Kanye Song Quotes

There’s a Kanye West song playing, the one with the Curtis Mayfield sample.

Look at Gaga she's the creative director of Polaroid. I like some of the Gaga songs but what the fuck does she know about cameras?

It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches. And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo. And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995). But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?

The DJ announced the couple. As Alfie took Camila in his arms and spun her around, the strains of Kanye West's "Gold Digger" blasted across the tent. Camila and Alfie stood paralyzed on the dance floor, staring at us with horror on their faces. Mary Ellen just about leapt on top of the DJ's equipment in an attempt to shut it off. He immediately understood he was in huge trouble, and after a few seconds of fumbling, Lonestar started to play. Although we tried to recover the best we could, the damage was done. The couple danced together, but Camila's face was ashen as she clearly fought back tears. Mary Ellen and I cornered the DJ to threaten his life, but he told us the groom's daughters had given him the orders, telling him it was a funny joke that their future stepmother would love. How could anyone believe jokes were ever appropriate at weddings? Apparently they had also given him $500 to play the song, which really sealed the deal. There was nothing scarier than a mean girl with a boatload of cash.

Minaj subs her alter egos in and out of the verse with the recklessness of a baseball coach on acid, and the result is a hostage situation that happens in the basement of the song’s grindhouse

Jonathan Daniel: I mean, people knew "Sins." That song was so big everywhere. But yeah, I don't think they knew the band as much. I remember Panic! went to see Kanye in Vegas, and Pete asked Kanye if he had met them and Kanye was like, 'No, I didn't see anybody here dressed like the 1800s.' So I think they had some idea . . .

I told him I wrote the song alone and I’d never let anyone touch my lyrics. Ever. Donald looked at me with a genuine need for an answer and asked, “Who the fuck are you, kid?

A shot-in-the-dark phone call to a dumb rap contest, from a suburbanite who once sharted in sixth-grade PE and as a result had his mom pick him up from the nurse’s office, had turned into a song dope enough to play on LA radio.

An easy way to see the difference between that style and ours is to listen to a Marky Mark interview, then compare it to an interview with Mark Wahlberg. Or listen to an Iggy Azalea song, then imagine the voice she uses when she gets pulled over by cops.

also ask DJ AM to bump the song at Las Palmas. He did throw it into the mix days after I recorded it, mostly because it was the first time anyone had ever said his name on a rap song, something he reminded me of just days before he passed away.

Kanye West is not speaking incoherently. He's speaking as if he is in the studio. He's been communication through song for so long that he, simply, has forgotten how to talk. I'm wondering if he hears a beat.