Kensington Gardens Quotes

We've searched our database for all the quotes and captions related to Kensington Gardens. Here they are! All 63 of them:

The moment you doubt whether you can fly, you cease for ever to be able to do it.
J.M. Barrie (Peter Pan)
He was a poet; and they are never exactly grown-up.
J.M. Barrie (Peter Pan in Kensington Gardens)
It is frightfully difficult to know much about the fairies, and almost the only thing for certain is that there are fairies wherever there are children.
J.M. Barrie (Peter Pan in Kensington Gardens)
David tells me that fairies never say 'We feel happy': what they say is, 'We feel dancey'.
J.M. Barrie (Peter Pan in Kensington Gardens)
The fairies, as their custom, clapped their hands with delight over their cleverness, and they were so madly in love with the little house that they could not bear to think they had finished it.
J.M. Barrie (Peter Pan in Kensington Gardens)
See," he said, "the arrow struck against this. It is the kiss I gave her. It has saved her life.
J.M. Barrie (Peter Pan in Kensington Gardens / Peter and Wendy)
A safe but sometimes chilly way of recalling the past is to force open a crammed drawer. If you are searching for anything in particular you don't find it, but something falls out at the back that is often more interesting.
J.M. Barrie (Works of J. M. Barrie. (20+ Works) Includes Peter Pan in Kensington Gardens, The Little Minister, What Every Woman Knows and more (mobi))
The door', replied Maimie, 'will always, always be open, and mother will always be waiting at it for me.
J.M. Barrie (Peter Pan in Kensington Gardens)
Mrs. Darling loved to have everything just so, and Mr. Darling had a passion for being exactly like his neighbours; so, of course, they had a nurse. As they were poor, owing to the amount of milk the children drank, this nurse was a prim Newfoundland dog, called Nana, who had belonged to no one in particular until the Darlings engaged her. She had always thought children important, however, and the Darlings had become acquainted with her in Kensington Gardens, where she spent most of her spare time peeping into perambulators, and was much hated by careless nursemaids, whom she followed to their homes and complained of to their mistresses. She proved to be quite a treasure of a nurse.
J.M. Barrie (Peter Pan)
The Garden En robe de parade. - Samain Like a skein of loose silk blown against a wall She walks by the railing of a path in Kensington Gardens, And she is dying piece-meal of a sort of emotional anaemia. And round about there is a rabble Of the filthy, sturdy, unkillable infants of the very poor. They shall inherit the earth. In her is the end of breeding. Her boredom is exquisite and excessive. She would like some one to speak to her, And is almost afraid that I will commit that indiscretion.
Ezra Pound
…This place was once like your Enchanted Forest is- home to tens of thousands of fairies. But that was many ages ago, before the Kingdom of Britain was established. In those early days, the fairies ruled over the land.
Christopher Daniel Mechling (Peter: The Untold True Story)
All children, except one, grow up
J.M. Barrie (Peter Pan)
Again came that ringing crow, and Peter dropped in front of them. "Greeting, boys," he cried, and mechanically they saluted, and then again was silence. He frowned. "I am back," he said hotly, "why do you not cheer?
J.M. Barrie (Peter Pan in Kensington Gardens / Peter and Wendy)
For otherwise he would have lost faith in his power to fly, and the moment you doubt whether you can fly, you cease for ever to be able to do it.
J.M. Barrie (Peter Pan in Kensington Gardens)
El silencio que brota de los libros y nos envuelve es un silencio lleno de sonidos.
Rodrigo Fresán (Kensington Gardens)
We too have been there; we can still hear the sound of the surf, though we shall land no more.
J.M. Barrie (Peter Pan in Kensington Gardens / Peter and Wendy)
You are too late," he cried proudly, "I have shot the Wendy. Peter will be so pleased with me." Overhead Tinker Bell shouted "Silly ass!" and darted into hiding.
J.M. Barrie (Peter Pan in Kensington Gardens / Peter and Wendy)
Ah, Peter, we who have made the great mistake, how differently we should all act at the second chance. But Solomon was right; there is no second chance, not for most of us. When we reach the window it is lock-out time. The iron bars are up for life.
J.M. Barrie (Peter Pan in Kensington Gardens)
Thus, when you cry out, 'Greedy! Greedy!' to the bird that flies away with the big crust, you know now that you ought not to do this, for he is very likely taking it to Peter Pan.
J.M. Barrie (Peter Pan in Kensington Gardens)
There is almost nothing that has such a keen sense of fun as a fallen leaf.
J.M. Barrie (Peter Pan in Kensington Gardens)
There is almost nothing that has such a keen sense of fun as a fallen leaf.
J.M. Barrie (Peter Pan (German Edition))
he decided to appeal to the fairies for enlightenment. They are reputed to know a good deal.
J.M. Barrie (Peter Pan in Kensington Gardens)
All children, except one, grow up
Peter Pan
I can give you the power to fly to her house," the Queen said, "but I can't open the door for you.
J.M. Barrie (Peter Pan in Kensington Gardens)
Nosotros también hemos estado allí y aún recordamos el murmullo de las olas, aunque no volveremos a desembarcar jamás.
J.M. Barrie (Peter Pan in Kensington Gardens)
perhaps we could all fly if we were as dead-confident-sure of our capacity to do it as was bold Peter Pan that evening
J.M. Barrie (Peter Pan in Kensington Gardens)
We were having another look among the bushes for David's lost worsted ball, and instead of the ball we found a lovely nest made of the worsted, and containing four eggs, with scratches on them very like David's handwriting, so we think they must have been the mother's love-letters to the little ones inside.
J.M. Barrie (Peter Pan in Kensington Gardens)
You will be a Betwixt-and-Between,
J.M. Barrie (Peter Pan in Kensington Gardens)
You must see for yourselves that it will be difficult to follow Peter Pan's adventures unless you are familiar with the Kensington Gardens.
J.M. Barrie (Peter Pan: The Complete Adventures)
And something else came back, from that later first morning at Kensington Park Gardens: a sense that the house was not only an enhancement of Toby's interest but a compensation for his lack of it.
Alan Hollinghurst (The Line of Beauty)
El modo en el que le otorgaron el poder de volar fue este: todas le hicieron cosquillas en los hombros y pronto sintió un divertido cosquilleo en esa parte, y entonces se alzó más y más alto y salió volando fuera de los jardines y sobre los tejados de las casas.
J.M. Barrie (Peter Pan in Kensington Gardens)
What a glorious boy he had meant to be to her. Ah, Peter, we who have made the great mistake, how differently we should all act at the second chance. But Solomon was right; there is no second chance, not for most of us. When we reach the window it is Lock-out Time. The iron bars are up for life.
J.M. Barrie (Peter Pan In Kensington Gardens & Peter and Wendy [Illustrated])
Oh, Maimie," he said rapturously, "do you know why I love you? It is because you are like a beautiful nest.
J.M. Barrie (The Little White Bird; Or, Adventures in Kensington Gardens (German Edition))
The cry is answered by other braves; and some of them do it even better than the coyotes, who are not very good at it.
J.M. Barrie (Peter Pan: The Complete Collection (Illustrated, Unabridged) 5 Books Peter & Wendy, The Little White Bird, Peter in Kensington Gardens, Sentimental Tommy, Courage (iReign Classic Anthologies Book 1))
Sometimes he poised himself in the air, listening intently with his hand to his ear, and again he would stare down with eyes so bright that they seemed to bore two holes to earth.
J.M. Barrie (Peter Pan: The Complete Collection (Illustrated, Unabridged) 5 Books Peter & Wendy, The Little White Bird, Peter in Kensington Gardens, Sentimental Tommy, Courage (iReign Classic Anthologies Book 1))
Wendy, I ran away the day I was born.
J.M. Barrie (Peter Pan: The Complete Collection (Illustrated, Unabridged) 5 Books Peter & Wendy, The Little White Bird, Peter in Kensington Gardens, Sentimental Tommy, Courage (iReign Classic Anthologies Book 1))
You see, Wendy, when the first baby laughed for the first time, its laugh broke into a thousand pieces, and they all went skipping about, and that was the beginning of fairies.
J.M. Barrie (Peter Pan: The Complete Collection (Illustrated, Unabridged) 5 Books Peter & Wendy, The Little White Bird, Peter in Kensington Gardens, Sentimental Tommy, Courage (iReign Classic Anthologies Book 1))
You must be nice to him,' Wendy impressed on her brothers. 'What could we do if he were to leave us?
J.M. Barrie (Peter Pan: The Complete Collection (Illustrated, Unabridged) 5 Books Peter & Wendy, The Little White Bird, Peter in Kensington Gardens, Sentimental Tommy, Courage (iReign Classic Anthologies Book 1))
It
J.M. Barrie (Peter Pan: The Complete Collection (Illustrated, Unabridged) 5 Books Peter & Wendy, The Little White Bird, Peter in Kensington Gardens, Sentimental Tommy, Courage (iReign Classic Anthologies Book 1))
So fond of babes was this little mother that she had always room near her for one more
J.M. Barrie (The Little White Bird: Or, Adventures in Kensington Gardens)
Sitting on the rail at the foot of the bed, he played a beautiful lullaby to his mother on his pipe. He made it up himself out of the way she said "Peter," and he never stopped playing until she looked happy.
J.M. Barrie (The Little White Bird; Or, Adventures in Kensington Gardens (German Edition))
Then I shan't be exactly a human? Peter asked. No. Nor exactly a bird? No. What shall I be? You will be a Betwixt-and-Between, Solomon said, and certainly he was a wise old fellow, for that is exactly how it turned out.
J.M. Barrie (Peter And Wendy, Peter Pan In Kensington Gardens, Peter Pan: the play. (Timeless Wisdom Collection))
All children, except one, grow up. They soon know that they will grow up, and the way Wendy knew was this. One day when she was two years old she was playing in a garden, and she plucked another flower and ran with it to her mother.
J.M. Barrie (Peter Pan: The Complete Collection (Illustrated, Unabridged) 5 Books Peter & Wendy, The Little White Bird, Peter in Kensington Gardens, Sentimental Tommy, Courage (iReign Classic Anthologies Book 1))
You ladies who are everything to your husbands, save a girl from the dream of youth, have you never known that double-chinned industrious man laugh suddenly in a reverie and start up, as if he fancied he were being hailed from far away?
J.M. Barrie (The Little White Bird; Or, Adventures in Kensington Gardens (German Edition))
And in the end, you know, he flew away. Twice he came back from the window, wanting to kiss his mother, but he feared the delight of it might waken her, so at last he played her a lovely kiss on his pipe, and then he flew back to the Gardens
J.M. Barrie (The Little White Bird; Or, Adventures in Kensington Gardens (German Edition))
Peter became very clever at helping the birds to build their nests; soon he could build better than a wood-pigeon, and nearly as well as a blackbird, though never did he satisfy the finches, and he made nice little water-troughs near the nests and dug up worms for the young ones with his fingers. He also became very learned in bird-lore, and knew an east wind from a west wind by its smell, and he could see the grass growing and hear the insects walking about inside the tree-trunks.
J.M. Barrie (Peter Pan in Kensington Gardens)
Maimie said aghast, ‘I can’t believe it. You see, when you went away your mother had none, but my mother has Tony, and surely they are satisfied when they have one.’ Peter replied bitterly, ‘You should see the letters Solomon gets from ladies who have six.
J.M. Barrie (Peter Pan in Kensington Gardens)
I seem to remember carrying him that evening to the window with uncommon tenderness (following the setting sun that was to take him away), and telling him with not unnatural bitterness that he had got to leave me because another child was in need of all his pretty things; and as the sun, his true father, lapt him in its dancing arms, he sent his love to a lady of long ago whom he called by the sweetest of names, not knowing in his innocence that the little white birds are the birds that never have a mother. I wished (so had the phantasy of Timothy taken possession of me) that before he went he could have played once in the Kensington Gardens, and have ridden on the fallen trees, calling gloriously to me to look; that he could have sailed on paper-galleon on the Round Pond; fain would I have had him chase one hoop a little way down the laughing avenues of childhood, where memory tells us we run but once, on a long summer-day, emerging at the other end as men and women with all the fun to pay for; and I think (thus fancy wantons with me in these desolate champers) he knew my longings, and said with a boy-like flush that the reason he never did these things was not that he was afraid, for he would have loved to do them all, but because he was not quite like other boys; and, so saying, he let go my finger and faded from before my eyes into another and olden ether; but I shall ever hold that had he been quite like the other boys there would have been none braver than my Timothy
J.M. Barrie (The Little White Bird; Or, Adventures in Kensington Gardens (German Edition))
London is a friend whom I can leave knowing without doubt that she will be the same to me when I return, to-morrow or forty years hence, and that, if I do not return, she will sing the same song to inheritors of my happy lot in future generations. Always, whether sleeping or waking, I shall know that in Spring the sun rides over the silver streets of Kensington, and that in the Gardens the shorn sheep find very green pasture. Always the plaited threads of traffic will wind about the reel of London; always as you up Regent Street from Pall Mall and look back, Westminster will rise with you like a dim sun over the horizon of Whitehall. That dive down Fleet Street and up to the black and white cliffs of St. Paul's will for ever bring to mind some rumour of romance. There is always a romance that we leave behind in London, and always London enlocks that flower for us, and keeps it fresh, so that when we come back we have our romance again.
Stella Benson (This Is the End)
Now I myself, I cheerfully admit, feel that enormity in Kensington Gardens as something quite natural. I feel it so because I have been brought up, so to speak, under its shadow; and stared at the graven images of Raphael and Shakespeare almost before I knew their names; and long before I saw anything funny in their figures being carved, on a smaller scale, under the feet of Prince Albert. I even took a certain childish pleasure in the gilding of the canopy and spire, as if in the golden palace of what was, to Peter Pan and all children, something of a fairy garden. So do the Christians of Jerusalem take pleasure, and possibly a childish pleasure, in the gilding of a better palace, besides a nobler garden, ornamented with a somewhat worthier aim. But the point is that the people of Kensington, whatever they might think about the Holy Sepulchre, do not think anything at all about the Albert Memorial. They are quite unconscious of how strange a thing it is; and that simply because they are used to it. The religious groups in Jerusalem are also accustomed to their coloured background; and they are surely none the worse if they still feel rather more of the meaning of the colours. It may be said that they retain their childish illusion about their Albert Memorial. I confess I cannot manage to regard Palestine as a place where a special curse was laid on those who can become like little children. And I never could understand why such critics who agree that the kingdom of heaven is for children, should forbid it to be the only sort of kingdom that children would really like; a kingdom with real crowns of gold or even of tinsel. But that is another question, which I shall discuss in another place; the point is for the moment that such people would be quite as much surprised at the place of tinsel in our lives as we are at its place in theirs. If we are critical of the petty things they do to glorify great things, they would find quite as much to criticise (as in Kensington Gardens) in the great things we do to glorify petty things. And if we wonder at the way in which they seem to gild the lily, they would wonder quite as much at the way we gild the weed.
G.K. Chesterton (The New Jerusalem)
The Prime Minister, who was in close contact with the Queen and Prince Charles, captured the feelings of loss and despair when he spoke to the nation earlier in the day from his Sedgefield constituency. Speaking without notes, his voice breaking with emotion, he described Diana as a ‘wonderful and warm human being.’ ‘She touched the lives of so many others in Britain and throughout the world with joy and with comfort. How difficult things were for her from time to time, I’m sure we can only guess at. But people everywhere, not just here in Britain, kept faith with Princess Diana. They liked her, they loved her, they regarded her as one of the people. She was the People’s Princess and that is how she will stay, how she will remain in all our hearts and memories for ever.’ While his was the first of many tributes which poured in from world figures, it perfectly captured the mood of the nation in a historic week which saw the British people, with sober intensity and angry dignity, place on trial the ancient regime, notably an elitist, exploitative and male-dominated mass media and an unresponsive monarchy. For a week Britain succumbed to flower power, the scent and sight of millions of bouquets a mute and telling testimony to the love people felt towards a woman who was scorned by the Establishment during her lifetime. So it was entirely appropriate when Buckingham Palace announced that her funeral would be ‘a unique service for a unique person’. The posies, the poems, the candles and the cards that were placed at Kensington Palace, Buckingham Palace and elsewhere spoke volumes about the mood of the nation and the state of modern Britain. ‘The royal family never respected you, but the people did,’ said one message, as thousands of people, most of whom had never met her, made their way in quiet homage to Kensington Palace to express their grief, their sorrow, their guilt and their regret. Total strangers hugged and comforted each other, others waited patiently to lay their tributes, some prayed silently. When darkness fell, the gardens were bathed in an ethereal glow from the thousands of candles, becoming a place of dignified pilgrimage that Chaucer would have recognized. All were welcome and all came, a rainbow of coalition of young and old of every colour and nationality, East Enders and West Enders, refugees, the disabled, the lonely, the curious, and inevitably, droves of tourists. She was the one person in the land who could connect with those Britons who had been pushed to the edges of society as well as with those who governed it.
Andrew Morton (Diana: Her True Story in Her Own Words)
During a recent lunch with a close friend who is also the mother of two young children, Diana told of an incident which underlines not only the current state of her relationship with her husband but also the protective nature of her son William. She told her friend that the week that Buckingham Palace decided to announce the separation of the Duke and Duchess of York was understandably a trying time for her. She had lost an amicable companion and was acutely aware that the public spotlight would once again fall on her marriage. Yet her husband seemed unmoved by the furore surrounding the separation. He had spent a week touring various stately homes, gathering material for a book he is writing on gardening. When he returned to Kensington Palace he failed to see why his wife should feel strained and rather depressed. He airily dismissed the departure of the Duchess of York and launched, as usual, into a disapproving appraisal of Diana’s public works, especially her visit to see Mother Teresa in Rome. Even their staff, by now used to these altercations, were dismayed by this attitude and felt some sympathy when Diana told her husband that unless he changed his attitude towards her and the job she is doing she would have to reconsider her position. In tears, she went upstairs for a bath. While she was regaining her composure, Prince William pushed a handful of paper tissues underneath the bathroom door. “I hate to see you sad,” he said.
Andrew Morton (Diana: Her True Story in Her Own Words)
ocultada a la Cruz Roja Internacional, se ubicó en lo que ahora es el exclusivo barrio de Kensington Palace Gardens, el más caro de Londres. Sus casas, de una antigüedad de un siglo y medio, se levantan en terrenos
Jesús Hernández (100 historias secretas de la Segunda Guerra Mundial (Tempus) (Spanish Edition))
They say Louise has ordered the windows of the palace bricked up to stop Lorne escaping into Kensington Gardens to tryst with soldiers. Whether it is true or not, I can tell you that Louise has been unhappy. And an unhappy wife is a dangerous creature.
Deanna Raybourn (A Perilous Undertaking (Veronica Speedwell, #2))
The aunts owned a mansion flat in Kensington with a hundred steps. As for the garden, there wasn’t one:
Rachel Joyce (Miss Benson's Beetle)
Meredith Etherington-Smith Meredith Etherington-Smith became an editor of Paris Vogue in London and GQ magazine in the United States during the 1970s. During the 1980s, she served as deputy and features editor of Harpers & Queen magazine and has since become a leading art critic. Currently, she is editor in chief of Christie’s magazine. She is also a noted artist biographer; her book on Salvador Dali, The Persistence of Memory, was an international bestseller and was translated into a dozen languages. Her drawing room that morning was much like any comfortable, slightly formal drawing room to be found in country houses throughout England: the paintings, hung on pale yellow walls, were better; the furniture, chintz-covered; the flowers, natural garden bouquets. It was charming. And so was she, as she swooped in from a room beyond. I had never seen pictures of her without any makeup, with just-washed hair and dressed in jeans and a white T-shirt. She looked more vital, more beautiful, than any photograph had ever managed to convey. She was, in a word, staggering; here was the most famous woman in the world up close, relaxed, funny, and warm. The tragic Diana, the royal Diana, the wronged Diana: a clever, interesting person who wasn’t afraid to say she didn’t know how an auction sale worked, and would it be possible to work with me on it? “Of course, ma’am,” I said. “It’s your sale, and if you would like, then we’ll work on it together to make the most money we can for your charities.” “So what do we do next?” she asked me. “First, I think you had better choose the clothes for sale.” The next time I saw her drawing room, Paul Burrell, her butler, had wheeled in rack after rack of jeweled, sequined, embroidered, and lacy dresses, almost all of which I recognized from photographs of the Princess at some state event or gala evening. The visible relics of a royal life that had ended. The Princess, in another pair of immaculately pressed jeans and a stripy shirt, looked so different from these formal meringues that it was almost laughable. I think at that point the germ of an idea entered my mind: that sometime, when I had gotten to know her better and she trusted me, I would like to see photographs of the “new” Princess Diana--a modern woman unencumbered by the protocol of royal dress. Eventually, this idea led to putting together the suite of pictures of this sea-change princess with Mario Testino. I didn’t want her to wear jewels; I wanted virtually no makeup and completely natural hair. “But Meredith, I always have people do my hair and makeup,” she explained. “Yes ma’am, but I think it is time for a change--I want Mario to capture your speed, and electricity, the real you and not the Princess.” She laughed and agreed, but she did turn up at the historic shoot laden with her turquoise leather jewel boxes. We never opened them. Hair and makeup took ten minutes, and she came out of the dressing room looking breathtaking. The pictures are famous now; they caused a sensation at the time. My favorite memory of Princess Diana is when I brought the work prints round to Kensington Palace for her to look at. She was so keen to see them that she raced down the stairs and grabbed them. She went silent for a moment or two as she looked at these vivid, radiant images. Then she turned to me and said, “But these are really me. I’ve been set free and these show it. Don’t you think,” she asked me, “that I look a bit like Marilyn Monroe in some of them?” And laughed.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
I can bear anything as long as I can have a bit of a laugh,” she told herself as she hurried down the street. She walked on, drawing in great deep breaths of the crisp, damp air. She walked all the way to Kensington Gardens and turned in to walk beside the Long Water. She hadn’t intended to go there, but whenever she needed to think, she found herself on the west side of the Serpentine in the leafy glade that sheltered the statue of Peter Pan. It had appeared overnight on May Day morning of 1912. ... Evie had hurried along to the park that May Day morning, as delighted as any child. Peter Pan was her dearest childhood friend, and watching him fly from the stage of the Duke of York’s theatre was her last truly happy memory, the only one unencumbered by the loss of her parents, the endless moving from place to place, from relation to relation as she was passed around like a hand-me-down garment that was nice enough but didn’t quite fit. Peter Pan was the last time she had fit, and whenever she felt low, her steps always carried her back to the little glade in Kensington Gardens where the boy who wouldn’t grow up waited.
Deanna Raybourn (Whisper of Jasmine (City of Jasmine, #0.5))
Avere tutta l'aria di essere dei poliziotti quando si pensa di non sembrare dei poliziotti è un requisito indispensabile del loro mestiere
Rodrigo Fresán (Kensington Gardens)
Kitaplar düşe kalka, şaşırtıcı bir sürat ve çeviklikle kendi içimize doğru ormanlarda koşmaya başladığımız bir yer, bir firar noktasıdır.
Rodrigo Fresán (Kensington Gardens)
Bunlar Tarih'in iyice tarihi hale geldiği yıllardır. Ya da histerik yıllar. On yıllara bedel yıllar vardır, bir asırdan daha ağır on yıllar vardır. Bir de zamansa koşulların ötesine geçip başka bir şeye; birer gezegene, koca birer evrene dönüşen devirler vardır.
Rodrigo Fresán (Kensington Gardens)
In the meantime, Pat was enjoying his first solo conversation with Diana. Previously, he’d seen her only twice at our flat in London in 1980 and again at the prewedding ball in 1981. Pat had been waiting on the palace driveway by our car. Diana’s butler had come out and asked, “Are you Mr. Robertson?” Then he graciously said, “Please come inside.” Pat expected to be shown into the entrance hall to wait more comfortably. He was pleasantly surprised to be led upstairs into Diana’s elegant drawing room. There, Diana’s butler gave him coffee and the newspaper to read while Diana and I finished our tete-a-tete. Pat was caught unawares when Diana breezed in to see him. Pat is six feet three inches tall, but he was struck by Diana’s height and by her natural good looks and vitality. He stood up, saying “Gosh, I don’t know what to call you.” Diana, unassuming and direct as always, replied, “Diana’s just fine.” They sat down together and had a short visit. Pat recalls that they talked about children, hers and ours, and our travel plans for Wales and Scotland. He couldn’t get over how unaffected and natural she was. He was thrilled finally to visit with the wonderful Diana I’d been talking about for years. Pat asked if we’d taken any photographs yet. Diana said, “Yes, but would you like to take another one outside in the garden?” I had finished my coffee and the children had returned from their tour, so we all walked downstairs and out onto the front courtyard and lawn. With my camera, Pat took a picture of Diana standing with the children and me. Then Diana asked one of her staff, who was standing nearby, to use my camera so that Pat could be in a photograph. Then with hugs and good wishes all around, we returned to our car and drove slowly from Kensington Palace. I hated to leave Diana, not knowing when, or even if, we’d see her again.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
At the same time High Society was still buzzing about her impromptu performance on the stage of the Royal Opera House, Covent Garden with the ballet star Wayne Sleep. They had secretly choreographed a routine to Billy Joel’s song “Uptown Girl” using her drawing-room at Kensington Palace as their rehearsal studio. Prince Charles watched the Gala performance from the royal box oblivious to his wife’s plan. Two numbers before the end she left his side and changed into a silver silk dress before Wayne beckoned her on stage. The audience let out a collective gasp of astonishment as they went through their routine. They took eight curtain calls, Diana even dropping a curtsey to the royal box.
Andrew Morton (Diana: Her True Story in Her Own Words)
on their way home from an orgy.
J.M. Barrie (Peter Pan: The Complete Collection (Illustrated, Unabridged) 5 Books Peter & Wendy, The Little White Bird, Peter in Kensington Gardens, Sentimental Tommy, Courage (iReign Classic Anthologies Book 1))