Check Engine Light Quotes

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If I had a nickel for every time I heard the words 'I don't want to ruin our friendship ' I wouldn't be driving a car with an ominously flashing 'check engine' light.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
Anxiety doesn’t tell us very much. It’s like the “check engine” light in your car, which tells you something’s wrong without telling you what it is.
Mike McHargue (You're a Miracle (and a Pain in the Ass): Embracing the Emotions, Habits, and Mystery That Make You You)
People defeated scarcity. Everyone had what they needed, and nobody got sick, but they found that they needed things to be just a little bit difficult once in a while. They needed to stub their toe and wait in line and see that CHECK ENGINE light. They decided to leave their existence just a little short of perfect, because they wanted to want.
Jon Bois (17776: What football will look like in the future)
Anxiety is like the check-engine light on your car. If you disable it, you’re screwed.
Britt Frank (The Science of Stuck: Breaking Through Inertia to Find Your Path Forward)
The right… never mind. Take off a flip-flop.” “Why?” “Don’t ask questions. Just take one off.” “Which one?” “I don’t care.” Morgan did. “Now what?” I checked to see which one he’d taken off. “Okay, your bare foot is responsible for that pedal.” I pointed to the gas. “Your flip-flop is responsible for the other one.” Morgan grinned. “You’re getting good at this, Grant. I’m impressed.” “Don’t push your luck.” I tapped his right knee. “Bare foot makes the truck move. Flip-flop makes it stop. Just make sure you don’t push the pedals at the same time.” “Why?” “Because.” “Because why?” I made a face. “You ask too many questions.” “You don’t know, do you?” “Yes, I do. You can’t go with the brake on; it just revs the engine and wastes gas. Satisfied?” “Yup.
Adrienne Wilder (In the Absence of Light (Morgan & Grant, #1))
It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo. And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995). But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?
Dolly Alderton (Good Material)
He murdered one of us.” Chapter 11 I SPENT THE day working both cases. I’d ransacked the missing-persons databases for a match to our long-haired Jane Doe. After that, Brady and I checked names of cops who had access to the property-room floor and compared those cops’ time sheets with the times drug dealers had been killed with one of our vouchered-and-stolen .22s. The list of cops was very long and Brady was still working on the project when I left him. I got back to the Ellsworth compound as the sun was setting, flying pink flags over the bay. TV satellite vans were double-parked along Vallejo, their engines running and their lights
James Patterson (11th Hour (Women's Murder Club, #11))
There’s a way of triumphant accomplishment that comes from lowering dead or unwanted trees. (Not to say the joys of yelling, But that feeling fades pretty quickly once you look down and see unsightly—and very stubborn—Stump milling. If you hire a landscaper or arborist to chop down the trees, they typically leave the stumps behind, unless you pay a further fee. Stump-removal prices vary widely across the country and are supported by the diameter of the stump, but it typically costs between $100 and $200 to get rid of a stump that’s 24 inches in diameter or smaller. And that’s a good price if you’ve only got one stump to get rid of . But, if you've got two or more stumps, you'll save a substantial amount of cash by renting a stump grinder. A gas-powered stump grinder rents for about $100 per day, counting on the dimensions of the machine. And if you share the rental expense with one or two stump-plagued neighbors, renting is certainly the more economical thanks to going. you will need a vehicle with a trailer hitch to tow the machine, which weighs about 1,000 pounds. Or, for a nominal fee, most rental dealers will drop off and devour the grinder. To remove the 30-in.-dia. scarlet maple stump, I rented a Vermeer Model SC252 stump grinder. it's a strong 25-hp engine and 16-in.-dia. cutting wheel that's studded with 16 forged-steel teeth. this is often a loud, powerful machine with a classy mechanism , but it's surprisingly simple to work . But, before you crank up the motor and begin grinding away, it’s important to prep the world for the stumpectomy. Start by ensuring all kids and pets are indoors, or if they’re outdoors, keep them well faraway from the world and under constant adult supervision. Then, use a round-point shovel or garden mattock to get rid of any rocks from round the base of the stump [1]. this is often important because if the spinning cutting wheel hits a rock, it can shoot out sort of a missile and cause serious injury. Plus, rocks can dull or damage the teeth on the cutting wheel, which are expensive to exchange. Next, check the peak of the stump. If it’s protruding out of the bottom quite 6 inches approximately, use a sequence saw to trim it as on the brink of the bottom as possible [2]. While this step isn’t absolutely necessary, it'll prevent quite little bit of time because removing 6 inches of the Stump grinding with a chainsaw is far quicker than using the grinder. After donning the acceptable safety gear, start the grinder and drive it to within 3 feet of the stump. Use the hydraulic lever to boost the cutting wheel until it’s a couple of inches above the stump. Slowly drive the machine forward to position the wheel directly over the stump's front edge [3]. Engage the facility lever to start out the wheel spinning, then slowly lower it about 3 in. in to the stump grinding. Next, use the hydraulic lever to slowly swing the wheel from side to side to filter out all the wood within the cutting range. Then, raise the wheel, advance the machine forward a couple of inches, and repeat the method. While operating the machine, always stand at the instrument panel, which is found near the rear of the machine and well faraway from the cutting wheel. Little by little, continue grinding and advancing your way through to the opposite side of the stump. Raise the cutting wheel, shift into reverse, and return to the starting spot. Repeat the grinding process until the surface of the Stump removal is a minimum of 4 in. below the extent of the encompassing ground. At now, you'll drive the grinder off to at least one side, far away from the excavated hole. Now, discover all the wood chips and fill the crater with screened topsoil [4]. (The wood chips are often used as mulch in flowerbeds and around trees and shrubs.) Lightly rake the soil, opened up a good layer of grass seed, then rake the seeds into the soil [5]. Water the world and canopy the seeds with mulch hay.
Stump Grinding
Where you may say, “I finally got my oil changed,” Turbo would say, “The day started with a dark cloud hovering over my rumbling vehicle. The check engine light flickered multiple times, but it never stayed on full. I knew something was amiss so I drove to town, only to get caught in bumper-to-bumper traffic. Time felt like it stopped. People were honking their horns and two men had stepped out of their cars to settle a dispute regarding the right to merge at the last second. The small guy won. The cops showed up and I got to the shop thirty minutes later. They checked every aspect of my car until finally determining that I needed an oil change.” I
John P. Logsdon (Las Vegas Paranormal Police Department: Ian Dex Unleashed Box Set (#1-7))
Coming up the stairway was Antonio Bujia. Eban Abbott peered at him. “What are you doing? Where are you going?” “To the bridge. I called you through the telephone and speaking tube and got no answer. Everything is running good. But we cannot stay down there much longer.” The two men looked at each other. Wisps of smoke were drifting around the staircase. “Go back and stand by. I’ll go to the bridge,” said Abbott. With those few words he changed his whole future; he would regret them all his life. Shocked and disoriented though Abbott still was by Captain Wilmott’s death, he had been moving, albeit slowly and in a roundabout way, down toward the engine room. If he had been challenged about his movements, he could defend himself by pointing out that, as chief engineer, it was also his job to ascertain the extent of the fire so that he could organize the water supplies accordingly. But Bujia had brought Abbott head on with the reality of the situation: the engine room, in his assistant’s estimation, had shortly to be abandoned. There was only one course of action open to Eban Abbott. It was to go down to check out the situation himself. Abbott was charged with the responsibility to ensure that the men in the engine room performed their duties fully in operating the fire pumps, lights, and power to steer the ship through the growing crisis. He abandoned this responsibility when he ordered Bujia back down below and rapidly climbed to the safety of the open deck.
Gordon Thomas (Shipwreck: The Strange Fate of the Morro Castle)
It’s important to take a time out when your ‘Check Engine’ light comes on otherwise you may conk out on the side of the road.
Lisa Haisha
The pilot tapped his GPS screen a few times until he found the nearest airport. "Closest airfields are north. The Virgin Islands.” “You crazy, man? They’re probably already tracking us on radar. DEA or the Coast Guard would probably be waiting for us...” Marco tapped on the touchscreen map. “What about this island over here? Says it’s got a private air strip. Small, but we could go there.” The pilot squinted down at the GPS chart. “I know that one. Some rich guy owns it, I think. He’ll probably have security guards.” Marco tapped the map again, changing the layering to show the satellite image. “The buildings are all on the northwest side of the island. It would take people time to get to the runway, even if they knew we were there. It’s been storming hard so they won’t be outside. We can land on goggles, keep the lights off. We’ll cut the engine as soon as we touch down. We only need ten, fifteen minutes at the most. I’ll check the oil and top us off, then we’ll take off before anyone has time to reach us.” The aircraft jolted as they flew through more turbulence. More lightning in the distance. “Fine,” said the pilot. Marco tapped on the GPS display screen. “There. Your waypoint is in.” The aircraft banked slowly left as the pilot turned them toward the private island.
Andrew Watts (Agent of Influence (The Firewall Spies, #2))
Emotions are like the tire, oil, or wiper fluid lights. They alert us to experiences worth paying attention to throughout our day. Anxiety and depression are more like the check engine light, an indicator that more may be going on.
David Thomas (Raising Emotionally Strong Boys: Tools Your Son Can Build On for Life)
Do you ever feel like your body’s check engine light is on and you’re still driving it like ‘nah, it’ll be okay?
Lani Lynn Vale (Hissy Fit (The Southern Gentleman #1))
Appreciate the comfortable (responsibly). Producing in the evening can be an experience like no other. With the comfortable, ongoing hum of the engine and the nights your atmosphere, generating can be almost like traveling through place. Producing in the evening seems unusual, fun, and even exciting — for some people, it’s one of life’s simplest yet most excessive entertainment. It’s definitely outstanding have fun with a evening produce, but don’t neglect to focus on what’s most important of all — your security and the security of other drivers. Always keep in ideas that getting sent straight while generating can be dangerous (especially at night), so keep your interest on the road. If you’re confident in your secured generating workouts, you’ll be able to successfully relax, notice in, and revel in your ride! Put your returning viewpoint reflection in its “flipped down” or “night” strategy to reduce returning front aspect part aspect lighting glare. Check all your car lighting constantly, especially if upcoming winter year time mean that you will be doing more generating after dark. To make the process simpler, you can take changes with a friend working the lighting and watching to see that they all come on, or you can notice your own reflection in the ms ms ms ms windows of a glass-fronted developing. You have purchased some car parts and accessories. Block out interruptions while generating, but don’t focus definitely on the road. Doing so may put you in a situation of hypnosis and you may even mentally “blank” for a few a few several weeks. Keep your viewpoint moving around the car and landscapes. Some car gadgets should be set progressively. Always use a car car car car seatbelt and encourage your guests to do the same.Do not produce drunk. Never produce without a legal drivers’ certification approved in your name. Don’t believe the town story that sunglasses with yellow-colored or bright orange sketchy connections help you see better in the evening. Wearing them in the evening may make aspects seem less heavy. Always carry around your drivers’ certification to prevent police from getting suspicious of a situation that isn’t there. Do not produce when you are tired. In some countries, generating while feeling sleepy issues as impacted generating. Regardless of the law, it’s dangerous.
angeladong
SYMPTOMS ARE YOUR “CHECK ENGINE” LIGHT
Bradley Nelson (The Body Code: Unlocking Your Body's Ability to Heal Itself)