Kahlo Quotes

At the end of the day, we can endure much more than we think we can.

I drank to drown my sorrows, but the damned things learned how to swim.

I used to think I was the strangest person in the world but then I thought, there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do I would imagine her, and imagine that she must be out there thinking of me too. well, I hope that if you are out there you read this and know that yes, it’s true I’m here, and I’m just as strange as you.

I don't paint dreams or nightmares, I paint my own reality.

Feet, what do I need them for If I have wings to fly.

Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.

I paint flowers so they will not die.

I hope the exit is joyful and i hope never to return.

I think that little by little I'll be able to solve my problems and survive.

Nothing is worth more than laughter. It is strength to laugh and to abandon oneself, to be light. Tragedy is the most ridiculous thing.

I love you more than my own skin and even though you don’t love me the same way, you love me anyways, don’t you? And if you don’t, I’ll always have the hope that you do, and i’m satisfied with that. Love me a little. I adore you.

I paint myself because I am so often alone and because I am the subject I know best.

I want to be inside your darkest everything

They are so damn 'intellectual' and rotten that I can't stand them anymore....I [would] rather sit on the floor in the market of Toluca and sell tortillas, than have anything to do with those 'artistic' bitches of Paris.

I tried to drown my sorrows, but the bastards learned how to swim, and now I am overwhelmed by this decent and good feeling.

I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.

The most important thing for everyone in Gringolandia is to have ambition and become 'somebody,' and frankly, I don't have the least ambition to become anybody.

You deserve the best, the very best, because you are one of the few people in this lousy world who are honest to themselves, and that is the only thing that really counts.

Take a lover who looks at you like maybe you are a bourbon biscuit.

I am that clumsy human, always loving, loving, loving. And loving. And never leaving.

They thought I was a Surrealist, but I wasn't. I never painted dreams. I painted my own reality.

i was born a bitch. i was born a painter.

There have been two great accidents in my life. One was the train the other was Diego. Diego was by far the worst.

For throughout history, you can read the stories of women who - against all the odds - got being a woman right, but ended up being compromised, unhappy, hobbled or ruined, because all around them, society was still wrong. Show a girl a pioneering hero - Sylvia Plath, Dorothy Parker, Frida Kahlo, Cleopatra, Boudicca, Joan of Arc - and you also, more often than not, show a girl a woman who was eventually crushed.

I don't give a shit what the world thinks. I was born a bitch, I was born a painter, I was born fucked. But I was happy in my way. You did not understand what I am. I am love. I am pleasure, I am essence, I am an idiot, I am an alcoholic, I am tenacious. I am; simply I am ... You are a shit.

pain, pleasure and death are no more than a process for existence. The revolutionary struggle in this process is a doorway open to intelligence

My mother says that pain is hidden in everyone you see. She says try to imagine it like big bunches of flowers that everyone is carrying around with them. Think of your pain like a big bunch of red roses, a beautiful thorn necklace. Everyone has one.

There is nothing more precious than laughter

I wish I could do whatever I liked behind the curtain of “madness”. Then: I’d arrange flowers, all day long, I’d paint; pain, love and tenderness, I would laugh as much as I feel like at the stupidity of others, and they would all say: “Poor thing, she’s crazy!” (Above all I would laugh at my own stupidity.) I would build my world which while I lived, would be in agreement with all the worlds. The day, or the hour, or the minute that I lived would be mine and everyone else’s - my madness would not be an escape from “reality”.

Frida Kahlo to Marty McConnell leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.

I love you more than my own skin.

No moon, sun, diamond, hands — fingertip, dot, ray, gauze, sea. pine green, pink glass, eye, mine, eraser, mud, mother, I am coming.

My painting carries with it the message of pain.

Traté de ahogar mis penas... pero las condenadas aprendieron a nadar.

Only one mountain can know the core of another mountain.

I paint self-portraits because I am so often alone, because I am the person I know best.

I used to think I was the strangest person in the world but then I thought there are so many people in the world, there must be someone just like me who feels bizarre and flawed in the same ways I do. I would imagine her, and imagine that she must be out there thinking of me, too. Well, I hope that if you are out there and read this and know that, yes, it’s true I’m here, and I’m just as strange as you.

I drank because I wanted to drown my sorrows. But now the damned things have learned to swim ,and now decency and good behavior weary me.

¿se pueden inventar verbos? quiero decirte uno: yo te cielo, así mis alas se extienden enormes para amarte sin medida... somos de las misma materia, de las mismas ondas...

Take a lover who looks at you like maybe you are magic.

What I wanted to express very clearly and intensely was that the reason these people had to invent or imagine heroes and gods is pure fear. Fear of life and fear of death.

I tried to drown my sorrows but the bastards learned how to swim.

I leave you my portrait so that you will have my presence all the days and nights that I am away from you.

Quisiera darte todo lo que nunca hubieras tenido, y ni así sabrías la maravilla que es poder quererte

Wordless, Infinite — You. You intensify everything. You are fire burning all that is left of my heart.

Vivir de recuerdos es morir.

Pies pa' que los quiero, si tengo alas pa' volar

They sit for hours in the "cafes" warming their precious behinds, and talk without stopping about "culture" "art" "revolution" and so on and so forth, thinking themselves the gods of the world, dreaming the most fantastic nonsenses and poisoning the air with theories and theories that never come true.

I never paint dreams or nightmares. I paint my own reality.

to feel the anguish of waiting for the next moment and of taking part in the complex current (of affairs) not knowing that we are headed toward ourselves, through millions of stone beings - of bird beings - of star beings - of microbe beings - of fountain beings toward ourselves

People in general are scared to death of the war and all the exhibition have been a failure, because the rich - don't want to buy anything

La belleza y la fealdad son un espejismo, porque los demás terminan viendo nuestro interior.

‎"I drank because I wanted to drown my sorrows, but now the damned things have learned to swim." --

It was worthwhile to come here only to see why Europe is rottening, why all this people - good for nothing - are the cause of all the Hitlers and Mussolinis.

The art of Frida Kahlo is a ribbon around a bomb' (Andre Breton qtd. p. 55)

Que todo termina en un instante Planatera doloroso

I am nauseated by all these rotten people in Europe - and these fucking "democracies" are not worth even a crumb.

Yo le duro lo que usted me cuide, yo le hablo como usted me trate y le creo lo que usted me demuestre.

Painting completed my life. I lost three children and a series of other things that would have fulfilled my horrible life. My painting took the place of all this. I think work is the best. (Frida Kahlo, p. 157)

Espero que la salida sea alegre y espero no volver nunca más.

This upper class is disgusting and I'm furious at all these rich people here, having seen thousands of people in abject squalor.

You deserve a lover who takes away the lies and brings you hope, coffee, and poetry.

Te vas? No. Alas rotas.

Si actuas como si supieras lo que estas haciendo, puedes hacer lo que quieras.

Mai in vita mia Dimenticherò la tua presenza. Tu mi hai presa quando ero spezzata E mi hai riparata Su questa terra troppo piccola Dove potrei mai voltare il mio sguardo? Così immenso, così profondo! Non c'è più tempo. Non c'è più nulla. Distanza. C'è soltanto la realtà. Quello che è stato, è stato per sempre.

High society here turns me off and I feel a bit of rage against all these rich guys here, since I have seen thousands of people in the most terrible misery without anything to eat and with no place to sleep, that is what has most impressed me here, it is terrifying to see the rich having parties day and night while thousands and thousands of people are dying of hunger... Although I am very interested in all the industrial and mechanical development of the United States, I find that Americans completely lack sensibility and good taste. They live as if in an enormous chicken coop that is dirty and uncomfortable. The houses look like bread ovens and all the comfort that they talk about is a myth.

They will say I smoked cigarettes and marijuana, cursed hoarse as a crow in all my languages, and loved morphine and Demerol and tequila and pulque, women and men. I will shrug my illusion of shoulders and answer that I am a water woman, not a vessel, not something you can sail or charter. I am instead the tributary, the river, the fluid source, and the sea itself. I am all her rainy implications. And what do you, with your rusted compass, know of love?

I could kill that guy and eat it afterwards...

I am what the water gave me, / a smoke-ring in a jar, / the braided rope / my ladder-to-the-light, / my shivering bird heart / caught

Cada (tic-tac) es un segundo de la vida que pasa, huye, y no se repite. Y hay en ella tanta intensidad, tanto interés, que el problema es sólo saberla vivir. Que cada quien lo resuelva como pueda.

The industrial part of Detroit is really the most interesting side, otherwise it’s like the rest of the United States, ugly and stupid.

Can verbs be made up? I'll tell you one. I heaven you, so my wings will open wide to love you boundlessly.

i am my own muse, i am the subject i know best. the subject i want to know better.

You too know that all my eyes see, all I touch with myself, from any distance, is Diego. The caress of fabrics, the color of colors, the wires, the nerves, the pencils, the leaves, the dust, the cells, the war and the sun, everything experienced in the minutes of the non-clocks and the non-calendars and the empty non-glances, is him.

Heute Ist immer noch (Today is like always).

At the end of the day we can endure much more than we think we can.

I have not forgotten you — the nights are long and difficult. You too know that all my eyes see, all touch with myself, from any distance, is you. The caress of fabrics, the color of colors, the wires, the nerves, the pencils, the leaves, the dust, the cells, the war and the sun, everything experienced in the minutes of the non-clocks and the non-calendars and the empty non-glances, is you. You felt it, that’s why you let that ship take me away from Le Havre where you never said good-bye to me. I will write to you with my eyes, always. For you is all.

Little deer, I've stuffed all the world's diseases inside you. / Your veins are thorns // and the good cells are lost in the deep dark woods / of your organs.

Perhaps it is expected that I should lament about how I have suffered living with a man like Diego. But I do not think that the banks of a river suffer because they let the river flow, nor does the earth suffer because of the rains, nor does the atom suffer for letting its energy escape. To my way of thinking, everything has its natural compensation.

i paint flowers so they will not die

Amurallar el propio sufrimiento es arriesgarse a que te devore desde el interior.

I must fight with all my strength so that the little positive things that my health allows me to do might be pointed toward helping the revolution. The only real reason for living.

You talked about Nietzsche and his tertiary syphilis. Mozart and his uremia. Paul Klee and the scleroderma that shrank his joints and muscles to death. Frida Kahlo and the spina bifida that covered her legs with bleeding sores. Lord Byron and his clubfoot. The Brontë sisters and their tuberculosis. Mark Rothko and his suicide. Flannery O'Connor and her lupus. Inspiration needs disease, injury, madness.

feet, what do i need you for if i have wings to fly?

Her view of life, she told a friend, was: "Make love. Take a bath. Make love again.

This is how it feels to be in this broken female body. This is how it feels to be alone... This is how it feels to be me. I dare you to look...and once you look, I’m going to make sure you cannot look away.

You said how Michelangelo was a manic-depressive who portrayed himself as a flayed martyr in his painting. Henri Matisse gave up being a lawyer because of appendicitis. Robert Schumann only began composing after his right hand became paralyzed and ended his career as a concert pianist. (...) You talked about Nietzsche and his tertiary syphilis. Mozart and his uremia. Paul Klee and the scleroderma that shrank his joints and muscles to death. Frida Kahlo and the spina bifida that covered her legs with bleeding sores. Lord Byron and his clubfoot. The Bronte sisters and their tuberculosis. Mark Rothko and his suicide. Flannery O’Connor and her lupus. Inspiration needs disease, injury, madness. “According to Thomas Mann,” Peter said, “‘Great artists are great invalids.

Acho que é melhor nos separarmos e eu ir tocar minha música em outro lugar com todos os meus preconceitos burgueses de fidelidade.

everything exists, and moves, under only one law = life =

My Diego: Mirror of the night Your eyes green swords inside my flesh. waves between our hands. All of you in a space full of sounds — in the shade and in the light. You were called AUXOCHROME the one who captures color. I CHROMOPHORE — the one who gives color. You are all the combinations of numbers. life. My wish is to understand lines form shades movement. You fulfill and I receive. Your word travels the entirety of space and reaches my cells which are my stars then goes to yours which are my light.

My paintings are well-painted, not nimbly but patiently. My painting contains in it the message of pain. I think that at least a few people are interested in it. It's not revolutionary. Why keep wishing for it to be belligerent? I can't. Painting completed my life. I lost three children and a series of other things that would have fulfilled my horrible life. My painting took the place of all of this. I think work is the best.

A vida é cruel por ter inventado a memória. Como os velhos que recobram em matizes suas lembranças mais antigas, à beira da morte minha memória gravita em torno do sol, e como ele clareia tudo! Tudo é presente, nada está perdido. É como uma força oculta que nos impele para nos estimular de novo: diante da evidência de que não mais haverá futuro, o passado se amplifica, suas raízes engrossam, tudo em mim é rizosfera, as cores se cristalizam sobre cada estrato, a mais insignificante imagem toca o seu absoluto, o coração bate em crescendo.

FRIDA KAHLO TO MARTY MCCONNELL leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.

There should be a Stage IV of black identity—Unmitigated Blackness. I’m not sure what Unmitigated Blackness is, but whatever it is, it doesn’t sell. On the surface Unmitigated Blackness is a seeming unwillingness to succeed. It’s Donald Goines, Chester Himes, Abbey Lincoln, Marcus Garvey, Alfre Woodard, and the serious black actor. It’s Tiparillos, chitterlings, and a night in jail. It’s the crossover dribble and wearing house shoes outside. It’s “whereas” and “things of that nature.” It’s our beautiful hands and our fucked-up feet. Unmitigated Blackness is simply not giving a fuck. Clarence Cooper, Charlie Parker, Richard Pryor, Maya Deren, Sun Ra, Mizoguchi, Frida Kahlo, black-and-white Godard, Céline, Gong Li, David Hammons, Björk, and the Wu-Tang Clan in any of their hooded permutations. Unmitigated Blackness is essays passing for fiction. It’s the realization that there are no absolutes, except when there are. It’s the acceptance of contradiction not being a sin and a crime but a human frailty like split ends and libertarianism. Unmitigated Blackness is coming to the realization that as fucked up and meaningless as it all is, sometimes it’s the nihilism that makes life worth living. Sitting

I’ll try out the pencils sharpened to the point of infinity which always sees ahead: Green — good warm light Magenta — Aztec. old TLAPALI blood of prickly pear, the brightest and oldest [Brown —] color of mole, of leaves becoming earth [Yellow —] madness sickness fear part of the sun and of happiness [Blue —] electricity and purity love [Black —] nothing is black — really nothing [Olive —] leaves, sadness, science, the whole of Germany is this color [Yellow —] more madness and mystery all the ghosts wear clothes of this color, or at least their underclothes [Dark blue —] color of bad advertisements and of good business [Blue —]distance. Tenderness can also be this blue blood?

Brian Wilson went to bed for three years. Jean-Michel Basquiat would spend all day in bed. Monica Ali, Charles Bukowski, Marcel Proust, Elizabeth Barrett Browning, Tracey Emin, Emily Dickinson, Edith Sitwell, Frida Kahlo, William Wordsworth, René Descartes, Mark Twain, Henri Matisse, Kathy Acker, Derek Jarman and Patti Smith all worked or work from bed and they’re productive people. (Am I protesting too much?) Humans take to their beds for all sorts of reasons: because they’re overwhelmed by life, need to rest, think, recover from illness and trauma, because they’re cold, lonely, scared, depressed – sometimes I lie in bed for weeks with a puddle of depression in my sternum – to work, even to protest (Emily Dickinson, John and Yoko). Polar bears spend six months of the year sleeping, dormice too. Half their lives are spent asleep, no one calls them lazy. There’s a region in the South of France, near the Alps, where whole villages used to sleep through the seven months of winter – I might be descended from them. And in 1900, it was recorded that peasants from Pskov in northwest Russia would fall into a deep winter sleep called lotska for half the year: ‘for six whole months out of the twelve to be in the state of Nirvana longed for by Eastern sages, free from the stress of life, from the need to labour, from the multitudinous burdens, anxieties, and vexations of existence’.‡ Even when I’m well I like to lie in bed and think. It’s as if

Auxochrome — Chromophore. Diego. She who wears the color. He who sees the color. Since the year 1922. Until always and forever. Now in 1944. After all the hours lived through. The vectors continue in their original direction. Nothing stops them. With no more knowledge than live emotion. With no other wish than to go on until they meet. Slowly. With great unease, but with the certainty that all is guided by the “golden section.” There is cellular arrangement. There is movement. There is light. All centers are the same. Folly doesn’t exist. We are the same as we were and as we will be. Not counting on idiotic destiny.

Yo solía pensar que era la persona más extraña en el mundo, pero luego pensé, hay mucha gente así en el mundo, tiene que haber alguien como yo, que se sienta bizarra y dañada de la misma forma en que yo me siento. Me la imagino, e imagino que ella también debe estar por ahí pensando en mí. Bueno, yo espero que si tú estás por ahí y lees esto sepas que, sí, es verdad, yo estoy aquí, soy tan extraña como tú

leaving is not enough; you must stay gone. train your heart like a dog. change the locks even on the house he’s never visited. you lucky, lucky girl. you have an apartment just your size. a bathtub full of tea. a heart the size of Arizona, but not nearly so arid. don’t wish away your cracked past, your crooked toes, your problems are papier mache puppets you made or bought because the vendor at the market was so compelling you just had to have them. you had to have him. and you did. and now you pull down the bridge between your houses, you make him call before he visits, you take a lover for granted, you take a lover who looks at you like maybe you are magic. make the first bottle you consume in this place a relic. place it on whatever altar you fashion with a knife and five cranberries. don’t lose too much weight. stupid girls are always trying to disappear as revenge. and you are not stupid. you loved a man with more hands than a parade of beggars, and here you stand. heart like a four-poster bed. heart like a canvas. heart leaking something so strong they can smell it in the street.

It infuriates him, this killing, this death. Infuriating that this is what we’re known for now, drug cartels and slaughter. This my city of Avenida 16 Septembre, the Victoria Theater, cobblestone streets, the bullring, La Central, La Fogata, more bookstores than El Paso, the university, the ballet, garapiñados, pan dulce, the mission, the plaza, the Kentucky Bar, Fred’s—now it’s known for these idiotic thugs. And my country, Mexico—the land of writers and poets—of Octavio Paz, Juan Rulfo, Carlos Fuentes, Elena Garro, Jorge Volpi, Rosario Castellanos, Luis Urrea, Elmer Mendoza, Alfonso Reyes—the land of painters and sculptors—Diego Rivera, Frida Kahlo, Gabriel Orozco, Pablo O’Higgins, Juan Soriano, Francisco Goitia—of dancers like Guillermina Bravo, Gloria and Nellie Campobello, Josefina Lavalle, Ana Mérida, and composers—Carlos Chávez, Silvestre Revueltas, Agustín Lara, Blas Galindo—architects—Luis Barragán, Juan O’Gorman, Tatiana Bilbao, Michel Rojkind, Pedro Vásquez—wonderful filmmakers—Fernando de Fuentes, Alejandro Iñárritu, Luis Buñuel, Alfonso Cuarón, Guillermo del Toro—actors like Dolores del Río, “La Doña” María Félix, Pedro Infante, Jorge Negrete, Salma Hayek—now the names are “famous” narcos—no more than sociopathic murderers whose sole contribution to the culture has been the narcocorridas sung by no-talent sycophants. Mexico, the land of pyramids and palaces, deserts and jungles, mountains and beaches, markets and gardens, boulevards and cobblestoned streets, broad plazas and hidden courtyards, is now known as a slaughter ground. And for what? So North Americans can get high.