Killer Queen Quotes

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You are enough to drive a saint to madness or a king to his knees.
Grace Willows (To Kiss a King)
She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.
Grace Willows
Luke', I said, and immediately added, 'My boyfriend.' My supernatural, doomed, gorgeous, killer boyfriend.
Maggie Stiefvater (Lament: The Faerie Queen's Deception (Books of Faerie, #1))
WITCH KILLER— THE HUMAN IS STILL INSIDE HIM
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Killers don't have to make sense.
Victoria Aveyard (Red Queen (Red Queen, #1))
Like a domestic cat, purring on the sofa by day, but by night, a strutting queen, a natural killer, disdainful of her other life.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
You want to see compassion? Fine." I take the hand pressed against my shoulders and kiss his knuckles. "I've now kissed the hand of my mother's killer." Before he has time to react to my chaste kiss, I bring my other hand up and slap him. His head whips to the side. "I'm also a vindictive bitch," I say.
Laura Thalassa (The Queen of All that Dies (The Fallen World, #1))
Can you imagine a demon auction? Serial killer going once...twice...sold to the drama queen at the corner.
Ednah Walters (Awakened (The Guardian Legacy, #1))
Hi, my name is Ashley, and I’ll be your Harbinger today. I will be acting as an interim instructor for all your necromancy needs.” She flashed her best stewardess smile and gave a little Vanna wave. “Ashley, as delighted as I am to meet you, don’t you think it might be hard to teach me? I’m in a cage that you can’t get into. Oh, and—” I grabbed the bars with both hands, “I’m a little distracted right now by the fact that I’m being held by a psychotic killer.” Ashley cocked a single eyebrow, a look of mild amusement on her face. “Geez,” she said, looking at Brid. “Is he always this big of a drama queen?
Lish McBride (Hold Me Closer, Necromancer (Necromancer, #1))
I have no interest in prisioners or battling today,” Manon said. The Queen of Terrasen gave her a grin. “Good.” Manon turned away, barking at her Thirteen to get to their mounts. “I suppose,” the queen went on, “that makes you smarter than Baba Yellowlegs.” Manon stopped, staring straight ahead and seeing nothing of the grass or sky or tress. Asterin whirled. “What do you know of Baba Yellowlegs?” The queen gave a low chuckle, despite the warning growl from the Fae warrior. Slowly, Manon looked over her shoulder. The queen tugged apart the lapels of her tunic, revealing a necklace of thin scars as the wind shifted. The scent - iron and stone and pure hatred - hit Manon like a rock to the face. Every Iroonteeth witch knew the scent that forever lingered on those scars: Witch Killer.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
You are enough to drive a saint to madness or a king to his knees Excerpt from To Kiss a King by Grace Willows Coming this summer to Amazon Kindle and paperback.
Grace Willows (To Kiss a King)
I stare at the polished metal, examining my reflection. The girl I see is both familiar and foreign, Mare, Mareena, the lightning girl, the Red Queen, and no one at all. She does not look afraid. She looks carved of stone, with severe features, hair braided tight to her head, and a tangle of scars on her neck. She is not seventeen, but ageless, Silver but not, Red but not, human—but not. A banner of the Scarlet Guard, a face on a wanted poster, a prince’s downfall, a thief... a killer. A doll who can take any form but her own.
Victoria Aveyard (Glass Sword (Red Queen, #2))
This wasn’t what she expected. Never, in her wildest dreams. This... this was the Blood Queen of Garbhán Isle? Scourge of the Madron lands? Destroyer of Villages? Demon Killer of Women and Children? She who had blood pacts with the darkest of gods? This was Annwyl the Bloody? Talaith watched, fascinated, as Annwyl held onto Morfyd the Witch’s wrists. Morfyd — the Black Witch of Despair, Killer of the Innocent, Annihilator of Souls, and all around Mad Witch of Garbhán Isle or so she was called on the Madron lands — had actually tried to sneak up on Annwyl to put ointment on the nasty wound the queen had across her face. But as soon as the warrior saw her, she squealed and grabbed hold of her. Now Annwyl lay on her back, Morfyd over her, trying her best to get Annwyl to stop being a ten year old. “If you just let me—” “No! Get that centaur shit away from me, you demon bitch!” “Annwyl, I’m not letting you go home to my brother looking like that. You look horrific.” “He’ll have to love me in spite of it. Now get off!” ... “Ow!” “Crybaby.” No, this isn’t what Talaith expected. Annwyl the Blood Queen was supposed to be a vicious, uncaring warrior bent on revenge and power. She let her elite guard rape and and pillage wherever they went, and she used babies as target practice while their mothers watched in horror. That’s what she was supposed to be and that’s what Talaith expected to find. Instead, she found Annwyl. Just Annwyl. A warrior who spent most of her resting time reading or mooning over her consort. She was silly, charming, very funny, and fiercely protective of everyone. Her elite guard, all handpicked by Annwyl, were sweet, vicious fighters and blindingly loyal to their queen.
G.A. Aiken (About a Dragon (Dragon Kin, #2))
We looked like a girl gang that would have the Queen as our leader, all low heels and no-nonsense curls.
Deanna Raybourn (Killers of a Certain Age (Killers of a Certain Age, #1))
To me, the raveled sleeve of care is never more painlessly knitted up than in an evening alone in a chair snug yet copious, with a good light and an easily held little volume sloppily printed and bound in inexpensive paper. I do not ask much of it - which is just as well, for that is all I get. It does not matter if I guess the killer, and if I happen to discover, along around page 208, that I have read the work before, I attribute the fact not to the less than arresting powers of the author, but to my own lazy memory. I like best to have one book in my hand, and a stack of others on the floor beside me, so as to know the supply of poppy and mandragora will not run out before the small hours. In all reverence I say Heaven bless the Whodunit, the soothing balm on the wound, the cooling hand on the brow, the opiate of the people." --Book review Of Ellery Queen: The New York Murders, from Esquire, January 1959
Dorothy Parker (The Portable Dorothy Parker)
Killers don't have to make sense
Victoria Aveyard (Red Queen (Red Queen, #1))
I didn’t often get to take the moral high ground. I was a mercenary, a killer for hire, and I made no apologies or excuses for how I lived my life. But while my hands would never be clean, I had honor.
Rachel Bach (Heaven's Queen (Paradox, #3))
If I make you mine, you stay mine until death comes for us. You’re mine in the night and the shadows where I’m fucking king. You’re mine in the light with your family and friends, standing beside Death as his queen. If I’m a killer, you’re a killer. Where I end, you fucking begin.
Giana Darling (Dead Man Walking (The Fallen Men, #6))
The queen sees me coming, turns toward us and waits, with a killer's patience, for me to reach the chancel steps.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
I wanted her to want to know everything about me. It was unnerving how desperately I yearned to bare my soul to her, expose my flaws and have her accept me anyway.
L.H. Cosway (Killer Queen (Painted Faces, #2))
I remember having an argument with Alan, I said the Queen's not just going to call the guy up and send him out to do it. And Alan says, well, how would a monarch give orders to her assassin.
Eddie Campbell
message on the wall had only been one sentence. Payment for a life debt. One sentence just for Aelin Galathynius; one sentence that changed everything: WITCH KILLER— THE HUMAN IS STILL INSIDE HIM
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
The secret to being a rider in the hippodrome wasn't just that you must be agile, or that you must be good with horses, or that you must be strong and steady as the horse careens to the far end of the arena and back with you riding on its back. It was that you must hide inside your costume a little of a killer's heart. The animal will be tender with you, and you with it, but the animal never forgets that when what it wants for survival requires your death, it will become unafraid to kill you. And so you cannot forget this, either. It is, on reflection, good training to be a courtesan. A woman of any kind.
Alexander Chee (The Queen of the Night)
Nobody will laugh at you,” I murmured, bringing my hands to her throat and stroking downward with my thumbs. It was a move that always seem to both relax and turn her on. She melted under my touch. “And if they do, I’ll clobber them with my stilettos. How does that sound?
L.H. Cosway (Killer Queen (Painted Faces, #2))
The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.
Margaret Atwood (The Penelopiad)
Indeed,” Arobynn said, “I’d hate to see you back in Endovier, too. Though I will say these past two years have made you even more striking. Womanhood suits you.” He cocked his head, and she knew it was coming before he amended, “Or should I say queen-hood?” It had been a decade since they’d spoken baldly of her heritage, or of the title he had helped her walk away from, had taught her to hate and fear. Sometimes he’d mentioned it in veiled terms, usually as a threat to keep her bound to him. But he had never once said her true name—not even when he’d found her on that icy riverbank and carried her into his house of killers. “What makes you think I have any interest in that?” she said casually. Arobynn shrugged his broad shoulders. “One can’t put much faith in gossip, but word arrived about a month ago from Wendlyn. It claimed that a certain lost queen put on a rather spectacular show for an invading legion from Adarlan. Actually, I believe the title our esteemed friends in the empire now like to use is ‘fire-breathing bitch-queen.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Believe in Yourself Why must we see something to believe in its existence?The wind itself cannot be seen by man, but all have felt it's gentle touch and watched the mighty trees bow as it swept past. We cannot see love yet its nurturing warmth is the essence of our being and sorrow can touch our very soul. For remorse is like a ripple on the ocean, once given it remains only in the heart of the receiver. Yet all of these cannot be seen only felt. Why then do you doubt your self-worth? For though it cannot cast a reflection in the mirror you have only to look in the eyes of those you love to See it clearly. Prologue To Kiss a King To Kiss a King Copyright © 2017 by Julie Brookshier and Robin Woods All rights reserved. Except for use in a review, the reproduction or use of this work in whole or in part in any form is forbidden without written permission of one or more of the authors. This is a fictional work. Names, characters, places, and events are merely the product of the authors' imaginations or used fictitiously, purely for entertainment purposes. Any resemblance to actual persons, living, dead, or undead or any business establishments, events or places past, present, or future, is entirely coincidental.
Grace Willows (To Kiss a King)
have no interest in prisoners or battling today,” Manon said. The Queen of Terrasen gave her a grin. “Good.” Manon turned away, barking at her Thirteen to get to their mounts. “I suppose,” the queen went on, “that makes you smarter than Baba Yellowlegs.” Manon stopped, staring straight ahead and seeing nothing of the grass or sky or trees. Asterin whirled. “What do you know of Baba Yellowlegs?” The queen gave a low chuckle, despite the warning growl from the Fae warrior. Slowly, Manon looked over her shoulder. The queen tugged apart the lapels of her tunic, revealing a necklace of thin scars as the wind shifted. The scent—iron and stone and pure hatred—hit Manon like a rock to the face. Every Ironteeth witch knew the scent that forever lingered on those scars: Witch Killer.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Your mother was a fool to give you away,” Hilde grumbled. Lidia arched a brow. “Is that a compliment?” “Take it as you will.” The hag flashed her rotting teeth in a nightmare of a smile. “You’re a born killer—like any true witch. That girl on the throne is as softhearted as your mother. She’ll bring down the entire Valbaran witch-dynasty.” “Alas, my father was a smart negotiator,” Lidia said, making a good show of admiring the ruby ring on her finger, the stone as red as Irithys’s flame. “But enough about me.” She gestured to the hag, then to the sprite. “Irithys, Queen of the Sprites. Hilde, Grand Hag of the Imperial Coven.” “I know who you are,” Irithys said, her voice quiet with leashed rage. She now floated in the center of the orb, her body bloodred. “You put this collar on me.” Hilde again smiled, wide enough to reveal her blackened gums. A lesser person would have cowered at that smile. “I had the honor of doing it to the little bitch who bore the crown before you, too.” Hilde didn’t mean Irithys’s mother, who had never been queen at all. No, when the last Sprite Queen had died, the line had passed to a different branch of the family, with Irithys first to inherit.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
It was the morning when she went confront my father's killer. I asked her why she wouldn't let one of the soldiers or gerents handle his rescue. And she said to me that all little girls, regardless of what they say, dream of a prince to come in and sweep them off their feet and save the day. But what no one ever mentions is that all little boys dream of a princess to do the same thing for them. But the problem with princes and princesses is that they're spoiled and self-absorbed. They act in their own best interest. They don't go after their loved ones to rescue them so much as they do it for their own vainglory, and to serve themselves. While she'd had many princes try for her hand, it was a king who had claimed her heart. Unlike princes, kings take responsibility. they think of others instead of themselves and they will risk everything, even their very lives , for those they love. It is never about them, but rather about the ones they cherish most. they love to such depth that they would sacrifice all just to see their family smile. For every thousand princes, there is only one king. And such rare men do not deserve a useless princess who sits on her duff and orders others to worship her and do her bidding. Kings deserve queens- rare women who never flinch to do whatever it takes to keep their king safe. Women who have the courage to face any attacker and to rally to whatever challenge life throws at them. I will not sit here, she said to me, and let your father suffer while I hide in comfort. He risked his life to keep us safe and I will do no less for him. If it means my life, so be it. After all, he is my life and I don't want to live without him. He deserves only my best and that's exactly what he's going to get, no matter the personal cost.
Sherrilyn Kenyon (Cloak and Silence (The League, #5.5))
[Lucille Ball]'s such a TV icon it’s hard for some to separate the two Lucys—the gorgeous, snappy actress of film and the wacky, slapstick queen of television. On TV she was a middle-aged housewife, on film she was a dazzling beauty. The difficulty with her movie career wasn’t that she was bad or not up to the roles. Quite the contrary: They were rarely up to her.
Ray Hagen (Killer Tomatoes: Fifteen Tough Film Dames)
Lorenzino's Apology for the murder made him famous, a celebrity killer of the Renaissance. Queen Marguerite of Navarre wrote a story about Alessandro's assassination. Versions of the tale featured on the London stage. It let itself to the genre of Jacobean revenge drama.
Catherine Fletcher (The Black Prince of Florence: The Spectacular Life and Treacherous World of Alessandro de’ Medici)
I spent what seemed like hours listening to the mind-numbing details of life in Tudor England. The only fact that stays with me is King Henry VIII was definitely a serial killer. Several headless queens can vouch for that.
Lesley Crewe (Nosy Parker)
Joe Bedecki is a lot of things: a lech, a dick, a sad old man. But there’s one thing he’s not: a killer. Joe Bedecki didn’t murder Caroline Quinn.
Alexa Donne (Pretty Dead Queens)
I’ve never seen an attractive serial killer, but I bet this is exactly what she’d look like.
J.T. Geissinger (Brutal Vows (Queens & Monsters, #4))
I may not be the mafia boss, but I am the Killer King, and no one… No… One… will touch my queen!
E.R. Hendricks (Joker)
On the outside, I'm a charming prince, and my country adores me for my work. But what they don't see is that I'm a cold-blooded killer. Blood is not something I only like; it's something I crave.
T.D. Bohanan (The Vampire’s Queen: A Dark Paranormal Romance)
He moved closer and threw his arm around my shoulders, murmuring, “Why are the beautiful ones always so troubled, huh?
L.H. Cosway (Killer Queen (Painted Faces, #2))
A phantom vampire lover, a religious fanatic killer, and a beauty queen predator. Just another day in undead Oz.
Lynda Hilburn (The Vampire Shrink (Kismet Knight, Ph.D., Vampire Psychologist #1))
Twitching fingers tap out beats of eight on my thighs. I’m dying to open the door and ask him if he’s okay, but I can’t. I pick idly at a new scab on the top of my leg. Anxiety has created a million reasons why I can’t. My heart is fighting back, but failing miserably. Open the door. He looks so sad, like a kid lost in a crowd. Do not open that door. It could be a ruse. There is no one awake to hear you scream. Open the door. Are those tears in his eyes? Serial killers don’t have sweet smiles. Do not open the door. Remember the story of the homicidal maniac who used his not-so-broken leg to lure victims? Better to be safe than sorry. This argument rages inside my head until I can taste fire, and smoke starts pouring out of my ears. When, at last, common sense kicks in, I could spit. Worry is such a drama queen. It takes the smallest thing, makes it so big and bulky that you can’t see the obvious any more. I don’t have to open the door to ask him if he’s okay.
Louise Gornall (Under Rose-Tainted Skies)
King Yorandt to Kristina in book three of Fracture the Secret Enemy Saga~Secrets release date: Summer 2014 Even the master does not play perfectly. He can only hope to make fewer mistakes than his opponent, and that in the end, he is the victor. Sajah (chess) is a ruthless game where the pieces are all pawns and the Queen is the true killer. She spares no one to protect the king. The king however, is ruled by all of the pieces that lay before him, even his opponent. Every move is a decision that can change the whole board, and the endgame.
Virginia McKevitt
However, it still seriously pisses me off that we live in a world where you can't be free to express yourself in whatever strange way you happen to choose.
L.H. Cosway (Killer Queen (Painted Faces, #2))
Queen of the Starlight Ballroom,
Ann Rule (Dead By Sunset: Perfect Husband, Perfect Killer?)
The message on the wall had only been one sentence. Payment for a life debt. One sentence just for Aelin Galathynius; one sentence that changed everything: WITCH KILLER - THE HUMAN IS STILL INSIDE OF HIM
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
Most of all, I like the time I have to think. I never did much of it before, not really. I studied and worked and spent any free time in front of a screen, distracting myself. Deadening my feelings. Some people eat when they’re depressed. Some people drink, or do drugs, or have sex with strangers. The way I dealt with emotional pain was by feeding myself a steady diet of social media and video games and pretending it wasn’t there. It seems so obvious now. I was lonely. In a city of nearly a million people, I always felt alone. But here, in the middle of nowhere with only a crow and a killer for company, I don’t feel alone. I feel safe. I feel content. I feel, some days, like that bullet was the best thing to ever happen to me.
J.T. Geissinger (Savage Hearts (Queens & Monsters, #3))
And he'll be remembered as a wife killer," Will predicted. "And everything else about him that was so brave and loyal and true will be forgot. They will forget that he brought peace and prosperity to the country, that he made an England that we all could love. All they will remember of him will be that he had six wives and beheaded two of them.
Philippa Gregory (The Queen's Fool (The Plantagenet and Tudor Novels, #12))
What man can truly say they've claimed their alpha queen and made her bow? Any man who claims to have made a bitch submit isn't a man at all. She doesn't bow for anyone, but I'll be damned if I don't bow to her.
Lucy Smoke (Natural Born Killers (Sick Boys, #3))
Without the queen excluder, the queen might suddenly fly off in search of a new hive, taking her swarm with her. That was what had happened in Brazil in 1957 after scientists bred Africanized honey bees, aka killer bees, thinking they would thrive in the tropical conditions. A visiting beekeeper, believing the queen excluders were hindering the movement of the bees inside the hives, removed them, and twenty-six queens as well as their swarms escaped, traveling north, eventually reaching the US.
Nicholas Sparks (The Return)
If I make you mine, you stay mine until death comes for us. You’re mine in the night and the shadows where I’m fucking king. You’re mine in the light with your family and friends, standing beside Death as his queen. If I’m a killer, you’re a killer. Where I end, you fucking begin. Yin and yang ... Persephone and Hades ... Bea and Priest.
Giana Darling (Dead Man Walking (The Fallen Men, #6))
I’m an assassin. A killer. A murderer. Basically, a serial killer. I truly am fucking crazy. Bat shit to be exact, and I have no problem admitting it.
Tristina Brockway (Her Crimson Reign (Crimson Queens Duet #1))
Fair Warning by Stewart Stafford Sheer Heart Attack! The auctioneer's hammer fell, On Freddie's exquisite clutter, The room officially rocked. The last item of King Mercury, Sold to the highest bidder, In the room and online, No Kensington Pyramid, though. Seven Seas of Rhye claimed, The Killer Queen laid to rest, A throne in flux, vacated, Champion bids will out, darling! © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
The man who tried to rescue me from a life of prostitution and gently cupped my face in his hand like it was made of porcelain is a Russian assassin of such terrifying reputation, he makes “regular” killers like Spider quake in their boots.
J.T. Geissinger (Savage Hearts (Queens & Monsters, #3))
I just realized I’m attracted to a killer who walks through locked doors and makes the Terminator look like Britney Spears.
J.T. Geissinger (Savage Hearts (Queens & Monsters, #3))
still want him. Him, the assassin who’s going to kill Declan. Him, the asshole who threatened to kill me. Him, the killer, stalker, walk-through-solid-walls son of a bitch who touches me like I’m made of glass and kisses like he’s starving.
J.T. Geissinger (Savage Hearts (Queens & Monsters, #3))
You know something, killer?” I murmur, my mouth still right there at her ear. “I’m really fucking glad you came into our lives.
Eva Ashwood (Queen of Anarchy (Dirty Broken Savages, #2))
What's your beef with cat's, anyway? It's pathological." "They're furry little serial killers who can give you brain-eating amoebas from their poo, but that's not my point.
J.T. Geissinger (Ruthless Creatures (Queens & Monsters, #1))
He reached for my cheek. “The goal was never to make you a killer, Little Monster. The goal was to make you stop fearing the world.” “And yet, here we are.” I let out a bitter laugh. “You’re the scared one now.” “In some ways, you’re right,” he said without an ounce of regret. “And you’re wrong. I was never afraid of the world. I’m just afraid of losing you.
Coralee June (No Such Queen (Bloody Royals, #2))
Another aspect of Aphrodite, with which the buck also must have had something to do, is expressed in such surnames as Melaina and Melainis, “the black one”, and Skotia “the dark one”. In so far as this refers to the darkness that love seeks, this aspect is connected with the aspect already described. But the black Aphrodite can equally well be associated with the Erinyes, amongst whom she was also numbered. Such surnames as Androphonos, “Killer of Men”, Anosia, “the Unholy” and Tymborychos, “the Gravedigger”, indicate her sinister and dangerous potentialities. As Epitymbidia she is actually “she upon the graves”. Under the name of Persephaessa she is invoked as the Queen of the Underworld. She bears the title of Basilis, “Queen”. Her surname of Pasiphaessa, “the far-shining”, associates her also with the moon-goddess. All these characteristics are evidence that at one time there were tales which identified the goddess of love with the goddess of death, as a being comparable to the Venus Libitina of the Romans.
Karl Kerényi (The Gods of The Greeks)
I spun around at the door. “Yes?” “Word of advice,” he said. “Gem had nothing to do with this. Not to mention, Alastair contributes generously to the police department every year.” “What’s that supposed to mean?” Wes cracked his knuckles, then winced and shook out his hand. “Alastair Gem is not a man you want to offend.” Chapter 9 “Iexpect you’ll fill me in,” Jimmy said as I climbed back into the car. “Dare I suggest it be over a bucket of chicken?” I swerved into the left lane and put on my blinker for The Chicken Hut, a fried food joint near the station. We crawled through the drive thru line and put in our orders. A king-sized pail for Jimmy, a queen for me. A few minutes later, the tantalizing smell of fried chicken was working its way into the car’s upholstery. Jimmy had shiny fingers by the time we returned to the station parking lot. He mopped his chin with a napkin. “I’m ready to hear the details whenever you’re done with that wing.” I sighed, tossing the wing back into the bucket. I wasn’t all that hungry. It was hard to care much about food when a case consumed me. “My sister brought Wes home last night,” I said. “Like, on a date. Wes Remington—the manager of Rubies—was at my house. Rubies is Alastair Gem’s latest venture.” “No kidding? That’s neat.” “What’s neat?” “Gem is like the Tony Stark of the Twin Cities. His latest restaurant has the best food I’ve ever tasted—it set me back a year into retirement to eat there, though. Now I hear he’s got an Emerald hotel coming soon that’s gonna cost two grand a pop for a night. That man is rich, powerful, and handsome. The rest of us don’t stand a chance.” “I beg to differ,” I said. “Anyone who is that rich, handsome, and powerful has secrets to hide.” Jimmy shrugged. “Probably. Still doesn’t mean I wouldn’t date him, and I’m a happily married straight man.” “As it turns out, Wes doesn’t have an alibi for the night of the murder. He says he was upstairs working, but we don’t have anyone who can confirm it.” “Do you like him for Jane Doe’s murder?” I licked my fingers. “It’s too early to tell. My head says yes. He’s new to town and had easy access to the victim. But I don’t have any clue as to a motive. Why would he grab her specifically?” “We’re looking for a serial killer. Is there any saying why they do what they do?” “Maybe not,” I agreed. “But my gut’s telling me Wes isn’t our guy. He seemed...
Gina LaManna (Shoot the Breeze (Detective Kate Rosetti Mystery, #1))
When you were a kid I always liked how quiet and peaceful you were, especially after dealing with my hell raisers. They grew up into great adults, but there were a few times when they were young when I wondered if I was raising future serial killers.
Ann Mayburn (Hyena Queen (The Legend of Synthia Rowley, #1))
Killer Queen by the old rock band Queen.
Devin O'Branagan (Incarnation)
Sophia raised an eyebrow at her. "Don't ever tell a psychologist about your dreams. They sound like they belong to a serial killer in the making.
Rebecca Queen (Elysian (A Celestian Novel, #1))
Weren’t we properly introduced? I’m Phoebe, Queen of the Nulls. The Hag’s powers can’t touch me. Now pass the bread, I’m starving.
Marian Erway (The Killer Bee (Between Realms, #3))
I just knew from the moment we’d met that she was the kind of girl I could be friends with. It was too bad I wanted to put my penis inside her, because where I was concerned, sex often led to the destruction of friendships.
L.H. Cosway (Killer Queen (Painted Faces, #2))
Do you want to know what my favourite part of your body is?” I saw her swallow before she rolled her eyes and gestured to her chest. “I'll take a wild guess, shall I?” I grinned. “Nope, though they are a close second.” “Go on then, enlighten me,” she said, pretending to be bored. If the goose bumps on her arms were anything to go by, she definitely wasn’t bored. Feeling brave, I brought my hand to the lower part of her belly and stroked downward. “This part. It's all round and soft. I'd love to fall asleep right here.
L.H. Cosway (Killer Queen (Painted Faces, #2))
I love you, Freda. It feels like nobody in the history of the world has loved another person as much as I love you. I love you so much it hurts. You make me smile, you make me laugh, you make me burn.
L.H. Cosway (Killer Queen (Painted Faces, #2))