Beard Comb Quotes

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Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
As a house elf, would you rather be responsible for combing Hagrid’s beard or washing Snape’s greasy hair?
Miranda Kenneally (Stealing Parker (Hundred Oaks, #2))
He buried his head in the lawn, letting his smooth cheeks feel the softness of the earth and be tickled by the short blunt spears of grass. Suddenly he wanted to do something heroic and brutal. He pulled handfuls of grass out of its roots, experiencing a crazy satisfaction at the ugly grating sound it produced like a limb being torn from limb! He dug his nails into the soft, wet earth, wanting suddenly to break it up, to disfigure it, to wreck his vengeful will upon it! He picked a rose from a bush nearby and plucked its petals one by one, letting them fall in a crumpled heap. He got his finger pricked by a thorn but when he sucked at the injured spot, the blood, his own blood, tasted bitter - and good - on his tongue. Then he retired to his room exhausted yet strangely satisfied. But he was pursued by someone even in his sleep. It was the same "other woman" of his childhood dreams and she was still screaming, "I am Woman, the daughter of Woman. Thou shalt not escape me." But when she came near, Anwar saw that she had an oval face, framed by a halo of dark curly hair, with big black innocent eyes! Next morning, as he looked into the mirror to comb his hair, Anwar saw the downy growth of hair, the beginnings of a beard on his cheeks and chin.
Khwaja Ahmad Abbas (Inqilab)
Pickwick was bought by a man who had an earring and by a man with a luxuriant moustache and by a man who catalogued butterflies and by a man who had bought shark’s fins at the wharf to make soup and by a man with a beard who carried a radical newspaper who attended agitated assemblies and by a man in a scruffy coat, who wrote short pieces for magazines and by a man wheeling a barrow of exotic shrubs he would sell at his nursery. One of these had a brother who was a respectable alderman; the cousin of another was a priest; another played whist with a banker; the buyer of radical literature had a friend in the Whigs; the nurseryman knew a doctor and several lawyers; the man with the moustache had a friend in the senior ranks of the cavalry; the scruffy man knew several editors. There was also a little middle-aged hawker called Knox, recognizable on the city streets by his plaid jacket, though his pinched cheeks, pointed chin and combed red side whiskers ere never conducive to anonymity.
Stephen Jarvis (Death and Mr. Pickwick)
As they formed into ranks, each man dropping silently into his place, Sir Nigel ran a questioning eye over them, and a smile of pleasure played over his face. Tall and sinewy, and brown, clear-eyed, hard-featured, with the stern and prompt bearing of experienced soldiers, it would be hard indeed for a leader to seek for a choicer following. Here and there in the ranks were old soldiers of the French wars, grizzled and lean, with fierce, puckered features and shaggy, bristling brows. The most, however, were young and dandy archers, with fresh English faces, their beards combed out, their hair curling from under their close steel hufkens, with gold or jewelled earrings gleaming in their ears, while their gold-spangled baldrics, their silken belts, and the chains which many of them wore round their thick brown necks, all spoke of the brave times which they had had as free companions. Each had a yew or hazel stave slung over his shoulder, plain and serviceable with the older men, but gaudily painted and carved at either end with the others. Steel caps, mail brigandines, white surcoats with the red lion of St. George, and sword or battle-axe swinging from their belts, completed this equipment, while in some cases the murderous maule or five-foot mallet was hung across the bowstave, being fastened to their leathern shoulder-belt by a hook in the centre of the handle. Sir Nigel's heart beat high as he looked upon their free bearing and fearless faces.
Arthur Conan Doyle (The White Company)
Kato’s expression shifts into something I could almost call a smile for the first time since I found him. He plucks the chordsagain in the beginnings of a tune I recognize, a ballad popular in southern Sinta. His fingers move with skill and subtlety over the strings. I had no idea he was musical. “Maybe we’re not meant to kill it.” He keeps playing. “Doesn’t music soothe the beast? I’ll play, you sing.” “I sound like a strangled Satyr when I sing.” He smiles. “Somehow that doesn’t surprise me.” “There’s no need for mudslinging,” I say with a huff. He chuckles softly. “I can carry a tune.” “Great!” I pat his arm. “That’ll be your job. I’ll stand back—waaaaay back—while you calm the beast. I’m confident you’ll sound as good as you look.” His chest puffs out. “How do I look?” “Terrible.” I grin. “You needed a bath, a shave, and a comb before we even set foot on the Ice Plains. Now, I can just barely make out your eyes and your nose. The rest is all”—I flap my hands around—“hair.” His chest deflates. He eyes me wryly. “I could say the same about you.” I gasp. “I grew a beard? Do you think Griffin will like it? I’ve been trying to keep it neat, but I may have picked up an eel.” Kato laughs outright, and he really is unbearably handsome. Some of the grimness evaporates from his eyes. “I was talking about this.” He gives one of my tousled waves a light tug. I once saw Griffin do that to Kaia. It’s brotherly. Affectionate. My heart squeezes in my chest. My love for Griffin is completely different, but Kato has a piece of me that no man ever had, not even Aetos. Kato sees me, and accepts. In that moment, I realize he’s slipped inside my soul right next to Eleni. They’re a blond-haired, blue-eyed, sunny pair—my light in the dark. Clearing my throat doesn’t drive away the thick lump in it, or dispel the sudden tightness, so I make a show of smoothing down my hair—a lost cause at this point. “Ah, that. It’s getting to the stage where it deserves a name. The Knotted Nest? The Twisted Tresses?” “What about the Terrible Tangle?” I nod. “That has serious possibilities.” “The Matted Mess?” he suggests. My jaw drops. “It’s not that bad!” Grinning, Kato pats my head. “Let’s get out of here.” Yes, please! “I have your clothes. They’re even dry, thanks to your Eternal Fires of the Underworld Cloak.” He quirks an eyebrow, taking the things I hand him. “That gets a name, too?” “I should think so,” I answer loftily.
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
When he lifted his head, Savannah nearly pulled him back to her. He watched her face, her eyes cloudy with desire, her lips so beautiful, bereft of his. “Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul, I can see it shining in your eyes.” She touched his face, her palm molding his strong jaw. Why couldn’t she resist his hungry eyes? “I think you’re casting a spell over me. I can’t remember what we were talking about.” Gregori smiled. “Kissing.” His teeth nibbled gently at her chin. “Specifically, your wanting to kiss that orange-bearded imbecile.” “I wanted to kiss every one of them,” she lied indignantly. “No, you did not. You were hoping that silly fop would wipe my taste from your mouth for all eternity.” His hand stroked back the fall of hair around her face. He feathered kisses along the delicate line of her jaw. “It would not have worked, you know. As I recall, he seemed to have a problem getting close to you.” Her eyes smoldered dangerously. “Did you have anything to do with his allergies?” She had wanted someone, anyone, to wipe Gregori’s taste from her mouth, her soul. He raised his voice an octave. “Oh, Savannah, I just have to taste your lips,” he mimicked. Then he went into a sneezing fit. “You haven’t ridden until you’ve ridden on a Harley, baby.” He sneezed, coughed, and gagged in perfect imitation. Savannah punched his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. “It was you doing all that to him! The poor man— you damaged his ego for life. Each time he touched me, he had a sneezing fit.” Gregori raised an eyebrow, completely unrepentant. “Technically, he did not lay a hand on you. He sneezed before he could get that close.” She laid her head back on the pillow, her ebony hair curling around his arm, then her arm, weaving them together. His lips found her throat, then moved lower and found the spot over her breast that burned with need, with invitation. Savannah caught his head firmly in her hands and lifted him determinedly away from her before her treacherous body succumbed completely to his magic. “And the dog episode?” He tried for innocence, but his laughter was echoing in her mind. “What do you mean?” “You know very well what I mean,” she insisted. “When Dragon walked me home.” “Ah, yes, I seem to recall now. The big bad wolf decked out in chains and spikes, afraid of a little dog.” “Little? A hundred-and-twenty-pound Rottweiler mix? Foaming at the mouth. Roaring. Charging him!” “He ran like a rabbit.” Gregori’s soft, caressing voice echoed his satisfaction. He had taken great pleasure in running that particular jackass off. How dare the man try to lay a hand on Savannah? “No wonder I couldn’t touch the dog’s mind and call him off. You rotten scoundrel.” “After Dragon left you, I chased him for two blocks, and he went up a tree. I kept him there for several hours, just to make a point. He looked like a rooster with his orange comb.” She laughed in spite of her desire not to. “He never came near me again.” “Of course not. It was unacceptable,” he said complacently, with complete satisfaction, the warmth of his breath heating her blood.
Christine Feehan (Dark Magic (Dark, #4))
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy: [...] a stranger among strangers, myself the strangest because I could never bring myself to enter adolescence, but kept it about like a bit of lunch you think you may eat later, and later come upon at the bottom of a bag, dry as dust, at the back of the refrigerator, bearded with mold, or caked like sperm in the sock you've fucked, so that gingerly, then, you throw the mess out, averting your eyes, just as Rainer complained he never had a childhood—what luck!—never to have suffered birthpang, nightfear, cradlecap, lake in your lung; never to have practiced scales or sat numb before the dentist's hum or picked your mother up from the floor she's bled and wept and puked on; never to have been invaded by a tick, sucked by a leech, bitten by a spider, stung by a bee, slimed on by a slug, seared by a hot pan, or by paper or acquaintance cut, by father cuffed; never to have been lost in a crowd or store or parking lot or left by a lover without a word or arrogantly lied to or outrageously betrayed—really what luck!—never to have had a nickel roll with slow deliberation down a grate, a balloon burst, toy break; never to have skinned a knee, bruised a friendship, broken trust; never to have had to conjugate, keep quiet, tidy, bathe; to have lost the chance to be hollered at, bullied, beat up (being nothing, indeed, to have no death), and not to have had an earache, life's lessons to learn, or sums to add reluctantly right up to their bitter miscalculated end—what sublime good fortune, the Greek poet suggested—because Nature is not accustomed to life yet; it is too new, too incidental, this shiver in the stone, never altogether, and would just as soon (as Culp prefers to say) cancer it; erase, strike, stamp it out— [...]
William H. Gass (The Tunnel)
I don't see what's so funny about a man combing his beard," he muttered, and put way his comb.
Octavia E. Butler (Parable of the Sower (Earthseed, #1))
Montreal November 1704 Temperature 34 degrees “Girl! English, eh? What is your name? Indians stole you, eh? I’ll send news to your people.” His excellent speech meant that he did a lot of trading with the English. It meant, Mercy prayed, that he liked the English. She found her tongue. “Will you take me to France, sir? Or anywhere at all? Wherever you are going--I can pay.” He raised his eyebrows. “You do not belong to an Indian?” She flushed and knew her red cheeks gave their own answer, but rather than speaking, she held out the cross. The sun was bright and the gemstones even brighter. The man sucked in his breath. He leaned very close to her to examine the cross. “Yes,” he said. “It is worth much.” He straightened up slowly, his eyes traveling from her waist to her breast to her throat to her hair. The other sailors also straightened, and they too left their work, drawn by the glittering cross. “So you want to sail with me, girl?” He stroked her cheek. His nails were yellow and thick like shingles, and filthy underneath. He twined her hair into a hank, circling it tighter and tighter, as if to scalp. “You are the jewel,” he said. “Come. I get a comb and fix this hair.” The other sailors slouched over. They pressed against her and she could not retreat. He continued to hold her by the hair, as if she were a rabbit to be skinned. She could see neither river nor sky, only the fierce grins of sailors leaning down. “Eh bien,” said the Frenchman, returning to his own tongue. “This little girl begs to sail with us,” he told his men. “What do you say, boys?” He began laughing. “Where should she sleep? What am I bid?” She did not have enough French to get every word, but it was the same in any language. The sailors laughed raucously. Indians had strong taboos about women. Men would not be with their women if they were going hunting or having important meetings, and certainly not when going off to war. She had never heard of an Indian man forcing himself on a woman. But these were not Indians. She let the cross fall on its chain and pushed the Frenchman away, but he caught both her wrists easily in his free hand and stretched her out by the wrists as well as by the hair. Tannhahorens pricked the white man’s hand with the tip of his scalping knife. White men loading barrels stood still. White sailors on deck ceased to move. White passersby froze where they walked. The bearded Frenchman drew back, holding his hands up in surrender. A little blood ran down his arm. “Of course,” he said, nodding. “She’s yours. I see.” The sailors edged away. Behind them now, Mercy could see two pirogues of Indians drifting by the floating dock. They looked like Sauk from the west. They were standing up in the deep wells of their sturdy boats, shifting their weapons to catch the sun. Tannhahorens did not look at Mercy. The tip of his knife advanced and the Frenchman backed away from it. He was a very strong man, possibly stronger than Tannhahorens. But behind Tannhahorens were twenty heavily armed braves. The Frenchman kept backing and Tannhahorens kept pressing. No sailor dared move a muscle, not outnumbered as they were. The Sauk let out a hideous wailing war cry. Mercy shuddered with the memory of other war cries. Even more terrified, all the French took another step back--and three of them fell into the St. Lawrence River. The Sauk burst into wild laughter. The voyageurs hooted and booed. The sailors threw ropes to their floundering comrades, because only Indians knew how to swim.
Caroline B. Cooney (The Ransom of Mercy Carter)
Your readers do.” His fingers yanked through his thick beard in a combing manner. His eyes were in the corner of the room. “My real ones, the ones that trust me to be the author and don’t try to co-write my stories know I wouldn’t have taken you on if you were not good at the core and redeemable.” He finally looked at me. “I can work with you.” “I just don’t like the way I’m being perceived.
Love Belvin (Bonded with Ezra (Love Unaccounted #3))
...imagine you’re minding your own business, walking down the mall, looking for the perfect beard comb. Suddenly, out of nowhere, a midget ninja jumps out from behind one of those shiatsu massage chairs and rapid punches you in the stomach and lower back.
Philip Rivera (Suburban Luchador: Tales From the Burb Side (a short preview))
Moving to stand between his spread knees, she began washing his face with gentle strokes of the cloth over his smooth, tan brow. His eyes drifted closed, and she took the opportunity to drink in his stunning masculinity. Cinnamon-colored beard stubbled his strong jaw since he hadn’t shaved in more than a day. His nose was straight and broad and slightly reddened by the sun. Between his proud cheekbones and slashing eyebrows, a shade darker than his dark-blond hair, he looked every bit as intimidating as she’d first found him at Berringer’s field. Except now, she wasn’t afraid. Now, he was hers. Tentative wonder filled her chest. She set down the cloth and, starting at the tips, began combing her fingers through the wind-blown tangles falling around his face. The prolific number of split ends didn’t detract from the beauty of his majestic mane. In fact, they leant his soft locks a roughness that reminded her of the way his warrior exterior disguised the core of vulnerability he hid from the world. What she wouldn’t give to see his hair washed and combed properly, to have those strands skate over the bare skin of her stomach, her breasts. She sighed. She was a goner for Darcy.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
His hair and beard were dramatically sheared, clipped short and neatly trimmed. He had grocery sacks in his arms. He tried not to, but it was obvious, he was smiling. “Ian!” “It’s me. You expecting someone else?” She looked up at him and forgot everything. “What have you done?” He walked straight to the table and put down his sacks. “I have more stuff to get, so sit tight.” And he left the cabin again. When he returned with a couple of boxes stacked high on top of each other, she was sitting in the same place. He put those on the table, as well. Then he finally turned toward her, letting her look him over. She stood and took slow steps toward him and her hand rose to touch his cheek. Where there had been a good five or six inches of bushy beard was now less than a half inch of brownish-red beard, combed into place, soft as down. Even his neck was shaved. “Where is my wilderness lunatic?” He
Robyn Carr (A Virgin River Christmas (Virgin River #4))
Beast. Born Catcher Coffey—isn't that a great name?—in Nashville, Tennessee, the man's a former MMA champion turned Death by Daybreak henchman. He's tall, wide, muscular, and covered in tattoos and piercings. Like, model for GQ level bad boy. One half of his head is buzzed short, the rest of his dirty blonde hair combed over to one side. With the beard, the nose ring, and the massive black and red eclipse tattoo on his right arm, he looks like a fucking beast.
C.M. Stunich (I Was Born Ruined (Death by Daybreak MC #1))
He was a dark, handsome man. The kind who just needed a shave and he'd be perfect. His chiseled jawline was covered in stubble that was almost a full beard, his eyes were gold with a dark-brown perimeter, and he had curly raven-black hair combed back from his forehead. Overall, he had a definite Mediterranean look to him. It was Deacon Tremblay. She didn't need the internet to verify his identity. His picture, his profile, his every feature were embedded in the minds of all American women. Probably in the minds of international women too.
Jaime Jo Wright (The Vanishing at Castle Moreau)
There was precious little nobility in the features of the High King's fleshy face. Like his body, his face was broad and heavy, with a wide stub of a nose, a thick brow, and deep-set eyes that seemed to look out at the world with suspicion and resentment. His hair and beard were just beginning to turn grey, but they were well combed and glistening with fresh oil perfumed... heavily... He was broad of shoulder and body, built like a squat turret, round and thick from neck to hips. He wore a sleeveless coat of gilded chain mail over his tunic... Over the mail was a harness of gleaming leather, with silver buckles and ornaments. A jewelled sword hung at his side. His sandals had gold tassels on their thongs.
Ben Bova
I see rather than hear a guy in a suit and tie knocking on my door.  I wave him in, he opens the door and starts strolling toward my desk, he’s followed by two long haired, bearded, overweight, scruffy looking assholes both wearing glasses, short sleeved white shirts with their shirt breast pocket full of pens and little ruler looking things, complete with pocket protectors.       He’s wearing a really cheap looking blue suit, that’s been worn shiny slick and had to be right out of the 50’s.  The suit is adorned with a greasy looking; really wide tie that had more soup stains than Campbell’s.  To complete his ensemble he’s chosen a pair of shit brown shoes that hadn’t seen polish since they were new, which had to be a long time ago.  To top it all off, he’s sporting the most massive “Comb Over” on his head I’ve ever seen.  On the left side of his head was a “Tuft” of very thin gray hair.  He’d allowed this to grow until he could comb it all the way over the top of his bald head and down to his right ear.  I couldn’t help but stare.      Marines are first impression people and if you present a poor one, they generally will turn you off immediately. 
W.R. Spicer (Sea Stories of a U.S. Marine Book 4 Harrier)
In no particular hurry, he swaggers toward us. Today, he’s in a deep blue suit that was probably handmade in Italy by a group of virgin monks and flown across the Atlantic on the back of a unicorn. His hair is perfectly combed. His beard is perfectly trimmed. His aura of sexual magnetism is perfectly devastating.
J.T. Geissinger (Liars Like Us (Morally Gray, #1))
For I will tell you, O Romans, of what classes of men those forces are made up, and then, if I can, I will apply to each the medicine of my advice and persuasion. There is one class of them, who, with enormous debts, have still greater possessions, and who can by no means be detached from their affection to them. Of these men the appearance is most respectable, for they are wealthy, but their intention and their cause are most shameless. Will you be rich in lands, in houses, in money, in slaves, in all things, and yet hesitate to diminish your possessions to add to your credit? What are you expecting? War? What! in the devastation of all things, do you believe that your own possessions will be held sacred? do you expect an abolition of debts? They are mistaken who expect that from Catiline. There may be schedules made out, owing to my exertions, but they will be only catalogues of sale. […] But I think these men are the least of all to be dreaded, because they can either be persuaded to abandon their opinions, or if they cling to them, they seem to me more likely to form wishes against the republic than to bear arms against it. There is another class of them, who, although they are harassed by debt, yet are expecting supreme power; they wish to become masters. They think that when the republic is in confusion they may gain those honours which they despair of when it is in tranquillity. […] And if they had already got that which they with the greatest madness wish for, do they think that in the ashes of the city and blood of the citizens, which in their wicked and infamous hearts they desire, they will become consuls and dictators and even kings? Do they not see that they are wishing for that which, if they were to obtain it, must be given up to some fugitive slave, or to some gladiator? There is a third class, already touched by age, but still vigorous from constant exercise; of which class is Manlius himself; whom Catiline is now succeeding. These are men of those colonies which Sulla established at Faesulae, which I know to be composed, on the whole, of excellent citizens and brave men; but yet these are colonists, who, from becoming possessed of unexpected and sudden wealth, boast themselves extravagantly and insolently; these men, while they build like rich men, while they delight in farms, in litters, in vast families of slaves, in luxurious banquets, have incurred such great debts, that, if they would be saved, they must raise Sulla from the dead; and they have even excited some countrymen, poor and needy men, to entertain the same hopes of plunder as themselves. And all these men, O Romans, I place in the same class of robbers and banditti. […] There is a fourth class, various, promiscuous and turbulent; who indeed are now overwhelmed; who will never recover themselves; who, partly from indolence, partly from managing their affairs badly, partly from extravagance, are embarrassed by old debts; and worn out with bail bonds, and judgments, and seizures of their goods, are said to be betaking themselves in numbers to that camp both from the city and the country. […] There is a fifth class, of parricides, assassins, in short of all infamous characters, whom I do not wish to recall from Catiline, and indeed they cannot be separated from him. Let them perish in their wicked war, since they are so numerous that a prison cannot contain them. There is a last class, last not only in number but in the sort of men and in their way of life; the especial body-guard of Catiline, of his levying; yes, the friends of his embraces and of his bosom; whom you see with carefully combed hair, glossy, beardless, or with well-trimmed beards; with tunics with sleeves, or reaching to the ankles; clothed with veils, not with robes; all the industry of whose life, all the labour of whose watchfulness, is expended in suppers lasting till daybreak. (Speech 2.17-23)
Marcus Tullius Cicero (In Catilinam I-IV ; Pro Murena ; Pro Sulla ; Pro Flacco)