Kill Switch Quotes

We've searched our database for all the quotes and captions related to Kill Switch. Here they are! All 100 of them:

Because pain in the body quiets the pain in the head. It feels good, like a kill switch for your brain.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Well", Fang said, mimicking a thick Southern drawl. "I must say its mighty nice of them Daimons to clean up after themselves when you kill them" He held his hands up to them. "Look Ma, no mess." "Does Fang have an off switch?" Talon asked Vane.
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
This is black,” he said. “Fear, falling, release. Excitement, risk, danger.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Your body can only feel one pain at a time.
Penelope Douglas (Kill Switch (Devil's Night, #3))
People assumed I behaved strictly on impulse, when actually, it required quite a bit of strategy being this fucked up.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Our life is a series of plans,” she finally said. “Days, weeks, months, years… And then, there are moments. Moments you don’t see coming and you don’t plan, but everything you need, all the things you want to feel, are in that moment.
Penelope Douglas (Kill Switch (Devil's Night, #3))
The world respected people who didn’t crave approval.
Penelope Douglas (Kill Switch (Devil's Night, #3))
the beauty in life is what we live for, and it’s everywhere. You just have to look closer.
Penelope Douglas (Kill Switch (Devil's Night, #3))
He made himself the cure, which wouldn’t have been necessary if he hadn’t also created the disease.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Life felt like hell, because we expected it to feel like heaven.
Penelope Douglas (Kill Switch (Devil's Night, #3))
How I’d never hated anyone as much as I hated him, but how I loved what I felt with him more than I loved anything I felt with anyone else, either.
Penelope Douglas (Kill Switch (Devil's Night, #3))
I’m stronger now,” I whispered. “I won’t let you fall.
Penelope Douglas (Kill Switch (Devil's Night, #3))
To dive and fall. To have a lifetime of searching for something. Or to have five minutes of everything.
Penelope Douglas (Kill Switch (Devil's Night, #3))
We’re going to rule the world, Rika.” I held out my hands, grinning. “You, Banks, and me.
Penelope Douglas (Kill Switch (Devil's Night, #3))
What’s your tattoo?” I asked quietly, remembering how my friend noticed he had one. He didn’t say anything for a moment, or ask how I knew, but then he answered, “A decaying snowflake.” I raised my eyebrows. A decaying… “Why?” I asked. “Because of Winter by Walter de la Mare,” he replied softly. “Something still beautiful, even after what I did to her.
Penelope Douglas (Kill Switch (Devil's Night, #3))
That dress was designed to be a kill switch for rational thought.
Kelly Moran (Benediction (Cattenach Ranch, #2))
that’s what red feels like. Anger and fury and heat and need so strong you’re a fucking animal, Winter. It’s primal.
Penelope Douglas (Kill Switch (Devil's Night, #3))
There’s always a reason why things are as they are.
Penelope Douglas (Kill Switch (Devil's Night, #3))
If she left me, I'm going to burn the whole fucking world down until I find her.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Having Damon around was the only time I ever felt solid in my life,” he told me. “He’s powerful. But painful.
Penelope Douglas (Kill Switch (Devil's Night, #3))
You teach your daughter to hide in everyone else's world," I shot back, "and I'll teach mine everyone else exists in her. Go fuck yourself, and leave the kid alone.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Words were shit. They didn’t mean anything. What we did mattered, not what we said.
Penelope Douglas (Kill Switch (Devil's Night, #3))
I might kiss you again when we're older," he says. "Just so you know.
Penelope Douglas (Kill Switch (Devil's Night, #3))
One pain at a time.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Your place is at my side,” I told her. “Say it.” She whispered, “My place is at your side.” “Louder.” I shook her gently, but my tone was firm. “My woman doesn’t ask permission. She’s a force. Say it louder.” Her chin started to tremble, but her voice burst out strong. “My place is at your side.
Penelope Douglas (Kill Switch (Devil's Night, #3))
The secret of life that everyone knew and everyone forgot was that we weren’t alone. We thought we were unique. We thought we were the first. No one has been through what I’ve been through. No one else is feeling this. No one knows what it’s like to be me. This is the first time anyone has endured what I’ve endured, right?
Penelope Douglas (Kill Switch (Devil's Night, #3))
Oh. My. God. You're Rose Hathaway aren't you?" "Yeah." I said with surprise. "Do you know me?" "Everyone knows you. I mean, everyone heard about you. You're the one who ran away. And then you came back and killed the Strigoi. That is so cool! Did you get molnija marks?" Her words came out in one long string. She hardly took a breath. "Yeah. I have two." Thinking about the tiny tattoos on the back of my neck made my skin itch. Her pale green eyes—if possible—grew wider. "Oh my God. Wow." I usually grew irate when people made a big deal about molnija marks. After all, the circumstances had not been cool. But this girl was young, and there was something appealing about her. "What's your name?" I asked. "Jillian—Jill. I mean, just Jill. Not both. Jillian's my full name. Jill's what everyone calls me." "Right." I said, hiding a smile. "I figured it out." "I heard Moroi used magic on that trip to fight. Is that true? I would love to do that. I wish someone would teach me. I use air. Do you think i could fight Strigoi with that? Everyone says I'm crazy!" For centuries, Moroi using magic to fight had been viewed as a sin. Everyone believed it should be used peacefully. Recently, some had started to question that, particularly after Christian had proved useful in the Spokane escape. "I don't know." I said. "You should talk to Christian Ozera." She gaped. "Would he talk to me?" "If you bring up fighting the establishment, yeah he'll talk to you." "Okay, cool. Was that Guardian Belikov?" she asked, switching subjects abruptly. "Yeah." I swore I thought she might faint then and there. "Really? He's even cuter then I heard. He's your teacher right? Like, your own personal teacher?" "Yeah." I wondered where he was. Talking to Jill was exhausting. "Wow. You know you guys don't even act like teacher and student. You seem like friends. Do you hang out when you're not training?" "Er, well, kind of. Sometimes." I remembered my earlier thoughts, about how I was one of the few people Dimitri was social with outside of his guardian duties. "I knew it! I can't even imagine that—I'd be freaking out all the time around him. I'd never get anything done, but your so cool about it all, kind of like, 'Yeah. I'm with this totally hot guy, but whatever it doesn't matter!'" I laughed in spite of myself. "I think you're giving me more credit than I deserve." "No way. And I don't believe any of those stories, you know." "Um, stories?" "Yeah about you beating up Christian Ozera." "Thanks." I said.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
It is an art how quickly you can make everyone want to kill you.” I shrugged, hearing the smile in her voice. “I just can’t help myself.
Penelope Douglas (Kill Switch (Devil's Night, #3))
I'll kill you! Sam had screamed it at Arobynn as the King of the Assassins beat her. He'd roared it. In those horrible minutes, whatever bond had sprung up between her and Sam hadn't broken. He'd switched loyalties- he'd chosen to stand by her, fight for her. If anything, that made him different from Ansel. Sam could have hurt or betrayed her a dozen times over, but he'd never jumped at the opportunity.
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
I rolled my eyes so far back in my head I almost saw my brain.
Penelope Douglas (Kill Switch (Devil's Night, #3))
This was a game to him, and that was fine. He just wasn’t the only one playing anymore.
Penelope Douglas (Kill Switch (Devil's Night, #3))
People come together, and for a tiny space of time...it’s beautiful and raw, because you can’t think and you don’t want to. You just feel... The moments are what we remember.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Because pain in the body quiets the pain in the head. It feels good, like a kill switch for you brain.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Dalek Sec: The Doctor will open the Ark! The Doctor: Ha ha, the Doctor will not. Dalek Sec: You have no way of resisting! The Doctor: Mm, you got me there. [withdrawing the sonic screwdriver] Although, there is always this. Dalek Sec: A sonic probe? The Doctor: [with jocular bravado] That's screwdriver. Dalek Sec: It is harmless. The Doctor: Ohh, yes. Harmless is just the word: that's why I like it! Doesn't kill, doesn't wound, doesn't maim. But I'll tell you what it does do: It is very good at opening doors. [He pushes the switch and the doors explode inwards; Jake's squad and some Cybermen run in and open fire.]
Russell T. Davies
You switched the days," I said, dismayed. "You blew the tire. You..." I trailed off, probably because the next words out of my mouth were either going to be "You are enough to do this?" or "You're destined for a life of crime." It was a toss-up either way.
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
Red. Out of all the colors, I liked red the best.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Hey, bodyguard. You better get down to the gymnasium. This jumbo pixie guy is killing your sister." "Really?" said Butler, unconvinced. "Really. Juliet just does not seem to be herself. She can't put two moves together. It's pathetic, really. Everybody is betting against her." "I see," said Butler, straightening. Mulch held the door. "It's going to make things really interesting when you show up to help." Butler grinned. "I'm not coming to help. I just want to be there when she stops faking." "Ah," said Mulch, comprehension dawning on his face. "So I should switch my bet to Juliet?" "You certainly should" said Butler.
Eoin Colfer
It all fucking disappeared when you were dancing, though. It made the world prettier. I liked it.
Penelope Douglas (Kill Switch (Devil's Night, #3))
The secret of life that everyone knew and everyone forgot was that we weren’t alone. We thought we were unique. We thought we were the first.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Enjoy your freedom while it lasts, Winter Ashby, because we’re not done,” Damon warned in a low voice that snaked through my ear, taunting me. “Grow up, learn things, and have fun in high school, but don’t change the little girl who loves it ‘in the black’, because I like you there, too. And I will be back for what’s mine when you’re old enough for bigger things.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Jesus Christ. She was beautiful. And mine. All mine whether she fucking liked it or not. She’d do this for me. Only for me from now on.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Any sensible ruler would have killed off Leonard, and Lord Vetinari was extremely sensible and often wondered why he had not done so. He'd decided that it was because, imprisoned in the priceless, inquiring amber of Leonard's massive mind, underneath that bright investigative genius was a kind of willful innocence that might in lesser men be called stupidity. It was the seat and soul of that force which, down the millennia, had caused mankind to stick its fingers in the electric light socket of the Universe and play with the switch to see what happened - and then be very surprised when it did.
Terry Pratchett (Jingo (Discworld, #21; City Watch, #4))
You were the only loner I knew who hated being alone
Penelope Douglas (Kill Switch (Devil's Night, #3))
The image of the “self-destructive artist” is a culturally implanted kill switch. Ignore it. Imagination is a weapon; you have been indoctrinated with these images so that if you discover the weapon, you will use it on yourself and save them the trouble.
Jason Louv (Hyperworlds, Underworlds)
Lord Bacchus, can you hear me? Nod if you can hear me." Bacchus dropped his hands and nodded. "You have never killed a Druid all by yourself, and you never will. Only with hordes of Bacchants and Roman legionnaires and the aid of Minerva have you ever managed to slay a single one of us. Your lackeys may get me eventually, and I know that I will never be able to slay you, but admit to yourself now that you, alone, will never prove my equal. The earth obeys me, son, not some petty god of grape and goblet." I switched to English for a postscript, "So suck on that, bitch.
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
Well, I have to say it’s mighty nice of them Daimons to clean up after themselves when you kill them. It’s much better than slaying an Arcadian. (He held his hands up to them.) Look, Ma, no mess. (Fang) Does Fang have an off switch? (Talon) (Looking a bit apologetic, Vane shook his head no.)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
I don’t know, baby,” I told her. “Just don’t let me go, okay?
Penelope Douglas (Kill Switch (Devil's Night, #3))
He jerked his head back, trying to head butt me. “Don’t fucking talk about that,” he growled. “I was drunk.” “All three times?” I teased, smiling. “Michael and Kai don’t know how close we got, do they?
Penelope Douglas (Kill Switch (Devil's Night, #3))
Elayne", she said softly as they resumed their climb, "if we are caught, I swear that before they kill us, or do whatever they do, I will beg them on bended knees to let me stripe you from top to bottom with the stoutest switch I can find!
Robert Jordan (The Great Hunt (The Wheel of Time, #2))
It’s no excuse,” I pointed out. And she agreed. “No, it’s not.” she said. “It’s a reason. Plain and simple. There’s always a reason why things are as they are.
Penelope Douglas (Kill Switch (Devil's Night, #3))
I need her to hurt me, because pain covers up pain, and if I feel one, I won’t feel the other.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Her heart was so shallow she couldn’t understand and know that I was real. Every moment with her, I was real. I would’ve been faithful, and I would’ve died protecting her.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Damon,” I whimpered, my chest caving again and again. “Say it again,” he growled. I gasped. “Damon.” “Who’s fucking you?” Oh, God, I was coming. “Damon Torrance,” I breathed out.
Penelope Douglas (Kill Switch (Devil's Night, #3))
You’re mine,” I said, kissing her mouth once as I humped her. “Mine.” I kissed her again. “Mine in that fountain. Mine in the locker room and in the janitor’s closet. Mine in the dean’s office.” I took her jaw in my hand. “You’ll have my kids and be my woman and fuck me, because that’s what I want.
Penelope Douglas (Kill Switch (Devil's Night, #3))
We’re going to rule the world, Rika.
Penelope Douglas (Kill Switch (Devil's Night, #3))
I hated him. He was everything bad that happened to me. But he was the only time—other than dancing—that I felt alive, too. Being with him was like dancing. Dancing with death.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Mr. Normal stepped forward and offered him a Scotch bottle. "You look like you could use some." Yeah, you think? Butch took a swig. "Thanks." "So can we kill him now?" said the one with the goatee and the baseball hat. Beth's man spoke harshly. "Back off, V." "Why? He's just a human." "And my shellan is half-human. The man doesn't die just because he's not one of us." "Jesus, you've changed your tune." "So you need to catch up, brother." Butch got to his feet. If his death was going to be debated, he wanted in on the discussion. "I appreciate the support," he said to Beth's boy. "But I don't need it." He went over to the guy with the hat, discreetly switching his grip on the bottle's neck in case he had to crack the damn thing over a head. He moved in tight, so their noses were almost touching. He could feel the vampire heating up, priming for a fight. "I'm happy to take you on, asshole," Butch said. "I'll probably end up losing, but I fight dirty, so I'll make you hurt while you kill me." Then he eyed the guy's hat. "Though I hate clocking the shit out of another Red Sox fan." There was a shout of laughter from behind him. Someone said, "This is gonna be fun to watch." The guy in front of Butch narrowed his eyes into slits. "You true about the Sox?" "Born and raised in Southie. Haven't stopped grinning since '04." There was a long pause. The vampire snorted. "I don't like humans." "Yeah, well, I'm not too crazy about you bloodsuckers." Another stretch of silence. The guy stroked his goatee. "What do you call twenty guys watching the World Series?" "The New York Yankees," Butch replied. The vampire laughed in a loud burst, whipped the baseball cap off his head, and slapped it on his thigh. Just like that, the tension was broken.
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
It freaks me out they're sort of involved, and yet, one day, Viv's stepmom is going to order Henley to kill Viv." "Tell me about it." Blue switched to an exaggerated shrewish voice. "By the way, garden boy, when you'e done trimming the hedges, could you cut out my daughter's heart and bring it to me so I can eat it? That's a lot to ask of someone you're paying minimum wage.
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
I’m pregnant.
Penelope Douglas (Kill Switch (Devil's Night, #3))
I love you,” he said. I immediately broke down, tears springing to my eyes. Happy tears.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Everything with him was like home.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Now,” I breathed out. “I want you now, Damon.” He sucked in air between his teeth. “Say that again. With my name.” “I want you now, Damon.
Penelope Douglas (Kill Switch (Devil's Night, #3))
And he wrapped his arms around me, holding me tight, and this was it. Right here. Everything I wanted to feel that brought me even more happiness than dancing did. He was still the boy, promising to kiss me again someday, and I was still her, never wanting to leave whatever little private world we created when we were together.
Penelope Douglas (Kill Switch (Devil's Night, #3))
And all I knew in that moment was that I would fight for nothing more than to keep her like this. Innocent and happy and pure
Penelope Douglas (Kill Switch (Devil's Night, #3))
I love you,” he said.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Fear made us feel alive.
Penelope Douglas (Kill Switch (Devil's Night, #3))
Challenges find us so we can become who we're meant to be,
Penelope Douglas (Kill Switch (Devil's Night, #3))
This is special. It's different. it's unique and all mine. She and I...we're alone in the universe. No one was us.
Penelope Douglas (Kill Switch (Devil's Night, #3))
I’d changed her forever. I’d bent and twisted and broken everything that made her the most beautiful thing that ever happened to me.
Penelope Douglas (Kill Switch (Devil's Night, #3))
When it was time to come clean, I couldn’t,” he said, his voice growing thick. “I just wanted to stay there with you. Behind the waterfall, in the shower, in the ballroom… Just stay with you.
Penelope Douglas (Kill Switch (Devil's Night, #3))
My chest swelled, aching like shit, and everything washed over me at once. Her smell, her warmth, her hair and body… My lungs caved, and I didn’t know why, but it felt so fucking good. I wrapped my arms around her like a steel band, almost feeling relief at holding something—or someone—for the first time in forever.
Penelope Douglas (Kill Switch (Devil's Night, #3))
It was all very…cute. Not bad if you wanted to hang out with some friends for a beer, but this wasn’t the real Devil’s Night. These people wore their black as a costume. For us, the costume was coming off.
Penelope Douglas (Kill Switch (Devil's Night, #3))
There is something like a switch in us that kills the individual in favor of the collective when people engage in communal dances, mass riots, or war. Your mood is now that of the herd. You are part of what Elias Canetti calls the rhythmic and throbbing crowd
Nassim Nicholas Taleb (Antifragile: Things That Gain From Disorder)
Why?” “Because I’m sick,” he answered. What? No one was that self-aware. Especially psychopaths.
Penelope Douglas (Kill Switch (Devil's Night, #3))
dove in, catching his bottom lip between my teeth and pushing us both through the pool house door. He stumbled back, snarling and
Penelope Douglas (Kill Switch (Devil's Night, #3))
A hideous ecstasy of fear and vindictiveness, a desire to kill, to torture, to smash faces in with a sledge hammer, seemed to flow through the whole group of people like an electric current, turning one even against one's will into a grimacing, screaming lunatic. And yet the rage that one felt was an abstract, undirected emotion which could be switched from one object to another like the flame of a blowlamp.
George Orwell (1984)
This week in live current events: your eyes. All power can be dangerous: Direct or alternating, you, socket to me. Plugged in and the grid is humming, this electricity, molecule-deep desire: particular friction, a charge strong enough to stop a heart or start it again; volt, re-volt-- I shudder, I stutter, I start to life. I've got my ion you, copper-top, so watch how you conduct yourself. Here's today's newsflash: a battery of rolling blackouts in California, sudden, like lightning kisses: sudden, whitehot darkness and you're here, fumbling for that small switch with an urgent surge strong enough to kill lesser machines. Static makes hair raise, makes things cling, makes things rise like a gathering storm charging outside our darkened house and here I am: tempest, pouring out mouthfulls of tsunami on the ground, I've got that rain-soaked kite, that drenched key. You know what it's for, circuit-breaker, you know how to kiss until it's hertz.
Daphne Gottlieb (Why Things Burn)
That I didn’t know what Trevor was doing, and it wasn’t supposed to go down like that, because out of all three of my friends, Will was the one I would always save first. That my pride and anger wouldn’t let me retreat, and that if he had been pulled to the ocean’s bottom, out of my reach, I would’ve followed him. I would’ve fucking followed him and rotted down there, close to wherever he was,
Penelope Douglas (Kill Switch (Devil's Night, #3))
The secret of life that everyone knew and everyone forgot was that we weren’t alone. We thought we were unique. We thought we were the first. No one has been through what I’ve been through. No one else is feeling this. No one knows what it’s like to be me. This is the first time anyone has endured what I’ve endured, right? They’re lies we tell ourselves, because we think we’re special. Because it would lessen the entitlement to suffer to know what we’re going through is not uncommon. It was a secret I never forgot and was able to use to keep things in perspective, so I could get through the shit in my head, but now... Now I wished I could forget it. I wanted to be alone.
Penelope Douglas (Kill Switch (Devil's Night, #3))
And I hated that I’d missed him. I hated that so fucking much. How I still felt the parts about him I loved when I didn’t know it was him I was with. How his arms around me still felt protective and how his whispers reminded me of when I loved the feel of them all over my neck.
Penelope Douglas (Kill Switch (Devil's Night, #3))
You taught me how to survive that day,” he said. “You taught me how to be strong and how to get to the next minute. And the next and the next. I could never forget, and when you came back in high school, and I had changed into this, because I’d seen so much shit,” he went on, “and my desires had morphed into something ugly and twisted, but I’d fucking survived, nonetheless, and didn’t swallow the bad for anyone anymore, because you had taught me how to get rid of the shit. I finally craved one more thing I realized had been missing when I laid eyes on you again.
Penelope Douglas (Kill Switch (Devil's Night, #3))
They program you to have no emotion – like if somebody sitting next to you gets killed you just have to carry on doing your job and shut up,‘ Steve Annabell, a British veteran of the Falkan War … ‘When you leave the service, when you come back from a situation like that, there’s no button they can press to switch your emotions back on. So you walk around like a zombie. They don’t deprogram you. If you become a problem they just sweep you under the carpet.
Chris Hedges
I shook my head. "I'm good, Nicky helped." Nicky looked at Edward. "She's having one of those what-if-killing-feels-really-good, doesn't-that-make-me-a-bad-person moments." Edward nodded as if that made perfect sense. "Then it feels good. We can't really control what flips our switch; don't judge it, Anita, and just accept it." I wanted to argue, but it would have been beyond stupid to argue with the two sociopaths in my life. "Why do I have moral quandary questions with the two of you?" "Because you don't really have moral quandaries about violence, Anita, but you're afraid of being judged for enjoying it, so you only bring it to the two people in your life who won't judge you." I wanted to argue with Edward, but I couldn't. "Well, fuck.
Laurell K. Hamilton (Affliction (Anita Blake, Vampire Hunter, #22))
Ren crossed his arms over his chest. "is it LoJacked?" "Of course," Andy said indignantly. "That's my baby. I even have a kill switch on her." "Then stop the engine." Andy appeared downright horrified by Ren's suggestion. "Are you out of your mind? What if someone hits it for stalling? I had that thing on order for over a year. Custom hand built. The epitome of German engineering. I even paid extra for the paint on her. Ain't no way I'm going to chance someone denting my baby. Or, God forbid, totaling it." Jess rolled his eyes at the boy's hissy fit. If he kept that up, he'd be putting Andy back in diapers. He turned to Ren. "You take the air. I'll get a bike." Then he focused his attention on Andy again. "And you-" Andy held his cell phone out to him. "Have an app. Track her down, get my car back, and beat the hell out of her...in that precise order.
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
If I walked too far and wondered loud enough the fields would change. I could look down and see horse corn and I could hear it then- singing- a kind of low humming and moaning warning me back from the edge. My head would throb and the sky would darken and it would be that night again, that perpetual yesterday lived again. My soul solidifying, growing heavy. I came up to the lip of my grave this way many times but had yet to stare in. I did begin to wonder what the word heaven meant. I thought, if this were heaven, truly heaven, it would be where my grandparents lived. Where my father's father, my favorite of them all, would lift me up and dance with me. I would feel only joy and have no memory, no cornfield and no grave. You can have that,' Franny said to me. 'Plenty of people do.' How do you make the switch?' I asked. It's not as easy as you might think,' she said. 'You have to stop desiring certain answers.' I don't get it.' If you stop asking why you were killed instead of someone else, stop investigating the vaccum left by your loss, stop wondering what everyone left on Earth is feeling,' she said, 'you can be free. Simply put, you have to give up on Earth.' This seemed impossible to me. ... She used the bathroom, running the tap noisily and disturbing the towels. She knew immediately that her mother had bought these towels- cream, a ridiculous color for towels- and monogrammed- also ridiculous, my mother thought. But then, just as quickly, she laughed at herself. She was beginning to wonder how useful her scorched-earth policy had been to her all these years. Her mother was loving if she was drunk, solid if she was vain. When was it all right to let go not only of the dead but of the living- to learn to accept? I was not in the bathroom, in the tub, or in the spigot; I did not hold court in the mirror above her head or stand in miniature at the tip of every bristle on Lindsey's or Buckley's toothbrush. In some way I could not account for- had they reached a state of bliss? were my parents back together forever? had Buckley begun to tell someone his troubles? would my father's heart truly heal?- I was done yearning for them, needing them to yearn for me. Though I still would. Though they still would. Always.
Alice Sebold (The Lovely Bones)
My smile froze, remembering the beating I let him give me last year, because I knew I deserved it. I’d knelt there, letting him hit me again and again, because I wanted to feel worse on the outside than I did on the inside, and for so many moments, I just wanted him to kill me. Just kill me, because I can’t take it back, and I can’t move on. I’d almost killed him. And I wanted him to hate me so hard he would fucking murder me, and then maybe, after his anger was spent, he’d love me again. Whether I lived or died, he needed to forgive me for standing by and letting Michael’s brother do what he did on that yacht that night.
Penelope Douglas (Kill Switch (Devil's Night, #3))
I told her that I wanted you,” I went on. “That you loved me, because there was no faking what happened in that fucking video, and I told her that I loved you, too, and I was sorry for stealing you the way I did, but it was the only way I could get close to you.” Her breath shook as she sucked it in between her teeth. “I told her that I never intended for anyone to see that video,” I admitted, “and I needed time. Time to convince you that you were mine and that you wanted to be mine. We just needed to be left alone.
Penelope Douglas (Kill Switch (Devil's Night, #3))
A switch flipped in me. It was like one of those breaker switches...Like on a circuit box. You know how they take a lot of pressure to flip? But then once they catch, they switch over with force? I switched over. I knew, right then and there, that I needed to get away from this person. That I had to take care of myself. Because if I didn't... He wasn't gonna kill me but he would let me die (276).
Taylor Jenkins Reid (Daisy Jones & The Six)
Perfect! Now we’re being chased by hoards of monkeys! Perhaps you would care to name their species as we’re attacked, just so I can appreciate the special traits of said monkey as it kills me!” He ran along beside me. “At least when the monkeys are harassing you, you don’t have time to harass me!” The monkeys were getting close. I almost tripped over one as it darted in front of my legs. Ren leapt over a fountain with his tiger power. Show-off. “Ren, you’re holding back. Just get out of here! Take the backpack and go.” He laughed acerbically as he ran ahead of me; then, he turned to look at me while jogging backward. “Ha! You wish you could get rid of me that easily!” He ran a bit farther ahead of me and switched to the tiger. Then he barreled back toward me and actually leapt over my running body into the throng of monkeys to slow them down. I shouted back at him while still running, “Hey! Careful where you jump, Mister! You almost took my head off!
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The idea of killing himself was now more real to him than it had ever been, and he understood for the first time how it is that men can prefer extinction to the continuation of agonizing mental pain. He simply must somehow stop himself from suffering in this way. A guilt about Sophie roved sharply inside him and a cinematograph in his head re-enacted and re-enacted certain scenes. He must, he thought, now somehow switch himself off or else move on into some new and even more awful mode of being.
Iris Murdoch (The Sacred and Profane Love Machine)
because out of all three of my friends, Will was the one I would always save first. That my pride and anger wouldn’t let me retreat, and that if he had been pulled to the ocean’s bottom, out of my reach, I would’ve followed him. I would’ve fucking followed him and rotted down there, close to wherever he was, because nothing I would’ve acquired after that—my inheritance or my vengeance on Winter—would’ve been worthwhile without him.
Penelope Douglas (Kill Switch (Devil's Night, #3))
How do you feel about a little bait and switch?” Kelly licked his lips, then grinned slowly. “Sounds about as fun as you bending me over one of those interrogation desks.” Nick groaned and pushed his chair back so they were no longer in contact. “Don’t fucking tempt me, okay? Those rooms have video feeds.” “Really? Do they record?” Nick had to get up and walk away as Kelly laughed merrily at his desk. “You’re killing me, Kels,” he called over his shoulder. “Killing me!
Abigail Roux (Shock & Awe (Sidewinder, #1))
I am fearful most men of this age are like you. They have forgotten what it is to huddle in a hut with the beasts and demons howling outside their door. They no longer have want of a great and terrible spirit to protect them. They have lost their fear of the wild and with it their need to believe. And I cannot blame them, for they now have the power to chase away the shadows with a mere flick of a switch. So I must ask myself, what role can I play in a world where men worship the moving-picture box, where they make and consume potions that eat away their own brains, where they ravage and pillage entire mountains, kill the very earth itself? “Mankind has lost its connection to the land, to the earth, to the beasts and spirits. They gather their food not from the forest and fields, but from plastic bins and ice boxes. Their lives are no longer tied to the cycles of the seasons and the harvest, no longer do they need the Yule Lord to chase away the winter darkness and usher in the light of spring. Man has only himself to fear now . . . he has become his own worst devil.
Brom (Krampus: The Yule Lord)
That some advantages might have resulted from such a precaution [of supermajority rule], cannot be denied,” he writes. “It might have been an additional shield to some particular interests, and another obstacle generally to hasty and partial measures.” But then Madison proceeds to explain why “these considerations are outweighed by the inconveniences in the opposite scale.” If a minority was allowed to block a majority, he writes, then “in all cases where justice or the general good might require new laws to be passed, or active measures to be pursued, the fundamental principle of free government would be reversed. It would be no longer the majority that would rule; the power would be transferred to the minority
Adam Jentleson (Kill Switch: The Rise of the Modern Senate and the Crippling of American Democracy)
Brandon,” Marc said. “Say something so she can hear you.” “You’re in deep shit, Kayli,” Brandon said. “Can he hear me?” I asked Marc. “I can hear you,” Brandon said in my ear, a little fuzzy, like he was standing in another room with the door closed, but I could make out what he was saying. “Just wait until I get a hold of you.” “Raven,” I pretended to plea. “Brandon said he was going to hurt me.” “I’ll kill him,” he said. He jammed his own ear plug into his noggin. “Corey? Yeah. Hit your brother once for me. No, in the dick. No, he won’t hit you back. I promise.” “Cut it out, you guys,” Marc said. “How come I can’t hear Corey?” I asked. “I get Corey,” Raven said. “You get Brandon.” “I want to switch.” “I said stop,” Marc barked at us. Stone, C. L. (2014-02-24). Thief: The Scarab Beetle Series: #1 (The Academy Scarab Beetle Series) (Kindle Locations 5192-5200). Arcato Publishing. Kindle Edition.
C.L. Stone (Thief (The Scarab Beetle, #1))
Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in. The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground. Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again. Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get. This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here. ("New York Blues")
Cornell Woolrich (Night and Fear: A Centenary Collection of Stories by Cornell Woolrich (Otto Penzler Book))
The choice is yours.Either way, I will be faultless. So ask yourself, would you rather take credit for an eyesore or for a work of art?" His speech complete, he sank onto the sofa, stretching his arms out across its back, a grin spreading across his face. I had not thought this through, that much was evident, but now that I had commenced it, I would not give n to him. "You could change. More easily than could I." "True," he ackowledged with a chuckle. "But I look perfect." "Well,I'm sure you could look perfect in something else." "Oh,doubtless, but why duplicate what is perfect when one could improve what is not?" I wanted to kill him. I wanted to close that infuriatingly divine mouth once and for all, and if ending his life were the way to do it, I was willing to take that step.Instead, I took a deep breath and tried again. "If I change, my hair will be ruined." "You know,dear, something really should be done about your hair in any case. I told you to wear it down. And mind you switch tiaras." "We're almost last as it is," blustered, trying to keep my tone civil, thought inside I was burning. "You could change more quickly." "Not necessarily.You already know the gown into which you will change. I would have to search for something less elegant to match the dress you have on, but still formal enough for the occasion. And honestly,have you ever seen me in anything that might go with sky blue?" I fell silent, for as much as I hated to admit it, he had a valid argument. He generally wore dark or rich colors, nothing similar to my gown. I despised myself for what I was about to do. "I'll wait," Steldor said, accurately reading my expression.
Cayla Kluver (Allegiance (Legacy, #2))
Not if you’ve been where we have. Forty years ago, in Südwest, we were nearly exterminated. There was no reason. Can you understand that? No reason. We couldn’t even find comfort in the Will of God Theory. These were Germans with names and service records, men in blue uniforms who killed clumsily and not without guilt. Search-and-destroy missions, every day. It went on for two years. The orders came down from a human being, a scrupulous butcher named von Trotha. The thumb of mercy never touched his scales.” “We have a word that we whisper, a mantra for times that threaten to be bad. Mba-kayere. You may find it will work for you. Mba-kayere. It means ‘I am passed over.’ To those of us who survived von Trotha, it also means that we have learned to stand outside our history and watch it, without feeling too much. A little schizoid. A sense for the statistics of our being. One reason we grew so close to the Rocket, I think, was this sharp awareness of how contingent, like ourselves, the Aggregat 4 could be—how at the mercy of small things…dust that gets in a timer and breaks electrical contact…a film of grease you can’t even see, oil from the touch of human fingers, left inside a liquid-oxygen valve, flaring up soon as the stuff hits and setting the whole thing off—I’ve seen that happen…rain that swells the bushings in the servos or leaks into a switch: corrosion, a short, a signal grounded out, Brennschluss too soon, and what was alive is only an Aggregat again, an Aggregat of pieces of dead matter, no longer anything that can move, or that has a Destiny with a shape—stop doing that with your eyebrows, Scuffling. I may have gone a bit native out here, that’s all. Stay in the Zone long enough and you’ll start getting ideas about Destiny yourself.
Thomas Pynchon (Gravity’s Rainbow)
It all suddenly made me nervous, and a little, tiny, baby bit worried. Pulling one of the stools at the island back, I plopped into it and simply stared at that discolored, harsh face in unease. “I just want to know whether I need to steal a bat or make a phone call.” His mouth had been open and poised to argue with me… until he heard the last thing I said. “What?” “I need to know—” “What do you need to steal a bat for?” “Well, no one I know owns one, and I can’t go buy one at the store and have it caught on videotape.” “Videotape?” Did he know nothing? “Aiden, come on, if you beat the shit out of someone with a bat, they’re going to look for suspects. Once they have suspects, they’ll look through their things or their purchases. They’ll see I bought one recently and know it was premeditated. Why are you looking at me like that?” His mauve-colored eyelids went heavy over the bright whites of his eyes, and the expression on his face was filled such a vast range of emotions, one after another after another, that I wasn’t sure which one I was supposed to hold on to. He switched the icepack to the other side of his bruised jaw and shook his head. “The amount you know about committing crimes is terrifying, Van.” His mouth twitched under the rainbow of whatever he was thinking. “It scares the hell out of me, and I don’t get scared easily.” I snorted, pretty pleased with myself. “Calm down. I went through this phase when I was into watching a lot of crime TV shows. I’ve never even stolen a pen in my life.” Aiden’s careful expression didn’t go anywhere. “I’m not trying to kill anyone… unless we had to,” I joked weakly. His nostrils flared so slightly I almost missed it. But what I didn’t miss was the way the corners of his mouth tipped up into a tiny smile. I smiled at him as innocently as possible. “So do you want to tell me who’s going to get the fists of fury?” I hoped I sounded as harmless as I intended, even though I felt the exact opposite as every second passed. “Fists of fury?” “Yep.” I held up my hands just a little so he could see them. He had no idea the number of fights I’d gotten into with my sisters over the years. I didn’t always win—I rarely won if I was going to be honest—but I never gave up. The sigh that came out of him was so long and drawn out, I kind of prepped myself for the half-assed answer that was going to come out of his mouth. “It’s nothing.” There it was
Mariana Zapata (The Wall of Winnipeg and Me)
When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!
Anna Banks (Of Poseidon (The Syrena Legacy, #1))