" She traced his jaw. "Even when you're spinning with me?"
"Especially then.
”
”
Kit Rocha (Beyond Control (Beyond, #2))
“
The urge to communicate is even stronger than the sex drive,” Trapp said. “Why do you think people gossip so much? Why can’t we keep secrets? Why have we invented the printing press, the telephone, the Internet? It’s so ideas can grow and reproduce. Our bodies, our brains, are just machines that ideas use for a while, then toss aside when they wear out.
”
”
Louis Sachar (The Cardturner: A Novel about a King, a Queen, and a Joker)
“
By the time we reached the front door of the party house—a total mansion, like Harrison had said—Nathan was far behind us. Well, he’d promised to stay out of our hair.
“Wow,” I heard Bailey gasp as the front door swung open for us, though I wasn’t sure if that was her reaction to the freakishly large house or to the drop-dead-gorgeous guy standing in front of us.
“Good evening, ladies,” he said, stepping aside to let us enter.
Automatically, I found myself standing up taller and sliding my shoulder blades back for optimum cleavage exposure. It was like a flirting reflex. I just wished I wasn’t all sunburned. “Hello to you.”
He grinned at me. A cocky, sexy grin. “I don’t believe we’ve met,” he said. He glanced at Bailey then. “Any of us. I’m sure I’d remember those pretty faces.”
I swear, Bailey was blushing so hard I could feel the heat radiating from her body.
“Oh, you’d remember,” I agreed, tossing back my hair and putting a hand on my hip. “I’m Whi—”
“Whitley!”
I jumped and spun around involuntarily. Harrison was standing beside me, looking thoroughly delighted. “Hello again, darling. You look gorgeous—and the lack of flip-flops is making my day. Those slingbacks are perfect!”
I nodded, glancing over my shoulder at the hot guy, but he’d already moved on and was chatting with a group of kids a few feet away. Goddamn it.
“Wesley is just so busy,” Harrison said, following my gaze. “You have to give him credit for being a great host. He talks to everyone. Seems like way too much work to me.
”
”
Kody Keplinger (A Midsummer's Nightmare (Hamilton High, #3))
“
When he pursed his lips and dropped a hand into his coat pocket, the last thing Nur expected him to pull out was a cricket ball. "I'd hoped for a disruptor at least," she muttered reprovingly.
The Doctor slipped three fingers around the ball and hefted it experimentally. "I thought we'd try something a little less excessive."
He breathed gently on to the maroon leather and polished it on his leg as the Sontaran finally tossed the Kshatriya aside and stopped to pick up its fallen weapon. He stepped around the corner, sighting along his free arm as the Sontaran straightened, its back fully turned. The cricket ball flashed down the length of the corridor in the blink of an eye, punching into the back of the Sontaran's collar and ricocheting away. To Nur's astonishment, the alien spasmed and crashed to the floor like a falling tree. "Out for a duck," the Doctor commented, blowing across his fingertips.
"I've never seen anything killed by a cricket ball before."
"You haven't yet. He'll wake up in a few minutes.
”
”
David A. McIntee (Doctor Who: Lords of the Storm)
“
Do not be fooled. Passive prayers hastily tossed out as some second-thought appeasement at those junctures when life’s more pressing duties benevolently grant us a moment of reprieve are nothing of prayer. Real prayer is first realizing the fact that prayer ‘is’ the pressing duty. And second, that real prayer is doggedly pushing everything else aside to deliberately act on that fact.
”
”
Craig D. Lounsbrough
“
It was ugly and awful that I said it. That I could say it. I wish I hadn’t. Oh Jesus, Roarke, I wish I hadn’t said it.”
“We’ve both said things at one time or another we wish we hadn’t. We can put that aside.” He tossed the towel on a bench. “As to the rest…”
“I was wrong.”
His brows shot up. “Either Christmas has come early, or this should be made another national holiday.”
“I know when I’ve been an idiot. When I’ve been stupid enough I wish I could kick my own ass.”
“You can always leave that one to me.
”
”
J.D. Robb
“
The term POTUS used to be viewed around the world with a degree of respect. Unfortunately the current US president has junked any last remnant of that image. Instead he seems only too happy to trash the environment; to scrap age old alliances promoting peace and prosperity; to discard internationally binding treaties; to toss aside like garbage hard won civil liberties. Maybe DETRITUS is a more fitting acronym for the current occupant of the White House - 'Deranged egotistical tyrant ruining & isolating the U.S.
”
”
Alex Morritt (Lines & Lenses)
“
Indeed, the reason the fall is such a tragedy is precisely because humans have such high value to begin with. When a cheap trinket is broken, we toss it aside without a second thought. But when a priceless work of art is destroyed, we are heartbroken. The reason sin is so tragic is that it destroys a human being—a priceless masterpiece that reflects the character of the Supreme Artist.
”
”
Nancy R. Pearcey (Love Thy Body: Answering Hard Questions about Life and Sexuality)
“
I think of how, even as a feminist lesbian, I have so wanted to ignore my own homophobia, my own hatred of myself for being queer. I have not wanted to admit that my deepest personal sense of myself has not quite "caught up" with my "woman-identified" politics. I have been afraid to criticize lesbian writers who choose to "skip over" these issues in the name of feminism. In 1979, we talk of "old gay" and "butch and femme" roles as if they were ancient history. We toss them aside as merely patriarchal notions. And yet, the truth of the matter is that I have sometimes taken society's fear and hatred of lesbians to bed with me. I have sometimes hated my lover for loving me. I have sometimes felt "not woman enough" for her. I have sometimes felt "not man enough." For a lesbian trying to survive in a heterosexist society, there is no easy way around these emotions. Similarly, in a white-dominated world, there is little getting around racism and our own internalization of it. It's always there, embodied in someone we least expect to rub up against.
”
”
Cherríe L. Moraga (This Bridge Called My Back: Writings by Radical Women of Color)
“
He grabbed the nearest lizard, twisted it with a loud snap, and tossed it aside. “Hey, baby.” “Hi.” I beheaded a lizard. “Where are the kids?” “With the MSDU.” He disemboweled a beast with a quick swipe of his claws. “You’re having all this fun without me.” “I’m not doing much. Just having tea and cookies.” I cut at another lizard. “Thinking deep thoughts.” I love you. “Then I’ll join you.” He loved me, too.
”
”
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
“
His eyes are ravenous but his body is still tense, and so I slip my bra strap off my shoulder and motion my finger at him. He takes a deep breath, slips off his silver cross necklace, and tosses it aside. Whatever is about to happen, it seems that he does not want God around to witness it.
”
”
Seth King (The Goode Fight)
“
Last year in the region where we live part of the year there were violent windstorms, whole forests were leveled, two- and three-hundred-year-old trees torn up by the roots and tossed aside, houses sliced almost in half by the once-sheltering giants flung down through their roofs. Yesterday another storm, powerful but less so, took down no trees. The ground, though, is littered with leaves, as though autumn had arrived, but the leaves are still green, still alive, many torn away in clumps, with the twigs still intact that attached them to their branches. There’s something disconsolate about them—the desiccated leaves of autumn always appear to have found the place to which they’ve been destined, but these don’t seem to grasp what’s happened to them: they lie on the ground at awkward angles, like things wounded that haven’t completely given in to death and don’t know yet they must.
”
”
C.K. Williams (All at Once: Prose Poems)
“
The effects of Fate come together like stew simmering with provisions from the universe. Which ingredients we’ve used make the end result easy to swallow or bitterly distasteful. So choose wisely for, when our lot in life is done, only those young enough or strong enough can toss their destiny aside and start over.
”
”
Elizabeth Good (Trampled Underfoot: The Dirt on Vic and Lia)
“
I dreamed I stood upon a little hill,
And at my feet there lay a ground, that seemed
Like a waste garden, flowering at its will
With buds and blossoms. There were pools that dreamed
Black and unruffled; there were white lilies
A few, and crocuses, and violets
Purple or pale, snake-like fritillaries
Scarce seen for the rank grass, and through green nets
Blue eyes of shy peryenche winked in the sun.
And there were curious flowers, before unknown,
Flowers that were stained with moonlight, or with shades
Of Nature's willful moods; and here a one
That had drunk in the transitory tone
Of one brief moment in a sunset; blades
Of grass that in an hundred springs had been
Slowly but exquisitely nurtured by the stars,
And watered with the scented dew long cupped
In lilies, that for rays of sun had seen
Only God's glory, for never a sunrise mars
The luminous air of Heaven. Beyond, abrupt,
A grey stone wall. o'ergrown with velvet moss
Uprose; and gazing I stood long, all mazed
To see a place so strange, so sweet, so fair.
And as I stood and marvelled, lo! across
The garden came a youth; one hand he raised
To shield him from the sun, his wind-tossed hair
Was twined with flowers, and in his hand he bore
A purple bunch of bursting grapes, his eyes
Were clear as crystal, naked all was he,
White as the snow on pathless mountains frore,
Red were his lips as red wine-spilith that dyes
A marble floor, his brow chalcedony.
And he came near me, with his lips uncurled
And kind, and caught my hand and kissed my mouth,
And gave me grapes to eat, and said, 'Sweet friend,
Come I will show thee shadows of the world
And images of life. See from the South
Comes the pale pageant that hath never an end.'
And lo! within the garden of my dream
I saw two walking on a shining plain
Of golden light. The one did joyous seem
And fair and blooming, and a sweet refrain
Came from his lips; he sang of pretty maids
And joyous love of comely girl and boy,
His eyes were bright, and 'mid the dancing blades
Of golden grass his feet did trip for joy;
And in his hand he held an ivory lute
With strings of gold that were as maidens' hair,
And sang with voice as tuneful as a flute,
And round his neck three chains of roses were.
But he that was his comrade walked aside;
He was full sad and sweet, and his large eyes
Were strange with wondrous brightness, staring wide
With gazing; and he sighed with many sighs
That moved me, and his cheeks were wan and white
Like pallid lilies, and his lips were red
Like poppies, and his hands he clenched tight,
And yet again unclenched, and his head
Was wreathed with moon-flowers pale as lips of death.
A purple robe he wore, o'erwrought in gold
With the device of a great snake, whose breath
Was fiery flame: which when I did behold
I fell a-weeping, and I cried, 'Sweet youth,
Tell me why, sad and sighing, thou dost rove
These pleasent realms? I pray thee speak me sooth
What is thy name?' He said, 'My name is Love.'
Then straight the first did turn himself to me
And cried, 'He lieth, for his name is Shame,
But I am Love, and I was wont to be
Alone in this fair garden, till he came
Unasked by night; I am true Love, I fill
The hearts of boy and girl with mutual flame.'
Then sighing, said the other, 'Have thy will,
I am the love that dare not speak its name.
”
”
Alfred Bruce Douglas
“
They stared at each other, and Alessandro seriously considered turning away from his father’s wishes and just taking this woman and running off somewhere with her. He could imagine being happy with her. He felt free, easy. The feeling was heady. But dangerously so. He could never just toss aside his father’s demands that way, even if he wanted to. There would be too much at stake.
”
”
E. Jamie (The Vendetta (Blood Vows, #1))
“
The gods do not know love because they cannot imagine an end to anything they enjoy. Their passions do not burn brightly as a mortal's passions do, because they can have whatever they desire for the rest of eternity. How could they cherish or treasure anything? Nothing to them is more than a passing amusement and when they have done with it, there will be another and another and another, until the end of time itself. Their heroes do not know love because they only value what they can measure - the mountains they make of their enemies' bones, the vast piles of treasure they win and the immortal verses are sung in their name. They see only fame and are blind to the rewards that only human life can offer, which they simply toss aside like trash. They are all fools.
”
”
Jennifer Saint (Ariadne)
“
He thought of his own by-now legendary novel, American Disillusionment, that cyclone which, for years, had woven its erratic path across the flatlands of his imaginary life, always on the verge of grandeur or disintegration, picking up characters and plotlines like houses and livestock, tossing them aside and moving on. It had taken the form, at various times, of a bitter comedy, a stoical Hemingwayesque tragedy, a hard-nosed lesson in social anatomy like something by John O’Hara, a bare-knuckles urban Huckleberry Finn. It was the autobiography of a man who could not face himself, an elaborate system of evasion and lies unredeemed by the artistic virtue of self-betrayal
”
”
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
“
You grew up in a world of magical power,” Jason said, turning his gaze from Neil to address the whole team. “Direct, objective, honest power. I come from a political world, where power is nebulous and the wars are as much about ideology as territory. We grow up watching leaders who need to sway the populace in order to hold power, even as the populace can share information in ways that would be as amazing to you as magic was to me.”
Jason nodded at Humphrey.
“Humphrey’s mother encouraged our friendship because she recognised that I had a more political mind than is normally to be found in Greenstone. I’m sure it’s different in more cosmopolitan cities, but the politics here are amateurish and crude. Dangerous, yes, because power always is, but not especially complicated. She wanted Humphrey to get to know me so that he would see the next guy like me coming.”
Jason conjured his dagger into his hand.
“This,” he said, “Is the weakest weapon there is. A blade can cut down a person but words can bring down a kingdom. Adultery can end a dynasty, greed can start a war and compassion can end one. People will die for strangers out of faith and kill their neighbours out of fear.”
He casually tossed aside the dagger and it vanished.
“Everything is a weapon,” he concluded. “The trick is learning to wield them without doing yourself an injury.
”
”
Shirtaloon (He Who Fights with Monsters 3 (He Who Fights with Monsters, #3))
“
This was why he had become a master thief, to achieve this theft of thefts, this masterpiece of larceny. All the time, fascinating and terrible Caverna had been his goal. Whilst other Cartographers had sighed in vain after the beauty of her treacherous geography, he had decided to win her with cunning and threats.
All along Caverna had been his opponent and his prize, and she had never suspected it for a moment. He had fooled her, fought her and defeated her. She would be furious, no doubt, would hate him, rail against him and look for ways to destroy him, but he had outmanoeuvred her and now she had no choice but to play things his way. Unlike her earlier favourites, he was her lord, not a plaything to be tossed aside when she was bored.
And yet, for the first time in ten years, he found himself at something of a loss. I have succeeded. I have won. I rule the city. I wonder what I was planning to do with it?
”
”
Frances Hardinge (A Face Like Glass)
“
The train station—busy, swarming with people, luggage, porters, taxi drivers and limousine chauffeurs—a giant honeycomb, with worker bees flying in and out, carrying the trash, which covers the entire floor, in and out of the building. Only the honey has been consumed by the selected few, and nothing but the mucus remains. The line—a monstrous larva—the line stretches from the information window and extends almost out of the door. A human worm—hundreds of legs and hands, twisting and breathing disease. What was I thinking? This is just a city like any other, a city with its inhabitants, always busy, from the morning until the nighttime, always itching for a fight, always ready to chew me up and spit me out. A stripped and ragged bone, tossed aside when I can no longer feed its hungry belly. The belly of a beast—a human beast—merciless, yet placatory on the surface. I light a cigarette, spit on the floor, and walk towards the daylight.
”
”
Henry Martin (Eluding Reality (Mad Days of Me #3))
“
She wanted his swollen length in her hand, in her mouth, in her c#nt. She writhed against him, bare feet slapping on the floor as he spun around and propelled her backward.
Her arse hit the door first. His hips ground against her second. He fucked her mouth with his tongue, plundering, taking, possessing. And all the while his hands raked her body. Under her shirt, over her ribs, capturing her breast. She moaned, the sound turning to a cry when he pulled her pyjama top over her head and tossed it aside.
”
”
Lexxie Couper (Love's Rhythm (Heart of Fame, #1))
“
Then what’s wrong?”
He couldn’t be that obtuse. “You’re kidding, right?”
“Ah, yeah, gotcha. Modesty issue, huh?” He drove in a deceptively relaxed way. “Look, yours isn’t the first tail I’ve ever seen, okay?”
Fury stole Priss’s breath. She reacted without thinking, slugging his hard in the shoulder.
“Ow!” He grabbed her wrist and tossed her hand back at her. “I was trying to comfort you, woman.”
“Comfort!” He couldn’t be serious. No man could be that dense. “You’re a . . . a Neanderthal!”
“Am not.”
Flattened by his careless attitude, Priss stared at him in disbelief. He was a gorgeous guy, but still a jerk. Shaggy blond hair, darker and more unkempt than Trace’s, piercing green eyes, a strong jaw and . . . she peeked at his naked chest . . . Built.
Her chin lifted. “Where in the world did they even find you?” It had to be under a rock. Or deep in a cave.
He glared at her. “They who?”
“Trace and Dare.”
Giving her a cautious frown, Jackson rubbed at one bloodshot, swollen eye. “That’s top secret.”
That’s top secret, she mouthed, making fun of him, lashing out in her embarrassment.
He went rigid with affront. “Goddamn it, woman, you blinded me, nutted me, and damn near clubbed me to death. Now you have to ridicule me, too?”
He dared to complain to her? “You snuck into my bathroom. You saw me naked!”
“Yeah.” His mouth twitched. He nodded just a little. “Yeah, I did.” As he turned on his headlights and pulled onto the street, he said in an aside, “Sorry ’bout that.”
He did not sound sorry, not in the least.
“Didn’t mean to stare.”
He’d been staring? She should kill him. She really shoulder. But . . . she might need him for protection. And Trace probably wouldn’t like it if she offed one of his operatives.
“Naked woman and all.” Jackson gestured lamely. “It’s instinct, ya know? Guy’s gotta look.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
Aren’t you still worried Gran will cut me off, and you’ll be saddled with a spoiled wife and not enough money to please her?”
“To hell with your grandmother, too. For that matter, to hell with the money.” He tossed the chair aside as if it were so much kindling; it clattered across the floor. “It’s you I want.”
“Jackson!” she cried as he approached her. “Someone might hear you!”
“Good.” Catching her about the waist, he backed her toward the bed. “Then you’ll be well and truly compromised, and there will be no more question of our marrying.”
While she was still thrilling to the masterful way he’d decided to take charge, he tumbled her onto the bed, following her down to cover her body with his.
As she gaped at him, shocked to see her cautious love behave so delightfully incautious, he murmured, “Or better yet, they can find us here together in the morning and march us right to the church.”
Then he took her mouth with his.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
Is it always this awkward?" Sara asked. Her voice was hushed.
Derek turned to look at her, his gaze falling to the white rose in her hands. She had taken it from the arrangement of hothouse flowers. Nervously her fingers ruffled the fragile petals.
Self-consciously Sara sniffed the pale blossom and began to insert it back into the huge vase. "It's nice to have roses in January," she murmured. "Nothing in the world has such a lovely scent."
She was so innocently beautiful, with the disordered waves of her hair falling around her face. His muscles tightened in response. He would like to have her painted this way, standing by the table with her head turned toward him, the white flower caught in her fingers. "Bring it here," he said.
She obeyed, coming to him and handing him the rose. He closed his fingers around the plump head of the flower and pulled gently, freeing the petals from their tenuous moorings. Tossing aside the desecrated stem, he opened his hand over the bed. The petals scattered in a fragrant shower. Sara drew in a quick breath, staring at him as if mesmerized.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
My seams gape wide so I'm tossed aside
To rot on a lonely shore,
While the leaves and mould like a shroud unfold,
For the last of my trails are o'er,
But I float in dreams on Northland streams
That never again I'll see,
As I lie on the marge of the old portage
With grief for company.
When the sunset gilds the timbered hills
That guard Timagami,
And the moon beams play on far James Bay
By the brink of the frozen sea,
In phantom guise my spirit flies
As the dream blades dip and swing
Where the waters flow from the Long Ago
In the spell of the beck'ning spring.
Do the cow-moose call on the Montreal
When the first frost bites the air,
And the mists unfold from the red and gold
That the autumn ridges wear?
When the white falls roar as they did of yore
On the Lady Evelyn,
Do the square-tail leap from the black pool deep
Where the pictured rocks begin?
Oh! the fur fleet sings on Temiscaming
As the ashen paddles bend,
And the crews carouse at Rupert's House
At the sullen winter's end;
But my days are done where the lean wolves run,
And I ripple no more the path,
Where the grey geese race 'cross the red moon's face
From the white winds Arctic wrath.
Tho' the death-fraught way from the Saguenay
To the storied Nipigon,
Once knew me well, now a crumbling shell
I watch as the years roll on,
And in memory's haze I live the days
That forever are gone from me,
As I rot on the marge of the old portage
With grief for company.
”
”
George Marsh
“
Girls aside, the other thing I found in the last few years of being at school, was a quiet, but strong Christian faith – and this touched me profoundly, setting up a relationship or faith that has followed me ever since.
I am so grateful for this. It has provided me with a real anchor to my life and has been the secret strength to so many great adventures since.
But it came to me very simply one day at school, aged only sixteen.
As a young kid, I had always found that a faith in God was so natural. It was a simple comfort to me: unquestioning and personal.
But once I went to school and was forced to sit through somewhere in the region of nine hundred dry, Latin-liturgical, chapel services, listening to stereotypical churchy people droning on, I just thought that I had got the whole faith deal wrong.
Maybe God wasn’t intimate and personal but was much more like chapel was … tedious, judgemental, boring and irrelevant.
The irony was that if chapel was all of those things, a real faith is the opposite. But somehow, and without much thought, I had thrown the beautiful out with the boring. If church stinks, then faith must do, too.
The precious, natural, instinctive faith I had known when I was younger was tossed out with this newly found delusion that because I was growing up, it was time to ‘believe’ like a grown-up.
I mean, what does a child know about faith?
It took a low point at school, when my godfather, Stephen, died, to shake me into searching a bit harder to re-find this faith I had once known.
Life is like that. Sometimes it takes a jolt to make us sit and remember who and what we are really about.
Stephen had been my father’s best friend in the world. And he was like a second father to me. He came on all our family holidays, and spent almost every weekend down with us in the Isle of Wight in the summer, sailing with Dad and me. He died very suddenly and without warning, of a heart attack in Johannesburg.
I was devastated.
I remember sitting up a tree one night at school on my own, and praying the simplest, most heartfelt prayer of my life.
‘Please, God, comfort me.’
Blow me down … He did.
My journey ever since has been trying to make sure I don’t let life or vicars or church over-complicate that simple faith I had found. And the more of the Christian faith I discover, the more I realize that, at heart, it is simple. (What a relief it has been in later life to find that there are some great church communities out there, with honest, loving friendships that help me with all of this stuff.)
To me, my Christian faith is all about being held, comforted, forgiven, strengthened and loved – yet somehow that message gets lost on most of us, and we tend only to remember the religious nutters or the God of endless school assemblies.
This is no one’s fault, it is just life. Our job is to stay open and gentle, so we can hear the knocking on the door of our heart when it comes.
The irony is that I never meet anyone who doesn’t want to be loved or held or forgiven. Yet I meet a lot of folk who hate religion. And I so sympathize. But so did Jesus. In fact, He didn’t just sympathize, He went much further. It seems more like this Jesus came to destroy religion and to bring life.
This really is the heart of what I found as a young teenager: Christ comes to make us free, to bring us life in all its fullness. He is there to forgive us where we have messed up (and who hasn’t), and to be the backbone in our being.
Faith in Christ has been the great empowering presence in my life, helping me walk strong when so often I feel so weak. It is no wonder I felt I had stumbled on something remarkable that night up that tree.
I had found a calling for my life.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
A plain, brown paper-wrapped package came in the mail recently. Upon opening it, I saw that it was a patchwork quilt about four feet by five feet. Many little scraps of cloth, carefully joined by loving hands. Two squares have suggestions of a black cassock and Roman white collar. The maker of the quilt states, “In its variety, I feel it denotes confusion and the world “mixed” up. There are dark spots for the dark times and bright squares, so, hopefully, some good and brightness will come in the future. The other pieces of cloth were of happy times, mothers and children, peaceful settings, happy things.” A note inside stated that she felt we were “scraps,”—the “scraps” that the abusive priests treated us like. They would use us as a scrap is used and then simply toss us aside. I was moved to tears. Holding it in my hands, I could almost feel others' pain and suffering, as I touched each panel. It is a magnificent work, worthy of a prize. I was deeply humbled by the receipt of the quilt. This woman got it; she really got it. This woman got it; she really got it. She has a deeper understanding of what we have gone through. It is rare.
”
”
Charles L. Bailey Jr. (In the Shadow of the Cross: The True Account of My Childhood Sexual and Ritual Abuse at the Hands of a Roman Catholic Priest)
“
Some things are worth that kind of fight, Myra, and you are worth every fight.”
“Are you sure?” My voice warbles dangerously close to sobs.
He tosses his hat aside and gathers my fingers in both of his hands. “You make me happier being me than I’ve ever been in my life. I can’t tell you how freeing it is to be seen.” He pauses, offering me a tentative smile. “I can’t promise you I won’t mess up. I can’t promise that there won’t be hard times, times where the battle might be too much to bear. There will be many anxious moments to come, because that’s part of who I am and the reality of what going against my parents will be like, but I’m willing to take the harder road if that means I get to keep you in my life.”
His voice drops to a bear whisper. “I’ll be honest, there are so many unknowns about the future I’m choosing here that I can’t bank on, and that terrifies the hell out of me. But there is one thing I can promise you.” He brings my hands up to his mouth and brushes his lips along my fingertips one by one. “You will never have to face anything alone again. I will do whatever it takes to be the person you can count on when everyone and everything else fails you.
”
”
Jessica S. Olson (A Forgery of Roses)
“
He smiled and pulled the ugly white fichu from her neck.
She blinked and looked down at the simple, square neckline of her bodice as if she'd never seen it. Perhaps she hadn't. Perhaps she dressed in the dark like a nun. "What are you doing?"
He sighed. "I confess, I find your naïveté perplexing. How have you arrived at the advanced age of six and twenty without having anyone attempt seduction upon yourself? I'm of two minds on the matter: One, utter astonishment at my sex and their deaf disregard for your siren call. Two, glee at the thought that your innocence might signal that you are indeed innocent. Why this should excite me so, I don't know- virginity has never before been a particular whim of mine. I think perhaps it's the setting. Who knows how many virgins were deflowered here by my lusty ancestors? Or," he said as he deftly unpinned and tossed aside her apron, "maybe it's simply you."
"I don't..." Her words trailed off and then, interestingly, she blushed a deep rose. Well. That question settled, then. His little maiden was really a maiden. "What?"
"I think it's you," he confided, pulling the strings tying her hideous mobcap beneath her chin.
She made a wild grab for it, but he was faster, snatching the bloody thing off- finally, and with a great deal of satisfaction. She might've deprived him of a wife that it'd taken him half a year and a rather large sum of money to entangle, but by God, he'd taken off her awful cap.
And underneath...
"Oh, Séraphine," he breathed, enchanted, for her hair was as black as coal, as black as night, as black as his own soul, save for one white streak just over her left eye. But she'd twisted and braided and tortured the strands, binding them tight to her head, and his fingers itched to let them free.
"Don't!" she said, as if she knew what he wanted, her hands flying up to cover her hair.
He batted them aside, laughing, pulling a pin here, a pin there, dropping them carelessly to the carpet as she squealed like a little girl and backed away from him, trying frantically to ward off his fingers.
He might've taken pity on her had he not just spent an hour on a freezing moor, wondering if he was going to find her dead, neck broken, at the bottom of a hill.
Her hair came down all at once, a tumbling mass, tousled and heavy and nearly down to her waist.
"Wonderful," he murmured, taking it in both hands and lifting it.
”
”
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
“
I obey. He tosses my jeans aside and settles between my legs and grabs hold of my wrists again. With his other hand, he lubes up his dick, then guides it to the place that aches for him. “Fucking fuck me,” I beg. Humor dances in his eyes. “I’m not going to fuck you.” Now I’m groaning again. Goddamn it. If he plans on torturing me again, I really will lose my mind— “I’m going to make love to you,” he finishes. My breath hitches. Smiling, Wes drops his mouth to mine. Our lips lock at the same moment he slowly slides inside me. The burn of pleasure makes me gasp but he swallows the sound with a soft, sweet kiss that matches the soft, sweet strokes of his cock. He fills me. Completes me. My dick is an iron spike against my belly, and I struggle against the tight band of his fingers around my wrists.
”
”
Sarina Bowen (Us (Him, #2))
“
He tossed his crown aside and plucked a basket out of the sack. He took a deep breath, held the basket behind his back and turned to face Cinderella. “Duchess Cinderella Lacreux, I must confess I have fallen deeply in love with you. If you would marry me, I would be the happiest of men—but there are some things that must be stated. I am in the army, and while you will always have my love, I cannot guarantee I will always return to you whole, or alive,” Friedrich said, briefly shutting his eye. “Also, I am the prince of a troubled country. If you marry me, I fear you will be called to show love, kindness, and compassion beyond what a normal human could extend. I am confident my countrymen will learn to love you and cherish you as deeply as I do, but I am aware you have already made great sacrifices…and I do not want to force more on you.” Friedrich knelt at her feet. For
”
”
K.M. Shea (Cinderella and the Colonel (Timeless Fairy Tales, #3))
“
Lucinda might sneak from her own house at midnight to place a wager somewhere else, but she dared not touch the pack that lay in her own sideboard. She knew how passionate he had become about his 'weakness.' She dared not even ask him how it was he had reversed his opinions on the matter. But, oh, how she yearned to discuss it with him, how much she wished to deal a hand on a grey wool blanket. There would be no headaches then, only this sweet consummation of their comradeship.
But she said not a word. And although she might have her 'dainty' shoes tossed to the floor, have her bare toes quite visible through her stockings, have a draught of sherry in her hand, in short appear quite radical, she was too timid, she thought, too much a mouse, to reveal her gambler's heart to him. She did not like this mouselike quality. As usual, she found herself too careful, too held in.
Once she said: 'I wish I had ten sisters and a big kitchen to laugh in.'
Her lodger frowned and dusted his knees.
She thought: He is as near to a sister as I am likely to get, but he does not understand.
She would have had a woman friend so they could brush each other's hair, and just, please God, put aside this great clanking suit of ugly armor.
She kept her glass dreams from him, even whilst she appeared to talk about them. He was an admiring listener, but she only showed him the opaque skin of her dreams--window glass, the price of transporting it, the difficulties with builders who would not pay their bills inside six months. He imagined this was her business, and of course it was, but all the things she spoke of were a fog across its landscape which was filled with such soaring mountains she would be embarrassed to lay claim to them. Her true ambition, the one she would not confess to him, was to build something Extraordinary and Fine from glass and cast iron. A conservatory, but not a conservatory. Glass laced with steel, spun like a spider web--the idea danced around the periphery of her vision, never long enough to be clear. When she attempted to make a sketch, it became diminished, wooden, inelegant. Sometimes, in her dreams, she felt she had discovered its form, but if she had, it was like an improperly fixed photograph which fades when exposed to daylight. She was wise enough, or foolish enough, to believe this did not matter, that the form would present itself to her in the end.
”
”
Peter Carey (Oscar and Lucinda)
“
She told me that Melisande had borne a daughter, and that one day . . . one day she would like for us to meet. And so when your father advertised the fact that he was looking for a husband for his daughter—”
“Advertised,” she interrupted.
“Oh, yes. Far and wide. Princess. Beautiful. Nubile. Available to big strong man, with even bigger sword.” Mickel thumped his chest. “I was intrigued. I was mortified. I thought I would save the daughter of my mother’s best friend from a fate worse than death.”
“And if I had been a loud mouthed harridan with a taste for garlic and a fear of bathing?”
“I would have been the Warlord everyone thinks I am, tossed her aside like a sack of potatoes in a white wedding dress, and asked for the hand of a peculiar redheaded woman I met on the road.”
Sally smiled. “And if she said no?” “Well,” Mickel said, kissing her hand. “I may not be the Warlord of the Savage Belly Ache, but I am exceptionally brave. I would fight for her.
”
”
Sharon Shinn (Never After (Otherworld/Sisters of the Moon, #6.5))
“
Scared?”
Terrified. “Of you? Nah. If you grow claws, I might get my sword, but I’ve fought you in your human shape.” It took all my will to shrug. “You aren’t that impressive.”
He cleared the distance between us in a single leap. I barely had time to jump to my feet. Steel fingers grasped my left wrist. His left arm clasped my waist. I fought, but he outmuscled me with ridiculous ease, pulling me close as if to tango.
“Curran! Let . . . “
I recognized the angle of his hip but I could do nothing about it. He pulled me forward and flipped me in a classic hip-toss throw. Textbook perfect. I flew through the air, guided by his hands, and landed on my back. The air burst from my lungs in a startled gasp. Ow.
“Impressed yet?” he asked with a big smile.
Playing. He was playing. Not a real fight. He could’ve slammed me down hard enough to break my neck. Instead he had held me to the end, to make sure I landed right.
He leaned forward a little. “Big bad merc, down with a basic hip toss. In your place I’d be blushing.”
I gasped, trying to draw air into my lungs.
“I could kill you right now. It wouldn’t take much. I think I’m actually embarrassed on your behalf. At least do some magic or something.”
As you wish. I gasped and spat my new power word. “Osanda.” Kneel, Your Majesty.
He grunted like a man trying to lift a crushing weight that fell on his shoulders. His face shook with strain. Ha-ha. He wasn’t the only one who got a boost from a flare.
I got up to my feet with some leisure. Curran stood locked, the muscles of his legs bulging his sweatpants. He didn’t kneel. He wouldn’t kneel. I hit him with a power word in the middle of a bloody flare and it didn’t work. When he snapped out of it, he would probably kill me.
All sorts of alarms blared in my head. My good sense screamed, Get out of the room, stupid! Instead I stepped close to him and whispered in his ear, “Still not impressed.”
His eyebrows came together, as a grimace claimed his face. He strained, the muscles on his hard frame trembling with effort. With a guttural sigh, he straightened.
I beat a hasty retreat to the rear of the room, passing Slayer on the way. I wanted to swipe it so bad, my palm itched. But the rules of the game were clear: no claws, no saber. The second I picked up the sword, I’d have signed my own death warrant.
He squared his shoulders. “Shall we continue?”
“It would be my pleasure.”
He started toward me. I waited, light on my feet, ready to leap aside. He was stronger than a pair of oxen, and he’d try to grapple. If he got ahold of me, it would be over. If all else failed, I could always try the window. A forty-foot drop was a small price to pay to get away from him.
Curran grabbed at me. I twisted past him and kicked his knee from the side. It was a good solid kick; I’d turned into it. It would’ve broken the leg of any normal human.
“Cute,” Curran said, grabbed my arm, and casually threw me across the room. I went airborne for a second, fell, rolled, and came to my feet to be greeted by Curran’s smug face. “You’re fun to play with. You make a good mouse.”
Mouse?
“I was always kind of partial to toy mice.” He smiled. “Sometimes they’re filled with catnip. It’s a nice bonus.”
“I’m not filled with catnip.”
“Let’s find out.”
He squared his shoulders and headed in my direction. Houston, we have a problem. Judging by the look in his eyes, a kick to the face simply wouldn’t faze him.
“I can stop you with one word,” I said.
He swiped me into a bear hug and I got an intimate insight into how a nut feels just before the nutcracker crushes it to pieces. “Do,” he said.
“Wedding.”
All humor fled his eyes. He let go and just like that, the game was over.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
con Zucchine alla Nerano — SERVES 4 — About 16fl oz sunflower oil or vegetable oil, or, if you choose, olive oil 8 to 10 small zucchine (courgettes) 75g chopped fresh basil Sea salt to taste Extra virgin olive oil 500g spaghetti 200g grated Parmigiano-Reggiano • Put the sunflower oil in a large pot and bring to a low boil over medium-high heat. • Slice the zucchine into thin rounds and fry in the oil until they are golden brown. Remove and set aside on paper towels. • Sprinkle with basil and salt. • Transfer to a bowl and drizzle liberally with olive oil. • Boil the pasta until al dente and strain, reserving about two cupfuls of the pasta water. • Place the cooked pasta in a large pan or pot over low heat along with the zucchine mixture and combine gently. Add the pasta water, a little at a time, to create a creamy texture. You may not use all of the pasta water. Now add some of the Parmigiano to the mixture and continue to combine by stirring gently and tossing. When the mixture has a slight creaminess, remove from the stove and serve immediately. Note: The zucchine mixture can be refrigerated for about 5 days for use at a later date. Best to bring it to room temperature before using.
”
”
Stanley Tucci (Taste: My Life Through Food)
“
Soba noodles with eggplant and mango This dish has become my mother’s ultimate cook-to-impress fare. And she is not the only one, as I have been informed by many readers. It is the refreshing nature of the cold buckwheat noodles the sweet sharpness of the dressing and the muskiness of mango that make it so pleasing. Serve this as a substantial starter or turn it into a light main course by adding some fried firm tofu. Serves 6 1/2 cup rice vinegar 3 tbsp sugar 1/2 tsp salt 2 garlic cloves, crushed 1/2 fresh red chile, finely chopped 1 tsp toasted sesame oil grated zest and juice of 1 lime 1 cup sunflower oil 2 eggplants, cut into 3/4-inch dice 8 to 9 oz soba noodles 1 large ripe mango, cut into 3/8-inch dice or into 1/4-inch-thick strips 12/3 cup basil leaves, chopped (if you can get some use Thai basil, but much less of it) 21/2 cups cilantro leaves, chopped 1/2 red onion, very thinly sliced In a small saucepan gently warm the vinegar, sugar and salt for up to 1 minute, just until the sugar dissolves. Remove from the heat and add the garlic, chile and sesame oil. Allow to cool, then add the lime zest and juice. Heat up the sunflower oil in a large pan and shallow-fry the eggplant in three or four batches. Once golden brown remove to a colander, sprinkle liberally with salt and leave there to drain. Cook the noodles in plenty of boiling salted water, stirring occasionally. They should take 5 to 8 minutes to become tender but still al dente. Drain and rinse well under running cold water. Shake off as much of the excess water as possible, then leave to dry on a dish towel. In a mixing bowl toss the noodles with the dressing, mango, eggplant, half of the herbs and the onion. You can now leave this aside for 1 to 2 hours. When ready to serve add the rest of the herbs and mix well, then pile on a plate or in a bowl.
”
”
Yotam Ottolenghi (Plenty: Vibrant Vegetable Recipes from London's Ottolenghi)
“
I keep saying there's no Choice, and what I've meant is that you can't choose: you have no right or ability to select one of the two alternatives. But I didn't go far enough. There's no Choice because the Choice itself is wrong. It's a false dilemma. The alternatives are not alternatives at all. Long versus short, quiet versus heroic: they're the same. In the scope of infinity, in a universe with no edge, human history is a flare and human consciousness is a blink. All lives are short and all lives are quiet.
But all lives are glorious too, Cal. To live! To live like a human! You are ordinary and extraordinary all at once. You have a heart that contracts and relaxes and beats out your moments. You are alive and you know you are alive. Your too-short time is long enough.
Long, short, humdrum, heroic: toss those considerations aside. Nothing to choose there. But we do have a choice. We do. Is consciousness a tragedy or a miracle? Does nothing matter, or does everything matter? That's the choice. That's the real choice.
And I've chosen. My cousin, my match, listen to me and tell them all. Tell Trevor and Ben and Matt and Lill. Tell my father. Tell the ten thousand Madonnas, each and every one.
I am Jesse, I have a choice, and I choose everything.
”
”
Kate Hattemer (The Land of 10,000 Madonnas)
“
RYLAN!"
I feel Ivy's palm on my chest and, with a powerful shove, she pushes me back, away from fire, danger, and death.
In that moment after the tree plunges, I see Ivy for a single second as I fall. In those emerald eyes is a look of complete calm, undying gratitude, and powerful, protective love.
The tree crashes down, the sound echoing in my head.
For an eternal moment, I sit there on my butt, staring at the spot where Ivy was standing. I'm numb, only registering the slightest changes; the wind dying down, the rain lessening.
What just happened?
Desperately, I look side to side, praying that Ivy jumped to the side and what I saw was just an illusion made up by my panicked mind.
But Ivy's nowhere. And there's an arm sticking out from under the trunk.
"IVY!"
I sprint to the fallen tree. The smoldering wood stings my hand when I grab the trunk, but I grit my teeth and bear it. Pulling with all my might, I throw the remains of the tree aside.
Ivy's lying there, her eyes closed and her lower half on fire.
"No..." I fall to my knees and yank off my sweatshirt to try and smother the flames, but they burn strong, and soon the fabric's on fire. I toss it away, not knowing where it lands as I'm unable to tear my eyes off the most gut-wrenching sight of my life. My hands go to my head and my shouting grows even louder. "No, no, no!"
This can't be happening. She can't be—
”
”
Colleen Boyd (Swamp Angel)
“
Walking home's going to be...interesting half dressed." Alan mused as he dropped the shirt over the lip of the sink.
Shelby shot a look over her shoulder, but the retort she had in mind slipped away from her.He was lean enough so she could have counted his ribs, but there was a sense of power and endurance in the breadth of his chest and shoulders, the streamlined waist. His body made her forget any other man she'd ever seen.
It had been he,she realized all at once, whom she'd been thinking of when she'd thrown the clay into that clean-lined bowl.
Shelby let the first flow of arousal rush through her because it was as sweet as it was sharp. Then she tensed against it, rendering it a distant throb she could control.
"You're in excellent shape," she commented lightly. "You should be able to make it to P street in under three minutes at a steady jog."
"Shelby, that's downright unfriendly."
"I thought it was more rude," she corrected as she struggled against a grin. "I suppose I could be a nice guy and throw it in the dryer for you."
"It was your clay."
"It was your move," she reminded him, but snatched up the damp shirt. "Okay, come on upstairs." With one hand, she tugged off her work apron, tossing it aside as she breezed through the doorway. "I suppose you're entitled to one drink on the house."
"You're all heart," Alan murmured as he followed her up the stairs.
"My reputation for generosity precedes me.
”
”
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
“
Because you deserve a duke, damn it!” A troubled expression furrowed his brow. “You deserve a man who can give you the moon. I can’t. I can give you a decent home in a decent part of town with decent people, but you…” His voice grew choked. “You’re the most amazing woman I’ve ever known. It destroys me to think of what you’ll have to give up to be with me.”
“I told you before-I don’t care!” she said hotly. “Why can’t you believe me?”
He hesitated a long moment. “The truth?”
“Always.”
“Because I can’t imagine why you’d want me when you have men of rank and riches at your fingertips.”
She gave a rueful laugh. “You grossly exaggerate my charms, but I can’t complain. It’s one of many things I adore about you-that you see a better version of me than I ever could.” Remembering the wonderful words he’d said last night when she’d been so self-conscious, she left the bed to walk up to him. “Do you know what I see when I look at you?”
His wary gaze locked with hers. “Proper Pinter. Proud Pinter.”
“Yes, but that’s just who you show to the world to protect yourself.” She reached up to stroke his cheek, reveling in the ragged breath that escaped him. “When you let down your guard, however, I see Jackson-who ferrets out the truth, no matter how hard. Who risks his own life to protect the weak. Who’d sacrifice anything to prevent me from having to sacrifice everything.”
Catching her hand, he halted its path. “You see a saint,” he said hoarsely. “I’m not a saint; I’m a man with needs and desires and a great many rough edges.”
“I like your rough edges,” she said with a soft smile. “If I’d really wanted a man of rank and riches, I probably would have married long ago. I always told myself I couldn’t marry because no one wanted me, but the truth was, I didn’t want any of them.” She fingered a lock of hair. “Apparently I was waiting for you, rough edges and all.”
His eyes turned hot with wanting. Drawing her hand to his lips, he kissed the palm so tenderly that her heart leapt into her throat. When he lifted his head, he said, “Then marry me, rough edges and all.”
She swallowed. “That’s what you say now, when we’re alone and you’re caught up in-“
He covered her mouth with his, kissing her so fervently that she turned into a puddle of mush. Blast him-he always did that, too, when they were alone; it was when they were with others that he reconsidered their being together forever. And he still had said nothing of live.
“That’s enough of that,” she warned, drawing back from him. “Until you make a proper proposal, before my family, you’re not sharing my bed.”
“Sweeting-“
“Don’t you ‘sweeting’ me, Jackson Pinter.” She edged away from him. “I want Proper Pinter back now.”
A mocking smile crossed his lips. “Sorry, love. I threw him out when I saw how he was mucking up my private life.”
Love?
No, she wouldn’t let that soften her. Not until she was sure he wouldn’t turn cold later. “You told Oliver you’d behave like a gentleman.”
“To hell with your brother.” He stalked her with clear intent.
Even as she darted behind a chair to avoid him, excitement tore through her. “Aren’t you still worried Gran will cut me off, and you’ll be saddled with a spoiled wife and not enough money to please her?”
“To hell with your grandmother, too. For that matter, to hell with the money.” He tossed the chair aside as if it were so much kindling; it clattered across the floor. “It’s you I want.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
Willow gazed up at him, her silly grin still in place. "You know wha'? You're kinda cute when you crook your eyebrows down like tha'."
Rider muttered a curse, lifted her off the floor, and tossed her over his shoulder. "Juan, you and Hicks help Mrs. Brigham to her room. I'll take care of this little hellion."
Willow lifted her head from where she dangled over Rider's shoulder. "See yuh later, Mrs. B."
Miriam smiled and waved.
"i think Mrs. B is pickled," Rider's passenger said in a loud whisper as he hauled her out the door.
"No thanks to you,hellion," he growled, and smacked her bottom.
"Ow!"
As he carried Willow into the house, Rider was hard pressed to quell a sudden urge to laugh. In her bedroom, he unceremoniously dumped her on her bed, but when he turned to leave, her pitiful sounding voice halted his exit. "Rider,come here a min-it."
"Oh,hell, I suppose you're going to be sick." Grabbing a basin off her dresser, he shoved it under her chin. "It serves you right, you know." He watched nervously as she knocked the bowl aside.
"Dun...don't be mad." She held her arms out to him. "Come closer. Gimme a kiss and we'll make up. I like your kisses so-o-o-o much."
This time Rider couldn't stall his grin and inadvertently leaned closer.
She was on him like a duck on a June bug. With two hearty handfuls of his shirt, she yanked him down on top of her and plastered her mouth against his.
Talking against his lips, the tipsy girl had the audacity to complain, "Not like this. Do it like before. You know, with your tongue."
Rider squeezed his eyes shut and groaned. This isn't fair, he bemoaned silently. He tried to rise but Willow held tight, squirming her voluptuous little body against his. Sweat broke out on his forehead. If he didn't put a stop to this soon...He lifted his mouth from hers. "If I promise to kiss you with my tongue, will you let go of me and go to sleep?"
"Uh-huh." Willow's eyes drooped, but the affect appeared more seductive than drunken.
Lifting her shoulders slightly off the bed, he wound his arms around her and covered her mouth with his. His tongue explored hers in a long, liquid kiss, tasting of wine and desire. Rider savored its promise, wishing just this once, he could be less a gentleman.
Willow wrapped one of her legs over his and shifted her hips, innocently aligning his swelling heat with hers. He started and bolted off the bed. "Holy hell! You did it again!"
"What?" Her voice was sluggish and sleepy now.
Disgusted with himself, Rider stomped to the door. "Sleep it off, Freckles."
Outside Willow's door, Rider slumped against the wall and shook his head. Willow Vaughn was a constant surprise, and he loved the girl so bad it hurt.
”
”
Charlotte McPherren (Song of the Willow)
“
There’s just one thing I don’t understand,” she remarked, setting the periodical aside for a moment.
“And that is?”
She tucked her skirts around her legs, denying him further glimpses of her ankles. “Would you by chance know what gamahuching is?”
Grey would have thought himself far beyond the age of blushing, but the heat in his cheeks was unmistakable. “Good lord, Rose.” His voice was little more than a rasp. “That is hardly something a young woman brings up in casual conversation.”
Oh, but he could show her what gamahuching was. He’d be all too happy to crawl between those trim ankles and climb upward until he found the slit in her drawers…
Rose shrugged. “I suppose it might be offensive to someone of your age, but women aren’t as sheltered as they once were, Grey. If you won’t provide a definition, I’m sure Mr. Maxwell will when I see him tonight.” And with that threat tossed out between them, the little baggage returned her attention to her naughty reading.
His age? What did she think he was, an ancient? Or was she merely trying to bait him? Tease him? Well, two could play at that game.
And he refused to think of Kellan Maxwell, the bastard, educating her on such matters.
“I believe you’ve mistaken me if you think I find gamahuching offensive,” he replied smoothly, easing himself down onto the blanket beside her. “I have quite the opposite view.”
Beneath the high collar of her day gown, Rose’s throat worked as she swallowed. “Oh?”
“Yes.” He braced one hand flat against the blanket near her hip, leaning closer as though they were co-conspirators. “But I’m afraid the notion might seem distasteful to a lady of your inexperience and sheltered upbringing.”
Doe eyes narrowed. “If I am not appalled by the practice of frigging, why would anything else done between two adults in the course of making love offend me?”
Christ, she had the sexual vocabulary of a whore and the naivete of a virgin. There were so many things that people could do to each other that very well could offend her-hell, some even offended him. As for frigging, that just made him think of his fingers deep inside her wet heat, her own delicate hand around his cock, which of course was rearing its head like an attention-seeking puppy.
He forced a casual shrug. Let her think he wasn’t the least bit affected by the conversation. Hopefully she wouldn’t look at his crotch. “Gamahuching is the act of giving pleasure to a woman with one’s mouth and tongue.”
Finally his beautiful innocent seductress blushed. She glanced down at the magazine in her hands, obviously reimagining some of what she had read. “Oh.” Then, her gaze came back to his. “Thank you.”
Thank God she hadn’t asked if it was pleasurable because Grey wasn’t sure his control could have withstood that. Still, glutton for punishment that he was, he held her gaze. “Anything else you would like to ask me?”
Rose shifted on the blanket. Embarrassed or aroused? “No, I think that’s all I wanted to know.”
“Be careful, Rose,” he advised as he slowly rose to his feet once more. He had to keep his hands in front of him to disguise the hardness in his trousers. Damn thing didn’t show any sign of standing down either. “Such reading may lead to further curiosity, which can lead to rash behavior. I would hate to see you compromise yourself, or give your affection to the wrong man.”
She met his gaze evenly, with a strange light in her eyes that unsettled him. “Have you stopped to consider Grey, that I may have done that already?”
And since that remark rendered him so completely speechless, he turned on his heel and walked away.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
Taking the catcher’s place, he sank to his haunches and gestured to Arthur.
“Throw some easy ones to begin with,” he called, and Arthur nodded, seeming to lose his apprehensiveness. “Yes, milord!”
Arthur wound up and released a relaxed, straight pitch. Squinting in determination, Lilian gripped the bat hard, stepped into the swing, and turned her hips to lend more impetus to the motion. To her disgust, she missed the ball completely. Turning around, she gave Westcliff a pointed glance. “Well, your advice certainly helped,” she muttered sarcastically.
“Elbows,” came his succinct reminder, and he tossed the ball to Arthur. “Try again.”
Heaving a sigh, Lillian raised the bat and faced the pitcher once more.
Arthur drew his arm back, and lunged forward as he delivered another fast ball.
Lillian brought the bat around with a grunt of effort, finding an unexpected ease in adjusting the swing to just the right angle, and she received a jolt of visceral delight as she felt the solid connection between the bat and the leather ball. With a loud crack the ball was catapulted high into the air, over Arthur’s head, beyond the reach of those in the back field. Shrieking in triumph, Lillian dropped the bat and ran headlong toward the first sanctuary post, rounding it and heading toward second. Out of the corner of her eye, she saw Daisy hurtling across the field to scoop up the ball, and in nearly the same motion, throwing it to the nearest boy. Increasing her pace, her feet flying beneath her skirts, Lillian rounded third, while the ball was tossed to Arthur.
Before her disbelieving eyes, she saw Westcliff standing at the last post, Castle Rock, with his hands held up in readiness to catch the ball. How could he? After showing her how to hit the ball, he was now going to tag her out?
“Get out of my way!” Lillian shouted, running pellmell toward the post, determined to reach it before he caught the ball. “I’m not going to stop!”
“Oh, I’ll stop you,” Westcliff assured her with a grin, standing right in front of the post. He called to the pitcher. “Throw it home, Arthur!”
She would go through him, if necessary. Letting out a warlike cry, Lillian slammed full-length into him, causing him to stagger backward just as his fingers closed over the ball. Though he could have fought for balance, he chose not to, collapsing backward onto the soft earth with Lillian tumbling on top of him, burying him in a heap of skirts and wayward limbs. A cloud of fine beige dust enveloped them upon their descent. Lillian lifted herself on his chest and glared down at him. At first she thought that he had been winded, but it immediately became apparent that he was choking with laughter.
“You cheated!” she accused, which only seemed to make him laugh harder. She struggled for breath, drawing in huge lungfuls of air. “You’re not supposed…to stand in front…of the post…you dirty cheater!”
Gasping and snorting, Westcliff handed her the ball with the ginger reverence of someone yielding a priceless artifact to a museum curator. Lillian took the ball and hurled it aside. “I was not out,” she told him, jabbing her finger into his hard chest for emphasis. It felt as if she were poking a hearthstone. “I was safe, do you…hear me?”
She heard Arthur’s amused voice as he approached them. “Actually, miss—”
“Never argue with a lady, Arthur,” the earl interrupted, having managed to regain his powers of speech, and the boy grinned at him.
“Yes, milord.”
“Are there ladies here?” Daisy asked cheerfully, coming from the field. “I don’t see any.”
Still smiling, the earl looked up at Lillian.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))