Karin Slaughter Quotes

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You can take my heart, but I can't let you take my dog.
Karin Slaughter
Reading is not just an escape. It is access to a better way of life.
Karin Slaughter
Considering what Pauline's been through . . ." Will began, then stopped himself. "She's not very nice." "She's a cold-blooded bitch." "I'm surprised I haven't fallen in love with her.
Karin Slaughter (Undone (Will Trent, #3))
You didn't realize what was passing you by until you slowed down a little bit to get a better look.
Karin Slaughter (Undone (Will Trent, #3))
Because I said so." She paused again. "Sweetheart, I know you're an adult, but adults are like vampires. The older ones are much more powerful.
Karin Slaughter (Pretty Girls)
Nothing ever truly faded. Time only dulled the edges.
Karin Slaughter (The Good Daughter (Good Daughter, #1))
Everyone had a reason for everything they did, even if that reason was sometimes stupidity.
Karin Slaughter (Fractured (Will Trent, #2))
Optimism is a sliver of glass in your heart.
Karin Slaughter (Pretty Girls)
There is kindness in so many unexpected places
Karin Slaughter (Pretty Girls)
Your mother and I had always been secretly pleased that you were so headstrong and passionate about your causes. Once you were gone, we understood that these were the qualities that painted young men as smart and ambitious and young women as trouble.
Karin Slaughter (Pretty Girls)
A man who has grown up in an orphanage cannot take a dog to the pound. Even if it is a Chihuahua.
Karin Slaughter (Triptych (Will Trent, #1))
He said that children always have different parents, even in the same family.
Karin Slaughter (Pretty Girls)
Her father always said that the price for hearing gossip was having someone else gossip about you.
Karin Slaughter (Pretty Girls)
Anybody could be smart. It took a special somebody to be clever.
Karin Slaughter (Pretty Girls)
I’ve always preferred crazy to stupid. Stupid can break your heart
Karin Slaughter (The Good Daughter (Good Daughter, #1))
I’ve got to figure out before I die whether I want to be happy or I want to be right.
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
What a rapist takes from a woman is her future. The person she is going to become, who she is supposed to be, is gone. In many ways, it's worse than murder, because he has killed that potential person, eradicated that potential life, yet she still lives and breathes, and has to figure out another way to thrive.
Karin Slaughter (The Good Daughter (Good Daughter, #1))
It is a father’s job to love his daughter in the way that she needs to be loved.
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
It's the truth. I'm sorry to be blunt about it, but girls don't like guys who are doormats. Especially pretty girls, because there's no novelty in it. Guys are hitting on them all of the time. They can't walk down the street or order a coffee or stand on a corner without some idiot making a comment about how attractive they are. And the women smile because it's easier than telling them to go fuck themselves. And less dangerous, because if a man rejects a woman, she goes home and cries for a few days. If a woman rejects a man, he can rape and kill her.
Karin Slaughter (Pretty Girls)
Love doesn't keep you in a constant state of turmoil. It gives you peace.
Karin Slaughter (Pieces of Her (Andrea Oliver, #1))
A trial is nothing but a competition to tell the best story. Whoever sways the jury wins the trial.
Karin Slaughter (The Good Daughter (Good Daughter, #1))
You can only make decisions with the information you have at the time
Karin Slaughter (Fractured (Will Trent, #2))
People did not change their basic, core personalities. Their values tended to stay the same.
Karin Slaughter (Pretty Girls)
because if a man rejects a woman, she goes home and cries for a few days. If a woman rejects a man, he can rape and kill her.
Karin Slaughter (Pretty Girls)
Many people must have told you that you are lucky to be alive. I think you would have been lucky had you not been shot in the first place.
Karin Slaughter (The Good Daughter (Good Daughter, #1))
Having a teenager is like having a really, really shitty roommate. They eat all your food and steal your clothes and take money out of your purse and borrow your car without asking.
Karin Slaughter (Pretty Girls)
sometimes, your world turns upside down, and you need somebody to show you how to walk on your hands before you can find your feet again.
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
He had always told her that winners only competed with themselves.
Karin Slaughter (Pretty Girls)
a Democrat is a Republican who’s been through the criminal justice system.
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
Sometimes, even if you know the answer, you've got to let the other person take a shot. If they feel wrong all the time, they never get the chance to feel right.
Karin Slaughter (The Good Daughter (Good Daughter, #1))
Sara studied him. "Is that a Chihuahua behind your back?" "No, I'm just happy to see you" Sara gave him a confused smile, and he reluctantly showed her Betty.
Karin Slaughter (Undone (Will Trent, #3))
I want you to know that this is what happens when you meet the person you are supposed to spend the rest of your life with: that restless feeling dissolves like butter.
Karin Slaughter (Pretty Girls)
When somebody dies, you forget they're an asshole.
Karin Slaughter (Pieces of Her (Andrea Oliver, #1))
She took him for granted sometimes. That was the luxury of a long marriage. But she knew that she loved him. She needed him. He was the anchor that kept her from drifting away.
Karin Slaughter (Pretty Girls)
You couldn't turn on the TV without hearing about the missing teenage girl. Sixteen years old. White. Middle class. Very pretty. No one ever seemed quite as outraged when an ugly woman went missing.
Karin Slaughter (Pretty Girls)
No matter what happened to you, no matter what horrors you endured when you were taken away, you will always be my pretty little girl.
Karin Slaughter (Pretty Girls)
A woman can run faster with her skirt up than a man can with his pants down.
Karin Slaughter (Fallen (Will Trent, #5))
They tried to bury us. They didn’t know we were seeds. —Mexican Proverb
Karin Slaughter (Pieces of Her)
He always took lateness as being rude. It said to the other person that their time was more valuable than yours.
Karin Slaughter (Triptych)
Given enough idleness & time, she could talk herself into either loving or hating the man
Karin Slaughter (Criminal (Will Trent, #6))
Forever was never as long as you thought it was.
Karin Slaughter (The Kept Woman (Will Trent, #8))
I loved him. I know you don’t want to believe that, but I really, truly, giddy, heart-breaking, longing, achingly loved him.
Karin Slaughter (Pretty Girls)
You could only ever see a thing when you were standing outside of it.
Karin Slaughter (The Good Daughter)
Marriage. That’s what he called it, though men like Paul do not marry women. They own them. They control them. They are voracious gluttons who devour every part of a woman, then clean their teeth with the bones.
Karin Slaughter (Pretty Girls)
Every place always has somebody who doesn’t fit in. That’s what makes them fit in.
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
She was so quiet, but she noticed everything. Her eyes tracked the world like it was a book written in a language she could not understand
Karin Slaughter (Pretty Girls)
Dyadic completion,” Paul would’ve told Claire. “The human brain tends to assume that, if there’s a victim, there has to be a villain.
Karin Slaughter (Pretty Girls)
If you wanted to know shit about a woman, all you had to do was ask the woman who was pretending to be her friend.
Karin Slaughter (The Kept Woman (Will Trent, #8))
. . . he was about as forthcoming as an amnesiac with lockjaw.
Karin Slaughter (Criminal (Will Trent, #6))
You don’t understand how the world works. That there are consequences you can’t predict. That bad choices, bad deeds, can corrupt you.
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
I've always preferred crazy to stupid. Stupid can break your heart.
Karin Slaughter (The Good Daughter (Good Daughter, #1))
Sweetheart, I know you’re an adult, but adults are like vampires. The older ones are much more powerful.
Karin Slaughter (Pretty Girls)
Proactive interference,” Paul would have explained. “It’s when previously acquired information inhibits our ability to process new information.
Karin Slaughter (Pretty Girls)
It’s very important for your life to have meaning. Even on the days it makes you unhappy, you still need a purpose.
Karin Slaughter (Cop Town)
A man has to prove himself once. A woman has to prove herself every day.
Karin Slaughter (We Are All Guilty Here (North Falls, #1))
A few years ago when she'd read Paul several passages from Fifty Shades of Grey, they'd both giggled like teenagers. "The biggest fantasy in that book," Paul had said, "is that he changes in the end.
Karin Slaughter (Pretty Girls)
I can’t—” Lena repeated. “I can’t do it. I can’t live without him.” Sara gently pulled her hand away from Jared’s. She smoothed down the sheet, tucked it in close around his side. She looked at Lena—really looked at her straight in the eye. “Good,” Sara told her. “Now you know how it feels.
Karin Slaughter (Unseen (Will Trent, #7))
somewhere on earth, there was always a book with an answer in it, and the best way to find that answer was to read every book you could get your hands on.
Karin Slaughter (Broken (Will Trent #4))
As hard as it was to hold on to things, it was even harder to let them go.
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
Men can always reinvent themselves,” Laura said. “For women, once you’re a mother, you’re always a mother.
Karin Slaughter (Pieces of Her)
It didn't take a Harvard economist to figure out that it'd be a hell of a lot cheaper spending money on helping keep kids safe when they were younger than it was to put them in jail when they were older. That was the American way, though. Spend a million dollars rescuing some kid who's fallen down a well, but God forbid you spend a hundred bucks up front to cap the well so the kid never falls down it in the first place.
Karin Slaughter (Triptych (Will Trent, #1))
In a rare moment of candor, he had once told her that being in a library was like sitting down at a table laid with all his favorite foods but not being able to eat any of them. And he hated himself for it.
Karin Slaughter (Triptych (Will Trent, #1))
I miss anonymity. People have a right to disappear if they want to. It’s a personal decision, isn’t it? Everyone should have autonomy. We owe it to them as fellow human beings to support their decisions, even if we do not agree with them.
Karin Slaughter (False Witness)
In her defense, her helicoptering tended to revolve around making sure that Dee could take care of herself. LEARN HOW TO TAKE OUT THE TRASH OR I WILL KILL YOU. LOVE MOM.
Karin Slaughter (Pretty Girls)
Lydia supposed his headstone had been ordered. Something large and garish made of the finest marble and phallic shaped because being dead didn't stop you from being a dick.
Karin Slaughter (Pretty Girls)
Broken: Never underestimate the power of a shared history.
Karin Slaughter (Broken (Will Trent, #4))
That's the problem with life, Sam. If you're not rising, you're falling.
Karin Slaughter (The Good Daughter (Good Daughter, #1))
I’m not sure,” Callie said. “As you know, cats choose not to talk because they’re afraid we’ll make them pay taxes.
Karin Slaughter (False Witness)
You can’t choose something if you don’t know you have a choice.
Karin Slaughter (We Are All Guilty Here (North Falls, #1))
If you love someone, you don’t go out of your way to hurt them. You don’t torture them. You don’t terrify them or make them live in constant fear. That’s not how love works. It’s not how normal people work.
Karin Slaughter (The Kept Woman (Will Trent, #8))
He had always said there was nothing that a list couldn’t solve. Conquer the details and you conquer the problem.
Karin Slaughter (Pretty Girls)
You didn’t help chop up a two-hundred-fifty-pound man and still graduate at the top of your class without learning how to compartmentalize.
Karin Slaughter (False Witness)
Will had found out the hard way that it’s nearly impossible to go to sleep with a flatulent Chihuahua sharing your pillow.
Karin Slaughter (Triptych)
Will always assumed that when people insisted they weren’t lying about a particular thing, that meant they were lying about something else.
Karin Slaughter (Undone (Will Trent, #3))
And now, when she looked in the mirror and saw a new line on her own face,a new wrinkle, all she could think was that she was growing old without him
Karin Slaughter (Undone (Will Trent, #3))
I still want it to die. Like immediately. With fire.
Karin Slaughter (The Kept Woman (Will Trent, #8))
He was playing chess and she was sucking at checkers.
Karin Slaughter (Broken (Will Trent, #4))
Neither of us will ever move forward if we are always looking back.
Karin Slaughter (The Good Daughter (Good Daughter, #1))
Men never have to be uncomfortable around women. Women have to be uncomfortable around men all of the time.
Karin Slaughter (Pieces of Her)
She had dozens, even hundreds, of friends, but not one single person knew all of the pieces of her.
Karin Slaughter (Pieces of Her)
I told him before all of this happened was that holding on to that kind of grudge was like drinking poison and waiting for the other person to die.
Karin Slaughter (Fallen (Will Trent, #5))
Some people are born with a hole inside them. They spend their lives trying to fill it. Sometimes it's pills, sometimes it's Jesus.
Karin Slaughter (The Kept Woman (Will Trent, #8))
Claire had realized a long time ago that if you lie with enough conviction, you can usually fool yourself.
Karin Slaughter (Pretty Girls)
Your relationship with a person doesn’t end when they die. It only gets stronger.” He winked at her. “Mostly because they’re not there to tell you that you’re wrong.
Karin Slaughter (False Witness)
Then again, Paul had once told her that there was no such thing as coincidence. “The Law of Truly Large Numbers provides that given a large enough sample size, any outrageous thing can happen.
Karin Slaughter (Pretty Girls)
Maybe that's why Claire had perfected the art of invisibility. It was a form of self-preservation. You couldn't resent what you could not see. She was so quiet, but she noticed everything. Her eyes tracked the world like it was a book written in a language that she could not understand. There was nothing timorous about her, but you got the feeling that she always had one foot out the door. If the situation got too hard, or too intense, she would simply disappear.
Karin Slaughter (Pretty Girls)
Talking of the local Sheriff, Jake Valentine, tall and skinny and his wife Myra, "She was a short woman, maybe five feet tall in her socks, the top of her head not quite reaching Jake's chest. What she lacked in height she made up for in girth. Jeffrey guessed she was at least a hundred pounds overweight. Standing side by side, the Valentines looked like the living embodiment of the number ten.
Karin Slaughter
Sara was reminded of yet another one of Will's traits, which was that he had an uncanny knack for keeping his mouth shut when he didn't know what to say. This resulted in the sort of awkward moments that made Sara's dating life look downright ebullient.
Karin Slaughter (Fallen (Will Trent, #5))
The world stops for you when you’re pretty. That’s why women spend billions on crap for their faces. Their whole life, they’re the center of attention. People want to be around them just because they’re attractive. Their jokes are funnier. Their lives are better. And then suddenly, they get bags under their eyes or they put on a little weight and no one cares about them anymore. They cease to exist.
Karin Slaughter (Pretty Girls)
Rage had consumed her. She hadn’t wanted to just murder him. She had wanted to empty her gun into his chest. And then she wanted to fill the holes with burning oil and dance in his still-warm blood. She had felt dead inside.
Karin Slaughter (Cop Town)
Everybody felt that history was like a book, a beginning, a middle and an end. That’s not how it worked. Real life was all middle.
Karin Slaughter (False Witness)
You’ve fallen into the habit of feeling low. You can get used to anything, especially bad things. But the only direction now is up. You can’t fall off the floor.
Karin Slaughter (Pieces of Her)
If there was one thing she excelled at, it was being her own inner mean girl.
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
Never kick a fresh turd on a hot day.
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
Marriages were perplexing animals, always changing, sometimes gentle, sometimes vicious.
Karin Slaughter (Indelible (Grant County, #4))
Dr. Monroe and I realized very gradually that drug addiction is a terminal disease. It is a cancer that eats families alive.
Karin Slaughter (Triptych)
Love, like water, always flowed down the path of least resistance.
Karin Slaughter (Undone (Will Trent, #3))
[...]"but instead of apologizing, I said, 'It's your own fault for playing tennis.
Karin Slaughter (Pretty Girls)
The spiral stairs looked like a robot’s asshole.
Karin Slaughter (Pretty Girls)
Being dead is a bit like being stupid, isn’t it? Easy for you, but hard for the people around you.
Karin Slaughter (Girl, Forgotten (Andrea Oliver, #2))
Dee came out of her room and gave Lydia the greatest gift a teenage daughter can ever give her mother: she had agreed with her.
Karin Slaughter (Pretty Girls)
My court-appointed therapist would say I was trying to fill a hole.” “Is that what you call your vagina?” Claire chuckled under her breath.
Karin Slaughter (Pretty Girls)
Only...ever...you.
Karin Slaughter (Beyond Reach (Grant County, #6))
He felt about as useless as a one-legged man in a butt-kicking contest
Karin Slaughter (A Faint Cold Fear (Grant County, #3))
She recited the only prayer Laura had ever taught her. “God grant me the confidence of a mediocre white man.
Karin Slaughter (Girl, Forgotten (Andrea Oliver, #2))
It’s always sad when someone dies of a cliché.
Karin Slaughter (Fallen (Will Trent, #5))
They should call it fuckapause, because you run out of all the fucks you can give.
Karin Slaughter (We Are All Guilty Here (North Falls, #1))
His words hung between them, and Faith tried to pin down when exactly their relationship had gone from cooly professional to personal. There was something so kind about him under his awkward manners and social ineptness. Despite her best intentions, Faith realised that she could not hate Will Trent.
Karin Slaughter (Fractured (Will Trent, #2))
Suddenly, quite miraculously, you are a grown-up beautiful woman. You look so much like your mother, but you are still uniquely you. You have thoughts I will never know. Desires I will never understand. Friends I will never meet. Passions I will never share. You have a life. You have an entire world in front of you.
Karin Slaughter (Pretty Girls)
All the sneakiness her sister had exhibited as a child had been honed to adult perfection, so that Claire could be standing right in front of an oncoming train and still insist that everything was going to be fine.
Karin Slaughter (Pretty Girls)
he recognized Donald Trump’s picture on the jacket and assumed it was a get-rich-quick scheme. Obviously, Jake Berman hadn’t taken the man’s advice. Though, considering Berman had lost his job and declared bankruptcy, maybe he had.
Karin Slaughter (Genesis)
People were outraged. They were glued to their televisions, to their web pages, to their Facebook feeds. They vocally expressed sorrow, horror, fury, pain. They cried for change. They raised money. They demanded action. And then they went back to their lives until the next one happened again.
Karin Slaughter (The Good Daughter (Good Daughter, #1))
Squirrels lose seventy-five percent of the nuts they bury. That’s how we get trees.” “Does now seem like an appropriate time for a nut metaphor?
Karin Slaughter (After That Night (Will Trent, #11))
No amount of flowers or pretty compliments could ever measure up to a man who did housework.
Karin Slaughter (A Faint Cold Fear (Grant County, #3))
Jeffrey never understood how people could think a dead person was just sleeping. Death changed the air, charged it with something thick and unsettling.
Karin Slaughter (Indelible (Grant County, #4))
The older sister could have been an overachiever who cast the kind of shadow in which nothing could grow.
Karin Slaughter (Triptych)
He would never challenge her or scare her or infuriate her or stir up any of those fiery emotions that made it worthwhile to put up with a man’s bullshit. “Why
Karin Slaughter (Pretty Girls)
If you want to measure the height of a mountain, the hardest part isn’t finding the peak, it’s figuring out where the bottom starts.
Karin Slaughter (False Witness)
around for your entire adult life, then set it the fuck down, because it doesn’t belong to you. It belongs to him.
Karin Slaughter (False Witness)
Age is a cruel punishment for youth.
Karin Slaughter (Pieces of Her)
Why did it have to be her?
Karin Slaughter (Pretty Girls)
I know you’re an adult, but adults are like vampires. The older ones are much more powerful.
Karin Slaughter (Pretty Girls)
He had given weight to her life, tied her down to the world when her natural inclination had always been to float above everything, as if it were happening to someone else.
Karin Slaughter (Pretty Girls)
She had to start making decisions rather than having life make decisions for her.
Karin Slaughter (Pieces of Her)
You can’t light a match, then act surprised when your house burns down.
Karin Slaughter (Unseen (Will Trent, #7))
She had always believed—vehemently, with great conviction—that the only way to change the world was to destroy it.
Karin Slaughter (Pieces of Her)
Lydia took a deep breath as she prepared to sing the hokey pokey of her life story, where she put the truth in, pulled a lie out, added an embellishment, and shook it all about.
Karin Slaughter (Pretty Girls)
All of your friends told the sheriff that you danced because you loved dancing, not because you were trying to attract men.
Karin Slaughter (Pretty Girls)
Hope’ is the thing with feathers/That perches in the soul/And sings the tune without the words/And never stops–at all.
Karin Slaughter (The Good Daughter)
To all the librarians in the world on behalf of all the kids y’all helped grow up to be writers
Karin Slaughter (Fallen (Will Trent, #5))
Remember—the Devil can cite Scripture for his purpose.
Karin Slaughter (Fallen (Will Trent, #5))
I love how you southern women say sweetheart like a yankee woman would say dumbass.
Karin Slaughter (False Witness)
Dogs are stupid,” Rusty said. “This is a known fact. But a cat—you have to earn a cat’s respect every single day of your life. You lose it and—” He snapped his fingers. “That’s what your mama was to me. She was my cat. She kept my compass pointing true north.
Karin Slaughter (The Good Daughter)
Why is it that we always neglect the things that matter most? This is a universal question, because through the days and weeks and months and years after your disappearance, I understood that I did not cherish you enough. I never told you that I loved you enough. I never held you enough. I never listened to you enough. You
Karin Slaughter (Pretty Girls)
There were a few things she knew about Will Trent. He was tall, at least six-three, with a runner's lean body and the most beautiful legs she had ever seen on a man. His mother had been killed when he was less than a year old. He'd grown up in a children's home and never been adopted. He was a special agent with the GBI. He was one of the smartest men she had ever met, and he was so dyslexic that, as far as she could tell, he read no higher than a second-grade level.
Karin Slaughter (Fallen (Will Trent, #5))
That doesn’t sound invisible to me.” “I’m saying it wrong, then.” Lydia searched for a better way to explain. “She was always holding herself back. She was cocaptain, not captain. She could’ve dated the quarterback, but she dated his brother instead. She could’ve been top in her class, but she’d purposefully turn in a paper late or miss an assignment so she’d fall closer to the middle. She would know about Mauna Kea, but she would say Everest because winning would bring too much attention.
Karin Slaughter (Pretty Girls)
Will let out a long breath. "She leaves me a lot. That's what she does. She leaves, and then she comes back. And then she stays some and then she leaves again." "Where does she go?" "I have no idea." "You've never asked her?" "No." Sara Didn't pretend to understand. "Why not?". He glanced out into the street, watching the traffic zoom by. "It's complicated.
Karin Slaughter (Fallen (Will Trent, #5))
The two women switched to their native tongue. Kate tuned them out. She understood only half of what they were saying. As with most Americans, Dutch sounded to her more like a disease of the throat than an actual language
Karin Slaughter (Cop Town)
Claire hates you now. She believes me. She will never, ever take you back. We are never ever ever getting back together. Taylor Swift. How many times had Dee played that song after she caught Heath Carmichael cheating
Karin Slaughter (Pretty Girls)
How I compare it to now is, at this moment we are all living through, everyone on earth is experiencing a suspension of loss. Over half a million people dead in the United States alone. The number is too overwhelming to accept, so we go on with our lives and we do what we can but, in the end, the staggering loss will be waiting for us. It always catches up to you, doesn’t it?
Karin Slaughter (False Witness)
Clair watched the young man pour Paul's Scotch with a previously unseen professionalism. Her wedding ring, her gentle brush-offs, and her outright rejection had been minor obstacles compared to the big no of another man kissing her cheek.
Karin Slaughter (Pretty Girls)
. . what you call my struggle to submit . . . is not struggle to submit but a struggle to accept and with passion. I mean, possibly, with joy. Picture me with my ground teeth stalking joy—fully armed too as it’s a highly dangerous quest.” —FLANNERY O’CONNOR
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
Since this wedding that never happened is my fantasy, that boy is clean-­shaven on your special day, hair combed neatly, slightly nervous as he stands by the preacher, looking at you the way I always wanted a man to look at you: kind, loving, slightly in awe
Karin Slaughter (Pretty Girls)
all the pickup-driving John Boys who drove down to Atlanta every day to make money, then drove back at night and railed against the godless liberals who lined their pockets and subsidized their utilities, their healthcare, their children’s lunches and their schools.
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
You are magnificent because you are so uniquely you
Karin Slaughter (Pieces of Her (Andrea Oliver, #1))
It’s hard to describe how someone has manipulated you because you’re generally not aware of it when it’s happening.
Karin Slaughter (Pretty Girls)
Her wedding ring, her gentle brush-offs, and her outright rejection had been minor obstacles compared to the big no of another man kissing her cheek.
Karin Slaughter (Pretty Girls)
A possum stared at me through the door all night.” “That’s Bill.” Charlie turned on the giant television. “He’s my lover.
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
Charlie watched her husband’s boss grip the sides of the podium like he was about to sodomize it.
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
I'm not choosing anybody but myself.' Jane was sick of men thinking they could give her ultimatums.
Karin Slaughter (Pieces of Her (Andrea Oliver, #1))
She had felt capable of anything.
Karin Slaughter (Cop Town)
The thing about having a bad reputation is that folks will believe just about anything people say about you.
Karin Slaughter (Broken (Will Trent, #4))
The addict’s credo: It’s always somebody else’s fault.
Karin Slaughter (Pretty Girls)
Yeah?” “I miss the way you taste.” She tried to sound bored. “It’s still Colgate.” “That’s not the taste I was talking about.
Karin Slaughter (Kisscut (Grant County, #2))
women with a little bit of power can be much harder than men. Especially on other women. They have to distance themselves from the weakness of their sex. Yes?
Karin Slaughter (Cop Town)
Granted Laura spent most of her time on Nextdoor but that was because people who lived year-round in beach towns were either busybodies, lunatics, and/or possible serial killers.
Karin Slaughter (Girl, Forgotten (Andrea Oliver, #2))
Sometimes, all you could do was pray for the strength to carry on.
Karin Slaughter (Fractured (Will Trent, #2))
you can’t have a logical discussion with someone who makes up their own facts.
Karin Slaughter (Girl, Forgotten (Andrea Oliver, #2))
When you’re drowning, you don’t stop to teach somebody else how to swim.
Karin Slaughter (Fractured (Will Trent, #2))
The entire world gave men the responsibility for everything in it except for their dicks.
Karin Slaughter (Cop Town)
children always have different parents, even in the same family.
Karin Slaughter (Pretty Girls)
Trust me, sweetheart, there is a reason centuries of fathers have fought brutal wars to protect the concept of Immaculate Conception.
Karin Slaughter (Pretty Girls)
Anything’s legal if you can get away with it.” Maggie slammed the locker closed. “Welcome to the Atlanta Police Department.
Karin Slaughter (Cop Town)
This is where feminism had gotten her: locked in the back of a sticky squad car with the skirt on her tennis dress riding up her thighs.
Karin Slaughter (Pretty Girls)
As Kate had told her Oma the night before, there was no society more viciously controlled by rumor than your local police force.
Karin Slaughter (Cop Town)
He talked about how people always obsess about lies. Damn lies, But no one really understands that the real danger is truth.
Karin Slaughter (The Good Daughter (Good Daughter, #1))
They’ll only get your goat if you show them where you keep your hay.
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
Women were as mysterious to them as the origins of the planet.
Karin Slaughter (Blindsighted (Grant County #1))
You’re supposed to be my lawyer.” “You’re supposed to be a human being,
Karin Slaughter (Blindsighted (Grant County #1))
Do you realize how terrifying it is to be raped?
Karin Slaughter (Blindsighted (Grant County #1))
They thought vengeance made it easier, when, in fact, all it did was fester the sorrow.
Karin Slaughter (Unseen (Will Trent, #7))
revenge is like sipping poison and waiting for the other person to die.
Karin Slaughter (Unseen (Will Trent, #7))
Death snickers at us all, my dear. The eternal footman will not hold my coat forever.
Karin Slaughter (The Good Daughter)
Swimming against grief. Drowning in sympathy.
Karin Slaughter (Pretty Girls)
Claire was always really good at behaving exactly the way people expected her to behave—not out of duplicity, but out of self-preservation.
Karin Slaughter (Pretty Girls)
This is the wrong day to hit me with annoying dipshittery.
Karin Slaughter (After That Night (Will Trent, #11))
God grant me the confidence of a mediocre white man.
Karin Slaughter (Girl, Forgotten (Andrea Oliver, #2))
Madison will always be trapped between those two people. The woman we didn’t get to meet, and the girl we used to know.
Karin Slaughter (We Are All Guilty Here (North Falls, #1))
Leigh was constantly amazed when rich white people assumed the system always worked until they found themselves wrapped up in it. Then, it had to be some kind of God damned conspiracy.
Karin Slaughter (False Witness)
She had told herself when she put on her sweatpants this morning that she was going to the gym, and she had gone near the gym, but only because there was a Starbucks in the parking lot.
Karin Slaughter (Pretty Girls)
Callie would never understand how Bill Gates had been shortsighted enough to give everybody easy access to the internet so that some day, these jackasses could reveal all of his dastardly plans.
Karin Slaughter (False Witness)
people found off-putting. You could not beat her at chess or Trivial Pursuit or even Monopoly. She knew all the questions on Jeopardy. She knew when to use who or whom. She could not abide misinformation. She disdained organized religion. In social situations, she had the strange habit of spouting obscure facts.
Karin Slaughter (The Good Daughter (The Good Daughter, #1))
Southern Cheap is, I’m gonna eat stale cookies while I serve you these fresh, warm buttered biscuits. Yankee Cheap is, I’ve got ten million dollars in the bank but I’m gonna cut off the thermostat during a blizzard and here’s my great-great-grandpa’s mothballed coat from the War of 1812 if you don’t have the character and fortitude to generate your own body heat.
Karin Slaughter (Girl, Forgotten (Andrea Oliver, #2))
Curiosity broke her earlier resolve. "Have you ever been tested?" "No." He stood behind Sara, holding the camera in front so she could see. "Zoom here," he said, flicking the toggle. "You could probably-" "This is macro." "Will-" "Super macro." He kept talking over her until she gave up. "Here's where you adjust for color. This is light. Anti-shake. Red-eye." He clicked through the features like a photography instructor. Sara Finally relented. "Why don't I point and you shoot?" "All right." His back was stiff, and she could tell that he was irritated. "I'm sorry I-" "Please don't apologize." Sara held his gaze for a few moments longer, wishing she could fix this. There was nothing to say if he wouldn't even let her apologize.
Karin Slaughter (Broken (Will Trent, #4))
You can’t put a person in one box, Emmy Lou, especially when they get older. You’ve gotta judge them by the totality of their lives. You do bad shit when you’re young that you regret. You do good shit when you’re old that you hope makes up for it.
Karin Slaughter (We Are All Guilty Here (North Falls, #1))
I must confess, sweetheart, that I have been neglecting my wall of clues. My “useless gallimaufry,” your mother called it on the one and only occasion she deigned to look at my work. I sagely agreed with her observation but of course I went running to the dictionary as soon as she was gone. Gallimaufry: a hodgepodge; a confused jumble of various people or things; any absurd medley.
Karin Slaughter (Pretty Girls)
Do what?” Buddy sounded flip. His eyes darted down to the wad of cash. “You got what you wanted.” She shook her head. She had never wanted this. She had wanted to feel safe. To feel protected. To have someone interested in her life, her thoughts, her dreams.
Karin Slaughter (False Witness)
That’s when you fall in love with somebody. The lust and fucking like rabbits and letting your life fall to shit so you can be around him—that’s passion. It’s borderline obsession. And it always burns itself out. You know that, Liddie. That high never, ever lasts. But being in that hospital, taking care of him, I started to realize that what I had with Paul, what I thought I had, that was more than love. That was being in love. It was so tangible I could almost touch it with my hands. I could bite it with my teeth.
Karin Slaughter (Pretty Girls)
She had seen this before. She knew that you could put it all in a little box and close it up later, that you could go on with your life if you didn't sleep too much, didn't breathe too much, didn't live too much so that death came back and snatched you away for the taking.
Karin Slaughter (The Good Daughter (Good Daughter, #1))
As she limped down the stairs, she considered all the drugs in her backpack. Tramadol, methadone, ketamine, buprenorphine. Mix them all into a pint of tequila and she could get a front-row seat to Kurt Cobain and Amy Winehouse talking about what a douche Jim Morrison could be.
Karin Slaughter (False Witness)
Your mother was not surprised to hear me say this. This was a time when the pendulum of hope still swung back and forth between us, so that some days she took to her bed with sorrow and some days she came home from the store with a shirt or a sweater or a pair of jeans that she would give you when you returned home to us.
Karin Slaughter (Pretty Girls)
I found this." He put the briefcase on the table and opened the locks. She saw a stack of papers, an evidence bag with a red seal. He pulled a college notebook with a blue plastic cover from one of the pockets. Black fingerprint powder spotted the cover. "I tried to clean it up," he said, wiping the grime on the front of his sweater. "I'm sorry. It was in Allison's car and I..." He flipped through the pages, showing her the scrawled handwriting. "I can't," he said. "I just can't." She realized that Will hadn't looked at her once since walking into the room. He had such an air of defeat about him, as if every word that came from his mouth caused him pain.
Karin Slaughter (Broken (Will Trent, #4))
What a rapist takes from a woman is her future. The person she is going to become, who she is supposed to be, is gone. In many ways , it's worse than murder, because he has killed that potential person, eradicated that potential life, yet she still lives and breathes, and has to figure out another way to thrive....Or not, in some cases.... ....Sounds a lot like being shot in the head.
Karin Slaughter (The Good Daughter (Good Daughter, #1))
She doubted a generation that had grown up with WAP, murder hornets, Covid, cataclysmic social unrest, and being forcibly home-schooled by a bunch of depressed day drinkers really understood the threat of pool halls, but Leigh had to hand it to the drama teacher for putting on a gender-neutral production of The Music Man, one of the least offensive and most tedious musicals ever staged by a middle school.
Karin Slaughter (False Witness)
He saw the towel in her hands. "I've got this." "Let me help." "I think you've helped enough." She thought he was going to leave it at that, but Will told her, "It's been worse today than usual." "Stress is a contributing factor-when you get tired or if something emotional happens." He scrubbed hard at the plate in his hands. Sara saw that he hadn't bothered to roll up his sleeves. The cuffs of his sweater were soaked. He said, "I've been trying to dig a new sewer line to my house. That's why my laundry is behind." Sara had been expecting a non sequitur, but she'd hoped he could hold off for a few moments longer. "My father built this house with money from people who try to do their own plumbing.
Karin Slaughter (Broken (Will Trent, #4))
It’s the truth. I’m sorry to be blunt about it, but girls don’t like guys who are doormats. Especially pretty girls, because there’s no novelty to it. Guys are hitting on them all of the time. They can’t walk down the street or order a coffee or stand on a corner without some idiot making a comment about how attractive they are. And the women smile because it’s easier than telling them to go fuck themselves. And less dangerous, because if a man rejects a woman, she goes home and cries for a few days. If a woman rejects a man, he can rape and kill her.
Karin Slaughter (Pretty Girls)
Tessa reached out and took her hand. “Can I tell you something?” “As long as it’s not advice on chasing after a married man.” She squeezed Sara’s hand. “I’m really in love with my husband.” Sara gave a careful “Okay.” “I know you think Lem is boring and too earnest and too self-righteous, and believe me, he can be all those things, but a thousand times a day, I hear a song, or I think of something funny, or Daddy says one of his stupid puns, and the first thing that comes into my head is ‘I want to tell Lem about this.’ And I know that halfway around the world, he’s thinking the same thing.” She paused. “That’s what love is, Sara, when there are so many things about you that you only want one person in the world to know.
Karin Slaughter (Broken (Will Trent, #4))
Acid filled Sara’s mouth. It wasn’t fair. That’s what Sara wanted to say. To scream at the top of her lungs. It just wasn’t fair. Lena wasn’t strong. She would bend, not break. She would recover from this tragedy the same easy way she recovered from every other tragedy before. Even if she lost Jared, Lena would always know what it felt like to have his child growing inside of her. She could always hold her baby’s hand and think of holding Jared’s. She could see her child laugh and learn and grow and play sports and do school projects and graduate from college and Lena would always, always remember her husband. She would see Jared in her grandchildren and great-grandchildren. On her deathbed, she would find peace in the knowledge that they had made something beautiful together. That even in death, they would both go on living. “Sara,” Faith said. “What’s happening here?” Sara wiped her eyes, angry that she was back in the same dark place she’d started at this morning. “Why does everything come so damn easy to her?” She struggled to speak. Her throat clenched around every word that wanted to come out of her mouth. “Everything just opens up, and she always walks through unscathed and—” Sara had to stop for breath. “It’s just so easy for her. She always has it so goddamn easy.
Karin Slaughter (Unseen (Will Trent, #7))
I would've given up without her - not on you, never on you, but on myself. I suppose I can tell you this now, but I wasn't a very good student. I wasn't smart enough to just get by. I wasn't focused enough in class. I rarely passed exams. I skipped assignments. I was constantly on academic probation. Not that your grandmother would ever know, but at the time, I was thinking of doing what you were later accused of doing: selling all my belongings, sticking out my thumb, and hitchhiking to California to be with the other hippies who had dropped out and tuned in. Everything changed when I met your mother. She made me want things that I had never dreamed of wanting: a steady job, a reliable car, a mortgage, a family. You figured out a long time ago that you got your wanderlust from me. I want you to know that this is what happens when you meet the person you are supposed to spend the rest of your life with: That restless feeling dissolves like butter.
Karin Slaughter (Pretty Girls)
I guess I see your point, but there’s more to ­people than how they look.” “But you only get to know somebody because you like what you see.” He smiled down at her. “I like what I see.” Lydia wondered how many chins she had from lying on her back and whether or not her roots showed in the glow of the television. “What on earth could you possibly see?” “The woman I want to spend the rest of my life with.” Rick put his hand on her stomach. “This belly you’re always complaining about? This is where Dee spent the first nine months of her life.” He pressed his palm to her chest. “This heart is the kindest, gentlest heart I’ve ever known.” He let his fingers trace up toward her neck. “And this is where your beautiful voice is made.” He lightened the pressure as he touched her lips. “These are the softest lips I’ve ever kissed.” He touched her eyelids. “These eyes see straight through my bullshit.” He stroked back her hair. “This head is full of thoughts that surprise me and enlighten me and make me laugh.” Lydia guided his hand back to her breasts. “What about these?” “Hours of pleasure
Karin Slaughter (Pretty Girls)