Kick The Tires Quotes

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Percy was getting tired of water. If he said that aloud, he would probably get kicked out of Poseidon’s Junior Sea Scouts, but he didn’t care.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Like driving along a bumpy road and losing control of the steering wheel, tossing you—just a tad—off the road. The wheels kick up some dirt, but you're able to pull it back. Yet no matter how hard you try to drive straight, something keeps jerking you to the side. You have so little control over anything anymore. And at some point, the struggle becomes too much—too tiring—and you consider letting go. Allowing tragedy... or whatever... to happen.
Jay Asher (Thirteen Reasons Why)
You get mad at me, you kick the tire, I don't get a bruise, the tire doesn't care, and you're the only one hurting. How's that working for you, Kip?
Gail Giles (Right Behind You)
But I don’t want to be grateful. I’m tired of being kicked about like a pebble, and told that I have to be happy that it’s no worse. I’ve had enough. It’s time the pebble kicked back.
Frances Hardinge (Fly Trap)
A man walks into a bar and says: Take my wife–please. So you do. You take her out into the rain and you fall in love with her and she leaves you and you’re desolate. You’re on your back in your undershirt, a broken man on an ugly bedspread, staring at the water stains on the ceiling. And you can hear the man in the apartment above you taking off his shoes. You hear the first boot hit the floor and you’re looking up, you’re waiting because you thought it would follow, you thought there would be some logic, perhaps, something to pull it all together but here we are in the weeds again, here we are in the bowels of the thing: your world doesn’t make sense. And then the second boot falls. And then a third, a fourth, a fifth. A man walks into a bar and says: Take my wife–please. But you take him instead. You take him home, and you make him a cheese sandwich, and you try to get his shoes off, but he kicks you and he keeps kicking you. You swallow a bottle of sleeping pills but they don’t work. Boots continue to fall to the floor in the apartment above you. You go to work the next day pretending nothing happened. Your co-workers ask if everything’s okay and you tell them you’re just tired. And you’re trying to smile. And they’re trying to smile. A man walks into a bar, you this time, and says: Make it a double. A man walks into a bar, you this time, and says: Walk a mile in my shoes. A man walks into a convenience store, still you, saying: I only wanted something simple, something generic… But the clerk tells you to buy something or get out. A man takes his sadness down to the river and throws it in the river but then he’s still left with the river. A man takes his sadness and throws it away but then he’s still left with his hands.
Richard Siken
Maybe I was tired and irritable. Maybe I felt a little guilty. I could learn to hate this guy without even knowing him. I could just look at him across the width of a cafeteria and want to kick his teeth in.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
Don’t give me that pseudo quasi psychobabble bullshit, Ash. I’m tired, I had my ass kicked, I’m still worried about Cassandra, Erik, and Chris, and I really feel like shit. Just once in eternity, answer one fucking question. (Wulf) I will not tamper with free will or fate, Wulf. Not for you, not for anything. There is no power on this earth or beyond that could make me do such a thing. (Acheron)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
Oh, Callie-mine," Anne said, her voice taking on a tone she'd used when Callie was a little girl and crying over some injustice, "your white knight, he will come." One side of Callie's mouth kicked up in a wry smile. Anne had said those words countless times over the last two decades. "Forgive me, Anne, but I'm not so certain that he will." Oh, he will," Anne said firmly. "And when you least expect." I find I'm rather tired of waiting." Callie laughed half-heartedly. "Which is probably why I've turned my attentions to such a dark knight.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
I have this demon who wants me to run away screaming if I am going to be flawed, fallible. It wants me to think I’m so good I must be perfect. Or nothing. I am, on the contrary, something: a being who gets tired, has shyness to fight, has more trouble than most facing people easily. If I get through this year, kicking my demon down when it comes up, I’ll be able, piece by piece, to face the field of life, instead of running from it the minute it hurts.
Sylvia Plath
All the towering materialism which dominates the modern mind rests ultimately upon one assumption; a false assumption. It is supposed that if a thing goes on repeating itself it is probably dead; a piece of clockwork. People feel that if the universe was personal it would vary; if the sun were alive it would dance. This is a fallacy even in relation to known fact. For the variation in human affairs is generally brought into them, not by life, but by death; by the dying down or breaking off of their strength or desire. A man varies his movements because of some slight element of failure or fatigue. He gets into an omnibus because he is tired of walking; or he walks because he is tired of sitting still. But if his life and joy were so gigantic that he never tired of going to Islington, he might go to Islington as regularly as the Thames goes to Sheerness. The very speed and ecstacy of his life would have the stillness of death. The sun rises every morning. I do not rise every morning; but the variation is due not to my activity, but to my inaction. Now, to put the matter in a popular phrase, it might be true that the sun rises regularly because he never gets tired of rising. His routine might be due, not to a lifelessness, but to a rush of life. The thing I mean can be seen, for instance, in children, when they find some game or joke that they specially enjoy. A child kicks his legs rhythmically through excess, not absence, of life. Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, “Do it again”; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we. The repetition in Nature may not be a mere recurrence; it may be a theatrical ENCORE. Heaven may ENCORE the bird who laid an egg. If the human being conceives and brings forth a human child instead of bringing forth a fish, or a bat, or a griffin, the reason may not be that we are fixed in an animal fate without life or purpose. It may be that our little tragedy has touched the gods, that they admire it from their starry galleries, and that at the end of every human drama man is called again and again before the curtain. Repetition may go on for millions of years, by mere choice, and at any instant it may stop. Man may stand on the earth generation after generation, and yet each birth be his positively last appearance.
G.K. Chesterton (Orthodoxy)
It’s as if your kind needs adversity in order to achieve. (Leta) No, we don’t. That’s just a lie people tell themselves to feel better about all the people who kick them in their teeth when it’s just as easy to help a man up as it is to knock him to the ground. That’s why I’ve withdrawn from this world. I don’t want to have to watch my back all the time and I’m tired of trying to figure out if the loyalty someone professes is real and true, or just another lie that will crumble the instant they taste jealousy. (Aiden)
Sherrilyn Kenyon (Upon the Midnight Clear (Dark-Hunter, #12; Dream-Hunter, #2))
There was probably a spell, but Lila didn’t know it, and she was too tired to summon air or wood or anything else, so instead she simply summoned the last of her strength and kicked the door in.
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
There's something wrong with that boy." Clay sounded mystified. "He's talented, ain't no one gonna argue that, but yeah... something." Sweaty, tired, and sore, Romeo sat on the mat in the massive martial arts center Clay owned with Jules and Wyatt. While trying to catch his breath, he watched Tino move to the beat of his own drummer as he worked out using a punching bag. With white headphones in his ears, his brother bounced and danced and kicked at that stuffed sack of beans, and for the life of him, Romeo couldn't tell if he was trying to hurt the thing or date it.
Kele Moon (Star Crossed (Battered Hearts, #2))
When a straight man puts on a dress and gets his sexual kicks, he is a transvestite. When a man is a woman trapped in a man's body and has a little operation, he is a Transsexual. When a gay man has WAY too much fashion sense for one gender he is a drag queen. And when a tired little Latin boy puts on a dress, he is simply a boy in a dress!
Tirumalai S. Srivatsan
Those boys at the counter are too dreamy and young to do anything but drool as they watch Gillian. And, to her credit, Gillian is especially kind to them, even when Ephraim, the cook, suggests she kick them out. She understands that theirs might just be the last hearts she will break. When you're thirty-six and tired, when you've been living in places where the temperature rising to a hundred and ten and the air is so dry you have to use gallons of moisturizer, when you've been smacked around, late at night, by a man who loves bourbon, you start to realize that everything is limited, including your own appeal. You begin to look at young boys with tenderness, since they know so little and think they know so much. You watch teenage girls and feel shivers up and down your arms - those poor creatures don't know the first thing about time or agony or the price they're going to have to pay for just about anything.
Alice Hoffman (Practical Magic (Practical Magic, #1))
So anyhow, all your goddamn poets will write tired sonnets about the good old days when the noblemen kicked the piss out of the peasants and the peasants kicked the piss out of the Jews.
Leon Uris (Mila 18)
The sun rises every morning. I do not rise every morning; but the variation is not due to my activity, but to my inaction. Now, to put the matter in a popular phrase, it might be true that the sun rises regularly because he never gets tired of rising. His routine might be due, not to a lifelessness, but to a rush of life. The thing I mean can be seen, for instance, in children, when they find some game or joke that the specially enjoy. A child kicks his legs rhythmically through excess, not absence, of life. Because children have abounding vitality, they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say "Do it afain", and the grown-up person does it again until he is nearly dead. For grown up people are not strong enough to exult in monotony. But God is strong enough to exult in monotony. It is possible that God says every morning, "Do it again" to the sun; and every evening, "Do it again" to the moon.
G.K. Chesterton
The truth is that I've never cared anything about sports. In PE, I do my best to get hit with the dodgeball on the first throw so I can sit out and read instead of play. I'd rather eat a hot dog at a baseball game than play baseball. I'd rather paint a soccer ball than kick one. I don't mind running, but only if I'm running toward something wonderful. I don't see the point in running away from anything, ever. But tree climbing is different. Tree climbing is natural and easy and I'm pretty sure I could climb for hours and never get tired. Mama says it's the mountain girl in me. She says mountain girls climb trees and fences and anything else that gets us closer to the stars.
Natalie Lloyd (A Snicker of Magic)
Hayden, as the first girl to take pity on my brother, let me offer my condolences. Suggestion? You might want to kick the tires and check the motor before you take him for a test drive. Number four. Just saying. All our parents’ good DNA went to us first. He got the leftover scraps.
Nicole Williams (Roommates with Benefits)
How long are you going to wait for this guy?” I’m thrown by his sudden shift. “Ah . . . I don’t know.” “Give me your keys.” “What?” “Give me your keys. I’m going to change your tire while we’re waiting.” I fish in my purse and come up with a handful of keys. “You’re going to—” “Stay in the car.” He grabs the keys and practically yanks them out of my fingers. Then he slams the door in my face. I watch him in the path of his headlights, mystified. He opens my trunk, and, moments later, emerges with the spare tire. He lays it beside the car, then pulls something else from the darkened space. I’ve never changed a tire, so I have no idea what he’s doing. His movements are quick and efficient, though. I shouldn’t be sitting here, just watching, but I can’t help myself. There’s something compelling about him. Dozens of cars have passed, but he was the only one to stop—and he’s helping me despite the fact that I’ve been less than kind to him all night. He gets down on the pavement—on the wet pavement, in the rain—and slides something under the car. A hand brushes wet hair off his face. I can’t sit here and watch him do this. He doesn’t look at me when I approach. “I told you to wait in the car.” “So you’re one of those guys? Thinks the ‘little woman’ should wait in the car?” “When the little woman doesn’t know her tires are bald and her battery could barely power a stopwatch?” He attaches a steel bar to . . . something . . . and starts twisting it. “Yeah. I am.” My pride flinches. “So what are you saying?” I ask, deadpan. “You don’t want my help?” His smile is rueful. “You’re kind of funny when you’re not so busy being judgmental.” “You’re lucky I’m not kicking you while you’re down there.” He loses the smile but keeps his eyes on whatever he’s doing. “Try it, sister.
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
She was talking too loud now, shouting almost, and a long silence followed. Why was she being like this? He was only trying to help. In what way did he benefit from this friendship? He should get up and walk away, that’s what he should do. They turned to look at each other at the same time. “Sorry,” he said. “No, I’m sorry.” “What are you sorry for?” “Rattling on like a….mad cow. I’m sorry, I’m tired, bad day, and I’m sorry for being…so boring.” “You’re not that boring.” “I am, Dex. God, I swear, I bore myself.” “Well you don’t bore me.” He took her hand in his. “You couldd never bore me. You’re one in a million, Em.” “I’m not even one in three.” He kicked her foot with his. “Em?” “What?” “Just take it, will you? Just shut up and take it.
David Nicholls (One Day)
I'm tired of being told it's elitist to call stupid behavior stupid. Remember when you were just a tot and thought it might be a good idea to stick your wee-wee in the electrical socket? Hopefully, you hade a mom who kicked you in the behind and called you stupid. There are times when mincing words and pleasant euphemisms simply don't cut it. Sometimes, you need to call stupid by its given name.
Quentin R. Bufogle (Horse Latitudes)
When some smart ass asks you if you’re driving, you say, 'Nope, just kicking the tires.’ You have to make sure you actually kick them all on your way around to the passenger side. Otherwise it’s like lying.
Elle Lothlorien (Alice in Wonderland)
Everything about it was false. Right then, in that office, with the realization that no one knew the truth about my life, my thoughts about the world were shaken. Like driving along a bumpy road and losing control of the steering wheel, tossing you-just a tad-off the road. The wheels kick up some dirt, but you're able to pull it back. Yet no matter how tightly you grip the wheel, no matter how hard you try to drive straight, something keeps jerking you to the side. You have so little control over anything anymore. And at some point, the struggle becomes too much-too tiring-and you consider letting go. Allowing tragedy...or whatever...to happen.
Jay Asher (Thirteen Reasons Why)
we are tired—tired of being segregated and humiliated; tired of being kicked about by the brutal feet of oppression. There comes a time my friends when people get tired of being plunged across the abyss of humiliation, when they experience the bleakness of nagging despair. There comes a time when people get tired of being pushed out of the glimmering sunlight of last July and left standing amid the piercing chill of an Alpine November.
Ann Patchett (Run)
This was not going the way I wanted it to. I felt a desperate need to escape before I said something that would screw up my plans. Ren was the dark side, the forbidden fruit, my personal Delilah-the ultimate temptation. The question was…could I resist? I gave his knee a friendly pat and played my trump card…”I’m leaving.” “You’re what?” “I’m going home to Oregon. Mr. Kadam thinks it will be safer for me anyway, with Lokesh out there looking to kill us and all. Besides, you need time to figure out…stuff.” “If you’re leaving, then I’m going with you!” I smiled at him wryly. “That kind of defeats the purpose of me leaving. Don’t you think?” He slicked back his hair, let out a deep breath, then took my hand and looked intently into my eyes. “Kells, when are you going to accept the fact that we belong together?” I felt sick, like I was kicking a faithful puppy who only wanted to be loved. I looked out at the pool. After a moment, he sat back scowling and said menacingly, “I won’t let you leave.” Inside, I desperately wanted to take his hand and beg him to forgive me, to love me, but I steeled myself, dropped my hands in my lap, then implored, “Ren, please. You have to let me go. I need…I’m afraid…look, I just can’t be here, near you, when you change your mind.” “It’s not going to happen.” “it might. There’s a good chance.” He growled angrily. “There’s no chance!” “Well, my heart can’t take that risk, and I don’t want to put you in what can only be an awkward position. I’m sorry, Ren. I really am. I do want to be your friend, but I understand if you don’t want that. Of course, I’ll return when you need me, if you need me, to help you find the other three gifts. I wouldn’t abandon you or Kishan in that way. I just can’t stay here with you feeling obligated to pity-date me because you need me. But I’d never abandon your cause. I’ll always be there for you both, no matter what.” He spat out, “Pity-date! You? Kelsey, you can’t be serious!” “I am. Very, very serious. I’ll ask Mr. Kadam to make arrangements to send me back in the next few days.” He didn’t say another word. He just sat back in his chair. I could tell he was fuming mad, but I felt that, after a week or two, when he started getting back out in the world, he would come to appreciate my gesture. I looked away from him. “I’m very tired now. I’d like to go to bed.” I got up and headed to my room. Before I closed the sliding door, I asked, “Can I make one last request?” He sat there tight-lipped, his arms folded over his chest, with a tense, angry face. I sighed. Even infuriated he was beautiful. He said nothing so I went on, “It would be a lot easier on me if I didn’t see you, I mean as a man. I’ll try to avoid most of the house. It is yours after all, so I’ll stay in my room. If you see Mr. Kadam, please tell him I’d like to speak with him.” He didn’t respond. “Well, good-bye, Ren. Take care of yourself.” I tore my eyes away from him, shut the door, and drew the curtains. Take care of yourself? That was a lame goodbye. Tears welled in my eyes and blurred my vision. I was proud that I’d gotten through it without showing emotion. But, now, I felt like a steamroller had come along and flattened me.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
Getting tired already, minnow?” Toraf taunts as he wraps strong arms around Galen’s neck in a choke hold. Galen promptly flips him forward and onto his back. Toraf bounces once with the force. “You must have been drinking salt water,” Galen returns, “to have delusions like that.” Toraf kicks Galen’s legs out from under him, and the scuffle is taken to the floor. Just when I wonder how long this can really go on, the older Syrena steps into the dining room and confirms his identity with the authority in his voice. “That’s enough. Get up.” Toraf scrambles to his feet and steps away from Galen, who reluctantly complies. “Yes, Highness. Sorry, Highness,” Toraf says, breathless. There is not a small amount of shame on Toraf’s face. In fact, even Galen looks conscience stricken. “Apologies, King Antonis,” he says quickly. “I didn’t see you there.” King Antonis. Mom’s dad. My grandfather. Holy! Antonis lifts his chin, satisfied. “I didn’t think so.” Mom steps over the dish debris and embraces her dad. “Thank you for interrupting. It was getting a tad boring. It was obvious no one would win.” Mom is such a dude sometimes. Grom winks at Galen, who shrugs.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Like driving along a bumpy road and losing control of the steering wheel, tossing you—just a tad—off the road. The wheels kick up some dirt, but you’re able to pull it back. Yet no matter how tightly you grip the wheel, no matter how hard you try to drive straight, something keeps jerking you to the side. You have so little control over anything anymore. And at some point, the struggle becomes too much— too tiring—and you consider letting go. Allowing tragedy… or whatever… to happen.
Jay Asher (Thirteen Reasons Why)
Oh for Christ’s sake, give the ass-kissing a rest, Julian.” K.T. knocked back a slug of wine, then slapped her glass on the table. She actually snapped her fingers at one of the servers so he would deal with the refill. “Even your mouth ought to be tired of puckering up by now.” “We’re having a conversation,” Julian began. “Is that what you call it? You act like you and Marlo are the only ones in this goddamn vid, and the two people you’re trying so hard to mimic are the only ones who count. It’s insulting. So why don’t you give it a fucking rest, set up your threesome with Marlo and Dallas on your own time? Some of us are trying to eat.” In the beat of horrified silence, Eve studied K.T. down the length of the table. “Peabody?” “Yes, sir,” Peabody said, shoulders hunched. “You know how I occasionally mention the possibility of kicking your ass?” “I’d term that as regularly, but yes, sir, I do.” “You may get the chance to watch me kick your fake ass while you sit comfortably on your own. That’s an opportunity that doesn’t come around every day.
J.D. Robb (Celebrity in Death (In Death, #34))
Cassian crossed his arms. “Mating bond chafing a bit, Rhys?” Rhys said nothing. Cassian snickered. “Feyre doesn’t look too tired. Maybe she could give me a ride—” Rhys exploded. Wings and muscles and snapping teeth, and they were rolling through the mud, fists flying, and— And Cassian had known exactly what he was saying and doing, I realized as he kicked Rhys off him, as Rhys didn’t touch that power that could have flattened these mountains. He’d seen the edge in Rhys’s eyes and known he had to dull it before we could go any further.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
When I read things like, “The foundations of capitalism are shattering,” I’m like, maybe we need some time where we’re walking around with a donkey with pots clanging on the sides. . . . ’Cause now we live in an amazing world, and it’s wasted on the crappiest generation of spoiled idiots. . . . Flying is the worst one, because people come back from flights, and they tell you their story. . . . They’re like, “It was the worst day of my life. . . . We get on the plane and they made us sit there on the runway for forty minutes.” . . . Oh really, then what happened next? Did you fly through the air, incredibly, like a bird? Did you soar into the clouds, impossibly? Did you partake in the miracle of human flight, and then land softly on giant tires that you couldn’t even conceive how they fuckin’ put air in them? . . . You’re sitting in a chair in the sky. You’re like a Greek myth right now! . . . People say there’s delays? . . . Air travel’s too slow? New York to California in five hours. That used to take thirty years! And a bunch of you would die on the way there, and you’d get shot in the neck with an arrow, and the other passengers would just bury you and put a stick there with your hat on it and keep walking. . . . The Wright Brothers would kick us all in the [crotch] if they knew.1
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
Jake did not say anything; he looked up at the sky and the wall of gray mist ahead of us, he watched the stern of the Romanie lift sluggishly to the high sea. “Dick,” he said later, “do you notice how she wallows in it like something tired of the struggle? She hasn’t got any kick left; she wants to lay down her head and die.
Daphne du Maurier (I'll Never Be Young Again)
I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come. St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks. "All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same. This is the moment we're supposed to hug. For some reason,I can't do it. "Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay." He smiles softly. "Thanks.I'll tell her." "Call me?" "Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair." "Ha! So you are English!" I poke him in the stomach. He grabs my hand and we wrestle, laughing. "I claim....no...nationality." I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs. "Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear. I rub my shins. "It's okay, we're in the way. I should go." Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens. We pull apart. "Have fun at the show tonight" he says. "I will.Have a good flight." "Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down. He's lost from view. I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
In Minneapolis, tires were slashed and windows smashed. A high school student getting off a bus was hit in the face and told to “go back to China.” A woman was kicked in the thighs, face, and kidneys, and her purse, which contained the family’s entire savings of $400, was stolen; afterwards, she forbade her children to play outdoors, and her husband, who had once commanded a fifty-man unit in the Armée Clandestine, stayed home to guard the family’s belongings. In Providence, children walking home from school were beaten. In Missoula, teenagers were stoned. In Milwaukee, garden plots were vandalized and a car was set on fire. In Eureka, California, two burning crosses were placed on a family’s front lawn. In a random act of violence near Springfield, Illinois, a twelve-year-old boy was shot and killed by three men who forced his family’s car off Interstate 55 and demanded money. His father told a reporter, “In a war, you know who your enemies are. Here, you don’t know if the person walking up to you will hurt you.
Anne Fadiman (The Spirit Catches You and You Fall Down: A Hmong Child, Her American Doctors, and the Collision of Two Cultures)
I have trouble sleepin' at night. I have bad dreams like I'm falling. I wake up scared. Sometimes it takes me a while to remember where I am... I guess I'm too old for that sort of nonsense any more. I don't like it here. I'm tired of being afraid all the time. I've decided not to stay. I doubt they'll kick up any fuss. Not for an old crook like me.
Shawshank Redemption
Still keeping a tight grip on my neck, Darren dragged me back into the woods, and I knew instantly he was taking me past the perimeter. I fought and kicked against him, but I had already tired myself out from the chase. Once I felt the sharp tick at the back of my head, I could tell Darren had felt it, too, and then he threw me as hard as he could into the woods, and I stumbled and rolled on the ground. I knew I only had about five seconds, and Darren wasn’t going to let me back into the safe zone. I stayed low on the ground, knowing once the volts hit me I was going to crash. Better to already be low than to fall from standing up. And then I felt it. The sharp current cut through my veins like shards of glass, and I screamed in total agony as it felt like my body was being ripped apart. I writhed in pain, thinking that my head was going to split open as my muscles and limbs convulsed under the current. It was, without a doubt, the most painful thing I had ever experienced, and my body quickly shut down, needing only a few seconds to welcome the numb blackness that claimed me.
Jay Marie (Survival (Stronger, #2))
She looked at him. She was feeling reckless, emotional, out of sorts, and she was tired of his constant hints. “I found the experience so unpleasant with Wilfred that I kicked him out lest he want to repeat the whole thing.” She shuddered. “I was expecting someone younger and healthier than Sir Thomas would convince me that lovemaking was worth the trouble. It isn’t. It’s nasty and ugly and dirty.” He stared at her for a long moment. And then he spoke. “Dear girl,” he said softly, “don’t you know that any reasonable man would take that as a challenge?” She jerked her head up to look at him, into those very dark green eyes. “Don’t be absurd. Why would anyone bother when there are so many willing females around? I’m too much trouble. And besides, I don’t consider you a reasonable man.” His smile was fleeting. “I’m an eminently reasonable man.” And before she realized what he was doing she was back in his arms and he was kissing her, openmouthed and hot and wet, no teasing approach, just raw, sexual demand that should have filled her with disgust and dismay. He didn’t like mysteries, any more than he liked emotions, weaknesses or unsatisfied lust.
Anne Stuart (Shameless (The House of Rohan, #4))
The field was covered with ice crystals sticking up like a garden of little diamonds. Sophia was beside her now, and the two animals walked slowly into the crystal blossoms. Flora was enchanted. For a moment she forgot she was hungry, tired, and ill-equipped to make this journey. She forgot to worry about Oscar. She forgot to worry that there would never be a useful job for her. She kicked up her front hooves with each step and watched the ice crystals scatter in front of her.
Chris Kurtz (The Adventures of a South Pole Pig)
Where is everybody?” “Hiding,” she said. “Except for Doolittle. He was excused from the chewing-out due to having been kidnapped. He’s napping now like he doesn’t have a care in the world. I got to hear all sorts of interesting stuff through the door.” “Give.” She shot me a sly smile. “First, I got to listen to Jim’s ‘it’s all my fault; I did it all by myself’ speech. Then I got to listen to Derek’s ‘it’s all my fault and I did it all by myself’ speech. Then Curran promised that the next person who wanted to be a martyr would get to be one. Then Raphael made a very growling speech about how he was here for a blood debt. It was his right to have restitution for the injury caused to the friend of the boudas; it was in the damn clan charter on such and such page. And if Curran wanted to have an issue with it, they could take it outside. It was terribly dramatic and ridiculous. I loved it.” I could actually picture Curran sitting there, his hand on his forehead above his closed eyes, growling quietly in his throat. “Then Dali told him that she was sick and tired of being treated like she was made out of glass and she wanted blood and to kick ass.” That would do him in. “So what did he say?” “He didn’t say anything for about a minute and then he chewed them out. He told Derek that he’d been irresponsible with Livie’s life, and that if he was going to rescue somebody, the least he could do is to have a workable plan, instead of a poorly thought-out mess that backfired and broke just about every Pack law and got his face smashed in. He told Dali that if she wanted to be taken seriously, she had to accept responsibility for her own actions instead of pretending to be weak and helpless every time she got in trouble and that this was definitely not the venue to prove one’s toughness. Apparently he didn’t think her behavior was cute when she was fifteen and he’s not inclined to tolerate it now that she’s twenty-eight.” I was cracking up. “He told Raphael that the blood debt overrode Pack law only in cases of murder or life-threatening injury and quoted the page of the clan charter and the section number where that could be found. He said that frivolous challenges to the alpha also violated Pack law and were punishable by isolation. It was an awesome smackdown. They had no asses left when he was done.” Andrea began snapping the gun parts together. “Then he sentenced the three of them and himself to eight weeks of hard labor, building the north wing addition to the Keep, and dismissed them. They ran out of there like their hair was on fire.” “He sentenced himself?” “He’s broken Pack law by participating in our silliness, apparently.” That’s Beast Lord for you. “And Jim?” “Oh, he got a special chewing-out after everybody else was dismissed. It was a very quiet and angry conversation, and I didn’t hear most of it. I heard the end, though—he got three months of Keep building. Also, when he opened the door to leave, Curran told him very casually that if Jim wanted to pick fights with his future mate, he was welcome to do so, but he should keep in mind that Curran wouldn’t come and rescue him when you beat his ass. You should’ve seen Jim’s face.” “His what?” “His mate. M-A-T-E.” I cursed. Andrea grinned. “I thought that would make your day. And now you’re stuck with him in here for three days and you get to fight together in the Arena. It’s so romantic. Like a honeymoon.” Once again my mental conditioning came in handy. I didn’t strangle her on the spot.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
V Wild Boy Frankie, 19 January–February 1943 Me and Stan Katsumoto are hanging around by 1-9-E, so-called “City Hall,” when the army jeep comes roaring toward camp, and I’m not gonna lie, the sight of the tires kicking up a dust cloud in the cold January morning makes me wanna hit something. The army guys are here to recruit volunteers for Roosevelt’s new combat team. See, we don’t got liberty, we don’t got property, but you better believe we’ve got the Great American Right to die for a country that doesn’t want us.
Traci Chee (We Are Not Free)
God heard the cry of the psalmist stuck in a cave. He heard the cry of his Son in a lonely garden. He hears every cry of a tired supergirl’s heart, both happy and sad. And he is ready to love us right where we are. Crazy or not crazy. Joyful or depressed. Broken or whole. Fallen or triumphant. We can give the Liar a good, swift kick as far as this lie goes. God is not on the outs with us when we struggle with him. He is on this journey with us, and he is not leaving. He promised he never would. And it doesn’t get any more real than that.
Susanna Foth Aughtmon (My Bangs Look Good and Other Lies I Tell Myself: The Tired Supergirl's Search for Truth)
Outrage is like a lot of other things that feel good but, over time, devour us from the inside out. Except it’s even more insidious than most vices because we don’t even consciously acknowledge that it’s a pleasure. We prefer to think of it as a disagreeable but fundamentally healthy reaction to negative stimuli, like pain or nausea, rather than admit that it’s a shameful kick we eagerly indulge again and again. . . . [It is] outrage porn, selected specifically to pander to our impulse to judge and punish, to get us off on righteous indignation.[1]
Scott Sauls (Jesus Outside the Lines: A Way Forward for Those Who Are Tired of Taking Sides)
In unfamiliar terrain, a plastic bag impaled on barbed wire is snapping in the breeze. Mules are skittish about that because they haven’t seen it before, and it reminds them of a predator. So the “muleteer” beats them there too. Eventually, when the mules tire of getting beaten, or are just fed up dealing with a less intelligent species, they use the tremendous power of their hind legs to kick out the tug chains and run away. For this, mules are known as “ornery.” In English we use the common phrase “stubborn as a mule,” a classic example of man ascribing stupidity to the beast instead of to himself.
Rinker Buck (The Oregon Trail: A New American Journey)
Right then, in that office, with the realization that no one knew the truth about my life, my thoughts about the world were shaken. Like driving along a bumpy road and losing control of the steering wheel, tossing you—just a tad—off the road. The wheels kick up some dirt, but you’re able to pull it back. Yet no matter how tightly you grip the wheel, no matter how hard you try to drive straight, something keeps jerking you to the side. You have so little control over anything anymore. And at some point, the struggle becomes too much—too tiring—and you consider letting go. Allowing tragedy . . . or whatever . . . to happen.
Jay Asher (Thirteen Reasons Why)
Knowing what you’re looking for is half of the search. Actually, it’s more than half. If you know what you’re searching for, you can move forward quickly, with clarity, and you will save months of tire kicking and time wasting. You will be able to behave like a professional buyer, knowing when you like something and why. You will be able to see in short order if it is a real yes, a real no, or something that requires next steps to evaluate whether it is a good fit. This does not mean to be hasty and act with insufficient consideration; rather, it means that you will have more confidence in your search, in talking with brokers and sellers, and in looking at opportunities.
Walker Deibel (Buy Then Build: How Acquisition Entrepreneurs Outsmart the Startup Game)
who could blame them if they said "the hell with the rest of the world." Let somebody else buy the bonds. Let somebody else build or repair foreign dams, or design foreign buildings that won't shake apart in earthquakes." When the railways of France, and Germany, and India were breaking down through age, it was the Americans who rebuilt them. When the Pennsylvania Railroad and the New York Central went broke, nobody loaned them an old caboose. Both of 'em are still broke. I can name to you 5,000 times when the Americans raced to the help of other people in trouble. Can you name to me even one time when someone else raced to the Americans in trouble? I don't think there was outside help even during the San Francisco earthquake. Our neighbors have faced it alone, and I am one Canadian who is damned tired of hearing them kicked around. They'll come out of this thing with their flag high. And when they do, they're entitled to thumb their noses at the lands that are gloating over their present troubles. I hope Canada is not one of these. But there are many smug, self-righteous Canadians. And finally, the American Red Cross was told at its 48th Annual meeting in New Orleans this morning that it was broke. This year's disasters -- with the year less than half-over -- has taken it all. And nobody, but nobody, has helped. -  Gordon Sinclair via Radio Broadcast June 5, 1973 from Ontario, Canada
David Nordmark (America: Understanding American Exceptionalism (America, democracy in america, politics in america Book 1))
She cleared her throat but still her voice came out much too huskily. “Are you all right? I didn’t see you there. I didn’t mean to kick you.” He was looking at her, examining her, and he smiled crookedly. “You look good in the morning, Al.” Her hair was stringy, her eyes were tired and puffy, and she had on absolutely no makeup. “I look like hell.” “Whoa, that’s pretty harsh language for you.” “You look like hell, too.” “Hell is an improvement for me,” he told her. “In fact, I consider it a compliment. See, shit’s my usual look. On really bad days, I look like total shit. So, yeah, hell is a big step up for me.” His smile made his eyes crinkle. “So, thank you very much.” Alessandra couldn’t keep from smiling back.
Suzanne Brockmann (Bodyguard)
they were tired of that so they ripped open the package and sat down side by side on Ivy’s couch to look at The Royal Book of the Ballet. “I heard that sometimes their toes bleed when they’re dancing,” said Bean. “The blood leaks right through the satin part.” “That’s gross,” said Ivy, turning the pages. Suddenly she stopped. “Whoa, Nellie,” murmured Bean, staring. “Is she kicking his head off?” asked Ivy in a whisper. “That’s what it looks like,” said Bean. “What’s this one called, anyway?” Ivy flipped back a few pages. “Giselle,” she said, reading quickly. “It’s about a girl named Giselle who, um, dances with this duke guy, but he’s going to marry a princess, not Giselle, so she takes his sword and stabs herself.” Ivy and Bean found the picture of that.
Annie Barrows (Ivy and Bean: Bound to be Bad)
Genevieve went over and kicked lightly at the front tire of her Dodge—to her the tire always looked low. The boys had made her remember what it was to be young. Once, before they had any kids, she and her husband Dan took off one weekend and drove to Raton, New Mexico. They stayed in a motel, lost twenty dollars at the horse races, made love six times in two days, and had dinner in the coffee shop of a fancy restaurant. She had even worn eye shadow. Romance might not last, but it was something while it did. She looked up the street and waved at Sam the Lion, but he was looking the other way and didn’t notice her and she went back into the empty café, wishing for a few minutes that she was young again and free and could go rattling off across Texas toward the Rio Grande.
Larry McMurtry (The Last Picture Show (Thalia, Texas, #3; Duane Moore, #1))
Rounding the corner at Haste, the crowd rushed toward People’s Park, smashing through the fence and sweeping across the lawn, attacking construction vehicles, slashing tires and seat cushions, knocking out glass. Down came the work lights. They kicked in the door to Nestor Arriola’s trailer and ransacked it. They scaled the remaining trees to take up residence. I didn’t witness any of it. I was sitting onstage in the silent auditorium, squinting in the direction of the light booth. The glare made it impossible to tell if UC Berkeley executive vice chancellor George Greenspan was in there. Just in case, I waved and gave him a thumbs-up. Judy Bronson shifted to face me. The creak of her chair leather carried clear to the back of the room. Zellerbach Hall has world-class acoustics. She said, “What just happened.” I said, “Berkeley.
Jonathan Kellerman (Half Moon Bay (Clay Edison, #3))
The thing I mean can be seen, for instance, in children, when they find some game or joke that they specially enjoy. A child kicks his legs rhythmically through excess, not absence, of life. Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, “Do it again”; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we.
G.K. Chesterton (Orthodoxy)
All I long for is freedom, a taste of the real breathe of life; and I kick, I revolt against the many, the unutterably many constraints to which my mind is still subject. And of real productive work there can be no thought so long as one is not freed, however slightly, from one's trammels and the pain or oppression arising from one's limited outlook. Shall I ever attain to inner freedom? It is very doubtful. The goal is too remote, and even if one gets within measurable distance of it, one has by that time consumed all one's strength in long search and struggle. When freedom is at last attained, one is as lifeless and feeble as a day-fly by night. That is what I dread so much. It is a misfortune to be so conscious of one's struggle and so early in life! And unlike the artist or the ascetic, I cannot balance my doubts by means of great deeds. How wretched and loathsome it is to me to be continually wailing like a mire drum. For the moment I am really very, very tired of everything — more than tired.
Friedrich Nietzsche
We have snacks, everybody!” “Where’d you get them from, Delaware?” Ben asked. He was glaring behind me, where Sage leaned casually against the wall. “Practically,” I said. “My fault-I was dying for Red Hots. Pretty much impossible to find. So what movie are we watching?” Back in the cave, Sage had told me I wasn’t much of an actress, and apparently he was right. I thought I put on a brilliant show, but Ben’s eyes were filled with suspicion, Rayna looked like she was ready to pounce, and Sage seemed to be working very hard to stifle his laughter. Rayna yawned. “Can’t do it. I’m so tired. I’m sorry, but I have to kick you guys out and get some sleep.” She wasn’t much better at acting than I was. I knew she wanted to talk, but the idea of being away from Sage killed me. “No worries,” I said. “I can bring he snacks to the guys’ room. We can watch there and let you sleep.” “Great!” Ben said. Rayna gaped, and in the space of ten seconds, she and I had a full conversation with only our eyes. Rayna: “What the hell?” Me: “I know! But I want to hang out with Sage.” Rayna: “Are you insane?! You’ll be with him for the rest of your life. I’m only with you until morning!” I couldn’t fight that one. She was right. “Actually, I’m pretty tired too,” I said. I even forced a yawn, though judging from Sage’s smirk, it wasn’t terribly convincing. “You sure?” Ben asked. He was staring at me in a way that made me feel X-rayed. “Positive. Take some snacks, though. I got dark chocolate M&Ms and Fritos.” “Sounds like a slumber party!” Rayna said. “Absolutely,” Sage deadpanned. “Look out, Ben-I do a mean French braid.” Ben paid no attention. He had moved closer and was looking at me suspiciously, like a dog whose owner comes from after playing with someone else’s pet. I almost thought he was going to smell me. “G’night,” he said. He had to brush past Sage to get to the door, but he didn’t say a word to him. Sage raised an amused eyebrow to me. “Good night, ladies,” he said, then turned and followed Ben out. It hurt to see him go, like someone had run an ice cream scoop through my core, but I knew that was melodramatic. I’d see him in the morning. We had our whole lives to be together. Tonight he could spend with Ben. I laughed out loud, imagining the two of them actually cheating, snacking, and French braiding each other’s hair as they sat cross-legged on the bed. Then a pillow smacked me in the side of the head. “’We can watch there and let you sleep’?” Rayna wailed. “Are you crazy?” “I know! I’m sorry. I took it back, though, right?” “You have two seconds to start talking, or I reload.” Before now, if anyone had told me that I could have a night like tonight and not want to tell Rayna everything, I’d have thought they were crazy. But being with Sage was different. It felt perfectly round and complete. If I said anything about it, I felt like I’d be giving away a giant scoop of it that I couldn’t ever get back. “It was really nice,” I said. “Thanks.” Rayna picked up another pillow, then let it drop. She wasn’t happy, but she understood. She also knew I wasn’t thanking her just for asking, but for everything. “Ready for bed?” she asked. “We have to eat the guys to breakfast so they don’t steal all the cinnamon rolls.” I loved her like crazy.
Hilary Duff (Elixir (Elixir, #1))
Desperately Wanting" Past the road to your house That you never called home Where they turned out your lights Though they say you'll never know I remember running through the wet grass And falling a step behind Both of us never tiring Desperately wanting When they pumped out your guts And filled you full of those pills You were never quite right Deserving all the chills They say the worst is over Kicked it over and ran Then they ask what went wrong When they turn you on again They turn you on again. I remember running through the wet grass And falling a step behind Both of us never tiring Desperately wanting Kick them right in the face Make them wish they weren't born And if they bring up your name Well they'll say you won the war. Baby burst in the world Never given a chance Then they ask what went wrong When you never had it right Oh the letters have dropped off Though they say you got them all I finally figured out some things you'll never know. Take back your life and let me inside We'll find the door if you care to anymore. I remember running through the wet grass and falling a step behind Both of us never tiring Desperately Wanting. Friction, Baby (1996)
Better Than Ezra (Better Than Ezra -- Friction, Baby: Authentic Guitar TAB)
So I saw more than a thousand souls of the ruined Flee before one who strode across the Styx Dry-shod as though on land. With his left hand He cleared the polluted air before his face And only in that annoyance did he seem tired I knew assuredly he was sent to us From Heaven, and I turned my head to regard The Master - who signaled that I should be mute And bow before him. Ah, to me he appeared So full of high disdain! he went to the gate And opened it by means of a little wand And there was no resistance. "O race cast out From Heaven, exiles despised there," he intoned From that grim threshold, "Why this insolence? Why do you kick against that Will whose end Cannot be thwarted, and whose punishments Many times over have increased your pain? What use to butt at what the fates dispence? Remember, Cerberus's throat and chin, For just this reason, still are stripped of fur." Then he turned back on the filthy path again Not speaking a word to us, but with the air Of one whom other matters must concern Than those who stand before him. And so, secure Afer those holy words, we in our turn Stepped forward toward the city & through the gate, Entering without dispute. Anxious to learn
Dante Alighieri (The Inferno: A New Verse Translation)
✓My music had roots which I'd dug up from my own childhood, musical roots buried in the darkest soil. ✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man ✓What is a soul? It's like electricity - we don't really know what it is, but it's a force that can light a room ✓There are many spokes on the wheel of life. First, we're here to explore new possibilities. ✓I did it to myself. It wasn't society... it wasn't a pusher, it wasn't being blind or being black or being poor. It was all my doing. ✓What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man. ✓There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.' ✓Music to me is like breathing. I don't get tired of breathing, I don't get tired of music. ✓Just because you can't see anything , doesn't mean you should shut your eyes. ✓Don't go backwards - you've already been there. ✓Affluence separates people. Poverty knits 'em together. You got some sugar and I don't; I borrow some of yours. Next month you might not have any flour; well, I'll give you some of mine. ✓Sometimes my dreams are so deep that I dream that I'm dreaming. ✓I don't think any of us really knows why we're here. But I think we're supposed to believe we're here for a purpose. ✓I'd like to think that when I sing a song, I can let you know all about the heartbreak, struggle, lies and kicks in the ass I've gotten over the years for being black and everything else, without actually saying a word about it. ✓.There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.' ✓Other arms reach out to me, Other eyes smile tenderly, Still in peaceful dreams I see, The road leads back to you. ✓I can't help what I sound like. What I sound like is what i am. You know? I cannot be anything other that what I am. ✓Music is about the only thing left that people don't fight over. ✓My version of 'Georgia' became the state song of Georgia. That was a big thing for me, man. It really touched me. Here is a state that used to lynch people like me suddenly declaring my version of a song as its state song. That is touching. ✓Absence makes the heart grow fonder and tears are only rain to make love grow. ✓If you can play the blues, you can do anything. ✓I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style requires pure heart singing. ✓It's like Duke Ellington said, there are only two kinds of music - good and bad. And you can tell when something is good. ✓Rhythm and blues used to be called race music. ... This music was going on for years, but nobody paid any attention to it. ✓Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human. ✓I cant retire from music any more than I can retire from my liver. Youd have to remove the music from me surgically—like you were taking out my appendix. ✓The words to country songs are very earthy like the blues. They're not as dressed up and the people are very honest and say, 'Look, I miss you darlin', so I went out and got drunk in this bar.' That's the way you say it. Where in Tin Pan Alley they would say, 'Oh I missed you darling, so I went to this restaurant and I sat down and had a dinn
Ray Charles
I thought a lot about death. My death. I got used to the idea of dying. I always imagined it’d be peaceful, with slow-motion scenes and a nice background melody… like in a movie. But I was wrong. I was lost in the eerie quiet. It was cold and dark. My hair floated lightly in the air. No, not in the air, but in the water. Water surrounded me from every side. Frozen water that seemed to burn in my lungs. I was drowning and couldn’t breathe. I tried to swim. Desperately, I kicked my legs and waved my hands, but I wasn’t able to reach the surface. I felt all my energies slowly leave me. It was too dark, and I was tired, but I didn’t want to give up. I didn’t want to die. I tried to push harder with my feet, hoping to feel something solid underneath me, but there was nothing but the fluctuating light and darkness. It swallowed me and I didn’t know what to do. I had always been afraid of two things in my life, water and darkness, so I wondered how the hell I had ended up here. My head was spinning due to the lack of oxygen. I kept fighting, but every cell in my body screamed to let it go. I had to breathe, so I opened my mouth and inhaled strongly. Water came into my lungs, but it had stopped hurting. I no longer felt anything when my body became numb and the darkness devoured me.
A.C. Pontone (Flames of Truth (The Lost Fae, #1))
When Love becomes a command, Hatred can become a pleasure. *  *  * if you don’t gamble, you’ll never win *  *  * Beautiful thoughts, and beautiful women never last *  *  * you can cage a tiger but you’re never sure he’s broken. Men are easier *  *  * if you want to know where God is, ask a drunk. *  *  * there aren’t any angels in the foxholes *  *  * no pain means the end of feeling; each of our joys is a bargain with the devil. *  *  * the difference between Art and Life is that Art is more bearable *  *  * I’d rather hear about a live American bum than a dead Greek God. *  *  * there is nothing as boring as the truth *  *  * The well balanced individual is insane *  *  * Almost everybody is born a genius and buried an idiot *  *  * a brave man lacks imagination. Cowardice is usually caused by lack of proper diet. *  *  * sexual intercourse is kicking death in the ass while singing *  *  * when men rule governments, men won’t need governments; until then we are screwed *  *  * an intellectual is a man who says a simple thing in a difficult way; an artist is a man who says a difficult thing in a simple way. *  *  * everytime I go to a funeral I feel as if I had eaten puffed wheat germ *  *  * dripping faucets, farts of passion, flat tires — are all sadder than death. *  *  * if you want to know who your friends are, get yourself a jail sentence
Charles Bukowski (Notes of a Dirty Old Man)
I’m Sushi K and I’m here to say I like to rap in a different way Look out Number One in every city Sushi K rap has all most pretty My special talking of remarkable words Is not the stereotyped bucktooth nerd My hair is big as a galaxy Cause I attain greater technology [...] I like to rap about sweetened romance My fond ambition is of your pants So here is of special remarkable way Of this fellow raps named Sushi K The Nipponese talking phenomenon Like samurai sword his sharpened tongue Who raps the East Asia and the Pacific Prosperity Sphere, to be specific [...] Sarariman on subway listen For Sushi K like nuclear fission Fire-breathing lizard Gojiro He my always big-time hero His mutant rap burn down whole block Start investing now Sushi K stock It on Nikkei stock exchange Waxes; other rappers wane Best investment, make my day Corporation Sushi K [...] Coming to America now Rappers trying to start a row Say “Stay in Japan, please, listen! We can’t handle competition!” U.S. rappers booing and hissin’ Ask for rap protectionism They afraid of Sushi K Cause their audience go away He got chill financial backin’ Give those U.S. rappers a smackin’ Sushi K concert machine Fast efficient super clean Run like clockwork in a watch Kick old rappers in the crotch [...] He learn English total immersion English/Japanese be mergin’ Into super combination So can have fans in every nation Hong Kong they speak English, too Yearn of rappers just like you Anglophones who live down under Sooner later start to wonder When they get they own rap star Tired of rappers from afar [...] So I will get big radio traffic When you look at demographic Sushi K research statistic Make big future look ballistic Speed of Sushi K growth stock Put U.S. rappers into shock
Neal Stephenson (Snow Crash)
Sam’s the man who’s come to chop us up to bits. No wonder I kicked him out. No wonder I changed the locks. If he cannot stop death, what good is he? ‘Open the door. Please. I’m so tired,’ he says. I look at the night that absorbed my life. How am I supposed to know what’s love, what’s fear? ‘If you’re Sam who am I?’ ‘I know who you are.’ ‘You do?’ ‘Yeah.’ ‘Who?’ Don’t say wife, I think. Don’t say mother. I put my face to the glass, but it’s dark. I don’t reflect. Sam and I watch each other through the window of the kitchen door. He coughs some more. ‘I want to come home,’ he says. ‘I want us to be okay. That’s it. Simple. I want to come home and be a family.’ ‘But I am not simple.’ My body’s coursing with secret genes and hormones and proteins. My body made eyeballs and I have no idea how. There’s nothing simple about eyeballs. My body made food to feed those eyeballs. How? And how can I not know or understand the things that happen inside my body? That seems very dangerous. There’s nothing simple here. I’m ruled by elixirs and compounds. I am a chemistry project conducted by a wild child. I am potentially explosive. Maybe I love Sam because hormones say I need a man to kill the coyotes at night, to bring my babies meat. But I don’t want caveman love. I want love that lives outside the body. I want love that lives. ‘In what ways are you not simple?’ I think of the women I collected upstairs. They’re inside me. And they are only a small fraction of the catalog. I think of molds, of the sea, the biodiversity of plankton. I think of my dad when he was a boy, when he was a tree bud. ‘It’s complicated,’ I say, and then the things I don’t say yet. Words aren’t going to be the best way here. How to explain something that’s coming into existence? ‘I get that now.’ His shoulders tremble some. They jerk. He coughs. I have infected him. ‘Sam.’ We see each other through the glass. We witness each other. That’s something, to be seen by another human, to be seen over all the years. That’s something, too. Love plus time. Love that’s movable, invisible as a liquid or gas, love that finds a way in. Love that leaks. ‘Unlock the door,’ he says. ‘I don’t want to love you because I’m scared.’ ‘So you imagine bad things about me. You imagine me doing things I’ve never done to get rid of me. Kick me out so you won’t have to worry about me leaving?’ ‘Yeah,’ I say. ‘Right.’ And I’m glad he gets that. Sam cocks his head the same way a coyote might, a coyote who’s been temporarily confused by a question of biology versus mortality. What’s the difference between living and imagining? What’s the difference between love and security? Coyotes are not moral. ‘Unlock the door?’ he asks. This family is an experiment, the biggest I’ve ever been part of, an experiment called: How do you let someone in? ‘Unlock the door,’ he says again. ‘Please.’ I release the lock. I open the door. That’s the best definition of love. Sam comes inside. He turns to shut the door, then stops himself. He stares out into the darkness where he came from. What does he think is out there? What does he know? Or is he scared I’ll kick him out again? That is scary. ‘What if we just left the door open?’ he asks. ‘Open.’ And more, more things I don’ts say about the bodies of women. ‘Yeah.’ ‘What about skunks?’ I mean burglars, gangs, evil. We both peer out into the dark, looking for thees scary things. We watch a long while. The night does nothing. ‘We could let them in if they want in,’ he says, but seems uncertain still. ‘Really?’ He draws the door open wider and we leave it that way, looking out at what we can’t see. Unguarded, unafraid, love and loved. We keep the door open as if there are no doors, no walls, no skin, no houses, no difference between us and all the things we think of as the night.
Samantha Hunt (The Dark Dark)
to exonerate him. Given the personalities involved, Skarpellos and Lama, I would suddenly discover that Tony was playing cribbage with a dozen elderly matrons the night Ben was killed. “Suspects are your job,” I tell Nelson. “I think we’re satisfied with the defendant we have. All we need to know is who helped her. Who carried the body, used the shotgun,” he says. “It’s an offer made to fail. Even if she were willing to enter a plea to a crime she didn’t commit in order to save her life, she can’t fulfill the terms.” He looks at me, like “Nice story, but it won’t wash.” Lama kicks in. “Have you heard,” he says, “we got a photo ID party goin’ down at the office? Seems the lady was a creature of habit. Ended up at the same place every night. A motel clerk from hell says she brought her entire stable of studs to his front door. We got him lookin’ at pictures of all her friends. Only a matter of time. Then the deal’s off.” Harry meets this with some logic. “To listen to you, our client already had all the freedom she could ask for. Lovers on every corner, and a cozy home to come home to when she got tired,” says Harry. “Why would she want to kill the meal ticket?” “Seems the victim was getting a little tired of her indiscretions. He was considering a divorce,” says Nelson. “You have read the prenuptial agreement? A divorce, and it was back to work for your client.” Harry and I look at one another. “Who told you Ben was considering a divorce?” I ask. “We have a witness,” says Nelson. He is not the kind to gloat over bad news delivered to an adversary. “You haven’t disclosed him to us.” “True,” he says. “We discovered him after the prelim. We’re still checking it out. When we have everything we’ll pass it along. But I will tell you, it sounds like gospel.” Lama’s expression is Cheshire cat-like, beaming from the corner of the couch. I sense that this is his doing. “I think you should talk to your client. I’m sure she’ll see reason,” says Nelson. “If you move, I think I can convince the judge to go along with the deal.” “I’ll have to talk to her,” I tell him, “but I can’t hold out much hope.” “Talk,” he says. “But let me know your answer soon. If we’re going to trial, I intend to ask for an early date.
Steve Martini (Compelling Evidence (Paul Madriani, #1))
That I haven’t told you the parable of the man, the boy, and the mule.” Cettie nodded eagerly. He stared down at the book, thumbing through its pages. “I heard this one when I first went away to study the Mysteries. It was shared with all of us, but I don’t think all of us heard it the same way. That’s the thing about stories. They can touch on truths that some people just are not ready to hear. The tale goes like this. Long before the first flying castles and sky ships and cauldrons of molten steel—before the Fells—life was simpler. A man and his son needed to sell their mule to buy food to last the winter. So they started walking to get to the market, which was very far. They met a fellow traveler along the way who criticized them for not riding the mule. So the man, realizing that his beast of burden wasn’t being used for its purpose, put his son on it to ride. But when they arrived at the first village on their path, some men in the square scoffed and said how inconsiderate the son was for making his father walk. They stopped and watered the beast, and so the father ordered the boy to walk while he rode. Again, they reached the next village, and what did they hear? Some washerwomen complained that the father must be evil to force his son to walk while he rode. Ashamed by their words, the father decided to change yet again. Do you know what he did?” Cettie shook her head no, eager for him to continue. Fitzroy wagged his finger at her. “So they both rode the mule into the next town. By this time, the mule was getting very tired, and when they reached the next village, they were ridiculed for being lazy and working the poor beast half to death! The market was in the very next town, and they feared they’d not be able to sell the poor creature, now it was so spent. And so the father and son cut down a sapling, lashed the mule to the pole, and carried it to the next town. You can imagine what the townsfolk thought as they saw the father and son laboring and exhausted as they approached the town. Who were these country bumpkins who carried a mule on their own shoulders? As they crossed the bridge into town, suffering the jeers and taunts of passersby, one of the ropes broke loose, and the mule kicked free. The boy dropped his end of the pole, and the beast fell into the river and drowned.” “No!” Cettie said, mouth wide open. Fitzroy nodded sagely. “A man with a crooked staff had been following them into town. As
Jeff Wheeler (Storm Glass (Harbinger, #1))
The man who had him pinned kicked him over again and pointed down at the tire. "Stay down, you little bastard, or we'll rape your mum and skin her alive." Chris clamped his hands over Michael's ears. When Dean edged the truck forwards, Tommy's eyes jumped from his face. "Mum! Mummy! Help me, Mummy! Mum!" The engine bellowed, Tommy cried, Marie screamed, Frank roared, and Chris' pulse thumped in his ears. Locked in a maniacal fit, Dean cackled at the sky, his pointy nose and gaunt face making him look like a satanic Mr. Punch. He edged forward again. As Michael fought against Chris' restraint, he eased off a little. Should he just let him go? Were the images in his mind worse than those outside? When the truck moved forward again, the thick treads of the huge tires biting into the back of Tommy's head, he squeezed tightly once more. No mind could create anything worse than that. Chris looked away too.  Tommy's scream was so shrill Chris thought all of the glass in the cul-de-sac would crack, and he fought harder against his thrashing son to keep him restrained. When he felt like he couldn't fight the boy's will any more, he let go.  Instead of looking outside, Michael fell to the floor in a ball, scuttled beneath some blankets, and covered his ears. From beneath the sheets, Chris heard his small voice singing, "Twinkle Twinkle Little Star." Nudging his boy, Chris waited for him to resurface and put a finger to his lips again. They couldn't afford for the looters to hear them no matter how much it took his son away from their dark reality. The sound of a beeping horn was accompanied by Dean howling and laughing, the vehicle's engine releasing a war cry under the weight of his heavy foot. The cacophony of chaos outside got louder. Frank wailed, Marie let out louder screams, the engine roared, the horn beeped, Dean laughed, and Tommy shrieked. Looking outside again, Chris kept his eyes away from Tommy. Instead, he watched George. If there was anyone who would save them, it was him.  Crunch! Crash!  The truck dropped by six inches. Tommy stopped screaming.  When Dean cut the engine, silence settled over the cul-de-sac, spreading outwards like the thick pool of blood from Tommy's crushed head. Marie's face was locked in a silent scream. Frank slumped further and shook with inaudible sobs. The men, even the weasel with the tennis racket, stood frozen. None of them looked at the dead boy.  Turning away from the murder, Chris looked down to find Michael staring back at him. What could he say to him? Tommy was his best friend. Then, starting low like a distant air-raid siren, Marie began to wail.  After rapidly increasing in volume, it turned into a sustained and brutal cry as if she was being torn in two. Chilled
Michael Robertson (Crash (Crash, #1))
Spaghetti alla puttanesca is typically made with tomatoes, olives, anchovies, capers, and garlic. It means, literally, "spaghetti in the style of a prostitute." It is a sloppy dish, the tomatoes and oil making the spaghetti lubricated and slippery. It is the sort of sauce that demands you slurp the noodles Goodfellas style, staining your cheeks with flecks of orange and red. It is very salty and very tangy and altogether very strong; after a small plate, you feel like you've had a visceral and significant experience. There are varying accounts as to when and how the dish originated- but the most likely explanation is that it became popular in the mid-twentieth century. The first documented mention of it is in Raffaele La Capria's 1961 novel, Ferito a Morte. According to the Italian Pasta Makers Union, spaghetti alla puttanesca was a very popular dish throughout the sixties, but its exact genesis is not quite known. Sandro Petti, a famous Napoli chef and co-owner of Ischian restaurant Rangio Fellone, claims to be its creator. Near closing time one evening, a group of customers sat at one of his tables and demanded to be served a meal. Running low on ingredients, Petti told them he didn't have enough to make anything, but they insisted. They were tired, and they were hungry, and they wanted pasta. "Facci una puttanata qualsiasi!" they cried. "Make any kind of garbage!" The late-night eater is not usually the most discerning. Petti raided the kitchen, finding four tomatoes, two olives, and a jar of capers, the base of the now-famous spaghetti dish; he included it on his menu the next day under the name spaghetti alla puttanesca. Others have their own origin myths. But the most common theory is that it was a quick, satisfying dish that the working girls of Naples could knock up with just a few key ingredients found at the back of the fridge- after a long and unforgiving night. As with all dishes containing tomatoes, there are lots of variations in technique. Some use a combination of tinned and fresh tomatoes, while others opt for a squirt of puree. Some require specifically cherry or plum tomatoes, while others go for a smooth, premade pasta. Many suggest that a teaspoon of sugar will "open up the flavor," though that has never really worked for me. I prefer fresh, chopped, and very ripe, cooked for a really long time. Tomatoes always take longer to cook than you think they will- I rarely go for anything less than an hour. This will make the sauce stronger, thicker, and less watery. Most recipes include onions, but I prefer to infuse the oil with onions, frying them until brown, then chucking them out. I like a little kick in most things, but especially in pasta, so I usually go for a generous dousing of chili flakes. I crush three or four cloves of garlic into the oil, then add any extras. The classic is olives, anchovies, and capers, though sometimes I add a handful of fresh spinach, which nicely soaks up any excess water- and the strange, metallic taste of cooked spinach adds an interesting extra dimension. The sauce is naturally quite salty, but I like to add a pinch of sea or Himalayan salt, too, which gives it a slightly more buttery taste, as opposed to the sharp, acrid salt of olives and anchovies. I once made this for a vegetarian friend, substituting braised tofu for anchovies. Usually a solid fish replacement, braised tofu is more like tuna than anchovy, so it was a mistake for puttanesca. It gave the dish an unpleasant solidity and heft. You want a fish that slips and melts into the pasta, not one that dominates it. In terms of garnishing, I go for dried oregano or fresh basil (never fresh oregano or dried basil) and a modest sprinkle of cheese. Oh, and I always use spaghetti. Not fettuccine. Not penne. Not farfalle. Not rigatoni. Not even linguine. Always spaghetti.
Lara Williams (Supper Club)
You don’t like feeling powerless? Then change your definition of power. Do not fix unfixable problems. Do not devote yourself to things you cannot control. You cannot make this world respect you. You cannot make it dignify you. It will never bend to you. This world does not belong to door. She tied her long hair away from her face, meticulously turning on specific track lights and not others, perhaps to highlight the beauty of her Scandinavian-style furniture choices or the incomparable city view. Then she poured herself a glass of wine from a previously opened bottle, joining Reina on the sofa with an air of hospitably withheld dread. “I was born here in Tokyo,” Reina commented. “Not far from here, actually. There was a fire the day I was born. People died. My grandmother always thought it meant something that I was—” She broke off. “What I was.” “People often search for meaning where there is none,” said Aiya placidly. Perhaps in a tone of sympathy, though Reina wasn’t sure what to think anymore. “Just because you can see two points does not mean anything exists between them.” “In other words, fate is a lie we tell ourselves?” asked Reina drolly. Aiya shrugged. Despite the careful curation of her lighting, she looked tired. “We tell ourselves many stories. But I don’t think you came here just to tell me yours.” No. Reina did not know why she was there, not really. She had simply wanted to go home, and when she realized home was an English manor house, she had railed against the idea so hard it brought her here, to the place she’d once done everything in her power to escape. “I want,” Reina began slowly, “to do good. Not because I love the world, but because I hate it. And not because I can,” she added. “But because everyone else won’t.” Aiya sighed, perhaps with amusement. “The Society doesn’t promise you a better world, Reina. It doesn’t because it can’t.” “Why not? I was promised everything I could ever dream of. I was offered power, and yet I have never felt so powerless.” The words left her like a kick to the chest, a hard stomp. She hadn’t realized that was the problem until now, sitting with a woman who so clearly lived alone. Who had everything, and yet at the same time, Reina did not see anything in Aiya Sato’s museum of a life that she would covet for her own. Aiya sipped her wine quietly, in a way that made Reina feel sure that Aiya saw her as a child, a lost little lamb. She was too polite to ask her to leave, of course. That wasn’t the way of things and Reina ought to know it. Until then, Aiya would simply hold the thought in her head. “So,” Aiya said with an air of teacherly patience. “You are disappointed in the world. Why should the Society be any better? It is part of the same world.” “But I should be able to fix things. Change things.” “Why?” “Because I should.” Reina felt restless. “Because if the world cannot be fixed by me, then how can it be fixed at all?” “These sound like questions for the Forum,” Aiya said with a shrug. “If you want to spend your life banging down doors that will never open, try their tactics instead, see how it goes. See if the mob can learn to love you, Reina Mori, without consuming or destroying you first.” Another reflective sip. “The Society is no democracy. In fact, it chose you because you are selfish.” She looked demurely at Reina. “It promised you glory, not salvation. They never said you could save others. Only yourself.” “And that is power to you?” Aiya’s smile was so polite that Reina felt it like the edge of a weapon. “You don’t like feeling powerless? Then change your definition of power. Do not fix unfixable problems. Do not devote yourself to things you cannot control. You cannot make this world respect you. You cannot make it dignify you. It will never bend to you. This world does not belong to you, Reina Mori, you belong to it, and perhaps when it is ready for a revolution it will look to you for leadership.
Olivie Blake (The Atlas Complex (The Atlas, #3))
In Conservatory of Death we see modern culture tired and kicking at the end of a rope. It is perhaps the first "deathpunk" novel.
David Kerekes
If it's impossible to understand how I could kick a weeping, torn-in-half cog that was gushing something that looked like tapioca pudding and whale semen on my nice shiny space suit, then you probably never kicked a car for getting a flat tire, or slapped a television remote when the batteries were getting weak, in which case you'll never understand what it means or meant to be a human.
Andrew Smith
You okay?” she asks. “I think so. You?” “Yeah.” The courthouse looks like it’s burning under the morning sun. The flame-orange shimmer of hot brick forces me to look away. “Why are you still going through with this?” She’s silent, and I contemplate punching myself in the face. If she backs out now I’m going to…I don’t even know what. Slash Chase Dunkirk’s tires. Set fire to the school. Kick a hole in every wall in my house on my way out. “Don’t be an idiot,” she says, opens her door, and climbs out. “Seriously. Why?” “Because I can’t let bad things happen to you, Mo. Now quit being such a pantywaist and marry me.” She opens my door, and I look down in time to see her rolling her eyes. I’m so relieved. She isn’t cowering. She won’t break. “Pantywaist?” I ask. “What are you, seventy?” “Stop stalling.” “I feel like I might throw up,” I say as I get out. “Would this be a good time to tell you I’m not a virgin?” “Would this be a good time to tell you I’m in love with Maya?” “Finally!” she says, and grabs my arm, pulling me toward the building. “Only took you four years to admit it. So prewedding confessions are out of the way. Let’s do this.” “I really think I might be getting the stomach flu.” She ignores me. “This is weird, but right at this second, I feel . . .” She pauses, squinting at me through the blinding sun. “I feel like this is right. You know?” “No. Not at all. I’m about to piss my pants. I believe you remember the last time that happened, and they may or may not have black sweatpants in my size at the lost and found here
Jessica Martinez (The Vow)
A child kicks his legs rhythmically through excess, not absence, of life. Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, “Do it again”; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough to exult in monotony. It is possible that God says every morning, “Do it again” to the sun; and every evening, “Do it again” to the moon. It may not be automatic necessity that makes all daisies alike; it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we.
G.K. Chesterton (The G.K. Chesterton Collection [34 Books])
A man with a bloody face and bloody fingers sang across from him. The poor soul’s fingernails had been pulled out, and he was giddy. Ernest recognized him as an executive from the Jardine Group, who’d often patronized the Jazz Bar. Near the wall two Japanese held a naked man and poured into his mouth gallons of urine mixed with pungent kerosene. The man groaned, his stomach bloated, but the torture had just begun—they beat him over and over with a steel rod. When they were tired, they kicked the poor man’s stomach just for the fun of it.
Weina Dai Randel (The Last Rose of Shanghai)
The irony of corporate life is stubborn mediocrity. Most people never create or discover anything new but are helped by people of exceptional wisdom & expertise. The talent is often hidden in the silence and quietness of tired minds. The tired but active minds who always remain a side-kick not because they can't act but lack X Factor to be liked & discovered. The mediocrity is in both - the people who get the work done or people who take the credit. The people who get the work done remain mediocre towards acquiring an X Factor & people who take the credit in acquiring the required dedication & skills.
Shahenshah Hafeez Khan
A child kicks its legs rhythmically through excess, not absence, of life. Because children have abounding vitality, because they are in spirit fierce and free, therefore they want things repeated and unchanged. They always say, "Do it again"; and the grown-up person does it again until he is nearly dead. For grown-up people are not strong enough to exult in monotony. But perhaps God is strong enough... It is possible that God says every morning, "Do it again," to the sun; and every evening, "Do it again," to the moon. It may not be automatic necessity that makes all daisies alike: it may be that God makes every daisy separately, but has never got tired of making them. It may be that He has the eternal appetite of infancy; for we have sinned and grown old, and our Father is younger than we.
G.K. Chesterton
Call me James.” A soft breath rushed out of her. “I cannot—” “I grow tired of this incessant ‘Your Grace’ business.” “Very well,” she said a trifle pertly. His gaze sharpened. “What is this?” “What?” “Your cheeks are rather flushed and your eyes suspiciously bright.” He leaned slowly, deliberately, almost leisurely toward her, and her heart kicked a furious rhythm. The duke ran his nose across her cheeks. “It is quite fascinating how your scent changes. Earlier you smelled like the forest itself, now you smell like caramel and lavender.” “You should really learn to keep your nose to yourself,
Stacy Reid (The Wolf and the Wildflower)
car, survival had kicked in. Tires screeching, she fled.
Sonali Dev (The Vibrant Years)
A relationship is like the law. It needs balance. If it’s out of balance, if one person sees themselves as less valuable, if another sees themselves as more valuable, the balance isn’t there.” His dark eyes are boring into mine with his words, and any words I could say are stuck in my chest. “You are not less than me. I am not less than you. We are humans who do what we can to help people.” Silence. I don’t respond. I don’t . . . This man was supposed to be an ass. At best, a nice guy who was a little stuck-up and into himself. I could handle that. I could handle a man who has a bit of a superiority complex, especially if he could fuck me into tomorrow and help me get my revenge. A no brainer, really. But this? A man who is kind and caring and understanding and can fuck me into tomorrow? I don’t know what to do with it. So I just say, “Oh.” Like an idiot. And for some reason, Damien doesn’t find my loss of words annoying or stupid. Instead, he just smiles at me and shakes his head like he finds me sweet. “Yeah, oh.” He leans forward again, pressing his lips against mine. “I want you to stay the night. Here, with me.” “Damien, that’s sweet, but I really am a crazy sleeper.” “Are you saying that because you don’t want to spend the night here or with me? Or are you saying that because you’re worried about my sleep quality?” He says it with a smile. I scrunch my nose but don’t answer. His eyebrow raises, and the smile spreads. We’re in a standoff. “Your funeral,” I say in a mumble. “If I kick you in the balls in my sleep and you can’t walk straight tomorrow, not my fault.” Damien just smiles, pressing his lips to mine again, but not in that soft, sweet way. “Yeah, well, let’s see if I can tire you out. Help you sleep well. Maybe we can make it so you’re the one who can’t walk straight tomorrow,” he says, then his lips move to my neck, licking and sucking a path down. And you know what? I sleep soundly all night in Damien’s bed, his leg hitched up over my hip, keeping me pinned in place the entire time. TWELVE November 7 -Abbie- “He took you there?!” Cam says, her voice going up at least three octaves with the words. It’s the day after my date with Damien. This morning my internal clock woke me up at seven, and I attempted to roll out of his fancy ass bed and dress in my clothes from the night before quietly, needing to be at the store by 10 and knowing I needed to get home, change, and be ready for work in three hours. His arm, still weighed down with the nicest Rolex I’ve seen, was
Morgan Elizabeth (Tis the Season for Revenge (Seasons of Revenge, #1))
I trusted him, Garrett. I loved him like a child should. Every fist, every kick, or spat word broke me down. I became nothing but a survivor, living from one day to the next, and even now… even now when I’m free of him, I did the same, losing myself in booze and sex so I didn’t have to face myself. Want to hear the kicker? He still managed to fuck my life over by selling me. He fucking sold me.” I laugh bitterly. “As if ruining my whole fucking childhood wasn’t enough, he went ahead and sold me. But you know what? I’m tired of running. I hate him. I want him to pay, but more than that, I want to be free of those claws still inside me. I don’t know how to do that, but I’m trying. You have to try, Garrett, because I see it in your eyes—you’re in survival mode, still fighting, living day to day, but that’s no way to live. I’ll stop running if you stop fighting.” “I don’t know how,” he admits.
K.A. Knight (Den of Vipers)
My life was about me, ever since I was a little kid growing up, everything was about me, what could I get, what could I do, who could I become, and it just centered around myself. But at some point I began drinking, as I graduated college I was already an alcoholic. I was married at the time, I had two children, I had a decent job, but everything was about me, and everything was about my next drink. My wife got tired of it and she divorced me. I went home and there she was in our living room, with two plastic trash bags, and basically all my worldly belongings were in those bags. The day I got kicked out, that was the last day I ever drank. After the divorce went through I took a new job, we became wildly successful in that business. At this point in my life I am single, I am making more money than I ever thought I will make in my life, and everything was going well, but at night when you are by yourself, as much as I thought I hated my wife, I knew inside I loved her. One day I decided to see where my kids where going to church, and I thought it was going to be a cult. (He thought that if he could prove to the judge that his ex-wife had his kids in a cult, he will get full custody.) Again the thought was: “I am getting my kids, for me”. It wasn’t about what was best for them, it’s about what I want. That morning I had an encounter with God, I heard the Gospel like I never heard it before, and ended up giving my life to Jesus. And when I did that it was like my whole life, my view was just central, it was all about me, but when I gave my life to Christ that lens got pulled away and all of a sudden there’s a range of beautiful mountains, which represented the best of my life and the rest of my life. And everything started to change immediately then, and I started to think about my children, and my ex-wife, what would be good for my ex-wife? Isn’t that strange? So kind of a long story short, we ended up getting remarried 6 months later, and we haven’t looked back since. Now our hearts are about serving other people, it’s about serving God, it’s about serving Jesus, it’s about helping others. (At that time he had no idea how God was about to transform his life or the adventure on which he was about to take him, his own escape from selfishness.) And I believe with all my heart, that the Christian life should be the greatest adventure on the planet and if we as Christians do not live it that way, and do not experience that, then I am gonna challenge you and say: Who’s your mind on?
Joyce Meyer
The lights went out in the dining room and Owen entered the kitchen, stopping several feet away. She leaned on her hands, her head bent nearly to her chest. She could only see his feet and legs. “Claire, you’re exhausted. Why didn’t you just go up to bed?” “The meds kicked in. Too tired to move.” Unexpected and exciting, he plucked her right off the counter and settled her in his arms and against his broad, hard chest. Too tired to make a fuss and exert her independence, she gave in to something else entirely and snuggled closer, nestling her face in his neck and settling her head on his strong shoulder. His chest rumbled with a laugh. “You’re like a contented cat, snuggling in for the night.” “Deep down, I’m fine on my own. The meds have made me mushy and weak.” “Not weak. After the night you’ve had, you just need a hug.” He squeezed her to his chest. She tried to hide the wince of pain, but he felt her stiffen in his arms. “Sorry, overstepped.” They reached the top of the stairs, and he stopped. “No, you didn’t. I didn’t realize how banged up I got. I feel like I got hit by a car,” she joked. “The meds are helping out considerably. My room’s on the right.” Owen walked down the hall and entered her room, stopping just inside and looking around. “Wow. It’s like another house in here.” “I moved in over a year ago, but I spent all my time opening the shop and running it. A couple of months ago, I started on the house. I spend so much time at the shop, the most time I spend here is sleeping, so I redid the master bedroom first. I’ve upgraded the bathroom, but I still need to add the finishing touches.” “You added the flower pots on the back patio with the lounge and table set.” “I like to drink my coffee out there in the morning when the weather is nice.” “You spend a lot of time working, so spending the morning outside is relaxing.” “Yes. Sounds like the same is true for you, too.” He nodded. “I spend most evenings outside reading over briefs and preparing for court. I take care of the horses and barn cats. It gets me out of my head.” “You can put me down now.” “I knew you’d say that.” She laughed, and he set her on her bed. -Owen & Claire
Jennifer Ryan (Falling for Owen (The McBrides, #2))
The nation’s largest church is only nineteen years old. It was able to grow so rapidly (in part) because the pastor, Andy Stanley regularly stands before the people and says, “I am in a group that is doubling; I want you to be in a group that is doubling.” They grow by creating environments where unchurched people can kick tires in an atmosphere of grace and acceptance. They have discovered that if they will love people, people’s hearts will warm up to a message about a God who loves them. They
Josh Hunt (Doubling Groups 2.0: How Andy Stanley and a whole generation of churches are exploding with doubling groups and the power of hospitality.)
The nation’s largest church is only nineteen years old. It was able to grow so rapidly (in part) because the pastor, Andy Stanley regularly stands before the people and says, “I am in a group that is doubling; I want you to be in a group that is doubling.” They grow by creating environments where unchurched people can kick tires in an atmosphere of grace and acceptance. They have discovered that if they will love people, people’s hearts will warm up to a message about a God who loves them. They have discovered that if they are gracious to people, people’s hearts warm up to a message about grace. If they will befriend people, people will warm up to a message about, “What a friend we have in Jesus.
Josh Hunt (Doubling Groups 2.0: How Andy Stanley and a whole generation of churches are exploding with doubling groups and the power of hospitality.)
What has put that look on your face, Sophie?” “What look?” She laid the child in the cradle where Vim had set it near the hearth. “Like you just lost your best friend.” “I was thinking of fostering Kit.” And just like that, she was blinking back tears. She tugged the blankets up around the baby, who immediately set about kicking them away. “Naughty baby,” she whispered. “You’ll catch a chill.” “Sophie?” A large male hand landed on her shoulder. “Sophie, look at me.” She shook her head and tried again to secure Kit’s blankets. “My dear, you are crying.” Another hand settled on the opposite shoulder, and now the kindness was palpable in his voice. Vim turned her gently into his embrace and wrapped both arms around her. It wasn’t a careful, tentative hug. It was a secure embrace. He wasn’t offering her a fleeting little squeeze to buck her up, he was holding her, his chin propped on her crown, the entire solid length of his body available to her for warmth and support. Which had the disastrous effect of turning a trickle of tears into a deluge. “I can’t keep him.” She managed four words around the lump in her throat. “To think of him being passed again into the keeping of strangers… I can’t…” “Hush.” He held a hanky up to her nose, one laden with the bergamot scent she already associated with him. For long minutes, Sophie struggled to regain her equilibrium while Vim stroked his hand slowly over her back. “Babies do this,” Vim said quietly. “They wear you out physically and pluck at your heartstrings and coo and babble and wend their way into your heart, and there’s nothing you can do stop it. Nobody is asking you to give the child up now.” “They won’t have to ask. In my position, I can’t be keeping somebody else’s castoff—” She stopped, hating the hysterical note that had crept into her voice and hating that she might have just prompted the man to whom she was clinging to ask her what exactly her position was. “Kit is not a castoff. He’s yours, and you’re keeping him. Maybe you will foster him elsewhere for a time, but he’ll always be yours too.” She didn’t quite follow the words rumbling out of him. She focused instead on the feel of his arms around her, offering support and security while she parted company temporarily with her dignity. “You are tired, and that baby has knocked you off your pins, Sophie Windham. You’re borrowing trouble if you try to sort out anything more complicated right now than what you’ll serve him for dinner.” She’d grown up with five brothers, and she’d watched her papa in action any number of times. She knew exactly what Vim was up to, but she took the bait anyway. “He loved the apples.” This time when Vim offered her his handkerchief, she took it, stepping back even as a final sigh shuddered through her. “He
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
I guess I’ll begin by accepting your apology,” Jeremy said slowly. “And offer my own apology in return.” Madison laughed. “You apologize to me? Whatever for?” “Excuse me,” a man interrupted from behind them. He and a woman were walking with their tenspeeds. “This is a crosswalk. If you want to talk, there are plenty of places to do it over there.” He pointed back to the park, by the lake. They shared an embarrassed laugh. Then Jeremy led Ruby to a park bench and motioned for Madison to sit down. She perched on the edge of the bench, scratching Ruby behind the years. Jeremy pushed the hair out of his eyes and said, “I’ve relived that moment at Homecoming a zillion times. I felt so awful about pushing you onto the field, I didn’t know what to do.” Madison asked the question she’d wanted to ask for two and a half long years. “Did you really think I’d won? Did you confuse McKenzie Madsen’s name with mine?” Jeremy shook his head. “I didn’t even hear the announcement. I was holding Reed’s place in the drinks line because he’d left to hear the announcement. When he came back, Reed told me you’d won. He ordered me to go tell you.” Madison slapped her hands on her legs. “I knew it! When Reed called it a harmless joke, I knew it had to be him. But why would he do that to me?” Jeremy shrugged helplessly. “It turned out it really was just a joke. He had me tell you that so he could get your hot chocolates.” Madison’s jaw dropped. “That’s why he did it?” “He was tired of standing in that long line.” Jeremy kicked at the ground with the toe of his sneaker. “But I didn’t know that at the time. When I pushed you onto the football field, Reed nearly fell over laughing. He thought he was so clever. I wanted to kill him!
Jahnna N. Malcolm (Perfect Strangers (Love Letters, #1))
I knew it! When Reed called it a harmless joke, I knew it had to be him. But why would he do that to me?” Jeremy shrugged helplessly. “It turned out it really was just a joke. He had me tell you that so he could get your hot chocolates.” Madison’s jaw dropped. “That’s why he did it?” “He was tired of standing in that long line.” Jeremy kicked at the ground with the toe of his sneaker. “But I didn’t know that at the time. When I pushed you onto the football field, Reed nearly fell over laughing. He thought he was so clever. I wanted to kill him!” Madison shook her head in amazement. “Hot chocolate! He was willing to totally humiliate me for a couple of hot chocolates? I thought it was because I didn’t go out with him.” “That also may have had something to do with it,” Jeremy said, scratching his head. “He liked you, too.” “Too?” Madison repeated, cocking her head. Jeremy flashed an embarrassed smile. “Well, at the time, I had a major crush on you. I thought it was pretty obvious.” Madison’s heart skipped a tiny beat. Maybe all wasn’t lost after all. “You did?” He shoved his hands in his pockets and rocked back on his heels. “That’s why I didn’t apologize right away. I just couldn’t face you.
Jahnna N. Malcolm (Perfect Strangers (Love Letters, #1))
Everything always changes. It is unavoidable. Some of the intensity of resonance gets lost, but it is replaced by new things. Better things.” I sit back, wiping my hands clean of blood as I take a brief pause. Thoughts of Meh-gan fill my mind and I smile to myself. “I love to hear my mate’s laugh. I love to take care of her. I do not mind when she is tired, because then I will pull her against me and hold her all night. I live to please her, and when you feel your son kick in her belly…” I spread my hands, helpless to describe the joy of it. “Everything in the world is perfect.
Ruby Dixon (Having the Barbarian's Baby (Ice Planet Barbarians, #6.1))
As happy as she would ever be with her appearance, she headed back to the clearing. Not halfway there, she heard Darcy’s panicked voice. “Malina! Where are you, lass? Malina!” She dashed through the bracken and trees, mentally kicking herself for worrying him. “I’m here! I’m coming!” The sounds of the forest yielding to a large and possibly crazed Highlander preceded Darcy’s crashing into sight. Twigs jutted from his hair. His shoulder wrap had slipped partway down his arm. His chest heaved, and his eyes were wild. Yup. Crazed was an accurate assessment. “Christ, lass, I thought—” He scrubbed a hand over his face, wiping away the wildness. “Thought what?” She closed the distance between them. Seeing him so worked up over her stroked something possessive and feminine within her. “That I had run off in the night?” His eyes darted away. He pretended to inspect the forest. “Ye didna wake me,” he said, bringing his gaze back to hers, accusatory and more than a little angry. “I wasn’t tired,” she lied. “Plus you looked so delicious lying there all stretched out and handsome.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
Rach.” He laughed low and my eyes snapped up to his. “What’s up?” “Oh, um . . .” This was a really bad idea. Would I look like a complete freak if I took off running for my car right now? “Well, I . . .” “Yes . . . ?” “You, uh, wanna have a lock-out night with me?” He mouthed the words lock-out night before recognition flashed through his gray eyes. “Mason with Candice?” “Yep.” “You don’t have to ask or have a reason, Rach. You’re welcome here whenever.” My eyes drifted over the colorful artwork covering his shoulders and arms and I somehow made it into the apartment without running into anything. I wanted to study the tattoos but he was still smirking, so I forced my eyes onto the TV and walked past him. “So did you get tired of hanging out at Starbucks for hours on end, or did they finally kick you out?” I huffed and shook my head. Such an ass. Spinning around, I began walking right back to the front door. I don’t care that he’s half-naked and I have to use superhuman strength to not throw myself at him and explore his sculpted body with my hands and mouth. He’s just such a freaking pain. “I don’t think so, Sour Patch.” He grabbed my arm and pulled me back until I was standing in front of the couch. “Sit.” “I’m not a dog.” He rolled his eyes. “Sit down, woman. I’ll be right back.” With a shove strong enough to send me down to the couch, he smiled wryly and turned toward his bedroom. “Put a shirt on while you’re in there!” He snorted.   Kash
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
Leaving the Connecticut River March 8, 1704 Temperature 40 degrees They reached a river where the water was open, seething and churning over rocks. We’re going to cross that? thought Mercy. It’s too wide and deep. We’ll drown. Tannhahorens took off his tobacco necklace. He loved to smoke, as did all the warriors. Since they smoked only when they had time and felt safe, the prisoners also loved it when the men smoked; it meant everybody had time and was safe. Tannhahorens poured tobacco into his palm. He lifted it toward the sky, calling as the loon called, his voice shivering through the wilderness. Then he faced the river and held, it seemed to Mercy, a conversation with the river. Finally, over the sharp rocks and ripping current, Tannhahorens threw all his tobacco. Every Indian did the same. The captives stared. Eliza, who had not spoken once since her husband was struck down, said, “It’s an offering. They give their best to the river, and hope the river will give its best to them.” They walked upstream, fighting thickets and snarling brooks. When the Indians stopped to kick at a great melting drift, Mercy was too tired even to wonder. Snow covered a dugout canoe. Forty or fifty feet long, it had been made of one great pine, the center core burned out and chiseled clean. They would paddle the rest of the way. Mercy lay on fur on the bottom of the dugout, the sounds of water above her head, for she was lower than the surface of the river. Not having to carry her own body was joy. The loons called back for hours, wailing a long wandering cry, like a bell that would not stop ringing or a sob that would not stop weeping. Tannhahorens said to Mercy, “It is the speech of the north,” and Mercy understood. That wild terrifying beautiful cry was the sound of where she was going.
Caroline B. Cooney (The Ransom of Mercy Carter)
The tires bore down, kicking up dust like an Arabian stampede. Elizabeth flipped off the car stereo. Out of the corner of my eye, I could tell that she was studying my profile. I wondered what she saw, and my heart started fluttering.
Harlan Coben (Tell No One)
All My Friends That's how it starts We go back to your house We check the charts And start to figure it out And if it's crowded, all the better Because we know we're gonna be up late But if you're worried about the weather Then you picked the wrong place to stay That's how it starts And so it starts You switch the engine on We set controls for the heart of the sun One of the ways we show our age And if the sun comes up, if the sun comes up, if the sun comes up And I still don't wanna stagger home Then it's the memory of our betters That are keeping us on our feet You spent the first five years trying to get with the plan And the next five years trying to be with your friends again You're talking 45 turns just as fast as you can Teah, I know it gets tired, but it's better when we pretend It comes apart The way it does in bad films Except in parts When the moral kicks in Though when we're running out of the drugs And the conversation's winding away I wouldn't trade one stupid decision For another five years of life You drop the first ten years just as fast as you can And the next ten people who are trying to be polite When you're blowing eighty-five days in the middle of France Yeah, I know it gets tired only where are your friends tonight? And to tell the truth Oh, this could be the last time So here we go Like a sales force into the night And if I made a fool, if I made a fool, if I made a fool On the road, there's always this And if I'm sewn into submission I can still come home to this And with a face like a dad and a laughable stand You can sleep on the plane or review what you said When you're drunk and the kids leave impossible tasks You think over and over, "hey, I'm finally dead." Oh, if the trip and the plan come apart in your hand Tou look contorted on yourself your ridiculous prop You forgot what you meant when you read what you said And you always knew you were tired, but then Where are your friends tonight? Where are your friends tonight? Where are your friends tonight? If I could see all my friends tonight If I could see all my friends tonight If I could see all my friends tonight If I could see all my friends tonight
LCD Soundsystem
In an instant I was in her arms, her lips against my cheek. I cupped her face in my hands and stared into those eyes, dancing eyes, warm and smiling, filled with tears and love, a combination I couldn’t lose, couldn’t walk away from again. She pulled me inside and closed the door behind me, locking it. I tried to speak, but words wouldn’t come, and she put her finger to my lips to calm me. She turned with her shoulder blades against my chest and drew my arms around her, holding the backs of my hands in her palms. Placing my palms just under her collarbone, she ran my hands down her body. As they passed over her breasts, I could tell they were larger, full and tight, swollen with fluid, and she gasped slightly as I touched her nipples. I closed my eyes, resting my chin on her shoulder, and she continued downward. They moved under her breasts, and I lifted up slightly, feeling their weight, the heaviness, wondering how tired her shoulders were at the end of the day, reminding myself to give her a good backrub. She turned my wrists and drew my hands downward. They immediately began to move forward, over the place where her slim waist used to be, out farther and farther, until they stopped even with her navel. Her skin under the cotton dress was tight, and I spread my fingers wide, taking in the size of her tummy, the width, the depth, moving around it like gripping a basketball. And then it happened. It kicked, a good, hard kick. I could feel it rolling around inside her, stretching and moving, moving deep in her as I had just a few months before on that first night, asking her how it felt to carry a child inside her. I remembered, and she was right. It did feel the very same. My moving inside her had created this movement, and I bit my lip to keep from crying out, from shouting, from wailing in joy as I’d heard her wail in sorrow. She pivoted in my arms and stared into my face, her eyes sad, pain an inch thick over her expression. “Steve, I wanted to tell you, really I did. I wanted to tell you about the baby. And I wanted to tell you about . . .” I put my hand up to quiet her. “I knew, Diana. I already knew.” She looked at me, puzzled. I drew her over to the sofa and sat down beside her. “Remember when we first met?” She nodded. “Well, I lied. The real reason we were here was to look for Nick Roberts.” She was still, quiet, waiting for the rest of the explanation. “When I first came here, I was looking for Nick Roberts. Before I left here the first time, I knew you’d written that book. But I didn’t say anything because by that time I didn’t care. I came to find Nick Roberts. What I found was a beautiful woman, the love of my life. Nick Roberts and anything associated with Nick Roberts just didn’t matter anymore.” “Why didn’t you tell me you knew?” she asked, looking down at her hands, unable to meet my eyes. “Because. Because it didn’t matter. Because I knew I’d have to explain to you why I was here in the first place. Because I was afraid you’d be afraid, afraid I was just playing you, afraid I’d expose you and give you up to the media. But I didn’t, I swear to god. It wasn’t me.
Deanndra Hall (The Celtic Fan)
The next thing I knew, my heavy eyelids slowly opened when Brandon lowered me to my bed. “I’m sorry,” I whispered, my voice raspy from the short nap, “I didn’t mean to fall asleep.” He smiled and tucked a loose chunk of hair behind my ear, “Don’t worry about it, you were tired.” “Mhmm. I had a great time though, thanks for taking me.” “Anytime, get some sleep.” He leaned over and kissed my forehead softly once. As soon as his lips touched me, my gummy bear woke up. I laughed once, “I don’t think that will be happening, he’s been asleep until now, he’ll start kicking soon and won’t stop for the next few hours.” Brandon slid onto the bed and put his hands under my shirt, resting them on my stomach. I sucked in a quick gasp but didn’t say anything. We’d already gone way past our friend-only-touching-zone when he’d held me and I kissed him on the cheek this morning. He may talk to my gummy bear every day, but when his hands were on me, they were always over my shirt. Not now though. Now, I was lying in bed, he had his hands on my bare stomach, gently caressing it, and was looking at me from under thick black eyelashes. All I could think about was kissing him. My baby was going crazy, moving his legs and arms back and forth, and Brandon looked so happy I closed my eyes and pictured a world where this could be okay. A world where Brandon and I had stayed together, eventually gotten married and were now expecting. After what must have been at the very least ten minutes later, Brandon leaned forward, his deep voice husky and hypnotic, “Be good to your mom little man, she needs to sleep.” and then he kissed my stomach. So soft, so tender, I couldn’t be sure if I’d imagined it. Then he straightened and came closer to me, “Good night, I’ll see you tomorrow sweetheart.” I
Molly McAdams (Taking Chances (Taking Chances, #1))
Yesterday I got a credit card application from a major bank with a variable rate of 12.99% to 20.99%. Such a deal. And what if I fall on hard times and lose my job? So, I wrote them a return letter: Dear major bank, Thank you for the opportunity to express how I really feel about your corporation. What I do appreciate, is that there is no stamp required for your return envelope. After tearing off all my personal information, so some dumpster diver doesn’t fill out your application for me, and find out he picked the wrong target; I just wanted to make one comment: Your practice of usury is despicable, along with crashing the global economy. Danny - I think I have my grandmother’s charm and wit. Too bad she’s not here to share it with. Maybe if every disgruntled person would use that free envelope and apply their creative talent, they might get the picture that we’re tired of this bullshit. Marcie, there are so many people you could visit and test your information extraction program on, so what are you people doing here? Is this just a practice run? Well, you wanted to know what I was thinking. And you wonder why I look to God for solutions. Wake me up when it’s over. Marcie - You are a crazy SOB. You want me to use my system to play Robin Hood. Danny - You’d make an excellent Robin Hood, make sure you get your merry band to sign on. Maybe that’s the reason we were connected by design. How much materialism do you really need? Some people take what they need from the orchard and other people pick the orchard clean. Marcie - You’re wondering what I’m thinking. I don’t want to mess your mind up with what I’m thinking, so let me simply say, I don’t approve of what some of these people have been doing for decades. Who do you think I am? Danny - Someone who frustrates me, don’t we have enough guessing games in life? Marcie - Marcie is a miracle worker, so what does that tell you? You do not even know what to make of me, someone who keeps coming back for you, someone who won’t let go of you. Danny - Why is it that there’s only a handful of words for truth and over 100 synonyms and derivatives for deception? Marcie - Are you surprised? Danny - It puts it in a different light when you start reading through the list. You may as well add amygdala hijacking. Marcie - Has Danny been bamboozled? Danny - You picked one with an unknown origin. Marcie - That is the best way to start a mind game. Danny - Okay, just for kicks, try saying synonym - cinnamon 10 times as fast as you can. From - "The Mind Game Company - The Players
Andrew Neff
As for you, my lady..." "Hmm?" Kate murmured, a flirtatious twinkle in her eyes. "You're not that tired, are you?" he whispered. "Never," she breathed. He let out a hungry growl of laughter, kissed her soundly, and carried her into what would henceforth be their shared bedchamber- then he kicked the door shut behind them.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
Okay, then, how does Zev not having sex with me make sense? You just said you’ve been sleeping with Lori since high school. You went to nursing school out of state, so clearly that didn’t stop you.” “That’s different, Jonah. My relationship with Lori isn’t like your relationship with Zev.” Jonah wasn’t surprised, he was just tired. Of course Toby would see the relationships as different. Two men couldn’t possibly feel about each other the way a man feels about a woman. Apparently having a gay uncle couldn’t change that type of thinking. “Right. Because we’re gay. Our relationship can’t be as meaningful as yours,” he responded sarcastically. “No,” Toby replied, looking straight into Jonah’s eyes with a somber expression. “What you have with Zev is much deeper.” Jonah’s mouth dropped open, and he stared at Toby. As long as Jonah had known the other man, he’d had a thing for Lori, and, as far as Jonah knew, they were very happy together. “Last night when we came to your place, Zev flipped out. Did you know that?” Toby said. Jonah shook his head. He’d been sitting in his bedroom and hadn’t heard a thing. “Well, he did. He lost it and ran outside. I followed him and caught up to him in the alley. He’d punched a hole in the side of your apartment building and he was kneeling on the ground, vomiting and crying.” Jonah’s heart broke. So that was how Zev had acquired those injured knuckles. He didn’t want to hear any more. “I didn’t know what the hell was wrong,” Toby continued. “I couldn’t get him to come inside and I didn’t want to leave him out there alone. Once his stomach was empty, he just kept dry heaving and shaking. Eventually Lori came out and told me what’d been going on before we got there.” Toby glared at Jonah. “I wanted to go upstairs and kick your ass myself when I heard there’d been another man in your bedroom. You wanna know what stopped me?” Jonah couldn’t bring himself to respond. He was still thinking about Zev crying on the street. The man was always so strong, so steady and confident. He’d never seen Zev cry, and the knowledge that he’d caused that level of pain made Jonah feel sick. “I knew that if I so much as looked at you crosswise, Zev would’ve crippled me. No matter what you’d done to him.
Cardeno C. (Wake Me Up Inside (Mates, #1))
I’m tired of waiting for people. All I seem to do is wait. Wait for a life that was promised to me, wait for the feelings of an overwhelming love to kick in, wait for a deeply moving moment to make me realize this is where I’m supposed to be in life, and that this is what I should be doing.
Jescie Hall (Hawke)
But humans were sentimental. It was even a protocol to kick a puppy next to or near an adversary if you wanted to make a point about how evil you were. Cats would also do in a pinch.
RavensDagger (Dead Tired 2 (Dead Tired #2))
The Path of the 99% Purely, statistically speaking (and nothing personal intended), it is almost certain you won’t make an investment in a franchise either. You will probably complain about the way things are, dream about what could be, take a brief stand for yourself by declaring, “I am tired placing my future in the hands of others. Now it’s my turn!” Then you’ll Google franchise opportunities, visit franchisor homepages, gather stacks of franchisor brochures, research companies, talk to people and professionals you trust, and have conversations with franchisors. You’ll feel proactive. You’ll tell your friends you’re considering buying a business. Chances are they thought about it, too. Some will be happy for you, some will be jealous, some will be afraid for you. Virtually everyone will share their strong opinions with you. You’ll dream about what it would be like to be your own boss. You’ll think about your customers and employees. You’ll make clever little charts such as the T Bar, where you neatly list all the pros on the left side of the page, balanced by the cons on the right side. Then the time will come to make a decision. Fear, doubt, and negative self-chatter (yours, your spouse’s, your kids’, your parents,’ your friends’, and your hired professionals’) will kick into high gear. Eventually, you probably will make a fear-based “no” decision, backed by the logic of your neatly listed cons. “The business has fatal flaws,” you think, “Employee turnover is too high. Competition is too fierce. The business is too risky. Sure, it may work in some areas, but everyone knows our town is different.” And with everything going on in your life, the timing couldn’t be worse. Yes, you are being completely responsible with your resources. You didn’t work this hard and long and sacrifice this much to lose what you’ve earned and saved. Moving forward with a franchise would put your family in danger. If you leave your company, you will lose your insurance benefits and 401(k). What if someone in your family had to go to hospital? How would you survive without insurance? Plus, your industry is changing so fast, in a few years your expertise would be obsolete and it would be impossible for you to regain entry if your business didn’t make it. Certainly almost every reasonable person armed with the same research and faced with the same personal challenges you have would naturally come to the same conclusion. And you are right. 99 percent do.
Joe Mathews (Street Smart Franchising)
He's got a car bomb. He puts the key in the ignition and turns it—the car blows up. He gets out. He opens the hood and makes a cursory inspection. He closes the hood and gets back in. He turns the key in the ignition. The car blows up. He gets out and slams the door shut disgustedly. He kicks the tire. He takes off his jacket and shimmies under the chassis. He pokes around. He slides back out and wipes the grease off his shirt. He puts his jacket back on. He gets in. He turns the key in the ignition. The car blows up, sending debris into the air and shattering windows for blocks. He gets out and says, Damn it! He calls a tow truck. He gives them his AAA membership number. They tow the car to an Exxon station. The mechanic gets in and turns the key in the ignition. The car explodes, demolishing the gas pumps, the red-and-blue Exxon logo high atop its pole bursting like a balloon on a string. The mechanic steps out. You got a car bomb, he says. The man rolls his eyes. I know that, he says.
Mark Leyner (My Cousin, My Gastroenterologist)
Aren’t you tired of this game?” Kaye attempts to taunt me. “Aren’ t you sick of me yet?” “I’m sick of not claiming what’s rightfully mine.” “I’m not yours, Xavier.” Bullshit. She’s been mine since I stared up at her from the floor of that decrepit house she used to live in. She’s been mine since I claimed her lips with my own. She’s been mine since she kneed me in the groin and behind a laminated wood door that I could have busted down with a single kick. “Funny, this hand collar says differently.
Cora Kent (Cruel Intentions (Blackmore University, #1))
He goes forward. Leaps to the next project. Deals with other things. Details. To complete a project, you usually need to be precise about details. Yellows don’t like keeping track of details. I would even venture to say that they’re not interested in details. They paint with broad strokes. Generally, Yellows are very good at launching things. They’re resourceful, and with boundless creativity at their disposal, they can kick off various kinds of projects. But they’re not as good at finishing things. Finishing anything 100 percent requires an ability to concentrate that a Yellow rarely possesses. He gets tired and moves on. And so we think that he’s careless. He thinks that his work is good enough. My goodness, why worry about trifles? This turned out quite well, after all! The fact that threads are hanging from the shirt or that the document is full of spelling errors is not as important as thinking up new things.
Thomas Erikson (Surrounded by Idiots: The Four Types of Human Behaviour (or, How to Understand Those Who Cannot Be Understood))