Keep Your Circle Small Quotes

I don't like ass kissers, flag wavers or team players. I like people who buck the system. Individualists. I often warn people: "Somewhere along the way, someone is going to tell you, 'There is no "I" in team.' What you should tell them is, 'Maybe not. But there is an "I" in independence, individuality and integrity.'" Avoid teams at all cost. Keep your circle small. Never join a group that has a name. If they say, "We're the So-and-Sos," take a walk. And if, somehow, you must join, if it's unavoidable, such as a union or a trade association, go ahead and join. But don't participate; it will be your death. And if they tell you you're not a team player, congratulate them on being observant.

Avoid teams at all cost. Keep your circle small. Never join a group that has a name.

I see you, flawed and humble and road weary and proud and still in spite of the deep ache, somehow sure you’ve done all you can. I see all you feel but cannot speak. I see the way the words grow and swell, expanding your chest and pressing against the confines in your throat until they form the most unbearable pain, and the air around you so heavy with the weight of words unsaid. I see the way your chest caves in and your shoulders curl around and your arms hold your knees so tight that you circle in upon yourself. I see how in spite of this you are expanding, even though others wish you small and in spite of your own efforts to keep peace. I see that you are a wild thing, not meant for containment.

Family is not limited to only our blood-related parents or siblings.We can also form a new family by opening the door in our hearts for friends out there.Remember, Keep your circle small....

Life will have less drama if you keep your circle small. You don’t have to be friends with anyone. Pick people who will influence you. Pick the people who share the same interests and radiate the positivity that you have.

What are you terrible at?" I asked, running my hand across his starched shirt. Encouraged by the touch, Maxon drew circles on my shoulder with the hand he had wrapped behind my back. "Why would you want to know that?" He asked in mock irritation. "Becaue I still know so little about you. And you seem perfect all the time.It's nice to have proof you aren't. He propped himself up on an elbow, focusing on my face. "You know I'm not." "Pretty close,' I countered. Little flickers of touch ran betwen us. Knees, arms, fingers. He shook his head, a small smile on his face. "Okay then. I can't plan wars. I'm rotten at it. And I'm guessing I'd be a terrible cook. I've never tried, so-" "Never?" "You might have noticed the teams of people keeping you up to your neck in pastries? They happen to feed me as well.

Keep your circle of friends small, tight and right

There is nothing God loves more than keeping promises, answering prayers, performing miracles, and fulfilling dreams. That is who He is. That is what He does. And the bigger the circle we draw, the better, because God gets more glory. The greatest moments in life are the miraculous moments when human impotence and divine omnipotence intersect – and they intersect when we draw a circle around the impossible situations in our lives and invite God to intervene. I promise you this: God is ready and waiting. So while I have no idea what circumstances you find yourself in, I’m confident that you are only a prayer away from a dream fulfilled, a promise kept, or a miracle performed. It is absolutely imperative at the outset that you come to terms with this simple yet life-changing truth: God is for you. If you don’t believe that, then you’ll pray small timid prayers; if you do believe it, then you’ll pray big audacious prayers. And one way or another, your small timid prayers or bid audacious prayers will change the trajectory of your life and turn you into two totally different people. Prayers are prophecies. They are best predictors of your spiritual future. Who you become is determined by how you pray. Ultimately, the transcript of your prayers becomes the script of your life.

The Never Unfriended Promise I promise I will never unfriend you. Not with the swipe of my finger, not with the roll of my eyes, not with a mean word said behind your back, or a circle too small to pull up one more chair. I choose to like you. I choose to choose you. To include you. To invite you. Even on the days we hit road bumps. I don’t want another friendship break up. I want a friendship that won’t give up. So, I give you my too-loud laughter and my awkward tears. I give you my sofa for the days you just can’t even. And the nights you need a safe place to feel heard without saying a word. Let there be coffee and long conversations. Let there be messy, ordinary Tuesdays where neither of us is embarrassed by our dust bunnies. I won't try to force our friendship into jeans that won't fit. I won't treat you like a quick fix. I will like you just the way you are. Because I believe in guilt-free friendship. And on the days we’re tangled up in our own insecurities let’s agree to give each other the gift of the benefit of the doubt. Wrapped up with the giant bow of believing the best about each other, even when we don’t feel like it. I'm sure I won't always get it right. But I'll keep showing up. With encouragement instead of competition. With Kleenex, big news or sad news on the bad hair days and the Mondays and all the in between days with their ordinary news too. Friendship on purpose. Here's to me and you.

When she finally reached it, she bent forward and looked through the peephole. Jay was grinning back at her from outside. Her heart leaped for a completely different reason. She set aside her crutches and quickly unbolted the door to open it. "What took you so long?" Her knee was bent and her ankle pulled up off the ground. She balanced against the doorjamb. "What d'you think, dumbass?" she retorted smartly, keeping her voice down so she wouldn't alert her parents. "You scared the crap out of me, by the way. My parents are already in bed, and I was all alone down here." "Good!" he exclaimed as he reached in and grabbed her around the waist, dragging her up against him and wrapping his arms around her. She giggled while he held her there, enjoying everything about the feel of him against her. "What are you doing here? I thought I wouldn't see you till tomorrow." "I wanted to show you something!" He beamed at her, and his enthusiasm reached out to capture her in its grip. She couldn't help smiling back excitedly. "What is it?" she asked breathlessly. He didn't release her; he just turned, still holding her gently in his arms, so that she could see out into the driveway. The first thing she noticed was the officer in his car, alert now as he kept a watchful eye on the two of them. Violet realized that it was late, already past eleven, and from the look on his face, she thought he must have been hoping for a quiet, uneventful evening out there. And then she saw the car. It was beautiful and sleek, painted a glossy black that, even in the dark, reflected the light like a polished mirror. Violet recognized the Acura insignia on the front of the hood, and even though she could tell it wasn't brand-new, it looked like it had been well taken care of. "Whose is it?" she asked admiringly. It was way better than her crappy little Honda. Jay grinned again, his face glowing with enthusiasm. "It's mine. I got it tonight. That's why I had to go. My mom had the night off, and I wanted to get it before..." He smiled down at her. "I didn't want to borrow your car to take you to the dance." "Really?" she breathed. "How...? I didn't even know you were..." She couldn't seem to find the right words; she was envious and excited for him all at the same time. "I know right?" he answered, as if she'd actually asked coherent questions. "I've been saving for...for forever, really. What do you think?" Violet smiled at him, thinking that he was entirely too perfect for her. "I think it's beautiful," she said with more meaning than he understood. And then she glanced back at the car. "I had no idea that you were getting a car. I love it, Jay," she insisted, wrapping her arms around his neck as he hoisted her up, cradling her like a small child." "I'd offer to take you for a test-drive, but I'm afraid that Supercop over there would probably Taser me with his stun gun. So you'll have to wait until tomorrow," he said, and without waiting for an invitation he carried her inside, dead bolting the door behind him. He settled down on the couch, where she'd been sitting by herself just moments before, without letting her go. There was a movie on the television, but neither of them paid any attention to it as Jay reclined, stretching out and drawing her down into the circle of his arms. They spent the rest of the night like that, cradled together, their bodies fitting each other perfectly, as they kissed and whispered and laughed quietly in the darkness. At some point Violet was aware that she was drifting into sleep, as her thoughts turned dreamlike, becoming disjointed and fuzzy and hard to hold on to. She didn't fight it; she enjoyed the lazy, drifting feeling, along with the warmth created by the cocoon of Jay's body wrapped protectively around her. It was the safest she'd felt in days...maybe weeks... And for the first time since she'd been chased by the man in the woods, her dreams were free from monsters.

He kept his distance from the villa. It was too easy to slip in Kestrel’s presence. One day, Lirah came to the forge. Arin was sure that he was being called to serve as Kestrel’s escort somewhere. He felt an eager dread. “Enai would like to see you,” Lirah said. Arin set the hammer on the anvil. “Why?” His interactions with Enai had been limited, and he liked to keep them that way. The woman’s eyes were too keen. “She’s very sick.” Arin considered this, then nodded, following Lirah from the forge. When they entered the cottage, they could hear the sounds of sleep from beyond the open bedroom door. Enai coughed, and Arin heard fluid in her lungs. The coughing subsided, then gave way to ragged breath. “Someone should fetch a doctor,” Arin told Lirah. “Lady Kestrel has gone for one. She was very upset. She’ll return soon, I hope.” Haltingly, Lirah said, “I’d like to stay with you, but I have to get back to the house.” Arin barely noticed her touch his arm before leaving him. Reluctant to wake Enai, Arin studied the cottage. It was snug and well maintained. The floor didn’t creak. There were signs, everywhere, of comfort. Slippers. A stack of dry wood. Arin ran a hand along the smooth mantel of the fireplace until he touched a porcelain box. He opened it. Inside was a small braid of dark blond hair with a reddish tinge, looped in a circle and tied with golden wire. Although he knew he shouldn’t, Arin traced the braid with one fingertip. “That’s not yours,” a voice said. He snatched his hand away. He turned, his face hot. Through the open bedroom door, Arin saw Enai staring at him from where she lay. “I’m sorry.” He set the lid on the box. “I doubt it,” she muttered, and told him to come near. Arid did, slowly. He had the feeling he was not going to like this conversation. “You spend a lot of time with Kestrel,” Enai said. He shrugged. “I do what she asks.” Enai held his gaze. Despite himself, he looked away first. “Don’t hurt her,” the woman said. It was a sin to break a deathbed promise. Arin left without making one.

The Age Of Reason 1. ‘Well, it’s that same frankness you fuss about so much. You’re so absurdly scared of being your own dupe, my poor boy, that you would back out of the finest adventure in the world rather than risk telling yourself a lie.’ 2. “ I’m not so much interested in myself as all that’ he said simply. ‘I know’, said Marcelle. It isn’t an aim , it’s a means. It helps you to get rid of yourself; to contemplate and criticize yourself: that’s the attitude you prefer. When you look at yourself, you imagine you aren’t what you see, you imagine you are nothing. That is your ideal: you want to be nothing.’’ 3. ‘In vain he repeated the once inspiring phrase: ‘I must be free: I must be self-impelled, and able to say: ‘’I am because I will: I am my own beginning.’’ Empty, pompous words, the commonplaces of the intellectual.’ 4. ‘He had waited so long: his later years had been no more than a stand-to. Oppressed with countless daily cares, he had waited…But through all that, his sole care had been to hold himself in readiness. For an act. A free, considered act; that should pledge his whole life, and stand at the beginning of a new existence….He waited. And during all that time, gently, stealthily, the years had come, they had grasped him from behind….’ 5. ‘ ‘It was love. This time, it was love. And Mathiue thought:’ What have I done?’ Five minutes ago this love didn’t exist; there was between them a rare and precious feeling, without a name and not expressible in gestures.’ 6. ‘ The fact is, you are beyond my comprehension: you, so prompt with your indignation when you hear of an injustice, you keep this woman for years in a humiliating position, for the sole pleasure of telling yourself that you are respecting your principles. It wouldn’t be so bad if it were true, if you really did adapt your life to your ideas. But, I must tell you once more…you like that sort of life-placid, orderly, the typical life of an official.’ ‘’That freedom consisted in frankly confronting situations into which one had deliberately entered, and accepting all one’s responsibilities.’ ‘Well…perhaps I’m doing you an injustice. Perhaps you haven’t in fact reached the age of reason, it’s really a moral age…perhaps I’ve got there sooner than you have.’ 7. ‘ I have nothing to defend. I am not proud of my life and I’m penniless. My freedom? It’s a burden to me, for years past I have been free and to no purpose. I simply long to exchange it for a good sound of certainty….Besides, I agree with you that no one can be a man who has not discovered something for which he is prepared to die.’ 8. ‘‘I have led a toothless life’, he thought. ‘ A toothless life. I have never bitten into anything. I was waiting. I was reserving myself for later on-and I have just noticed that my teeth have gone. What’s to be done? Break the shell? That’s easily said. Besides, what would remain? A little viscous gum, oozing through the dust and leaving a glistering trail behind it.’ 9.’’ A life’, thought Mathieu, ‘is formed from the future just like the bodies are compounded from the void’. He bent his head: he thought of his own life. The future had made way into his heart, where everything was in process and suspense. The far-off days of childhood, the day when he has said:’I will be free’, the day when he had said: ’I will be famous’, appeared to him even now with their individual future, like a small, circled individual sky above them all, and the future was himself, himself just as he was at present, weary and a little over-ripe, they had claims upon him across the passage of time past, they maintained their insistencies, and he was often visited by attacks of devastating remorse, because his casual, cynical present was the original future of those past days.

She had grown. Kate's vicious friend, once so elevated, was taller by little more than a head. She drew her brows together, and studied the circles under his eyes. He said lightly, 'My dear girl; it's Almoner's Saturday. With six frails of figs and a sackful of almonds, I am offering you my name.' Philippa's lips parted. The smith in her chest, changing a wooden mallet for a small charge of gunpowder, pulverized brain, lungs and stomach and left her standing, wan as a blown egg. She said shakily, 'How would that help?' Round his mouth, the curled lines deepened, and his eyes, very blue, lit suddenly with something like the flame she had seen struck in them at other times, by other things and other people. 'Stout Philippa,' he said. 'Sit down and hear... There is no guarantee for you now except marriage. Do it now, and you go home a respectable matron of fifteen...sixteen--' 'Nearly seventeen,' said Philippa. 'Yes. Well: with no money but a good many friends and enough property to keep a roof over your head and Kuzum's. Then, as you choose, you may divorce me.' She cleared her throat. 'On what grounds?' He looked at her directly, his voice level. 'On very obvious grounds. We shall find another Kislar Agha, if you like, to give you a guarantee... You must have no fears that this will be anything but a marriage on paper. But I want it done now. Tomorrow, if the Embassy's chaplain can do it.' Philippa's gaze was also direct. 'You think there is a chance we may not all get home?' 'There is a chance some of us may not,' he said quietly. 'I want to do this very much. I have very little to offer you... an irresponsible past, and a name which is .... in some places questionable. But it will shelter you until you can do better.' 'And you?' said Philippa. 'With a fifteen- ... sixteen- ... seventeen-year-old titular wife? What will Sybilla say? It isn't a practical methos of founding a dynasty.

Cataract Treatment Advanced by Laser Eye Surgery It is estimated that half of individuals aged 65 and above will grow a cataract at some period in their life. A cataract is an eye condition that may be hazardous to your eyesight. In a healthy eye, there's a clear lens which enables you to focus. For those who have a cataract, the lens slowly deteriorates over a long period of time. Your vision can be blurry as the cataract develops, until the whole-of the lens is muddy. Your sight will slowly get worse, becoming blurry or misty, which makes it tough to see clearly. Cataracts can occur at any age but generally develop as you get older. Cataract surgery involves removing the cataract by emulsifying the lens by sonography and replacing it with a small plastic lens. This artificial lens is then stabilised within your natural lens that was held by the same lens capsule. The results restore clear vision and generally wholly remove the significance of reading glasses. However, years following the surgery, patients can occasionally experience clouding of their sight again. Vision can become blurred and lots of patients have issues with glare and bright lights. What is truly happening is a thickening of the lens capsule that holds the artificial lens. Medically this is known as Posterior Lens Capsule Opacification. This thickening of the lens capsule occurs in the back, meaning natural lens cells develop across the rear of the lens. These cells are sometimes left behind subsequent cataract surgery, causing problems with the light entering the-eye and hence problems with your vision. Laser Eye getlasereyesurgery.co.uk y Treatment Lasers are beams of power which may be targeted quite correctly. Nowadays the technology will be used increasingly for the purpose of rectifying the vision of patients after cataract operation. The YAG laser is a focused laser with really low energy levels and can be used to cut away a small circle shaped area in the lens capsule which enables light to once again pass through to the rear of the artificial lens. A proportion of the lens capsule is retained in order to keep the lens in place, but removes enough of the cells to let the light to the retina. If you want to read more information, please Click Here

The Man-Moth Man-Moth: Newspaper misprint for “mammoth.” Here, above, cracks in the buildings are filled with battered moonlight. The whole shadow of Man is only as big as his hat. It lies at his feet like a circle for a doll to stand on, and he makes an inverted pin, the point magnetized to the moon. He does not see the moon; he observes only her vast properties, feeling the queer light on his hands, neither warm nor cold, of a temperature impossible to record in thermometers. But when the Man-Moth pays his rare, although occasional, visits to the surface, the moon looks rather different to him. He emerges from an opening under the edge of one of the sidewalks and nervously begins to scale the faces of the buildings. He thinks the moon is a small hole at the top of the sky, proving the sky quite useless for protection. He trembles, but must investigate as high as he can climb. Up the façades, his shadow dragging like a photographer’s cloth behind him he climbs fearfully, thinking that this time he will manage to push his small head through that round clean opening and be forced through, as from a tube, in black scrolls on the light. (Man, standing below him, has no such illusions.) But what the Man-Moth fears most he must do, although he fails, of course, and falls back scared but quite unhurt. Then he returns to the pale subways of cement he calls his home. He flits, he flutters, and cannot get aboard the silent trains fast enough to suit him. The doors close swiftly. The Man-Moth always seats himself facing the wrong way and the train starts at once at its full, terrible speed, without a shift in gears or a gradation of any sort. He cannot tell the rate at which he travels backwards. Each night he must be carried through artificial tunnels and dream recurrent dreams. Just as the ties recur beneath his train, these underlie his rushing brain. He does not dare look out the window, for the third rail, the unbroken draught of poison, runs there beside him. He regards it as a disease he has inherited the susceptibility to. He has to keep his hands in his pockets, as others must wear mufflers. If you catch him, hold up a flashlight to his eye. It’s all dark pupil, an entire night itself, whose haired horizon tightens as he stares back, and closes up the eye. Then from the lids one tear, his only possession, like the bee’s sting, slips. Slyly he palms it, and if you’re not paying attention he’ll swallow it. However, if you watch, he’ll hand it over, cool as from underground springs and pure enough to drink.

She stayed with buses after that, getting off only now and then to walk so she'd keep awake. What fragments of dreams came had to do with the post horn. Later, possibly, she would have trouble sorting the night into real and dreamed. At some indefinite passage in night's sonorous score, it also came to her that she would be safe, that something, perhaps only her linearly fading drunkenness, would protect her. The city was hers, as, made up and sleeked so with the customary words and images (cosmopolitan, culture, cable cars) it had not been before: she had safe-passage tonight to its far blood's branchings, be they capillaries too small for more than peering into, or vessels mashed together in shameless municipal hickeys, out on the skin for all but tourists to see. Nothing of the night's could touch her; nothing did. The repetition of symbols was to be enough, without trauma as well perhaps to attenuate it or even jar it altogether loose from her memory. She was meant to remember. She faced that possibility as she might the toy street from a high balcony, roller-coaster ride, feeding-time among the beasts in a zoo-any death-wish that can be consummated by some minimum gesture. She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night. In Golden Gate Park she came on a circle of children in their nightclothes, who told her they were dreaming the gathering. But that the dream was really no different from being awake, because in the mornings when they got up they felt tired, as if they'd been up most of the night. When their mothers thought they were out playing they were really curled in cupboards of neighbors' houses, in platforms up in trees, in secretly-hollowed nests inside hedges, sleeping, making up for these hours. The night was empty of all terror for them, they had inside their circle an imaginary fire, and needed nothing but their own unpenetrated sense of community. They knew about the post horn, but nothing of the chalked game Oedipa had seen on the sidewalk. You used only one image and it was a jump-rope game, a little girl explained: you stepped alternately in the loop, the bell, and the mute, while your girlfriend sang: Tristoe, Tristoe, one, two, three, Turning taxi from across the sea… "Thurn and Taxis, you mean?" They'd never heard it that way. Went on warming their hands at an invisible fire. Oedipa, to retaliate, stopped believing in them.

BACON, EGG, AND CHEDDAR CHEESE TOAST CUPS Preheat oven to 400 degrees F., rack in the middle position. 6 slices bacon (regular sliced, not thick sliced) 4 Tablespoons (2 ounces, ½ stick) salted butter, softened 6 slices soft white bread ½ cup grated cheddar cheese 6 large eggs Salt and pepper to taste Cook the 6 slices of bacon in a frying pan over medium heat for 6 minutes or until the bacon is firmed up and the edges are slightly brown, but the strips are still pliable. They won’t be completely cooked, but that’s okay. They will finish cooking in the oven. Place the partially-cooked bacon on a plate lined with paper towels to drain it. Generously coat the inside of 6 muffin cups with half of the softened butter. Butter one side of the bread with the rest of the butter but stop slightly short of the crusts. Lay the bread out on a sheet of wax paper or a bread board butter side up. Hannah’s 1st Note: You will be wasting a bit of butter here, but it’s easier than cutting rounds of bread first and trying to butter them after they’re cut. Using a round cookie cutter that’s three and a half inches (3 and ½ inches) in diameter, cut circles out of each slice of bread.   Hannah’s 2nd Note: If you don’t have a 3.5 inch cookie cutter, you can use the top rim of a standard size drinking glass to do this. Place the bread rounds butter side down inside the muffin pans, pressing them down gently being careful not to tear them as they settle into the bottom of the cup. If one does tear, cut a patch from the buttered bread that is left and place it, buttered side down, over the tear. Curl a piece of bacon around the top of each piece of bread, positioning it between the bread and the muffin tin. This will help to keep the bacon in a ring shape. Sprinkle shredded cheese in the bottom of each muffin cup, dividing the cheese as equally as you can between the 6 muffin cups. Crack an egg into a small measuring cup (I use a half-cup measure) with a spout, making sure to keep the yolk intact. Hannah’s 3rd Note: If you break a yolk, don’t throw the whole egg away. Just slip it in a small covered container which you will refrigerate and use for scrambled eggs the next morning, or for that batch of cookies you’ll make in the next day or two. Pour the egg carefully into the bottom of one of the muffin cups. Repeat this procedure for all the eggs, cracking them one at a time and pouring them into the remaining muffin cups. When every muffin cup has bread, bacon, cheese and egg, season with a little salt and pepper. Bake the filled toast cups for 6 to 10 minutes, depending on how firm you want the yolks. (Naturally, a longer baking time yields a harder yolk.) Run the blade of a knife around the edge of each muffin cup, remove the Bacon, Egg, and Cheddar Cheese Toast Cups, and serve immediately. Hannah’s 4th Note: These are a bit tricky the first time you make them. That’s just “beginner nerves”. Once you’ve made them successfully, they’re really quite easy to do and extremely impressive to serve for a brunch. Yield: 6 servings (or 3 servings if you’re fixing them for Mike and Norman).

HOW TO USE THIS BOOK WHAT TO DO FIRST 1. Find the MAP. It will be there. No Tour of Fantasyland is complete without one. It will be found in the front part of your brochure, quite near the page that says For Mom and Dad for having me and for Jeannie (or Jack or Debra or Donnie or …) for putting up with me so supportively and for my nine children for not interrupting me and for my Publisher for not discouraging me and for my Writers’ Circle for listening to me and for Barbie and Greta and Albert Einstein and Aunty May and so on. Ignore this, even if you are wondering if Albert Einstein is Albert Einstein or in fact the dog. This will be followed by a short piece of prose that says When the night of the wolf waxes strong in the morning, the wise man is wary of a false dawn. Ka’a Orto’o, Gnomic Utterances Ignore this too (or, if really puzzled, look up GNOMIC UTTERANCES in the Toughpick section). Find the Map. 2. Examine the Map. It will show most of a continent (and sometimes part of another) with a large number of BAYS, OFFSHORE ISLANDS, an INLAND SEA or so and a sprinkle of TOWNS. There will be scribbly snakes that are probably RIVERS, and names made of CAPITAL LETTERS in curved lines that are not quite upside down. By bending your neck sideways you will be able to see that they say things like “Ca’ea Purt’wydyn” and “Om Ce’falos.” These may be names of COUNTRIES, but since most of the Map is bare it is hard to tell. These empty inland parts will be sporadically peppered with little molehills, invitingly labeled “Megamort Hills,” “Death Mountains, ”Hurt Range” and such, with a whole line of molehills near the top called “Great Northern Barrier.” Above this will be various warnings of danger. The rest of the Map’s space will be sparingly devoted to little tiny feathers called “Wretched Wood” and “Forest of Doom,” except for one space that appears to be growing minute hairs. This will be tersely labeled “Marshes.” This is mostly it. No, wait. If you are lucky, the Map will carry an arrow or compass-heading somewhere in the bit labeled “Outer Ocean” and this will show you which way up to hold it. But you will look in vain for INNS, reststops, or VILLAGES, or even ROADS. No – wait another minute – on closer examination, you will find the empty interior crossed by a few bird tracks. If you peer at these you will see they are (somewhere) labeled “Old Trade Road – Disused” and “Imperial Way – Mostly Long Gone.” Some of these routes appear to lead (or have lead) to small edifices enticingly titled “Ruin,” “Tower of Sorcery,” or “Dark Citadel,” but there is no scale of miles and no way of telling how long you might take on the way to see these places. In short, the Map is useless, but you are advised to keep consulting it, because it is the only one you will get. And, be warned. If you take this Tour, you are going to have to visit every single place on this Map, whether it is marked or not. This is a Rule. 3. Find your STARTING POINT. Let us say it is the town of Gna’ash. You will find it down in one corner on the coast, as far away from anywhere as possible. 4. Having found Gna’ash, you must at once set about finding an INN, Tour COMPANIONS, a meal of STEW, a CHAMBER for the night, and then the necessary TAVERN BRAWL. (If you look all these things up in the Toughpick section, you will know what you are in for.) The following morning, you must locate the MARKET and attempt to acquire CLOTHING (which absolutely must include a CLOAK), a SADDLE ROLL, WAYBREAD, WATERBOTTLES, a DAGGER, a SWORD, a HORSE, and a MERCHANT to take you along in his CARAVAN. You must resign yourself to being cheated over most prices and you are advised to consult a local MAGICIAN about your Sword. 5. You set off. Now you are on your own. You should turn to the Toughpick section of this brochure and select your Tour on a pick-and-mix basis, remembering only that you will have to take in all of it.

The new alpinism comes full circle as small teams of fit, trained athletes emulate Mummery, aspire to Preuss, climb like the young Messner. Because those pioneers knew that alpinism—indeed all mindful pursuits—is at its most simple level the sum of your daily choices and daily practices. Progress is entirely personal. The spirit of climbing does not lie in outcomes—lists, times, your conquests. You do keep those; you will always know which mountains you have climbed, which you have not. What you can climb is a manifestation of the current, temporary, state of your whole self. You can’t fake a sub-four-minute mile just as you can’t pretend to do an asana.

There is nothing God loves more than keeping promises, answering prayers, performing miracles, and fulfilling dreams. That is who He is. That is what He does. And the bigger the circle we draw, the better, because God gets more glory. The greatest moments in life are the miraculous moments when human impotence and divine omnipotence intersect – and they intersect when we draw a circle around the impossible situations in our lives and invite God to intervene. I promise you this: God is ready and waiting. So while I have no idea what circumstances you find yourself in, I’m confident that you are only a prayer away from a dream fulfilled, a promise kept, or a miracle performed. It is absolutely imperative at the outset that you come to terms with this simple yet life-changing truth: God is for you. If you don’t believe that, then you’ll pray small timid prayers; if you do believe it, then you’ll pray big audacious prayers. And one way or another, your small timid prayers or bid audacious prayers will change the trajectory of your life and turn you into two totally different people. Prayers are prophecies. They are best predictors of your spiritual future. Who you become is determined by how you pray. Ultimately, the transcript of your prayers becomes the script of your life.

For thirty days work only in your Circle of Influence. Make small commitments and keep them. Be a light, not a judge. Be a model, not a critic. Be part of the solution, not part of the problem.

He allows our small plans to fail so that His big dream for us can prevail. So keep planning like it depends on you, but make sure you pray like it depends on God. Prayer is the alpha and omega of planning. Don’t just brainstorm; praystorm.

We don’t have to go through the death camp experience of Frankl to recognize and develop our own proactivity. It is in the ordinary events of every day that we develop the proactive capacity to handle the extraordinary pressures of life. It’s how we make and keep commitments, how we handle a traffic jam, how we respond to an irate customer or a disobedient child. It’s how we view our problems and where we focus our energies. It’s the language we use. I would challenge you to test the principle of proactivity for thirty days. Simply try it and see what happens. For thirty days work only in your Circle of Influence. Make small commitments and keep them. Be a light, not a judge. Be a model, not a critic. Be part of the solution, not part of the problem.

Please,” was the only word that I could get out. At that moment, I would have begged for him if I had to. He took a long breath in and exhaled deeply. “Not yet.” His hand slid down my torso. My body was damp with desire. “I don’t want to hurt you, you’re so tight.” He slid one finger into me and I writhed beneath him. Two pumps of his hand and he easily slid a second finger into my slickness. I let out a small moan as his fingers stretched me open and my head relaxed back. As he pushed into me with two fingers, his thumb found my swollen clit. My hips pushed up, begging for more. “That’s it, babe, make yourself feel good.” I lifted my hips and pushed against his fingers, stroking and pushing them in and out of my wet body. His thumb increased the pressure on my clit as his fingers rubbed in and out, finding a sensitive spot inside of me. My body arched to his touch and he withdrew his fingers slowly from me and brought them to my mouth. I licked the juice from his fingers and he let out a feral growl. He positioned himself on top of me and I lifted my hips, desperate to have him inside of me. “Slow and sweet, babe, slow and sweet,” he said with a raspy voice as he slowly pushed into me. His green eyes were dark gray and dilated and I knew he was having as difficult a time going slow as I was, but he wouldn’t allow himself to lose control. I gasped as he pushed deep inside of me. He was so thick and long. His eyes were full of lust and emotion, but he refused to allow them to close. The connection between us was intense and we were lost as we watched each other as he slowly pushed in and out of me, filling me to the hilt and drawing almost all the way out. His rhythm was slow and restrained and I watched his face struggle to keep the control with each deep thrust. A deep moan escaped from my throat as my pleasure ratcheted up to new heights. His face tensed with my sound and I knew he couldn’t hold his control much longer, but it felt so good and I didn’t want it to end. I tilted my hips up as he thrust down and circled into me, penetrating deeper than he had ever been. He buried his face into my neck and kissed his way from my shoulder blade to my ear as he swiveled his hips, grinding his big rock hard cock into me. “Come for me, baby, I want to watch you.” His words pushed me over the edge and my body exploded in pleasure. I climaxed in a relentless spiraling orgasm that had me calling his name over and over as it tore through me. My eyes unconsciously closed as I succumbed to the waves rippling though me. “Eyes.” I opened my eyes to his demand. Jack watched as it took over my body and melted me to the core. He quickened his thrusts and whispered, “Fucking beautiful,” as I felt his body tense and pin me in place when he came long and hard, filling me deeply.

I want words which are scalpel sharp and shiny; poems keen enough to gut a fish and clean it. Poems labelled not for domestic use. The kind you keep on the top shelf away from the thieving hands of children. And I want to feed you warmly scented words; small loaves of wholemeal bread so you will remember the kitchens where you stood in a slant of sunlight and listened to the radio crooning somewhere above. I want to rock you with my mothering songs. I want my poems to fly out of your pockets--- a troupe of magician's doves, somersaulting in the air, a perfect explosion of soft fireworks. I want them to follow you; like Valentine's cards or bad cheques constantly re-addressed. These poems are birthed from some deep place. They wear that bruised look of the newborn. They will find their way into your sleep with their naked hands and greed. They will come to you like a lover, saying: let me bring you inside into the circle made by my tongues of fire.

Always try to keep your circle small and quality so that you can always give the best to your circle and get the best out of your circle.

هاكونا ماتاتا - Hakuna Matata”، كلمة سيمبا اتعلمها من تيمون و بومبا أول يوم قابلهم في الغابة بعد ما هرب من أهله. معناها بالأنجليزي “No Worries”، أما في مصر عندنا ليها مرادفات كتير زي “نَفّض”، “كبّر”، “طَنّش”، “إحلَق”، “أفْكِس”.. حسب الجيل والمستوى الإجتماعي اللي بننشأ فيه.. وفي الأغنية الشهيرة اللي في نص الكارتوون شرح تيمون لسيمبا lifestyle هاكونا ماتاتا كالتالي: It means no worries for the rest of your days, it's our problem-free philosophy. بمعنى أنه ابتكر فلسفة حياة مبنية على اللامبالاة وعدم الاكتراث بأي حاجة حصلت في الماضي او بتحصل دلوقتي او هتحصل في المستقبل وبالتالي عايش هو وبومبا بدون مشاكل.. أُعجب سيمبا جداً بالفسلفة دي لأسباب كتير، أولها الأسلوب المُسلّي اللي تيمون وبومبا قدموها بيه، وأهمها أنه لقى فيها حل فوري لحالة الإكتئاب اللي عنده من ساعة ما تسبب في موت باباه، وبدل ما يواجه الواقع تبنى فلسفة التنفيض؛ “هاكونا ماتاتا”، وأول حاجة قرر “ينفضلها” هي أهله، بما فيهم مامته.. ومن خلال إخراج الأغنية اللي مليان رموز ومعاني بنشوف إزاي تيمون وبومبا بيغيروا فكر سيمبا بشكل مؤسف جداً في حين أن ظاهر المشهد مُبهج ومُفرح في تناقد شديد ميفهموش غير المشاهد المتأمل خلاصته أن الentertainment - بمعنى اللهو - هو مفتاح لتحويل نظرة أي شخص تجاه حاجة مذمومة إلى محمودة. فنلاقي مثلاً أن تيمون طلّع مَبرد وبَرد لسيمبا مخالبه كرمزية لإنتكاس الفطرة وتبدُّل السنّة. كمان بعد ما Mufasa بابا سيمبا ما كان بيربيه على معاني الصبر والتركيز والتأني في درس الصيد في أول الفيلم دلوقتي تيمون بيعلمه يستسهل وياكل دود وخنافس وصراصير وحاجات مقرفة جداً كرمزية للإستغناء عن العلم والعمل. الملفت للنظر أن “تيمون” اللي كان طول الوقت متزعِم سيمبا وبومبا هو في الحقيقة أصغر وأضعف واحد فيهم، لكنه قدر يتزعمهم بسهولة لأنهم نسيوا هويتهم. وبعد flash forward سنين لقدام بنشوف سيمبا كبر وبقى شاب لكن للأسف بشخصية ضعيفة وهايفة واضحة في مظهره وتصرفاته وتطلعاته، فبعد ما كان بيعتز جداً بكلام باباه وشايفه قدوة ليه بقى بيتكسف وبيسخر منه بينه وبين صحابه، وبعد ما كان حلمه أنه يُحكم الغابة بالعدل ويحرر “مقبرة الفيلة” من إحتلال الضباع بقى هدفه الوحيد في الحياة أنه “يقضّيها” مع صحابه الفاشلين الهايفين، وبعد ما كان أكتر شخص مميز في الغابة وفي نظر كل الغابة ليه مستقبل مشرق، بقى ملوش لازمة ولا أهمية.. وفضل عايش سنين على الحال دا، لحد ما في يوم قابل Nala. “نالا” في الكارتوون هيا رمز حطه المؤلف العبقري لحاجة جميلة بتفكر سيمبا بأصله وفطرته وأحلامه، ممكن بالنسبالنا تكون شخصية او مكان او كتاب او ثورة او اي حاجة بنحس فيها بمعاني التغيير، المهم أنها بتواجهه بحقيقته اللي كان ناسيها.. أنه أسد والمفروض يكون ملك الغابة، وأن كل الغابة بتناديه، وحلمه بيدور عليه، ارجع تاني الدنيا محتجالك، ارجع تاني ونور الحياة - فبيتصدم سيمبا في نفسه والحال اللي وصله ويقرر أنه يتغيّر، ويبدأ يدور على الصراط المستقيم. “But the sun rolling high - through the sapphire sky Keeps great and small on the endless round It's the Circle of Life, and it moves us all Through despair and hope, through faith and love Till we find our place on the path unwinding In the Circle of Life” — The Lion King

Keeping a small circle It will keep your life simple. Walking alone; is walking true. Life is amazing with just a few.

Deep in the underground lake, another dragonet was swimming, although the temperature of the water didn’t bother her. Fathom’s great-great-great-great-great-great-great-great-great-great-granddaughter dove to the bottom and then shot up out of the lake, soaring to the ceiling and spiraling back down with a splash. “Very impressive, Princess!” called the SeaWing named Pike, paddling in a small circle nearby. “Such speed! And grace!” The SeaWing with the skyfire bracelet snorted from the top of a rock. “Anybody can do that,” he said. “Not when you’re tied to your mother,” his sister said, squirting water at him with her talons. I’ve never flown as fast as I wanted or soared as high as I could go. Now I can do anything, anything I want. “Stop being such a mope, Turtle. So what if your entire winglet is gone? You’ve still got us.” She thwacked her tail into the water, sending a wave over the other three SeaWings in the lake with her. Unless Mother comes and tries to take me home. But I won’t let her. I won’t. I might be the most powerful dragon in the world, and if she didn’t learn that from what I did to Whirlpool, I can teach her some other way. The spell on Auklet’s harness should keep her away from me, though. If it doesn’t, I’ll come up with something stronger. “Tag! You’re it!” Barracuda called, tapping Anemone’s tail and racing away. The rest of the SeaWing princess’s thoughts scattered into laughter and the game.

I've made my thoughts clear enough on what I want from you.' He'd never met someone able to imply so much in so few words, in placing so much emphasis on you as to make it an outright insult. Cassian clenched his jaw. And didn't bother to restrain himself when he said, 'I'm tired of playing these bullshit games.' She kept her chin high, the portrait of queenly arrogance. 'I'm not.' 'Well, everyone else is. Perhaps you can find it in yourself to try a little harder this year.' Those striking eyes slid toward him, and it was an effort to stand his ground. 'Try?' 'I know that's a foreign word to you.' Nesta stopped at the bottom of the street, right along the icy Sidra. 'Why should I have to try to do anything?' Her teeth flashed. 'I was dragged into this world of yours, this court.' 'Then go somewhere else.' Her mouth formed a tight line at the challenge. 'Perhaps I will.' But he knew there was no other place to go. Not when she had no money, no family beyond this territory. 'Be sure to write.' She launched into a walk again, keeping along the river's edge. Cassian followed, hating himself for it. 'You could at least come live at the House,' he began, and she whirled on him. 'Stop,' she snarled. He halted in his tracks, wings spreading slightly to balance him. 'Stop following me. Stop trying to haul me into your happy little circle. Stop doing all of it.' He knew a wounded animal when he saw one. Knew the teeth they could bare, the viciousness they displayed. But it couldn't keep him from saying, 'Your sisters love you. I can't for the live of me understand why, but they do. If you can't be bothered to try for my happy little circle's sake, then at least try for them.' A void seemed to enter those eyes. An endless, depthless void. She only said, 'Go home, Cassian.' He could count on one hand the number of times she'd used his name. Called him anything other than you or that one. She turned away- toward her apartment, her grimy part of the city. It was instinct to lunge for her free hand. Her gloved fingers scraped against his calluses, but he held firm. 'Talk to me, Nesta. Tell me-' She ripped her hand out of his grip. Stared him down. A mighty vengeful queen. He waited, panting, for the verbal lashing to begin. For her to shred him into ribbons. But Nesta only stared at him, her nose crinkling. Stared, then snorted- and walked away. As if he were nothing. As if he weren't worth her time. The effort. A low-born Illyrian bastard. This time, when she continued onward, Cassian didn't follow. He watched her until she was a shadow against the darkness- and then she vanished completely. He remained staring after her, that present in his hands. Cassian's fingertips dug into the soft wood of the small box. He was grateful the streets were empty when he hurled the box into the Sidra. Hurled it hard enough that the splash echoed off the buildings flanking the river, ice cracking from the impact. Ice instantly re-formed over the hole he'd blown over. As if it, and the present, had never been.

Marcus woke again to find Sanga lying asleep on his bed, and he quietly climbed off his own mattress, standing still for a moment to allow the slight feeling of dizziness to pass. Walking quietly on bare feet, he made his way up the corridor to the latrine, then went in search of his wife. Felicia was delighted to see him on his feet, despite her immediate concern for his well-being, which were quickly dispelled when he waved her away and turned a full circle with his arms out. ‘Well, you seem to be spry enough that I think we can assume the effects of the mandrake have completely worn off. You won’t be able to speak or eat solid food for some time yet though.’ ‘And that’s why I brought this for him.’ They turned to find the tribune standing in the doorway with a smile on his face, a small iron pot dangling from one hand. ‘There’s a food shop at the end of the street whose proprietress was only too happy to lend me the pot in the likelihood of getting your business for the next few weeks. Pass me a cup and I’ll pour you some.’ Marcus found his glass drinking tube and took a sip at the soup, nodding his thanks to the tribune. Scaurus sat in silence until the cup was empty, watching as the hungry centurion consumed the soup as quickly as its temperature would allow. ‘That’s better, eh? There’s more in the pot for when I’m gone. I’d imagine you’ll be spending another night in here just to be sure you’re over the worst of it, but that ought to keep you going until morning. And now, Centurion, to business? First Spear Frontinius tells me that you passed a message requesting a conversation with me, although from the look of things most of the speaking will be done by me.’ Marcus nodded, reaching for his tablet and writing several lines of text. He handed the wooden case to Scaurus, who read the words and stared back at his centurion with his eyebrows raised in astonishment. ‘Really? You’re sure of this?’ After thinking for a moment, Marcus held out his hand and took the tablet back. He smoothed the wax and wrote another statement. Scaurus looked grimly at the text, shaking his head. ‘You got that close to him?’ Marcus wrote in the tablet again. Scaurus read the text aloud, a wry smile on his face. ‘“Take a tent party with you.” A tent party? I’ll need a damned century if he’s as dangerous as you say. And the nastiest, most bad-tempered officer in the First Cohort. Do any names spring to mind, Centurion?

Still, he pulled firmly at the door, knowing how it swelled and stuck in wet weather. He might have wished to see their faces once more. The face that met him was under a fireman’s helmet, lit by a flashlight held low and expertly angled. The light caught the silver needles of rain, in the air, off the rim of the black hat. It showed him a mouth and a chin and the broad shoulders under the wet rain gear without blinding him or turning the man himself into a grotesque. “I only wanted to warn you,” the man said. He moved the flashlight across his body, to the shrubs beside the steps and then to the grass and then to the weeping willow at the edge of the yard, beside the house. The streetlights were out. Following the moving beam of white light, John Keane saw the grass of his small lawn stir like a rising wave and the roots of the tree—thin as an arm, bent here and there like an elbow—breaking through. The fireman moved the light until it caught the base of the tree where a wider swath of dirt was opening like a mouth, an unhinged jaw filled with broken roots and dirt, and then it closed up again, as if with a breath. “We were driving by and saw it,” the fireman said. “That tree’s gonna fall. It’ll probably fall straight back, but you might want to get your family downstairs. Keep them to this side of the house.” He felt the wind and the rain on his bare ankles, against the hems of his thin pajama pants. He looked beyond the young fireman. In the street, there was no sign of the fire truck or car that had brought him. No coach, either. “Yes,” he said, thinking himself foolish, in his thin pajamas. “Thank you.” “There are trees down all over,” the man added. He raised his chin and in the darkness his eyes seemed as black and wet as his coat. He couldn’t have been more than twenty-five or thirty. “Take care of your family,” he said, and turned, using his flashlight to get himself down the three steps that led to the door. Squinting against the rain, John Keane watched him cross the path to the sidewalk, the circle of white light leading him, first to the right and then across the street where he might have disappeared altogether, leaving only the pale beam of his flashlight and a flashing reflection of two streaks of silver on his back, and then, as he apparently rounded the opposite corner, not even that.

Uh . . . am I missing something?” Blake looked a little smug as he glanced at his watch, then the sky. “Nope, give it a couple minutes. We got here just in time.” Aaron, his sexuality, and the fact that Blake had gotten jealous over my flaming gay friend completely forgotten, I looked at the sky, then pulled out my phone to check the time. There was nothing special about the time from what I could tell. As for the sky, it was nearly dusk, and although it was beautiful I didn’t know why that was anything worth noting either. Glancing at the people and the street around us, I turned and saw the street sign and did a double take. We were on Congress Avenue. “Oh no. No, no, no, no, no!” I started backing up but ended up against Blake’s chest. His arms circled around me, effectively keeping me there. I felt his silent laughter. “I take it you know about this then. Ever seen it?” “No, and there’s a reason. I’m terrified of—” Just then, close to a million bats took flight from underneath the bridge. A small shriek escaped my lips and I clamped my hands over my mouth, like my sound would attract the bats to me. There was nothing silent about his next laugh. Blake tightened his arms around me and I leaned into him more. I’d like to say it was purely because my biggest fear was flying out around me, but I’d be lying if I said his musky cologne, strong arms, and chest had nothing to do with it either. This was something I’d wanted for years, and I almost couldn’t believe that I was finally there, in his arms. I continued to watch in utter horror and slight fascination as the stream of bats, which seemed to never end, continued to leave the shelter of the bridge and fly out into the slowly darkening sky. Minutes later, Blake leaned in and put his lips up against my ear. “Was that really so bad?” Forcing my hand from my mouth, I exhaled shakily and shook my head. “Not as bad as I’d imagined. Doesn’t change the fact that they are ugly and easily the grossest thing I’ve ever seen.” “But now you can say you’ve faced one of your fears.” “The biggest.” “See?” He let go of me and started walking again in the direction we’d come from.

For thirty days work only in your Circle of Influence. Make small commitments and keep them. Be a light, not a judge. Be a model, not a critic. Be part of the solution, not part of the problem. Try it in your marriage, in your family, in your job. Don’t argue for other people’s weaknesses. Don’t argue for your own. When you make a mistake, admit it, correct it, and learn from it—immediately. Don’t get into a blaming, accusing mode. Work on things you have control over. Work on you.

I should have realized your needs and anticipated them. Knowing you were alone, I should have set better safeguards to protect you.” “Mikhail, I am capable of looking after myself.” Her blue eyes were very earnest, impressing on him the truth of her words. He really didn’t need to worry. Mikhail did his best to keep from smiling. She was too good, always believing the best of everyone. His fingers circled her small calves. “You are the most beautiful woman in the world, Raven. You do not have a mean bone in your body, do you?” Raven looked indignant. “Of course I do. Don’t smile like that, Mikhail, I really do. I can be just as mean if necessary. In any case, what has that to do with what we’re talking about?” His hand moved upward to her rib cage beneath the thin silk of his shirt. “We are talking about me needing to protect the one person who matters to me, the one who can only see good in everyone.” “I do not,” she denied, shocked that he would think so.

I would challenge you to test the principle of proactivity for thirty days. Simply try it and see what happens. For thirty days work only in your Circle of Influence. Make small commitments and keep them. Be a light, not a judge. Be a model, not a critic. Be part of the solution, not part of the problem.