Kinetic Quotes

I once read in my physics book that the universe begs to be observed, that energy travels and transfers when people pay attention. Maybe that's what love really boils down to--having someone who cares enough to pay attention so that you're encouraged to travel and transfer, to make your potential energy spark into kinetic energy.

I learned...that inspiration does not come like a bolt, nor is it kinetic, energetic striving, but it comes into us slowly and quietly and all the time, though we must regularly and every day give it a little chance to start flowing, prime it with a little solitude and idleness.

Toast was a pointless invention from the Dark Ages. Toast was an implement of torture that caused all those subjected to it to regurgitate in verbal form the sins and crimes of their past lives. Toast was a ritual item devoured by fetishists in the belief that it would enhance their kinetic and sexual powers. Toast cannot be explained by any rational means. Toast is me. I am toast.

Inspiration does not come like a bolt, nor is it kinetic energy striving, but it comes to us slowly and quietly and all the time.

But there was something about you that made me think of sparks and motion.

For too long, I’ve made my past my future, afraid to imagine anything else. And I acted like that—static—afraid of my own kinetic energy. Maybe it’s time to start imagining, maybe it’s time to be in motion. Maybe it’s time for me to fight back against the sadness inside of me.

There is nothing like a doorbell to precipitate the potential into the kinetic.

Why do you like show jumping?" "... Beauty and excitement. The elements of trust, talent, training, love, and danger make show jumping a thrilling and aesthetic experience. It's really the ultimate test of two nervous systems--the kinetic transfer of the rider's muscle to the horse's muscle enables them to clear those jumps. And there's nothing like it--horse and rider forming an arc of beauty, efficiency, and power, like a double helix." "DNA," "Yes, DNA, the code to life.

Got to love a dude that says things like "kinetic" and "detritus.

Their lips met in a slow, languid kiss. Salt from her tears mixed with her natural sweetness. She wrapped her arms around his neck and pressed closer. Her softness, her scent, she filled and overran his senses. He mouthed another kiss against her lips. Heat flared inside his abdomen when she opened her mouth, and kissed him back with firmer lips.  He sank into her embrace, the heated connection she offered. A kinetic warmth surged through him, lighting, igniting dormant pieces inside—like someone returning home . . . A soft groan, hushed breaths. Their mouths parted and found each other again. He slid his hand behind her neck as he deepened the kiss.

All my stories are webs of style and none seems at first blush to contain much kinetic matter. For me style is matter.

Patients with various other types of movement disorders may also be able to pick up the rhythmic movement or kinetic melody of an animal, so, for example, equestrian therapy may have startling effectiveness for people with parkinsonism, Tourette’s syndrome, chorea, or dystonia.

No one is protecting you. You are all alone, aren’t you?” he asks while he lets my elbow drop from his hand. I can no longer see his face clearly because my tears are making it impossible, but unfortunately for him, I’ve found what I’ve been searching for in my bag. “I don’t need anyone to protect me when I have this!” I say in a desperate tone. Pushing the Taser into his side, I release the safety and pull the trigger. The hot, kinetic sizzle of electricity snarls through the gun and into his torso, but Reed doesn’t fall down and start twitching like in the demonstration video. Instead, his eyebrows shoot up in an expression somewhere between disbelief and amazement as he asks, “Are you serious?

If we assume that the last breath of, say, Julius Caesar has by now become thoroughly scattered through the atmosphere, then the chances are that each of us inhales one molecule of it with every breath we take.

The tragic emotion, in fact, is a face looking two ways, towards terror and towards pity, both of which are phases of it. You see I use the word ARREST. I mean that the tragic emotion is static. Or rather the dramatic emotion is. The feelings excited by improper art are kinetic, desire or loathing. Desire urges us to possess, to go to something; loathing urges us to abandon, to go from something. The arts which excite them, pornographical or didactic, are therefore improper arts. The esthetic emotion (I used the general term) is therefore static. The mind is arrested and raised above desire and loathing.

Genius is measured not by static volume but by kinetic vision.

His power is of a different breed. Where I am kinetic energy, he is potential.

Rajas is activity and Tamas inertia. Sattva is the balance of these two, for only consciousness can balance kinetic energy with potential energy.

I feel a bit like a BOT18 sometimes. Old and rusty, aching and sleepy. Wandering through the city, lost, circling, alone. No gears left in my heart, no code whirring in my brain. Just kinetic energy, being pushed gently onward by other forces—sound, light, dust waves, the quakes. I'm as lost as ever, friends. Can you tell? I'd like it if someone were to rescue me soon. Oh, I'd like that very much. I’d like that. I'd like that very much indeed.

I never felt beautiful unless I was fighting, and even then it was something that went beyond skin and bone into the kinetic joy of successive movements. Kick, thrust, slash. I never doubted Fade at my back. I never faltered.

Credentials are like potential energy, the compliments of a name on paper, in documents, word of mouth, but faith is like kinetic energy, the motion and the force that which is witnessed. Hence in the end it is the faith rather than the credentials that really takes you places.

Beauty is not the goal of competitive sports, but high-level sports are a prime venue for the expression of human beauty. The relation is roughly that of courage to war. The human beauty we're talking about here is beauty of a particular type; it might be called kinetic beauty. Its power and appeal are universal. It has nothing to do with sex or cultural norms. What it seems to have to do with, really, is human beings' reconciliation with the fact of having a body.

She was looking at Alec instead, watching him as he talked to Jace. There was a kinetic, almost feverish energy to him that hadn’t been there before. Something about Jace sharpened him, brought him into focus. If she were going to draw them together, she thought, she would make Jace a little blurry, while Alec stood out, all sharp, clear planes and angles. Jace was looking down as Alec spoke, smiling a little and tapping his water glass with a fingernail. She sensed he was thinking of other things. She felt a sudden flash of sympathy for Alec. Jace couldn’t be an easy person to care about. I was laughing at you because declarations of love amuse me, especially when unrequited. Jace looked up as the waitress passed. “Are we ever going to get any coffee?” he said aloud, interrupting Alec midsentence. Alec subsided, his energy fading.

There is nothing like a doorbell to precipitate the potential into the kinetic. When you stand outside a door and push the button, something has to happen. Someone must respond; whatever is inside must be revealed. Questions will be answered, uncertainties or mysteries dispelled. A situation will be started on its way through unknown complications to an unpredictable conclusion. The answer to your summons may be a rush of tearful welcome, a suspicious eye at the crack of the door, a shot through the hardwood, anything. Any pushing of any doorbell button is as rich in dramatic possibility as that scene in Chekhov when, just as the Zemstvo doctor's only child dies of diphtheria and the doctor's wife drops to her knees beside the bed and the doctor, smelling of carbolic, takes an uncertain step backward, the bell sounds sharply in the hall.

You're supposed to put your coin in the slot and let it go. It spins round and round the big yellow funnel for like a minute, making a rhythmic whirring sound that gets tighter and tighter, more intense, more desperate as it spirals closer to the hole. It keeps spinning faster - all that kinetic energy forced down the neck of the funnel until it's blaring like an alarm - then it falls silent as it drops into the black abyss of the funnel. I'm that coin on its way down, screaming in the neck of the funnel, with nothing but my own kinetic energy and centrifugal force keeping me from dropping into darkness.

Old and rusty, aching and sleepy. Wandering through the city, lost, circling, alone. No gears left in my heart, no code whirring in my brain. Just kinetic energy, being pushed gently onward by other forces—sound, light, dust waves, the quakes. I'm as lost as ever, friends. Can you tell?

Fire: the heat in your blood in the midst of a fight, the kinetic energy that makes your heart beat faster.” Jiang tapped his chest. “Water: the flowing of force from your muscles to your target, from the earth up through your waist, into your arms. Air: the breath you draw that keeps you alive. Earth: how you stay rooted to the ground, how you derive energy from the way you position yourself against the floor. And metal, for the weapons you wield. A good martial artist will possess all five of these in balance. If you can control each of these with equal skill, you will be unstoppable

He smiled too, but did not hold her gaze. She watched as he put a few more pieces of wood on the fire, and wondered again who he was, who he really was. What happened to you? What could have been so bad? As she watched, she was struck by the undeniable sense that behind his introverted, self-effacing demeanor was a tireless mind churning with thought and memory, self-sustained like the constant machinations of a kinetic engine; and much like his two differently colored eyes, she also sensed that there were two just as different sides to him.

Your life is a reflection of how effectively you balance potential and kinetic energy.

Vata ...Its force is kinetic. It is the sense of touch... Its vehicle is Anahata, the black antelope who dies for sound. Its location is the heart.

human beings aren’t static images. We’re dynamic and kinetic,

August stopped rolling the apple, closed the book, forced himself to sit still, even though a still body was a busy mind- something to do with the potential and kinetic energy, if he had to guess; all he knew was that he was a body in search of motion.

It is a quintessential example of the whirling kinetics that drive a Keaton film, in which not just the medium but the human body- the permutations of the sinews, the shock of the limbs -seems infinitely elastic, an unruly instument to be wilded with a cheeky kind of grace.

But the Modern Utopia must not be static but kinetic, must shape not as a permanent state but as a hopeful stage, leading to a long ascent of stages. Nowadays we do not resist and overcome the great stream of things, but rather float upon it. We build now not citadels, but ships of state.

wanted to know his method, so I asked him why he repeated the words prior to sleep. Here is his reply: ‘The kinetic action of the subconscious mind continues throughout your sleep-time period; consequently, give the subconscious mind something good to work on as you drop off into slumber.’ This was a very wise answer. In suggesting harmony and health, he never mentioned his trouble by name.

One of the positives to being visibly damaged is that people can sometimes forget you’re there, even when they’re interfacing with you. You almost get to eavesdrop. It’s almost like they’re like: If nobody’s really in there, there’s nothing to be shy about. That’s why bullshit often tends to drop away around damaged listeners, deep beliefs revealed, diary-type private reveries indulged out loud; and, listening, the beaming and brady-kinetic boy gets to forge an interpersonal connection he knows only he can truly feel, here.

She could go on into infinity, and yet she understood that knowing another person was not a stable condition. Knowing was kinetic, ineffable, and it had limits, but the precise location of those limits, the moment at which the knowing stopped and the not-knowing began, was invisible. You would know you had reached the border only after you had surpassed it.

She missed New York, the sheer wattage of the place, its mighty abundance, its chaos, its kinetic energy a comfort somehow.

Temperature is a measure of the average kinetic energy of a collection of particles.

After eating a protein slab, she donned an envirosuit, then girded on her kinetic pistol with a ten-round magazine.

Kin is a shortened term for kinetic. Kinetic means to move. All that moves is your kin

inspiration does not come like a bolt, nor is it kinetic energy striving, but it comes to us slowly and quietly and all the time

Nothing in this World is Static...Everything is Kinetic.. If there is no 'progression'...there is bound to be 'regression'...

This chapter analyzes the kinetics of the transition to superintelligence as a function of optimization power and system recalcitrance.

There is nothing your knife handlers can do in the way of rioting and demonstrating that will have any permanent effect as long as, in the extremity, there is an army equipped with kinetic, chemical, and neurological weapons that is willing to use them against your people. You can get all the downtrodden and even all the respectables on your side, but you must somehow win over the security forces and the Imperial army or at least seriously weaken their loyalty to the rulers.

I think a strong claim can be made that the process of scientific discovery may be regarded as a form of art. This is best seen in the theoretical aspects of Physical Science. The mathematical theorist builds up on certain assumptions and according to well understood logical rules, step by step, a stately edifice, while his imaginative power brings out clearly the hidden relations between its parts. A well constructed theory is in some respects undoubtedly an artistic production. A fine example is the famous Kinetic Theory of Maxwell. ... The theory of relativity by Einstein, quite apart from any question of its validity, cannot but be regarded as a magnificent work of art.

The feelings excited by improper art are kinetic, desire, or loathing. Desire urges us to possess, to go to something. The arts which excite them, pornographical or didactic, are therefore improper arts

What is toast?” says Snowman to himself, once they’ve run off. Toast is when you take a piece of bread – What is bread? Bread is when you take some flour – What is flour? We’ll skip that part, it’s too complicated. Bread is something you can eat, made from a ground-up plant and shaped like a stone. You cook it . . . Please, why do you cook it? Why don’t you just eat the plant? Never mind that part – Pay attention. You cook it, and then you cut it into slices, and you put a slice into a toaster, which is a metal box that heats up with electricity – What is electricity? Don’t worry about that. While the slice is in the toaster, you get out the butter – butter is a yellow grease, made from the mammary glands of – skip the butter. So, the toaster turns the slice of bread black on both sides with smoke coming out, and then this “toaster” shoots the slice up into the air, and it falls onto the floor . . . Forget it,” says Snowman. “Let’s try again.” Toast was a pointless invention from the Dark Ages. Toast was an implement of torture that caused all those subjected to it to regurgitate in verbal form the sins and crimes of their past lives. Toast was a ritual item devoured by fetishists in the belief that it would enhance their kinetic and sexual powers. Toast cannot be explained by any rational means. Toast is me. I am toast.

Despite these advances, internal combustion engines remain rather inefficient prime movers and the overall process of converting the chemical energy of gasoline to the kinetic energy of a moving passenger car is extraordinarily wasteful.

Toast was a pointless invention from the Dark Ages. Toast was an implement of torture that caused all those subjected to it to regurgitate in verbal form the sins and crimes of their past lives. Toast was a ritual item devoured by fetishists in the belief that it would enhance their kinetic and sexual powers. Toast cannot be explained by any rational means.

And if I was looking at that, would I pick you out from everyone else and say, ‘That’s the most gorgeous woman I’ve ever seen’? If I’m being honest, no. But human beings aren’t static images. We’re dynamic and kinetic, and it’s like I said before—right away, I wanted to talk to you, and every time I’ve talked to you since I’ve always wanted to keep talking to you.

Since the 1980s, Attention Deficit Disorder (ADD) has been on the rise, not just among children, but now among the adult population as well. The sudden rise of adult ADD, while it may have genetic components, certainly receives a major boost from our kinetic, hyper-speed, information-bombarded society. Victims of adult ADD are likely to initiate more tasks and projects that they'll ever finish, get bored easily, seek thrills readily, have a propensity to be late while loathing having to wait, and not be averse to taking foolish risks.

I stuck my finger in his belly button and squiggled it around. “Belly button rape!

The women I write about have to fight for what they want, sometimes against forceful odds It's a kinetic experience, an intense ride.

Moving your body moves energy. You can create or demolish whatever you need with kinetic dynamism.

The kinetic action of the subconscious mind continues throughout your sleep-time period. Hence, give the subconscious mind something good to work on as you drop off into slumber.

the kind who are capable of going kinetic in an instant and acting with lethal decisiveness.

in 1906, ill and depressed, unhappy about the continuing opposition of many leading scientists to this kinetic theory of gases, he killed himself,

Results always arise from kinetic energy not potential.

Kinetic meant violent; a gunfight was kinetic, a tea party was nonkinetic.

kinetic energy goes up at the square of impact velocity,

The health sector continuously get’s pummeled by malicious actors and hackers because their cyber-kinetic security is being managed by “Participation Trophy” winning wimps!

All puppies have a reputation for kinetics, but huskies are in a league of their own. They’re like cans of energy drink come to life.

A crackling sound prompted her to think that the fire had already begun. It hadn't the noise was kinetic humans, flowing, charging up.

The day of the week on which the tour took place was known to all workers. All devices in its path ought to have been carefully neutralized or locked, since it was unreasonable to expect human beings to withstand the temptation to handle knobs, keys, handles and pushbuttons.

The idea of a method that contains firm, unchanging, and absolutely binding principles for conducting the business of science meets considerable difficulty when confronted with the results of historical research. We find, then, that there is not a single rule, however plausible, and however firmly grounded in epistemology, that is not violated at some time or other. It becomes evident that such violations are not accidental events, they are not results of insufficient knowledge or of inattention which might have been avoided. On the contrary, we see that they are necessary for progress. Indeed, one of the most striking features of recent discussions in the history and philosophy of science is the realization that events and developments, such as the invention of atomism in antiquity, the Copernican Revolution, the rise of modern atomism (kinetic theory; dispersion theory; stereochemistry; quantum theory), the gradual emergence of the wave theory of light, occurred only because some thinkers either decided not to be bound be certain 'obvious' methodological rules, or because they unwittingly broke them.

This is a kinetic-kill, side-winder vehicle…It’s completely elegant, bafflingly beautiful, and it’s capable of reducing the population of any standing structure to zero. I call it ‘The Ex-Wife.

Books, be they physical objects or electronic pulses, are way cool. They are idea houses. So let those who want to read from machines. Those who love the feel, the smell, the gilt edging and the pretty covers and the soft paper, and the kinetic memories will enjoy the physical objects. Either form can be artifact. So long as we're all reading, and gaining joy from it, does it really matter so much?

It was still, at the root, the same dance: the same two bodies, connecting, gliding together, two aching souls reaching for each other and finding more than could be told. And then, in the fourth song, or maybe it was the fifth, they switched roles, without speaking, their bodies deciding, hands moving from waist to shoulder or shoulder to waist and pouring the dance in the opposite direction, which was, they discovered, not an opposite at all but a continuation of the very same dance, the same essential language of the body, of two bodies wishing to be one, forming a kinetic poem out of longing.

I once read in my physics book that the universe begs to be observed, that energy travels and transfers when people pay attention. Maybe that’s what love really boils to – having someone who cares enough to pay attention so that you’re encouraged to travel and transfer, to make your potential energy spark into kinetic energy. Maybe all anyone ever needs is for someone to notice them, to observe them.

The feelings excited by improper art are kinetic, desire or loathing. Desire urges us to posses, to go to something; loathing urges us to abandon, to go from something. These are kinetic emotions. The arts which excite them, pornographical or didactic, are therefore improper arts. The esthetic emotion (I use the general term) is therefore static. The mind is arrested and raised above desire and loathing.

What keeps the electrons from simply falling in? This principle: If they were in the nucleus, we would know their position precisely, and the uncertainty principle would then require that they have a very large (but uncertain) momentum, i.e., a very large kinetic energy.

I am now convinced that we have recently become possessed of experimental evidence of the discrete or grained nature of matter, which the atomic hypothesis sought in vain for hundreds and thousands of years. The isolation and counting of gaseous ions, on the one hand, which have crowned with success the long and brilliant researches of J.J. Thomson, and, on the other, agreement of the Brownian movement with the requirements of the kinetic hypothesis, established by many investigators and most conclusively by J. Perrin, justify the most cautious scientist in now speaking of the experimental proof of the atomic nature of matter, The atomic hypothesis is thus raised to the position of a scientifically well-founded theory, and can claim a place in a text-book intended for use as an introduction to the present state of our knowledge of General Chemistry.

The Vedas teach us that creation is without beginning or end. Science is said to have proved that the sum total of cosmic energy is always the same. Then, if there was a time when nothing existed, where was all this manifested energy? Some say it was in a potential form in God. In that case God is sometimes potential and sometimes kinetic, which would make Him mutable. Everything mutable is a compound, and everything compound must undergo that change which is called destruction. So God would die, which is absurd. Therefore there never was a time when there was no creation.

O. Hahn and F. Strassmann have discovered a new type of nuclear reaction, the splitting into two smaller nuclei of the nuclei of uranium and thorium under neutron bombardment. Thus they demonstrated the production of nuclei of barium, lanthanum, strontium, yttrium, and, more recently, of xenon and caesium. It can be shown by simple considerations that this type of nuclear reaction may be described in an essentially classical way like the fission of a liquid drop, and that the fission products must fly apart with kinetic energies of the order of hundred million electron-volts each.

Although I have mentioned a large number of energies, I would like to explain that we are not completely ignorant about this, and we do understand the relationship of some of them to others. For instance, what we call thermal energy is to a large extent merely the kinetic energy of the motion of the particles inside an object. Elastic

continued to drone on about how real change only ever arose through the application of kinetic energy. That’s when someone in the audience asked for an example of an ineffective collision—something that lacked energy and never changed, but still had a big effect. Evans had leaned into his microphone. “Religion,” he said. Then he got up and left.

The principal reason for this limited mastery of materials was the energy constraint: for millennia our abilities to extract, process, and transport biomaterials and minerals were limited by the capacities of animate prime movers (human and animal muscles) aided by simple mechanical devices and by only slowly improving capabilities of the three ancient mechanical prime movers: sails, water wheels, and wind mills. Only the conversion of the chemical energy in fossil fuels to the inexpensive and universally deployable kinetic energy of mechanical prime movers (first by external combustion of coal to power steam engines, later by internal combustion of liquids and gases to energize gasoline and Diesel engines and, later still, gas turbines) brought a fundamental change and ushered in the second, rapidly ascending, phase of material consumption, an era further accelerated by generation of electricity and by the rise of commercial chemical syntheses producing an enormous variety of compounds ranging from fertilizers to plastics and drugs.

You can pick up a book but a book can throw you across the room. A book can move you from a comfortable armchair to a rocky place where the sea is. A book can separate you from your husband, your wife, your children, all that you are. It can heal you out of a lifetime of pain. Books are kinetic, and like all huge forces, need to be handled with care.

Still, one of the panelists continued to drone on about how real change only ever arose through the application of kinetic energy. That’s when someone in the audience asked for an example of an ineffective collision—something that lacked energy and never changed, but still had a big effect. Evans had leaned into his microphone. “Religion,” he said. Then he got up and left.

Trump’s short temper, lack of knowledge or experience in national security matters, and inability to see beyond the time horizon of his next tweet will, in the event of a more kinetic crisis, leave American forces and interests at risk. God forbid an American warship fails in battle, or a Special Forces unit can’t complete a mission. He’ll likely declare them enemies of the people and issue a tweet to mock their shortcomings. The bad guys know the same things our allies know: This is a weak man in a weak White House. He is unreliable, untruthful, and unmanageable. No matter how many flyovers and tank displays are arranged to keep him clapping like a toddler, and no matter how tough he talks on Twitter, they’ve got his number…and America in their sights.

I couldn’t rely on my mouth to say the right pronoun—even as I tried to slow down and be more intentional. There is the linguistic act of changing pronouns. We don’t realize how linked a pronoun is to a person and the built-up memories of that person. There is also the kinetics of saying a pronoun—what the mouth itself has learned to do automatically has to be undone and retrained.

Total energy, which is the conserved quantity, is the sum of several terms: kinetic energy, mass energy, potential energy, and field energy. Those different terms refer to aspects of reality that seem, on the face of it, quite different. Much of the power of the concept of energy, in applications, comes precisely from its ability to describe, and relate, several different aspects of reality.

Beauty is not the goal of competitive sports, but high-level sports are a prime venue for the expression of human beauty. The human beauty we’re talking about here is beauty of a particular type; it might be called kinetic beauty. Its power and appeal are universal. It has nothing to do with sex or cultural norms. What it seems to have to do with, really, is human beings’ reconciliation with the fact of having a body.

        In the static mode an observer may unify the pieces of a puzzle, but only as a blueprint—kinetics add the third dimention of depth, and the fourth of history. The motion, however, must be on the human scale, which happens also to be that of birds, waves, and clouds. Were a bullet to be made sentient, it still would see or hear or smell or feel nothing in land or water or air except its target. So, too, with a passenger in any machine that goes faster than a Model A. As speed increases, reality thins and becomes at the pace of a jet airplane no more substantial than a computer readout.         Running suits a person who seeks to look inward, through a fugue of pain, to study the dark self. A person afraid of the dark had better walk—strenuous enough for the rhythm of the feet to pace those of heart and lungs, relaxed enough to let him look outward, through joy, to a bright creation.

If we analyse the classes of life, we readily find that there are three cardinal classes which are radically distinct in function. A short analysis will disclose to us that, though minerals have various activities, they are not "living." The plants have a very definite and well known function-the transformation of solar energy into organic chemical energy. They are a class of life which appropriates one kind of energy, converts it into another kind and stores it up; in that sense they are a kind of storage battery for the solar energy; and so I define THE PLANTS AS THE CHEMISTRY-BINDING class of life. The animals use the highly dynamic products of the chemistry-binding class-the plants-as food, and those products-the results of plant-transformation-undergo in animals a further transformation into yet higher forms; and the animals are correspondingly a more dynamic class of life; their energy is kinetic; they have a remarkable freedom and power which the plants do not possess-I mean the freedom and faculty to move about in space; and so I define ANIMALS AS THE SPACE-BINDING CLASS OF LIFE. And now what shall we say of human beings? What is to be our definition of Man? Like the animals, human beings do indeed possess the space-binding capacity but, over and above that, human beings possess a most remarkable capacity which is entirely peculiar to them-I mean the capacity to summarise, digest and appropriate the labors and experiences of the past; I mean the capacity to use the fruits of past labors and experiences as intellectual or spiritual capital for developments in the present; I mean the capacity to employ as instruments of increasing power the accumulated achievements of the all-precious lives of the past generations spent in trial and error, trial and success; I mean the capacity of human beings to conduct their lives in the ever increasing light of inherited wisdom; I mean the capacity in virtue of which man is at once the heritor of the by-gone ages and the trustee of posterity. And because humanity is just this magnificent natural agency by which the past lives in the present and the present for the future, I define HUMANITY, in the universal tongue of mathematics and mechanics, to be the TIME-BINDING CLASS OF LIFE.

There is no art form more intrinsically and blatantly American—in its casual violence, its bombastic braggadocio, its virulent jingoism, its populist defiance of respectability, and its intermittently awe-inspiring beauty—than professional wrestling. This lucrative enterprise is not a legitimate competition, but it is indisputably an expression of creativity. Its practitioners have a time-worn saying: “This ain’t ballet.” But it’s not that far from ballet: a kinetic method of storytelling, one that requires tremendous skill (and physical pain) to perform.

Matter, the physical basis of all spatial experience and thus the source material of representation, is kinetic in its very essence. From atomic happenings to cosmic actions, all elements in nature are in perpetual interaction—in a flux complete. We are living a mobile existence. The earth is rotating; the sun is moving; trees are growing; flowers are opening and closing; clouds are merging, dissolving, coming and going; light and shadow are hunting each other in an indefatigable play; forms are appearing and disappearing; and man, who is experiencing all this, is himself subject to all kinetic change.

You're supposed to put your coin in the slot and let it go. It spins round and round the big yellow funnel for like a minute, making a rhythmic whirring sound that gets tighter and tighter, more intense, more desperate as it spirals closer to the hole. It keeps spinning faster - all that kinetic energy forced down the neck of the funnel until it's blaring like an alarm - then it falls silent as it drops into the black abyss of the funnel. I'm that coin on its way down, screaming in the neck of the funnel, with nothing but my own kinetic energy and centrifugal force keeping me from dropping into darkness.

Apart from this ultimate hope, the created world would be a dungeon of despair for God’s children. But faith animates our lives with an eschatological anticipation of the presence and glory of Christ. We will not find our full and permanent happiness here. Nor will we find Christian joy automatically, like a daily newspaper at the door. God intends for us to find joy kinetically, in action, as we work out our faith with fear and trembling, as we fight the good fight of faith, as we worship, fellowship, and engage in all the various dynamics of the Christian life together.62 But even in this, our hope of eternal joy sobers our expectations for the joy we can expect to experience in this life.

Maybe the affecting aspect was that Madame Ko's tanukis sparked in an onlooker's muscles a kinetic memory of the innocent freedom of early childhood, when one could let one's body go all akimbo on the slightest whim, could bounce, flop, and skip about in pure corporeal joy without embarrassment, judgement, or restraint. Or maybe there was a more "mature" associations, memories, say, of being falling-down drunk at the company picnic-but now crazy little animals were serving as surrogates, allowing one to vicariously relive those deliciously liberating and rebellious moment while maintaining one's veneer of civilized respectability, protecting in the process, one's marriage, one's standing in the community, one's job. Or maybe, on a strictly subconscious level, circusgoers recognized in the antics of the tanukis-antics that appeared goofy and bumbling yet, at the same time, brave and successful-an analogy to their own blindly hopeful gyrations in a complex, impermanent universe where every happy dance was danced in the lengthening shadow of death. And maybe they were inspired, if only for a night, to emulate the tanuki capacity for self-enjoyment, a gift that ought to be the birthright of every Homo sapiens. or maybe not. Maybe all those interpretations are just so much god-fodder (The God-Fodder, The God-Fodder II), the very sort of bullshit responsible, some say, for keeping alive a modicum of divine interest in our discredited race.

The explosions are tiered. First comes a concussion that disables pulseShields and scatters the Praetorians into the air. Then comes a gravPit, which pulls them back toward the source of the explosion like a vacuum collecting flies; and then comes the third—pure kinetics—to destroy armor and bone and flesh, blowing the warriors outward, into the air, scattering their pieces in the low gravity like breath scatters the seeds of a dandelion. Limbs float gently down. Blood beads and spatters the ground. The explosion breaks the bubble roof overhead and rain again drifts down on the garden to extinguish the fires and thin the blood that leaks into the two dozen bomb craters. Only three Praetorians survive. They’re in poor shape.

One common criticism emerged from Congress and the media: Obama had not formally addressed the nation since authorizing military action. So, on March 28, two weeks after the Situation Room meeting that had set everything in motion, he gave a speech at the National Defense University in Washington. The television networks said they wouldn’t carry it in prime time, so it was scheduled for the second-tier window of 7:30 P.M., an apt metaphor for the Libyan operation—cable, not network; evening, not prime time; kinetic military operation, not war. The speech was on a Monday, and I spent a weekend writing it. Obama was defensive. Everything had gone as planned, and yet the public and political response kept shifting—from demanding action to second-guessing it, from saying he was dithering to saying he wasn’t doing enough. Even while he outlined the reasons for action in Libya, he stepped back to discuss the question that would continue to define his foreign policy: the choice of when to use military force. Unlike other wartime addresses, he went out of his way to stress the limits of what we were trying to achieve in Libya “—saving lives and giving Libyans a chance to determine their future, not installing a new regime or building a democracy. He said that we would use force “swiftly, decisively, and unilaterally” to defend the United States, but he emphasized that when confronted with other international crises, we should proceed with caution and not act alone.

If we had an atom and wished to see the nucleus, we would have to magnify it until the whole atom was the size of a large room, and then the nucleus would be a bare speck which you could just about make out with the eye, but very nearly all the weight of the atom is in that infinitesimal nucleus. What keeps the electrons from simply falling in? This principle: If they were in the nucleus, we would know their position precisely, and the uncertainty principle would then require that they have a very large (but uncertain) momentum, i.e., a very large kinetic energy. With this energy they would break away from the nucleus. They make a compromise: they leave them- selves a little room for this uncertainty and then jiggle with a certain amount of minimum motion in accordance with this rule.

It is for this reason that Jung may be right in assuming that energy is a universal concept applicable to psychic functioning as well as the physical universe. Jung then describes how energy has two attributes, intensity and extensity. Extensity of energy is not transferable from one structure to another without changing the structure; intensity of energy is. By extensity, Jung is referring to the quality of the energy. In other words, he is pointing out that there is "something" that travels from one place to another when an energy transformation occurs. For example, a ball that is hit straight up carries with it energy continually undergoing transformation. It has kinetic energy and gravitational potential energy. The quantity of kinetic energy is continually transferring into potential energy as the ball rises. Thus at the top of its trajectory, the ball is momentarily at rest, i.e., with no kinetic energy, but with full potential energy. The evaluation of its quantities of energy is intensive but the qualities of kinetic and potential are extensive. The ball cannot transfer its kinetic quality into potential quality without changing its form by breaking up, for example, into parts. Similarly there is a psychic extensive factor that is not transferable. Jung's concept of extensity and intensity are forerunners of David Bohm's concept of implicate and explicate order, about which I shall have more to say later. They are also forerunners of the conceptual division of the world into objects and actions of objects: subjects and verbs. They comprise a complementarity, a dual way of dealing with experience. They are hints of the division between mind and matter, physical and psychical, words and images.

In order to verify the conservation of energy, we must be careful that we have not put any in or taken any out. Second, the energy has a large number of different forms, and there is a formula for each one. These are: gravitational energy, kinetic energy, heat energy, elastic energy, electrical energy, chemical energy, radiant energy, nuclear energy, mass energy. If we total up the formulas for each of these contributions, it will not change except for energy going in and out. It is important to realize that in physics today, we have no knowledge of what energy is. We do not have a picture that energy comes in little blobs of a definite amount. It is not that way. However, there are formulas for calculating some numerical quantity, and when we add it all together it gives "28"'—always the same number. It is an abstract thing in that it does not tell us the mechanism or the reasons for the various formulas.

One of the marks of our obliviousness, one of the countless signs that our thinking minds have grown estranged from the intelligence of our sensing bodies, is that today a great many people seem to believe that shadows are flat. If I am strolling along a street on a cloudless afternoon and I notice a shapeshifting patch of darkness accompanying me as I walk, splayed out on the road perpendicular to my upright self, its appendages stretching and shrinking with the swinging of my limbs, I instantly identify this horizontal swath as my shadow. As though a shadow was merely this flatness, this kinetic pancake, this creature of two dimensions whom one might peel off the street and drape over the nearest telephone wire. We identify our shadow, in other words, with that visible shape we see projected on the pavement or the whitewashed wall. Since what we glimpse there is a being without depth, we naturally assume that shadows themselves are basically flat—and if we are asked, by a curious child, about the life of shadows we are apt to reply that their lives exist only in two dimensions. Suppose,

If the law of gravitation be regarded as universal, the point may be stated as follows. The laws of motion require to be stated by reference to what have been called kinetic axes: these are in reality axes having no absolute acceleration and no absolute rotation. It is asserted, for example, when the third law is combined with the notion of mass, that, if m, m' be the masses of two particles between which there is a force, the component accelerations of the two particles due to this force are in the ratio m2 : m1. But this will only be true if the accelerations are measured relative to axes which themselves have no acceleration. We cannot here introduce the centre of mass, for, according to the principle that dynamical facts must be, or be derived from, observable data, the masses, and therefore the centre of mass, must be obtained from the acceleration, and not vice versâ. Hence any dynamical motion, if it is to obey the laws of motion, must be referred to axes which are not subject to any forces. But, if the law of gravitation be accepted, no material axes will satisfy this condition. Hence we shall have to take spatial axes, and motions relative to these are of course absolute motions. 465. In order to avoid this conclusion, C. Neumann* assumes as an essential part of the laws of motion the existence, somewhere, of an absolutely rigid “Body Alpha”, by reference to which all motions are to be estimated. This suggestion misses the essence of the discussion, which is (or should be) as to the logical meaning of dynamical propositions, not as to the way in which they are discovered. It seems sufficiently evident that, if it is necessary to invent a fixed body, purely hypothetical and serving no purpose except to be fixed, the reason is that what is really relevant is a fixed place, and that the body occupying it is irrelevant. It is true that Neumann does not incur the vicious circle which would be involved in saying that the Body Alpha is fixed, while all motions are relative to it; he asserts that it is rigid, but rightly avoids any statement as to its rest or motion, which, in his theory, would be wholly unmeaning. Nevertheless, it seems evident that the question whether one body is at rest or in motion must have as good a meaning as the same question concerning any other body; and this seems sufficient to condemn Neumann’s suggested escape from absolute motion.

p.cm. Includes indexes.ISBN-13: 978-0-7360-6278-7 (soft cover) ISBN-10: 0-7360-6278-5 (soft cover) 1. Hatha yoga.2. Human anatomy.I.Title.RA781.7. K356 2007 613.7’046--dc22 2007010050 ISBN-10: 0-7360-6278-5 (print) ISBN-13: 978-0-7360-6278-7 (print) ISBN-10: 0-7360-8218-2 (Adobe PDF) ISBN-13: 978-0-7360-8218-1 (Adobe PDF) Copyright © 2007 by The Breathe Trust All rights reserved. Except for use in a review, the reproduction or utilization of this work in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including xerography, photocopying, and recording, and in any information storage and retrieval system, is forbidden without the written permission of the publisher. Acquisitions Editor: Martin Barnard Developmental Editor: Leigh Keylock Assistant Editor: Christine Horger Copyeditor: Patsy Fortney Proofreader: Kathy Bennett Graphic Designer: Fred Starbird Graphic Artist: Tara Welsch Original Cover Designer: Lydia Mann Cover Revisions: Keith Blomberg Art Manager: Kelly Hendren Project Photographer: Lydia Mann Illustrator (cover and interior): Sharon Ellis Printer: United Graphics Human Kinetics books are available at special discounts for bulk purchase. Special editions or book excerpts

Leaves are also teaching scientists about more effective capture of wind energy. Wind energy offers great promise, but current turbines are most effective when they have very long blades (even a football field long). These massive structures are expensive, hard to build, and too often difficult to position near cities. Those same blades sweep past a turbine tower with a distinctive thwacking sound, so bothersome that it discourages people from having wind turbines in their neighborhoods. The U.S. Fish and Wildlife Service also estimates that hundreds of thousands of birds and bats are killed each year by the rotating blades of conventional wind turbines. Instead, inspired by the way leaves on trees and bushes shake when wind passes through them, engineers at Cornell University have created vibro-wind. Their device harnesses wind energy through the motion of a panel of twenty-five foam blocks that vibrate in even a gentle breeze. Although real leaves don't generate electrical energy, they capture kinetic energy. Similarly, the motion of vibro-wind's "leaves" captures kinetic energy, which is used to excite piezoelectric cells that then emit electricity. A panel of vibro-wind leaves offers great potential for broadly distributed, low noise, low-cost energy generation.