King Shark's Quotes

We've searched our database for all the quotes and captions related to King Shark's. Here they are! All 37 of them:

So the little princess thinks she can beat the big bad King for the position", he almost chuckled "I´ll rip through you like a bull shark as I take my prize".
Z. Stefani (Insufferable Proximity (Insufferable Proximity, #1))
Cult Mother- Now what does your spirit animal say to you? Thugs- Uhm...Uh... -King Shark smashes through the roof- King Shark- Hi. My name is Trixie. I like to party.
Adam Glass
It is not the known danger that we most fear, the shark that patrols the bay, the lion that rules the savannah. It is the betrayal of what we trust and hold close to our hearts that is our undoing: the captain who staves in the boat, the king who sells his subjects into slavey, the child who murders the parent.
Karen Lord (Redemption in Indigo)
The Spartan king Agesilaus was still fighting in armor when he was eighty-two. Picasso was painting past ninety, and Henry Miller was chasing women (I'm sure Picasso was too) at eighty-nine. Once we turn pro, we're like sharks who have tasted blood, or renunciants who have glimpsed the face of God. For us, there is no finish line. No bell ends the bout. Life is the pursuit. Life is the hunt. When our hearts burst... then we'll go out, and no sooner.
Steven Pressfield (Turning Pro)
I put on a show of confidence as often as I could, but inside, I was a befuddled mess. I secretly wished my mother would live forever. - Merrick Delmar
Heidi Peltier (Involuntary Kings (The Delmar Shark Chronicles, #3))
They were draped in teeth and bone and skins, with Orlagh leading them. She wore a gown of stingray, and her black hair was threaded with pearls. Around her throat hung the partial jawbone of a shark.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
For if there are no waving flags and marching songs at the barricades as Walter marches out with his little battalion, it is not because the battle lacks nobility. On the contrary, he has picked up in his way, still imperfect and wobbly in his small view of human destiny, what I believe Arthur Miller once called "the golden threat of history." He becomes, in spite of those who are too intrigued with despair and hatred of man to see it, King Oedipus refusing to tear out his eyes, but attacking the Oracle instead. He is that last Jewish patriot manning his rifle at Warsaw; he is that young girl who swam into sharks to save a friend a few weeks ago; he is Anne Frank, still believing in people; he is the nine small heroes of Little Rock; he is Michelangelo creating David and Beethoven bursting forth with the Ninth Symphony. He is all those things because he has finally reached out in his tiny moment and caught that sweet essence which is human dignity, and it shines like the old star-touched dream that it is in his eyes.
Lorraine Hansberry
The M1A1 Abrams is like a shark, evolved to a point of absolute perfection. It is the undisputed king of the jungle. No other tank on earth can even begin to damage it. It is wrapped in armor made out of a depleted uranium core sandwiched between rolled steel plate. The armor is dense and impregnable.
Lee Child (The Enemy (Jack Reacher, #8))
Grant them removed, and grant that this your noise Hath chid down all the majesty of England; Imagine that you see the wretched strangers, Their babies at their backs and their poor luggage, Plodding to the ports and coasts for transportation, And that you sit as kings in your desires, Authority quite silent by your brawl, And you in ruff of your opinions clothed; What had you got? I'll tell you: you had taught How insolence and strong hand should prevail, How order should be quelled; and by this pattern Not one of you should live an aged man, For other ruffians, as their fancies wrought, With self same hand, self reasons, and self right, Would shark on you, and men like ravenous fishes Would feed on one another.... Say now the king Should so much come too short of your great trespass As but to banish you, whither would you go? What country, by the nature of your error, Should give your harbour? go you to France or Flanders, To any German province, to Spain or Portugal, Nay, any where that not adheres to England, Why, you must needs be strangers: would you be pleased To find a nation of such barbarous temper, That, breaking out in hideous violence, Would not afford you an abode on earth, Whet their detested knives against your throats, Spurn you like dogs, and like as if that God Owed not nor made you, nor that the claimants Were not all appropriate to your comforts, But chartered unto them, what would you think To be thus used? this is the strangers case; And this your mountainish inhumanity.
William Shakespeare
The first smile she’d ever witnessed spread over his fiendishly sensual lips. It was the smile of a shark, all teeth and temptation. “Out there, I am captain and I am king. In this chamber, you rule me. You command me.” His eyes captured hers, and where she’d seen voids before she now saw nothing but opportunity. And something else. Something … she might have once called yearning. “You own me.
Kerrigan Byrne (The Duke with the Dragon Tattoo (Victorian Rebels, #6))
I have something to show you." He sank down next to me and handed me a sketchbook. I opened it. And saw the mermaid. She was drawn in colored ink, exquisitely detailed; each scale had a little picture in it: a pyramid, a rocket, a peacock, a lamp. Her torso was patterened red, like a tattoo, like coral. She had a thin strand of seaweed around her neck, with a starfish holding on to the center. Her hair was a tumble of loose black curls. She had my face. I turned the page.And another and another. There she was fighting a creature that was half human, half octopus. Exploring a cave. Riding a shark. Laughing and petting a stingray that rested on her lap. "I'm calling her Cora Lia for the moment," Alex told me. "I thought about Corella, but it sounded like cheap dishware." "She's...amazing." "She's fierce. Fighting the Evil Sea-Dragon King and his minions." I traced the red tattoo on her chest. "This is beautiful." Alex reached into my sweater, pulled the loose neck of the T-shirt away from my shoulder. I didn't stop him. "It looks like coral to me." He touched me, then,the pad of his thumb tracing the outline of the scar. It felt strange, partly because of the difference in the tissue, but more because in the last few years, the only hands that had touched me there were mine. I set the book aside carefully. "Guess I don't see what you do." "That's too bad, because I see you perfectly." I curved myself into him. "Maybe you're exactly what I need." "Like there's any doubt?" He buried his face in my neck.I didn't stop him. "So." "So?" "We'll kill a few hours, watch the sunrise, have pancakes, and you'll drive home." "What?" I felt him smile against my skin. "I got you swimming with sharks. Next on the Conquer Your Fears list is driving a stick shift.Right?" "One thing at a time," I said. Then, "Oh. Do that again." In another story, the intrepid heroine would have gone running out and splashed in the surf, hypothermia be damned. She would have driven the Mustang home, booked a haircut, taken up stand-up comedy, and danced on the observation deck of the Empire State Building. But this was me, and I was moving at my own pace. Truth: My story started a hundred years ago. There's time.
Melissa Jensen (The Fine Art of Truth or Dare)
Allow me to introduce my shepherd,” The Under-King said from the mist ahead, standing beside a ten-foot-tall black dog. Each of its fangs were as long as one of her fingers. All hooked—like a shark’s. Designed to latch into flesh and hold tight while it ripped and shredded. Its eyes were milky white—sightless. Identical to the Under-King’s. Her light would have no effect on something that was already blind. The dog’s fur—sleek and iridescent enough that it almost resembled scales—flowed over bulky, bunched muscles. Claws like razor blades sliced into the dry ground. Hunt’s lightning crackled, skittering at Bryce’s feet. “That’s a demon,” he ground out. He’d fought enough of them to know. “An experiment of the Prince of the Ravine’s, from the First Wars,” the Under-King rasped. “Forgotten and abandoned here in Midgard during the aftermath. Now my faithful companion and helper. You’d be surprised how many souls do not wish to make their final offering to the Gate. The Shepherd…Well, it herds them for me. As it shall herd you.” “Fry this fucker,” Bryce muttered to Hunt as the dog snarled. “I’m assessing.” “Assess faster. Roast it like a—” “Do not make a joke about—” “Hot dog.” Bryce had no sooner finished saying the words than the hound lunged. Hunt struck, swift and sure, a lightning bolt spearing toward its neck.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
A high intake of omega-3 fatty acids has also been linked with improved semen quality and reproductive hormone levels in men,III as well as a reduced risk of ovulatory problems and improved fertility in women. The potential hitch is that some sources of fish and seafood are high in mercury, which is a concern for the fetus’s developing brain in utero. To avoid mercury in seafood, put king mackerel, marlin, orange roughy, shark, swordfish, and tilefish on your no-buy list; stick with wild salmon, sardines, mussels, rainbow trout, and Atlantic mackerel.IV
Shanna H. Swan (Count Down: How Our Modern World Is Threatening Sperm Counts, Altering Male and Female Reproductive Development, and Imperiling the Future of the Human Race)
What do we mean by the lived truth of creation? We have to mean the world as it appears to men in a condition of relative unrepression; that is, as it would appear to creatures who assessed their true puniness in the face of the overwhelmingness and majesty of the universe, of the unspeakable miracle of even the single created object; as it probably appeared to the earliest men on the planet and to those extrasensitive types who have filled the roles of shaman, prophet, saint, poet, and artist. What is unique about their perception of reality is that it is alive to the panic inherent in creation: Sylvia Plath somewhere named God "King Panic." And Panic is fittingly King of the Grotesque. What are we to make of a creation in which the routine activity is for organisms to be tearing others apart with teeth of all types-biting, grinding flesh, plant stalks, bones between molars, pushing the pulp greedily down the gullet with delight, incorporating its essence into one's own organization, and then excreting with foul stench and gasses the residue. Everyone reaching out to incorporate others who are edible to him. The mosquitoes bloating themselves on blood, the maggots, the killerbees attacking with a fury and demonism, sharks continuing to tear and swallow while their own innards are being torn out-not to mention the daily dismemberment and slaughter in "natural" accidents of all types: the earthquake buries alive 70 thousand bodies in Peru, automobiles make a pyramid heap of over 50 thousand a year in the U.S. alone, a tidal wave washes over a quarter of a million in the Indian Ocean. Creation is a nightmare spectacular taking place on a planet that has been soaked for hundreds of millions of years in the blood of all its creatures. The soberest conclusion that we could make about what has actually been taking place on the planet for about three billion years is that it is being turned into a vast pit of fertilizer. But the sun distracts our attention, always baking the blood dry, making things grow over it, and with its warmth giving the hope that comes with the organism's comfort and expansiveness. "Questo sol m'arde, e questo m'innamore," as Michelangelo put it.
Ernest Becker (The Denial of Death)
I see you staring at him,' Nicasia says, sitting down beside me. Tonight she wears a gown of gold lacework. Her dark tourmaline hair is pulled up with two golden combs the shape of a shark jaw, complete with golden teeth. 'Perhaps I am looking only at the trinkets and gold with which your mother thinks she can buy the Court's favour,' I say.' She picks up one of the violets from my plate and places it delicately on her tongue. 'I lost Cardan's love for Locke's easy words and easier kisses, sugared like these flowers,' she says. 'Your sister lost your love to get Locke's, didn't she? But we all know what you lost.' 'Locke?' I laugh. 'Good riddance.' Her brows knit together. 'Surely it's not the High King himself you were gazing at.' 'Surely not,' I echo, but I don't meet her eyes.
Holly Black (The Wicked King (The Folk of the Air, #2))
take tuna. Among the other 145 species regularly killed — gratuitously — while killing tuna are: manta ray, devil ray, spotted skate, bignose shark, copper shark, Galapagos shark, sandbar shark, night shark, sand tiger shark, (great) white shark, hammerhead shark, spurdog fish, Cuban dogfish, bigeye thresher, mako, blue shark, wahoo, sailfish, bonito, king mackerel, Spanish mackerel, longbill spearfish, white marlin, swordfish, lancet fish, grey triggerfish, needlefish, pomfret, blue runner, black ruff, dolphin fish, bigeye cigarfish, porcupine fish, rainbow runner, anchovy, grouper, flying fish, cod, common sea horse, Bermuda chub, opah, escolar, leerfish, tripletail, goosefish, monkfish, sunfish, Murray eel, pilotfish, black gemfish, stone bass, bluefish, cassava fish, red drum, greater amberjack, yellowtail, common sea bream, barracuda, puffer fish, loggerhead turtle, green turtle, leatherback turtle, hawksbill turtle, Kemp’s ridley turtle, Atlantic yellow-nosed albatross, Audouin’s gull, balearic shearwater, black-browed albatross, great black-backed gull, great shearwater, great-winged petrel, grey petrel, herring gull, laughing gull, northern royal albatross, shy albatross, sooty shearwater, southern fulmar, Yelkouan shearwater, yellow-legged gull, minke whale, sei whale, fin whale, common dolphin, northern right whale, pilot whale, humpback whale, beaked whale, killer whale, harbor porpoise, sperm whale, striped dolphin, Atlantic spotted dolphin, spinner dolphin, bottlenose dolphin, and goose-beaked whale. Imagine being served a plate of sushi. But this plate also holds all of the animals that were killed for your serving of sushi. The plate might have to be five feet across.
Jonathan Safran Foer (Eating Animals)
Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami Books for Banned Love Sea of Poppies, by Amitav Ghosh The English Patient, by Michael Ondaatje Euphoria, by Lily King The Red and the Black, by Stendahl Luster, by Raven Leilani Asymmetry, by Lisa Halliday All the Pretty Horses, by Cormac McCarthy Middlesex, by Jeffrey Eugenides The Vixen, by Francine Prose Legends of the Fall, by Jim Harrison The Winter Soldier, by Daniel Mason
Louise Erdrich (The Sentence)
It is time,my darling." "Oh,Frankie,no-" "You chose dare," he reminded her. "I did," she agreed sadly, stepping up. "You're right." It hadn't been entirely fair of him, starting the game in the middle of Neiman Marcus. The King of Prussia Mall, a zillion acres of retail-and-food-in-a-box, is many people's idea of perfect therapy. Me? If given the choice, I might opt for swimming with sharks instead. But today was about Frankie. "So," he told her, "I pick out three outfits,head to toe. You put them on." "Fine." Sadie pulled her jacket closer around her.This one was a muddy pruple, and had a third sleeve stitched tot he back. "But if you pick anything like that"- she pointed to a tiny tartan dress that seemed to be missing its entire back- "I will cry." "Have faith," he replied with a slightly twisted smile, and dragged her toward women's sportswear. "What our sport is," he said apropos of very little save the sign on the wall, "I have no idea." Ten minutes later, Sadie was heading into the dressing room with an armful of autumn color and a look like she was on her way off a cliff.
Melissa Jensen (The Fine Art of Truth or Dare)
What are we talking about?” Alex says. “This is fucking nonsense.” The couple ahead of us turns slightly. “What are you looking at?” Alex says to them. I don’t bother to reprimand her, because really, what are they looking at? I slow my pace and Alex punches Scottie in the arm. “Ow!” Scottie screams. “Alex! Why are we still on this pattern?” “Hit her back, Dad,” Scottie yells. Alex grabs Scottie’s neck. “You’re hurting me,” Scottie says. “That’s kind of the point,” Alex says. I grab both children by the arm and pull them down to the sand. Sid covers his mouth with his hand and bends over, laughing silently. “‘What do you love about Mom?’” Alex says, mimicking her sister. “Shut up, already. And stop babying her.” I sit down between them and don’t say a word. Sid sits next to Alex. “Easy, tiger,” he says. I look at the waves crashing down on the sand. A few women walk by and give me this knowing look, as though a father with his kids is such a precious sight. It takes so little to be revered as a father. I can tell the girls are waiting for me to say something, but what can I say that hasn’t been said? I’ve shouted, I’ve reasoned, I’ve even spanked. Nothing works. “What do you love about Mom, Scottie?” I ask, glaring at Alex. She takes a moment to think. “Lots of stuff. She’s not old and ugly, like most moms.” “What about you, Alex?” “Why are we doing this?” she asks. “How did we get here in the first place?” “Swimming with the sharks,” I say. “Scottie wanted to swim with sharks.” “You can do that,” Sid says. “I read about it in the hotel.” “She’s not afraid of anything,” Alex says. She’s wrong, and besides, I think this is a statement and not something that Alex truly loves. “Let’s get back,” I say. I stand up and wipe the sand off of me. I look at our hotel on the cliff, pink from the sunset. The girls’ expressions when I told them about their mom made me feel so alone. They won’t ever understand me the way Joanie does. They won’t know her the way I do. I miss her despite the fact that she envisioned the rest of her life without me. I look at my daughters, utter mysteries, and for a brief moment I have a sick feeling that I don’t want to be alone in the world with these two girls. I’m relieved they haven’t asked me what it is I love about them.
Kaui Hart Hemmings (The Descendants)
Then, in 1950, Andy became something more than a model prisoner. In 1950, he became a valuable commodity, a murderer who did tax-returns better than H & R Block. He gave gratis estate-planning advice, set up tax-shelters, filled out loan applications (sometimes creatively). I can remember him sitting behind his desk in the library, patiently going over a car-loan agreement paragraph by paragraph with a screwhead who wanted to buy a used DeSoto, telling the guy what was good about the agreement and what was bad about it, explaining to him that it was possible to shop for a loan and not get hit quite so bad, steering him away from the finance companies, which in those days were sometimes little better than legal loan-sharks. When he’d finished, the screwhead started to put out his hand . . . and then drew it back to himself quickly. He’d forgotten for a moment, you see, that he was dealing with a mascot, not a man. Andy kept up on the tax laws and the changes in the stock market, and so his usefulness didn’t end after he’d been in cold storage for awhile, as it might have done. He began to get his library money, his running war with the sisters had ended, and nobody tossed his cell very hard. He was a good nigger.
Stephen King (Different Seasons: Four Novellas)
Cochise Jones always liked to play against your expectations of a song, to light the gloomy heart of a ballad with a Latin tempo and a sheen of vibrato, root out the hidden mournfulness, the ache of longing, in an up-tempo pop tune. Cochise’s six-minute outing on the opening track of Redbonin’ was a classic exercise in B-3 revisionism, turning a song inside out. It opened with big Gary King playing a fat, choogling bass line, sounding like the funky intro to some ghetto-themed sitcom of the seventies, and then Cochise Jones came in, the first four drawbars pulled all the way out, giving the Lloyd Webber melody a treatment that was not cheery so much as jittery, playing up the anxiety inherent in the song’s title, there being so many thousand possible ways to Love Him, so little time to choose among them. Cochise’s fingers skipped and darted as if the keys of the organ were the wicks of candles and he was trying to light all of them with a single match. Then, as Idris Muhammad settled into a rolling burlesque-hall bump and grind, and King fell into step beside him, Cochise began his vandalism in earnest, snapping off bright bunches of the melody and scattering it in handfuls, packing it with extra notes in giddy runs. He was ruining the song, rifling it, mocking it with an antic edge of joy. You might have thought, some critics felt, that the meaning or spirit of the original song meant no more to Cochise Jones than a poem means to a shark that is eating the poet. But somewhere around the three-minute mark, Cochise began to build, in ragged layers, out of a few repeated notes on top of a left-hand walking blues, a solo at once dense and rudimentary, hammering at it, the organ taking on a raw, vox humana hoarseness, the tune getting bluer and harder and nastier. Inside the perfectly miked Leslie amplifier, the treble horn whirled, and the drivers fired, and you heard the song as the admission of failure it truly was, a confession of ignorance and helplessness. And then in the last measures of the song, without warning, the patented Creed Taylor strings came in, mannered and restrained but not quite tasteful. A hint of syrup, a throb of the pathetic, in the face of which the drums and bass fell silent, so that in the end it was Cochise Jones and some rented violins, half a dozen mournful studio Jews, and then the strings fell silent, too, and it was just Mr. Jones, fading away, ending the track with the startling revelation that the song was an apology, an expression, such as only the blues could ever tender, of limitless regret.
Michael Chabon (Telegraph Avenue)
the French fries were fantastic, they weren’t enough, not even close, to forget about the man she couldn’t have. The problem was she didn’t have any room in her life for him, and if she let him linger any more in her heart, she’d surely lose the game tonight. Tonight was for winning. CHAPTER TWO The venture capitalist with the laughing tell was back, and he spent most of the game staring at Julia. But Hunter must have gotten a tip to strike that laugh from his repertoire because the first time he chuckled Julia went all in, and lost a cool grand. He’d really had three kings. No bluffing. He’d likely snagged himself a poker tutor, some former pro player who now trained eager wannabe card sharks in the ways of the game, or a grizzled old veteran needing to earn a dime or two after he’d retired. She’d seen it before among the hotshots. A pivot here, a change-up there–all
Lauren Blakely (Seductive Nights Trilogy Bundle (Seductive Nights, #0.5-2))
I called them “toxic foods” because they are unhealthful and can cause harm to your future baby. They include swordfish, shark, king mackerel, and tilefish, soft cheeses and unpasteurized milk, hot dogs, luncheon meats, deli meats, raw or smoked seafood, raw or undercooked meat, unwashed vegetables, raw vegetable sprouts, unpasteurized juices, liver, saturated fats, trans fats, partially hydrogenated oils, added sugars including high-fructose corn syrup, refined flour, and herbal preparations.
Michael C. Lu (Get Ready to Get Pregnant: Your Complete Prepregnancy Guide to Making a Smart and Healthy Baby)
And there hasn't been a one time in mine that I've been good enough for Bailey, but we fu*king make it work. That's what love is ! She makes you better, and you take care of her.
Samantha Whiskey (Enforcer (Seattle Sharks, #2))
I can see angry sharks swimming in the cool pools of his eyes.
Elise Kova (A Deal with the Elf King (Married to Magic, #1))
Just how large was the indigenous population when Cook first arrived? Why and when did the great Polynesian navigators stop sailing between Hawai‘i and Tahiti to the south? Did they ever reach the shores of South or North America? How did Polynesian chiefs become divine kings, in a manner that resembled the leaders of other early civilizations? When did human sacrifice first come to be practiced in Hawai‘i, and what role did sacrifice play in the emerging state cults? What were the roles of religion and ideology in Hawaiian political evolution? In the chapters that follow I attempt to answer these and other questions, based
Patrick Vinton Kirch (A Shark Going Inland Is My Chief: The Island Civilization of Ancient Hawai'i)
The gambling known as business looks with austere disfavor upon the business known as gambling.” ​— ​Ambrose Bierce
Matt Rogers (Sharks (King & Slater #6))
Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami
Louise Erdrich (The Sentence)
The 2017 report categorizes fish into three groups: best choices, good choices, and choices to avoid (highest mercury levels):  Best choices include catfish, haddock, salmon, shrimp, tilapia, and canned light tuna.  Good choices include bluefish, grouper, halibut, and canned albacore/white tuna.  Choices to avoid are king mackerel, marlin, orange roughy, shark, swordfish, tilefish (sourced from the Gulf of Mexico), and bigeye tuna.
Adams Media (Brain Hacks: 200+ Ways to Boost Your Brain Power (Life Hacks Series))
Orlagh waits for us in a choppy ocean, accompanied by her daughter and a pod of knights mounted on seals and sharks and all manner of sharp-toothed sea creatures. She herself sit on an orca and is dressed as though ready for battle. Her skin is covered in shiny silvery scales that seem both to be metallic and to have grown from her skin. A helmet of bone and teeth hides her hair. Nicasia is beside her, on a shark. She has no tail today, her long legs covered in armour of shell.
Holly Black (The Wicked King (The Folk of the Air, #2))
Fire on the Mountain, by Anita Desai Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Szabó The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami
Louise Erdrich (The Sentence)
Testosterone-fueled programs that depict sharks as vicious, man-eating killers only make it more difficult to convince the public of the need to protect sharks. Sharks are an essential part of the ocean ecosystem, keeping prey species in check
Chris Palmer (Confessions of a Wildlife Filmmaker: The Challenges of Staying Honest in an Industry Where Ratings Are King)
This vilification and demonization of predators (which overrides science and gives credence to lies) has serious negative consequences for wildlife, generating misunderstanding and encouraging public policies that promote the killing of wild animals. As is the case with sharks, land predators like wolves and wolverines serve vital roles in keeping ecosystems healthy. They cull sick
Chris Palmer (Confessions of a Wildlife Filmmaker: The Challenges of Staying Honest in an Industry Where Ratings Are King)
Graphic footage of shark attacks and feeding frenzies might make for thrilling entertainment, but they actively damage public sentiment toward animals whose very survival is in question. By misleading audiences and inspiring fear and terror, these television programs are harming the conservation movement.
Chris Palmer (Confessions of a Wildlife Filmmaker: The Challenges of Staying Honest in an Industry Where Ratings Are King)
Whatever I have done, you should really blame Red for it.” Shadow shrugged, his smile ominous and sharp, like that of a shark’s. His expressions were richer than his brothers, more somehow— as if he did not know how to hide his feelings. He reminded Charlie of The Gleaming King in that respect. “He told me to stop sitting around for White to tell me what to do. So I went to White and told him what to do.” “Ari, isn’t here.” Red curled his lip in disgust at him. “You’re really quite crap at this aren’t you, Shadow?” Young, Samantha (2012-06-19). Borrowed Ember (Fire Spirits Book 3) (Kindle Locations 3934-3941). . Kindle Edition.
Samantha Young (Borrowed Ember (Fire Spirits, #3))
Allow me to introduce my shepherd,” the Under-King said from the mist ahead, standing beside a ten-foot-tall black dog. Each of its fangs was as long as one of her fingers. All hooked—like a shark’s. Designed to latch into flesh and hold tight while it ripped and shredded. Its eyes were milky white—sightless. Identical to the Under-King’s. Her light would have no effect on something that was already blind. The dog’s fur—sleek and iridescent enough that it almost resembled scales—flowed over bulky, bunched muscle. Claws like razor blades sliced into the dry ground. Hunt’s lightning crackled, skittering at Bryce’s feet. “That’s a demon,” he ground out. He’d fought enough of them to know. “An experiment of the Prince of the Ravine’s, from the First Wars,” the Under-King rasped. “Forgotten and abandoned here in Midgard during the aftermath. Now my faithful companion and helper. You’d be surprised how many souls do not wish to make their final offering to the Gate. The Shepherd … Well, it herds them for me. As it shall herd you.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Ah, but that's where you're wrong. Ships and Sharks, remember?" "What doesss that mean?" Krak shouted. "It means there's always a way out, like I told you." Janner smiled. "Not alwaysss," Krak said. "Not for you," Janner said. "But we're in the Maker's keeping. Even if we die trying, death is just another way out. But you? You'll just turn to dust.
Andrew Peterson (The Warden and the Wolf King: The Wingfeather Saga Book 4)