Kick Boxing Quotes

We've searched our database for all the quotes and captions related to Kick Boxing. Here they are! All 100 of them:

I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck. I believe that anyone who says sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods (American Gods, #1))
The power of one is above all things the power to believe in yourself, ofen well beyond any latent ability you may have previously demonstrated. The mind is the athlete, the body is simply the means it uses to run faster or longer, jump higher, shoot straighter, kick better, swim harder, hit further, or box better.
Bryce Courtenay (The Power of One (The Power of One, #1))
Make sure that you are seeing each person on your team with fresh eyes every day. People evolve, and so your relationships must evolve with them. Care personally; don’t put people in boxes and leave them there.
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
A computer once beat me at chess, but it was no match for me at kick boxing.
Emo Philips
What, you didn’t pack your lunch?” Ty asked sarcastically as he shifted around in the seat and wedged himself against the door. He kicked a foot up and propped it on the console between the two front seats. “Sure, in my SpongeBob SquarePants lunch box. I have the thermos, too,” Morrison shot right back. Zane kept his mouth shut, eyes moving between the two men, and occasionally back to the driver, who was casually paying attention. Ty stared at the kid and narrowed his eyes further. “Spongewhat?” he asked flatly. Zane didn’t even try to hold back the chuckle when Morrison looked at Ty like he’d lost his mind. “Spongewha … you’re yanking my chain, aren’t you?” Morrison said. “Henny, he’s yanking my chain.” “Yeah, well, that’s what you getting for waving it in his face,” the driver answered reasonably. “What the hell is a SpongeBob?” Ty asked Zane quietly in the backseat.
Madeleine Urban (Cut & Run (Cut & Run, #1))
Marriage is not kick-boxing, it's salsa dancing.
Amit Kalantri
Finnie kicked a packet of washing powder. "Why am I surrounded by morons? Did I tick the wrong bloody box for room service? I wanted scrambled eggs on toast, but they delivered a family-sized bag of idiots!
Stuart MacBride (Blind Eye (Logan McRae, #5))
Kevin refilled my plastic cup with more box wine. I smiled thanks. Kevin smiled welcome. Jake kicked my ankle.
Josh Lanyon (A Dangerous Thing (The Adrien English Mysteries, #2))
You should choose your battles if you can, but if the battle chooses you then kick the sod in his fuse box!
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
When the going gets tough . . . you kick the going in the nuts!
John Box (The Stars' Fault)
Any self-defense situation has the potential to quickly become A 'life and death' situation, therefore your practice of martial arts should be undertaken, as if your very life depends on it . . .
Soke Behzad Ahmadi (Legacy of A Sensei)
Sometimes in the company of others I find a disagreeable spirit of competitiveness kicks in and each person is shamed into spending rather more than he would have wished. This is a historically established syndrome, of course. One Magus going to Bethlehem would probably have sprung for a box of After Eights. Three Magi on the same trip found themselves laden with gold, frankincense and myrrh and bitterly comtemplating their overdrafts.
James Hamilton-Paterson (Cooking with Fernet Branca (Gerald Samper, #1))
The mind is the athlete; the body is simply the means it uses to run faster or longer, jump higher, shoot straighter, kick better, swim harder, hit further, or box better. Hoppie's dictum to me, "First with the head and then with the heart," was more than simply mixing brains with guts. It meant thinking well beyond the powers of normal concentration and then daring your courage to follow your thoughts.
Bryce Courtenay (The Power of One (The Power of One, #1))
Eagleton has spent his life inside two mental boxes, Catholicism and Marxism, of both of which he is a severe internal critic—that is, he frequently kicks and scratches at the inside of the boxes, but does not leave them. Neither are ideologies that loosen their grip easily, and people who need the security of adherence to a big dominating ideology, however much they kick and scratch but without daring to leave go, hold on to it every bit as tightly as it holds onto them. The result is of course strangulation, but alas not mutual strangulation: the ideology always wins.
A.C. Grayling
Hoping to soothe her, Joe said, "Whatever it is I'll get it. Just tell me." "Tampons." Joe stalled. Tampons. But she was only... well, fourteen. He had no idea when young ladies needed such things. He said, "Uh...' "I know," she all but wailed. "I'm sorry. But there aren't any here, and you're already there." "Yeah, of course." He glanced at Austin. "No problem at all, hon." He swallowed. "Any particular kind?" ... Hell, he could kick ass on felons, play bodyguard and bounty hunter, so surely he could buy a stupid box of tampons.
Lori Foster (Say No To Joe? (Visitation, North Carolina, #1))
YO MAMA SO POOR... Yo mama so poor when I saw her kicking a can down the street, I asked her what she was doing, she said "Moving." Yo mama so poor she can't afford to pay attention. Yo mama so poor when I ring the doorbell I hear the toilet flush. Yo mama so poor when she goes to KFC, she has to lick other people's fingers. Yo mama so poor she went to McDonald's and put a milkshake on layaway. Yo mama so poor your family ate cereal with a fork to save milk. Yo mama so poor her face is on the front of a foodstamp. Yo mama so poor she was in K-Mart with a box of garbage bags. I said, "What ya doin'?" She said, "Buying luggage." Yo mama so poor she waves around a popsicle stick and calls it air conditioning. Yo mama so poor she has the ducks throw bread at her.
Jess Franken (The 100 Best Yo Mama Jokes)
Fuck, No I'll handle this, i'm going to kick her ass and throw her out of the window. Then, I'll climb into my box and let your people clean up the mess.
H.M. Ward (The Arrangement 14: The Ferro Family (The Arrangement, #14))
And then the two-second gaps started. If you don't understand how tragic and annoying this is, seriously, start singing along to "Sun King." Toward the end, you're singing all sleepy in Spanish, gearing up to start grooving to "Mean Mr. Mustard," because what makes the end of "Sun King" so great is you're drifting along, but at the same time you're anticipating Ringo's drums, which kick in on "Mean Mr. Mustard," and it turns funky. But if you don't uncheck the box on iTunes, you get to the end of "Sun King" and then -- HARSH DIGITAL TWO-SECOND SILENCE.
Maria Semple (Where'd You Go, Bernadette)
Character is beyond obligation. You could kick your shoes off at the door, flick your cigarete butts onto the sidewalk or talk only in slang, those things are forgivable if you have character
Novala Takemoto (Missin' (Novel) (Box Set))
I never saw your face that night. But I never forgot your scent. Sometimes, I'd be sitting in class or walking through the corridors between classes, someone would walk by and the smell would hit me like a kick in the face. But I'd still close my eyes and breathe it in for as long as the scent lingered. You may have tried to forget me, but, as painful as it was for me, I didn't want to forget you.
Cassia Leo (Black Box)
The world breaks little girls. It stomps out our will, our joy, our curiosity—and replaces them with disdain, cynicism, and the need to fit into neat and tiny boxes. I learned that young, in kindergarten, when the other kids called Stella a show-off for raising her hand during class, or when the boys in first grade said I was bossy for leading a reading circle. When Stella and I would overhear the other moms at the Elite Youth Runner’s Club: The Steckler sisters are just a little much. That’s how we were described while the boys were sprinting around the playground kicking and screaming, breaking and biting. The world doesn’t celebrate girls who take up space, who demand to be heard, who are just a little much.
Jessica Goodman (They'll Never Catch Us)
The debate over the semantics of “preference” versus “orientation” is utter nonsense, and if you even suggest to me that one might “pray the gay away,” I will kick you soundly in your nuts or your juice box, just like I believe Jesus would have.
Nick Offerman (Paddle Your Own Canoe: One Man's Principles for Delicious Living)
The power of one is above all things the power to believe in yourself, often well beyond any latent ability you may have previously demonstrated. The mind is the athlete; the body is simply the means it uses to run faster or longer, jump higher, shoot straighter, kick better, swim harder, hit further, or box better. Hoppie's dictum to me, "First with the head and then with the heart," was more than simply mixing brains with guts. It meant thinking well beyond the powers of normal concentration and then daring your courage to follow your thoughts.
Bryce Courtenay (The Power of One (The Power of One, #1))
The world is so big, so complicated, so replete with marvels and surprises that it takes years for most people to begin to notice that it is, also, irretrievably broken. We call this period of research “childhood.” There follows a program of renewed inquiry, often involuntary, into the nature and effects of mortality, entropy, heartbreak, violence, failure, cowardice, duplicity, cruelty, and grief; the researcher learns their histories, and their bitter lessons, by heart. Along the way, he or she discovers that the world has been broken for as long as anyone can remember, and struggles to reconcile this fact with the ache of cosmic nostalgia that arises, from time to time, in the researcher’s heart: an intimation of vanished glory, of lost wholeness, a memory of the world unbroken. We call the moment at which this ache first arises “adolescence.” The feeling haunts people all their lives. Everyone, sooner or later, gets a thorough schooling in brokenness. The question becomes: What to do with the pieces? Some people hunker down atop the local pile of ruins and make do, Bedouin tending their goats in the shade of shattered giants. Others set about breaking what remains of the world into bits ever smaller and more jagged, kicking through the rubble like kids running through piles of leaves. And some people, passing among the scattered pieces of that great overturned jigsaw puzzle, start to pick up a piece here, a piece there, with a vague yet irresistible notion that perhaps something might be done about putting the thing back together again. Two difficulties with this latter scheme at once present themselves. First of all, we have only ever glimpsed, as if through half-closed lids, the picture on the lid of the jigsaw puzzle box. Second, no matter how diligent we have been about picking up pieces along the way, we will never have anywhere near enough of them to finish the job. The most we can hope to accomplish with our handful of salvaged bits—the bittersweet harvest of observation and experience—is to build a little world of our own. A scale model of that mysterious original, unbroken, half—remembered. Of course the worlds we build out of our store of fragments can be only approximations, partial and inaccurate. As representations of the vanished whole that haunts us, they must be accounted failures. And yet in that very failure, in their gaps and inaccuracies, they may yet be faithful maps, accurate scale models, of this beautiful and broken world. We call these scale models “works of art.
Michael Chabon (The Wes Anderson Collection)
So, what do you go for in a girl?” He crows, lifting a lager to his lips Gestures where his mate sits Downs his glass “He prefers tits I prefer ass. What do you go for in a girl?” I don’t feel comfortable The air left the room a long time ago All eyes are on me Well, if you must know I want a girl who reads Yeah. Reads. I’m not trying to call you a chauvinist Cos I know you’re not alone in this but… I want a girl who reads Who needs the written word & uses the added vocabulary She gleans from novels and poetry To hold lively conversation In a range of social situations I want a girl who reads Who’s heart bleeds at the words of Graham Greene Or even Heat magazine Who’ll tie back her hair while reading Jane Eyre And goes cover to cover with each water stones three for two offer but I want a girl who doesn’t stop there I want a girl who reads Who feeds her addiction for fiction With unusual poems and plays That she hunts out in crooked bookshops for days and days and days She’ll sit addicted at breakfast, soaking up the back of the cornflakes box And the information she gets from what she reads makes her a total fox Cos she’s interesting & unique & her theories make me go weak at the knees I want a girl who reads A girl who’s eyes will analyze The menu over dinner Who’ll use what she learns to kick my ass in arguments so she always ends the winner But she’ll still be sweet and she’ll still be flirty Cos she loves the classics and the classics are dirty So late at night she’d always have me in a stupor As she paraphrases the raunchier moments from the works of Jilly Cooper See, some guys prefer asses Some prefer tits And I’m not saying that I don’t like those bits But what’s more important What supersedes Is a girl with passion, wit and dreams So I’d like a girl who reads.
Mark Grist
Mr Cobb would acquaint him, that when he was his age, his father thought no more of giving him a parental kick, or a box on the ears, or a cuff on the head, or some little admonition of that sort, than he did of any other ordinary duty of life; and he would further remark, with looks of great significance, that but for this judicious bringing up, he might have never been the man he was at that present speaking; which was probable enough, as he was, beyond all question, the dullest dog of the party.
Charles Dickens (Barnaby Rudge)
the concentrated wrath of God, straight up Old Testament-style ass-kicking in a box.
Ben Reeder (Page of Swords (The Demon's Apprentice, #2))
Fists and kicks and bullets might maim and destroy, but love...love tears out your insides and leaves you hollow, leaving you destined to live an empty existence until death.
Pepper Winters (Indebted Series 4-6.5: Boxed Set (Indebted, #4-6.5))
Molly leaned back. “I’m feeling some Heisenberg uncertainty logic kicking in here.
Ell Leigh Clarke (The Ascension Myth Boxed Set (Books 5-8): Rebirth, Retribution, Cloaked, Bourne (The Ascension Myth Boxed Sets Book 2))
There is only one way to fight, and that’s dirty. Clean, gentlemanly fighting will get you nowhere but dead, and fast. Take every cheap shot, every low blow, absolutely kick people when they’re down, and then maybe you’ll be the one who walks away. Remember that. You’re in a fight to the death. This isn’t a boxing match. You can’t win by scoring the most points.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Dekker kicked out, connecting with my left shin, and I dropped him for a second. That was all the time he needed to grab a weapon. Without thinking I pulled out a similar item for the box. And that was how we ended up fighting a duel with plastic lightsabers. We must have looked strange - two middle aged men slashing away at each other with toy swords complete with sound effects.
Leslie Langtry (I Shot You Babe (Greatest Hits, #4))
Everyone saw you lose it,' I whisper, doing my best to mentally block the pain like I have countless times before. It's usually as easy as building a mental wall around the pulsing torment in my body, then telling myself the pain only exists in that box so I can't feel it, but it isn't working so well this time. 'I didn't lose it.' He kicks the door three times when we reach it. 'You shouted and carried me out of there like I mean something to you.' I focus on the scar on his jaw, the stubble on his tan skin, anything to keep from feeling the utter destruction in my shoulder. 'You do mean something to me.' He kicks again. And now everyone knows.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
I watched the light flicker on the limestone walls until Archer said, "I wish we could go to the movies." I stared at him. "We're in a creepy dungeon. There's a chance I might die in the next few hours. You are going to die in the next few hours. And if you had one wish, it would be to catch a movie?" He shook his head. "That's not what I meant. I wish we weren't like this. You know, demon, demon-hunter. I wish I'd met you in a normal high school, and taken you on normal dates, and like, carried your books or something." Glancing over at me, he squinted and asked, "Is that a thing humans actually do?" "Not outside of 1950s TV shows," I told him, reaching up to touch his hair. He wrapped an arm around me and leaned against the wall, pulling me to his chest. I drew my legs up under me and rested my cheek on his collarbone. "So instead of stomping around forests hunting ghouls, you want to go to the movies and school dances." "Well,maybe we could go on the occasional ghoul hunt," he allowed before pressing a kiss to my temple. "Keep things interesting." I closed my eyes. "What else would we do if we were regular teenagers?" "Hmm...let's see.Well,first of all, I'd need to get some kind of job so I could afford to take you on these completely normal dates. Maybe I could stock groceries somewhere." The image of Archer in a blue apron, putting boxes of Nilla Wafers on a shelf at Walmart was too bizarre to even contemplate, but I went along with it. "We could argue in front of our lockers all dramatically," I said. "That's something I saw a lot at human high schools." He squeezed me in a quick hug. "Yes! Now that sounds like a good time. And then I could come to your house in the middle of the night and play music really loudly under your window until you took me back." I chuckled. "You watch too many movies. Ooh, we could be lab partners!" "Isn't that kind of what we were in Defense?" "Yeah,but in a normal high school, there would be more science, less kicking each other in the face." "Nice." We spent the next few minutes spinning out scenarios like this, including all the sports in which Archer's L'Occhio di Dio skills would come in handy, and starring in school plays.By the time we were done, I was laughing, and I realized that, for just a little while, I'd managed to forget what a huge freaking mess we were in. Which had probably been the point. Once our laughter died away, the dread started seeping back in. Still, I tried to joke when I said, "You know, if I do live through this, I'm gonna be covered in funky tattoos like the Vandy. You sure you want to date the Illustrated Woman, even if it's just for a little while?" He caught my chin and raised my eyes to his. "Trust me," he said softly, "you could have a giant tiger tattooed on your face, and I'd still want to be with you." "Okay,seriously,enough with the swoony talk," I told him, leaning in closer. "I like snarky, mean Archer." He grinned. "In that case, shut up, Mercer.
Rachel Hawkins (Demonglass (Hex Hall, #2))
I’m often asked about my generation, which some people call the Greatest Generation but which I also call the Hardy Generation. What made us hardy? The Depression years. We were not spoiled with money, that’s for sure. When we had disputes we didn’t use attorneys; we settled them on the street, even got broken bones and noses from fighting. In all ways we helped one another. We shared, we had neighborhood picnics, we made our own toys. (There were no toy stores; I built racing cars.) I also rode one of the first skateboards, with a box on the front. We had a single soccer ball for four or five blocks’ worth of kids; you were lucky if you got to kick it once. We had free time to burn. Distractions? Radio, yes, but no TV. Movies were only once a week. We were happier than people are today, despite the hard times. We overcame adversity and each time we did we enhanced our hardiness. We also knew how to win and lose gracefully.
Louis Zamperini (Devil at My Heels)
A part of me wants to spin around and slam the bottom of my heel into her head. In kick-boxing, we'd call that a Spinning Back Kick. Here, it's called, "how to get my crazy jealous ass fired." There's no way I'd get a thumbs up from Cain on that part.
K.A. Tucker (Ten Tiny Breaths (Ten Tiny Breaths, #1))
Chapter 8: Alteration Speed. You will be introduced to the "safeguard," known as alteration speed. Through mastery of body mechanics, you will develop the ability to stop and adjust instantly in the midst of movement—just in case you initiate a wrong move!
J. Barnes (Speed Training: For Combat, Boxing, Martial Arts, and MMA: How to Maximize Your Hand Speed, Foot Speed, Punching Speed, Kicking Speed, Wrestling Speed, and Fighting Speed)
Curt Dominick had a reputation for being driven, ruthless in the courtroom, and cold in general. Rav had also told Keith that the man had studied karate with the same dedication he’d studied law, and after thirty years was a seventh-degree black belt who kicked Rav’s ass during sparring about half the time.
Rachel Grant (Evidence Series Box Set Volume 1: Books 1-3.5 (Evidence, #1-3.5))
Fabric,” she volunteered, kicking the large box ruefully. “Occupational hazard, I’m afraid.” “For a client or ‘just because’?” “Both,” she admitted. “It always starts as an order for a client, then next thing I know, I’ve added two bolts of ‘just because.’ Frankly, it’s a good thing I don’t live in a bigger space, or Lord only knows.
Lisa Gardner (Hide (Detective D.D. Warren, #2))
He slammed his cup down. Coffee splashed over the rim and puddled around the base. “What on earth gave you the idea I want space? I want you here. With me. All the time. I want to come home and hear the shower running and get excited because I know you’re in it. I want to struggle every morning to get up and go to the gym because I hate the idea of leaving your warm body behind in bed. I want to hear a key turn in the lock and feel contented knowing you’re home. I don’t want fucking space, Harper.” Harper laughed. “What’s funny?” “I didn’t mean space. I meant space, like closet space, a drawer in the bedroom, part of the counter in the bathroom.” Trent’s mouth twitched, a slight smile making its way to his lips. “Like a compromise. A commitment that I want more. I seem to recall you telling me in the car about something being a step in the right direction to a goal we both agreed on. Well, I want all those things you just said, with you, eventually. And if we start to leave things at each other’s places, it’s a step, right?” Trent reached up, flexing his delicious tattooed bicep, and scratched the side of his head. Without speaking, he leapt to his feet, grabbing Harper and pulling her into a fireman’s lift. “Trent,” she squealed, kicking her feet to get free. “What are you doing?” He slapped her butt playfully and laughed as he carried her down the hallway. Reaching the bedroom, Trent threw her onto the bed. “We’re doing space. Today, right now.” He started pulling open his drawers, looking inside each one before pulling stuff out of the top drawer and dividing it between the others. “Okay, this is for your underwear. I need to see bras, panties, and whatever other girly shit you have in here before the end of the day.” Like a panther on the prowl, Trent launched himself at the bed, grabbing her ankle and pulling her to the edge of the bed before sweeping her into his arms to walk to the bathroom. He perched her on the corner of the vanity, where his stuff was spread across the two sinks. “Pick one.” “Pick one what?” “Sink. Which do you want?” “You’re giving me a whole sink? Wait … stop…” Trent grabbed her and started tickling her. Harper didn’t recognize the girly giggles that escaped her. Pointing to the sink farthest away from the door, she watched as he pushed his toothbrush, toothpaste, and styling products to the other side of the vanity. He did the same thing with the vanity drawers and created some space under the sink. “I expect to see toothbrush, toothpaste, your shampoo, and whatever it is that makes you smell like vanilla in here.” “You like the vanilla?” It never ceased to surprise her, the details he remembered. Turning, he grabbed her cheeks in both hands and kissed her hard. He trailed kisses behind her ear and inhaled deeply before returning to face her. “Absolutely. I fucking love vanilla,” he murmured against her lips before kissing her again, softly this time. “Oh and I’d better see a box of tampons too.” “Oh my goodness, you are beyond!” Harper blushed furiously. “I want you for so much more than just sex, Harper.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
They had steam heat in the school. The heat came from radiators and we’d have to wait for them to warm up. I stuck the Limburger in the radiator. It heated up and got softer and softer and slowly stunk the whole room up. They called my father, who was the school janitor. He followed the smell and found the Limburger, and then some other kid ratted me out. My old man said he’d see me when he got home. When I got home and waited for him I knew that as soon as he got home he was going to get the boxing gloves out and toss them to me. Sure enough, when he came through the door he calmly said, “What do you want to do, eat first or eat after I kick your ass?” I said, “I’ll eat first.” I knew I wouldn’t feel like eating dinner afterward. I got it pretty good that night, but at least I got some food in me. I
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
So go after her." This from Colton. "And say what? 'Choose me! Stay with me!' She's left me twice guys! She's not coming back." Max sighed and kicked a box in my direction, then reached out and patted my hand. Aw, he was comforting me. That was nice of him to - "What the hell!?" I screamed, as Max slapped me across the face - twice! Then pulled his fist back as if he was going to beat the shit out of me.
Rachel Van Dyken (The Consequence of Rejection (Consequence, #4))
They are taking away all the nice things there because they are impractical, as if that were reason enough – the red phone-boxes, the pound note, those open London buses that you can leap on and off. There is almost no experience in life that makes you look and feel more suave than jumping on or off a moving London bus. But they aren’t practical. They require two men (one to drive and one to stop thugs from kicking the crap out of the Pakistani gentleman at the back) and that is uneconomical, so they have to go. And before long there will be no more milk in bottles delivered to the doorstep or sleepy rural pubs and the countryside will be mostly shopping centres and theme parks. Forgive me. I don’t mean to get upset. But you are taking my world away from me, piece by little piece, and sometimes it just pisses me off. Sorry.
Bill Bryson (The Lost Continent: Travels in Small-Town America (Bryson Book 12))
Screeching in frustration, she threw a punch at Tshar Ruan. Her fist struck the swarthy woman in the face before Ruan could react. Her head snapped to the side. Pain burst across Vounée’s knuckles. She gasped like she had just struck stone. Ruan worked her jaw and glared at the girl. “You are making this more difficult.” “Sorry,” Vounée hissed. “No, wait, you’re kidnapping me! I should do this!” She kicked the woman in the shin.
J.M.D. Reid (Shadow of the Dragons Box Set: An Epic Fantasy Saga, Books 1-3 (The Shadow of the Dragons Saga Book 1))
Jordan kicked aside off the ground. His hip came into contact with her side, gently knocking her off her balance. “Hey,” she cried out, regaining her step. Jordan grinned at her over his shoulder as he continued across the room. “Whoops.” Alyx launched off a table at him. He jerked forward as she kicked off his back and flipped over his head. “Whoops,” she yelled back as she hit the ground and kept running. She could hear him laughing.
Hanna Peach (Dark Angel Box Set (Books 1-3))
Never stop loving, never stop evolving, never stop existing, never give up, never resist to change never lie, never stop telling truth, never stop trusting, never stereotype, never judge, never cheat, never be manipulated, never be enslaved, never stop learning, never stop improving, never stop moving, never stop kicking, never stop innovating, never be shy, never conceal facts, never obstruct justice, never fight for no reason, never stop craving for knowledge, never stop keeping your head up, never stop shooting for stars, never sell yourself short, never give promises you can't keep, never stop complementing, never stop thanking, never stop appreciating life, never stop being grateful, never be dishonest, never be a loser, never stop working hard, never stop dreaming, never stop imagining, never forget your past, never think in the box, never be arrogant, never stop trying, and never stop...
John Taskinsoy
Everything was bathed in a celestial light. I listened to Jack and Lars talk about pinball, motorcycles, female kick-boxing, and was heartwarmed at their attempts to include me in the conversation. Lars offered me a bong hit. The gesture was, to me, tremendously touching and all of a sudden I realized I had been wrong about these people. These were good people, common people; the salt of the earth; people whom I should count myself fortunate to know.
Donna Tartt (The Secret History)
When the Professor is told by the Polynesian that once there was nothing except a great feathered serpent, unless the learned man feels a thrill and a half temptation to wish it were true, he is no judge of such things at all. When he is assured, on the best Red Indian authority, that a primitive hero carried the sun and moon and stars in a box, unless he clasps his hands and almost kicks his legs as a child would at such a charming fancy, he knows nothing about the matter.
G.K. Chesterton (The Everlasting Man)
I can believe things that are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen—I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theatres from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of causal chaos, background noise and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone who claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, life is a cruel joke and that life is what happens when you’re alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods)
Wanting to communicate the paradox of how we minister to others through our brokenness, he took a cardboard box and asked his students to “beat it up.” They punctured holes in the box, kicked it around and tore pieces off of it. Then he placed the box on a table in front of them all. Underneath the box was a light. He dimmed the house lights, and then turned on the light inside the box. He didn’t need to say any more. They all understood. The light of Jesus shines clearly through our broken places.
James Bryan Smith (The Good and Beautiful God: Falling in Love with the God Jesus Knows)
The official record for the fastest manmade object is the Helios 2 probe, which reached about 70 km/s in a close swing around the Sun. But it’s possible the actual holder of that title is a two-ton metal manhole cover. The cover sat atop a shaft at an underground nuclear test site operated by Los Alamos as part of Operation Plumbbob. When the 1-kiloton nuke went off below, the facility effectively became a nuclear potato cannon, giving the cap a gigantic kick. A high-speed camera trained on the lid caught only one frame of it moving upward before it vanished—which means it was moving at a minimum of 66 km/s. The cap was never found. Now, 66 km/s is about six times escape velocity, but contrary to common speculation, it’s unlikely the cap ever reached space. Newton’s impact depth approximation suggests that it was either destroyed completely by impact with the air or slowed and fell back to Earth. When we turn it back on, our reactivated hair dryer box, bobbing in lake water, undergoes a similar process. The heated steam below it expands outward, and as the box rises into the air, the entire surface of the lake turns to steam. The steam, heated to a plasma by the flood of radiation, accelerates the box faster and faster. Photo courtesy of Commander Hadfield Rather than slam into the atmosphere like the manhole cover, the box flies through a bubble of expanding plasma that offers little resistance. It exits the atmosphere and continues away, slowly fading from second sun to dim star. Much of the Northwest Territories is burning, but the Earth has survived.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
The power of one is above all things the power to believe in yourself, often well beyond any latent ability you may have previously demonstrated. The mind is the athlete; the body is simply the means it uses to run faster or longer, jump higher, shoot straighter, kick better, swim harder, hit further or box better. Hoppie’s dictum to me: ‘First with the head and then with heart’ was more than simply mixing brains with guts. It meant thinking well beyond the powers of normal concentration and then daring your courage to follow your thoughts.
Bryce Courtenay (The Power of One)
McCormack and Richard Tauber are singing by the bed There's a glass of punch below your feet and an angel at your head There's devils on each side of you with bottles in their hands You need one more drop of poison and you'll dream of foreign lands When you pissed yourself in Frankfurt and got syph down in Cologne And you heard the rattling death trains as you lay there all alone Frank Ryan brought you whiskey in a brothel in Madrid And you decked some fucking blackshirt who was cursing all the Yids At the sick bed of Cuchulainn we'll kneel and say a prayer And the ghosts are rattling at the door and the Devil's in the chair And in the Euston tavern you screamed it was your shout But they wouldn't give you service so you kicked the windows out They took you out into the street and kicked you in the brains So you walked back in through a bolted door and did it all again At the sick bed of Cuchulainn we'll kneel and say a prayer And the ghosts are rattling at the door and the Devil's in the chair You remember that foul evening when you heard the banshees howl There was lousy drunken bastards singing Billy in the Bowl They took you up to midnight mass and left you in the lurch So you dropped a button in the plate and spewed up in the church Now you'll sing a song of liberty for blacks and Paks and Jocks And they'll take you from this dump you're in and stick you in a box Then they'll take you to Cloughprior and shove you in the ground But you'll stick your head back out and shout "We'll have another round" At the gravesite of Cuchulainn we'll kneel around and pray And God is in his heaven, and Billy's down by the bay "The Sick Bed of Cuchulainn
Shane MacGowan
Eventually, I looked up. Raymond was unpacking the other bag, which contained a disposable litter tray, a squishy cushion bed and a small box of kibble. The cat squirmed in my arms and landed on the carpet with a heavy thump. She strolled over to the litter tray, squatted down and urinated loudly, maintaining extremely assertive eye contact with me throughout. After the deluge, she lazily kicked over the traces with her back legs, scattering litter all over my freshly cleaned floor. A woman who knew her own mind and scorned the conventions of polite society. We were going to get along just fine.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
There were, inevitably, children’s clothing stores, furniture shops still offering bedroom sets by layaway, and dollar stores whose awnings teemed with suspended inflatable dolls, beach chairs, laundry carts, and other impulse purchases a mom might make on a Saturday afternoon, exhausted by errand running with her kids. There was the sneaker store where Olga used to buy her cute kicks, the fruit store Prieto had worked at in high school, the little storefront that sold the kind of old-lady bras Abuelita used to wear. On the sidewalks, the Mexican women began to set up their snack stands. Mango with lime and chili on this corner, tamales on that. Until the Mexicans had come to Sunset Park, Olga had never tried any of this food, and now she always tried to leave a little room to grab a snack on her way home. Despite the relatively early hour, most of the shops were open, music blasting into the streets, granting the avenue the aura of a party. In a few more hours, cars with their stereos pumping, teens with boom boxes en route to the neighborhood’s public pool, and laughing children darting in front of their mothers would add to the cacophony that Olga had grown to think of as the sound of a Saturday.
Xóchitl González (Olga Dies Dreaming)
We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.
Leonard Cohen (Beautiful Losers)
Die alone in one of his old rooms and what's the last thing he thinks of before he kicks the bucket--Nickel. Nickel hunting him to his final moment--a vessel in his brain explodes or his heart flops in his chest--and then beyond, too. Perhaps Nickel was the very afterlife that awaited him, with a White House down the hill and an eternity of oatmeal and the infinite brotherhood of broken boys. He hadn't thought about going out like that in years--he'd packed it up in a box and put it in his basement, next to the boiler and the neglected fishing gear. With the rest of the stuff from the old days. He stopped embroidering that fantasy long ago.
Colson Whitehead (The Nickel Boys)
Last of all, suppose he got out of the pipe, got away from Shawshank before the alarm was raised, got to Buxton, overturned the right rock . . . and found nothing beneath? Not necessarily something so dramatic as arriving at the right field and discovering that a highrise apartment building had been erected on the spot, or that it had been turned into a supermarket parking lot. It could have been that some little kid who liked rocks noticed that piece of volcanic glass, turned it over, saw the deposit-box key, and took both it and the rock back to his room as souvenirs. Maybe a November hunter kicked the rock, left the key exposed, and a squirrel or a crow with a liking for bright shiny things had taken it away. Maybe there had been spring floods one year, breeching the wall, washing the key away. Maybe anything.
Stephen King (Different Seasons: Four Novellas)
My, my,” Chloe murmured, studying the chocolate she held. “I do believe this one’s gone off. It stinks like a cesspit.” Her eyes lifted. “Oh, wait. It’s only the guttersnipe.” “Or perhaps it’s your perfume,” I said cordially. “You always smell like a whore.” “It’s French,” retorted Runny-Nose, before Chloe could speak. “Then she smells like a French whore.” “Aren’t you the eloquent young miss.” Chloe’s gaze cut to Sophia, standing close behind me. “Slumming, little sister? I can’t confess I’m surprised.” “I’m merely here for the show,” Sophia said breezily. “Something tells me it’s going to be good.” I took the brooch from my pocket and let it slide down my index finger, giving it a playful twirl. “A fine try. But, alas, no winner’s prize for you, Chloe. I’m sure you’ve been waiting here for Westcliffe to raise the alarm about her missing ring, ready with some well-rehearsed story about how you saw me sneaking into her office and sneaking out again, and oh, look isn’t that Eleanore’s brooch there on the floor? But I’ve news for you, dearie. You’re sloppy. You’re stupid. And the next time you go into my room and steal from me, I’ll make certain you regret it for the rest of your days.” “How dare you threaten me, you little tart!” “I’m not threatening. You have no idea how easy it would be to, say, pour glue on your hair while you sleep. Cut up all your pretty dresses into ribbons.” Chloe dropped her half-eaten chocolate back into its box, turning to her toadies. “You heard her! You all head her! When Westcliffe finds out about this-“ “I didn’t hear a thing,” piped up Sophia. “In fact, I do believe that Eleanore and I aren’t even here right now. We’re both off in my room, diligently studying.” She sauntered to my side, smiling. “And I’ll swear to that, sister. Without hesitation. I have no misgivings about calling you all liars right to Westcliffe’s face.” “What fun,” I said softly, into the hush. “Shall we give it a go? What d’you say, girls? Up for a bit of blood sport?” Chloe pushed to her feet, kicking the chocolates out of her way. All the toadies cringed. “You,” she sneered, her gaze scouring me. “You with your ridiculous clothing and that preposterous bracelet, acting as if you actually belong here! Really, Eleanore, I wonder that you’ve learned nothing of real use yet. Allow me to explain matters to you. You may have duped Sophia into vouching for you, but your word means nothing. You’re no one. No matter what you do here or who you may somehow manage to impress, you’ll always be no one. How perfectly sad that you’re allowed to pretend otherwise.” “I’m the one he wants,” I said evenly. “No one’s pretending that.” I didn’t have to say who. She stared at me, silent, her color high. I saw with interest that real tears began to well in her eyes. “That’s right.” I gave the barest smile. “Me, not you. Think about that tomorrow, when I’m with him on the yacht. Think about how he watches me. How he listens to me. Another stunt like this”-I held up the circlet-“and you’ll be shocked at what I’m able to convince him about you.” “As if you could,” she scoffed, but there was apprehension behind those tears. “Try me.” I brought my foot down on one of the chocolates, grinding it into a deep, greasy smear along the rug. “Cheerio,” I said to them all, and turned around and left.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.
Leonard Cohen (Beautiful Losers)
Not all of the sources I found agreed. A Greek scholar said that only a holy warrior could use it, but one of the early Phoenicians talked about it like anyone could use it. It had popped up in the hands of heroes of most religions, from the early Greeks to the Mesopotamians, even before the Hebrews told the story of Samson. All the sources I could find in Dr. C's library did agree on one thing. No matter what name you used for the Divine, the Maxilla was the concentrated wrath of God, straight up Old Testament-style ass-kicking in a box. It had brought down kingdoms, allowed warriors to kill dozens of men in battle on their own, and slain some of the scariest-sounding monsters I'd ever read about. It had only fallen into the hands of agents of Hell twice. Both times, it had been found somehow, and heads had literally rolled. But while it was lost to Hell, the world had really, really sucked. The first time had been before the rise of Lemuria, and the second time had kicked off the fall of Rome. No pressure.
Ben Reeder (Page of Swords (The Demon's Apprentice, #2))
Be the one who cares. Be the one who’s vulnerable and proud of it. Be the one who takes a chance on openness, even while knowing how sharp the pain can be. Be the one who forgives—the one who understands that our mistakes make us humans. Be the one who’d rather be wrong and kind than mean and trying to be right. Be the one who dares to be different, who seeks to know themselves. Be the one who shows up, the one who gives second chances. Be the one who lives unapologetically and authentically, without fear of judgement. Be the one who listens to their heart. Be the one who doesn’t take the little things others do for granted. Be the one who hears “I need you” behind their friends’ “I’m good.” Be the one for those who need you, but above all else, do it for you. Be the one who works to be the best one they can be—the one who’s not defined by others’ judgment. Be the one who takes the box they’ve been put in and kicks down all the walls. Be uncool. Be too cool. Be quiet. Be loud. Be soft, be kind, be brave. Be the one. Be you.
Eileen Lamb (Be The One)
No one called him Fai except his grandmother. What sort of name is Frank? she would scold. That is not a Chinese name. I’m not Chinese, Frank thought, but he didn’t dare say that. His mother had told him years ago: There is no arguing with Grandmother. It’ll only make you suffer worse. She’d been right. And now Frank had no one except his grandmother. Thud. A fourth arrow hit the fence post and stuck there, quivering. “Fai,” said his grandmother. Frank turned. She was clutching a shoebox-sized mahogany chest that Frank had never seen before. With her high-collared black dress and severe bun of gray hair, she looked like a school teacher from the 1800s. She surveyed the carnage: her porcelain in the wagon, the shards of her favorite tea sets scattered over the lawn, Frank’s arrows sticking out of the ground, the trees, the fence posts, and one in the head of a smiling garden gnome. Frank thought she would yell, or hit him with the box. He’d never done anything this bad before. He’d never felt so angry. Grandmother’s face was full of bitterness and disapproval. She looked nothing like Frank’s mom. He wondered how his mother had turned out to be so nice—always laughing, always gentle. Frank couldn’t imagine his mom growing up with Grandmother any more than he could imagine her on the battlefield—though the two situations probably weren’t that different. He waited for Grandmother to explode. Maybe he’d be grounded and wouldn’t have to go to the funeral. He wanted to hurt her for being so mean all the time, for letting his mother go off to war, for scolding him to get over it. All she cared about was her stupid collection. “Stop this ridiculous behavior,” Grandmother said. She didn’t sound very irritated. “It is beneath you.” To Frank’s astonishment, she kicked aside one of her favorite teacups. “The car will be here soon,” she said. “We must talk.” Frank was dumbfounded. He looked more closely at the mahogany box. For a horrible moment, he wondered if it contained his mother’s ashes, but that was impossible. Grandmother had told him there would be a military burial. Then why did Grandmother hold the box
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Hurling the box released some of his anger. It felt good so he swept his arm across the top of his dresser, knocking his pitiful possessions onto the floor, the ridiculous little carved animals, pathetic toiletries and useless old catalog he could never afford to order from. These paltry items were the sum of his entire dismal life. He kicked the frame of his bed, hurting his foot and knocking the light cot away from the wall. Heedless of Rasmussen hearing the noise, he cried out his rage and frustration, tore the covers off the bed, picked up the pillow and punched it. He hurled it across the room. Dragging the thin mattress from the metal mesh of the cot, he tossed it on the floor and looked around, but there was nothing else to tear apart since he owned so little. Laughing at the irony, he sank onto the mattress on the floor, his legs drawn to his chest, forehead bowed to his knees, and his hands cradling the back of his neck. Caught between harsh laughter and sobs, he breathed in hitching bursts. He had no future, definitely no girl, and soon, no home. What the hell was he going to do?
Bonnie Dee (After the End)
We’d been expending heroic effort searching for an apartment, a frustrating process which we’d borne in mostly good humor although the bare spaces and empty rooms haunted with other people’s abandoned lives kicked up (for me) a lot of ugly echoes from childhood, moving boxes and kitchen smells and shadowed bedrooms with the life gone out of them all but more than this, pulsing throughout, a sort of ominous mechanical hum audible (apparently) only to me, heavily-breathing apprehensions which the voices of the brokers, ringing cheerfully against the polished surfaces as they walked around switching on the lights and pointing out the stainless-steel appliances, did little to dispel. And why was this? Not every apartment we saw had been vacated for reasons of tragedy, as I somehow believed. The fact that I smelled divorce, bankruptcy, illness and death in almost every space we viewed was clearly delusional—and, besides, how could the troubles of these previous tenants, real or imagined, harm Kitsey or me? “Don’t lose heart,” said Hobie (who, like me, was overly sensitive to the souls of rooms and objects, the emanations left by time)
Donna Tartt (The Goldfinch)
Schrödinger was doing a thought experiment. Okay, so, this paper had just come out arguing that if, like, an electron might be in any one of four different places, it is sort of in all four places at the same time until the moment someone determines which of the four places it’s in. Does that make sense?” “No,” I say. She’s wearing little white socks, and I can see her ankle when she kicks up her feet to keep the swing swinging. “Right, it totally doesn’t make sense. It’s mind-bendingly weird. So Schrödinger tries to point this out. He says: put a cat inside a sealed box with a little bit of radioactive stuff that might or might not—depending on the location of its subatomic particles—cause a radiation detector to trip a hammer that releases poison into the box and kills the cat. Got it?” “I think so,” I say. “So, according to the theory that electrons are in all-possible-positions until they are measured, the cat is both alive and dead until we open the box and find out if it is alive or dead. He was not endorsing cat-killing or anything. He was just saying that it seemed a little improbable that a cat could be simultaneously alive and dead.” But
John Green (Will Grayson, Will Grayson)
I open the door to see him on my doorstep and he doesn’t even say hello. He says, “Let’s cut the crap, Daisy. You need to record this album or Runner’s taking you to court.” I said, “I don’t care about any of that. They can take their money back, get me kicked out of here if they want. I’ll live in a cardboard box.” I was very annoying. I had no idea what it meant to truly suffer. Teddy said, “Just get in the studio, love. How hard is that?” I told him, “I want to write my own stuff.” I think I even crossed my arms in front of my chest like a child. He said, “I’ve read your stuff. Some of it’s really good. But you don’t have a single song that’s finished. You don’t have anything ready to be recorded.” He said I should fulfill my contract with Runner and he would help me get my songs to a point where I could release an album of my own stuff. He called it “a goal for us all to work toward.” I said, “I want to release my own stuff now.” And that’s when he got testy with me. He said, “Do you want to be a professional groupie? Is that what you want? Because the way it looks from here is that you have a chance to do something of your own. And you’d rather just end up pregnant by Bowie.” Let me take this opportunity to be clear about one thing: I never slept with David Bowie. At least, I’m pretty sure I didn’t. I said, “I am an artist. So you either let me record the album I want or I’m not showing up. Ever.” Teddy said, “Daisy, someone who insists on the perfect conditions to make art isn’t an artist. They’re an asshole.” I shut the door in his face. And sometime later that day, I opened up my songbook and I started reading. I hated to admit it but I could see what he was saying. I had good lines but I didn’t have anything polished from beginning to end. The way I was working then, I’d have a loose melody in my head and I’d come up with lyrics to it and then I’d move on. I didn’t work on my songs after one or two rounds. I was sitting in the living room of my cottage, looking out the window, my songbook in my lap, realizing that if I didn’t start trying—I mean being willing to squeeze out my own blood, sweat, and tears for what I wanted—I’d never be anything, never matter much to anybody. I called Teddy a few days later, I said, “I’ll record your album. I’ll do it.” And he said, “It’s your album.” And I realized he was right. The album didn’t have to be exactly my way for it to still be mine.
Taylor Jenkins Reid (Daisy Jones & The Six)
It was as if the wars they were conducting were to be symbolized in their own relationships. I thought how contention makes us human. How every form of it is practiced religiously, from gentlemanly debate to rape and pillage, from dirty political attacks to assassinations. Our nighttime street fights outside of bars, our slapping arguments in plush bedrooms, our murderous mutterings in the divorce courts. We had parents who beat their children, schoolyard bullies, career-climbing killers in ties and suits, drivers cutting one another off, people pushing one another through the subway doors, nations making war, dropping bombs, swarming onto beaches, the daily military coups, the endless disappearances, the dispossessed dying in their tent camps, the ethnic cleansing crusades, drug wars, terrorist murders, and all violence in every form countenanced somewhere by some religion or other … and for its entertainment politicidal, genocidal, suicidal humanity attending its beloved kick-boxing matches, and cockfights, or losing its paychecks on the blackjack felt and then going back to work undercutting the competition, scamming, ponzi-ing, poisoning … and the impassioned lovers of their times contending in their own little universe of sex, one turgidly wanting it, the other wincingly refusing it.
E.L. Doctorow (Andrew's Brain)
For a few sleepy minutes, they were silent, nested in the pillows, and then Noah said, “I heard about how you won’t kiss Adam.” She turned her face into the pillow, cheeks hot. “Well, I don’t care,” Noah said. With quiet delight, he guessed, “He smells, right?” She turned back to him. “He does not smell. Ever since I was little, every psychic I know has told me that if I kiss my true love, he’ll die.” Noah’s brow furrowed, or at least the half of it that wasn’t buried in pillow. His nose was more crooked than she’d ever noticed. “Adam’s your true love?” “No,” Blue said. She was startled by how quickly she had answered. She couldn’t stop seeing the dented side of the box he’d kicked. “I mean, I don’t know. I just don’t kiss anybody, just to be on the safe side.” Being dead made Noah more open-minded than most, so he didn’t bother with doubt. “Is it when or if?” “What do you mean?” “Like, if you kiss your true love, he’ll die,” he said, “or is it when you kiss your true love, he’ll die?” “I don’t get what the difference is.” He rubbed the side of his face on the pillow. “Mmmmsoft,” he remarked, then added, “One’s your fault. The other one, you just happen to be there when it happens. Like, when you kiss him, POW, he gets hit by a bear. Totally not your fault. You shouldn’t feel bad about that. It’s not your bear.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
A mover started in on a girl’s bedroom, painted pink with a sign on the door announcing THE PRINCESS SLEEPS HERE. Another took on the disheveled office, packing Resumes for Dummies into a box with a chalkboard counting down the remaining days of school. The eldest child, a seventh-grade boy, tried to help by taking out the trash. His younger sister, the princess, held her two-year-old sister’s hand on the porch. Upstairs, the movers were trying not to step on the toddler’s toys, which when kicked would protest with beeping sounds and flashing lights. As the move went on, the woman slowed down. At first, she had borne down on the emergency with focus and energy, almost running through the house with one hand grabbing something and the other holding up the phone. Now she was wandering through the halls aimlessly, almost drunkenly. Her face had that look. The movers and the deputies knew it well. It was the look of someone realizing that her family would be homeless in a matter of hours. It was something like denial giving way to the surrealism of the scene: the speed and violence of it all; sheriffs leaning against your wall, hands resting on holsters; all these strangers, these sweating men, piling your things outside, drinking water from your sink poured into your cups, using your bathroom. It was the look of being undone by a wave of questions. What do I need for tonight, for this week? Who should I call? Where is the medication? Where will we go? It was the face of a mother who climbs out of the cellar to find the tornado has leveled the house.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
«It's not easy to believe.» «I» she told him, «I can believe anything. You have no idea what I can believe.» «Really?» «I can believe things that are true and I can believe things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen - I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like the Martians in "War of the Worlds". I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kind of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of casual chaos, background noise, and sheer blind luck. I believe that anyone who says that sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.»
Neil Gaiman (American Gods (American Gods, #1))
I push my eye farther into the crack, smushing my cheek. The door rattles. Her arm freezes. The needle stops. Instantly, her shadow fills the room, a mountain on the wall. “Leidah?” I hold my breath. No hiding in the wood-box this time. Before I even have time to pull my eye away, the door opens. My mother's face, like the moon in the dark hallway. She squints and takes a step toward me. “Lei-lee?” I want to tell her I’ve had a nightmare about the Sisters, that I can’t sleep with all this whispering and worrying from her—and what are you sewing in the dark, Mamma? I try to move my lips, but I have no mouth. My tongue is gone; my nose is gone. I don’t have a face anymore. It has happened again. I am lying on my back, flatter than bread. My mother’s bare feet slap against my skin, across my belly, my chest. She digs her heel in, at my throat that isn’t there. I can see her head turning toward her bedroom. Snores crawl under the closed door. The door to my room is open, but she can’t see my bed from where she stands, can’t see that my bed is empty. She nods to herself: everything as it should be. Her foot grinds into my chin. The door to the sewing room closes behind her. I struggle to sit up. I wiggle my hips and jiggle my legs. It is no use. I am stuck, pressed flat into the grain of wood under me. But it’s not under me. It is me. I have become the floor. I know it’s true, even as I tell myself I am dreaming, that I am still in bed under the covers. My blood whirls inside the wood knots, spinning and rushing, sucking me down and down. The nicks of boot prints stomp and kick at my bones, like a bruise. I feel the clunk of one board to the next, like bumps of a wheel over stone. And then I am all of it, every knot, grain, and sliver, running down the hall, whooshing like a river, ever so fast, over the edge and down a waterfall, rushing from room to room. I pour myself under and over and through, feeling objects brush against me as I pass by. Bookshelves, bedposts, Pappa’s slippers, a fallen dressing gown, the stubby ends of an old chair. A mouse hiding inside a hole in the wall. Mor’s needle bobbing up and down. How is this possible? I am so wide, I can see both Mor and Far at the same time, even though they are in different rooms, one wide awake, the other fast asleep. I feel my father’s breath easily, sinking through the bed into me, while Mor’s breath fights against me, against the floor. In and out, each breath swimming away, away, at the speed of her needle, up up up in out in out outoutout—let me out, get me out, I want out. That’s what Mamma is thinking, and I hear it, loud and clear. I strain my ears against the wood to get back into my own body. Nothing happens. I try again, but this time push hard with my arms that aren’t there. Nothing at all. I stop and sink, letting go, giving myself into the floor. Seven, soon to be eight… it’s time, time’s up, time to go. The needle is singing, as sure as stitches on a seam. I am inside the thread, inside her head. Mamma is ticking—onetwothreefourfivesix— Seven. Seven what? And why is it time to go? Don’t leave me, Mamma. I beg her feet, her knees, her hips, her chest, her heart, my begging spreading like a big squid into the very skin of her. It’s then that I feel it. Something is happening to Mamma. Something neither Pappa nor I have noticed. She is becoming dust. She is drier than the wood I have become. - Becoming Leidah Quoted by copying text from the epub version using BlueFire e-reader.
Michelle Grierson (Becoming Leidah)
Excuse me,” someone said, interrupting a lively discussion about whom they’d each buy a drink for in the cantina. The whole line looked up. There were two women standing on the sidewalk with bakery boxes. One of them cleared her throat. “We heard that people were camping out for Star Wars . . .” “That’s us!” Troy said, only slightly less enthusiastically than he’d said it yesterday. “Where’s everybody else?” she asked. “Are they around the back? Do you do this in shifts?” “It’s just us,” Elena said. “We’re the Cupcake Gals,” the other woman said. “We thought we’d bring Star Wars cupcakes? For the line?” “Great!” Troy said. The Cupcake Gals held on tight to their boxes. “It’s just . . .” the first woman said, “we were going to take a photo of the whole line, and post it on Instagram . . .” “I can help you there!” Elena said. Those cupcakes were not going to just walk away. Not on Elena’s watch. Elena took a selfie of their line, the Cupcake Gals and a theater employee all holding Star Wars cupcakes—it looked like a snapshot from a crowd— and promised to post it across all her channels. The lighting was perfect. Magic hour, no filter necessary. #CupcakeGals #TheForceACAKEns #SalaciousCrumbs The Gals were completely satisfied and left both boxes of cupcakes. “This is the first time I’ve been happy that there were only three of us,” Elena said, helping herself to a second cupcake. It was frosted to look like Chewbacca. “You saved these cupcakes,” Gabe said. “Those women were going to walk away with them.” “I know,” Elena said. “I could see it in their eyes. I would’ve stopped at nothing to change their minds.” “Thank God they were satisfied by a selfie then,” Gabe said. His cupcake looked like Darth Vader, and his tongue was black. “I’m really good at selfies,” Elena said. “Especially for someone with short arms.” “Great job,” Troy said. “You’ll make someone a great provider someday.” “That day is today,” Elena said, leaning back against the theater wall. “You’re both welcome.” “Errrggh,” Troy said, kicking his feet out. “Cupcake coma.” “How many did you eat?” Gabe asked. “Four,” Troy said. “I took down the Jedi Council. Time for a little midday siesta—the Force asleepens.
Rainbow Rowell (Kindred Spirits)
What a wonderful crunch! And yet the char's meat was still hot and deliciously juicy! The breading perfectly contained inside its protective shell the savory flavor of the fish! The Kaki no Tane Crackers came already seasoned... ... so the breading itself had a solid, delicious taste. And the dipping sauce is perfect! The Ki no Me mixed with Tamago no Moto is wonderfully light and fluffy!" *Ki no Me: The young leaves of the Japanese pepper plant. Clapping one in your palm crushes the leaf's cells, releasing a distinctive scent.* TAMAGO NO MOTO. Mayonnaise without the vinegar, it is simply egg yolks and vegetable oil whisked into a creamy consistency. It's often used to bring ingredients together or to add flavor to a dish. Some salt and minced Ki no Me adds an overall refreshing taste to the fish... ... erasing any oiliness and giving it a refined flavor. "That wonderfully smooth creaminess hiding between the crispy crunchiness of the breading really spurs the appetite! The breaded and deep-fried mountain vegetables on the side cannot be ignored, either. They provide an eye-pleasing contrast when arranged side-by-side with the deep-fried fish. " "Soma, where on earth did you get the idea for this?" "In Japanese cooking, there's a type of tempura called Okakiage, right? When deep-frying things, use crushed-up Okaki Rice Crackers instead of panko to give the dish some uniqueness and kick. I made this at home once long ago with my dad. " "And that gave you the idea to use the Kaki no Tane Crackers in place of the Okaki Rice Crackers?" "Yep! I call it the Yukihira Style Okaki- YUKIHIRA STYLE OKAKI-NO-TANE-AGE CHAR!" "You just slapped the two names together!" On one hand, Takumi Aldini maintained a broad version that did not overlook potential ingredients, such as the duck. On the other, Soma Yukihira's rare ability to think outside the box... ... led him to create a dish that no one else even expected! Neither was intimidated by the time constraints or the limited ingredients. They instead focused on what they could do to create their dish. That is the spirit of a true professional! Hee hee! This is hardly the first time I've given this assignment. And students have made deep-fried items before... without breading. But he is the first one to find a way to present to me fish that is both breaded and deep-fried! The char, in season this spring... ... is snuggly wrapped in a protective shell of Kaki no Tane Cracker breading.
Yūto Tsukuda (Food Wars!: Shokugeki no Soma, Vol. 3)
I can believe that things are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen – I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of casual chaos, background noise, and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe life is a game, that life is a cruel joke, and that life is what happens when you’re alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods)
I," she told him, "can believe anything. You have no idea what I can believe." "Really?" "I can believe things that are true and I can believe things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen - I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theatres from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in this universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of casual chaos, background noise and sheer blind luck. I believe that anyone who says that sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, life is a cruel joke and that life is what happens when you're alive and that you might as well lie back and enjoy it." She stopped, out of breath. Shadow almost took his hands off the wheel to applaud.
Neil Gaiman (American Gods)
So, what did you want to watch?’ ‘Thought we might play a game instead,’ he said, holding up a familiar dark green box. ‘Found this on the bottom shelf of your DVD cupboard … if you tilt the glass, the champagne won’t froth like that.’ Neve finished pouring champagne into the 50p champagne flutes she’d got from the discount store and waited until Max had drunk a good half of his in two swift swallows. ‘The thing is, you might find it hard to believe but I can be very competitive and I have an astonishing vocabulary from years spent having no life and reading a lot – and well, if you play Scrabble with me, I’ll totally kick your arse.’ Max was about to eat his first bite of molten mug cake but he paused with the spoon halfway to his mouth. ‘You’re gonna kick my arse?’ ‘Until it’s black and blue and you won’t be able to sit down for a week.’ That sounded very arrogant. ‘Really, Max, Mum stopped me from playing when I was thirteen after I got a score of four hundred and twenty-seven, and when I was at Oxford, I used to play with two Linguistics post-grads and an English don.’ ‘Well, my little pancake girlfriend, I played Scrabble against Carol Vorderman for a Guardian feature and I kicked her arse because Scrabble has got nothing to do with vocabulary; it’s logic and tactics,’ Max informed her loftily, taking a huge bite of the cake. For a second, Neve hoped that it was as foul-tasting as she suspected just to get Max back for that snide little speech, but he just licked the back of the spoon thoughtfully. ‘This is surprisingly more-ish, do you want some?’ ‘I think I’ll pass.’ ‘Well, you’re not getting out of Scrabble that easily.’ Max leaned back against the cushions, the mug cradled to his chest, and propped his feet up on the table so he could poke the Scrabble box nearer to Neve. ‘Come on, set ’em up. Unless you’re too scared.’ ‘Max, I have all the two-letter words memorised, and as for Carol Vorderman – well, she might be good at maths but there was a reason why she wasn’t in Dictionary Corner on Countdown so I’m not surprised you beat her at Scrabble.’ ‘Fighting talk.’ Max rapped his knuckles gently against Neve’s head, which made her furious. ‘I’ll remind you of that little speech once I’m done making you eat every single one of those high-scoring words you seem to think you’re so good at.’ ‘Right, that does it.’ Neve snatched up the box and practically tore off the lid, so she could bang the board down on the coffee table. ‘You can’t be that good at Scrabble if you keep your letters in a crumpled paper bag,’ Max noted, actually daring to nudge her arm with his foot. Neve knew he was only doing it to get a rise out of her, but God, it was working. ‘Game on, Pancake Boy,’ she snarled, throwing a letter rack at Max, which just made him laugh. ‘And don’t think I’m going to let you win just because it’s your birthday.’ It was the most fun Neve had ever had playing Scrabble. It might even have been the most fun she had ever had. For every obscure word she tried to play in the highest scoring place, Max would put down three tiles to make three different words and block off huge sections of the board. Every time she tried to flounce or throw a strop because ‘you’re going against the whole spirit of the game’, Max would pop another Quality Street into her mouth because, as he said, ‘It is Treat Sunday and you only had one roast potato.’ When there were no more Quality Street left and they’d drunk all the champagne, he stopped each one of her snits with a slow, devastating kiss so there were long pauses between each round. It was a point of honour to Neve that she won in the most satisfying way possible; finally getting to use her ‘q’ on a triple word score by turning Max’s ‘hogs’ into ‘quahogs’ and waving the Oxford English Dictionary in his face when he dared to challenge her.
Sarra Manning (You Don't Have to Say You Love Me)
Don't wait for children's toys to fall into your garden Part of eliminating compassion is stopping other people from trying to pull it out of you. A guaranteed way to do this is to follow this exercise. Many children will undoubtedly be playing games near your home, and perhaps a Frisbee or a ball will land in your garden. The typical grumpy old man won't give it back. You must go one step further. On these same strolls where you locate charity workers, locate children playing. Playgrounds are a good place to start, but you want to be careful you don't look like a pedophile. Remember, you love nothing, children included. When you see children playing a game quickly run up and pop their ball or hurl their Frisbee into a nearby tree. Word will spread and no one will try to drag you down to their pathetically weak levels with feelings and caring. Caring is for the dead. If they had cared less they wouldn't be zombies now. So remember to pop balls, tear kites, hide Frisbees, kick sandcastles, and decapitate teddy bears. Spitting into open lunch boxes will take you over the top but isn't necessary.
Laurence Sutton (Ultimate Survival Guide : Zombie Apocalypse)
are busy fighting over fractions of a market-share point, someone else who doesn’t care will come in and build a new platform that completely changes the game. Larry again: “Obviously we think about competition to some extent. But I feel my job is mostly getting people not to think about our competition. In general I think there’s a tendency for people to think about the things that exist. Our job is to think of the thing you haven’t thought of yet that you really need. And by definition, if our competitors knew that thing, they wouldn’t tell it to us or anybody else.”86 This isn’t to say you should ignore competition. Competition makes you better. It keeps you sharp. We are all human and subject to complacency, no matter how often we tell ourselves to stay on our toes. Nothing lights a fire like a competitor. When Microsoft launched the Bing search engine in 2009, we were concerned enough to kick off an all-hands-on-deck process to intensify our efforts on search. This planted seeds that led to new features such as Google Instant (search results as you type) and Image Search (drag an image into the search box and Google figures out what it is and uses it as the query). You can draw a line from the launch of Bing to these great new features. As Nietzsche wrote in Thus Spake Zarathustra: “You must be proud of your enemy; then your enemy’s successes are also your successes.”87 Be proud of your competitors. Just don’t follow them.
Eric Schmidt (How Google Works)
down her cheek. Michael kissed it away. “I love you, Emily Morgan.” The words slipped off his tongue, leaving a trail of relief behind them. He’d finally said it. Finally admitted it. “I fell in love with you the first day we met. I am an epic asshole for never saying it until now.” She sniffled in a throaty chuckle. “You wanted to leave the Isle.” Still, trying to make everyone else happy. He wanted her to get mad at him. Tell him what a complete dipshit he’d been. Instead, all that radiated from her was complete understanding and love. Love for him. “Emily, I strung you along, just expecting you to always be there, and you were… are. I’ll spend the rest of my life making it up to you.” He picked her up and swung her around, leaning her against the side of his jeep. “I God damn love you so fucking much it kills me.” Emily gasped a little, her back pressing into the jeep. The reality of what was happening finally kicking into her befuddled brain. “You’re not leaving the Isle…” “No.” “Because of what you found out, about your dad?” “Yes, and no. It’s…” he shook his head in a tight fashion. “Something changed tonight. I don’t know how to explain it. It just suddenly feels right to be here. I don’t want it to feel right,” he admitted. “But it does. This is where I’m supposed to be. Partly because of my dad, partly because of you, partly because of who I am… I guess I’m just giving in. I’m not fighting what I’m supposed to be, or where I’m supposed to be anymore.” Emily leaned in, for the first time taking what she wanted. His lips belonged to her now, and she wasn’t going to let them
Starla Silver (Wicked Good Witches Three Book Box Set (Wicked Good Witches #1-3))
Remember too that when it comes to death, this is an agreed-upon choice between your soul, your guides, and God; it’s not entirely God’s call, as so many of my clients assume. The end of your life usually occurs when that soul, not the human, chooses to leave within a window of time called destiny. I’m told that this is also the case with children who get sick or die young. Their souls agreed to take on an illness for their growth or that of the loved ones connected to them. A lot of times when I sit with a client, they’ll say, “I asked God not to take my mom/brother/child yet, and He did!” But God isn’t kicking back in Heaven like, I’ll take . . . that one! Now this one! He’s not calling back souls the way you pluck chocolates out of a box—this truffle first, then that caramel. In fact, God isn’t doing anything to us, but for us, and even then your soul is involved.
Theresa Caputo (You Can't Make This Stuff Up: Life-Changing Lessons from Heaven)
They watched in silence as the sliver turned into a semicircle, and the semicircle became a glowing pink globe, balanced on the horizon. She was in awe of the beauty. Of the very idea that this happened every morning behind the scenes while she slept. Beau shifted, his hand leaving her stomach, and she missed it. But it returned a moment later, holding something small and square. He opened the box, and her eyes widened. She sucked in a breath. A solitaire diamond winked back, reflecting the pink rays of dawn. She turned and met his eyes, those beautiful brown eyes, focused solely on her. “I love you, Eden Martelli,” he said in that low, smoky voice. “I love your beautiful smile and the way your laugh brightens the whole room. I love your warm heart and your quiet strength. I love how tender you are with Micah.” She placed her palm over her aching heart, catching her breath as he continued. “I want nothing more than to spend the rest of my life with you. I want to cherish you every day. I want to laugh together and celebrate every new beginning together. I want to be Micah’s daddy—and maybe give him a brother or sister or two . . .” His lips kicked up at the corners. They went flat again as a somber look washed over his eyes. “You’re the love of my life, Eden. Will you marry me?” “Oh, Beau . . .” He took her breath away. He made her believe in new beginnings and happily-ever-afters. “I don’t want to rush you. We can be engaged for as long as you want, but you’re it for me. You’re the one. There’ll never be another.” “Yes,” she breathed. “I want all of that, and I want it with you.
Denise Hunter (Falling Like Snowflakes (Summer Harbor, #1))
These are some mighty men about to hit the stage," an unseen announcer screamed through the PA system. "With an average height of six-foot-four, a massive weight of three hundred thirty pounds - all of it rock-solid muscle - they are nationally ranked power lifters, some of whom bench-press over six hundred pounds! And they're not here to brag on their muscles, but to brag on Jesus." The eight members of the Power Team ran up to the stage on thunderous feet, wearing red, black, and blue warm-up suits, weight belts, and boxing shoes. To a man, they were as big as a semitrailer truck. They pumped their fists in the air and stood before us bouncing lightly on the balls of their feet, ready to kick some religious butt. "Fasten your seat belts. If God is for you, who can be against you?" "Woo! Woo! Woo!" the audience screamed, instantly ready to rock and roll. We were less than an hour into the first night of a six-night revival, and already it seemed that Sin was going down in a terminal headlock, and Grand Junction would never be the same.... I had heard about the Power Team not from Christian friends, but from a succession of potheads - quintessential late-night cable TV channel surfers. To the stoned, there is nothing more entertaining than the sudden, near hallucinatory vision of this troupe of power-lifting missionaries led by former Oral Roberts University football star John Jacobs.... [My nephew] bought a comic book in which John Jacobs and the Power Team defeat a lisping South American drug lord. From that and an orientation video, we learned that the Team conducts seventy crusades each year, saves close to a million souls here and abroad - notably in Russia - and consists of "world-class athletes who inspire people to follow Christ - and to move away from drugs, alcohol, and suicide." (At the same time, we were pressured not to let our long-distance dollars go to support "nudity, profanity, or the Gay Games." We could avoid this by signing up with Lifeline, a Christian long-distance provider.)" People Who Sweat: Ordinary People, Extraordinary Pursuits, pp. 126-8.
Robin Chotzinoff (People Who Sweat: Ordinary People, Extraordinary Pursuits)
You know how it is nowadays, everybody’s got it in for somebody else, and half of them have gone cuckoo. When a German ship lands here a bunch of Jews go and tear the flag off it and raise general hell. If a Wop professor that’s been kicked out of Italy tries to give a lecture a gang of Fascists haul him down and beat him up. When you try your best to feed people that haven’t got a job they turn Communist on you and start a riot. It’s even got so that when a couple of bank presidents have lunch at the White House, the servants have to search the floor for banana peels that they may have put there for the President to slip on. Everyone has gone nuts.
Rex Stout (The Rubber Band/The Red Box)
Kevin refilled my plastic cup with more box wine. I smiled thanks. Kevin smiled welcome. Jake kicked my ankle.
Josh Lanyon (A Dangerous Thing (The Adrien English Mysteries, #2))
shrugged off Anstice’s hand and strode to the front door. “I have to remember, damn it.” I flipped the Open sign to Closed and locked the door to my art gallery, which I’d aptly named Danielle’s. “You have no idea what it’s like waking up in the middle of night freezing cold, feeling like clammy hands are on my body and then there is the water dripping . . . constantly waking to the tap dripping, but it’s not. I know it’s not because I check, damn it. And I keep checking.” I kicked an unopened box of art supplies. “I can’t even go on a date
Nashoda Rose (Stygian (Scars of the Wraiths, #1))
He didn’t know how he got in the box.  Everything was foggy and numb like the bad end of a heavy dose.  He tried to blink himself clear, but couldn’t focus his mind.  This wasn’t heroin. He knew the difference.  His throat folded over on itself as he tried to swallow. When was the last time he drank something? When was the last time he remembered doing anything? And why the hell was he in a box? His hands were bound and he could feel the roughly cut end of a zip-tie digging into the skin on his leg where his wrists had been resting.  It felt like wood under his fingernails in the dark and he could feel the corners around him — he was hunched over, his knees to his chest. There were air holes the size of his fingers drilled through the plywood. He remembered the feeling of the layers from that time he’d been made to help his dad build that bookcase that fit in the nook under the stairs.  Mum had wanted to have one made, but dad had said it was way too expensive, and that he would build one — with Ollie’s help.  Why the hell was he in this box?  His arm was itching, the track marks enraged and fresh.  Ollie kicked out, his bare heels catching splinters as he thumped against the sides, listening to the noise ring in the room around him. He couldn’t see anything, couldn’t hear anything except his own heart in his ears. He could smell fresh sawdust, damp earth, something sharp and synthetic, like bleach, and his own breath, hot against his cheeks as he pressed his eye to the hole above him. He tried to calm himself, replaying the last things he remembered over and over in his head. It was all fog. There were streets, people he knew but whose faces he couldn’t see, then there was someone he didn’t recognise, someone alien to him, and then nothing.  His fingers traced the seams, looking for a gap. There wasn’t one.  Tears burned hot on his face, his eyes stinging in the dust.  He kept searching, the rough skin under his chewed nails discovering the hard protrusion of an angled nail. The tip was sticking out through the wood on his right side — hammered through the lid at an odd angle. God, how couldn’t he remember being nailed inside a damn coffin?  He pulled at it, hands still bound, and felt his fingernails pull back.  He wept more, digging into the wood around it, focused solely on it. The only weak point in the box. His only chance. There was no one else around and he had to escape. That was all he knew.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
He kept digging, kept scratching — every finger, both hands, until he could feel the wood scraping on raw flesh. His wrists throbbed, the plastic cutting into them. He called out as one of his nails peeled back off the bed, screaming with a voice barely his own. But he couldn’t give up. And after who knows how long, he could get his fingers around the tip. Now he needed to get it out. He didn’t really wear man-jewellery, but he had a ring he wore around his index finger. A ring she’d given him — stolen for him. For them. Grace. He had to get back to her. Tell her he was okay. He got the flat side against the point and pushed, wedging himself under it.  Whether it took an hour or five, he didn’t know. He could feel blood in his palms as the steel stabbed at his skin with every slip.  But slowly he made progress, a millimetre at a time, forcing it upwards. And then it landed softly in the dirt next to the box. He managed to fold himself up under the new hole and shove his heel against it.  With what little strength he had left he pushed upwards, feeling the wood bow in the absence of the nail. He kicked at it, then kicked at it again. And again. And again. Until the pain in his foot was unbearable. And then he kept kicking, not feeling it moving, but knowing that staying inside meant death. People didn’t get nailed into boxes if they were going to survive.  The fuzz of whatever was in his system was still lingering. He didn’t seem to be able to concentrate on more than one thing at a time — but Grace was always there. Thin, brown hair, pretty in all the right ways. She was all he had now. He had to get back to her. The lid came loose, nails creaking in the wood, and in a blur he was out. Sweat-soaked, filthy, crying, he flopped out and into the dirt.  The room smelled like a swimming pool and polythene sheets hung from the ceiling. He didn’t wait to see what else there was. At the far side of the room, he could make out a door, outlined in the dim red glow of a tiny bulb above the frame. Next to it there was a crowbar, rusted and rough, silhouetted in the half-light. He limped over, his legs numb from the box and the drugs, and pulled it open, grabbing the bar. The light blinked off, the little plastic control unit next to it clicking, but he didn’t care. He had to get out.  The stairs beyond creaked under his weight as he dragged himself up on bloody fingers, the crowbar clanging against the mouldy stonework walls.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
he wished that he had been more faithful as a child in heeding the advice of his boxing teacher. After all, the old masters did know something. There is still a kick in style, and tradition carries a nasty wallop.
David Remnick (The Only Game in Town: Sportswriting from The New Yorker)
Hong Kong Cha-Cha Champion of 1957. And just as he could pick up dance steps after being shown them only once, so he had an instant understanding of any martial art he encountered — whether Chinese, Japanese, Korean, or Filipino — or Western techniques of fencing or boxing. In parallel with his acting career, Bruce Lee was also the catalyst for the hybridization of martial art styles — a unique approach to the subject that eventually led to the ‘mixed martial art’ and ‘ultimate fighting’ of today. Bruce’s intentions have often been misunderstood by some in the martial arts community, who believe he was accumulating every possible technique he could, so as to create a total armoury. But for Bruce, it was the shared principles behind all the various techniques that were far more important than acquiring a vast catalogue of moves. I do not fear the man who has practiced ten-thousand kicks once. But I fear the man who has practiced one kick ten-thousand times. In his view, a martial artist shouldn’t set out to compile an encyclopedia of styles any more than a musician should.  After all, would the ultimate musician be one who learned every jazz lick he could, every blues lick, every classical piece, and pop tune — along with the folk music of Kazakhstan — which he then tried to cobble together into one unholy racket?
Bruce Thomas (Bruce Lee: Beyond the Limits)
When Almanzo went into these great barns, he always went through the Horse-Barn’s little door. He loved horses. There they stood in their roomy box-stalls, clean and sleek and gleaming brown, with long black manes and tails. The wise, sedate work-horses placidly munched hay. The three-year-olds put their noses together across the bars, they seemed to whisper together. Then softly their nostrils whooshed along one another’s necks; one pretended to bite, and they squealed and whirled and kicked in play. The old horses turned their heads and looked like grandmothers at the young ones. But the colts ran about excited, on their gangling legs, and stared and wondered. They all knew Almanzo. Their ears pricked up and their eyes shone softly when they saw him. The three-year-olds came eagerly and thrust their heads out to nuzzle at him. Their noses, prickled with a few stiff hairs, were soft as velvet, and on their foreheads the short, fine hair was silky smooth. Their necks arched proudly, firm and round, and the black manes fell over them like a heavy fringe. You could run your hand along those firm, curved necks, in the warmth under the mane. But Almanzo hardly dared to do it. He was not allowed to touch the beautiful three-year-olds. He could not go into their stalls, not even to clean them. Father would not let him handle the young horses or the colts. Father didn’t trust him yet, because colts and young, unbroken horses are very easily spoiled.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
Anger provides the No. 1 difference between a fist-fight and a boxing bout. Anger is an unwelcome guest in any department of boxing. From the first time a chap draws on gloves as a beginner, he is taught to "keep his temper"-never to "lose his head." When a boxer gives way to anger, he becomes a "natural" fighter who tosses science into the bucket. When that occurs in the amateur or professional ring, the lost-head fighter leaves himself open and becomes an easy target for a sharpshooting opponent. Because an angry fighter usually is a helpless fighter in the ring, many prominent professionals-like Abe Attell and the late Kid McCoy- tried to taunt fiery opponents into losing their heads and "opening up." Anger rarely flares in a boxing match. Different, indeed, is the mental condition governing a fist-fight. In that brand of combat, anger invariably is the fuel propelling one or both contestants. And when an angry, berserk chap is whaling away in a fist-fight, he usually forgets all about rules-if he ever knew any. That brings us to difference No. 2: THE REFEREE ENFORCES THE RULES IN A BOXING MATCH; BUT THERE ARE NO OFFICIALS AT A FIST-FIGHT. Since a fist-fight has no supervision, it can develop into a roughhouse affair in which anything goes. There's no one to prevent low blows, butting, kicking, eye-gouging, biting and strangling. When angry fighters fall into a clinch, there's no one to separate them. Wrestling often ensues. A fellow may be thrown to earth, floor, or pavement. He can be hammered when down, or even be "given the boots"- kicked in the faceunless some humane bystander interferes. And you can't count on bystanders. A third difference is this: A FIST-FIGHT IS NOT PRECEDED BY MATCHMAKING. In boxing, matches are made according to weights and comparative abilities. For example, if you're an amateur or professional lightweight boxer, you'll probably be paired off against a chap of approximately your poundage-one who weighs between 126 and 135 pounds. And you'll generally be matched with a fellow whose ability is rated about on a par with your own, to insure an interesting bout and to prevent injury to either. If you boast only nine professional fights, there's little danger of your being tossed in with a top-flighter or a champion.
Jack Dempsey (Toledo arts: championship fighting and agressive defence (Martial arts))
What's your favorite spice?" "Hmm... It changes all the time." I dug around in my box. "I found a blend the other day I really liked. Feast has no cultural root, but even so, I never cook Indian, so I don't come across this every day." I pulled out a pouch and opened it for him. "I like that." He sniffed again. "I think it reflects my mood lately. It's a regional blend called Garam Masala, so you can find endless permutations, but they're all earthy, subdued, almost sad---a mixture of peppercorns, cloves, cinnamon, black-and-white cumin seeds, and black, brown, and green cardamom pods. This is the brightest iteration I've found. It pushes the green cardamom more and has a fresh kick at the end. Maybe that's what I want to happen in me." "I like the fresh kick.
Katherine Reay (Lizzy and Jane)
Throwing her legs over the side of the bunk, she lingered for a moment to clear her thoughts and focus on the day’s goal. She had found that the best way to enter a fight was with a clear head. If she could imagine herself landing a roundhouse kick, each step and movement clear in her head, then the actions would later come as instinct.
Justin Sloan (Valerie’s Elites Boxed Set: The Complete Series)
The prize money certainly said something about FIFA’s priorities, though. The same week the 2015 Women’s World Cup kicked off, United Passions debuted in movie theaters. It was a propaganda film that FIFA produced about itself and bankrolled for around $30 million. That’s double the total amount of prize money FIFA made available to all teams participating in the 2015 Women’s World Cup. The film earned less than $1,000 in its debut weekend in North America, for the worst box-office opening in history, and it went down as the lowest-grossing film in U.S. history. Almost all the millions of dollars FIFA poured into making the movie was lost. The film has a 0% rating on the popular movie-review-aggregation website Rotten Tomatoes, and a New York Times review called it “one of the most unwatchable films in recent memory.” And
Caitlin Murray (The National Team: The Inside Story of the Women who Changed Soccer)
The prize money certainly said something about FIFA’s priorities, though. The same week the 2015 Women’s World Cup kicked off, United Passions debuted in movie theaters. It was a propaganda film that FIFA produced about itself and bankrolled for around $30 million. That’s double the total amount of prize money FIFA made available to all teams participating in the 2015 Women’s World Cup. The film earned less than $1,000 in its debut weekend in North America, for the worst box-office opening in history, and it went down as the lowest-grossing film in U.S. history. Almost all the millions of dollars FIFA poured into making the movie was lost. The film has a 0% rating on the popular movie-review-aggregation website Rotten Tomatoes, and a New York Times review called it “one of the most unwatchable films in recent memory.” And remember the uncomfortable encounter at the team hotel between the Americans and Brazilians after the 2007 Women’s World Cup semifinal? That would never happen in a men’s World Cup. That’s because FIFA assigns different hotels and training facilities to each men’s team, to serve as a base camp throughout the tournament. The women don’t get base camps—they jump from city to city and from hotel to hotel during the World Cup, and they usually end up bumping into their opponents, who are given the same accommodations. American coach Jill Ellis said she almost walked into the German meal room at the World Cup once. “Sometimes you’re in the elevator with your opponent going down to the team buses for a game,” Heather O’Reilly says. “It’s pretty awkward.
Caitlin Murray (The National Team: The Inside Story of the Women who Changed Soccer)
By the 59th minute, the match was still scoreless when German striker Alexandra Popp ran down a lofted ball into the box. Julie Johnston, chasing, tugged her from behind. Popp fell, and the whistle blew. Penalty kick for Germany. This was it. This was the moment, it seemed, the Americans would lose the World Cup. It was a given, of course, that Germany would score this penalty kick. The Germans never missed in moments like this, and a goal would shift the momentum of the match. Hope Solo did the only thing she could do: stall. As Célia Šašić stepped up to the spot to take the kick, Solo sauntered off to the sideline slowly and got her water bottle. She took a sip. Paused. Scanned the crowd. Another sip. She strolled back slowly toward goal. She still had the water bottle in her hand. She wanted to let this moment linger. She wanted Šašić to think too much about the kick and let the nerves of the moment catch up to her. Finally, Solo took her spot. The whistle blew, and without even a nanosecond of hesitation, Šašić ran up to the ball and hit it, as if she couldn’t bear another moment of waiting. Solo guessed to the right, and Šašić’s shot was going left. But it kept going left and skipped wide. The pro-USA crowd at Olympic Stadium in Montreal erupted into a thunderclap that made the stands shake. The American players cheered as if they had just scored a goal.
Caitlin Murray (The National Team: The Inside Story of the Women who Changed Soccer)
By the 59th minute, the match was still scoreless when German striker Alexandra Popp ran down a lofted ball into the box. Julie Johnston, chasing, tugged her from behind. Popp fell, and the whistle blew. Penalty kick for Germany. This was it. This was the moment, it seemed, the Americans would lose the World Cup. It was a given, of course, that Germany would score this penalty kick. The Germans never missed in moments like this, and a goal would shift the momentum of the match. Hope Solo did the only thing she could do: stall. As Célia Šašić stepped up to the spot to take the kick, Solo sauntered off to the sideline slowly and got her water bottle. She took a sip. Paused. Scanned the crowd. Another sip. She strolled back slowly toward goal. She still had the water bottle in her hand. She wanted to let this moment linger. She wanted Šašić to think too much about the kick and let the nerves of the moment catch up to her. Finally, Solo took her spot. The whistle blew, and without even a nanosecond of hesitation, Šašić ran up to the ball and hit it, as if she couldn’t bear another moment of waiting. Solo guessed to the right, and Šašić’s shot was going left. But it kept going left and skipped wide. The pro-USA crowd at Olympic Stadium in Montreal erupted into a thunderclap that made the stands shake. The American players cheered as if they had just scored a goal. “We knew right then and there that we were going to win the World Cup,” Ali Krieger says. “That was it. That’s when we knew: This is ours.
Caitlin Murray (The National Team: The Inside Story of the Women who Changed Soccer)
Don’t waste your energies kicking against an open door,
Margaret Murphy (Detective Jeff Rickman Books 1–3 box set)
A podcast series, sponsorships that pay with checks instead of boxes of merchandise that clog up my garage, a kick-ass book proposal that’s about to go to auction—these are just a few of the projects in the pipeline.
Kimberly Belle (The Personal Assistant)
But the animated display of Dolls of All Nations was definitely in trouble. The musical box underneath was still playing “Wouldn’t It Be Nice If Everyone Was Nice” but the rods that animated the figures had got twisted out of shape, so that the Klatchian boy was rhythmically hitting the Omnian girl over the head with his ceremonial spear, while the girl in Agatean national costume was kicking a small Llamedosian druid repeatedly in the ear. A chorus of small children was cheering them on indiscriminately.
Terry Pratchett (Hogfather (Discworld, #20))