Kidding Sister Quotes

We've searched our database for all the quotes and captions related to Kidding Sister. Here they are! All 200 of them:

I should have guessed you were Jace's sister," he said. "You both have the same artistic talent." Clary paused, her foot on the lowest stair. She was taken aback. "Jace can draw?" Nah." When Alec smiled, his eyes lit like blue lamps and Clary could see what Magnus had found so captivating about him. "I was just kidding. He can't draw a straight line.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Once on a yellow piece of paper with green lines he wrote a poem And he called it "Chops" because that was the name of his dog And that's what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X's and he had to ask his father what the X's meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it "Autumn" because that was the name of the season And that's what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it "Innocence: A Question" because that was the question about his girl And that's what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle's Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three a.m. he tucked himself into bed his father snoring soundly That's why on the back of a brown paper bag he tried another poem And he called it "Absolutely Nothing" Because that's what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn't think he could reach the kitchen.
Stephen Chbosky (The Perks of Being a Wallflower)
Kids think with their brains cracked wide open; becoming an adult, I've decided, is only a slow sewing shut.
Jodi Picoult (My Sister's Keeper)
Sophia Mercer," Elodie intoned, "we have come to induct you into our sisterhood. Say the five words to begin the ritual." I blinked at her. "Are you freaking kidding me?" Anna gave an exasperated sigh. "No, the five words are 'I accept you offer, sisters.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
You can kid the world, but not your sister.
Charlotte Gray
no, no, it's not all random, if it really was all random, the universe would abandon us completely. and the universe doesn't. it takes care of its most fragile creations in ways we can't see. like with parents who adore you blindly. and a big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. and even a pink-haired girl who carries your picture in her wallet. maybe it is a lottery, but the universe makes it all even out in the end. the universe takes care of all its birds.
R.J. Palacio (Wonder (Wonder, #1))
A succubus on the set. Strike that, the health-conscious kid sister made it two… succubuses. Succubusees? Succubi? Stupid Latin correspondence course.
Jim Butcher (Blood Rites (The Dresden Files, #6))
I thought of all the different kinds of love in the world. I could think of ten without even trying. The way parents love their kids, the way you love a puppy or chocolate ice cream or home or your favorite book or your sister. Or your uncle. There's those kinds of love and then there's the other kind. The falling kind.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Parenting is really just a matter of tracking, of hoping your kids do not get so far ahead you can no longer see their next moves.
Jodi Picoult (My Sister's Keeper)
I'm not an actress and I suck at lying. I am also far from being a seductress. It's hard to practice the art of seduction when you're always pushing your kid sister around in her wheelchair. Not to mention that daily jeans and baggy sweatshirt do not a seductress make.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
That's another thing that doesn't turn me off, sweetheart, knowin' that you come with those kids and you need to know that. You also need to know I want kids of my own, two of them. But I don't care, if this works out between me and you, that the kids we have will have an older brother and sister that don't have my blood, just my heart.
Kristen Ashley (Law Man (Dream Man, #3))
With my sister perched on my arm, I walked to the elevator. A business man with a rolling suitcase was waiting by the doors. His eyes widened as he saw me. I must’ve looked pretty strange—a tall black kid in dirty, ragged Egyptian clothes, with a weird box tucked under one arm and a bird of prey perched on the other. “How’s it going?” I said. “I’ll take the stairs.” He hurried off.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Kid,” Richard said wearily, “I am not in the mood. I haven’t slept in thirty-six hours, my sister’s crazy–” “Hey!” Monica protested. “–and you’re not my high school crush–” “He is not my high school crush, Richard!” “The point it, I couldn’t give a crap about you, your friends, or your problems, because for me this isn’t personal. Monica will kill you because she’s nuts. I’ll kill you because you make me kill you. Are we straight?” “Well,” Shane said, “That’s kind of a personal question.
Rachel Caine (Glass Houses (The Morganville Vampires, #1))
As a child, I read because books–violent and not, blasphemous and not, terrifying and not–were the most loving and trustworthy things in my life. I read widely, and loved plenty of the classics so, yes, I recognized the domestic terrors faced by Louisa May Alcott’s March sisters. But I became the kid chased by werewolves, vampires, and evil clowns in Stephen King’s books. I read books about monsters and monstrous things, often written with monstrous language, because they taught me how to battle the real monsters in my life. And now I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don’t write to protect them. It’s far too late for that. I write to give them weapons–in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.
Sherman Alexie
No," I said. "I choose the prophecy. It will be about me." "Why are you saying that?" she cried. "You want to be responsible for the whole world?" It was the last thing I wanted, but I didn't say that. I knew I had to step up and claim it. "I can't let Nico be in any more danger," I said. "I owe that much to his sister. I…let them both down. I'm not going to let that poor kid suffer any more.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
One sister for sale, One sister for sale, One crying and spying young sister for sale I'm really not kidding so who'll start the bidding Do I hear a dollar? A nickle? A penny? Oh isnt there isnt there isnt there any One person who will buy this sister for sale This crying spying old young sister for sale.
Shel Silverstein
I can only drive slowly." "That's all right." "And I can only do left turns." Rose ran downstairs, grabbed a road atlas, and ran triumphantly back up again. "Wales is left! Look! It's left all the way!
Hilary McKay (Saffy's Angel (Casson Family, #1))
Marcus: Cherry? Jillian: My ten-year-old niece. Marcus: She's named after a piece of fruit? Jillian nodded. Jillian: So is her twin sister, Apple. Marcus: You're kidding me. Jillian: Unfortunately, I'm serious. Their father is fond of fruit pies and thought it would be cute. Marcus: And their mother didn't protest? Jillian: She thinks Steven's cute, so she gives him whatever he wants.
Gena Showalter
Bianca, camp is cool! It's got a pegasus stable and a sword-fighting arena and… I mean, what do you get by joining the Hunters?" To begin with," Zoe said, "immortality." I stared at her, then at Artemis. "She's kidding, right?" Zoe rarely kids about anything," Artemis said. "My Hunters follow me on my adventures. They are my maidservants, my companions, my sisters-in-arms. Once they swear loyalty to me, they are indeed immortal… unless they fall in battle, which is unlikely. Or break their oath." What oath?" I said. To foreswear romantic love forever," Artemis said. To never grow up, never get married. To be a maiden eternally." Like you?" The goddess nodded. I tried to imagine what she was saying. Being immortal. Hanging out with only middle-school girls forever. I couldn't get my mind around it.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
When the others were picked up and walked home by friends or fathers or best friend’s sisters, I was the kid in a grey hoodie, walking with the poets, the singers, the thinkers, and I was not alone.
Charlotte Eriksson
What I mean is, I didn't fall in love with you all as a whole. I fell in love with each of you because of who you are. I don't care about you because you come with Mara. I care about you because you're a good kid. You're smart. You're loyal. And you love and look out for your sister and Mara. I know grown men who do not have a character as fine as yours. Those are the reasons I love you. There are different reasons I love Billie. And there are different reasons I love Mara. Today, what we had together was good. But the feelings I feel for you aren't feelings I have to have in order to have Mara. They're feelings you earned. Now, you with me?
Kristen Ashley (Law Man (Dream Man, #3))
A book is really like a lover. It arranges itself in your life in a way that is beautiful. Even as a kid, my sister, who was the eldest, brought books home for me, and I think I spent more time sniffing and touching them than reading. I just remember the joy of the book, the beauty of the binding. The smelling of the interior. Happy." [Interview with Emma Brockes, The Believer, November/December, 2012]
Maurice Sendak
Just kidding. Nate already claimed me as his sister wife, even though we’re both dudes. We’ll figure a way. We don’t need you guys. You can have your own Twosome Fearsome. Nate and I have realized our long-lost, deep…deeply buried love for each other. He’s my Twosome Gaysome. Come to my bosom, my little horny husband.
Tijan (Fallen Fourth Down (Fallen Crest High, #4))
Regardless, they were as lovely as two bouquets of red roses Still, I remembered those hidden thorns! As a kid, they delivered a double dose of whip-ass that put more knots on my head than bumps on a toad frog. Yes, I had residual wounds and a set of T-shirts from those run-ins. The wrong wordor a misguided flirt could’ve restarted a continuum on my skull. Mary and Martha were Boss Chicks when I entered first grade. Jerry gave me big brotherly advice on how to greet beautiful girls. His Game: “Make eye contact, give off a big smile, and then tilt your cap.” Got it! I was down for a double fantasy. Well, as I approached the sisters and made the “Big Move,” unfortunately they delivered a few shots and a couple of jolts respectively to mycranium that rung every bell I had. Apparently, they didn’t like boys hitting on them at that stage of their youth. So, I learned to stay in my lane and never take any more tips from Jerry.
Author Harold Phifer (My Bully, My Aunt, & Her Final Gift)
Well, good afternoon, sunshine. How are you feeling?" "Like something the cat dragged in, then dragged back outside to leave in the rain, and mud, then the lightning hit it, and burned it, and the cat came back to tear it into pieces, before burying it.
Adley Maddox (Racing Outside the Line (A Love Story at 190 mph #1))
What I want, more than anything, is to turn back time a little. To become the kid I used to be, who believed whatever my mother said was one hundred percent true and right without looking hard enough to see the hairline crack.
Jodi Picoult (My Sister's Keeper)
He had to clear his throat before he could say, “You know, I always thought it would be cool to have a kid sister.” “Be careful what you wish for.” Adne looked up at him and grinned. “I'm kind of a brat.” Ren laughed. I couldn't help myself. “She's not kidding.” “Thanks, Lily.” Adne glared at me, but she was laughing too. “What do you say we continue trading insults where we're less likely to be in mortal peril?” “She calls you Lily?” Ren was gazing at her, astonished. I groaned. “She does.” “Great minds.” He flashed a wicked smile at me before winking at her.
Andrea Cremer (Bloodrose (Nightshade, #3; Nightshade World, #6))
Wiggin really doesn't care as much about himself as he does about these other kids who aren't worth five minutes of his time. And yet this may be the very trait that makes everyone focus on him. Maybe this is why all those stories Sister Carlotta told him, Jesus always had a crowd around him.Maybe this is why I'm so afraid of Wiggen. Because he's the alien, not me. He's the unintelligible one, the unpredictable one. He's the one who doesn't do things for sensible, predictable reasons. I'm going to survive, and once you know that, there's nothing more to know about me. Him, though, he could do anything.
Orson Scott Card (Ender's Shadow (The Shadow Series, #1))
Alex, I don't want to date you. I don't want you to be my girlfriend. I don't want us to be together for just a little while. I want you forever. I want us to look at each other, and say we love each other, and decide to be together forever. Alex...I want to spend our lives together. If we ever decided we want to have kids, I want it to be me and you.
Charles Sheehan-Miles (Just Remember to Breathe (Thompson Sisters, #3))
When you are a kid you have your own language, and unlike French or Spanish or whatever you start learning in fourth grade, this one you are born with, and eventually lose...Kids think with their brains cracked wide open; becoming an adult...is only a slow sewing it shut.
Jodi Picoult (My Sister's Keeper)
For shit’s sake, it wasn’t like there was a twelve-step for being the Scribe Virgin’s kid: Hi, I’m Vishous. I’m her son and I’ve been her son for three hundred years. HI, VISHOUS. She’s done a head job on me again, and I’m trying not to go to the Other Side and scream bloody murder at her. WE UNDERSTAND, VISHOUS. And on the bloody note, I’d like to dig up my father and kill him all over again, but I can’t. So I’m just going to try to keep my sister alive even though she’s paralyzed, and attempt to fight the urge to find some pain so I can deal with this Payne. YOU’RE A STRAIGHT-UP PUSSY, VISHOUS, BUT WE SUPPORT YOUR SORRY ASS.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
Olly: jesus. is there a girl on this planet who doesn't love mr.darcy Madeline: All girls love Mr. Darcy? Olly: are you kidding? even my sister loves darcy and she doesn't love anybody Madeline: She must love somebody. I'm sure she loves you Olly: what's so great about darcy? Madeline: That's not a serious question Olly: he's a snob Madeline: But he overcomes it and eventually realizes that character matters more than class! He's a man open to learning life's lessons! Also, he's completely gorgeous and noble and brooding and poetic. Did I mention gorgeous? Also, he loves Elizabeth beyond all reason.
Nicola Yoon (Everything, Everything)
You have family", Bob said. "You have a wife who hates you. Kids who are furious with you. A brother and sister who make you insane. And a nephew who used to be kind of a drip but apparently is not so much of a drip now. That's called family".
Elizabeth Strout (The Burgess Boys)
I had to be the next family Alchemist. My sister... well, she's older, and usually it's the oldest kid who has to do the job. But, she's kind of... worthless. -Sydney to Rose
Richelle Mead (Blood Promise (Vampire Academy, #4))
Yeah," he grount out. "I nailed her." "Where?" Luc always wanted the dirty details. "Stockroom. Pay up." Luc snorted and reached for his wallet. "I really got taken on this one , didn't I?" He handed over four hundreds and five twenties. "Yeah, well, you can have the last laugh once the Sem brothers catch up with me. Seems she's their sister." "Dude." Luc streched out the word and then whistled, low and long. "Nice knowing you. So, will it at least have been worth it? Being gutted by Shade, I mean. Was she good ?" His body heated as though remembering. And wanting again. "Of course I was." Fuck. Con spun around to find Sin standing there, hands on hips and fury in her expression. Like a kid caught stealing candy, he whipped the money behind his back. She looked at him as if he was an idiot and grabbed his arm, briging it around. "It's not what you think," he said lamely, because it was exactly what she thought. "Really? So that big asshole behind you didn't bet you five hundred bucks that you couldn't fuck me ?" "Ah..." "That's what I thought. You dick. How stupid do you think I am ? Your name really fits you , Con." She snatched the money from him, took two hundreds and three twenties, and thrust the remaining two hundred and forty dollars back into his hand. Then, smiling broadly, she punched him in the shoulder. "Next time you make a bet like that, don't cheat me out of my half. I owe you a ten." She winked and left him, jaw-dropped and gaping, as she sauntered away.
Larissa Ione
so doesn't that make the universe a giant lottery, then? you purchase a ticket when you're born. and it's all just random whether you get a good ticket or a bad ticket. it's all just luck. my head swirls on this, but then softer thoughts soothe, like a flatted third on a major chord. no, no, it's not all random, if it really was all random, the universe would abandon us completely. and the universe doesn't. it takes care of its most fragile creations in ways we can't see. like with the parents who adore you blindly. and the big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. and even a pink-haired girl who carries your picture in her wallet. maybe it is a lottery, but the universe makes it all even out in the end. the universe takes care of all of its birds.
R.J. Palacio (Wonder (Wonder, #1))
The children were overwhelmingly morbid. Not a single adult asked me where butterflies go when they die, but this question was more popular than pixie sticks with the under-four-foot set. I cursed parents for not preparing their children. When I was five, my mother and sister sat me up on the kitchen counter and explained the facts of life: the Easter Bunny didn't exist, Elijah was God's invisible friend, with any luck Nana would die soon, and if I ever saw a unicorn, I should kill it or catch it for cash. I turned out okay.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
I don't know what I'm supposed to do now. I know other people have it a lot worse. I do know that, but it's crashing in anyway, and I just can't stop thinking that the little kid eating french fries with his mom in the shopping mall is going to grow up and my sister.
Stephen Chbosky (The Perks of Being a Wallflower)
The other thing I realize is that none of her many, many concerns are about herself; it’s all about the kids, her husband, her sister, her friends. Maybe that’s the definition of a good person.
Adam Kay (This Is Going to Hurt: Secret Diaries of a Junior Doctor)
Nora Stephens,” he says, “I’ve racked my brain and this is the best I can come up with, so I really hope you like it.” His gaze lifts, everything about it, about his face, about his posture, about him made up of sharp edges and jagged bits and shadows, all of it familiar, all of it perfect. Not for someone else, maybe, but for me. “I move back to New York,” he says. “I get another editing job, or maybe take up agenting, or try writing again. You work your way up at Loggia, and we’re both busy all the time, and down in Sunshine Falls, Libby runs the local business she saved, and my parents spoil your nieces like the grandkids they so desperately want, and Brendan probably doesn’t get much better at fishing, but he gets to relax and even take paid vacations with your sister and their kids. And you and I—we go out to dinner. “Wherever you want, whenever you want. We have a lot of fun being city people, and we’re happy. You let me love you as much as I know I can, for as long as I know I can, and you have it fucking all. That’s it. That’s the best I could come up with, and I really fucking hope you say—” I kiss him then, like there isn’t someone reading one of the Bridgerton novels five feet away, like we’ve just found each other on a deserted island after months apart. My hands in his hair, my tongue catching on his teeth, his palms sliding around behind me and squeezing me to him in the most thoroughly public groping we’ve managed yet. “I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.
Emily Henry (Book Lovers)
You weren’t always born to the right parents. And parents didn’t necessarily get the kids they were meant to raise.
Judy Blume (Summer Sisters)
I love letters from little kids. Adults never proclaim themselves 'your #1 fan!
Lauren Baratz-Logsted
These kids don't have a little brother working in the coal mine, they don't have a little sister coughing her lungs out in the looms of the big mill towns of the Northeast. Why? Because we organized; we broke the back of the sweatshops in this country; we have child labor laws. Those were not benevolent gifts from enlightened management. They were fought for, they were bled for, they were died for by working people, by people like us. Kids ought to know that.
Utah Phillips
Because I had to sell it and lost a shit-ton of money the moment I realized you were going to be my neighbor if I stayed in my current place. Real talk, Rosie, you are all I ever wanted. Even when you wanted me to be with your sister. She was a comforting candle. You were the dazzling sun. I’d lived in the dark—for your selfish ass. And if you think I’m going to settle for something, you’re dead wrong. I am taking everything. We will have kids, Rose LeBlanc. We will have a wedding. And we will have joy and vacations and days where we just fuck and days where we just fight and days where we just live. Because this is life, Baby LeBlanc, and I love the fuck out of you, so I’m going to give you the best one there is. Got it?
L.J. Shen (Ruckus (Sinners of Saint, #2))
When I was a little kid, I realized that if you say any word over and over fast enough, it loses all meaning. I'd lie awake saying the words over and over to myself--'sugar,' 'mirror,' 'whisper,' 'dark.' 'Sister,'" he said softly. "You're my sister." "It doesn't matter how many times you say it. It'll still be true." "And it doesn't matter what you won't let me say, that'll still be true too.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
I want a mobster’s son with the face of an angel and the rap sheet of a street kid. I want the singer with a soft heart wrapped in barbs and trip wires of devastating wit to keep it safe. I want the billionaire’s unwanted son with eyes of ice and an endless love for his sister.
J. Bree (Just Drop Out (Hannaford Prep, #1))
Remember that, Iz. Be a kid of honesty. Wave it like a banner for all to see. Also, while I'm thinking about it - be a kid who loves surprises. Squeal with delight over puppies and cupcakes and birthday parties. Be curious, but content. Be loyal, but independent. Be kind. To everyone. Treat every day like you're making waffles. Don't settle for the first guy (or girl) unless he's the right guy (or girl). Live your effing life. Do so with gusto, because my God, there's nothing sorrier than a gusto-less existence. Know yourself. Love yourself. Be a good friend. Be a kid of hope and substance. Be a kid of appetite, Iz. You know what I mean, don't you? (Of course you do. You're a Malone.) Okay, that's all for now. Catch you on the flip side. Blimey, get ready. Signing off, Mary Iris Malone, Your Big Sister
David Arnold (Mosquitoland)
Wonderful what Hollywood will do to a nobody. It will make a radiant glamour queen out of a drab little wench who ought to be ironing a truck driver's shirts, a he-man hero with shining eyes and brilliant smile reeking of sexual charm out of some overgrown kid who was meant to go to work with a lunch-box. Out of a Texas car hop with the literacy of a character in a comic strip it will make an international courtesan, married six times to six millionaires and so blasé and decadent at the end of it that her idea of a thrill is to seduce a furniture-mover in a sweaty undershirt.
Raymond Chandler (The Little Sister (Philip Marlowe, #5))
She knows Daddy better than I do. I think it's because she's felt since we were children that our Daddy maybe loved me more than he loves her. This isn't true, and she knows that now--people love different people in different ways--but it must have seemed that way to her when we were little. I look as though I just can't make it, she looks like can't nothing stop her. If you look helpless, people react to you in one way and if you look strong, or just come on strong, people react to you in another way, and, since you don't see what they see, this can be very painful. I think that's why Sis was always in front of that damn mirror all the time, when we were kids. She was saying, 'I don't care. I got me.' Of course, this only made her come on stronger than ever, which was the last effect she desired: but that's the way we are and that's how we can sometimes get so fucked up. Anyway, she's past all that. She knows who she is, or, at least, she knows who she damn well isn't.
James Baldwin (If Beale Street Could Talk (Vintage International))
Moffy. Pancakes.” I push open the door to the kitchen, but Moffy is glued to the television. “Maximoff Hale. You want to cook or watch superheroes defeat evil?” I can’t believe this is even a question. “Superheroes,” he says in a daze. Yeah, that’s definitely my kid. I
Krista Ritchie (Some Kind of Perfect (Calloway Sisters #5))
What I mean is that those thoughts, they're human. And just because you turn out differently than everyone's imagined you would doesn't mean that you've failed in some way. A kid who gets teased in one school might move to a different one, and be the most popular girl there, just because no one has any other expectations of her. Or a person who goes to med school because his entire family is full of doctors might find out that what he really wants to be is an artist instead.
Jodi Picoult (My Sister's Keeper)
And you?" asked Kate. "Your brother is righteous, your sister is scattered. What does that make you?" When August answered, the word was small, almost too quiet to hear. "Lost." He exhaled, and it seemed to take more than air out of him. "I'm what happens when a kid is so afraid of the world he lives in that he escapes the only way he knows how. Violently.
Victoria Schwab (This Savage Song (Monsters of Verity, #1))
Despite how lonely or broken down you might feel, we need you with us helping to make the world better, kinder and safer, especially for the little girls coming up.
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
It’s like abusing a kid that’s been shit on his whole life. I’m not going to add to those bruises.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
The man who gets Mara gets you and Billie. I’m that man. What you gotta get is, while fallin’ in love with Mara, I fell in love with you and your sister. Straight up, Bud, no lie. The feelings I feel for Mara are hers, the feelings I feel for Billie are hers and the feelings I feel for you are yours. You all have my love, not collectively, individually. Do you understand me?” “Mitch nodded. “Right. What I mean is, I didn’t fall in love with you all as a whole. I fell in love with each of you because of who you are. I don’t care about you because you come with Mara. I care about you because you’re a good kid. You’re smart. You’re loyal. And you love and look out for your sister and Mara. I know grown men who do not have a character as fine as yours. Those are the reasons I love you. There are different reasons I love Billie. And there are different reasons I love Mara. Today, what we had together was good. But the feelings I feel for you aren’t feelings I have to have in order to have Mara. They’re feelings you earned. Now, you with me?
Kristen Ashley (Law Man (Dream Man, #3))
Don't you think you're a little old now to be quoting The Chronicles of Narnia?' I ask, raising an eyebrow at him. 'You read Harry Potter,' Will protests. 'Everyone reads Harry Potter,' I exclaim. 'It's an institution. Besides, it's not really a kids book, it's a metaphor for the world at large. It's almost philosophical in its way.
Jennifer Gilby Roberts (The Dr Pepper Prophecies (Parker Sisters #1))
No, when I was a kid I had big plans.” A hint of playfulness crept into Jesse’s eyes. “I was going to be the next Superman. But my sisters got sick of me stealing their tights and I could never figure the damn things out anyway.
Darcia Helle (Enemies and Playmates)
Kimberly Reed explains why this love has transferred to adulthood, saying, "When you love something as a kid, you never stop loving it; you just tuck that love away in a different spot in your heart.
Nikki Van Noy (New Kids on the Block: Five Brothers and a Million Sisters)
All I know is that once Julián told the kids in the building that he had a sister only he could see. He said she came out of mirrors as if she were made of thin air and that she lived with Satan himself in a palace at the bottom of a lake.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
You want to hear that, right? ? I mean that's what they told you. That's why Jamie is so worried about his crazy kid sister. Because-news flash-she really is crazy." The last part I say softly. They're the words I have been carrying for so long that they have a weight of their own. Physical. I should feel lighter now that I've released them, but there is no relief from the truth.
Ally Carter (All Fall Down (Embassy Row, #1))
My grandfather was crying. The kind of quiet that is quiet and a secret. The kind of crying that only I noticed. I thought about him going into my mom's room when she was little and hitting my mom and holding up her report card and saying that her bad grades would never happen again. And I think now that maybe he meant my older brother. Or my sister. Or me. That he would make sure that he was the one to work in a mill. I don't know if that's good or bad. I don't know if it's better to have your kids be happy and not go to college. I don't know if it's better to be close with your daughter or make sure she has a better life than you do. I just don't know.
Stephen Chbosky (The Perks of Being a Wallflower)
I suppose all little kids are like that. Great big lumps of meat surrounded by charm.
Ellen Datlowlow (Swan Sister: Fairy Tales Retold)
You must be particularly kind to people. Other kids can act like monsters, but not you.
Holly Black (The Lost Sisters (The Folk of the Air, #1.5))
Jack stares at me blankly. ‘A what?’ he asks. I choke back the laugh. ‘A boy. You know? A Y-chromosome holder? You don’t seem to notice them as much as you do the X-carriers.’ ‘What are you talking about?’ Jack asks, ‘A boy? She’s just a kid.’ I hesitate, wondering how Jack is only just doing the maths on this one now. ‘She’s seventeen. She’s not a kid anymore.’ Jack looks like he’s about to go all Incredible Hulk and burst out of his clothes before rampaging through the bar. He jumps off the stool. ‘If any boy ever lays a finger on my sister, I’m going to kill him,’ he says. Again I stare at him in silence, thinking of all the girls Jack has laid fingers and much more of his anatomy on besides. Poor Lila. If she ever wants to have a shot at a normal life, as in one that doesn’t require a vow of celibacy, she needs to stay in London.
Sarah Alderson (Losing Lila (Lila, #2))
The textbooks are dumbed down to the where your kid sister could probably read them, and the teacher go over and over and over the same stuff anyway, drilling it into your head so that they can ask you one hundred multiple-choice questions to get it all back out of you again.
Charles Benoit (You)
I know what I’m doing,” he growled. “If you knew what you were doing, we wouldn’t have two million zombie bunnies chasing us!” she shouted. “Guys,” Daphne said, trying to get their attention, but her sister was too angry to listen. “How was I supposed to know that kid was mentally unhinged?” Puck said. “I don’t know,” Sabrina snapped. “Maybe when we found him running from a dead body?” “Guys!” Daphne shouted. “What!” Puck and Sabrina snapped. “LOOK OUT!
Michael Buckley
So I thought your mother and sister might have some insights to share. After all, your mother had five kids and– (Livia) Stop! I don’t even want to think about my mother having sex with my father. I know for a fact that she was artificially inseminated and he never touched her. Grandpa Zamir told me so and I believe him. (Adron) That’s not what she says. (Livia) Am I not in enough pain that you’d torture me with this shit on top of it? What did I ever do to you to make you want to kill me? (Adron)
Sherrilyn Kenyon (In Other Worlds (The League: Nemesis Rising, #3.5; Were-Hunter, #0.5; The League: Nemesis Legacy, #2))
Had I catalogued the downsides of parenthood, "son might turn out to be a killer" would never have turned up on the list. Rather, it might have looked something like this: 1. Hassle. 2. Less time just the two of us. (Try no time just the two of us.) 3. Other people. (PTA meetings. Ballet teachers. The kid's insufferable friends and their insufferable parents.) 4. Turning into a cow. (I was slight, and preferred to stay that way. My sister-in-law had developed bulging varicose veins in her legs during pregnancy that never retreated, and the prospect of calves branched in blue tree roots mortified me more than I could say. So I didn't say. I am vain, or once was, and one of my vanities was to feign that I was not.) 5. Unnatural altruism: being forced to make decisions in accordance with what was best for someone else. (I'm a pig.) 6. Curtailment of my traveling. (Note curtailment. Not conclusion.) 7. Dementing boredom. (I found small children brutally dull. I did, even at the outset, admit this to myself.) 8. Worthless social life. (I had never had a decent conversation with a friend's five-year-old in the room.) 9. Social demotion. (I was a respected entrepreneur. Once I had a toddler in tow, every man I knew--every woman, too, which is depressing--would take me less seriously.) 10. Paying the piper. (Parenthood repays a debt. But who wants to pay a debt she can escape? Apparently, the childless get away with something sneaky. Besides, what good is repaying a debt to the wrong party? Only the most warped mother would feel rewarded for her trouble by the fact that at last her daughter's life is hideous, too.)
Lionel Shriver (We Need to Talk About Kevin)
Jack complained “I could really go for some bubble and squeak or some bangers. Do you kids think you could cook up some steak-and-kidney pie for me?” The girls stared “I hear noises coming from his mouth but they don’t sound like words,” Daphne said. “Maybe he is having some kind of fit” Sabrina said.
Michael Buckley (The Fairy-Tale Detectives (The Sisters Grimm, #1))
He looked so glorious. Just like the knights I had dreamed about when I was six years old, whacking at brambles iin our garden, imagining I was fighting dragons and giants with a sword that made me invincible and wearing armor that protected me from all the things that frightened me - older kids, dogs, a storm in the knight, or my little sister's questions about when our father would be coming back.
Cornelia Funke (Ghost Knight)
In most towns, the police do not rely on an old woman, two kids, and a sleepy dog to solve crimes,
Michael Buckley (The Unusual Suspects (The Sisters Grimm #2))
A big sister who cries over being human over you. A gravelly voiced kid who's friends left him over you. And a pink-haired girl who keeps your picture in her wallet.
R.J. Palacio
...my sisters are tough. Our strength is in our laughter (Dan)
Amanda Welch (The Kids Are All Right: A Memoir)
I'm saying that being a good mom isn't just about protecting your kids from hurt, it's about showing them how to cope with hurt. It's about teaching them resilience and giving them the tools to handle whatever comes their way.
Sarah Morgan (The Christmas Sisters)
Even today, the memory of Ribbon Creek influences the way new recruits are handled—not with kid gloves, but with respect for their safety and dignity. This too is part of the Marine ethos: to take care of their brother and sister Marines.
Tom Clancy (Marine: A Guided Tour of a Marine Expeditionary Unit (Guided Tour))
My sister is running away to get lost, but I am running away because I want to find something. And my parents love me so much that they want to help me. Yeah, Dad is a drunk and Mom is an ex-drunk, but they don't want their kids to be drunks.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
The answer to the question ‘How many children do you have?’ and the one to the question ‘How many children are you raising?’ are not identical in all cases: some men are not taking care of their own children, some are knowingly or unknowingly raising other men’s children, and some do not even know that they each have a child, another child, or other children.
Mokokoma Mokhonoana
And so we know the satisfaction of hate. We know the sweet joy of revenge. How it feels good to get even. Oh, that was a nice idea Jesus had. That was a pretty notion, but you can't love people who do evil. It's neither sensible or practical. It's not wise to the world to love people who do such terrible wrong. There is no way on earth we can love our enemies. They'll only do wickedness and hatefulness again. And worse, they'll think they can get away with this wickedness and evil, because they'll think we're weak and afraid. What would the world come to? But I want to say to you here on this hot July morning in Holt, what if Jesus wasn't kidding? What if he wasn't talking about some never-never land? What if he really did mean what he said two thousand years ago? What if he was thoroughly wise to the world and knew firsthand cruelty and wickedness and evil and hate? Knew it all so well from personal firsthand experience? And what if in spite of all that he knew, he still said love your enemies? Turn your cheek. Pray for those who misuse you. What if he meant every word of what he said? What then would the world come to? And what if we tried it? What if we said to our enemies: We are the most powerful nation on earth. We can destroy you. We can kill your children. We can make ruins of your cities and villages and when we're finished you won't even know how to look for the places where they used to be. We have the power to take away your water and to scorch your earth, to rob you of the very fundamentals of life. We can change the actual day into actual night. We can do these things to you. And more. But what if we say, Listen: Instead of any of these, we are going to give willingly and generously to you. We are going to spend the great American national treasure and the will and the human lives that we would have spent on destruction, and instead we are going to turn them all toward creation. We'll mend your roads and highways, expand your schools, modernize your wells and water supplies, save your ancient artifacts and art and culture, preserve your temples and mosques. In fact, we are going to love you. And again we say, no matter what has gone before, no matter what you've done: We are going to love you. We have set our hearts to it. We will treat you like brothers and sisters. We are going to turn our collective national cheek and present it to be stricken a second time, if need be, and offer it to you. Listen, we-- But then he was abruptly halted.
Kent Haruf (Benediction (Plainsong, #3))
I've come to you because I need professional help... I get depressed when I realize how other girls hate me, and yet I know it's only jealousy... It's plain jealousy! They only hate me because I have naturally curly hair... They're jealous of me... What should I do?" "Don't kid yourself, sister... Five cents, please!
Charles M. Schulz (The Complete Peanuts, 1961-1962 (The Complete Peanuts, #6))
Loan me your lace of yellow, sister Lend me your fine kid gloves Tonight is the bridal ball, sister Tonight I'll meet my love Present me a sash of blue, sister Gift me a ribbon of white My love awaits me below, sister I am a bride tonight
Shannon Hale
Be nice to her,” I muttered under my breath. “She’s my sister; she got sick. She lost her kid. For all I know, she may have eaten her.
Joan Frances Turner (Dust (Dust, #1))
Ziggy was Jensen’s sister. Ziggy was the kid I never knew. Hanna was this uninhibited, self-possessed woman in front of me who I was pretty sure was going to effectively wreck my world.
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
remember talking with my sister Maureen once about the severe short haircuts we all had as children. “Doesn’t it seem like Mom was trying to desexualize us?” I asked. Maureen, the mother of three, suppressed a laugh mixed with irritation. “Wait until you have kids, Michelle,” she said. “Short haircuts aren’t desexualizing. They’re easy.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
Her emotions were raw, and she was on edge. Don't let things fester, Gus used to tell him and his sisters as kids. You need to cry, cry. You need to throw something, throw something. Just don't hurt anyone.
Carla Neggers (Night's Landing (Cold Ridge/U.S. Marshals, #2))
Our most important decisions in life are all profoundly irrational ones, made subconsciously for reasons we seldom own up to, which is why the worst ideas (getting married for the third time, having an affair with your wife’s sister, secretly going off birth control as your marriage is collapsing) are the most impossible to talk anyone out of.
Tim Kreider (Selfish, Shallow, and Self-Absorbed: Sixteen Writers on The Decision Not To Have Kids)
my head swirls on this, but then softer thoughts soothe, like a flatted third on a major chord. no, no, it’s not all random, if it really was all random, the universe would abandon us completely. and the universe doesn’t. it takes care of its most fragile creations in ways we can’t see. like with parents who adore you blindly. and a big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. and even a pink-haired girl who carries your picture in her wallet. maybe it is a lottery, but the universe makes it all even out in the end. the universe takes care of all its birds.
R.J. Palacio (Wonder)
My twin sisters weren’t precisely human. They’d begun life as a pair of goat kids before a fair one had had too much wine and enchanted them on a lark. It was slow going, but I reminded myself that at least it was going. This time last year they hadn’t been house-trained. And it worked in their favor that their transformative enchantment had rendered them more or less indestructible: I’d seen March survive eating a broken pot, poison oak, deadly nightshade, and several unfortunate salamanders without any ill effects. For all my concern, March jumping off cabinets posed more danger to the kitchen furniture.
Margaret Rogerson (An Enchantment of Ravens)
GO BACK TO DALLAS!” the man sitting somewhere behind us yelled again, and the hold Aiden still had on the back of my neck tightened imperceptibly. “Don’t bother, Van,” he demanded, pokerfaced. “I’m not going to say anything,” I said, even as I reached up with the hand furthest away from him and put it behind my head, extending my middle finger in hopes that the idiot yelling would see it. Those brown eyes blinked. “You just flipped him off, didn’t you?” Yeah, my mouth dropped open. “How do you know when I do that?” My tone was just as astonished as it should be. “I know everything.” He said it like he really believed it. I groaned and cast him a long look. “You really want to play this game?” “I play games for a living, Van.” I couldn’t stand him sometimes. My eyes crossed in annoyance. “When is my birthday?” He stared at me. “See?” “March third, Muffin.” What in the hell? “See?” he mocked me. Who was this man and where was the Aiden I knew? “How old am I?” I kept going hesitantly. “Twenty-six.” “How do you know this?” I asked him slowly. “I pay attention,” The Wall of Winnipeg stated. I was starting to think he was right. Then, as if to really seal the deal I didn’t know was resting between us, he said, “You like waffles, root beer, and Dr. Pepper. You only drink light beer. You put cinnamon in your coffee. You eat too much cheese. Your left knee always aches. You have three sisters I hope I never meet and one brother. You were born in El Paso. You’re obsessed with your work. You start picking at the corner of your eye when you feel uncomfortable or fool around with your glasses. You can’t see things up close, and you’re terrified of the dark.” He raised those thick eyebrows. “Anything else?” Yeah, I only managed to say one word. “No.” How did he know all this stuff? How? Unsure of how I was feeling, I coughed and started to reach up to mess with my glasses before I realized what I was doing and snuck my hand under my thigh, ignoring the knowing look on Aiden’s dumb face. “I know a lot about you too. Don’t think you’re cool or special.” “I know, Van.” His thumb massaged me again for all of about three seconds. “You know more about me than anyone else does.” A sudden memory of the night in my bed where he’d admitted his fear as a kid pecked at my brain, relaxing me, making me smile. “I really do, don’t I?” The expression on his face was like he was torn between being okay with the idea and being completely against it. Leaning in close to him again, I winked. “I’m taking your love of MILF porn to the grave with me, don’t worry.” He stared at me, unblinking, unflinching. And then: “I’ll cut the power at the house when you’re in the shower,” he said so evenly, so crisply, it took me a second to realize he was threatening me… And when it finally did hit me, I burst out laughing, smacking his inner thigh without thinking twice about it. “Who does that?” Aiden Graves, husband of mine, said it, “Me.” Then the words were out of my mouth before I could control them. “And you know what I’ll do? I’ll go sneak into bed with you, so ha.” What the hell had I just said? What in the ever-loving hell had I just said? “If you think I’m supposed to be scared…” He leaned forward so our faces were only a couple of inches away. The hand on my neck and the finger pads lining the back of my ear stayed where they were. “I’m not
Mariana Zapata (The Wall of Winnipeg and Me)
When did you guys even start speaking again?” Ernie shrugged and popped a peanut into his mouth. “He’s probably just sniffing around here so I leave him my property when I kick it.” He drank his beer and leaned back into his easy chair. “Eh, he’s a good kid. My sister’s only son. He’s family. Family’s family. Never forget that, Conrad.” “Ernie, two commercial breaks ago, you told me that if I didn’t try and break up my brother’s wedding, I was a punk!” Picking at his teeth, Ernie said, “If a girl’s the one, all bets are off, family or no family.
Jenny Han (We'll Always Have Summer (Summer, #3))
Women are taught that to be a good woman you need to be good for other people. If your kids are happy, then you're a good mom. If your husband is happy, you're a good wife. How about a good daughter, employee, sister, friend? All of your value is essentially wrapped up in other people's happiness. How can anyone successfully navigate that for a lifetime? How can anyone dream of more? How can anyone follow their what if, if they need someone else to approve of it first?
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals)
Like you?” My face twisted in abhorrence, spitting the words like they were revolting. Her eyes widened. I shook my head, a dark chuckle on my lips. “You think I fucking like you? Are you kidding me here? I don’t like you. I love you. Even that’s an under-fucking-statement. I live for you. I breathe for you. I will die for you. It. Has. Always. Been. You. Ever since I saw your sorry ass for the first time on that threshold and you fucking poked me in the chest like I was a toy. We’ve been apart for ten years, Rose LeBlanc, and not even one day has passed without me thinking of you. And not just in passing. You know, the occasional she-could-have-been-a-g reat-fuck. I mean really taking my time to think about you. Wondering what you looked like. Where youwere. What you were doing. Who you were with. I stalked you on Facebook. And Twitter—which, by the way, you need to deactivate because you never once bothered to tweet—but you aren’t exactly a social media animal. I asked about you. Every time I was in town. And once I realized you were in New York with Millie…” “Rosie, I bought a new penthouse in TriBeca a few months before you moved into our building.” “Why are you telling me this?” She blinked away her tears, but fresh ones rolled down to replace them time. “Because I had to sell it and lost a shit-ton of money the moment I realized you were going to be my neighbor if I stayed in my current place. Real talk, Rosie, you are all I ever wanted. Even when you wanted me to be with your sister. She was a comforting candle. You were the dazzling sun. I’d lived in the dark—for your selfish ass. And if you think I’m going to settle for something , you’re dead wrong. I am taking everything . We will have kids, Rose LeBlanc. We will have a wedding. And we will have joy and vacations and days where we just fuck and days where we just fight and days where we just live. Because this is life, Baby LeBlanc, and I love the fuck out of you, so I’m going to give you the best one there is. Got it?
L.J. Shen (Ruckus (Sinners of Saint, #2))
Rich kid," Shiva yelled, "you don't know one damn thing! What purpose, man? What thing in the whole sister-sleeping world got reason, yara? For what reason you're rich and I'm poor? Where's the reason in starving, man? God knows how many millions of damn fools living in this country, man, and you think there's a purpose! Man, I'll tell you -- you got to get what you can, do what you can with it, and then you got to die. That's reason, rich boy. Everything else is only mother-sleeping wind!
Salman Rushdie (Midnight’s Children)
It wasn’t Dean’s fault,” Allie insists. “Seriously, it’s all on me. I freaked out for no reason.” She finally looks over at me. “See? This is why I don’t like horror movies! You watch one scary movie when you’re a kid and suddenly everyone who comes to your door is a serial killer.” “Are you kidding me right now? You’ll watch a horror movie with my sister but not me? We have to watch the cancer movie?” “Dicky,” Summer chides. “You’re being grumpy.” I glare at my sister with enough force to make her wince. “Not one word out of you,” I snap. “And don’t think I didn’t feel you kick me right before I passed out. Who does that, Summer? Who kicks a man when he’s down?” From the corner of my eye, I see Tucker sink to the floor. He buries his face in his hands, shaking with laughter. The EMT blocks my line of sight by squatting in front of me. “I need to examine you for a concussion.” Oh for fuck’s sake.
Elle Kennedy (The Score (Off-Campus, #3))
When I was a little kid, I realized that if you say any word over and over fast enough, it loses all its meaning. I’d lie awake saying the words over and over to myself—‘ sugar,’ ‘mirror,’ ‘whisper,’ ‘dark.’ ‘Sister,’” he said, softly. “You’re my sister.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
I remember how I would eye with envy all the kids in our neighborhood, in my school, who had a little brother or sister. How bewildered I was by the way some of them treated each other, oblivious to their own good luck. They acted like wild dogs. Pinching, hitting, pushing, betraying one another any way they could think of. Laughing about it too. They wouldn’t speak to one another. I didn’t understand. Me, I spent most of my early years craving a sibling. What I really wished I had was a twin, someone who’d cried next to me in the crib, slept beside me, fed from Mother’s breast with me. Someone to love helplessly and totally, and in whose face I could always find myself.
Khaled Hosseini (And the Mountains Echoed)
Everyone always knows what they're doing," he says abruptly, still not looking up from his hands, the little plastic pot and the old tattoo and the new white dressing on his left wrist. "You know what you're doing, you got your work and your friends and everything and miserable headfucky little teenage girly boys think you're amazing and, I don't know, you might've saved my life, who knows? I might be dead if it weren't for you and Olly but people can't keep looking after me all the time cos that ain't healthy neither, that's just as bad as people not giving a fuck at all. And, like... I'm trying to sort my head out and be a proper grown-up and get my degree and go to work and look after them kids and make sure my dad ain't kicking my sister round the house like a football but it's just so hard all the time, and I know I ain't got no right to complain cos that's just life, ain't it? Everyone's the same, least I ain't got money worries or nothing. I just don't know what I'm doing, everything's too hard. I can try and try forever but I can't be good enough for no one so what the fuck's the point?
Richard Rider (17 Black and 29 Red (Stockholm Syndrome, #2))
A women living alone in a big ole house almost always invites the question of how she's going to fill it. Partner, kids, multiple rescue dogs, each with its own Instagram account. But a five-million-dollar shack in the most expensive beach destination in the country answers that question with gorgeous restraint. A woman in a home only big enough for herself is the ultimate fuck you to patriarchal society. It says, 'I am enough for me'.
Jessica Knoll (The Favorite Sister)
I have nothing in common with kids. And no one needs to tell me I would make a horrible mother. I know it’s true. Which is why I plan to never have children.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
Substitute the word gay for straight and she's the exact same pain in the neck kid sister she was before she told us.
Amy Kaufman Burk
You know that's not what I mean! I just...I don't know what to do with men. I get nervous. I make too many jokes. I act like a kid sister instead of their fantasy sex machine.
Victoria Dahl (Too Hot to Handle (Jackson Hole, #2))
She was messing with you, Jason. Taking advantage.” “Yeah, kids are like predators. They sense weakness and pounce.
Sarah Morgan (The Christmas Sisters)
You know what my sister Allie used to say? She used to say, “Your parents ruin the first half of your life, and your kids ruin the second half.
Kurt Vonnegut Jr. (Armageddon in Retrospect)
I wasn’t stupid. I realized that I was preventing her from being around her sister and her parents. Her boyfriend. I was banishing her from everything she knew. From a comfortable future. From money and opportunity. From family Christmases and blue-eyed kids with Dean, who was oh-so-fucking enchanted with her. From love. I was ruining her life. Because. I. Was. Jealous.
L.J. Shen (Vicious (Sinners of Saint, #1))
The strongest lesson I can teach my son is the same lesson I teach my daughter: how to be who he wishes to be for himself. And the best way I can do this is to be who I am and hope that he will learn from this not how to be me, which is not possible, but how to be himself. And this means how to move to that voice from within himself, rather than to those raucous, persuasive, or threatening voices from outside, pressuring him to be what the world wants him to be.
Audre Lorde (Sister Outsider: Essays and Speeches)
You were in business making meth? Do you have any idea what that drug does to people?" We weren't givin' it away," Concise snaps. "If someone was fool enough to mess himself up, that was his problem." I shake my head, disgusted. "If you build it, they will come." If you build it," Concise says, "you cover your rent. If you build it, you pay off the loan sharks. If you build it, you put shoes on your kid's feet and food in his belly and maybe even show up every now and then with a toy that every other goddamn kid in the school already has." He looks up at me. "If you build it, maybe your son don't have to, when he grow up." It is amazing -- the secrets you can keep, even when you are living in close quarters. "You didn't tell me." Concise gets up and braces his hands against the upper bunk. "His mama OD'd. He lives with her sister, who can't always be bothered to take care of him. I try to send money so that I know he's eatin' breakfast and gettin' school lunch tickets. I got a little bank account for him, too. Jus' in case he don't want to be part of a street gang, you know? Jus' in case he want to be an astronaut or a football player or somethin'." He digs out a small notebook from his bunk. "I'm writin' him. A diary, like. So he know who his daddy is, by the time he learn to read." It is always easier to judge someone than to figure out what might have pushed him to the point where he might do something illegal or morally reprehensible, because he honestly believes he'll be better off. The police will dismiss Wilton Reynolds as a drug dealer and celebrate one more criminal permanently removed from society. A middle-class father who meets Concise on the street, with his tough talk and his shaved head, will steer clear of him, never guessing that he, to, has a little boy waiting for him at home. The people who read about me in the paper, stealing my daughter during a custody visit, will assume I am the worst sort of nightmare.
Jodi Picoult (Vanishing Acts)
He'd seen this babe before--her many counterparts, that is. He knew her kin, distant and near. All her mamas, sisters, aunts, cousins and what have you. And he knew the name was Lowdown with a capital L. He wasn't at all surprised to find her in a setup like this. Not after encountering her as a warden's sister-in-law, the assistant treasurer of a country bank, and a supervisor of paroles. This babe got around. She was the original square-plug-in-a-round-hole kid. But she never changed any. She had that good old Lowdown blood in her, and the right guy could bring it out.
Jim Thompson
You know what I think?” Touching him feels so good, so strangely uncomplicated, like he’s the exception to every rule. “What?” “I think you love your job,” he says softly. “I think you work that hard because you care ten times more than the average person.” “About work,” I say. “About everything.” His arms tighten around me. “Your sister. Your clients. Their books. You don’t do anything you’re not going to do one hundred percent. You don’t start anything you can’t finish. “You’re not the person who buys the stationary bike as part of a New Year’s resolution, then uses it as a coatrack for three years. You’re not the kind of woman who only works hard when it feels good, or only shows up when it’s convenient. If someone insults one of your clients, those fancy kid gloves of yours come off, and you carry your own pen at all times, because if you’re going to have to write anything, it might as well look good. You read the last page of books first—don’t make that face, Stephens.” He cracks a smile in one corner of his mouth. “I’ve seen you—even when you’re shelving, you sometimes check the last page, like you’re constantly looking for all the information, trying to make the absolute best decisions.” “And by you’ve seen me,” I say, “you mean you’ve watched me.” “Of course I fucking do,” he says in a low, rough voice. “I can’t stop. I’m always aware of where you are, even if I don’t look, but it’s impossible not to. I want to see your face get stern when you’re emailing a client’s editor, being a hard-ass, and I want to see your legs when you’re so excited about something you just read that you can’t stop crossing and uncrossing them. And when someone pisses you off, you get these red splotches.” His fingers brush my throat. “Right here.” “You’re a fighter,” he says. “When you care about something, you won’t let anything fucking touch it. I’ve never met anyone who cares as much as you do. Do you know what most people would give to have someone like that in their life?” His eyes are dark, probing, his heartbeat fast. “Do you know how fucking lucky anyone you care about is? You know . . .
Emily Henry (Book Lovers)
The world breaks little girls. It stomps out our will, our joy, our curiosity—and replaces them with disdain, cynicism, and the need to fit into neat and tiny boxes. I learned that young, in kindergarten, when the other kids called Stella a show-off for raising her hand during class, or when the boys in first grade said I was bossy for leading a reading circle. When Stella and I would overhear the other moms at the Elite Youth Runner’s Club: The Steckler sisters are just a little much. That’s how we were described while the boys were sprinting around the playground kicking and screaming, breaking and biting. The world doesn’t celebrate girls who take up space, who demand to be heard, who are just a little much.
Jessica Goodman (They'll Never Catch Us)
You also need to know I want kids of my own, two of them. But I don’t care, if this works out between me and you, that the kids we have will have an older brother and sister that don’t have my blood, just my heart.
Kristen Ashley (Law Man (Dream Man, #3))
There are all kinds of things that can scare you every day. What if someone you know gets cancer? What if something happens to you sister or your friends or your parents? And what if you get hit by a car crossing the street or the kids at school find out what an unnatural freak you are and what if you go too far out in the lake and the water is over your head and what if there's a fire or a war? And you can lie awake at night and worry about these things because it's scary and unpredictable, but it's REAL. It's possible." -Mackie Doyle, The Replacement
Brenna Yovanoff (The Replacement)
What I want, more than anything, is to turn back time a little. To become the kid I used to be, who believed whatever my mother said was one hundred percent true and right without looking hard enough to see the hairline cracks.
Jodi Picoult (My Sister's Keeper)
Who else knows about this besides us?” “Just Patti...” “Okay. That should be okay. Is that it?” “And Kaidan,” I added. My eyes darted everywhere but his face. I was in for it. “Who?” There was an edge to his voice. His eyes searched mine. I didn't want to tell him a single thing about Kaidan. I knew how it would sound. I took my hands from his, pulling the braid over my shoulder to mess with it. “He's my friend. He's the one who drove me here to see you.” “You told some human kid?” I coughed, buying time. “He's Neph, too.” Jonathan LaGray went rigid and his ruddy cheeks paled. I squirmed as his eyes bored into mine. “Which one's his father?” he asked through clenched teeth. “Richard Rowe. I guess you'd know him as Pharzuph.” Oh, boy. He wasn't pale anymore. “You came across the country—” “Shhh!” I warned him as people looked over. He lowered his voice to a shouted whisper. “-with the son of the Duke of Lust? Son of a—” He pounded a fist down on the table and a guard stepped toward us. I waved and nodded at the man, trying to reassure him it was fine, and my father pulled his balled hands down into his lap. After a moment the guard walked back to the wall and looked away. “Don't worry!” I whispered. “I told you; we're just friends.” He closed his eyes and massaged his forehead with his fingers to calm his temper. “You tell him that his father is never to know about you or whatever Sister Ruth tells you. Understand?” “He would never tell his father anything. But, um...” I swallowed. “Unfortunately, Pharzuph already knows about me.” His eyes flashed red again and it nearly stopped my heart. I pressed my back into the seat, causing it to wobble. “Aren't you worried people will see your eyes when you do that?” I asked, sure that my own eyes were gigantic at that moment. “Humans can't see it. And don't try to change the subject. I know Pharzuph,” he growled. “He's a real bastard on earth and in hell. He'd do anything to gain favour.” “Kaidan thinks he'll forget about me if I lie low.” “Maybe momentarily, while he's busy or distracted with his work, but you'll cross his mind again someday.
Wendy Higgins (Sweet Evil (Sweet, #1))
And there are millions of teens who read because they are sad and lonely and enraged. They read becuase they live in an often-terrible world. They read becuause they believe, despire the callow protestations of certain adults, that books-especially the dark and dangerous ones-will save them. As a child, I read because books-violent and not, blasphemous and not, terrifying and not-were the most loving and trustworthy things in my life. I read widely, and loved plenty of the classics so, yes, I recognized the domestic terrors faced by Lousia May Alcott's March sisters. But I became the kids chased by werewolves, vampires and evil clowns in Stephen King's books. I read books about monsters and monsterous things, often written with monstrous language, becuase they taught me how to battle the real monsters in my life. And now i write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don't write to protect them. It's far to late for that. I write to give them weapons-in the form of wors and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.
Sherman Alexie
You're my kid. She repeated the words. "Mine, Tess." I told myself that she meant that I was her responsibility now. "I'm not your sister." Those words were harder to misunderstand. "I was never your sister." I don't understand. I don't want to.
Jennifer Lynn Barnes (The Fixer (The Fixer, #1))
But you can't raise kids to believe life is always going to be smooth. Sometimes life throws rocks at you, and when that happens, they need to learn to dodge when they can and get back up if they're hit. You need to teach them to handle the rocks.
Sarah Morgan (The Christmas Sisters)
Scarlet . . .” Silas begins in a serious tone. He started using “the tone” when we were kids to remind me that he’s older than I am. It annoys me just as much now as it did then, only now it’s less acceptable for me to push him into the mud for it.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
You know, I just... I just feel like it's unfair, that my whole life is unfair, like I was born into the wrong place and family. I never belong anywhere. My parents don't understand anything about me. And my sister is gone. Sometimes I watch those stupid TV shows, you know? The ones where mothers and daughters talk about feelings and fathers take their kids to play baseball or get ice cream or some shit like that, and I wish it were me. It's so stupid, I know, to want your life to be a sitcom.
Erika L. Sánchez (I Am Not Your Perfect Mexican Daughter)
It's a strange reversal, seeing the things my baby sister has mastered that I never got around to. It makes me proud, but also sort of sad. Maybe this is how parents feel when their kids grow up, like some piece of them has become fundamentally unknowable.
Emily Henry (Book Lovers)
Gideon and I sit there in the dark, wordless for a while, only our ragged breaths disturbing the silence. Memories of my sister overwhelm me—I see her impish grin as she leans over me at the orphanage, tugging on my hair until I wake up. I remember us climbing up to the roof as kids, sitting cross-legged next to the herbs and vegetables our caretakers were growing while we read the English books Rose had “borrowed” from her class at school. And then there was L.A.—all of our hope for a better life so quickly crushed, but Rose never let despair overtake her. She was there after every single night to hold me until the pain went away. And later, when I got numb to it all, she still made a point of holding me, of promising me that one day things would be different.
Paula Stokes (Vicarious (Vicarious, #1))
They do the twenty-one-gun salute for the good guys, right? So I brought this.” Beckett pointed the gun in the sky. “For Mouse.” One, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen, fifteen, sixteen shots exploded from Beckett’s gun. “Who am I fucking kidding? What the hell does a gun shot by me mean? Nothing special, that’s for damn sure. Fuck it.” “For Mouse, who watched over my sister and saved Blake and me from more than we could’ve handled in the woods that night.” Livia nodded at Beckett, and he squeezed the trigger. When the sound had cleared, she counted out loud. “Seventeen.” Kyle stepped forward and replaced Livia at Beckett’s arm. “For Mouse. I didn’t know you well, but I wish I had.” The air snapped with the shot. “Eighteen.” Cole rubbed Kyle’s shoulder as he approached. He took the gun from Beckett’s hand. “For Mouse, who protected Beckett from himself for years.” The gun popped again. “Nineteen.” Blake thought for a moment with the gun pointed at the ground, then aimed it at the sky. “For Mouse, who saved Livia’s life when I couldn’t. Thank you is not enough.” The gun took his gratitude to the heavens. “Twenty.” Eve took the gun from Blake, the hand that had been shaking steadied. “Mouse, I wish you were still here. This place was better when you were part of it.” The last shot was the most jarring, juxtaposed with the perfect silence of its wake. As if the bullet was a key in a lock, the gray skies opened and a quiet, lovely snow shower filtered down. The flakes decorated the hair of the six mourners like glistening knit caps. Eve turned her face to be bathed in the fresh flakes. “Twenty-one,” she said softly, replacing her earpiece.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Walt, at about eleven, had a routine of looking at Seymour's wrists and telling him to take off his sweater. "Take off your sweater, hey, Seymour. Go ahead, hey. It's warm in here." S. would beam back at him, shine back at him. He loved that kind of horseplay from any of the kids. I did, too, but only off and on. He did invariably. He thrived, too, waxed strong, on all tactless or underconsidered remarks directed at him by family minors. In 1959, in fact, when on occasion I hear rather nettling news of the doings of my youngest brother and sister, I think on the quantities of joy they brought S. I remember Franny, at about four, sitting on his lap, facing him, and saying, with immense admiration, "Seymour, your teeth are so nice and yellow!" He literally staggered over to me to ask if I'd heard what she said.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
Look, back in the old days, ravens used to be gentle and white, like doves, okay? But they were terrible gossips. One time I was dating this girl, Koronis. The ravens found out she was cheating on me, and they told me about it. I was so angry, I got Artemis to kill Koronis for me. Then I punished the ravens for being tattletales by turning them black.” Reyna stared at me like she was contemplating another kick to my nose. “That story is messed up on so many levels.” “Just wrong,” Meg agreed. “You had your sister kill a girl who was cheating on you?” “Well, I—” “Then you punished the birds that told you about it,” Reyna added, “by turning them black, as if black was bad and white was good?” “When you put it that way, it doesn’t sound right,” I protested. “It’s just what happened when my curse scorched them. It also made them nasty-tempered flesh-eaters.” “Oh, that’s much better,” Reyna snarled. “If we let the birds eat you,” Meg asked, “will they leave Reyna and me alone?” “I—What?” I worried that Meg might not be kidding. Her facial expression did not say kidding. It said serious about the birds eating you. “Listen, I was angry! Yes, I took it out on the birds, but after a few centuries I cooled down. I apologized. By then, they kind of liked being nasty-tempered flesh-eaters. As for Koronis—I mean, at least I saved the child she was pregnant with when Artemis killed her. He became Asclepius, god of medicine!” “Your girlfriend was pregnant when you had her killed?” Reyna launched another kick at my face. I managed to dodge it, since I’d had a lot of practice cowering, but it hurt to know that this time she hadn’t been aiming at an incoming raven. Oh, no. She wanted to knock my teeth in. “You suck,” Meg agreed.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
Bean was tired of talking about this. She looked so happy when she talked about God, but he hadn't figured it out yet, what God even was. It was like, she wanted to give God credit for every good thing, but when it was bad, then she either didn't mention God or had some reason why it was a good thing after all. As far as bean could see, though, the dead kids would rather have been alive, just with more food. If God loved them so much and he could do whatever he wanted, then why wasn't there more food for these kids? And if God just wanted them dead, why didn't he let them die sooner or not even be born at all, so they didn't have to go to so much trouble and get all excited about trying to be alive when he was just going to take them to his heart. None of it made any sense to Bean, and the more Sister Carlotta explained it, the less he understood it. Because if there was somebody in charge, then he ought to be fair, and if he wasn't fair, then why should Sister Carlotta be so happy that he was in charge?
Orson Scott Card (Ender's Shadow (The Shadow Series, #1))
I am the kid who played with matches. I used to steal them from the shelf above the refrigerator, take them into my parents' bathroom. Jean Naté Bath Splash ignites, did you know that? Spill it, strike, and you can set fire to the floor. It burns blue, and when the alcohol is gone, it stops.
Jodi Picoult (My Sister's Keeper)
Well, look. You're the kid sister, but you always had a good, clear image of what you wanted for yourself. You were able to say no when you had to, and you did things at your own pace. But Eri Asai couldn't do that. From the time she was a little girl, her job was to play her assigned role and satisfy the people around her. She worked hard to be a perfect little Snow White—if I can borrow your name for her. It's true that everybody made a big fuss over her, but I'll bet that was really tough for her sometimes. At one of the most crucial points in her life, she didn't have a chance to establish a firm self. If 'complex' is too strong a word, let's just say she probably envied you.” Excerpt From: Haruki Murakami. “After Dark.” iBooks.
Haruki Murakami (After Dark)
But kids don't stay where they're supposed to. You turn around and find her not in the bedroom but hiding in a closet; you turn around and see she's not three but thirteen. Parenting is really just a matter of tracking, of hoping your kids do not get so far ahead you can no longer see their next moves.
Jodi Picoult (My Sister's Keeper)
People in those days didn’t display affection like they do today. I’m still learning how to be affectionate to my grandchildren. I don’t ever remember getting a kiss from my mother. I never even saw her kiss my kid brother, or my kid sister, Margaret. Not that anyone meant to play favorites, but Tom was my father’s favorite and Peggy was my mother’s. I guess I was so big, and being the oldest, they expected me to be more grown up than the two younger ones.
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
I thought of all the different kinds of love. I could think of ten without even trying. The way parents love their kid, the way you love a puppy or chocolate ice cream or home or your favorite book or your sister. Or your uncle. There's those kinds of loves and then there's the other kind. The falling kind.
Carol Rifka Brunt (Tell the Wolves I'm Home)
It was Rowan who had coined the term "lettuce-kid" to describe them. Both of them were born sandwiched somewhere in the middle of large families, and where far from being their parents’ favorites. "I got a couple of brothers that are the meat, a few sisters that are cheese and tomatoes, is I guess I’m the lettuce
Neal Shusterman (Scythe (Arc of a Scythe, #1))
It's raining. the kind of rain that comes down so heavy it sounds like the shower's running, even when you've turned it off. The kind of rain that makes you think of dams and flash floods, arks. The kind of rain that tells you to crawl back into bed, where the sheets haven't lost your body heat, to pretend that the clock is five minutes earlier than it really is. Ask any kid who's made it past fourth grade and they can tell you: water never stops moving. Rain falls, and runs down a mountain into a river. The river finds it way to the ocean. It evaporates, like a soul, into the clouds. And then, like everything else, it starts all over again.
Jodi Picoult (My Sister's Keeper)
Tesla cocked her head to the side. "Hey," she said. "Do you hear something?" Nick cocked his head just as his sister had, though he wondered why anyone bother doing that. Does lifting one ear at an approximately thirty-degree angle really increase one's ability to detect faint noises? he thought. Because he was that sort of kid.
Bob Pflugfelder (Nick and Tesla's High-Voltage Danger Lab: A Mystery with Electromagnets, Burglar Alarms, and Other Gadgets You Can Build Yourself (Nick and Tesla, #1))
Eight dragons in one small cave, all thinking at the same time. How was she going to get through this? “Let’s go around and introduce ourselves,” Tsunami said. “I mean, maybe it’s unnecessary, but that’s what Sunny said to do. And then she said I probably wouldn’t listen to her anyway, so I am proving her wrong, so there. I’m Tsunami, if anyone didn’t know. I was going to give myself a title like Commander of Recruitment, but then for some reason everyone voted that I would be terrible at recruiting, whatever that is all about, so they made me Head of School instead. So I’m pretty much the boss. And I’m running your first small group-discussion class, which was Glory’s big idea, so I figure we’ll figure it out together. Any questions?” “Yeah,” said Carnelian. “Are we stuck with this group?” “That’s not quite how I would put it,” said Tsunami. “But yes.” “What if we would prefer to be in a group with other IceWings?” Winter asked. “Such as my sister?” “That’s not how the winglets are set up,” Tsunami said. “But you’ll be in some bigger group classes with her and have plenty of time to make other friends as well.” “I love our winglet,” Kinkajou volunteered. “When do we eat?” Umber asked. “Just kidding. Pretending to be Clay.” He grinned, then shot a look at Qibli. Did he think that was funny? I hope that was funny. Did I sound like an idiot?
Tui T. Sutherland (Moon Rising (Wings of Fire, #6))
I’ve watched through his eyes, I’ve listened through his ears, and I tell you he’s the one. Or at least as close as we’re going to get.” “That’s what you said about the brother.” “The brother tested out impossible. For other reasons. Nothing to do with his ability.” “Same with the sister. And there are doubts about him. He’s too malleable. Too willing to submerge himself in someone else’s will.” “Not if the other person is his enemy.” “So what do we do? Surround him with enemies all the time?” “If we have to.” “I thought you said you liked this kid.” “If the buggers get him, they’ll make me look like his favorite uncle.” “All right. We’re saving the world, after all. Take him.
Orson Scott Card (Ender's Game (Ender's Saga, #1))
For as much as many NKOTB fans have been caught off guard by how much this has all meant, so too have some of the guys. Donnie says, "It was a surprise to me how fulfilling it was. It was a surprise to me how emotional it was, how rewarding it was. And quite frankly, how wrapped up in the fans I am. I'm not caught up in the hype. I don't need it. I don't need some fulfillment. I can live without it. But I don't want to. I love making people smile. I love sharing myself. I love the feeling of making people happy. I love the fact that, for whatever reason, I've been put in a position to change people's lives in a simple way. I'm not healing diseases. But I can make someone happy, even for a short time.
Nikki Van Noy (New Kids on the Block: Five Brothers and a Million Sisters)
It's just...it's not every day someone comes along willing to take a bullet for your little sister." I swallow back a laugh, try to lighten the mood. "Nah, I'm sure Hanson would've stepped up." Daniel rolls his eyes, reaches for his drink. "I hated that kid." "Jaden thought he was perfect." "I think Jaden started to see a new kind of perfect when she met you.
Katie Klein (Collateral Damage (Cross My Heart, #2))
Sometimes he wished he didn’t have a sister, though he loved Deenie and still remembered the feeling he had when he caught that kid Ethan pushing her off the swing set in the school yard in fifth grade. And how time seemed to speed up until he was shoving the kid into the fence and tearing his jacket. The admiring look his sister gave him after, the way his parents pretended to be mad at him but he could tell they weren’t. These days, it was pretty different. There’d be those moments he was forced to think about her not just as Deenie but as the girl whose slender tank tops hung over the shower curtain. Like bright streamers, like the flair the cheerleaders threw at games. Sometimes he wished he didn’t have a sister.
Megan Abbott (The Fever)
I’m gonna master it just like I mastered the other kind of French.” He winks at me. Kitty and I both scream at him for that. “Don’t talk like that in front of my sister!” I yell, shoving him in the chest. “I was kidding!” “Also, you’re not that good at French kissing.” Even though, yeah, he is. Peter gives me a Who are you kidding? look, and I shrug, because who am I kidding?
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
There’s a Chinese word that means “soul sister,” and that is the word I would use to address you in my heart. Listen to me, soul sister: Fate or luck or destiny already put you through hell once. Please don’t make it worse by condemning yourself. There is no choice that would have left you feeling no guilt. Every time I watch Adam struggle to speak, every time I see another child laugh and point at him, every time I watch his face fall as he realizes he is not going to be treated like the other kids, I feel wrenched by guilt just as you did when you heard my story. Life is hard. We make the best choices we can. Condemnation, whether it comes from around you or inside you, only robs the world of another dram of compassion. God knows, we need all the compassion we can get. If you promise to try to forgive yourself, I’ll try to forgive myself as well. I think, in my heart of hearts, that there is nothing for either one of us to forgive.
Martha Beck
WHEN YOU ARE A KID you have your own language, and unlike French or Spanish or whatever you start learning in fourth grade, this one you’re born with, and eventually lose. Everyone under the age of seven is fluent in Ifspeak; go hang around with someone under three feet tall and you’ll see. What if a giant funnelweb spider crawled out of that hole over your head and bit you on the neck? What if the only antidote for venom was locked up in a vault on the top of a mountain? What if you lived through the bite, but could only move your eyelids and blink out an alphabet? It doesn’t really matter how far you go; the point is that it’s a world of possibility. Kids think with their brains cracked wide open; becoming an adult, I’ve decided, is only a slow sewing shut. •
Jodi Picoult (My Sister's Keeper)
Fuck hope and all the tiny little towns, one-horse towns, the one-stoplight towns, three-bars country-music jukebox-magic parquet-towns, pressure-cooker pot-roast frozen-peas bad-coffee married-heterosexual towns, crying-kids-in-the-Oldsmobile-beat-your-kid-in the-Thriftway-aisles towns, one-bank one-service-station Greyhound-Bus-stop-at-the-Pepsi-Cafe towns, two-television towns, Miracle Mile towns, Viv's Double Wide Beauty Salon towns, schizophrenic-mother towns, buy-yourself-a-handgun towns, sister-suicide towns, only-Injun's-a-dead-Injun towns, Catholic-Protestant-Mormon-Baptist religious-right five-churches Republican-trickle-down-to-poverty family-values sexual-abuse pro-life creation-theory NRA towns, nervous-mother rodeo-clown-father those little-town-blues towns.
Tom Spanbauer (In the City of Shy Hunters)
You have to walk differently on roofs,” Alec told him. He took Rafael’s hands in his, showing him how. “Like this, because they slope. Do it like me.” It was oddly nice, to teach a child these things. He’d had all sorts of plans to teach his little brother, when he got older, but his baby brother hadn’t lived to be older. “When will you give your parents a real grandchild?” he’d heard Irina Cartwright ask Isabelle after a Clave meeting. “By the Angel,” said Isabelle. “Is Max imaginary?” Irina paused, then laughed. “A Shadowhunter child, to teach our ways. Nobody would give those people a Shadowhunter child. Imagine a warlock around one of our little ones! And that kind of behavior. Children are so impressionable. It wouldn’t be right.” Isabelle went for her whip. Alec dragged his sister back. “You Lightwood kids are out of control and out of your minds,” muttered Irina. Jace had appeared beside Alec and Isabelle, and given Irina a radiant smile. “Yes, we are.
Cassandra Clare (The Land I Lost (Ghosts of the Shadow Market, #7))
You've got it wrong." His voice was harsh. "Jackson—" He cut her off. "No, it's my turn to talk. You've given your speech. And I get it, Mollie, I do. Madison is your sister, and she made you PB&J as a kid when your parents checked out, and that's fine. But open your eyes. You don't owe her anything anymore. You are your own woman, and you are a woman, Mollie. You're not a kid. You're not a girl. And if I've been a complete asshole lately, it's because I'm having a hell of a time coming to grips with the fact that I want you. And fuck, Mollie, I want you. I want you so bad, I'm dying." Mollie had never made the first move on a man in her life. She was old-fashioned like that. But she made the first move now. She took a step forward, placed a hand at the back of his head, and pulled his mouth to hers.
Lauren Layne (I Wish You Were Mine (Oxford, #2))
The “rising tide” theory rested on a notion of separate but equal class ladders. And so there was a class of black poor and an equivalent class of white poor, a black middle class and a white middle class, a black elite and a white elite. From this angle, the race problem was merely the result of too many blacks being found at the bottom of their ladder—too many who were poor and too few who were able to make their way to the next rung. If one could simply alter the distribution, the old problem of “race” could be solved. But any investigation into the actual details revealed that the ladders themselves were not equal—that to be a member of the “black race” in America had specific, quantifiable consequences. Not only did poor blacks tend to be much less likely to advance up their ladder, but those who did stood a much greater likelihood of tumbling back. That was because the middle-class rung of the black ladder lacked the financial stability enjoyed by the white ladder. Whites in the middle class often brought with them generational wealth—the home of a deceased parent, a modest inheritance, a gift from a favorite uncle. Blacks in the middle class often brought with them generational debt—an incarcerated father, an evicted niece, a mother forced to take in her sister’s kids. And these conditions, themselves, could not be separated out from the specific injury of racism, one that was not addressed by simply moving up a rung. Racism was not a singular one-dimensional vector but a pandemic, afflicting black communities at every level, regardless of what rung they occupied. From that point forward the case for reparations seemed obvious and the case against it thin. The sins of slavery did not stop with slavery. On the contrary, slavery was but the initial crime in a long tradition of crimes, of plunder even, that could be traced into the present day. And whereas a claim for reparations for slavery rested in the ancestral past, it was now clear that one could make a claim on behalf of those who were very much alive.
Ta-Nehisi Coates (We Were Eight Years in Power: An American Tragedy)
During the many evenings she’d spent babysitting her nieces and nephew, she’d ached to have the same for herself, someone to love unconditionally. Of course she loved her sisters’ kids, but it wasn’t the same at all. She dreamed of having someone she had helped to create and mold, someone who depended on her, who needed her, who would always seek her out for guidance and who, until her dying day, would call her “Mum.
John Marrs (The One (Dark Future #1))
She saw it in her mind's eye like a movie playing, the haunting memories from her childhood she couldn't seem to shake blending together into one raw, aching image. Her mother lying in a darkened room for days, her face swollen with tears. The inevitable ashtray overrun with ashes, the acrid scent of pot smoke in the air. The bed or couch or futon may have been different from year to year as Evie moved them around from apartment to commune to funky cottage, but her mother was always the same. Falling hard for some man, immersing herself in romantic fantasies that were crushed when the guy left. And the guy always left. Her mother's inability to get a grasp on reality had too often left Mischa to care for her younger sister, to care for her mother, from too young an age. She remembered shaking Evie awake, trying to get her to eat. To get up and take a shower, take her and Raine to school. No kid should have to do that. No kid should have to witness the way Evie had allowed herself to be ravaged by love. No woman should allow that to happen.
Eve Berlin (Temptation's Edge (Edge, #3))
Derek frowned. “I guess I still think of her as a kid.” “I know. And it’s very sweet how protective you are of my sister.” She tugged on a fistful of hair. “In fact, it’s kind of a turn-on.” Derek’s eyebrows shot up. “Another one? Jesus, how many do you have?” “I don’t know. You keep discovering them.” He turned onto his stomach and crawled up Ginger’s body, his eyes focused on her mouth. “Are you sure we...'' Another round of banging on the door. “Mommy and Daddy!” Willa called from the hallway. “Zip up your pants and open the door.” Ginger kissed him one last time and ran from the bedroom laughing. Derek smiled after her.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
Do you have kids?" Anna asks. I laugh. "What do you think?" "It's probably a good thing," she admits. "No offense, but you don't exactly look like a parent." That fascinates me. "What do parents look like?" She seems to think about this. "You know how the tightrope guy at the circus wants everyone to believe his act is an art, but deep down you can see that he's really just hoping he makes it all the way across? Like that.
Jodi Picoult (My Sister's Keeper)
Presently, Mary Mac—that’s what we call her for short—has churned out more kids than I can count. It’s like she’s a hoarder, only for children. In terms of personal achievement, she’s pretty much the patron saint of minivans and stretch marks. What is that meme I’ve seen about the prolific 19 Kids and Counting mother? Ah, yes, “It’s a vagina, not a clown car.” Add one persecution complex, stir, and, boom! Meet my older sister.
Jen Lancaster (Twisted Sisters)
I think that if I ever have kids, and they are upset, I won't tell them that people are starving in China or anything like that because because it wouldn't change the fact that they are upset. And even if somebody else has it much worse that doesn't really change the fact that you have what you have. Good and bad. Just like what my sister said when I had been in the hospital for a while. She said that she was really worried about going to college, and considering what I was going through, she felt really dumb about it. But I don't know why she would feel dumb. I'd be worried, too. And really, I don't think I have it any better or worse than she does. I don't know. It's just different. Maybe it's good to put things in perspective, but sometimes I think that the only perspective is to really be there..... Because it's ok to feel things. And be who you are about them.
Stephen Chbosky (The Perks of Being a Wallflower)
Don’t be afraid of aging. As the saying goes, don’t be afraid of anything but fear itself. Find “your” perfume before you turn thirty. Wear it for the next thirty years. No one should ever see your gums when you talk or laugh. If you own only one sweater, make sure it’s cashmere. Wear a black bra under your white blouse, like two notes on a sheet of music. One must live with the opposite sex, not against them. Except when making love. Be unfaithful: cheat on your perfume, but only on cold days. Go to the theater, to museums, and to concerts as often as possible: it gives you a healthy glow. Be aware of your qualities and your faults. Cultivate them in private but don’t obsess. Make it look easy. Everything you do should seem effortless and graceful. Not too much makeup, too many colors, too many accessories …  Take a deep breath and keep it simple. Your look should always have one thing left undone—the devil is in the details. Be your own knight in shining armor. Cut your own hair or ask your sister to do it for you. Of course you know celebrity hairdressers, but only as friends. Always be fuckable: when standing in line at the bakery on a Sunday morning, buying champagne in the middle of the night, or even picking the kids up from school. You never know. Either go all gray or no gray hair. Salt and pepper is for the table.
Anne Berest (How to Be Parisian Wherever You Are: Love, Style, and Bad Habits)
And the kids?" "Quincy, nothing. All she wants to do is look for Saturn's rings and bring home every creature from the pound. Nelson, though, he's..." She looked at Nicholas. "He's like you. Gifted, but ignorant." Nicholas bristled, "I'm not ignorant." "You are about magic." "That's because I don't believe in magic." "Nicholas," She stopped, hands on hips, waiting until he turned around. "You're haunted. You see the dead. How can you not believe in magic?
Stephen M. Irwin (The Dead Path)
There are things I wanted to tell my sister before her arrival. Like that you can love the United States of Diasporica and still be afraid of it. The day after the last election, some kids came skipping into home room like a war was won. Hearing cocaine jokes and mechanical hallway insults of “go back to your country” was nothing new for me and Nando, but there was new brazenness, like a gloved hand reaching for our throats, reminding us we were not welcome.
Patricia Engel (Infinite Country)
So I am going to run away from Faerie. Like you.' That's not how I'd thought of myself, as a runaway. I was someone with nowhere to go. Waiting until I was older. Or less afraid. Or more powerful. 'The Prince of Elfhame can't up and disappear.' 'They'd probably be happier if I did,' he told me. 'I'm the reason my father is in exile. The reason my mother married him in the first place. My one sister and her girlfriend had to take care of me when I was little, even though they were barely more than kids themselves. My other sister almost got killed lots of times to keep me safe. Things will be easier without me around. They'll see that.' 'They won't,' I told him, trying to ignore the intense surge of envy that came with knowing he would be missed.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Ri, here's a question for you,” Stella started. She opened it up to everyone else, as well. “When do your kids stop being pets and start being people?” The room went silent, except for Gloria trying to stifle her giggles. Stella looked around and felt pleased that she'd gotten the desired reaction. “What are you talking about? How could you call children pets?” Shannon demanded before Bernadette had the chance to. “No, this is an honest question.” Stella insisted. “You have them, you name them. They're helpless, and you teach, or train, them. Feed them, water them, whatever. And as they grow up, you just hope that they grow up well and don't spend their time clawing your nice sofa or humping your leg." Stella, "Sugar and Spies: Spy Sisters Book 1
Rebekah Martin
Brothers are not like sisters […] They don’t call each other every week. They don’t have secret worlds to share. Can you think of two brothers who are really, inseparably close? No, for brothers it’s a different set of rules. Like it or not, we’re held to the bare minimum. Will you be there for him if he needs you? Of course. Should you love him without question? Absolutely. But those are the easy things. Do you make him a large part of your life, an equal to a wife or a best friend? At the beginning, when you’re kids, the answer is often yes. But when you get to high school, or older? Do you tell him everything? Do you let him know who you really are? The answer is usually no. Because all these other things get in the way. Girlfriends. Rebellion. Work.
David Levithan (Are We There Yet?)
I mean, they've always known that I'm weird and ambitious, so maybe they expect me to do the weirdest things possible. And going to Reardan is truly a strange idea. But it isn't weird that my parents so quickly agreed with my plans. They want a better life for my sister and me. My sister is running away to get lost, but I am running away because I want to find something. And my parents love me so much that they want to help me. Yeah ,Dad is a drun and Mom is an ex-drunk, but they don't want their kids to be drunks.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
When I was a kid my folks took me to visit Mexico city. I’ll always remember the way my father acted- loud and big. And my mother didn’t like the people because they were dark and didn’t wash enough. And my sister wouldn’t talk to most of them. I was the only one really liked it. And I can see my mother and father coming to Mars and acting the same way here. Anything that’s strange is no good to the average American. If it doesn’t have Chicago plumbing, it’s nonsense. The thought of that! Oh God, the thought of that!
Ray Bradbury (The Martian Chronicles)
In a section of The Vaccine Book titled “Is it your social responsibility to vaccinate your kids?” Dr. Bob asks, “Can we fault parents for putting their own child’s health ahead of that of the kids around him?” This is meant to be a rhetorical question, but Dr. Bob’s implied answer is not mine. In another section of the book, Dr. Bob writes of his advice to parents who fear the MMR vaccine, “I also warn them not to share their fears with their neighbors, because if too many people avoid the MMR, we’ll likely see the disease increase significantly.” I do not need to consult an ethicist to determine that there is something wrong there, but my sister clarifies my discomfort. “The problem is in making a special exemption just for yourself,” she says. This reminds her of a way of thinking proposed by the philosopher John Rawls: Imagine that you do not know what position you are going to hold in society—rich, poor, educated, insured, no access to health care, infant, adult, HIV positive, healthy immune system, etc.—but that you are aware of the full range of possibilities. What you would want in that situation is a policy that is going to be equally just no matter what position you end up in. “Consider relationships of dependence,” my sister suggests. “You don’t own your body—that’s not what we are, our bodies aren’t independent. The health of our bodies always depends on choices other people are making.” She falters for a moment here, and is at a loss for words, which is rare for her. “I don’t even know how to talk about this,” she says. “The point is there’s an illusion of independence.
Eula Biss (On Immunity: An Inoculation)
I later read a survey about Southerners' knowledge of the War; only half of those aged eighteen to twenty-four could name a single battle, and only one in eight knew if they had a Confederate ancestor. This was a long way from the experience of earlier generations, smothered from birth in the thick gravy of Confederate culture and schooled on textbooks that were little more than Old South propaganda. In this sense, ignorance might prove a blessing. Knowing less about the past, kids seemed less attached to it. Maybe the South would finally exorcise its demons by simply forgetting the history that created them. But Alabaman's seemed to have also let go of the more recent and hopeful history embodied in Martin Luther King's famous speech. "I have a dream," he said, of an Alabama where "black boys and black girls will be able to join hands with white boys and white girls as sisters and brothers.
Tony Horwitz (Confederates in the Attic: Dispatches from the Unfinished Civil War (Vintage Departures))
Your sister is really not loving Ms. Rothschild, huh.” Peter still hasn’t gotten the hang of calling Ms. Rothschild Trina, and he likely never will. In our neighborhood, none of the kids growing up called the adults by their first names. Everyone was Miss or Mrs. or Mr., except for Daddy, who was Dr. “I wouldn’t say Gogo dislikes Trina,” I say. “She likes her; she just isn’t used to her yet. You know how Trina is.” “True,” he says. “I also know how your sister is. It took her forever to warm up to me.” “It wasn’t forever. You’re just used to people liking you from the very first minute they meet you.” I give him a sidelong look. “Because you’re so very charming.” He scowls, because I don’t say it like a compliment. “Gogo doesn’t care about charm. She cares about real.” “Well, now she loves me,” he says, all confidence. When I don’t answer right away, he says, “Right? Doesn’t she?” I laugh. “She does.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
We must commit to pulling our brothers and sisters out of the river and also commit to going upstream to identify, confront, and hold accountable those who are pushing them in. We help parents bury their babies who were victims of gun violence. And we go upstream to fight the gun manufacturers and politicians who profit from their children’s deaths. We step into the gap to sustain moms who are raising families with imprisoned dads. And we go upstream to dismantle the injustice of mass incarceration. We fund recovery programs for those suffering from opioid addiction. And we go upstream to rail against the system that enables Big Pharma and corrupt doctors to get richer every time another kid gets hooked. We provide shelter and mentoring for LGBTQ homeless kids. And we go upstream to renounce the religious-based bigotry, family rejection, and homophobic policies that make LGBTQ kids more than twice as likely as their straight or cis-gender peers to experience homelessness. We help struggling veterans get the PTSD treatment they need and deserve, and we go upstream to confront the military-industrial complex, which is so zealous to send our soldiers to war and so willing to abandon them when they return.
Glennon Doyle (Untamed: Stop Pleasing, Start Living)
Okay, that’s fair,” I said. “But it’s not a contest about whose days suck the most, Auggie. The point is we all have to put up with the bad days. Now, unless you want to be treated like a baby the rest of your life, or like a kid with special needs, you just have to suck it up and go.” He didn’t say anything, but I think that last bit was getting to him. “You don’t have to say a word to those kids,” I continued. “August, actually, it’s so cool that you know what they said, but they don’t know you know what they said, you know?” “What the heck?” “You know what I mean. You don’t have to talk to them ever again, if you don’t want. And they’ll never know why. See? Or you can pretend to be friends with them, but deep down inside you know you’re not.” “Is that how you are with Miranda?” he asked. “No,” I answered quickly, defensively. “I never faked my feelings with Miranda.” “So why are you saying I should?” “I’m not! I’m just saying you shouldn’t let those little jerks get to you, that’s all.” “Like Miranda got to you.” “Why do you keep bringing Miranda up?” I yelled impatiently. “I’m trying to talk to you about your friends. Please keep mine out of it.” “You’re not even friends with her anymore.” “What does that have to do with what we’re talking about?” The way August was looking at me reminded me of a doll’s face. He was just staring at me blankly with his half-closed doll eyes. “She called the other day,” he said finally. “What?” I was stunned. “And you didn’t tell me?” “She wasn’t calling you,” he answered, pulling both comic books out of my hands. “She was calling me. Just to say hi. To see how I was doing. She didn’t even know I was going to a real school now. I can’t believe you hadn’t even told her. She said the two of you don’t hang out as much anymore, but she wanted me to know she’d always love me like a big sister.” Double-stunned. Stung. Flabbergasted. No words formed in my mouth. “Why didn’t you tell me?” I said, finally. “I don’t know.” He shrugged, opening the first comic book again. “Well, I’m telling Mom and Dad about Jack Will if you stop going to school,” I answered. “Tushman will probably call you into school and make Jack and those other kids apologize to you in front of everyone, and everyone will treat you like a kid who should be going to a school for kids with special needs. Is that what you want? Because that’s what’s going to happen. Otherwise, just go back to school and act like nothing happened. Or if you want to confront Jack about it, fine. But either way, if you—
R.J. Palacio (Wonder)
As a kid I was the youngest member of my family, and the youngest child in any family is always a jokemaker, because a joke is the only way he can enter into an adult conversation. My sister was five years older than I was, my brother was nine years older than I was, and my parents were both talkers. So at the dinner table when I was very young, I was boring to all those other people. They did not want to hear about the dumb childish news of my days. They wanted to talk about really important stuff that happened in high school or maybe in college or at work. So the only way I could get into a conversation was to say something funny.
Kurt Vonnegut Jr. (A Man Without a Country)
Ask a woman who she is, and she’ll tell you who she loves, who she serves, and what she does. I am a mother, a wife, a sister, a friend, a career woman. The fact that we define ourselves by our roles is what keeps the world spinning. It’s also what makes us untethered and afraid. If a woman defines herself as a wife, what happens if her partner leaves? If a woman defines herself as a mother, what happens when the kids leave for college? If a woman defines herself as a career woman, what happens when the company folds? Who we are is perpetually being taken from us, so we live in fear instead of peace. We cling too tightly, close our eyes to what we need to look at hard, avoid questions that need to be asked, and in a million ways insist to our friends, partners, and children that the purpose of their existence is to define us. We build sandcastles and then try to live inside them, fearing the inevitable tide. Answering the question Who do I love? is not enough. We must live lives of our own. To live a life of her own, each woman must also answer: What do I love? What makes me come alive? What is beauty to me, and when do I take the time to fill up with it? Who is the soul beneath all of these roles? Each woman must answer these questions now, before the tide comes. Sandcastles are beautiful, but we cannot live inside them. Because the tide rises. That’s what the tide does. We must remember: I am the builder, not the castle. I am separate and whole, over here, eyes on the horizon, sun on my shoulders, welcoming the tide. Building, rebuilding. Playfully. Lightly. Never changing. Always changing.
Glennon Doyle (Untamed)
We had almost exactly a year together as a couple after that. She wanted to swim the Great Barrier Reef. I wish we had gone. I wish we had read books to each other. We had one weekend of sexy-times in New York City while her father looked after the kids. I wish we’d had more. I wish we’d walked more. I wish we hadn’t sat in front of the TV so much. It was nice, we cuddled, we laughed at Stephen Colbert and Seth Meyers, but it didn’t make much in the way of memories. We did such ordinary, banal things. Ordered pizza and played Trivial Pursuit with her sister and her dad. Helped the kids with homework. We did dishes together more than we ever made love. What kind of life is that?” “Real life,” Harper said.
Joe Hill (The Fireman)
It was astonishing, Lara thought, the sheer outpouring of human desire. The need to record, to create, to be acknowledged. Read me read me read me. The queries tsunamied her inbox, twenty to thirty a day. Girl-meets-boy. Poor-kid-gets-rich. Rich-kids-go-bad. Boy-saves-the-world. Boy-writes-a-bestseller-then-gets-writer’s-block-but-lives-in-a-gorgeous-condo-while-his-girlfriend-helps-him-figure-it-out. Girl-meets-girl. Dog dies. First love. First fuck. Bad parents. Bad husbands. Bad habits. War. War. War. Robots. Fairies. Vampires. Dragons. Change centuries. Tell-alls. Tell-nothings. Pride and Prejudice on a ranch, at a mall; swap out the sisters for men, dogs, parakeets. Change countries. Add zombies. Repeat.
Erica Bauermeister (No Two Persons)
Conner, I'm so sorry." She sniffled. "Sorry for what?" Conner asked. "Sorry if I ever made you feel like that," Alex cried. "I know you don't remember, but there was a time I treated you exactly like the Ziblings are treating Bolt - and just like them, I had no idea how much I was hurting you. This story is much more personal than you think. It's about us." "Alex, I think you're over-reacting." he said. "You just don't see it," Alex said. "Since we were kids, people have always compared us to each other. Everyone always shamed you for not getting good grades like me, for not being as mature as me, or for not being as organized as me. But no one ever made me feel bad for not being more like you - I had no idea what it was like. But now that I'm watching Bolt, I see how painful it must have been." At first Conner thought his sister was crazy. There was no way a silly story he wrote could have been that meaningful. But the more she explained, the more sense it made. Alex had always been capable of so many things, she was like a superhero in his mind, a superhero he could never live up to.
Chris Colfer (An Author's Odyssey (The Land of Stories, #5))
...a final word to "the children": do you want to get suckered like your big brothers and sisters? Those saps who spent 2008 standing behind the Obamessiah swaying and chanting, "We are the dawning of the Hopeychange" like brainwashed cult extras? Sooner or later you guys have to crawl out from under the social engineering and rediscover the contrarian spirit for which youth was once known...This will be the great battle of the next generation--to reclaim your birthright from those who spent it. If you don't, the entire global order will teeter and fall. But, if you do, you will have won a great victory. Every time a politician proposes new spending, tell him he's already spent your money, get his hand out of your pocket. Every time a politician says you can stay a child until your twenty-seventh birthday, tell him, "No, you're the big baby, not me--you've spent irresponsibly, and me and my pals are the ones who are gonna have to be the adults and clean up your mess. Don't treat met like a kid when your immaturity got us into this hole." This is a battle for the American idea, and it's an epic one, but--to reprise the lamest of lame-o-lines--you can do anything you want to do. So do it.
Mark Steyn (After America: Get Ready for Armageddon)
New Rule: Americans must realize what makes NFL football so great: socialism. That's right, the NFL takes money from the rich teams and gives it to the poorer one...just like President Obama wants to do with his secret army of ACORN volunteers. Green Bay, Wisconsin, has a population of one hundred thousand. Yet this sleepy little town on the banks of the Fuck-if-I-know River has just as much of a chance of making it to the Super Bowl as the New York Jets--who next year need to just shut the hell up and play. Now, me personally, I haven't watched a Super Bowl since 2004, when Janet Jackson's nipple popped out during halftime. and that split-second glimpse of an unrestrained black titty burned by eyes and offended me as a Christian. But I get it--who doesn't love the spectacle of juiced-up millionaires giving one another brain damage on a giant flatscreen TV with a picture so real it feels like Ben Roethlisberger is in your living room, grabbing your sister? It's no surprise that some one hundred million Americans will watch the Super Bowl--that's forty million more than go to church on Christmas--suck on that, Jesus! It's also eighty-five million more than watched the last game of the World Series, and in that is an economic lesson for America. Because football is built on an economic model of fairness and opportunity, and baseball is built on a model where the rich almost always win and the poor usually have no chance. The World Series is like The Real Housewives of Beverly Hills. You have to be a rich bitch just to play. The Super Bowl is like Tila Tequila. Anyone can get in. Or to put it another way, football is more like the Democratic philosophy. Democrats don't want to eliminate capitalism or competition, but they'd like it if some kids didn't have to go to a crummy school in a rotten neighborhood while others get to go to a great school and their dad gets them into Harvard. Because when that happens, "achieving the American dream" is easy for some and just a fantasy for others. That's why the NFL literally shares the wealth--TV is their biggest source of revenue, and they put all of it in a big commie pot and split it thirty-two ways. Because they don't want anyone to fall too far behind. That's why the team that wins the Super Bowl picks last in the next draft. Or what the Republicans would call "punishing success." Baseball, on the other hand, is exactly like the Republicans, and I don't just mean it's incredibly boring. I mean their economic theory is every man for himself. The small-market Pittsburgh Steelers go to the Super Bowl more than anybody--but the Pittsburgh Pirates? Levi Johnston has sperm that will not grow and live long enough to see the Pirates in a World Series. Their payroll is $40 million; the Yankees' is $206 million. The Pirates have about as much chance as getting in the playoffs as a poor black teenager from Newark has of becoming the CEO of Halliburton. So you kind of have to laugh--the same angry white males who hate Obama because he's "redistributing wealth" just love football, a sport that succeeds economically because it does just that. To them, the NFL is as American as hot dogs, Chevrolet, apple pie, and a second, giant helping of apple pie.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
A favorite pastime of soldiers on long mounted patrols was testing each other with impossible hypotheticals. They were an endearing yet vulgar form of moral drama, but only because the alternative was to contemplate being blown up by an illiterate goat herder’s morning project. “What would you rather do, have sex with your sister or shoot your mother?” “Would you rather pick up a baby with a pitchfork, or throw a paraplegic in a fire?” In one form or another, these young men were weighing the relative value of human life in real terms, perhaps as a surrogate for murkier thoughts that might otherwise be in the forefront, such as, “Why am I risking my life in this wasteland?” or “Whose life is worth more, that of my best friend in the gun turret or of some Iraqi kid I’ve never met?” It passed the time.
Mike MacLeod
Without warning, Rhamp opened his lids just as V was settling him down in the crib-thing next to his sister. V recoiled. Okay, wow, those eyes were really fucking intense, very direct, and slightly hostile—like the kid knew this happy little transfer was waaaaaaaaaaaaay above Vishous’s pay grade and not something that should have been sanctioned by any kind of self-respecting parental unit. “Chill, my man,” V murmured as he checked on what Pops was doing over at the other bassinet—and then V followed suit, pulling up the blanket just like Qhuinn was. “S’all good. You good, true?” Qhuinn looked over. “He’s a fighter, all right. You can already tell.” V sat back on his heels, crossed his arms, and continued to look down at the little bag of vampire. And what do you know. That infant sonofabitch glared right back at him. Vishous started to smile
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
Every Sunday we gather in a multimillion-dollar building with millions of dollars in vehicles parked outside. We leave worship to spend thousands of dollars on lunch before returning to hundreds of millions of dollars' worth of homes. We live in luxury. Meanwhile the poor man is outside our gate. And he is hungry. In the time we gather for worship on a Sunday morning almost a thousand children elsewhere die because they have no food. If it were our kids starving, they would all be gone by the time we said our closing prayer. We certainly wouldn't ignore our kids while we sang songs and entertained ourselves, but we are content with ignoring other parents' kids. Many of them are our spiritual brothers and sisters in developing nations. They are suffering from malnutrition, deformed bodies and brains, and preventable diseases. At most, we are throwing our scraps to them while we indulge in our pleasures here.
David Platt (Radical: Taking Back Your Faith from the American Dream)
By December 1975, a year had passed since Mr. Harvey had packed his bags, but there was still no sign of him. For a while, until the tape dirtied or the paper tore, store owners kept a scratchy sketch of him taped to their windows. Lindsey and Samuel walked in the neighboorhood or hung out at Hal's bike shop. She wouldn't go to the diner where the other kids went. The owner of the diner was a law and order man. He had blown up the sketch of George Harvey to twice its size and taped it to the front door. He willingly gave the grisly details to any customer who asked- young girl, cornfield, found only an elbow. Finallly Lindsey asked Hal to give her a ride to the police station. She wanted to know what exactly they were doing. They bid farewell to Samuel at the bike shop and Hal gave Lindsey a ride through a wet December snow. From the start, Lindsey's youth and purpose had caught the police off guard. As more and more of them realized who she was, they gave her a wider and wider berth. Here was this girl, focused, mad, fifteen... When Lindsey and Hal waited outside the captain's office on a wooden bench, she thought she saw something across the room that she recognized. It was on Detective Fenerman's desk and it stood out in the room because of its color. What her mother had always distinguished as Chinese red, a harsher red than rose red, it was the red of classic red lipsticks, rarely found in nature. Our mother was proud of her ability fo wear Chinese red, noting each time she tied a particular scarf around her neck that it was a color even Grandma Lynn dared not wear. Hal,' she said, every muscle tense as she stared at the increasingly familiar object on Fenerman's desk. Yes.' Do you see that red cloth?' Yes.' Can you go and get it for me?' When Hal looked at her, she said: 'I think it's my mother's.' As Hal stood to retrieve it, Len entered the squad room from behind where Lindsey sat. He tapped her on the shoulder just as he realized what Hal was doing. Lindsey and Detective Ferman stared at each other. Why do you have my mother's scarf?' He stumbled. 'She might have left it in my car one day.' Lindsey stood and faced him. She was clear-eyed and driving fast towards the worst news yet. 'What was she doing in your car?' Hello, Hal,' Len said. Hal held the scarf in his head. Lindsey grabbed it away, her voice growing angry. 'Why do you have m mother's scarf?' And though Len was the detective, Hal saw it first- it arched over her like a rainbow- Prismacolor understanding. The way it happened in algebra class or English when my sister was the first person to figure out the sum of x or point out the double entendres to her peers. Hal put his hand on Lindsey's shoulder to guide her. 'We should go,' he said. And later she cried out her disbelief to Samuel in the backroom of the bike shop.
Alice Sebold
But somewhere along the line, Mollie Carrington had ceased to be that awkward kid who talked about bugs at inopportune times. Somewhere along the line, she’d become his rock. The one person in the world, save for perhaps his parents, who always knew the exact right thing to say to make him feel like a human whenever he’d started to feel like a caricature of himself. For years he’d tried to tell himself that it was just sibling affection—that he cared about her the way he would a sister. But then things had gotten worse with Madison—way worse. And Jackson had been hit upside the head with the truth: that maybe he’d married the wrong sister. That he didn’t want to spend the rest of his days married to the beautiful, brittle Madison. He wanted someone who made him laugh. Who listened. Someone who cared more about people than she did about hair appointments. Someone like Mollie. “Fuck,” Jackson muttered under his breath as he took another sip of his drink.
Lauren Layne (I Wish You Were Mine (Oxford, #2))
Cards seven and eight were the enemies plotting against him. "These are both great cards," I said. "This is a child who's important to you, and who brings balance to your life." "I don't really know any kids." "A brother or sister?" I asked. "No nieces, nephews?" "Not even a cousin." I started scrubbing down the bar, although it was perfectly clean. "Then maybe it's yours," I said, "Sometime." His hand crossed the wood, fingered the card. "What's she don't to look like?" The suit was Cups. "Light-skinned and dark-haired." "Like you," he said. I blushed, and busied myself by turning over the last card. "This lets you know if your wish will come true, or if all those other things will get in the way." The card was the Seven of Cups - a wedding or alliance he would regret for the rest of his life. "So?" Charlie asked, and his voice rang with the future. "Do I get what I want?" "Absolutely", I lied, and then I leaned across the bar and kissed him over the map of our lives.
Jodi Picoult (Vanishing Acts)
Later, as the sisters grew, Esther hyperfocused on their differences, but as a little kid she'd been far more hypnotised by their sameness. They both loved chewing lemon peels and watermelon rinds, loved pictures of goats but not actual goats, loved putting sand in their hair so they could scratch it out later, loved watching their parents slow-dance in the living room to Motown records. They loved the sound of the wind, the sound of breaking ice, the sound of coyotes calling on the mountain. They disliked zippers, ham, the word 'milk', flute music, the gurgling sound of the refrigerator, Cecily's long weekends away, Abe's insistence on regular chess matches, and days with no clouds. They disliked the boxes of books that came to their door daily or were lugged home by their father, disliked their dusty lonesome smell and how they consumed Abe's attention. They disliked when their parents closed the bedroom door and fought in whispers. They hated the phrase 'half sister.' There had been no half about it.
Emma Törzs (Ink Blood Sister Scribe)
You're caught." She said. "No better off than I am, but you don't deserve to watch me fail. You showed up uninvited and you took everything from us. You stole our sisters, our parents, our kids. You took the sky, the view, you took day and night. A look across the street. A glance out a window. You've taken a view, every view, and with that, perspective. Who do you think you are, coming here, taking, then siting silent, watching me go mad? I hope you're hurt. I hope you're stuck in here. I hope you get taken from you what you've taken from us. How can I be a mother in this world, your world? How am I supposed to feel, ever, in a world where my kids are allowed to look. They don't know me. My kids. They know a weathered, paranoid woman who cringes at every suggestion they make. They know a woman who says no so many more times than she says yes. A thousand times no. A hundred thousand times no. They know a woman who tells them what they're doing is wrong, every day, all night. I was different before you. My kids will never know that person. I'll never know that person again.
Josh Malerman (Malorie (Bird Box, #2))
The core components of high EQ are the following: The ability to self-soothe. The key to managing emotion is to allow, acknowledge, and tolerate our intense emotions so that they evaporate, without getting stuck in them or taking actions we’ll later regret. Self-soothing is what enables us to manage our anxiety and upsets, which in turn allows us to work through emotionally charged issues in a constructive way. Emotional self-awareness and acceptance. If we don’t understand the emotions washing over us, they scare us, and we can’t tolerate them. We repress our hurt, fear, or disappointment. Those emotions, no longer regulated by our conscious mind, have a way of popping out unmodulated, as when a preschooler socks his sister or we (as adults) lose our tempers or eat a pint of ice cream. By contrast, children raised in a home in which there are limits on behavior but not on feelings grow up understanding that all emotions are acceptable, a part of being human. That understanding gives them more control over their emotions. Impulse control. Emotional intelligence liberates us from knee-jerk emotional reactions. A child (or adult) with high EQ will act rather than react and problem-solve rather than blame. It doesn’t mean you never get angry or anxious, only that you don’t fly off the handle. As a result, our lives and relationships work better. Empathy. Empathy is the ability to see and feel something from the other’s point of view. When you’re adept at understanding the mental and emotional states of other people, you resolve differences constructively and connect deeply with others. Naturally, empathy makes us better communicators.
Laura Markham (Peaceful Parent, Happy Kids: How to Stop Yelling and Start Connecting (The Peaceful Parent Series))
Let me start with this: I am an apostate. I have lied. I have cheated. I have done things in my life that I am not proud of, including but not limited to: • falling in love with a married man nineteen years ago • being selfish and self-centered • fighting with virtually everyone I have ever known (via hateful emails, texts, and spoken words) • physically threatening people (from parking ticket meter maids to parents who hit their kids in public) • not showing up at funerals of people I loved (because I don’t deal well with death) • being, on occasion, a horrible daughter, mother, sister, aunt, stepmother, wife (this list goes on and on). The same goes for every single person in my family: • My husband, also a serial cheater, sold drugs when he was young. • My mother was a self-admitted slut in her younger days (we’re talking the 1960s, before she got married). • My dad sold cocaine (and committed various other crimes), and then served time at Rikers Island. Why am I revealing all this? Because after the Church of Scientology gets hold of this book, it may well spend an obscene amount of money running ads, creating websites, and trotting out celebrities to make public statements that their religious beliefs are being attacked—all in an attempt to discredit me by disparaging my reputation and that of anyone close to me. So let me save them some money. There is no shortage of people who would be willing to say “Leah can be an asshole”—my own mother can attest to that. And if I am all these things the church may claim, then isn’t it also accurate to say that in the end, thirty-plus years of dedication, millions of dollars spent, and countless hours of study and
Leah Remini (Troublemaker: Surviving Hollywood and Scientology)
How can you be sure, Potter, that my brother wasn’t more interested in the greater good than in you? How can you be sure you aren’t dispensable, just like my little sister?” A shard of ice seemed to pierce Harry’s heart. “I don’t believe it. Dumbledore loved Harry,” said Hermione “Why didn’t he tell him to hide, then?” shot back Aberforth. “Why didn’t he say to him, ‘Take care of yourself, here’s how to survive’?” “Because,” said Harry before Hermione could answer, “sometimes you’ve got to think about more than your own safety! Sometimes you’ve got to think about the greater good! This is war!” “You’re seventeen, boy!” “I’m of age, and I’m going to keep fighting even if you’ve given up!” “Who says I’ve given up?” “‘The Order of the Phoenix is finished,’” Harry repeated. “‘You-Know-Who’s won, it’s over, and anyone who’s pretending different’s kidding themselves.’” “I don’t say I like it, but it’s the truth!” “No, it isn’t,” said Harry. “Your brother knew how to finish You-Know-Who and he passed the knowledge on to me. I’m going to keep going until I succeed—or I die. Don’t think I don’t know how this might end. I’ve known it for years.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Той обичаше тези грубовати шеги на хлапетата. И аз ги обичах, само че от време на време. А той – неизменно. Той цъфтеше и избуяваше под дъжда на всички нетактични и необмислени подмятания, отправени от по-малките. Сега, през 1959 г., когато се случи да чуя някоя огорчаваща ме новина за това, какви ги вършат по-малките ми братя и сестри, се сещам каква огромна радост доставяха те на Сиймор. Помня как четиригодишната Франи, седнала в скута му, се обърна към него и възкликна с безмерно възхищение: "Сиймор, зъбките ти са толкова хубави, толкова жълти!" Той направо падна от стола и веднага ме попита дали съм я чул какво казва. He loved that kind of horseplay from any of the kids. I did, too, but only off and on. He thrived, too, waxed strong, on all tactless or underconsidered remarks directed at him by family minors. In 1959, in fact, when on occasion I hear rather nettling news of the doings of my youngest brother and sister, I think on the quantities of joy they brought S. I remember Franny, at about four, sitting on his lap, facing him, and saying, with immense admiration, 'Seymour, your teeth arc so nice and yellow!' He literally staggered over to me to ask if I'd heard.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
Who will braid my hair when I’m at college?” I muse. “I will,” Peter says, all confidence. “You don’t know how,” I scoff. “The kid will teach me. Won’t you, kid?” “For a price,” Kitty says. They negotiate back and forth before finally settling on Peter taking Kitty and her friends to the movies one Saturday afternoon. Which is how I come to be sitting cross-legged on the floor while Peter and Kitty sit on the couch above me, Kitty demonstrating a French braid and Peter recording it on his phone. “Now you try it,” she says. He keeps losing a piece and getting frustrated. “You have a lot of hair, Lara Jean.” “If you can’t get the French, I’ll teach you something more basic,” Kitty says, and there is no mistaking the contempt in her voice. Peter hears it too. “No, I’m gonna get it. Just give me a second. I’m gonna master it just like I mastered the other kind of French.” He winks at me. Kitty and I both scream at him for that. “Don’t talk like that in front of my sister!” I yell, shoving him in the chest. “I was kidding!” “Also, you’re not that good at French kissing.” Even though, yeah, he is. Peter gives me a Who are you kidding? look, and I shrug, because who am I kidding?
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
You’re suggesting the mysterious X. Where do we look for him?’ Poirot said: ‘Obviously in a close circle. There were five people, were there not, whocould have been concerned?’ ‘Five? Let me see. There was the old duffer who messed about with his herb brewing. A dangerous hobby-but an amiable creature. Vague sort of person. Don’t see him as X. There was the girl-she might have polished off Caroline, but certainly not Amyas. Then there was the stockbroker-Crale’s best friend. That’s popular in detective stories, but I don’t believe in it in real life. There’s no one else-oh yes, the kid sister, but one doesn’t seriously consider her. That’s four.’ Hercule Poirot said: ‘You forget the governess.’ ‘Yes, that’s true. Wretched people, governesses, one never does remember them. I do recall her dimly though. Middle-aged, plain, competent. I suppose a psychologist would say that she had a guilty passion for Crale and therefore killed him. The repressed spinster! It’s no good-I just don’t believe it. As far as my dim remembrance goes she wasn’t the neurotic type.’ ‘It is a long time ago.’ ‘Fifteen or sixteen years, I suppose. Yes, quite that. You can’t expect my memories of the case to be very acute.
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
never so happy in my whole life. Once on a yellow piece of paper with green lines he wrote a poem And he called it “Chops” because that was the name of his dog And that’s what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X’s and he had to ask his father what the X’s meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it “Autumn” because that was the name of the season And that’s what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it “Innocence: A Question” because that was the question about his girl And that’s what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle’s Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three A.M. he tucked himself into bed his father snoring soundly That’s why on the back of a brown paper bag he tried another poem And he called it “Absolutely Nothing” Because that’s what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn’t think he could reach the kitchen.
Stephen Chbosky (The Perks of Being a Wallflower)
Subject: Some boat Alex, I know Fox Mulder. My mom watched The X-Files. She says it was because she liked the creepy store lines. I think she liked David Duchovny. She tried Californication, but I don't think her heart was in it. I think she was just sticking it to my grandmother, who has decided it's the work of the devil. She says that about most current music,too, but God help anyone who gets between her and American Idol. The fuzzy whale was very nice, it a little hard to identify. The profile of the guy between you and the whale in the third pic was very familiar, if a little fuzzy. I won't ask. No,no. I have to ask. I won't ask. My mother loves his wife's suits. I Googled. There are sharks off the coast of the Vineyard. Great big white ones. I believe you about the turtle. Did I mention that there are sharks there? I go to Surf City for a week every summer with my cousins. I eat too much ice cream. I play miniature golf-badly. I don't complain about sand in my hot dog buns or sheets. I even spend enough time on the beach to get sand in more uncomfortable places. I do not swim. I mean, I could if I wanted to but I figure that if we were meant to share the water with sharks, we would have a few extra rows of teeth, too. I'll save you some cannoli. -Ella Subject: Shh Fiorella, Yes,Fiorella. I looked it up. It means Flower. Which, when paired with MArino, means Flower of the Sea. What shark would dare to touch you? I won't touch the uncomfortable sand mention, hard as it is to resist. I also will not think of you in a bikini (Note to self: Do not think of Ella in a bikini under any circumstanes. Note from self: Are you f-ing kidding me?). Okay. Two pieces of info for you. One: Our host has an excellent wine cellar and my mother is European. Meaning she doesn't begrudge me the occasional glass. Or four. Two: Our hostess says to thank yur mother very much. Most people say nasty things about her suits. Three: We have a house kinda near Surf City. Maybe I'll be there when your there. You'd better burn this after reading. -Alexai Subect: Happy Thanksgiving Alexei, Consider it burned. Don't worry. I'm not showing your e-mails to anybody. Matter of national security, of course. Well,I got to sit at the adult table. In between my great-great-aunt Jo, who is ninety-three and deaf, and her daughter, JoJo, who had to repeat everyone's conversations across me. Loudly. The food was great,even my uncle Ricky's cranberry lasagna. In fact, it would have been a perfectly good TG if the Eagles han't been playing the Jets.My cousin Joey (other side of the family) lives in Hoboken. His sister married a Philly guy. It started out as a lively across-the-table debate: Jets v. Iggles. It ended up with Joey flinging himself across the table at his brother-in-law and my grandmother saying loud prayers to Saint Bridget. At least I think it was Saint Bridget. Hard to tell. She was speaking Italian. She caught me trying to freeze a half-dozen cannoli. She yelled at me. Apparently, the shells get really soggy when they defrost. I guess you'll have to come have a fresh one when you get back. -F/E
Melissa Jensen (The Fine Art of Truth or Dare)
After Josh leaves and Kitty goes upstairs to watch TV, I’m tidying up the living room and Peter’s sprawled out on the couch watching me. I keep thinking he’s about to leave, but then he keeps lingering. Out of nowhere he says, “Remember back at Halloween how you were Cho Chang and Sanderson was Harry Potter? I bet you that wasn’t a coincidence. I bet you a million bucks he got Kitty to find out what your costume was and then he ran out and bought a Harry Potter costume. The kid is into you.” I freeze. “No, he isn’t. He loves my sister. He always has and he always will.” Peter waves this off. “Just you wait. As soon as you and I are done, he’s gonna pull some cheesy-ass move and, like, profess his love for you with a boom box. I’m telling you, I know how guys think.” I yank away the pillow he’s got cushioning his bac and put it on the recliner. “My sister will be home for winter break soon. I bet you a million dollars they get back together.” Peter holds his hand out for me to shake on it, and when I take it, he pulls me onto the couch next to him. Our legs touch. He has a mischievous glint in his eye, and I think maybe he’s going to kiss me, and I’m scared, but I’m excited, too. But then I hear Kitty’s footsteps coming down the stairs, and the moment’s over.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
How many did you eat?” I asked. “Eight,” Slug answered, breathing heavily. “Eight quesadilla triangles?” I said, grossed out. Slug shook his head. “No… eight full quesadillas,” he said, again pronouncing it wrong. “Dude,” I said, my jaw dropping to the floor. “That’s, like, um… four times eight… thirty four slices!” Naomi quickly corrected me. “Thirty two slices.” “Thirty two slices!” I repeated. “This kid can pack ‘em away!” Wyatt said, bringing another plate of quesadillas to the group. “Gidgy…” Slug said, reaching for his twin sister, who was scooting away from his greasy fingers. “I might need a stomach transplant after this.” “Gross,” she said. “Don’t touch me. And stomach transplants aren’t a real thing.” “Giiiiidgy!” Slug groaned. “We’re twins! Your stomach is an exact match for mine! Only you can save me! I only need half of it. The other half’ll grow back!” “Dude,” Gidget said, raising an eyebrow. “You can’t have my stomach.” “But what if I need it?” Slug whined, sliding lower in his chair. “You’re just gonna—” And then Slug let out the grossest burp I’d ever heard in my life. It was loud, and it was bad. Like, my eyes started watering. Slug instantly sat up in his seat with a smile beaming across his face. “All better,” he said, reaching for another quesadilla on Wyatt’s plate. “Mmmm, gimme, gimme, gimme!
Marcus Emerson (My Worst Frenemy (Diary of a 6th Grade Ninja, #10))
thanks to their support, and the eldest was praised for being the responsible first-born son who brought honor to the family through his own success and provided for his family. Oh Misook and her sister realized only then that their turn would not come; their loving family would not be giving them the chance and support to make something of themselves. The two sisters belatedly enrolled in the company-affiliated school. They worked days and studied nights to earn their middle-school diploma. Oh Misook studied for her high-school certificate on her own and received her diploma the same year her younger brother became a high-school teacher. When Kim Jiyoung was in elementary school, her mother was reading a one-line comment her homeroom teacher had made on her journal assignment and said, “I wanted to be a teacher, too.” Jiyoung burst into laughter. She found the idea outrageous because she’d thought until then that mothers could only be mothers. “It’s true. In elementary, I got the best grades out of all five of us. I was better than your eldest uncle.” “So why didn’t you become a teacher?” “I had to work to send my brothers to school. That’s how it was with everyone. All women lived like that back then.” “Why don’t you become a teacher now?” “Now I have to work to send you kids to school. That’s how it is with everyone. All mothers live like this these days.
Cho Nam-Joo (Kim Jiyoung, Born 1982)
A few days after the fireworks, I gave them a lesson on category nouns versus exact nouns. I hadn’t heard of this distinction prior to opening the textbook. It transpired that a category noun was something like “vegetables,” whereas exact nouns were “beetroot,” “carrots,” “broccoli.” It was better to use exact nouns because this made your writing more precise and interesting. The chapter gave a short explanation followed by an exercise: an A4 page divided into columns. On the left were various category nouns. On the right, you had to fill in at least three corresponding exact nouns. I told the kids they could use their Cantonese-to-English dictionaries. Cynthia Mak asked what to say for “people.” Did it mean “sister,” “brother,” “father,” or “teacher,” “doctor,” “artist,” or— “They’re all okay,” I said. “But if I put ‘sister,’ ‘father,’ ‘brother’ in ‘people,’ then what about here?” She pointed to the box marked “family.” “Okay, don’t do those. Do ‘teacher’ or something.” “But what about here?”—signaling the “professions” row. “Okay, something else for ‘people.’” “Happy people, sad people?” “‘Happy people’ isn’t an exact noun—it’s an adjective plus a category noun.” “So what should I write?” We looked at each other. It was indeed a challenge to describe people in a way not immediately related to how they earned money or their position in the family unit. I said: “How about ‘friend,’ ‘boyfriend,’ ‘colleague’?” “I don’t want to write ‘boyfriend.’” I couldn’t blame her for questioning the exercise. “Friend,” “enemy,” and “colleague” didn’t seem like ways of narrowing down “people” in the way “apple” did for “fruit.” An apple would still be a fruit if it didn’t have any others in its vicinity, but you couldn’t be someone’s nemesis without their hanging around to complete the definition. The same issue cropped up with my earlier suggestions. “Family” was relational, and “profession” was created and given meaning by external structures. Admittedly “adult,” “child,” and “teenager” could stand on their own. But I still found it depressing that the way we specified ourselves—the way we made ourselves precise and interesting—was by pinpointing our developmental stage and likely distance from mortality. Fruit didn’t have that problem.
Naoise Dolan (Exciting Times)
April 18 Dear Ryan, I'm considering writing to one of those advice columnists about us. That's how confused I still am. When we started this, I thought that I just needed some time away from you. I just needed time to breathe. I needed a chance to live on my own and appreciate you again by missing you. Those first few months were torture. I felt so lonely. I felt exactly what I wanted myself to feel, which was that I couldn't live without you. I felt it all day. I felt it when I slept in an empty bed. I felt it when I came home to an empty house. But somehow, one day, it sort of became OK. I don't know when that happened. I thought at one point that maybe if I learned who you truly are, then I could love you again. Then I thought maybe if I learn who I really am, what I really want, then I could love you again. I have been grasping at things for months, trying to learn a lesson big enough, important enough, all-encompassing enough that it would bring us back together. But mostly, I'm just learning lessons about how to live my life. I'm learning how to be a better sister. I'm learning just how strong my mother has always been. That I should take my grandmother's advice more often. That sex can be healing. That Charlie isn't such a little kid anymore. I guess what I'm saying is that I've started focusing on other things. I don't feel all that desperate to figure us out and fix this. I feel sort of OK that it's not fixed. That's not the direction this is supposed to go, is it? Love, Lauren
Taylor Jenkins Reid (After I Do)
Lobsang sighed. ‘But I think I need you too, Joshua. I often think back to our days together on the Mark Twain.’ ‘Watched any old movies recently?’ ‘That’s another thing about Agnes. She won’t let me show any movies that don’t have nuns in.’ ‘Wow. That’s brutal.’ ‘Something else that’s good for me, she says. Of course there aren’t that many movies that qualify, and we watch them over and over.’ He shuddered. ‘Don’t talk to me about Two Mules for Sister Sara. But the musicals are the worst. Although Agnes says that the freezer-raiding scene in Sister Act is an authentic detail from convent life.’ ‘Well, that’s a consolation. Musicals with nuns in, huh . . .’ A voice rang out across the park, a voice Joshua remembered only too well from his own past. ‘Lobsang? Time to come in now. Your little friend will keep until tomorrow . . .’ ‘She has loudhailers everywhere.’ Lobsang shouldered his rake and sighed as they trudged across the grass. ‘You see what I’m reduced to? To think I hired forty-nine hundred monks to chant for forty-nine days on forty-nine mountain tops in stepwise Tibets, for this.’ Joshua clapped him on the shoulder. ‘It’s tough, Lobsang. She’s treating you like you’re a kid. Like you’re sixteen, going on seventeen.’ Lobsang looked at him sharply. ‘You can pack that in for a start,’ he snapped. ‘But I’ve got confidence you can overcome these difficulties, Lobsang. Just face up to every obstacle. Climb every mountain—’ Lobsang stalked off sulkily. Joshua waved cheerfully. ‘So long! Farewell!
Terry Pratchett (The Long War (The Long Earth #2))
metastases has become talk of a few months left. When I saw her in A&E, despite obvious suspicions, I didn’t say the word ‘cancer’ – I was taught that if you say the word even in passing, that’s all a patient remembers. Doesn’t matter what else you do, utter the C-word just once and you’ve basically walked into the cubicle and said nothing but ‘cancer cancer cancer cancer cancer’ for half an hour. And not that you’d ever want a patient to have cancer of course, I really really didn’t want her to. Friendly, funny, chatty – despite the litres of fluid in her abdomen splinting her breathing – we were like two long-lost pals finding themselves next to each other at a bus stop and catching up on all our years apart. Her son has a place at med school, her daughter is at the same school my sister went to, she recognized my socks were Duchamp. I stuck in a Bonanno catheter to take off the fluid and admitted her to the ward for the day team to investigate. And now she’s telling me what they found. She bursts into tears, and out come all the ‘will never’s, the crushing realization that ‘forever’ is just a word on the front of Valentine’s cards. Her son will qualify from medical school – she won’t be there. Her daughter will get married – she won’t be able to help with the table plan or throw confetti. She’ll never meet her grandchildren. Her husband will never get over it. ‘He doesn’t even know how to work the thermostat!’ She laughs, so I laugh. I really don’t know what to say. I want to lie and tell her everything’s going to be fine, but we both know that it won’t. I hug her. I’ve never hugged a patient before – in fact, I think I’ve only hugged a grand total of five people, and one of my parents isn’t on that list – but I don’t know what else to do. We talk about boring practical things, rational concerns, irrational concerns, and I can see from her eyes it’s helping her. It suddenly strikes me that I’m almost certainly the first person she’s opened up to about all this, the only one she’s been totally honest with. It’s a strange privilege, an honour I didn’t ask for. The other thing I realize is that none of her many, many concerns are about herself; it’s all about the kids, her husband, her sister, her friends. Maybe that’s the definition of a good person.
Adam Kay (This is Going to Hurt: Secret Diaries of a Junior Doctor)
You need some help, Rosie?” His footsteps quicken behind me, and before I can respond, I feel his calloused hands on my waist. I accidently slide back against his chest and inhale the scent that has always clung to his whole family—something like forests, damp leaves, and sunshine. I suppose when your father is a woodsman you’re bound to carry the scent of oak in your veins. One breath is all I get the chance for, though; he kicks the door open and sets me down on the front stoop, then takes a step back. I turn to face him, hoping to thank him for the help and in the same sentence admonish him for carrying me like a little girl. Instead, I smile. He’s still Silas—Silas who left a year ago, the boy just a little older than my sister. His eyes are still sparkling and expressive, hair still the brown-black color of pine bark, body broad-shouldered and a little too willowy for his features. He’s still there, but it’s as if someone new has been layered on top of him. Someone older and stronger who isn’t looking a me as if I’m Scarlett’s kid sister . . . someone who makes me feel dizzy and quivery. How did this happen? Calm down. It’s just Silas. Sort of. “You’re staring,” he says cautiously, looking worried. “Oh. Um, sorry,” I say, shaking my head. Silas shoves his hands into his pockets with a familiar sway. “It’s just been a while, that’s all.” “Yeah, no kidding. You’re heavier than I remember.” I frown, mortified. “Oh, no, wait. I didn’t mean it like that, just that you’ve gotten older. Wait, that doesn’t sound much better . . .” Silas runs a hand through his hair and curses under his breath. “No, I get it.” I let him off the hook, grinning. Something about seeing him nervous thaws some of my shyness.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
There are people in this country who will argue that because of the demise of morals in general, and Sunday school in particular, kids today are losing their innocence before they should, that because of cartoons and Ken Starr and curricula about their classmates who have two mommies, youth learn too soon about sex and death. Well, like practically everyone else in the Western world who came of age since Gutenberg, I lost my innocence the old-time-religion way, by reading the nursery rhyme of fornication that is the Old Testament and the fairy tale bloodbath that is the New. Job taught me Hey! Life's not fair! Lot's wife taught me that I'm probably going to come across a few weird sleazy things I won't be able to resist looking into. And the book of Revelation taught me to live in the moment, if only because the future's so grim. Being a fundamentalist means going straight to the source. I was asked to not only read the Bible, but to memorize Bible verses. If it wasn't for the easy access to the sordid Word of God I might have had an innocent childhood. Instead, I was a worrywart before my time, shivering in constant fear of a god who, from what I could tell, huffed and puffed around the cosmos looking like my dad did when my sister refused to take her vitamins that one time. God wasn't exactly a children's rights advocate. The first thing a child reading the Bible notices is that you're supposed to honor your mother and father but they're not necessarily required to reciprocate. This was a god who told Abraham to knife his boy Isaac and then at the last minute, when the dagger's poised above Isaac's heart, God tells Abraham that He's just kidding. This was a god who let a child lose his birthright because of some screwball mix-up involving fake fur hands and a bowl of soup. This was a god who saw to it that his own son had his hands and feet nailed onto pieces of wood. God, for me, was not in the details. I still set store by the big Judeo-Christian messages. Who can argue with the Ten Commandments? Don't kill anybody: don't mess around with other people's spouses: be nice to your mom and dad. Fine advice. It was the minutiae that nagged me.
Sarah Vowell (Take the Cannoli)
What are we talking about?” Alex says. “This is fucking nonsense.” The couple ahead of us turns slightly. “What are you looking at?” Alex says to them. I don’t bother to reprimand her, because really, what are they looking at? I slow my pace and Alex punches Scottie in the arm. “Ow!” Scottie screams. “Alex! Why are we still on this pattern?” “Hit her back, Dad,” Scottie yells. Alex grabs Scottie’s neck. “You’re hurting me,” Scottie says. “That’s kind of the point,” Alex says. I grab both children by the arm and pull them down to the sand. Sid covers his mouth with his hand and bends over, laughing silently. “‘What do you love about Mom?’” Alex says, mimicking her sister. “Shut up, already. And stop babying her.” I sit down between them and don’t say a word. Sid sits next to Alex. “Easy, tiger,” he says. I look at the waves crashing down on the sand. A few women walk by and give me this knowing look, as though a father with his kids is such a precious sight. It takes so little to be revered as a father. I can tell the girls are waiting for me to say something, but what can I say that hasn’t been said? I’ve shouted, I’ve reasoned, I’ve even spanked. Nothing works. “What do you love about Mom, Scottie?” I ask, glaring at Alex. She takes a moment to think. “Lots of stuff. She’s not old and ugly, like most moms.” “What about you, Alex?” “Why are we doing this?” she asks. “How did we get here in the first place?” “Swimming with the sharks,” I say. “Scottie wanted to swim with sharks.” “You can do that,” Sid says. “I read about it in the hotel.” “She’s not afraid of anything,” Alex says. She’s wrong, and besides, I think this is a statement and not something that Alex truly loves. “Let’s get back,” I say. I stand up and wipe the sand off of me. I look at our hotel on the cliff, pink from the sunset. The girls’ expressions when I told them about their mom made me feel so alone. They won’t ever understand me the way Joanie does. They won’t know her the way I do. I miss her despite the fact that she envisioned the rest of her life without me. I look at my daughters, utter mysteries, and for a brief moment I have a sick feeling that I don’t want to be alone in the world with these two girls. I’m relieved they haven’t asked me what it is I love about them.
Kaui Hart Hemmings (The Descendants)
Tina and Pete stood together. Pete knew he should be grilling the girl, getting the full story before details were lost, but he was too spellbound by the reunion. The boy he was watching was so different. There was no way to avoid the truth. Someone, a very evil someone, had hurt his boy. Pete felt his fists clench. Whoever it was that had turned Lockie into the skinny kid trapped behind his pain, he would pay. If he had to spend his whole life looking for him, Pete would find him and then he would make him pay. The girl had obviously helped Lockie. He had no idea if she had found him or if she had been with him the whole time, but Lockie kept saying that she had ‘saved’ him. He was a clever kid and he knew what the word meant. Pete liked the way she looked at Lockie—like a lioness, like a sister, like a mother. The skinny girl with short messy black hair could have been anyone. She looked about fifteen but when she spoke she sounded a lot older. She was wearing a big coat but underneath that Pete had caught a glimpse of a short skirt and a tight red top. Not the kind of thing a nice girl would wear. Maybe she wasn’t a nice girl but she was smart. That was easy to see. She was watching Lockie with his dad and Pete could see her body sag with relief. She was relieved to get him home. It must have been a promise she had made the boy. Pete had no idea how she’d got him home. She didn’t look like she had a cent to her name. He sighed. So many questions to answer and the worst part was that some of the answers would be things he did not want to hear. Some of the answers would keep him up at night for the rest of his life. He wished he didn’t have to know, but he figured that if Lockie had been through it his family should know about it. If Lockie had been one of the small skeletons buried in the yard in Sydney they would have only been able to imagine what he had suffered. Now they would know. Which way was better? Pete thought about all the other parents who were waiting for the results of tests from the police. For a moment he let go of what needed to be done and what was to come and he offered up a prayer of thanks. Then he offered up a prayer for strength for all those other parents who would never again get to feel their kid’s arms around their neck. And then he wiped his eyes because he was a grown man and a cop and he really shouldn’t be standing in the driveway crying.
Nicole Trope (The Boy Under the Table)
Once on a yellow piece of paper with green lines he wrote a poem And he called it “Chops” because that was the name of his dog And that’s what it was all about And his teacher gave him an A and a gold star And his mother hung it on the kitchen door and read it to his aunts That was the year Father Tracy took all the kids to the zoo And he let them sing on the bus And his little sister was born with tiny toenails and no hair And his mother and father kissed a lot And the girl around the corner sent him a Valentine signed with a row of X’s and he had to ask his father what the X’s meant And his father always tucked him in bed at night And was always there to do it Once on a piece of white paper with blue lines he wrote a poem And he called it “Autumn” because that was the name of the season And that’s what it was all about And his teacher gave him an A and asked him to write more clearly And his mother never hung it on the kitchen door because of its new paint And the kids told him that Father Tracy smoked cigars And left butts on the pews And sometimes they would burn holes That was the year his sister got glasses with thick lenses and black frames And the girl around the corner laughed when he asked her to go see Santa Claus And the kids told him why his mother and father kissed a lot And his father never tucked him in bed at night And his father got mad when he cried for him to do it. Once on a paper torn from his notebook he wrote a poem And he called it “Innocence: A Question” because that was the question about his girl And that’s what it was all about And his professor gave him an A and a strange steady look And his mother never hung it on the kitchen door because he never showed her That was the year that Father Tracy died And he forgot how the end of the Apostle’s Creed went And he caught his sister making out on the back porch And his mother and father never kissed or even talked And the girl around the corner wore too much makeup That made him cough when he kissed her but he kissed her anyway because that was the thing to do And at three A.M. he tucked himself into bed his father snoring soundly That’s why on the back of a brown paper bag he tried another poem And he called it “Absolutely Nothing” Because that’s what it was really all about And he gave himself an A and a slash on each damned wrist And he hung it on the bathroom door because this time he didn’t think he could reach the kitchen.
Stephen Chbosky (The Perks of Being a Wallflower)
Ballad" Oh dream, why do you do me this way? Again, with the digging, again with the digging up. Once more with the shovels. Once more, the shovels full of dirt. The vault lid. The prying. The damp boards. Mother beside me. Like she’s an old hat at this. Like all she’s got left is curiosity. Like curiosity didn’t kill the red cat. Such a sweet, gentle cat it was. Here we go again, dream. Mother, wearing her take-out-the-garbage coat. I haven’t seen that coat in years. The coat she wore to pick me up from school early. She appeared at the back of the classroom, early. Go with your mother, teacher said. Diane, you are excused. I was a little girl. Already a famous actress. I looked at the other kids. I acted lucky. Though everyone knows what an early pick-up means. An early pick-up, dream. What’s wrong, I asked my mother. It is early spring. Bright sunlight. The usual birds. Air, teetering between bearable and unbearable. Cold, but not cold enough to shiver. Still, dream, I shiver. You know, my mother said. Her long garbage coat flying. There was a wind, that day. A wind like a scurrying grandmother, dusting. Look inside yourself, my mother said. You know why I have come for you. And still I acted lucky. Lucky to be out. Lucky to be out in the cold world with my mother. I’m innocent, I wanted to say. A little white girl, trying out her innocence. A white lamb, born into a cold field. Frozen almost solid. Brought into the house. Warmed all night with hair dryers. Death? I said. Smiling. Lucky. We’re barely to the parking lot. Barely to the car ride home. But the classroom already feels like the distant past. Long ago, my classmates pitying me. Arriving at this car full of uncles. Were they wearing suits? Death such a formal occasion. My sister, angry-crying next to me. Me, encountering a fragment of evil in myself. Evilly wanting my mother to say it. What? I asked, smiling. My lamb on full display at the fair. He’s dead! my sister said. Hit me in the gut with her flute. Her flute case. Her rental flute. He’s dead! Our father. Our father, who we were not supposed to know had been dying. He’s dead! The flute gleaming in its red case. Here, my mother said at home. She’d poured us each a small glass of Pepsi We normally couldn’t afford Pepsi. Lucky, I acted. He’s no longer suffering, my mother said. Here, she said. Drink this. The little bubbles flew. They bit my tongue. My evil persisted. What is death? I asked. And now, dream, once more you bring me my answer. Dig, my mother says. Pry, she says. I don’t want to see, dream. The lid so damp it crumbles under my hands. The casket just a drawerful of bones. A drawerful. Just bones and teeth. That one tooth he had. Crooked like mine.
Diane Seuss
She could envision Shakespeare's sister. But she imagined a violent, an apocalyptic end for Shakespeare's sister, whereas I know that isn't what happened. You see, it isn't necessary. I know that lots of Chinese women, given in marriage to men they abhorred and lives they despised, killed themselves by throwing themselves down the family well. I'm not saying it doesn't happen. I'm only saying that isn't what usually happens. It it were, we wouldn't be having a population problem. And there are so much easier ways to destroy a woman. You don't have to rape or kill her; you don't even have to beat her. You can just marry her. You don't even have to do that. You can just let her work in your office for thirty-five dollars a week. Shakespeare's sister did...follow her brother to London, but she never got there. She was raped the first night out, and bleeding and inwardly wounded, she stumbled for shelter into the next village she found. Realizing before too long that she was pregnant, she sought a way to keep herself and her child safe. She found some guy with the hots for her, realized he was credulous, and screwed him. When she announced her pregnancy to him, a couple months later, he dutifully married her. The child, born a bit early, makes him suspicious: they fight, he beats her, but in the end he submits. Because there is something in the situation that pleases him: he has all the comforts of home including something Mother didn't provide, and if he has to put up with a screaming kid he isn't sure is his, he feels now like one of the boys down at the village pub, none of whom is sure they are the children of the fathers or the fathers of their children. But Shakespeare's sister has learned the lesson all women learn: men are the ultimate enemy. At the same time she knows she cannot get along in the world without one. So she uses her genius, the genius she might have used to make plays and poems with, in speaking, not writing. She handles the man with language: she carps, cajoles, teases, seduces, calculates, and controls this creature to whom God saw fit to give power over her, this hulking idiot whom she despises because he is dense and fears because he can do her harm. So much for the natural relation between the sexes. But you see, he doesn't have to beat her much, he surely doesn't have to kill her: if he did, he'd lose his maidservant. The pounds and pence by themselves are a great weapon. They matter to men, of course, but they matter more to women, although their labor is generally unpaid. Because women, even unmarried ones, are required to do the same kind of labor regardless of their training or inclinations, and they can't get away from it without those glittering pounds and pence. Years spent scraping shit out of diapers with a kitchen knife, finding places where string beans are two cents less a pound, intelligence in figuring the most efficient, least time-consuming way to iron men's white shirts or to wash and wax the kitchen floor or take care of the house and kids and work at the same time and save money, hiding it from the boozer so the kid can go to college -- these not only take energy and courage and mind, but they may constitute the very essence of a life. They may, you say wearily, but who's interested?...Truthfully, I hate these grimy details as much as you do....They are always there in the back ground, like Time's winged chariot. But grimy details are not in the background of the lives of most women; they are the entire surface.
Marilyn French (The Women's Room)
So what did you and Landon do this afternoon?” Minka asked, her soft voice dragging him back to the present. Angelo looked up to see that Minka had already polished off two fajitas. Damn, the girl could eat. “Landon gave me a tour of the DCO complex. I did some target shooting and blew up a few things. He even let me play with the expensive surveillance toys. I swear, it felt more like a recruiting pitch to get me to work there than anything.” Minka’s eyes flashed green, her full lips curving slightly. Damn, why the hell had he said it like that? Now she probably thought he was going to come work for the DCO. Even if he wanted to, he couldn’t, not after just reenlisting for another five years. The army wasn’t the kind of job where you could walk into the boss’s office and say, “I quit.” Thinking it would be a good idea to steer the conversation back to safer ground, he reached for another fajita and asked Minka a question instead. “What do you think you’ll work on next with Ivy and Tanner? You going to practice with the claws for a while or move on to something else?” Angelo felt a little crappy about changing the subject, but if Minka noticed, she didn’t seem to mind. And it wasn’t like he had to fake interest in what she was saying. Anything that involved Minka was important to him. Besides, he didn’t know much about shifters or hybrids, so the whole thing was pretty damn fascinating. “What do you visualize when you see the beast in your mind?” he asked. “Before today, I thought of it as a giant, blurry monster. But after learning that the beast is a cat, that’s how I picture it now.” She smiled. “Not a little house cat, of course. They aren’t scary enough. More like a big cat that roams the mountains.” “Makes sense,” he said. Minka set the other half of her fourth fajita on her plate and gave him a curious look. “Would you mind if I ask you a personal question?” His mouth twitched as he prepared another fajita. He wasn’t used to Minka being so reserved. She usually said whatever was on her mind, regardless of whether it was personal or not. “Go ahead,” he said. “The first time we met, I had claws, fangs, glowing red eyes, and I tried to kill you. Since then, I’ve spent most of the time telling you about an imaginary creature that lives inside my head and makes me act like a monster. How are you so calm about that? Most people would have run away already.” Angelo chuckled. Not exactly the personal question he’d expected, but then again Minka rarely did the expected. “Well, my mom was full-blooded Cherokee, and I grew up around all kinds of Indian folktales and legends. My dad was in the army, and whenever he was deployed, Mom would take my sisters and me back to the reservation where she grew up in Oklahoma. I’d stay up half the night listening to the old men tell stories about shape-shifters, animal spirits, skin-walkers, and trickster spirits.” He grinned. “I’m not saying I necessarily believed in all that stuff back then, but after meeting Ivy, Tanner, and the other shifters at the DCO, it just didn’t faze me that much.” Minka looked at him with wide eyes. “You’re a real American Indian? Like in the movies? With horses and everything?” He laughed again. The expression of wonder on her face was adorable. “First, I’m only half-Indian. My dad is Mexican, so there’s that. And second, Native Americans are almost nothing like you see in the movies. We don’t all live in tepees and ride horses. In fact, I don’t even own a horse.” Minka was a little disappointed about the no-horse thing, but she was fascinated with what it was like growing up on an Indian reservation and being surrounded by all those legends. She immediately asked him to tell her some Indian stories. It had been a long time since he’d thought about them, but to make her happy, he dug through his head and tried to remember every tale he’d heard as a kid.
Paige Tyler (Her Fierce Warrior (X-Ops, #4))