Kennedy Funny Quotes

We've searched our database for all the quotes and captions related to Kennedy Funny. Here they are! All 83 of them:

Penises! Sweet Jesus. Penises everywhere. Horror slams into me as I register what I'm seeing. Oh God. I've stumbled onto a penis convention. Big penises and small penises and fat penises and penis-shaped penises. It doesn't matter which direction I move my head because everywhere I look I see penises.
Elle Kennedy (The Deal (Off-Campus, #1))
You have the maturity of a 14-year-old boy!“ Kennedy hisses. "And you have the chest of one.
Emma Chase (Appealed (The Legal Briefs, #3))
I happen to be a fantastic kisser. Sadly, you will never get to find out.” “Never say never,” he answers in a singsong voice. “Thanks for that, Justin Bieber. But yeah, not going to happen, dude.
Elle Kennedy (The Deal (Off-Campus, #1))
Kenji-"“So the minute you opened your mouth you just shattered all his dreams, huh?” Juliette- “I will push you off the roof.” Kenji-“Yeah, I can definitely see why Adam wouldn’t like you.
Tahereh Mafi
I like the color of smart, the shade of funny, and sexy is my favorite hue.
Kennedy Ryan (Flow (Grip, #0.5))
Anyway, this girl... she's the love of my life. She's smart and funny and unbelievably compassionate. She forgives people even when they don't deserve it. She-" "Good lay?" Pace interrupts. "Oh yeah. The best.
Elle Kennedy (The Mistake (Off-Campus, #2))
You’re not allowed to get pregnant until you’re at least thirty. I’m not ready to be an uncle.” “Oh my God. Life isn’t always about you!” They stand there bickering as if I’m not bent in half on the marble floor, gasping for air. “I’m not having kids with you,” I wheeze at Summer. “I don’t want to be part of your insane family.” “Oh hush, sweetie. It’s too late. I’ve become attached.
Elle Kennedy (The Chase (Briar U, #1))
And all those things you listed right now, they’re things Garrett and I do together. Dude, you don’t want me. You want me and Garrett.
Elle Kennedy (The Mistake (Off-Campus, #2))
The warmth grew uncomfortable. She gripped the tree trunk tighter and prayed, “Christ, my God, set my heart on fire with love of you. That in its flame, I may love you with all my heart, all my mind, all my soul, and all my strength, and my neighbor as myself. So that by keeping your commandments, I may glorify you, the giver of every good and perfect gift. Amen.” Set my heart on fire. It was almost funny, given what was about to happen.
John Patrick Kennedy (Princess Dracula (Princess Dracula #1))
So you’ll have to wait for approval from your grandchildren.” “I wonder what our grandchildren will be like!” “Are you suggesting by that ‘our’ that you and I will have mutual grandchildren? Fie, Mrs. Kennedy!
Margaret Mitchell
someone like Grace. Someone exactly like Grace, with her Ted Bundy rants and her calming presence and—hello, irony.
Elle Kennedy (The Mistake (Off-Campus, #2))
I don’t know. I think I’ve seen this movie, and it doesn’t turn out so well for me.” I smiled at that, even though she hadn’t meant it to be funny. “How much you want to bet? I’m sure you’ve seen nature shows on alpha males or pack leaders or whatever—the whole flock of sheep thing, right?” I turned my smile extra confident because I know it annoys her when I act cocky. “Aves,Grayson Kennedy is at the top of the Spanish Fork High food chain. I’m the king of the jungle. My friends will like you because I like you.
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
Are you gonna talk to her after the game?” Hollis asks expectantly. “Or do we need to bring out a shotgun and—” “Relax, you don’t have to make me talk to her at gunpoint,” I say with a chuckle. “What?” His expression is puzzled. “I was going to say we’d clock you in the back of the head with the shotgun, knock some sense into you.” I turn to Fitzgerald, who shrugs and says, “His brain operates on a level us mortals can’t comprehend.
Elle Kennedy (The Risk (Briar U, #2))
Funny how the words he doesn't say can sting more than the ones he does.
Kennedy Ryan (Before I Let Go (Skyland, #1))
His eyes are a hazy swirl of gray, like a thick mass of clouds gathering before an impending storm
Elle Kennedy (The Deal (Off-Campus, #1))
Tuck's home, so I suggest we use our indoor voices.
Elle Kennedy (The Deal (Off-Campus, #1))
She’s something rare—smart, classy, gorgeous, funny, opinionated, and under it all, where she tries to hide it, kind. And burrowed beneath all of that, vulnerable. She isn’t the kind of girl you mess over.
Kennedy Ryan (Flow (Grip, #0.5))
I broke up with her to avoid getting into a serious relationship with her, and now it
Elle Kennedy (The Mistake (Off-Campus, #2))
IT HAS TO DO WITH ALL OF US,” said Owen Meany, when I called him that night. “SHE WAS JUST LIKE OUR WHOLE COUNTRY—NOT QUITE YOUNG ANYMORE, NOT BUT OLD EITHER; A LITTLE BREATHLESS, VERY BEAUTIFUL, MAYBE A LITTLE STUPID, MAYBE A LOT SMARTER THAN SHE SEEMED. AND SHE WAS LOOKING FOR SOMETHING—I THINK SHE WANTED TO BE GOOD. LOOK AT THE MEN IN HER LIFE—JOE DIMAGGIO, ARTHUR MILLER, MAYBE THE KENNEDYS. LOOK AT HOW GOOD THEY SEEM! LOOK AT HOW DESIRABLE SHE WAS! THAT’S WHAT SHE WAS: SHE WAS DESIRABLE. SHE WAS FUNNY AND SEXY—AND SHE WAS VULNERABLE, TOO. SHE WAS NEVER QUITE HAPPY, SHE WAS ALWAYS A LITTLE OVERWEIGHT. SHE WAS JUST LIKE OUR WHOLE COUNTRY,” he repeated; he was on a roll. I could hear Hester playing her guitar in the background, as if she were trying to improvise a folk song from everything she said. “AND THOSE MEN,” he said. “THOSE FAMOUS, POWERFUL MEN—DID THEY REALLY LOVE HER? AND DID THEY TAKE CARE OF HER? IF SHE WAS EVER WITH THE KENNEDYS, THEY COULDN’T HAVE LOVED HER—THEY WERE JUST USING HER, THEY WERE JUST BEING CARELESS AND TREATING THEMSELVES TO A THRILL. THAT’S WHAT POWERFUL MEN DO TO THIS COUNTRY—IT’S A BEAUITFUL, SEXY, BREATHLESS COUNTRY, AND POWERFUL MEN USE IT TO TREAT THEMSELVES TO A THRILL! THEY SAY THEY LOVE IT BUT THEY DON’T MEAN IT. THEY SAY THINGS TO MAKE THEMSELVES APPEAR GOOD—THEY MAKE THEMSELVES APPEAR MORAL. THAT”S WHAT I THOUGHT KENNEDY WAS: A MORALIST. BUT HE WAS JUST GIVING US A SNOW JOB, HE WAS JUST BEING A GOOD SEDUCER. I THOUGHT HE WAS A SAVIOR. I THOUGHT HE WANTED TO USE HIS POWER TO DO GOOD. BUT PEOPLE WILL SAY AND DO ANYTHING JUST TO GET THE POWER; THEN THEY’LL USE THE POWER JUST TO GET A THRILL. MARILYN MONROE WAS ALWAYS LOOKING FOR THE BEST MAN—MAYBE SHE WANTED THE MAN WITH THE MOST INTEGRITY, MAYBE SHE WANTED THE MAN WITH THE MOST ABILITY TO DO GOOD. AND SHE WAS SEDUCED, OVER AND OVER AGAIN—SHE GOT FOOLED, SHE WAS TRICKED, SHE GOT USED, SHE WAS USED UP. JUST LIKE THE COUNTRY. THE COUNTRY WANTS A SAVIOR. THE COUNTRY IS A SUCKER FOR POWERFUL MEN WHO LOOK GOOD. WE THINK THEY’RE MORALISTS AND THEN THEY JUST USE US. THAT'S WHAT’S GOING TO HAPPEN TO YOU AND ME,” said Owen Meany. “WE’RE GOING TO BE USED.
John Irving (A Prayer for Owen Meany)
He looks at the bathtub, where I’m lounging like Cleo-fucking-patra. He looks at the bubbles surrounding my body like a fluffy white cloud. And then he looks at Winston. “Dude,” I blurt out. “It’s not what it looks like.” “Nope, nope, nope, I don’t want to know!” Logan throws his hands in the air and starts backing toward the door as if he accidentally walked into a lion’s den. He halts. Snatches his pants off the rack. Continues backing away. His eyes once again focus on the pink dildo two inches from my hand. I try again. “I promise you, it’s not—” “I don’t want to know.
Elle Kennedy (The Score (Off-Campus, #3))
I failed. I fucking failed. For fifteen years, Timothy Lane handed out A’s like mints. The year I take the class? Lane’s ticker quits ticking, and I get stuck with Pamela Tolbert. It’s official. The woman is my archenemy. Just the sight of her flowery handwriting—which fills up every inch of available space in the margins of my midterm—makes me want to go Incredible Hulk on the booklet and rip it to shreds.
Elle Kennedy (The Deal (Off-Campus, #1))
You’re not going to ask me to be your partner?” Rather than answer, Diana starts to laugh. “What’s so funny?” “You thought I would actually ask you.
Elle Kennedy (The Dixon Rule (Campus Diaries, #2))
Being me is a job — is labour so time-consuming and expensive that I have to have a second job just to support it. So that I can drink, I have to get drink and that isn’t something people give away and then there’s drink that I need because I have drunk and the other drink I have to keep around because, sooner or later, I will drink it. That’s a full-time occupation: that’s like being a miner, or a nurse.
A.L. Kennedy (Paradise)
I grin at her enthusiasm. “Did you like the little gun-finger I flashed you after that goal? All for you, baby.” She grins back. “Sorry to burst your bubble, but you were actually pointing at the old guy a few seats over. He totally freaked out and started shouting to everyone that you scored that goal for him, and then I heard him ask his wife if maybe you knew that he was just diagnosed with diabetes, so I didn’t have the heart to tell him who the goal was really for.” I break down in laughter. “Why is nothing ever simple with us?” “Hey,” she protests. “We’re more interesting this way.” I can’t argue with that.
Elle Kennedy
Hey. You know Twilight?” He blinks.“Excuse me?” “Twilight. The vampire book.” His wary eyes study my face. “What about it?” “Okay, so you know how Bella’s blood is extra special? Like how it gives Edward a raging boner every time he’s around her?” “Are you fucking with me right now?” I ignore that. “Do you think it happens in real life? Pheromones and all that crap. Is it a bullshit theory some horndog dreamed up so he could justify why he’s attracted to his mother or some shit? Or is there actually a biological reason why we’re drawn to certain people? Like goddamn Twilight. Edward wants her on a biological level, right?” “Are you seriously dissecting Twilight right now?
Elle Kennedy (The Score (Off-Campus, #3))
- Never. I've gone completely mar for you, Taylor Antonia Marsh. - That's not even my middle name! - It's a middle name and I don't care
Elle Kennedy (The Dare (Briar U, #4))
Chicks like it when you're on your knees.
Elle Kennedy (The Graham Effect (Campus Diaries, #1))
This guy was a real Pscyho' Mr. Levy said. 'To you character is a psychosis, integrity is a complex. I've heard it all before.
John Kennedy Toole (A Confederacy of Dunces)
I like the idea of getting caught.
Elle Kennedy (The Score (Off-Campus, #3))
I try to shake the thought away. “I don’t know what she’s talking about. He’s not nearly handsome enough to tempt me.” No one catches my Pride and Prejudice reference, of course.
Allyson Kennedy (The Crush (The Ballad of Emery Brooks, #1))
SHE WAS JUST LIKE OUR WHOLE COUNTRY—NOT QUITE YOUNG ANYMORE, BUT NOT OLD EITHER; A LITTLE BREATHLESS, VERY BEAUTIFUL, MAYBE A LITTLE STUPID, MAYBE A LOT SMARTER THAN SHE SEEMED. AND SHE WAS LOOKING FOR SOMETHING—I THINK SHE WANTED TO BE GOOD. LOOK AT THE MEN IN HER LIFE—JOE DIMAGGIO, ARTHUR MILLER, MAYBE THE KENNEDYS. LOOK AT HOW GOOD THEY SEEM! LOOK AT HOW DESIRABLE SHE WAS! THAT’S WHAT SHE WAS: SHE WAS DESIRABLE. SHE WAS FUNNY AND SEXY—AND SHE WAS VULNERABLE, TOO. SHE WAS NEVER QUITE HAPPY, SHE WAS ALWAYS A LITTLE OVERWEIGHT. SHE WAS JUST LIKE OUR WHOLE COUNTRY,
John Irving (A Prayer for Owen Meany)
He looks at the bathtub, where I’m lounging like Cleo-fucking-patra. He looks at the bubbles surrounding my body like a fluffy white cloud. And then he looks at Winston. “Dude,” I blurt out. “It’s not what it looks like.” “Nope, nope, nope, I don’t want to know!” Logan throws his hands in the air and starts backing toward the door as if he accidentally walked into a lion’s den. He halts. Snatches his pants off the rack. Continues backing away. His eyes once again focus on the pink dildo two inches from my hand. I try again. “I promise you, it’s not—” “I don’t want to know.
Elle Kennedy (The Score (Off-Campus, #3))
I only see you.” He takes my hand, rubbing his thumb over the inside of my wrist. “Just as you are. I don’t imagine you as some impossible ideal. To me you’re…real.” His lips quirk in a half-smile. “Stubborn, opinionated, pushy, funny, intelligent, kind, too hard on herself, snarky, sarcastic, jaded, yet somehow a closeted optimist. I fell in love with you for you, T. Nothing you could say or do would embarrass me. Ever.
Elle Kennedy (The Dare (Briar U, #4))
Mr. Darcy regains my interest. As if he ever lost it. “Mmhmm, thanks.” The phone clicks back in its charger. My sister springs up from the floor mummy-style. “That traitor!” Okay, Darcy, see you later. I close the book. “Who was that?
Allyson Kennedy (The Crush (The Ballad of Emery Brooks, #1))
I hate you.” He tsks. “Uh uh, don’t lie. Don’t you remember what you said last night? You told me I am, and I quote, your ‘freaking favorite, because I’m funny, and I have dimples that you just want to lick.’” I squint up at him and groan. “Noooo.
Raven Kennedy (Signs of Cupidity (Heart Hassle, #1))
The young activist who recycles Robert F. Kennedy’s line “There are those who look at things the way they are, and ask why . . . I dream of things that never were, and ask why not?” has no idea he’s a walking, talking cliché, a non-conformist in theory while a predictable conformist in fact. But he also has no idea he’s tapping into his inner utopian.... RFK didn’t coin the phrase (JFK didn’t either, but he did use it first). The line actually comes from one of the worst people of the 20th century, George Bernard Shaw (admittedly he’s on the B-list of worst people since he never killed anybody; he just celebrated people who did). That much a lot of people know. But the funny part is the line comes from Shaw’s play Back to Methuselah. Specifically, it’s what the Serpent says to Eve in order to sell her on eating the apple and gaining a kind of immortality through sex (or something like that). Of course, Shaw’s Serpent differs from the biblical serpent, because Shaw — a great rationalizer of evil — is naturally sympathetic to the serpent. Still, it’s kind of hilarious that legions of Kennedy worshippers invoke this line as a pithy summation of the idealistic impulse, putting it nearly on par with Kennedy’s nationalistic “Ask Not” riff, without realizing they’re stealing lines from . . . the Devil. ​I don’t think this means you can march into the local high school, kick open the door to the student government offices with a crucifix extended, shouting “the power of Christ compels you!” while splashing holy water on every kid who uses that “RFK” quote on his Facebook page. But it is interesting.
Jonah Goldberg
It’s so funny,” Hannah muses. “Garrett told me that he and Logan have talked about the two of them in Bruins jerseys ever since freshman year. And now it’s actually happening.” She smiles. “I guess some dreams really do come true.” I follow her gaze, a smile touching my lips as I watch the man I love in the uniform he loves, flying across the ice to the roar of the crowd. “Yep,” I answer softly. “I guess they do.
Elle Kennedy (The Mistake (Off-Campus, #2))
We sat there in silence for a while, just taking in the moment of reflection between us. It’s funny how a woman feels different to a man. They feel nice and soft, but because there isn’t that spark of attraction there it’s more of a sisterly or maternal warmth that you feel from them. It’s wonderful. And it brings out this strange protective streak that seems borne from intuition if you have man parts, regardless of whether your man parts like other men’s parts. And I wanted to protect Fran.
Sean Kennedy (Tigerland (Tigers and Devils, #2))
Kennedy told him she could handle the meeting, but he had his doubts. It wasn’t that he didn’t think her capable. While it was perfectly fine to send people off with messages, words had a funny way of being interpreted differently by different people, often in a way that gave them the outcome they were seeking. And there was a very real chance that his old friend would steamroll her. Even so, his desk was full and he did not want to go through the deceptions it would take to actually get to the meeting.
Vince Flynn (American Assassin (Mitch Rapp, #1))
Jesus… is this about him? Hastings?” “No, this is about you.” She points at me. “You and your innocent act… and your money, and your things. The words you say—the jokes, the laughs, the smiles you give her that she eats right up, and ugh, your face.” “My face?” “Your stupid fucking face,” she says, running her hands through her hair as she groans, those words startling me. Kennedy doesn’t curse. “Your face is everywhere. I’m sick of it!” “You’re sick of my face.” “Yes!” “There’s not much I can do about that.” “You can get out of my head,” she says. “Stop being there all the time!” I laugh at that, because it’s so damn absurd, but that’s the wrong thing to do. Her eyes narrow as she stares me down, looking like she wants to hit me right now. “I hate you,” she says, her voice shaking. “I’ve never hated someone as much as I hate you, Jonathan.” Those words, they wake me right up. I’m no longer laughing. There’s nothing funny about it. I got under her skin, and with the two of us already on shaky ground, I know that’s dangerous. She turns to leave, like she’s going to walk away, but I grab her arm to stop her. “Come on, don’t be like that…” “Don’t touch me,” she says, ripping from my grasp. I let go as I stand up, stepping toward her. “Just… wait a minute… talk to me.” “There’s nothing left to say.” “I’ll be goddamned.” I grab her arm again before she can walk out. “You can’t tell me you hate me and then leave. That’s bullshit. You bust up in here while I’m asleep to yell at me…” “You deserve it!” “Maybe so, but still…” “Still nothing,” she says, turning to me again, getting right in my face. “I hate you. That’s it. There’s nothing else to say. I hate everything about you. Your voice, your face… I hate it. Why aren’t you going away?” “Because I can’t,” I tell her, “and I’m pretty sure you don’t really want me to.” She scoffs. “You’re upset,” I say, “but you’re lying to yourself if you think you want me gone.” “I do.” “You don’t.” “Leave.” “No.” “Go away.” “I’m not.” As soon as that last word leaves my lips, she’s on me, slamming into me, her lips pressing against mine. She’s kissing me, and I’m so fucking stunned that it takes me a moment to react, a moment to consider kissing her back. She moans and wraps her arms around my neck, clinging to me damn near aggressively as she kicks the door closed.
J.M. Darhower (Ghosted)
(Owen speaks in all caps throughout the story) "SHE WAS JUST LIKE OUR WHOLE COUNTRY - NOT QUITE YOUNG ANYMORE, BUT NOT OLD EITHER; A LITTLE BREATHLESS, VERY BEAUTIFUL, MAYBE A LITTLE STUPID, MAYBE A LOT SMARTER THAN SHE SEEMED. AND SHE WAS LOOKING FOR SOMETHING - I THINK SHE WANTED TO BE GOOD. LOOK AT THE MEN IN HER LIFE - JOE DIMAGGIO, ARTHUR MILLER, MAYBE THE KENNEDYS. LOOK AT HOW GOOD THEY SEEM. LOOK AT HOW DESIREABLE SHE WAS! THAT'S WHAT SHE WAS: SHE WAS DESIREABLE, SHE WAS FUNNY AND SEXY - AND SHE WAS VULNERABLE, TOO. SHE WAS NEVER QUITE HAPPY, SHE WAS ALWYAS A LITTLE OVERWEIGHT. SHE WAS JUST LIKE OUR WHOLE COUNTRY... THOSE FAMOUS, POWERFUL MEN - DID THEY REALLY LOVE HER? DID THEY TAKE CARE OF HER? IF SHE WAS EVER WITH THE KENNEDYS, THEY COULDN'T HAVE LOVED HER - THEY WERE JUST USING HER. THEY WERE JUST BEING CARELESS AND TREATING THEMSELVES TO A THRILL. THAT'S WHAT POWERFUL MEN DO TO THIS COUNTRY - IT'S A BEAUTIFUL, SEXY, BREATHLESS COUNTRY, AND POWERFUL MEN USE IT TO TREAT THEMSELVES TO A THRILL! THEY SAY THEY LOVE IT BUT THEY DON'T MEAN IT. THEY SAY THINGS TO MAKE THEMSELVES APPEAR GOOD - THEY MAKE THEMSELVES APPEAR MORAL... BUT PEOPLE WILL SAY AND DO ANYTHING JUST TO GET THE POWER; THEN THEY'LL USE THE POWER JUST TO GET A THRILL. MARILYN MONROE WAS ALWAYS LOOKING FOR THE BEST MAN - MAYBE SHE WANTED THE MAN WITH THE MOST INTEGRITY, MAYBE SHE WANTED THE MAN WITH THE MOST ABILITY TO DO GOOD. AND SHE WAS SEDUCED, OVER AND OVER AGAIN - SHE GOT FOOLED, SHE WAS TRICKED, SHE GOT USED, SHE WAS USED UP. JUST LIKE THE COUNTRY. THE COUNTRY WANTS A SAVIOR. THE COUNTRY IS A SUCKER FOR POWERFUL MEN WHO LOOK GOOD. WE THINK THEY'RE MORALISTS AND THEN THEY JUST USE US. ..
John Irving (A Prayer for Owen Meany)
what could Marilyn Monroe’s death ever have to do with me? “IT HAS TO DO WITH ALL OF US,” said Owen Meany, when I called him that night. “SHE WAS JUST LIKE OUR WHOLE COUNTRY—NOT QUITE YOUNG ANYMORE, BUT NOT OLD EITHER; A LITTLE BREATHLESS, VERY BEAUTIFUL, MAYBE A LITTLE STUPID, MAYBE A LOT SMARTER THAN SHE SEEMED. AND SHE WAS LOOKING FOR SOMETHING—I THINK SHE WANTED TO BE GOOD. LOOK AT THE MEN IN HER LIFE—JOE DIMAGGIO, ARTHUR MILLER, MAYBE THE KENNEDYS. LOOK AT HOW GOOD THEY SEEM! LOOK AT HOW DESIRABLE SHE WAS! THAT’S WHAT SHE WAS: SHE WAS DESIRABLE. SHE WAS FUNNY AND SEXY—AND SHE WAS VULNERABLE, TOO. SHE WAS NEVER QUITE HAPPY, SHE WAS ALWAYS A LITTLE OVERWEIGHT. SHE WAS JUST LIKE OUR WHOLE COUNTRY,” he repeated; he was on a roll. I could hear Hester playing her guitar in the background, as if she were trying to improvise a folk song from everything he said. “AND THOSE MEN,” he said. “THOSE FAMOUS, POWERFUL MEN—DID THEY REALLY LOVE HER? DID THEY TAKE CARE OF HER? IF SHE WAS EVER WITH THE KENNEDYS, THEY COULDN’T HAVE LOVED HER—THEY WERE JUST USING HER, THEY WERE JUST BEING CARELESS AND TREATING THEMSELVES TO A THRILL. THAT’S WHAT POWERFUL MEN DO TO THIS COUNTRY—IT’S A BEAUTIFUL, SEXY, BREATHLESS COUNTRY, AND POWERFUL MEN USE IT TO TREAT THEMSELVES TO A THRILL! THEY SAY THEY LOVE IT BUT THEY DON’T MEAN IT. THEY SAY THINGS TO MAKE THEMSELVES APPEAR GOOD—THEY MAKE THEMSELVES APPEAR MORAL. THAT’S WHAT I THOUGHT KENNEDY WAS: A MORALIST. BUT HE WAS JUST GIVING US A SNOW JOB, HE WAS JUST BEING A GOOD SEDUCER. I THOUGHT HE WAS A SAVIOR. I THOUGHT HE WANTED TO USE HIS POWER TO DO GOOD. BUT PEOPLE WILL SAY AND DO ANYTHING JUST TO GET THE POWER; THEN THEY’LL USE THE POWER JUST TO GET A THRILL. MARILYN MONROE WAS ALWAYS LOOKING FOR THE BEST MAN—MAYBE SHE WANTED THE MAN WITH THE MOST INTEGRITY, MAYBE SHE WANTED THE MAN WITH THE MOST ABILITY TO DO GOOD. AND SHE WAS SEDUCED, OVER AND OVER AGAIN—SHE GOT FOOLED, SHE WAS TRICKED, SHE GOT USED, SHE WAS USED UP. JUST LIKE THE COUNTRY. THE COUNTRY WANTS A SAVIOR. THE COUNTRY IS A SUCKER FOR POWERFUL MEN WHO LOOK GOOD. WE THINK THEY’RE MORALISTS AND THEN THEY JUST USE US. THAT’S WHAT’S GOING TO HAPPEN TO YOU AND ME,” said Owen Meany. “WE’RE GOING TO BE USED.
John Irving (A Prayer for Owen Meany)
I am not alone in ranking Fresh Fruit as one of the most important albums to emerge from punk, one of only a handful that genuinely transcended genre – stretching musical and lyrical conventions while making a point, or several dozen, and jabbing funny bones the world over. This is an effort to restore its standing. Or hose off some of the guano. In fact, the history
Alex Ogg (Dead Kennedys: Fresh Fruit for Rotting Vegetables, The Early Years)
Me: Not funny. Get here so we can be done with this. Grip: I’m coming, but you know I come faster when you show me your tits.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
the longest silence ever. Like, find a rope and tie it around your neck and hang your fucking self silence.
Elle Kennedy (The Mistake (Off-Campus, #2))
Kennedy, he gushed, was “graceful, gay, funny, witty, teasing and teasable, forgiving, hungry, incapable of being corny, restless, interesting, interested, exuberant, blunt, profane, and loving.
David Talbot (Brothers: The Hidden History of the Kennedy Years)
I don’t give two shits about your funny story,” mutters Trager. “I’m just saying, this is fucking childish.” “Says the guy with the cartoon tiger tattooed on his back,” Beckett replies with a chuckle. “Staring at that godawful thing is what gave me the idea for that thought experiment.” “You’re seriously trashing my tattoo?” Trager snaps. “A man’s tattoos are sacred.” “So are a man’s eyes, and your tattoo is hurting mine,” drawls Beck.
Elle Kennedy (The Graham Effect (Campus Diaries, #1))
She’s a symbol of class and purity, and I try to model myself after her. Personality-wise. Obviously, when it comes to style, I will forever strive to be Coco Chanel, and I will forever fail because nobody can be Coco Chanel.
Elle Kennedy, The Chase
Ryatt?” I repeat. “As in causing a riot… or you’re so funny you’re a riot?
Raven Kennedy (Goldfinch (The Plated Prisoner, #6))
Loyalty is a good way to get yourself killed.” “Funny,” Wick grinds out, “considering disloyalty is going to be the thing that actually ends you.
Raven Kennedy (Goldfinch (The Plated Prisoner, #6))
When I opened my eyes from my deathbed, Osrik was staring at me like I was a ghost. Like I was a gift. Then he buried his face into my hair and wrapped his arms around me and made me feel something I haven’t ever felt before. Safe. Which is funny, considering I was dying, until, suddenly, I wasn’t.
Raven Kennedy (Goldfinch (The Plated Prisoner, #6))
Then, with great relish, Lyndon Johnson spun a Texas tale. It was his pièce de résistance, the crescendo of an expansive, four-hour performance. “When I got [Kennedy] in the Oval Office,” Johnson began, “and told him it would be ‘inadvisable’ for him to be on the ticket as the Vice President-nominee, his face changed, and he started to swallow. He looked sick. His adam’s apple bounded up and down like a yo-yo.” For effect, the president gulped, audibly, at the reporters. He mimicked Bobby’s “funny voice” and proceeded to tell, in lavish detail and with evident delight, his version of the meeting. Finally, LBJ ran down a list of possible running mates and explained the ways each would hurt his chances. “In other words,” recalled Folliard, “he would do better in the November election if he had no running mate. This left Wicker, Kiker and me baffled—and that is just what the man evidently wanted us to be.” Within days Johnson’s story was the talk of Washington. His portrait of RFK as a “stunned semi-idiot” left columnist Joseph Alsop and other Washington insiders feeling rather stunned themselves. It was not long before the gossip found its way to Bobby Kennedy, who stormed back to the White House and accused the president of mistruths and a violation of trust. I knew the meeting was taped, he said, but I never expected this. Wasn’t our talk a matter of confidence? Aren’t we honorable men? LBJ was unrepentant: I’ve revealed nothing, he assured Kennedy, gesturing wanly at an empty page in his appointment book. He promised to check his notes for any conversations that might have slipped his mind. Bobby stalked out, seething, and caught a plane to Hyannis Port. “He tells so many lies,” Kennedy said of Johnson the next week, echoing the words of George Reedy, “that he convinces himself after a while he’s telling the truth. He just doesn’t recognize truth or falsehood.
Jeff Shesol (Mutual Contempt: Lyndon Johnson, Robert Kennedy, and the Feud that Defined a Decade)
It’s funny, isn’t it?” she later remarked, “all the compliments and nice things in the world can be said to you but if you didn’t hear them as a child—or even thought you didn’t hear them—then you just never believe them.
J. Randy Taraborrelli (Jackie, Janet & Lee: The Secret Lives of Janet Auchincloss and Her Daughters, Jacqueline Kennedy Onassis and Lee Radziwill)
Oh, no. By no means.” Grip leans back, considering me from under heavy eyelids. “I don’t care what color a girl is. I like the color of smart, the shade of funny, and sexy is my favorite hue.
Kennedy Ryan (Flow (Grip, #0.5))
There are three things that are real: God, human folly, and laughter. The first two are beyond our comprehension. So we must do what we can with the third. —John F. Kennedy
Al Gini (The Importance of Being Funny: Why We Need More Jokes in Our Lives)
So what are you going to wear?” I looked at her, wondering if she thought I had suddenly grown a vagina in the past five minutes. “Clothes.
Sean Kennedy (Tigers and Devils (Tigers and Devils #1))
public.” “Sure, why not. Rumor has it you do exactly that in bed,” I tease. Truthfully I have no knowledge of what Kennedy and her boy toy do in or out of the bedroom. Kennedy and Keith have been together forever, or at least as long as she’s been my stepsister for the last four years. “You’re not funny.” She spins her mug, eyeing me like a snake. “You missed my eighties party.” “I’m sorry. Did you dance in the purple rain?” “No we walked like an Egyptian.
Addison Moore (Beautiful Oblivion (Beautiful Oblivion, #1))
She later said, “Sex to Jack [Kennedy] meant no more than a cup of coffee.” How did she know? Did she ever have coffee with him? I have no reason to think so, but in that picture, the president looks like he’s about to start the percolator.
John Dickerson (On Her Trail: My Mother, Nancy Dickerson, TV News' First Woman Star)
Auden’s gone full-blown Lydia “Bennet and accused me of being Lizzie. Which, I don’t mind, but still.” “Plain English here please, Em. You know I don’t speak Austen.” “Neither does she.” I exhale
Allyson Kennedy (The Crush (The Ballad of Emery Brooks, #1))
What song was that? Maybe if you would’ve sung, I would’ve caught on.” I force a laugh. One step at a time, buddy. I don’t even sing for my teddy bears. That’s a different matter entirely.
Allyson Kennedy (The Crush (The Ballad of Emery Brooks, #1))
Sure you don’t. And you didn’t look anything like that Mr. Doolittle in the Pride and Prejudice movie you made me watch.” I cringe. “It’s Mr. Darcy,” I correct her over my shoulder, escaping the chilly morning air by heading to the locker room. “And this situation is not worthy of comparison to that.
Allyson Kennedy (The Crush (The Ballad of Emery Brooks, #1))
Whatever. I’m going to class.” “No, Harriet! You mustn’t flee the premises! Mr. Elton will soon admire thee!” She’s been poking fun at my Austen obsession since she read Emma in English.  I roll my eyes, not bothering to look back at her as I speed walk to Geometry. “Dude, spoiler alert. She doesn’t end up with Elton.
Allyson Kennedy (The Crush (The Ballad of Emery Brooks, #1))
Oh my Lanta. He heard your bad Emma Woodhouse accent.
Allyson Kennedy (The Crush (The Ballad of Emery Brooks, #1))
As I’m sitting down, a spark flashes from the corner of my eye. She lights an unscented candle, the coy smile that Ryanne inherited appearing on her face.  Scratch that again. I’m going to go make a new life for myself in the woods, away from people forever
Allyson Kennedy (The Crush (The Ballad of Emery Brooks, #1))
I don’t think that deserved a smack by your three-ton pocketbook.” I raise my eyebrows. “I don’t know what the code of conduct is back in Bama, but here in good ol’ Linwood County, in our Southern Hospitality Manual, section fifteen subsection seven, it clearly states that rudely ignoring someone warrants a backslap into next week.
Allyson Kennedy (The Crush (The Ballad of Emery Brooks, #1))
It’s funny how we speak of the future like it’s promised.
Kennedy Ryan (Reel (Hollywood Renaissance, #1))
And you chose Machiavelli?” He chuckles, considering me from beneath the long curl of his lashes. “Remind me not to get on your bad side.” “You know much about him?” He pulls his T-shirt up from the hem, and my heart pops an artery or something because it shouldn’t be working this hard while at rest. I swallow hard at the layer of muscle wrapped around his ribs. One pectoral muscle peeks from under the shirt, tipped with the dark disc of his nipple. My mouth literally waters, and I can’t think beyond pulling it between my lips and suckling him. Hard. “Do you see it?” he asks. “Huh?” I reluctantly drag my eyes from the ladder of velvet- covered muscle and sinew to the expectant look on his face. “See what?” “The tattoo.” He runs a finger over the ink scrawled across his ribs. Makavelli. “I hate to break it to you,” I say with a smirk. “But someone stuck you with a permanent typo.” He laughs, dropping the shirt, which is really a shame because I was just learning to breathe with all that masculine beauty on display. “Bristol, stop playing. You know it’s on purpose, right?” “Oh, sure, it is, Grip.” I roll my eyes. “Nice try.” “Are you serious?” He looks at me like I’m from outer space. “You know that’s how Tupac referred to himself on his posthumous album, right? That he misspelled it on purpose?” I clear my throat and scratch at an imaginary itch on the back of my neck. “Um … yes?” His warm laughter at my expense washes over me, and it’s worth being the butt of the joke, because I get to see his face animated. He’s even more handsome when he laughs. “You’re funny.” He laughs again, more softly this time. “I didn’t expect that.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
You telling me you’ve dated a Black guy before?” Surprise colors the look he gives me. Surprise and something else. Something warmer. I wish I could surprise him, but I can’t. “No, I’ve never dated a Black guy.” An imp prompts my next comment. “What am I missing?” The warmth overtakes the surprise in his eyes, spiking to a simmer that heats the gold in his brown eyes molten. “Oh, you don’t want to know.” Grip’s voice goes a shade darker. “It might spoil you for all the others.” “You think so?” A sensual tension sifts into the air between us. “They say once you go Black.” He stretches out his smile. “You won’t go back.” A laugh pops out of my mouth before I can check it. “And that’s your experience? Have you been disappointed by the rest of the female rainbow?” My pulse slows while I wait for him to respond, like if my heart hammers I might miss an inflection in his voice. He puts me on high alert. “Oh, no. By no means.” Grip leans back, considering me from under heavy eyelids. “I don’t care what color a girl is. I like the color of smart, the shade of funny, and sexy is my favorite hue.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
It’s funny how he can make me feel both immense desire and crushing disappointment at the same time.
Raven Kennedy (Gild (The Plated Prisoner, #1))
And some were pretty, some were smart, some were funny. Some probably had square asses. I can’t even remember now.” I frame her face and hold her eyes with a look that goes serious so she’ll know I mean it. “But none of them were you. There’s only ever been one Banner, and her . . . I’ve never been able to forget.” Her smile falls away and she swallows hard. “This blogger bitch person has no idea who you are.” I caress the silky skin covering one high cheekbone. “She has no idea that you’ve always been the girl I liked most, and I don’t even like people.
Kennedy Ryan (Block Shot (Hoops, #2))
Funny how the silhouette of a monster seems to calm my racing heart.
Raven Kennedy (Glint (The Plated Prisoner, #2))
It’s funny. Less than a week ago I was bemoaning the lack of excitement in my life, and now look at me—sexy hockey players showing up at my door to excite the hell out of me.
Elle Kennedy (The Mistake (Off-Campus, #2))
If the guard took three more steps, he’d probably be peeing right on Wick’s head. Might be kind of funny. Laughter threatens to bubble up my throat at the thought, but I bite my lip and hold it down.
Raven Kennedy (Gold (The Plated Prisoner, #5))
I’m only now realizing that often when people say “it’s funny,” they really mean that it’s… sad.
Kennedy Ryan (Can't Get Enough (Skyland, #3))
I don’t care what color a girl is. I like the color of smart, the shade of funny, and sexy is my favorite hue.
Kennedy Ryan (Down to My Soul (Soul, #2))
What are we supposed to be doing?” Lonen whispered, though High Priestess Febe had left the room. “Meditating,” she hissed back. “Yes, I heard that part. What in Arill does that mean?” “Like… praying to your goddess. Silently,” she emphasized. He was quiet for a few breaths, no more. “Now what?” She tried to suppress the laugh, but failed so it choked out in a most unladylike sound. Lonen flashed a grin at her and she shook her head. “Keep doing it. And be quiet—she could come back at any time.” “Why would I keep doing something I already did?” “You’re supposed to be contemplating!” She tried to sound stern, but his complaints so closely echoed hers through the years that she couldn’t manage it. “Contemplate what?” he groused. “I already made the decision about the step I’m about to take. There’s no sense revisiting it.” “Then pretend. It won’t be that much longer.” He stayed quiet for a bit more, though he shifted restlessly, looking around the room and studying the various representations of the moons, looking at her from time to time. That insatiable curiosity of his built, feeding into her sgath, slowly intensifying. She was so keenly aware of him, she knew he’d speak the moment before he did. “You don’t mind?” he asked. “You talking when we’re supposed to be meditating?” “Do you always do what the temple tells you to do?” “Hardly ever,” she admitted. “But appearances are critical. Especially now.” He sighed and was quiet for a while. But his question remained between them, tugging at her like Chuffta pulling her braids when he wanted attention. And it might be some time before Febe returned. She reached out with her sgath to keep tabs on the high priestess, who was indeed still in one of the inner sanctums, no doubt also meditating and preparing herself for the ritual. “We have a little time and I’ll give us warning,” she relented. “Do I mind what?” “Not having a special dress, a big celebration. I don’t have a beah for you.” “What is a beah ?” “A Destrye gifts his bride with a beah and she wears it as a symbol of their marriage. I thought I’d have time to find something to stand in place of it until I can give you a proper one. And that we’d have time to change clothes.” “You look fine—I told you before.” “I look like a Báran,” he grumped, then glared, annoyance sparking when she giggled. “It’s not funny.” “Báran clothes look good on you,” she soothed, much as she would Chuffta’s offended dignity. Perhaps males of all species were the same. “Hey!” She ignored Chuffta’s indignant response. Lonen did look appealing in the silk pants and short-sleeved shirt, even though her sgath mainly showed her his exuberant masculine presence. “Well, you deserve something better than that robe,” he replied. “And more than this hasty ceremony. Arill knows, Natly went on enough about the details of planning…” He trailed off, chagrin coloring his thoughts. “Yeah,” she drawled. “Maybe better to not bring up your fiancée during our actual wedding ceremony.” “Former fiancée,” he corrected. “Really not even that. And this isn’t the ceremony yet—this is waiting around for it to start. My knees are getting sore.” “And here I thought you were the big, bad warrior.” “I am. Big, bad warriors don’t kneel. We charge about, swinging our weapons.” She laughed, shaking her head at him. That good humor of his flickered bright, charming her, banishing his perpetual anger to the shadowed corners of his aura. In the back of her mind, Febe moved. “She’s coming back. Not much longer. Try to school your thoughts.
Jeffe Kennedy (Oria’s Gambit (Sorcerous Moons, #2))
No matter how highly placed they were, they were still officials, their views were well established and well known, famous. It could have rained frogs over Tan Son Nhut and they wouldn’t have been upset; Cam Ranh Bay could have dropped into the South China Sea and they would have found some way to make it sound good for you; the Bo Doi Division (Ho’s Own) could have marched by the American embassy and they would have characterized it as “desperate”—what did even the reporters closest to the Mission Council ever find to write about when they’d finished their interviews? (My own interview with General Westmoreland had been hopelessly awkward. He’d noticed that I was accredited to Esquire and asked me if I planned to be doing “humoristical” pieces. Beyond that, very little was really said. I came away feeling as though I’d just had a conversation with a man who touches a chair and says, “This is a chair,” points to a desk and says, “This is a desk.” I couldn’t think of anything to ask him, and the interview didn’t happen.) I honestly wanted to know what the form was for those interviews, but some of the reporters I’d ask would get very officious, saying something about “Command postures,” and look at me as though I was insane. It was probably the kind of look that I gave one of them when he asked me once what I found to talk about with the grunts all the time, expecting me to confide (I think) that I found them as boring as he did. And just-like-in-the-movies, there were a lot of correspondents who did their work, met their deadlines, filled the most preposterous assignments the best they could and withdrew, watching the war and all its hideous secrets, earning their cynicism the hard way and turning their self-contempt back out again in laughter. If New York wanted to know how the troops felt about the assassination of Robert Kennedy, they’d go out and get it. (“Would you have voted for him?” “Yeah, he was a real good man, a real good man. He was, uh, young.” “Who will you vote for now?” “Wallace, I guess.”) They’d even gather troop reflections on the choice of Paris as the site of the peace talks. (“Paris? I dunno, sure, why not? I mean, they ain’t gonna hold ’em in Hanoi, now are they?”), but they’d know how funny that was, how wasteful, how profane. They knew that, no matter how honestly they worked, their best work would somehow be lost in the wash of news, all the facts, all the Vietnam stories. Conventional journalism could no more reveal this war than conventional firepower could win it, all it could do was take the most profound event of the American decade and turn it into a communications pudding, taking its most obvious, undeniable history and making it into a secret history. And the very best correspondents knew even more than that.
Michael Herr
Ryatt?” I repeat. “As in causing a riot…or you’re so funny you’re a riot?
Raven Kennedy (Goldfinch (The Plated Prisoner, #6))
He glares with intensity. “Funny. That sounded like a threat.” “Oh good. Your ears are working, then.
Raven Kennedy (Gold (The Plated Prisoner, #5))
I find it funny that you so easily accuse me of manipulating you, when you seem to have turned a blind eye to your beloved king doing it for years.
Raven Kennedy (Glint (The Plated Prisoner, #2))
Big Ma was funny, as in hard to figure out. She had loved President John F. Kennedy but hadn’t wanted a Catholic president. She loved keeping up with the Kennedys in the supermarket gossip papers but also loved wagging her finger at them.
Rita Williams-Garcia (P.S. Be Eleven (Gaither Sisters, #2))
Well, Big Ma had gone down to Friendship Baptist Church to hear Senator Kennedy tell the black people they were American citizens who deserved decent homes, decent education for their children, safe neighborhoods, and opportunities. But Big Ma talked more about taking off her glove to shake a Kennedy’s hand than she talked about his speech. You’d have thought Big Ma would’ve been baking cookies for the “Vote for Bobby” office on Fulton Street, the way she talked and talked about Senator Kennedy. But she said she wouldn’t vote for him because his hair was too long and he let people call him Bobby and not Robert. He was too young, talking about changing things in Bedford-Stuyvesant and in every other ghetto. She said that while that sounded good, and the people hollered and clapped for him, he was still a rich, young Catholic boy whose daddy made millions selling liquor.
Rita Williams-Garcia (P.S. Be Eleven (Gaither Sisters, #2))
It’s almost funny how much people will say in front of a woman they only view as a possession.
Raven Kennedy (Gild (The Plated Prisoner, #1))