Kansas Sayings And Quotes

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The wizard [of Oz] says look inside yourself and find self. God says look inside yourself and find [the Holy Spirit]. The first will get you to Kansas. The latter will get you to heaven. Take your pick.
Max Lucado (Experiencing the Heart of Jesus: Knowing His Heart, Feeling His Love)
Something tells me we're not in Kansas anymore" "You did not just say that
Morgan Matson (Amy & Roger's Epic Detour)
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?” “Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it. “Well, what the hell? Mare didn’t even say goodbye.” “You knew she was going to class. Quit being a cry baby.” Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?” “Shut up.” “That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?” “She didn’t say much, except that she’s not into birthdays.” “So what are we doing?” “Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.” Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?” “How do you feel about a puppy?” Shepley laughed once. “It’s not my birthday, bro.” I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.” “Keep it here? Seriously? What are we going to do with a dog?” “I found a Cairn Terrier online. It’s perfect.” “A what?” “Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.” Shepley’s face was blank. “The Wizard of Oz.” “What? I liked the scarecrow when I was a little kid, shut the fuck up.” “It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.” “So does America … minus the crapping.” Shepley wasn’t amused. “I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.” “You can’t keep it from barking.” “Think about it. You gotta admit it’ll win her over.” Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?” My brows pulled together. “Quit it.” His smile widened. “You can get the damn dog…” I grinned with victory. “…if you admit you have feelings for Abby.” I frowned in defeat. “C’mon, man!” “Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it. I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day. “I like her,” I said through my teeth. Shepley held his hand to his ear. “What? I couldn’t quite hear you.” “You’re an asshole! Did you hear that?” Shepley crossed his arms. “Say it.” “I like her, okay?” “Not good enough.” “I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?” “For now,” he said, grabbing his backpack off the floor.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Dear Camryn, I never wanted it to be this way. I wanted to tell you these things myself, but I was afraid. I was afraid that if I told you out loud that I loved you, that what we had together would die with me. The truth is that I knew in Kansas that you were the one. I’ve loved you since that day when I first looked up into your eyes as you glared down at me from over the top of that bus seat. Maybe I didn’t know it then, but I knew something had happened to me in that moment and I could never let you go. I have never lived the way I lived during my short time with you. For the first time in my life, I’ve felt whole, alive, free. You were the missing piece of my soul, the breath in my lungs, the blood in my veins. I think that if past lives are real then we have been lovers in every single one of them. I’ve known you for a short time, but I feel like I’ve known you forever. I want you to know that even in death I’ll always remember you. I’ll always love you. I wish that things could’ve turned out differently. I thought of you many nights on the road. I stared up at the ceiling in the motels and pictured what our life might be like together if I had lived. I even got all mushy and thought of you in a wedding dress and even with a mini me in your belly. You know, I always heard that sex is great when you’re pregnant. ;-) But I’m sorry that I had to leave you, Camryn. I’m so sorry…I wish the story of Orpheus and Eurydice was real because then you could come to the Underworld and sing me back into your life. I wouldn’t look back. I wouldn’t fuck it up like Orpheus did. I’m so sorry, baby… I want you to promise me that you’ll stay strong and beautiful and sweet and caring. I want you to be happy and find someone who will love you as much as I did. I want you to get married and have babies and live your life. Just remember to always be yourself and don’t be afraid to speak your mind or to dream out loud. I hope you’ll never forget me. One more thing: don’t feel bad for not telling me that you loved me. You didn’t need to say it. I knew all along that you did. Love Always, Andrew Parrish
J.A. Redmerski
We’re still in the U.S. if that helps,” the young man says. “But like I said, you’re not in Kansas anymore. You’re off the map, down the rabbit hole, and so far through the looking glass that going back… well, that probably won’t ever happen, Celestra.” - Jack Simple, FADE by Kailin Gow
Kailin Gow (Fade (Fade, #1))
My dear grandmother (who was a psychic in her own right and very well known in Kansas City, Missouri) used to say if you find someone who doesn’t like animals, children, or music . . . run.
Sylvia Browne (All Pets Go To Heaven: The Spiritual Lives of the Animals We Love)
You know better than anyone that nothing lasts. Nothing good. Nothing bad. Everything lives. Everything dies. Sometimes cities just fall into the sea. It's not a tragedy, that's just the way it is. People look around them and see the world and say this is how the world is supposed to be. Then they fight to keep it that way. They believe that this is what was intended - whether by design or cosmic accident - and that everything exists in a tenuous balance that must be preserved. But the balance is bullshit. The only thing constant in this world is the speed at which things change. Rain falls, waters rise, shorelines erode. What is one day magnificent seaside property in ancient Greece is the next resting thirty feet below the surface. Islands rise from the sea and continents crack and part ways forever. What was once a verdant forest teeming with life is now resting one thousand feet beneath a sheet of ice in Antarctica; what was once a glorious church now rests at the bottom of a dammed-up lake in Kansas. The job of nature is to march on and keep things going; ours is to look around, appreciate it, and wonder what's next?
C. Robert Cargill (Dreams and Shadows (Dreams & Shadows, #1))
During the darkest days, a saying took hold in Kansas: “there is no god west of Salina.
Caroline Fraser (Prairie Fires: The American Dreams of Laura Ingalls Wilder)
You are finally debt free and living in your forever home! No more freezing in the desert or in Kansas! No more cramped spaces. Like I always say when I hang up the phone: I love you Patti. I will miss you dearly.
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
I could move away. Yes, I could go far away and never step foot in New York City again. Where would I go? Kansas. Yes, Kansas. No one ever says, “Hey, let’s leave New York to go to Kansas.” That means no one I know will move there.
C.J. Archer (The Paranormal 13)
I would say that the ability of people to agree on matters of fact not immediately visible—states of affairs removed from them in space and time—ramped up from a baseline of approximately zero to a pretty high level around the time of the scientific revolution and all that, and stayed there and became more globally distributed up through the Cronkite era, and then dropped to zero incredibly quickly when the Internet came along. And I think that the main thing it conferred on people was social mobility, so that if you were a smart kid growing up on a farm in Kansas or a slum in India you had a chance to do something interesting with your life. Before it—before that three-hundred-year run when there was a way for people to agree on facts—we had kings and warlords and rigid social hierarchy. During it, a lot of brainpower got unlocked and things got a lot better materially. A lot better. Now we’re back in a situation where the people who have the power and the money can get what they want by dictating what the mass of people ought to believe.
Neal Stephenson (Fall; or, Dodge in Hell)
An asteroid or comet traveling at cosmic velocities would enter the Earth’s atmosphere at such a speed that the air beneath it couldn’t get out of the way and would be compressed, as in a bicycle pump. As anyone who has used such a pump knows, compressed air grows swiftly hot, and the temperature below it would rise to some 60,000 Kelvin, or ten times the surface temperature of the Sun. In this instant of its arrival in our atmosphere, everything in the meteor’s path—people, houses, factories, cars—would crinkle and vanish like cellophane in a flame. One second after entering the atmosphere, the meteorite would slam into the Earth’s surface, where the people of Manson had a moment before been going about their business. The meteorite itself would vaporize instantly, but the blast would blow out a thousand cubic kilometers of rock, earth, and superheated gases. Every living thing within 150 miles that hadn’t been killed by the heat of entry would now be killed by the blast. Radiating outward at almost the speed of light would be the initial shock wave, sweeping everything before it. For those outside the zone of immediate devastation, the first inkling of catastrophe would be a flash of blinding light—the brightest ever seen by human eyes—followed an instant to a minute or two later by an apocalyptic sight of unimaginable grandeur: a roiling wall of darkness reaching high into the heavens, filling an entire field of view and traveling at thousands of miles an hour. Its approach would be eerily silent since it would be moving far beyond the speed of sound. Anyone in a tall building in Omaha or Des Moines, say, who chanced to look in the right direction would see a bewildering veil of turmoil followed by instantaneous oblivion. Within minutes, over an area stretching from Denver to Detroit and encompassing what had once been Chicago, St. Louis, Kansas City, the Twin Cities—the whole of the Midwest, in short—nearly every standing thing would be flattened or on fire, and nearly every living thing would be dead. People up to a thousand miles away would be knocked off their feet and sliced or clobbered by a blizzard of flying projectiles. Beyond a thousand miles the devastation from the blast would gradually diminish. But that’s just the initial shockwave. No one can do more than guess what the associated damage would be, other than that it would be brisk and global. The impact would almost certainly set off a chain of devastating earthquakes. Volcanoes across the globe would begin to rumble and spew. Tsunamis would rise up and head devastatingly for distant shores. Within an hour, a cloud of blackness would cover the planet, and burning rock and other debris would be pelting down everywhere, setting much of the planet ablaze. It has been estimated that at least a billion and a half people would be dead by the end of the first day. The massive disturbances to the ionosphere would knock out communications systems everywhere, so survivors would have no idea what was happening elsewhere or where to turn. It would hardly matter. As one commentator has put it, fleeing would mean “selecting a slow death over a quick one. The death toll would be very little affected by any plausible relocation effort, since Earth’s ability to support life would be universally diminished.
Bill Bryson (A Short History of Nearly Everything)
In river rescues, members of the Kansas City Fire Department rescue squad yell profanity-laced threats at victims before they get to them. If they don't, the victim will grab on to them and push them under the water in a mad scramble to stay afloat. "We try to get their attention. And we don't always use the prettiest language," says Larry Young, a captain in the rescue division. "I hope I don't offend you by saying this. But if I approach Mrs. Suburban Housewife and say, 'When I get to you, do not fucking touch me! I will leave you if you touch me!' she tends to listen.
Amanda Ripley (The Unthinkable: Who Survives When Disaster Strikes - and Why)
When Larry Sherman designed the Kansas City gun experiment, he was well aware of this problem. “You wouldn’t tell doctors to go out and start cutting people up to see if they’ve got bad gallbladders,” Sherman says. “You need to do lots of diagnosis first before you do any kind of dangerous procedure. And stop-and-search is a dangerous procedure. It can generate hostility to the police.” To Sherman, medicine’s Hippocratic oath—“First, do no harm”—applies equally to law enforcement. “I’ve just bought myself a marble bust of Hippocrates to try to emphasize every day when I look at it that we’ve got to minimize the harm of policing,” he went on. “We have to appreciate that everything police do, in some ways, intrudes on somebody’s liberty. And so it’s not just about putting the police in the hot spots. It’s also about having a sweet spot of just enough intrusion on liberty and not an inch—not an iota—more.
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
I stand for the square deal," Roosevelt said. "But when I say that I am for the square deal, I mean not merely that I stand for fair play under the present rules of the game, but that I stand for having those rules changed so as to work for a more substantial equality of opportunity and of reward for equally good service. One word of warning, which, I think, is hardly necessary in Kansas. When I say I want a square deal for the poor man, I do not mean that I want a square deal for the man who remains poor because he has not got the energy to work for himself. If a man who has had a chance will not make good, then he has got to quit.
Theodore Roosevelt
It's hard for people now to remember just how enormous the world was back then for everybody, and how far away even fairly nearby places were. When we called my grandparents long distance on the telephone in Winfield, something we hardly ever did, it sounded as if they were speaking to us from a distant star. We had to shout to be heard and plug a finger in an ear to catch their faint, tinny voices in return. They were only about a hundred miles away, but that was a pretty considerable distance even well into the 1950s. Anything farther - beyond Chicago or Kansas City, say - quickly became almost foreign. It wasn't just that Iowa was far from everywhere. Everywhere was far from everywhere.
Bill Bryson (The Life and Times of the Thunderbolt Kid)
Say, kiddies! Today we're studying Wacky Geography in Mid-World. You see, boys and girls, in Mid-World you start in New York, travel southeast to Kansas, and then continue along the Path of the Beam until you come to the Dark Tower...which happens to be smack in the middle of everything. First, fight the giant lobsters! Next, ride the psychotic train! And then, after a visit to our snack bar for a popkin or two...
Stephen King (Wizard and Glass (The Dark Tower, #4))
And outside Watts, a dozen more shootings produce a dozen more weeping families that have to struggle stoically through their black grief or that can stand behind microphones and declare their black anger, and the bodies pile higher and higher and higher, and so does the frustration with the impunity 'because,' says the district attorney in St. Louis in Kansas City in Staten Island in Dayton in Gary in Albuquerque in Oakland, 'you can’t indict an algorithm.
Tochi Onyebuchi (Riot Baby)
Why are you stopping people in places where there’s no crime?” Weisburd says. “That doesn’t make sense to me.” Sherman is just as horrified. “At that hour of the day in that location, stopping [Sandra Bland] for changing lanes is not justifiable,” he said. Even during the initial Kansas City gun experiment—in a neighborhood a hundred times worse than Prairie View—Sherman said that the special police officers made their stops solely at night. That’s the only time of day when the crime rate was high enough to justify aggressive policing. Sandra Bland was pulled over in the middle of the afternoon.
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
Bisceglia Pharmacy is a tiny, dusty relic tucked into a dying strip mall on the other side of the Kansas-Missouri state line. I see Liv’s doubt as we pull up to the pharmacy and there’s a dog chained up out front gnawing industriously on an old shoe. “Uh,” she says, stepping over the dog, who doesn’t stop his chewing to look up, “is this like...a licensed pharmacy?” “We’re in Missouri now, princess. This is what shit looks like here.” Liv shoots me a look as we walk through the door—which is propped open with a rabbit-eared television set—and into the dimly lit pharmacy. “You know, it’s not nice to be geographically snobby.” “I lived on the Missouri side of Kansas City until Mom died,” I tell her. “So I feel a little entitled to some trash talk. Also this place was my first job. So I’m double entitled
Laurelin Paige (Hot Cop)
Meanwhile in Wichita, Kansas, Dr. George Tiller, one of the few doctors who performs late-term abortions—only about 1 percent of all procedures but crucial when, for instance, a fetus develops without a brain—is shot in both arms by a female picketer. He recovers and continues serving women who come to him from many states. I finally meet Dr. Tiller in 2008 at a New York gathering of Physicians for Reproductive Choice and Health. I ask him if he has ever helped a woman who was protesting at his clinic. He says: “Of course, I’m there to help them, not to add to their troubles. They probably already feel guilty.” In 2009 Dr. Tiller is shot in the head at close range by a male activist hiding inside the Lutheran church where the Tiller family worships each Sunday. This is done in the name of being “pro-life.
Gloria Steinem (My Life on the Road)
Laura Ingalls Wilder, author of the classic series Little House, lived that idea, facing some of the toughest and unwelcoming elements on the planet: harsh and unyielding soil, Indian territory, Kansas prairies, and the humid backwoods of Florida. Not afraid, not jaded—because she saw it all as an adventure. Everywhere was a chance to do something new, to persevere with cheery pioneer spirit whatever fate befell her and her husband. That isn’t to say she saw the world through delusional rose-colored glasses. Instead, she simply chose to see each situation for what it could be—accompanied by hard work and a little upbeat spirit. Others make the opposite choice. As for us, we face things that are not nearly as intimidating, and then we promptly decide we’re screwed. This is how obstacles become obstacles. In other words, through our perception of events, we are complicit in the creation—as well as the destruction—of every one of our obstacles. There is no good or bad without us, there is only perception. There is the event itself and the story we tell ourselves about what it means. That’s a thought that changes everything, doesn’t it?
Ryan Holiday (The Obstacle Is the Way: The Timeless Art of Turning Trials into Triumph)
All people have religions. It's like we have religion receptors built into our brain cells, or something, and we'll latch onto anything that'll fill that niche for us. Now, religion used to be essentially viral -- a piece of information that replicated inside the human mind, jumping from one person to the next. That's the way it used to be, and unfortunately, that's the way it's headed right now. But there have been several efforts to deliver us from the hands of primitive, irrational religion. The first was made by someone named Enki about four thousand years ago. The second was made by Hebrew scholars in the eighth century B.C., driven out of their homeland by the invasion of Sargon II, but eventually it just devolved into empty legalism. Another attempt was made by Jesus -- that one was hijacked by viral influences within fifty days of his death. The virus was suppressed by the Catholic Church, but we're in the middle of a big epidemic that started in Kansas in 1900 and has been gathering momentum ever since." "Do you believe in God or not?" Hiro says. First things first. "Definitely." "Do you believe in Jesus?" "Yes. But not in the physical, bodily resurrection of Jesus." "How can you be a Christian without believing in that?" "I would say," Juanita says, "how can you be a Christian with it? Anyone who takes the trouble to study the gospels can see that the bodily resurrection is a myth that was tacked onto the real story several years after the real histories were written. It's so National Enquirer-esque, don't you think?
Neal Stephenson (Snow Crash)
Testing his image in Hartford, he would refine it further in subsequent speeches. “If I saw a venomous snake crawling in the road,” Lincoln began, “any man would say I might seize the nearest stick and kill it; but if I found that snake in bed with my children, that would be another question. I might hurt the children more than the snake, and it might bite them. . . . But if there was a bed newly made up, to which the children were to be taken, and it was proposed to take a batch of young snakes and put them there with them, I take it no man would say there was any question how I ought to decide! . . . The new Territories are the newly made bed to which our children are to go, and it lies with the nation to say whether they shall have snakes mixed up with them or not.” The snake metaphor acknowledged the constitutional protection of slavery where it legally existed, while harnessing the protective instincts of parents to safeguard future generations from the venomous expansion of slavery. This homely vision of the territories as beds for American children exemplified what James Russell Lowell described as Lincoln’s ability to speak “as if the people were listening to their own thinking out loud.” When Seward reached for a metaphor to dramatize the same danger, he warned that if slavery were allowed into Kansas, his countrymen would have “introduced the Trojan horse” into the new territory. Even if most of his classically trained fellow senators immediately grasped his intent, the Trojan horse image carried neither the instant accessibility of Lincoln’s snake-in-the-bed story nor its memorable originality.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
first outbreak in the States, the human race could have easily faced extinction. In 1918 the feat of traveling from Kansas to Moscow in less than one week was impossible. Yet, today a man can wake up in Chicago and before his day is over he can be in London. And should that same man, asymptomatic in the quiet incubation stage, harbor a deadly airborne virus while on his transcontinental flight, he just started the next pandemic. Needless to say, put all fear
Jacqueline Druga (The Flu (A Novel of the Outbreak))
Take, for instance, several classic studies with animal models. A baboon, say, is shown that if it pushes a lever then some food will drop through a dispenser. But the animal doesn’t know which push of the lever will be the one that will deliver the food. “The baboon will press the lever at a very steady rate. ‘Is the food there yet, is the food there yet?’ Each press is like a question,” explains Dan Bernstein, a professor of psychology at the University of Kansas, where he has an office down the hall from Dr. Atchley. It may not be a comfortable comparison for some. But the image of a baboon pulling a lever for food is not all that dissimilar from a person obsessively pecking at their phone waiting for the next email to appear.
Matt Richtel (A Deadly Wandering: A Mystery, a Landmark Investigation, and the Astonishing Science of Attention in the Digital Age)
What was it like before?” Sophia asked Enoch a few minutes later, after they had all got drinks at the drive-thru. The autopilot was back in effect and they were heading toward the relatively bright lights of Moab, still a couple of miles distant. She was thinking about the woman reading the book in the information center. About the whole idea of information centers. About information. “Depends on how far back you want to go,” Enoch pointed out. “Just saying that for everyone else in this car the post-Moab world is basically all we’ve ever known. Where people can’t even agree that this town exists.” “What was it like when people agreed on facts, you mean?” Enoch asked. He seemed a little amused by the question. Not in a condescending way. More charmed. “Yeah. Because they did, right? Walter Cronkite and all that?” Enoch pondered it for a bit. “I would say that the ability of people to agree on matters of fact not immediately visible—states of affairs removed from them in space and time—ramped up from a baseline of approximately zero to a pretty high level around the time of the scientific revolution and all that, and stayed there and became more globally distributed up through the Cronkite era, and then dropped to zero incredibly quickly when the Internet came along. And I think that the main thing it conferred on people was social mobility, so that if you were a smart kid growing up on a farm in Kansas or a slum in India you had a chance to do something interesting with your life. Before it—before that three-hundred-year run when there was a way for people to agree on facts—we had kings and warlords and rigid social hierarchy. During it, a lot of brainpower got unlocked and things got a lot better materially. A lot better. Now we’re back in a situation where the people who have the power and the money can get what they want by dictating what the mass of people ought to believe.
Neal Stephenson (Fall; or, Dodge in Hell)
ONCE, WHEN I WAS THIRTEEN YEARS old, my parents moved me from the land of flat, grassy prairies and towering, angry tornadoes and life-giving cool country air to the mysterious land of suffocating dust and prickly cactus and life-sucking desert heat to lord over a park of western-themed amusements that bring delight to many young children and a handful of immature grown-ups. In other words, we moved from Kansas to Arizona to run a theme park, but it sounds much more exciting when I say it the other way, and I want you to think this is going to be an exciting story. What I mean is, it’s absolutely going to be an exciting story. Prepare yourselves accordingly.
Dusti Bowling (Momentous Events in the Life of a Cactus)
When Larry Sherman designed the Kansas City gun experiment, he was well aware of this problem. “You wouldn’t tell doctors to go out and start cutting people up to see if they’ve got bad gallbladders,” Sherman says. “You need to do lots of diagnosis first before you do any kind of dangerous procedure. And stop-and-search is a dangerous procedure. It can generate hostility to the police.” To Sherman, medicine’s Hippocratic oath—“First, do no harm”—applies equally to law enforcement.
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
I’m reminded of a dream that the aunt of a friend of mine had; the woman’s name is Cleo and she grew up in Kansas during the Great Depression. In the dream, she is lifted to Heaven when just a child. There, she is greeted by an angel who says, “Take my hand and I will show you to your new home.” The angel and Cleo stroll through Heaven’s shining streets, more radiant than anything the small and nervous girl had seen. However, instead of stopping before one of the lovely houses, they keep walking, then walking some more. The lights begin to dim, the houses are smaller now and the streets not so smooth. Finally, they arrive at a tiny hut near the edge of a dense forest with just enough light to see. Cleo asks, “Is this my new home?” The angel replies, “I’m afraid so; you were just barely good enough to get in.
Madeleine K. Albright
Douglas agreed somehow to have these seven debates with Lincoln, and this is what made Lincoln a national figure. Debates in those days—when you think about it today, how incredible it must have been—were the biggest sporting event of the times. Before we had a lot of professional sports, people would go to debates by the thousands. The first guy would speak for an hour and a half, the second guy would speak for an hour and a half, then there’d be a rebuttal for an hour, and another rebuttal for an hour. They’re sitting there for six hours. There are marching bands. There’s music. And the audience is yelling, “Hit ’im again! Hit ’im again! Harder!” It’s an extraordinary thing, these debates. Lincoln did great in the debates. They published them afterwards. People saw what an extraordinary debater and character he was in terms of understanding the issue of slavery and the Kansas-Nebraska Act. But in those days, there weren’t really national newspapers yet, so the way you got your news, much like today, was by reading your own partisan paper. You would subscribe to the Republican paper or the Whig paper or the Democratic paper. So when the papers would describe the debates, if it’s the Democratic paper, they would say, “Douglas was so amazing that he was carried out on the arms of the people in great, great triumph! And Lincoln, sadly, was so terrible that he fell on the floor and his people had to carry him out just to get him away from the humiliation.” So we had a certain partisan press in those days.
David M. Rubenstein (The American Story: Conversations with Master Historians (Gift for History Buffs))
Fleming could not keep a tight rein on most of his actors because the queerness of their characters defied a realistic approach. He could, and did, keep a tight rein on Judy Garland. And it is Garland’s obvious belief in what is happening to her that keeps the film credible. “You believed that she really wanted to get back to Kansas,” says Jack Haley. “She carried the picture with her sincerity.” The first confrontation between Fleming and Judy Garland came late in November when she first met the Cowardly Lion on the Yellow Brick Road. John Lee Mahin was on the set that day, and the moment stuck fast in his memory. “She slapped the Lion and he broke into tears. And she was to continue bawling him out. But Lahr was so funny that she burst into screams of laughter instead. Vic was patient at first. She went behind a tree. I could hear her saying, ‘I will not laugh. I will not laugh.’ Then she’d come out and start laughing again. They must have done the scene ten times, and eventually she was giggling so much she got hysterical. She couldn’t stop laughing. And Vic finally slapped her on the face. ‘All right now,’ he said, ‘go back to your dressing room.’ She went. And when she came back, she said, ‘O.K.’ And they did the scene.
Aljean Harmetz (The Making of The Wizard of Oz)
David Adkins, a state senator who was raised a fundamentalist Baptist in the plains city of Salina (today he is a moderate Republican), says, “I. . . can’t recall a political issue—abortion, homosexuality, any of the issues of convenience that now dominate Republican dialogue—ever being mentioned in the course of my religious training, or in the course of my faith.
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
Dungy sees something that no one else does. He sees proof that his plan is starting to work. Tony Dungy had waited an eternity for this job. For seventeen years, he prowled the sidelines as an assistant coach, first at the University of Minnesota, then with the Pittsburgh Steelers, then the Kansas City Chiefs, and then back to Minnesota with the Vikings. Four times in the past decade, he had been invited to interview for head coaching positions with NFL teams. All four times, the interviews hadn’t gone well. Part of the problem was Dungy’s coaching philosophy. In his job interviews, he would patiently explain his belief that the key to winning was changing players’ habits. He wanted to get players to stop making so many decisions during a game, he said. He wanted them to react automatically, habitually. If he could instill the right habits, his team would win. Period. “Champions don’t do extraordinary things,” Dungy would explain. “They do ordinary things, but they do them without thinking, too fast for the other team to react. They follow the habits they’ve learned.” How, the owners would ask, are you going to create those new habits? Oh, no, he wasn’t going to create new habits, Dungy would answer. Players spent their lives building the habits that got them to the NFL. No athlete is going to abandon those patterns simply because some new coach says to. So rather than creating new habits, Dungy was going to change players’ old ones. And the secret to changing old habits was using what was already inside players’ heads. Habits are a three-step loop—the cue, the routine, and the reward—but Dungy only wanted to attack the middle step, the routine. He knew from experience that it was easier to convince someone to adopt a new behavior if there was something familiar at the beginning and end.3.5 His coaching strategy embodied an axiom, a Golden Rule of habit change that study after study has shown is among the most powerful tools for creating change. Dungy recognized that you can never truly extinguish bad habits. Rather, to change a habit, you must keep the old cue, and deliver the old reward, but insert a new routine. That’s the rule: If you use the same cue, and provide the same reward, you can shift the routine and change the habit. Almost any behavior can be transformed if the cue and reward stay the same.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
Those who are attracted to Dole’s vision of life in Russell, Kansas, need to spend a little time here. It turns out there’s a reason ambitious people like Dole have been fleeing the place in droves: while its mythical counterpart grows in stature, the actual Russell has been slowly withering. A bleak local economic history could be written from inside any store on Main Street. For example, the biggest and oldest store—a department store called Bankers, for which Dole modeled clothes—opened in 1881, ten years after Russell was founded, beside the new tracks laid by the Union Pacific Railroad. It prospered through the oil boom of the 1920s and the farming boom of the 1940s, reaching its apogee in the 1950s, when it stocked three full floors of dry goods. Since then the store’s business has gradually waned so that it now occupies barely one floor, some of which is given over to the sale of Bob Dole paraphernalia. Where once there were gardening tools there are now rows of Dole buttons, stickers, T-shirts, and caps. The oldest family-owned business in Kansas will probably soon close for lack of business and of a family member willing to live in Russell. “I’d manage the place,” says one of the heirs, who lives in Kansas City, “but only if you put it on a truck and moved it to another town.
Michael Lewis (Losers)
All the ways to break mind and body they had developed fighting people on the other side of the world, they now used on their own people, justifying it by saying their treason had forfeited their citizenship. Made them stateless aliens, without real rights.
Christopher Brown (Tropic of Kansas)
It's just the two of us. She shows me more secret passageways through the woods until the trees clear to reveal a large, moonlit meadow. We stop at the edge. Emma's looking at me expectantly, and at first I'm not sure what I'm supposed to see. I see tall, unkempt grass surrounded by trees. Then, like my eyes are playing tricks on me, fluorescent green lights flash on and off in the field, some of them rising up like bubbles in a pot of boiling water, some shooting across and lighting up the ground below them. "Whoa." "Pretty, right?" Emma says, turning her neck slowly from me to the meadow. "I almost never see fireflies." "I did some research, and they're not even supposed to exist west of Kansas. I have no idea why there's so many of them here." We walk through the field together, and in the blinking green lights I can see Emma's hand inches from my own, I see the curves and dips of her face in profile and I wonder how it is that I can find the space between things beautiful. Emma stops for a second and reaches into the waist-high grass, her hand disappearing in the dark. She pulls it back out to reveal a berry I have never seen before, not in the smorgasbord of rainbow-colored fruit at American grocery stores and definitely not anywhere in Mexico. It is the size of a child's fist, and the skin is prickly, like a lychee's. "When I was a kid, if I was mad at my mom, I'd hide out here for the day, picking out berries," Emma says. "I had no way of knowing if they were poisonous, but I'd feast on them anyway." She digs her thumb into the skin to reveal a pulpy white interior. She takes a bite out of it and then hands it to me. It's sweet and tangy and would be great in a vinaigrette, as a sauce, maybe along with some roasted duck. "I don't even think anyone else knows about these, because I've never seen them anywhere else. I'm sure she'd put it on her menu if she found out about them, but I like keeping this one thing to myself." We grab them by the handful, take them with us down the hill toward the lake. Sitting on the shore, gentle waves lapping at our ankles, we peel the berries one by one. A day or two ago, I thought of Emma as pretty. Tonight, her profile outlined by a full moon, she looks beautiful to me. I wish I could drive the thought away, but there it is anyway. The water---or something else about these nights---really does feel like it can cure hopelessness.
Adi Alsaid (North of Happy)
How can you say that? You’re a religious person yourself.” “Don’t lump all religion together.” “Sorry.” “All people have religions. It’s like we have religion receptors built into our brain cells, or something, and we’ll latch onto anything that’ll fill that niche for us. Now, religion used to be essentially viral—a piece of information that replicated inside the human mind, jumping from one person to the next. That’s the way it used to be, and unfortunately, that’s the way it’s headed right now. But there have been several efforts to deliver us from the hands of primitive, irrational religion. The first was made by someone named Enki about four thousand years ago. The second was made by Hebrew scholars in the eighth century B.C., driven out of their homeland by the invasion of Sargon II, but eventually it just devolved into empty legalism. Another attempt was made by Jesus—that one was hijacked by viral influences within fifty days of his death. The virus was suppressed by the Catholic Church, but we’re in the middle of a big epidemic that started in Kansas in 1900 and has been gathering momentum ever since.” “Do you believe in God or not?” Hiro says. First things first. “Definitely.” “Do you believe in Jesus?” “Yes. But not in the physical, bodily resurrection of Jesus.
Neal Stephenson (Snow Crash)
Another thing this spokesman tells me is that more Kansans need to go to jail. In Kansas, he says, the “rate of incarceration went up forty-four percent in the nineties. In the rest of the nation, it went up 71.7 percent. So we are not putting people in jail” at the same rate as other states.
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
Because of the picture's constant theatrical circulation all during the forties, two presentations on the Lux Radio Theatre, and finally as a staple of early television, the tale was familiar to almost two generations of moviegoers. Hart's task was to preserve the potent appeal of this Hollywood myth while making it viable for a modern-day audience. The problem was complicated by the necessity of rewriting the part of Esther/Vicki to suit Judy Garland. The original film had walked a delicate dramatic path in interweaving the lives and careers of Vicki and Norman Maine. In emphasizing the "star power" of Lester/Garland, more screen time would have to be devoted to her, thus altering the careful balance of the original. Hart later recalled: "It was a difficult story to do because the original was so famous and when you tamper with the original, you're inviting all sorts of unfavorable criticism. It had to be changed because I had to say new things about Hollywood-which is quite a feat in itself as the subject has been worn pretty thin. The attitude of the original was more naive because it was made in the days when there was a more wide-eyed feeling about the movies ... (and) the emphasis had to be shifted to the woman, rather than the original emphasis on the Fredric March character. Add to that the necessity of making this a musical drama, and you'll understand the immediate problems." To make sure that his retelling accurately reflected the Garland persona, Hart had a series of informal conversations with her and Luft regarding experiences of hers that he might be able to incorporate into the script. Luft recalls: "We were having dinner with Moss and Kitty [Carlisle], and Judy was throwing ideas at Moss, cautiously, and so was I. I remember Judy telling the story of when she was a kid, she was on tour with a band and they were in Kansas City at the Mulebach Hotel-all the singers and performers stayed there. And I think her mother ran into a big producer who was traveling through and she invited him to come and see the act, and supposedly afterward he was very interested in Judy's career. Nothing happened, though. Judy thought it would be a kind of a cute idea to lay onto Moss-that maybe it might be something he could use in his writing.
Ronald Haver (A Star Is Born: The Making of the 1954 Movie and Its 1983 Restoration (Applause Books))
The hallmark of backlash conservatism is that it approaches politics not as a defender of the existing order or as a genteel aristocrat but as an average working person offended by the arrogant impositions of the (liberal) upper class. The sensibility was perfectly summarized during the campaign by onetime Republican presidential candidate Gary Bauer, who explained it to the New York Times like this: “Joe Six-Pack doesn’t understand why the world and his culture are changing and why he doesn’t have a say in it.”1 These are powerful words, the sort of phrase that could once have been a slogan of the fighting, egalitarian left. Backlash conservatism, Bauer’s comment reminds us, deals in outrage, not satisfaction; it claims to speak for the voiceless, not the powerful. And in this election cycle it reached its fullest, angriest articulation. The
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
…” Paloma said, and readjusted the flower in her hair. She wasn’t sure what else to say. No boy had ever just come out and said he wanted to get to know her before. “So what grade are you in?” “Seventh grade,” he said quickly. “Junior high. How about you?” “Me too.” He stopped a waiter, grabbed two cups of punch, and handed one to Paloma. She sipped the frosty white drink, liking it immediately. “What is this yummy stuff?” She chugged the punch. “Guanábana. You like it?” “Like it? I want to grow up and marry it. What kind of fruit is it? And why don’t they sell gua-nah-ba-nah in Kansas? It’s so good.” Tavo chuckled at her exaggerated pronunciation. “So … you like Coyoacán so far?” Paloma wrinkled her eyebrows. “I like the punch.” “That’s it?” Tavo frowned. Paloma bit down on her bottom lip. She hoped she hadn’t offended him. “Sorry, it’s just my first day here and so far—I’m super bored. I don’t speak
Angela Cervantes (Me, Frida, and the Secret of the Peacock Ring (Scholastic Gold))
I would say that the ability of people to agree on matters of fact not immediately visible - states of affairs removed from them in space and time - ramped up from a baseline of approximately zero to a pretty high level around the time of the scientific revolution and all that, and stayed there and became more globally distributed up through the Cronkite era, and then dropped to zero incredibly quickly when the Internet came along. And I think that the main thing it conferred on people was social mobility, so that if you were a smart kid growing up on a farm in Kansas or a slum in India you had a chance to do something interesting with your life. Before it - before that three-hundred-year run when there was a way for people to agree on facts - we had kings and warlords and rigid social hierarchy. During it, a lot of brainpower got unlocked and things got a lot better materially. A lot better. Now we're back in a situation where the people who have the power and the money can get what they want by dictating what the mass of people ought to believe.
Neal Stephenson (Fall; or, Dodge in Hell)
Historians believe that the women that led the prohibition movement did so because of what alcohol had done to their men. You cannot declare war on loss; cannot declare war on grief [her first husband] died a week before their daughter was born (of alcohol poisoning). And for weeks, for years afterwards she walked into bars all across Kansas, armed with a hatchet and just started breaking shit, and I'm not saying that's okay. I'm just saying, I've seen a mirror before. I'm saying I loved a man for years calling him the bandage only to realize he's the wound. I'm saying I get it. I dare any woman to spend half a century sitting at an ever emptying dinner table without picking up an axe
Clementive Von Radics, Prohibition
I have pointed out that the concept current among most flying-saucer enthusiasts that the unidentified flying objects are simply craft used by visitors from another planet is naive. The explanation is too simple-minded to account for the diversity of the reported behavior of the occupants and their percieved interaction with human beings. Could this concept serve precisely a diversionary role in masking the real, infinitely more complex nature of the technology that gives rise to the sightings? [...] Here then, is a brief statement of five new propositions based upon the material we have reviewed so far: 1. The things we call unidentified flying objects are neither objects nor flying. They can dematerialize, as some reliable photographs seem to show, and they violate the laws of motion as we know them. 2. UFOs have been seen throughout history and have consistently recieved (or provided) their own explanation within the framework of each culture. In antiquity their occupants were regarded as gods; in medieval times, as magicians; in the nineteenth century, as scientific geniuses; in our own time, as interplanetary travelers. (Statements made by occupants of the 1897 airship included such declarations as "We are from Kansas" and even "We are from anywhere... but we'll be in Greece tomorrow.") 3. UFO reports are not necessarily caused by visits from space travelers. The phenomenon could be a manifestation of a much more complex technology. If time and space are not as simple in structure as physicists have assumed until now, then the question "where do they come from?" may be meaningless; they could come from a place in time. If consciousness can be manifested outside the body, then the range of hypotheses can be even wider. 4. The key to an understanding of the phenomenon lies in the psychic effects it produces (or the psychic awareness it makes possible) in its observers. Their lives are often deeply changed, and they develop unusual talents with which they may find it difficult to cope. The proportion of witnesses who do come forward and publish accounts of these experiences is quite low; most of them choose to remain silent. 5. Contact between human percipients and the UFO phenomenon always occurs under conditions controlled by the latter. Its characteristic feature is a factor of absurdity that leads to a rejection of the story by the upper layers of the target society and an absorption at a deep unconscious level of the symbols conveyed by the encounter. The mechanism of this resonance between the UFO symbol and the archetypes of the human unconscious has been abundantly demonstrated by Carl Jung, whose book Flying Saucers makes many references to the age-old significance of the signs in the sky. I am not regarding the phenomenon of the UFOs as the unknowable, uncontrollable game of a higher order of beings. Neither is it likely, in my view, that an encounter with UFOs would add to the human being anything it did not already possess. Everything works as if the phenomenon were the product of a technology that followed well-defined rules and patterns, though fantastic by ordinary human standards. It has so far posed no apparent threat to national defense and seems to be indifferent to the welfare of individual witnesses, leading many to assume that we may be dealing with a still-undiscovered natural occurrence ("It cannot be intelligent," say some people, "because it does not attack us!"). But its impact in shaping man's long-term creativity and unconscious impulses is probably enormous. The fact that we have no methodology to deal with such an impact is only an indication of how little we know about our own psychic world.
Jacques F. Vallée (Dimensions: A Casebook of Alien Contact)
Another time, when my freelancing was slow, I sent out résumés, something I’m prone to do whenever I feel panicky. Sure enough, I was offered a job within a few weeks. The offer—writing marketing materials for a local bus line (okay, I didn’t say I was offered an interesting job in two weeks)—was for more money than I’d ever made in my life. But how could I afford to give up all that time? Was I really ready to forgo my freelancing career? Once again, I demanded a clear sign. I needed to know within 24 hours because that’s when I needed to give my employer-to-be a yea or a nay. The very next morning, Travel + Leisure, the magazine I most wanted to write for, called to give me an assignment. I hung up, shouted “Yes!” and did the goal-line hootchie-koo. But my guidance must have been in the mood to show off that day, because not 15 minutes later, another magazine I’d never even heard of, let alone sent a query to, called and wanted a story about Kansas City steaks. I had to call and tell my would-be boss, “Thanks, but no thanks.
Pam Grout (E-Squared: Nine Do-It-Yourself Energy Experiments That Prove Your Thoughts Create Your Reality)
I'm just as aware of the injustices done to the black man as anyone," the Dipper would explain years after. "I just don't believe that you help things by running around, saying how evil Whitey is. I figure I done my share - the restaurants I integrated in Kansas, the busloads of black kids I used to take to summer camp from Harlem, the contributions I make, in my name and money, to various black causes and programs. Just because I don't call a press conference every time I do something like that doesn't mean I am insensitive to the black man's plight.
Gary M. Pomerantz (Wilt, 1962: The Night of 100 Points and the Dawn of a New Era)
In his absolute dedication to principle Golba personifies one of backlash conservatism’s greatest strengths. Ignoring one’s economic self-interest may seem like a suicidal move to you and me, but viewed a different way it is an act of noble self-denial; a sacrifice for a holier cause. Golba’s monastic lifestyle reaffirms the impression: this is a man who has turned his back on the comforts of our civilization, who has transcended the material. From this barren suburb on the edge of town he rebukes the haughty and the worldly. He defies the men in the great palaces. He smites their candidates; he wastes their money; he ends their careers. “If you’re like me, consider yourself to be a born-again, Bible-believing Christian, then the issues are black and white,” Golba says. “There’s not much room for gray area.
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
I just want to say that a winning season doesn’t mean much if you don’t have somebody to share it with. There’s this woman I can’t stop thinking about, and regardless of whether she’s in Kansas or Vegas or on the damn moon, regardless of whether she’ll talk to me or ignore me... any wins, any victories that come our way will be because she’s on my mind. Trust me when I say that I won’t be sitting on the bench this season. Not when I’m playing for her and my son.
Lisa Suzanne (Touchdown (Vegas Aces: The Quarterback, #5))
And this is the critical point: in a media world where what people shout overshadows what they actually do, the backlash sometimes appears to be the only dissenter out there, the only movement that has a place for the uncool and the funny-looking and the pious, for all the stock buffoons that our mainstream culture glories in lampooning. In this sense the backlash is becoming a perpetual alter-ego to the culture industry, a feature of American life as permanent and as strange as Hollywood itself. Even as it rejects the broader commercial culture, though, the backlash also mimics it. Conservatism provides its followers with a parallel universe, furnished with all the same attractive pseudospiritual goods as the mainstream: authenticity, rebellion, the nobility of victimhood, even individuality. But the most important similarity between backlash and mainstream commercial culture is that both refuse to think about capitalism critically. Indeed, conservative populism’s total erasure of the economic could only happen in a culture like ours where material politics have already been muted and where the economic has largely been replaced by those aforementioned pseudospiritual fulfillments. This is the basic lie of the backlash, the manipulative strategy that makes the whole senseless parade possible. In all of its rejecting and nay-saying, it resolutely refuses to consider that the assaults on its values, the insults, and the Hollywood sneers are all products of capitalism as surely as are McDonald’s hamburgers and Boeing 737s.
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
such figures as Bill Clinton, Al Gore, Joe Lieberman, and Terry McAuliffe, has long been pushing the party to forget blue-collar voters and concentrate instead on recruiting affluent, white-collar professionals who are liberal on social issues. The larger interests that the DLC wants desperately to court are corporations, capable of generating campaign contributions far outweighing anything raised by organized labor. The way to collect the votes and—more important—the money of these coveted constituencies, “New Democrats” think, is to stand rock-solid on, say, the pro-choice position while making endless concessions on economic issues, on welfare, NAFTA, Social Security, labor law, privatization, deregulation, and the rest of it. Such Democrats explicitly rule out what they deride as “class warfare” and take great pains to emphasize their friendliness to business interests. Like the conservatives, they take economic issues off the table. As for the working-class voters who were until recently the party’s very backbone, the DLC figures they will have nowhere else to go; Democrats will always be marginally better on economic issues than Republicans. Besides, what politician in this success-worshiping country really wants to be the voice of poor people? Where’s the soft money in that?
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
Conceptually, this was an approach borrowed more from the world of freight movers than communications experts. Think of each message as if it were a large house and ask yourself how you would move that house across the country from, say, Boston to Los Angeles. Theoretically, you could move the whole structure in one piece. House movers do it over shorter distances all the time—slowly and carefully. However, it’s more efficient to disassemble the structure if you can, load the pieces onto trucks, and drive those trucks over the nation’s interstate highway system—another kind of distributed network. Not every truck will take the same route; some drivers might go through Chicago and some through Nashville. If a driver learns that the road is bad around Kansas City, for example, he may take an alternate route. As long as each driver has clear instructions telling him where to deliver his load and he is told to take the fastest way he can find, chances are that all the pieces will arrive at their destination in L.A. and the house can be reassembled on a new site. In some cases the last truck to leave Boston might be the first to arrive in L.A., but if each piece of the house carries a label indicating its place in the overall structure, the order of arrival doesn’t matter. The rebuilders can find the right parts and put them together in the right places. In
Katie Hafner (Where Wizards Stay Up Late: The Origins Of The Internet)
Would you feel safer if I stayed tonight?” “I don’t know.” “Yeah, you do. Everything else aside, would you feel safer?” He tapped his cheek to ask her to look him in the eye and answer. “Up here, honey.” She did look up into those expectant blue eyes. Yes. In every way that mattered, she felt safe with Max. Rosemary nodded. “Say it, Rosie. Don’t make me think I’m bullying you into this.” “I’m not inviting you into my bed. But you are awfully warm, and I can’t seem to shake this chill and...” She hugged her arms around her waist but bravely held his gaze. “I don’t want to be alone tonight. Would you stay with me?” The taut line of his mouth relaxed. “I like a clear set of rules, too. So no hanky-panky, but you wouldn’t be adverse to a little cuddling? You know, so I can keep an eye on you and you could borrow some body heat?” “That would be enough for you?” He brushed a copper tendril off her cheek and tucked it behind her ear. “That would be perfect.” Rosemary smiled. “Then I can live with those rules, too.
Julie Miller (Kansas City Secrets (The Precinct: Cold Case #2; The Precinct #26))
The feature of programs, that they are defined purely formally or syntactically, is fatal to the view that mental processes and program processes are identical. And the reason can be stated quite simply. There is more to having a mind then having formal or syntactical processes. Our internal mental states, by definition, have certain sorts of contents. If I am thinking about Kansas City or wishing that I had a cold beer to drink, in both cases my mental state has certain mental content in addition to whatever formal features it might have. That is, even if my thoughts occur to me in strings of symbols, there must be more to the thoughts then the abstract strings, because strings by themselves can't have any meaning. If my thoughts are to be about anything, then the strings must have a meaning which makes the thoughts about those things. In a word, the mind has more than syntax, it has semantics. The reason that no computer program can ever be a mind is simply that a computer program is simply syntactical, and minds are more than syntactical. Minds are semantical, in the sense that they have more than a formal structure, they have a content. To illustrate this point, I have designed a thought experiment. Imagine a bunch of computer programmers have written a program that will enable a computer to simulate the understanding of Chinese. So for example, if the computer is given a question in chinese, it will match the question against its memory or data base, and produce appropriate answers to the questions in chinese. Suppose for the sake of argument that the computer's answers are as good as those of a native Chinese speaker. Now then, does the computer on the basis of this literally understand Chinese, in the way that Chinese speakers understand Chinese? Imagine you are locked in a room, and this room has several baskets full of chinese symbols. imagine that you don't understand a word of chinese, but that you are given a rule book in english for manipulating these chinese symbols. The rules specify the manipulations of the symbols purely formally, in terms of syntax, not semantics. So the rule might say: take a squiggle out of basket 1 and put it next to a squoggle from basket 2. Suppose that some other chinese symbols are passed into the room, and you are given futhter rules for passing chinese symbols out the room. Suppose, unknown to you, the symbols passed into the room are called 'questions' and your responses are called answers, by people outside the room. Soon, your responses are indistinguishable from native chinese speakers. there you are locked in your room shuffling symbols and giving answers. On the basis of the situation as it parallels computers, there is no way you could learn chinese simply by manipulating these formal symbols. Now the point of the story is simply this: by virtue of implementing a formal computer from the point of view of an outside observer, you behave exactly as if you understood chinese, but you understand nothing in reality. But if going through the appropriate computer program for understanding CHinese is not enough, then it is not enough to give any other computer an understanding of chinese. Again, the reason for this can be stated simply: a computer has a syntax, but no semantics.
Searle
It was the good stuff, the old P2P dope, not the anhydrous crap,” says Harris. “Hells Angels shipped it in from California to Kansas City, and then it trickled down from there.
Frank Owen (No Speed Limit: The Highs and Lows of Meth)