Kingdom Of The Spiders Quotes

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Why the net, Kaz?" Yes, why the net? Why something that could complicate the assault he'd planned on the silos and leave them twice as open to exposure? I couldn't bear to watch you fall. "I just went to a lot of trouble to get my spider back. I didn't do it so you could crack your skull open the next day.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Duncan,we're still in prison," Frederic said dryly. "You're not going to see anything except this cell. Which has spiders, by the way. Have you noticed the spiders?" "Indeed I have: Carmen, Zippy, and Dr. T," Duncan said.
Christopher Healy (The Hero's Guide to Saving Your Kingdom (The League of Princes, #1))
Paul D did not answer because she didn't expect or want him to, but he did know what she meant. Listening to the doves in Alfred, Georgia, and having neither the right nor the permission to enjoy it because in that place mist, doves, sunlight, copper dirt, moon - everything belonged to the men who had the guns. Little men, some of them, big men too, each one of whom he could snap like a twig if he wanted to. Men who knew that their manhood lay in their guns and were not even embarrassed by the knowledge that without fox would laugh at them. And these "men" who made even vixen laugh could, if you let them, stop you from hearing doves or loving moonlight. So you protected yourself and loved small. Picked the tiniest stars out of the sky to own; lay down with head twisted in order to see the loved one over the rim of the trench before you slept. Stole shy glances at her between the trees at chain-up. Glass blades, salamanders, spiders, woodpeckers, beetles, a kingdom of ants. Anything bigger wouldn't do. A woman, a child, a brother - a big love like that would split you wide open in Alfred, Georgia. He knew exactly what she meant: to get to a place where you could love anything you chose - not to need permission for desire - well now, THAT was freedom.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Perhaps she should have brought Dorian. He certainly knew how to play these games. To think like a king. He’d killed that spider like a blue-blooded witch, though. Not an ounce of mercy. It shouldn’t have thrilled her the way it did.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
He waved his hand; and it was as though, with an invisible feather wisk, he had brushed away a little dust, and the dust was Harappa, was Ur of the Chaldees; some spider-webs, and they were Thebes and Babylon and Cnossos and Mycenae. Whisk. Whisk—and where was Odysseus, where was Job, where were Jupiter and Gotama and Jesus? Whisk—and those specks of antique dirt called Athens and Rome, Jerusalem and the Middle Kingdom—all were gone. Whisk—the place where Italy had been empty. Whisk, the cathedrals; whisk, whisk, King Lear and the Thoughts of Pascal. Whisk, Passion; whisk, Requiem; whisk, Symphony; whisk...
Aldous Huxley (Brave New World)
I'm a piece of glass with a crack spreading across me, spidering off in all directions, waiting to shatter me completely.
Shari Cross (Masked (The Divided Kingdom Book 1))
KNOW, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars—Nemedia, Ophir, Brythunia, Hyperborea, Zamora with its dark-haired women and towers of spider-haunted mystery, Zingara with its chivalry, Koth that bordered on the pastoral lands of Shem, Stygia with its shadow-guarded tombs, Hyrkania whose riders wore steel and silk and gold. But the proudest kingdom of the world was Aquilonia, reigning supreme in the dreaming west. Hither came Conan, the Cimmerian, black-haired, sullen- eyed,sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet."—The Nemedian Chronicles
Robert E. Howard
So you protected yourself and loved small. Picked the tiniest starts out of the sky to own; lay down with head twisted in order to see the loved one over the rim of the trench before you slept. Stole shy glances at her between the trees at chain-up. Grassblade, salamanders, spiders, woodpeckers, beetles, a kingdom of ants. Anything bigger wouldn’t do. A woman, a child, a brother- a big love like that would split you wide open in Alfred, Georgia. He knew exactly what she meant: to get to a place where you could love anything you chose- not need permission for desire- well now, that was freedom.
Toni Morrison
You can’t fault her for trying to protect her grandson. She’s fond of you.” Lara shied away from a tree hosting an enormous spider. “Most people are. I’m quite charming, or so I’m told.
Danielle L. Jensen (The Bridge Kingdom (The Bridge Kingdom #1))
A naturalist should look at the world with warm affection, if not ardent love. The life the scalpel has ended ought to be honored by a caring, devoted appreciation for that creature’s unrepeatable individuality, and for the fact that, at the same time, strange as this may seem, this life stands for the entire natural kingdom. Examined with attention, the dissected hare illuminates the parts and properties of all other animals and, by extension, their environment. The hare, like a blade of grass or a piece of coal, is not simply a small fraction of the whole but contains the whole within itself. This makes us all one. If anything, because we are all made of the same stuff. Our flesh is the debris of dead stars, and this is also true of the apple and its tree, of each hair on the spider’s legs, and of the rock rusting on planet Mars. Each minuscule being has spokes radiating out to all of creation. Some of the raindrops falling on the potato plants in your farm back in Sweden were once in a tiger’s bladder. From one living thing, the properties of any other may be predicted. Looking at any particle with sufficient care, and following the chain that links all things together, we can arrive at the universe—the correspondences are there, if the eye is skillful enough to detect them. The guts of the anatomized hare faithfully render the picture of the entire world. And because that hare is everything, it is also us. Having understood and experienced this marvelous congruity, man can no longer examine his surroundings merely as a surface scattered with alien objects and creatures related to him only by their usefulness. The carpenter who can only devise tabletops while walking through the forest, the poet who can only remember his own private sorrows while looking at the falling snow, the naturalist who can only attach a label to every leaf and a pin to every insect—all of them are debasing nature by turning it into a storehouse, a symbol, or a fact. Knowing nature, Lorimer would often say, means learning how to be. And to achieve this, we must listen to the constant sermon of things. Our highest task is to make out the words to better partake in the ecstasy of existence.
Hernan Diaz (In the Distance)
You all remember,” said the Controller, in his strong deep voice, “you all remember, I suppose, that beautiful and inspired saying of Our Ford’s: History is bunk. History,” he repeated slowly, “is bunk.” He waved his hand; and it was as though, with an invisible feather wisk, he had brushed away a little dust, and the dust was Harappa, was Ur of the Chaldees; some spider-webs, and they were Thebes and Babylon and Cnossos and Mycenae. Whisk. Whisk-and where was Odysseus, where was Job, where were Jupiter and Gotama and Jesus? Whisk-and those specks of antique dirt called Athens and Rome, Jerusalem and the Middle Kingdom-all were gone. Whisk-the place where Italy had been was empty. Whisk, the cathedrals; whisk, whisk, King Lear and the Thoughts of Pascal. Whisk, Passion; whisk, Requiem; whisk, Symphony; whisk...
Aldous Huxley (Brave New World)
Now these were the days before the Andals came, and long before the women fled across the narrow sea from the cities of the Rhoyne, and the hundred kingdoms of those times were the kingdoms of the First Men, who had taken these lands from the children of the forest. Yet here and there in the fastness of the woods the children still lived in their wooden cities and hollow hills, and the faces in the trees kept watch. So as cold and death filled the earth, the last hero determined to seek out the children, in the hopes that their ancient magics could win back what the armies of men had lost. He set out into the dead lands with a sword, a horse, a dog, and a dozen companions. For years he searched, until he despaired of ever finding the children of the forest in their secret cities. One by one his friends died, and his horse, and finally even his dog, and his sword froze so hard the blade snapped when he tried to use it. And the Others smelled the hot blood in him, and came silent on his trail, stalking him with packs of pale white spiders big as hounds—
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Even if a ship got past the Water Spider, the English were persona non grata on the continent. Europe did not want to invoke R’hlem’s wrath by aiding refugees. “Do ships never come in?” I asked. Magnus easily followed my train of thought. “Well, naturally there’s been some contact. How else would Cellini have arrived? Italy’s the only nation that will offer assistance. Other than that, dear Miss Howel, we are on our own. Here. Cling to me for comfort.” When I didn’t fall into his arms, he continued.
Jessica Cluess (A Shadow Bright and Burning (Kingdom on Fire, #1))
So you protected yourself and loved small. Picked the tiniest stars out of the sky to own; lay down with head twisted in order to see the loved one over the rim of the trench before you slept. Stole shy glances at her between the trees at chain-up. Grass blades, salamanders, spiders, wood-peckers, beetles, a kingdom of ants. Anything bigger wouldn't do. A woman, a child, a brother - a big love like that would split you wide open in Alfred, Georgia. he knew exactly what she meant: to get to a place where you could love anything you chose - not to need permission for desire - well now, that was freedom.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Chapter 28 Genghis Cat Gracing Whatever Shithole This Is, Washington, USA You can all relax now, because I am here. What did you think? I’d run for safety at the whim of a fucking parrot with under-eye bags like pinched scrotums? Did you suspect I—a ninja with feather-wand fastness and laser-pointer focus—had the spine of a banana slug? Then you are a shit-toned oink with the senses of a sniveling salamander. Then you don’t know Genghis Cat. I look around and can see that we are surrounded by The Bird Beasts, those crepe-faced, hair ball–brained fuck goblins. I intensely dislike these lumpy whatthefuckareyous who straddle between the Mediocre Servant and animal worlds, trying to be one thing and really not being, like imitation crabmeat in a sushi log that is really just fucking whitefish and WE ALL KNOW IT. “Would you like a little of the crabmeat, Genghis?” my Mediocre Servants seemed to ask with their blobfish lips and stupid faces. “THAT’S FUCKING WHITEFISH, YOU REGURGITATED MOLES!” I’d yowl, and then I’d steal the sushi log and run off and growl very much so they couldn’t have it back, and later I would pee on their night pillows for good measure. I cannot imagine their lives before me. We mustn’t think of those bleak dark ages. But the Beasts are dangerous. I have watched them morph and chew into a house. I have seen them with spider legs and second stomachs and camouflage skins. I have seen them tear the legs off a horse and steal flight from those with feathers. Orange and I have lost family to their fuckish appetites. But they are still fakish faking beasts and I’m fucking Genghis Cat. They are imitation crab and Genghis is filet mignon Fancy Feast, bitch. Probably I should come clean here and tell you that I’m immortal. I always suspected it but can confirm it now that I have surpassed the allocated nine lives. I’m somewhere around life 884, give or take seventy-eight. Some mousers have called me a god, but I insist on modesty. I also don’t deny it. I might be a god. It seems to fit. It feels right. A stealthy, striped god with an exotically spotted tummy—it seems certain, doesn’t it to you? I’m 186 percent sure at this point. Orange insists we stay away from the Beasts all the time, but I only let Orange think he’s in charge. Orange is incredibly sensitive, despite being the size of a Winnebago. He hand-raised each of my kittens and has terrible nightmares, and I have to knead my paws on him to calm him down. Orange and I have a deal. I will kill anything that comes to harm Orange and Orange will continue to be the reason I purr.
Kira Jane Buxton (Feral Creatures (Hollow Kingdom #2))
Long ago, and far away, the Butterfly King met the Moth Queen. They were very different. She was nocturnal and he loved the sun; she was fierce and warlike, and he was a gentle dreamer. And they were both from different worlds. He was from a land of towers, and trains, and roads, and airplanes; she was from a land of dreams, and silent wings, and falling leaves. But Love has always found a way of defying boundaries. And after warring for a time, and making their share of mistakes, and overcoming many dangers and obstacles, they were at last united in love, and thus united their people. And with the help of the Spider Mage and his web, they passed through the Honeycomb, and led the way back to the Kingdom all who chose to follow them there. There, they were crowned, and made their pledge-- she in a garland of autumn leaves, he in a circlet of spider silk-- to rule the Kingdom wisely; to fight against injustice and fear; to honor their love, and to guard it well, and to tend it, and give it time to grow. And if she was not always moderate in the way she expressed herself, and if he was sometimes a little naïve, this surprised no one, and was only to be expected. But between them, they ruled both wisely and well; with passion and moderation. And when their children were born, she taught them how to stand their ground and how to fight for what they loved; and he taught them how to see their world and appreciate its beauty.
Joanne Harris (The Moonlight Market)
He removed his hand from his worn, pleasantly snug jeans…and it held something small. Holy Lord, I said to myself. What in the name of kingdom come is going on here? His face wore a sweet, sweet smile. I stood there completely frozen. “Um…what?” I asked. I could formulate no words but these. He didn’t respond immediately. Instead he took my left hand in his, opened up my fingers, and placed a diamond ring onto my palm, which was, by now, beginning to sweat. “I said,” he closed my hand tightly around the ring. “I want you to marry me.” He paused for a moment. “If you need time to think about it, I’ll understand.” His hands were still wrapped around my knuckles. He touched his forehead to mine, and the ligaments of my knees turned to spaghetti. Marry you? My mind raced a mile a minute. Ten miles a second. I had three million thoughts all at once, and my heart thumped wildly in my chest. Marry you? But then I’d have to cut my hair short. Married women have short hair, and they get it fixed at the beauty shop. Marry you? But then I’d have to make casseroles. Marry you? But then I’d have to wear yellow rubber gloves to do the dishes. Marry you? As in, move out to the country and actually live with you? In your house? In the country? But I…I…I don’t live in the country. I don’t know how. I can’t ride a horse. I’m scared of spiders. I forced myself to speak again. “Um…what?” I repeated, a touch of frantic urgency to my voice. “You heard me,” Marlboro Man said, still smiling. He knew this would catch me by surprise. Just then my brother Mike laid on the horn again. He leaned out of the window and yelled at the top of his lungs, “C’mon! I am gonna b-b-be late for lunch!” Mike didn’t like being late. Marlboro Man laughed. “Be right there, Mike!” I would have laughed, too, at the hilarious scene playing out before my eyes. A ring. A proposal. My developmentally disabled and highly impatient brother Mike, waiting for Marlboro Man to drive him to the mall. The horn of the diesel pickup. Normally, I would have laughed. But this time I was way, way too stunned. “I’d better go,” Marlboro Man said, leaning forward and kissing my cheek. I still grasped the diamond ring in my warm, sweaty hand. “I don’t want Mike to burst a blood vessel.” He laughed out loud, clearly enjoying it all. I tried to speak but couldn’t. I’d been rendered totally mute. Nothing could have prepared me for those ten minutes of my life. The last thing I remember, I’d awakened at eleven. Moments later, I was hiding in my bathroom, trying, in all my early-morning ugliness, to avoid being seen by Marlboro Man, who’d dropped by unexpectedly. Now I was standing on the front porch, a diamond ring in my hand. It was all completely surreal. Marlboro Man turned to leave. “You can give me your answer later,” he said, grinning, his Wranglers waving good-bye to me in the bright noonday sun. But then it all came flashing across my line of sight. The boots in the bar, the icy blue-green eyes, the starched shirt, the Wranglers…the first date, the long talks, my breakdown in his kitchen, the movies, the nights on his porch, the kisses, the long drives, the hugs…the all-encompassing, mind-numbing passion I felt. It played frame by frame in my mind in a steady stream. “Hey,” I said, walking toward him and effortlessly sliding the ring on my finger. I wrapped my arms around his neck as his arms, instinctively, wrapped around my waist and raised me off the ground in our all-too-familiar pose. “Yep,” I said effortlessly. He smiled and hugged me tightly. Mike, once again, laid on the horn, oblivious to what had just happened. Marlboro Man said nothing more. He simply kissed me, smiled, then drove my brother to the mall.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The idea that time has value resurfaces in a polemic penned by the Englishman Thomas Wilson, an Elizabethan diplomat and judge. In his Discourse Upon Usury (1572) Wilson likens the usurer to ‘hel unsaciable, the sea raging, a cur dog, a blind moul, a venomus spider, and a bottomles sacke, whereby you may well be assured that the dyvell dwelleth tabernacled in such a monstre’.46 Usury, says Wilson, is as great an event as murder, adultery and theft; usurers devour whole kingdoms and deserve nothing better than death. Wilson’s ideas were hopelessly old-fashioned by this date – indeed, between the writing and publication of his Discourse, usury in England was legalized (by Queen Elizabeth’s Statute of 1571).
Edward Chancellor (The Price of Time: The Real Story of Interest)
KNOW, oh prince, that between the years when the oceans drank Atlantis and the gleaming cities, and the years of the rise of the Sons of Aryas, there was an Age undreamed of, when shining kingdoms lay spread across the world like blue mantles beneath the stars—Nemedia, Ophir, Brythunia, Hyperborea, Zamora with its dark-haired women and towers of spider-haunted mystery, Zingara with its chivalry, Koth that bordered on the pastoral lands of Shem, Stygia with its shadow-guarded tombs, Hyrkania whose riders wore steel and silk and gold. But the proudest kingdom of the world was Aquilonia, reigning supreme in the dreaming west. Hither came Conan, the Cimmerian, black-haired, sullen- eyed, sword in hand, a thief, a reaver, a slayer, with gigantic melancholies and gigantic mirth, to tread the jeweled thrones of the Earth under his sandalled feet."—The Nemedian Chronicles
Robert E Howard's
And among the most highly developed of these was the order of spiders. Many a reader will no doubt be filled with loathing at the thought. That’s simply because he does not have the Astromental man’s attitude toward the spider but connects it with all sorts of horrid nursery tales and obsolete superstitions. For the cosmically expert sages in the Djebei, however, the spider was almost sacred, a hieratic animal. Why? In the first place, the spider is the physical image of the star in the animal kingdom; its body consists of a rounded core from which its long limbs radiate in all directions. The spider is unique among animals in respect to this form. In the second place, from its inwards the spider emits a white thread by means of which it fashions a net in which it hangs like a star in its network of rays. The spider thus symbolizes the creative process of the emission of “radiant energy, the scientific name for light. In the third place, suspended in the center of its radiating web, the spider calmly waits for its victims, flies, gnats, and moths. It never moves, for its prey is bound to fall within its grasp. Thus the spider symbolizes the star’s force of gravitation, the fundamental universal force called attraction,” that maintains the original creative impulse in motion and balance.
Franz Werfel (Star of the Unborn)
He had become aware of the eyes of the Daylight Folk on him. Hopeful, expectant, suspicious or dazed, they watched him from the parapet and from the crenellations of the Natural History Museum, their wings spread like banners against the sky. And now he could see the Midnight Folk, too, drawn by whatever mystery had been at work on these rooftops: Atlas, and Luna, and Diamondback, and Cinnabar. For a moment, Cinnabar stood aloof on the parapet. Then Brimstone held out his hand to her, and she went to join him. My people, Tom thought to himself, and put up his hand to cover a smile. It was ridiculous, of course, and yet it felt so natural. As natural as being in love. As natural as flying. Spider pulled at the silver thread again. Between his fingers, Tom now saw an intricate cat's cradle of light that seemed to extend in multiple directions. 'With this, you can go anywhere,' said Spider, lifting the cradle of light. 'You could stay here, in London Before. You could go back to the London you know. Or you could reclaim your Kingdom, and lead your people home. Your choice.' He passed the cat's cradle over Tom's head. As it touched him, the net of light settled over Tom's shoulders, becoming a kind of mantle: golden, soft as spider silk, light as woven thistledown. He made the same gesture over Charissa, and she too was draped in gossamer. And with the mantle came a scent of green woods and of summertime; of distant spices, unnamed blooms, and blackberries, and honeycomb.
Joanne Harris (The Moonlight Market)
The Old Testament is the record of prophets. Jesus was a prophet. The New Testament is the record of apostles and prophets. The entire biblical revelation is prophetic. God speaks through word and deed, words explaining deeds, and deeds revealing words, so that words become deeds. The event of God speaking his word is an event as much as events in the purpose of God are words spoken by God. Word and deed come together in Jesus Christ. When he spoke, things happened. What he did was God speaking. He is the WordEvent of God’s revelation to man.
Derek Morphew (The Spiritual Spider Web: A Study in Acient and Contemporary Gnosticism (Kingdom Theology Series))
Discussions about how God reveals himself to people have little meaning in a purely theoretical framework.
Derek Morphew (The Spiritual Spider Web: A Study in Acient and Contemporary Gnosticism (Kingdom Theology Series))
Wherever you find a preacher who seems preoccupied with legalistic, ascetic ideas, you can be sure the temptation or practise of immorality is somewhere there below the surface.
Derek Morphew (The Spiritual Spider Web: A Study in Acient and Contemporary Gnosticism (Kingdom Theology Series))
I have the clear impression that Paul is not only outGnosticising the Gnostics, not only turning their priorities upside down, but also engaging in a little sarcasm.
Derek Morphew (The Spiritual Spider Web: A Study in Acient and Contemporary Gnosticism (Kingdom Theology Series))
Whenever someone boasts of spiritual knowledge or revelations or deeper insight in a way which makes other people feel uncomfortable, somehow less spiritual or stupid, then we are dealing with Gnostic knowledge, not biblical knowledge.
Derek Morphew (The Spiritual Spider Web: A Study in Acient and Contemporary Gnosticism (Kingdom Theology Series))
Through a Gnostic dualism between the body and the spirit it is possible to claim that one’s spirit is with God, in his light, while ones body can sin in the darkness. The body sins, but the spirit is without sin. John’s answer to this is forthright: you lie! God is light, and his light will expose all darkness. No such double life can stand his gaze.
Derek Morphew (The Spiritual Spider Web: A Study in Acient and Contemporary Gnosticism (Kingdom Theology Series))
waved his hand; and it was as though, with an invisible feather wisk, he had brushed away a little dust, and the dust was Harappa, was Ur of the Chaldees; some spider-webs, and they were Thebes and Babylon and Cnossos and Mycenae. Whisk. Whisk–and where was Odysseus, where was Job, where were Jupiter and Gotama and Jesus? Whisk–and those specks of antique dirt called Athens and Rome, Jerusalem and the Middle Kingdom–all were gone. Whisk– the place where Italy had been was empty. Whisk, the cathedrals; whisk, whisk, King Lear and the Thoughts of Pascal. Whisk, Passion; whisk, Requiem; whisk, Symphony; whisk
Aldous Huxley (Brave New World, Animal Farm & 1984 (3in1))
Leaving Florida, nevertheless, I always felt regret; though when I found myself back in New York my mother's voice on the telephone seemed so shrunken and small, I vowed that I would never waste time in that town again. How could I? I was not responsible for her happiness; she wanted me to live, and life was wasted every day I was there. Look how the noiseless spider, the relentless metronome, the secret thief, had staked their claim on even these two people, these once glamorous parents who had turned into a pair of country mice.
Andrew Holleran (The Kingdom of Sand)
You all remember," said the Controller, in his strong deep voice, "you all remember, I suppose, that beautiful and inspired saying of Our Ford's: History is bunk. History," he repeated slowly, "is bunk." He waved his hand; and it was as though, with an invisible feather wisk, he had brushed away a little dust, and the dust was Harappa, was Ur of the Chaldees; some spider-webs, and they were Thebes and Babylon and Cnossos and Mycenae. Whisk. Whisk-and where was Odysseus, where was Job, where were Jupiter and Gotama and Jesus? Whisk-and those specks of antique dirt called Athens and Rome, Jerusalem and the Middle Kingdom-all were gone. Whisk-the place where Italy had been was empty. Whisk, the cathedrals; whisk, whisk, King Lear and the Thoughts of Pascal. Whisk, Passion; whisk, Requiem; whisk, Symphony; whisk…
Aldous Huxley (Brave New World)
I saw a butterfly feeding on a flowering vine. So beautiful, with great orange and black wings. I tried coaxing it onto my finger, though I didn’t think I could. To my utter delight, it worked. I held it up close so I could see the gorgeous colors. And it clutched my finger, crawling up my hand with those pricking hairy legs, this enormous insect. Before I thought, I shook it away as I would a spider.
Jeffe Kennedy (The Mark of the Tala (The Twelve Kingdoms, #1))
Murnau now inserts scenes with little direct connection to the story, except symbolically. One involves a scientist who gives a lecture on the Venus flytrap, the “vampire of the vegetable kingdom.” Then Knock, in a jail cell, watches in close-up as a spider devours its prey. Why cannot man likewise be a vampire? Knock senses his Master has arrived, escapes, and scurries about the town with a coffin on his back. As fear of the plague spreads, “the town was looking for a scapegoat,” the titles say, and Knock creeps about on rooftops and is stoned, while the street is filled with dark processions of the coffins of the newly dead. Ellen Hutter learns that the only way to stop a vampire is for a good woman to distract him so that he stays out past the first cock’s crow. Her sacrifice not only saves the city but also reminds us of the buried sexuality in the Dracula story. Bram Stoker wrote with ironclad nineteenth-century Victorian values, inspiring no end of analysis from readers who wonder if the buried message of Dracula might be that unlicensed sex is dangerous to society. The Victorians feared venereal disease the way we fear AIDS, and vampirism may be a metaphor: The predator vampire lives without a mate, stalking his victims or seducing them with promises of bliss—like a rapist or a pickup artist. The cure for vampirism is obviously not a stake through the heart, but nuclear families and bourgeois values. Is Murnau’s Nosferatu scary in the modern sense? Not for me. I admire it more for its artistry and ideas, its atmosphere and images, than for its ability to manipulate my emotions like a skillful modern horror film. It knows none of the later tricks of the trade, like sudden threats that pop in from the side of the screen. But Nosferatu remains effective: It doesn’t scare us, but it haunts us. It shows not that vampires can jump out of shadows, but that evil can grow there, nourished on death. In a sense, Murnau’s film is about all of the things we worry about at three in the morning—cancer, war, disease, madness. It suggests these dark fears in the very style of its visuals. Much of the film is shot in shadow. The corners of the screen are used more than is ordinary; characters lurk or cower there, and it’s a rule of composition that tension is created when the subject of a shot is removed from the center of the frame. Murnau’s special effects add to the disquieting atmosphere: the fast motion of Orlok’s servant,
Roger Ebert (The Great Movies)
You all remember,” said the Controller, in his strong deep voice, “you all remember, I suppose, that beautiful and inspired saying of Our Ford’s: History is bunk. History,” he repeated slowly, “is bunk.” He waved his hand; and it was as though, with an invisible feather wisk, he had brushed away a little dust, and the dust was Harappa, was Ur of the Chaldees; some spider-webs, and they were Thebes and Babylon and Cnossos and Mycenae. Whisk. Whisk—and where was Odysseus, where was Job, where were Jupiter and Gotama and Jesus? Whisk—and those specks of antique dirt called Athens and Rome, Jerusalem and the Middle Kingdom—all were gone. Whisk—the place where Italy had been was empty. Whisk, the cathedrals; whisk, whisk, King Lear and the Thoughts of Pascal. Whisk, Passion; whisk, Requiem; whisk, Symphony; whisk . .
Aldous Huxley (Brave New World)
BIBLIOGRAPHY Often the question of which books were used for research in the Merry series is asked. So, here is a list (in no particular order). While not comprehensive, it contains the major sources. An Encyclopedia of Faeries by Katharine Briggs Faeries by Brian Froud and Alan Lee Dictionary of Celtic Myth and Legend by Miranda J. Green Celtic Goddesses by Miranda J. Green Dictionary of Celtic Mythology by Peter Berresford Ellis Goddesses in World Mythology by Martha Ann and Dorothy Myers Imel A Witches’ Bible by Janet and Stewart Farrar The Fairy Faith in Celtic Countries by W. Y. Evans-Wentz Pagan Celtic Britain by Anne Ross The Ancient British Goddesses by Kathy Jones Fairy Tradition in Britain by Lewis Spense One Hundred Old Roses for the American Garden by Clair G. Martin Taylor’s Guide to Roses Pendragon by Steve Blake and Scott Lloyd Kings and Queens from Collins Gem Butterflies of Europe: A Princeton Guide by Tom Tolman and Richard Lewington Butterflies and Moths of Missouri by J. Richard and Joan E. Heitzman Dorling Kindersly Handbook: Butterflies and Moths by David Carter The Natural World of Bugs and Insects by Ken and Rod Preston Mafham Big Cats: Kingdom of Might by Tom Brakefield Just Cats by Karen Anderson Wild Cats of the World by Art Wolfe and Barbara Sleeper Beauty and the Beast translated by Jack Zipes The Complete Fairy Tales of the Brothers Grimm translated by Jack Zipes Grimms’ Tales for Young and Old by Ralph Manheim Complete Guide to Cats by the ASPCA Field Guide to Insects and Spiders from the National Audubon Society Mammals of Europe by David W. MacDonald Wicca: A Guide for the Solitary Practitioner by Scott Cunningham Northern Mysteries and Magick by Freya Aswym Cabbages and Kings by Jonathan Roberts Gaelic: A Complete Guide for Beginners The Norse Myths by Kevin Crossley Holland The Penguin Companion to Food by Alan Davidson
Laurell K. Hamilton (Seduced by Moonlight (Meredith Gentry, #3))
He waved his hand; and it was as though, with an invisible feather whisk, he had brushed away a little dust, and the dust was Harappa, was Ur of the Chaldees; some spider-webs, and they were Thebes and Babylon and Cnossos and Mycenae. Whisk, whisk - and where was Odysseus, where was Job, where was Jupiter and Gotama and Jesus? Whisk - and those specks of antique dirt called Athens and Rome, Jerusalem and the Middle Kingdom - all were gone. Whisk - the place where Italy had been was empty. Whisk - the cathedrals; whisk, whisk, King Lear and the Thoughts of Pascal. Whisk, Passion; whisk, Requiem; whisk, Symphony; whisk...
Aldous Huxley (Brave New World)
pirit. It cannot be broken and it cannot be stolen away. A victim in the throes of despair might feel otherwise, and certainly the victim’s “master” would like to believe it so. But in truth, the spirit remains, sometimes buried but never fully removed. That is the false assumption of Zin-carla and the danger of such sentient animation. The priestesses, I have come to learn, claim it as the highest gift of the Spider Queen deity who rules the drow. I think not. Better to call Zin-carla Lolth’s greatest lie. The physical powers of the body cannot be separated from the rationale of the mind and the emotions of the heart. They are one and the same, a compilation of a singular being. It is in the harmony of these three—body, mind, and heart—that we find spirit. How many tyrants have tried? How many rulers have sought to reduce their subjects to simple, unthinking instruments of profit and gain? They steal the loves, the religions, of their people; they seek to steal the spirit. Ultimately and inevitably, they fail. This I must believe. If the flame of the spirit’s candle is extinguished, there is only death, and the tyrant finds no gain in a kingdom littered with corpses. But it is a resilient thing, this flame of spirit, indomitable and ever-striving. In some, at least, it will survive, to the tyrant’s demise. Where, then, was Zaknafein, my father, when he set out purposefully to destroy me? Where was I in my years alone in the wilds, when this hunter that I had become blinded my heart and guided my sword hand often against my conscious wishes? We both were there all along, I came to know, buried but never stolen. Spirit. In every language in all the Realms, surface and Underdark, in every time and every place, the word has a ring of strength and determination. It is the hero’s strength, the mother’s resilience, and the poor man’s armor. It cannot be broken, and it cannot be taken away. This I must believe. —Drizzt Do’Urden
R.A. Salvatore (Exile (The Dark Elf, #2; The Legend of Drizzt, #2 ))
They do not answer to Erawan,” Nesryn said quietly, and Aelin knew. Knew from the look Chaol gave her, the sympathy and fear, knew in her bones before Nesryn even finished. “The stygian spiders, the kharankui, answer to their Valg queen. The only Valg queen. To Maeve.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
This ability to distinguish biological movement appears to be highly conserved in the animal kingdom, having been demonstrated in species of mammals, birds, fish, and spiders. In fact, it might even be innate in some species. In one study, newborn chicks were placed on a runway with a video projected on either side, each depicting points of light with biological or nonbiological movement, similar to the ones in Blake’s experiment (see figure 10). The chicks showed a clear preference for the biological movement, even when it corresponded to a cat’s and not a chicken’s. What’s most interesting about this is that the chicks had been bred in the dark, and had not had any visual experience until that moment, which is evidence that this preference in them is innate and not learned. And, once again, it doesn’t manifest when the image is inverted and therefore doesn’t follow the law of gravity.
Susana Monsó (Playing Possum: How Animals Understand Death)
The stygian spider had found her, somehow. After all these months, after the thousands of leagues Manon had traveled over sky and earth and sea, the spider from whom she’d stolen the silk to reinforce Abraxos’s wings had found her.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
The spider seethed. “I took two decades from a young merchant’s life in exchange for my silk. The gift of his shifting flowed through his life force—some of it, at least.” All those eyes narrowed on Manon. “He willingly paid the price.” “Kill her, and be done with it,” Asterin murmured.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))