Kafka The Trial Quotes

We've searched our database for all the quotes and captions related to Kafka The Trial. Here they are! All 100 of them:

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And once the storm is over, you won’t remember how you made it through, how you managed to survive. You won’t even be sure, whether the storm is really over. But one thing is certain. When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about.
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Haruki Murakami (Kafka on the Shore)
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It's only because of their stupidity that they're able to be so sure of themselves.
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Franz Kafka (The Trial)
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It would have been so pointless to kill himself that, even if he had wanted to, the pointlessness would have made him unable.
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Franz Kafka (The Trial)
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From a certain point onward there is no longer any turning back. That is the point that must be reached.
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Franz Kafka (The Trial)
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They're talking about things of which they don't have the slightest understanding, anyway. It's only because of their stupidity that they're able to be so sure of themselves.
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Franz Kafka (The Trial)
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it is not necessary to accept everything as true, one must only accept it as necessary.' 'A melancholy conclusion,' said K. 'It turns lying into a universal principle.
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Franz Kafka (The Trial)
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Logic may indeed be unshakeable, but it cannot withstand a man who is determined to live.
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Franz Kafka (The Trial)
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No," said the priest, "you don't need to accept everything as true, you only have to accept it as necessary." "Depressing view," said K. "The lie made into the rule of the world.
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Franz Kafka (The Trial)
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The right understanding of any matter and a misunderstanding of the same matter do not wholly exclude each other.
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Franz Kafka (The Trial)
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But I’m not guilty,” said K. β€œthere’s been a mistake. How is it even possible for someone to be guilty? We’re all human beings here, one like the other.” β€œThat is true” said the priest β€œbut that is how the guilty speak
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Franz Kafka (The Trial)
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You must not pay too much attention to opinions. The written word is unalterable, and opinions are often only an expression of despair.
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Franz Kafka (The Trial)
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The books we need are of the kind that act upon us like a misfortune, that makes us suffer like the death of someone we love more than ourselves, that make us feel as though we were on the verge of suicide, lost in a forest remote from all human habitation.
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Franz Kafka (The Trial)
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Someone must have slandered Josef K., for one morning, without having done anything truly wrong, he was arrested.
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Franz Kafka (The Trial)
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Like a dog!" he said, it was as if the shame of it should outlive him.
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Franz Kafka (The Trial)
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It is not necessary to accept everything as true, one must only accept it as necessary
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Franz Kafka (The Trial)
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I like to make use of what I know
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Franz Kafka (The Trial)
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I see, these books are probably law books, and it is an essential part of the justice dispensed here that you should be condemned not only in innocence but also in ignorance.
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Franz Kafka (The Trial)
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Like a Dog!
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Franz Kafka (The Trial)
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...how could I, fool that I am, go on sitting in my office, or here at home, instead of leaping onto a train with my eyes shut and opening them only when I am with you?
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Elias Canetti (Kafka's Other Trial: The Letters to Felice)
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Judgement does not come suddenly; the proceedings gradually merge into the judgement.
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Franz Kafka (The Trial)
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It's sometimes quite astonishing that a single, average life is enough to encompass so much that it's at all possible ever to have any success in one's work here.
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Franz Kafka (The Trial)
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The moonlight lay everywhere with the natural peace that is granted to no other light.
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Franz Kafka (The Trial)
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Next time I come here," he said to himself, "I must either bring sweets with me to make them like me or a stick to hit them with.
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Franz Kafka (The Trial)
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You do not need to accept everything as true, you only have to accept it as necessary.
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Franz Kafka (The Trial)
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You're not cross with me, though?" he said. She pulled her hand away and answered, "No, no, I'm never cross with anyone.
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Franz Kafka (The Trial)
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If he stayed at home and carried on with his normal life he would be a thousand times superior to these people and could get any of them out of his way just with a kick.
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Franz Kafka (The Trial)
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Don't concern yourself about anybody. Just do what you think is right.
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Franz Kafka (The Trial)
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Look at this, Willem, he admits he doesn’t know the law and at the same time insists he’s innocent.
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Franz Kafka (The Trial)
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Above all, the free man is superior to the man who has to serve another.
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Franz Kafka (The Trial)
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Logic is of course unshakeable, but it cannot hold out against a man who wants to live.
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Franz Kafka (The Trial)
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Someone must have been telling lies about Joseph K., for without having done anything wrong he was arrested one fine morning.
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Franz Kafka (The Trial)
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One must lie low, no matter how much it went against the grain, and try to understand that this great organization remained, so to speak, in a state of delicate balance, and that if someone took it upon himself to alter the dispositions of things around him, he ran the risk of losing his footing and falling to destruction, while the organization would simply right itself by some compensating reaction in another part of its machinery – since everything interlocked – and remain unchanged, unless, indeed, which was very probable, it became still more rigid, more vigilant, severer, and more ruthless.
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Franz Kafka (The Trial)
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Before he dies, all his experiences in these long years gather themselves in his head to one point, a ques-tion he has not yet asked the doorkeeper. He waves him nearer, since he can no longer raise his stiffening body. The doorkeeper has to bend low towards him, for the difference in height between them has altered much to the man's disadvantage. "What do you want to know now?" asks the doorkeeper; "you are insati-able." "Everyone strives to reach the Law," says the man, "so how does it happen that for all these many years no one but myself has ever begged for admit-tance?" The doorkeeper recognizes that the man has reached his end, and to let his failing senses catch the words roars in his ear: "No one else could ever be admitted here, since this gate was made only for you. I am now going to shut it.
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Franz Kafka (The Trial)
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Don't be too hasty, don't take somebody else's opinion without testing it.
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Franz Kafka (The Trial)
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Asking questions were the most important thing.
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Franz Kafka (The Trial)
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How are we to avoid those in office becoming deeply corrupt when everything is devoid of meaning?
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Franz Kafka (The Trial)
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It's often better to be in chains than to be free.
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Franz Kafka (The Trial)
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Everyone has his cross to bear.
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Franz Kafka (The Trial)
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I would never have named them in the first place as they are not the ones I hold responsible. It's the organization that's to blame, the high officials are the ones to blame.
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Franz Kafka (The Trial)
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Am I to leave this world as a man who shies away from all conclusions?
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Franz Kafka (The Trial)
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I am never serious, and therefore I have to make jokes do duty both for jest and earnest.
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Franz Kafka (The Trial)
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When one has lived for thirty years in this world and had to fight one's way through it, as I have had to do, one becomes hardened to surprises and doesn't take them too seriously.
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Franz Kafka (The Trial)
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People under suspicion are better moving than at rest, since at rest they may be sitting in the balance without knowing it, being weighed together with their sins.
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Franz Kafka (The Trial)
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It puzzled K., at least it puzzled him looking at it from the policemen's point of view, that they had made him go into the room and left him alone there, where he had ten different ways of killing himself. At the same time, though, he asked himself, this time looking at it from his own point of view, what reason he could have to do so. Because those two were sitting there in the next room and had taken his breakfast, perhaps?
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Franz Kafka (The Trial)
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Anyway, it’s best not to think about them, as if you do it makes the discussions with the other lawyers, all their advice and all that they do manage to achieve, seem so unpleasant and useless, I had that experience myself, just wanted to throw everything away and lay at home in bed and hear nothing more about it. But that, of course, would be the stupidest thing you could do, and you wouldn’t be left in peace in bed for very long either.
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Franz Kafka (The Trial)
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It's characteristic of this judicial system that a man is condemned not only when he's innocent but also in ignorance.
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Franz Kafka (The Trial)
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The trouble is, I am not at peace with myself; I am not always "something," and if for once I am "something," I pay for it by "being nothing" for months on end.' β€”Kafka, quoted by Canetti
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Elias Canetti (Kafka's Other Trial: The Letters to Felice)
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Everyone strives to attain the Law,' answers the man, 'how does it come about, then, that in all these years no one has come seeking admittance but me?' The doorkeeper perceives that the man is nearing his end and his hearing is failing, so he bellows in his ear: 'No one but you could gain admittance through this door, since this door was intended for you. I am now going to shut it.
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Franz Kafka
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Intrusive, thoughtless people!" said K. as he turned back into the room. The supervisor may have agreed with him, at least K. thought that was what he saw from the corner of his eye. But it was just as possible that he had not even been listening as he had his hand pressed firmly down on the table and seemed to be comparing the length of his fingers.
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Franz Kafka (The Trial)
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There were dark hours, of course, such as came to everybody, in which you thought you had achieved nothing at all, in which it seemed to you that only the cases predestined from the start to seucceed came to a good end, which they would have reached in any event without your help, while every one of the others was doomed to fail in spite of all your manΕ“uvres, all your exertions, all the illusory little victories on which you plumed yourself.
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Franz Kafka (The Trial)
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Above all, he could not stop half way, that was nonsense not only in business but always and everywhere.
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Franz Kafka (The Trial)
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For a man under suspicion movement is better than rest, for the man who is at rest can always, without knowing it, be on the scales being weighed together with his sins.
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Franz Kafka (The Trial)
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Whatever he may seem to us, he is yet a servant of the Law; that is, he belongs to the Law and as such is set beyond human judgment.
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Franz Kafka (The Trial)
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Jemand musste Josef K. verleumdet haben, denn ohne dass er etwas BΓΆses getan hΓ€tte, wurde er eines Morgens verhaftet.
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Franz Kafka (The Trial)
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Don't look at him!" he snapped, without noticing how odd it was to speak to free men in this way
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Franz Kafka (The Trial)
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But I cannot find my way in this darkness," said K. "Turn left to the wall," said the priest, "then follow the wall without leaving it and you'll come to a door." The priest had already taken a step or two away from him, but K. cried out in a loud voice, "please wait a moment." "I am waiting," said the priest. "Don't you want anything more form me?" asked K. "No," said the priest. "You were so friendly to me for a time," said K., "and explained so much to me, and now you let me go as if you cared nothing about me." "But you have to leave now," said the priest. "Well, yes," said K., "you must see that I can't help it." "You must first see who I am," said the priest. "You are the prison chaplain," said K., groping his way nearer to the priest again; his immediate return to the Bank was not so necessary as he had made out, he could quite stay longer. "That means I belong to the Court," said the priest. "So why should I want anything from you? The court wants nothing from you. It receives you when you came and it dismisses you when you go.
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Franz Kafka (The Trial)
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We have also an edition of The Trial, by the notorious Jew, Kafka. Berlin would appreciate it, I am thinking, if this too was added to the bonfire. Also the works of that decadent lesbian Bolshevik, Jane Austen.
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Stephen Fry (The Liar)
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Before the Law stands a doorkeeper on guard. To this doorkeeper there comes a man from the country who begs for admittance to the Law. But the doorkeeper says that he cannot admit the man at the moment. The man, on reflection, asks if he will be allowed, then, to enter later. 'It is possible,' answers the doorkeeper, 'but not at this moment.' Since the door leading into the Law stands open as usual and the doorkeeper steps to one side, the man bends down to peer through the entrance. When the doorkeeper sees that, he laughs and says: 'If you are so strongly tempted, try to get in without my permission. But note that I am powerful. And I am only the lowest doorkeeper. From hall to hall keepers stand at every door, one more powerful than the other. Even the third of these has an aspect that even I cannot bear to look at.' These are difficulties which the man from the country has not expected to meet, the Law, he thinks, should be accessible to every man and at all times, but when he looks more closely at the doorkeeper in his furred robe, with his huge pointed nose and long, thin, Tartar beard, he decides that he had better wait until he gets permission to enter. The doorkeeper gives him a stool and lets him sit down at the side of the door. There he sits waiting for days and years. He makes many attempts to be allowed in and wearies the doorkeeper with his importunity. The doorkeeper often engages him in brief conversation, asking him about his home and about other matters, but the questions are put quite impersonally, as great men put questions, and always conclude with the statement that the man cannot be allowed to enter yet. The man, who has equipped himself with many things for his journey, parts with all he has, however valuable, in the hope of bribing the doorkeeper. The doorkeeper accepts it all, saying, however, as he takes each gift: 'I take this only to keep you from feeling that you have left something undone.' During all these long years the man watches the doorkeeper almost incessantly. He forgets about the other doorkeepers, and this one seems to him the only barrier between himself and the Law. In the first years he curses his evil fate aloud; later, as he grows old, he only mutters to himself. He grows childish, and since in his prolonged watch he has learned to know even the fleas in the doorkeeper's fur collar, he begs the very fleas to help him and to persuade the doorkeeper to change his mind. Finally his eyes grow dim and he does not know whether the world is really darkening around him or whether his eyes are only deceiving him. But in the darkness he can now perceive a radiance that streams immortally from the door of the Law. Now his life is drawing to a close. Before he dies, all that he has experienced during the whole time of his sojourn condenses in his mind into one question, which he has never yet put to the doorkeeper. He beckons the doorkeeper, since he can no longer raise his stiffening body. The doorkeeper has to bend far down to hear him, for the difference in size between them has increased very much to the man's disadvantage. 'What do you want to know now?' asks the doorkeeper, 'you are insatiable.' 'Everyone strives to attain the Law,' answers the man, 'how does it come about, then, that in all these years no one has come seeking admittance but me?' The doorkeeper perceives that the man is at the end of his strength and that his hearing is failing, so he bellows in his ear: 'No one but you could gain admittance through this door, since this door was intended only for you. I am now going to shut it.
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Franz Kafka (The Trial)
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They linked arms with him in a way K. had never walked with anyone before
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Franz Kafka (The Trial)
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One does not have to believe everything is true, one only has to believe it is necessary.
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Franz Kafka (The Trial)
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Such a young trial!
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Franz Kafka (The Trial)
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Beni engelleyenin olgular olduğu pek sâylenemez, bir korku, aşılabilmesi olanaksız bir korku var: mutlu olmaktan korkmak, daha yüce bir amaç için kendine acı verme tutkusu ve buyruğu.
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Franz Kafka (Kafka's Other Trial: The Letters to Felice)
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For him [Kafka], the most tormenting thing about his notion of marriage must have been its ruling out the possibility of one's ever becoming so small as to be able to vanish: one has to be there.
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Elias Canetti (Kafka's Other Trial: The Letters to Felice)
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The books were old and well worn, the cover of one of them had nearly broken through in its middle, and it was held together with a few threads. "Everything is so dirty here," said K., shaking his head, and before he could pick the books up the woman wiped some of the dust off with her apron. K. took hold of the book that lay on top and threw it open, an indecent picture appeared. A man and a woman sat naked on a sofa, the base intent of whoever drew it was easy to see but he had been so grossly lacking in skill that all that anyone could really make out were the man and the woman who dominated the picture with their bodies, sitting in overly upright postures that created a false perspective and made it difficult for them to approach each other. K. didn't thumb through that book any more, but just threw open the next one at its title page, it was a novel with the title, What Grete Suffered from her Husband, Hans. "So this is the sort of law book they study here," said K., "this is the sort of person sitting in judgement over me.
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Franz Kafka (The Trial)
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In front of the law there is a doorkeeper. A man from the countryside comes up to the door and asks for entry. But the doorkeeper says he can't let him in to the law right now. The man thinks about this, and then he asks if he'll be able to go in later on. "That's possible," says the doorkeeper, "but not now". The gateway to the law is open as it always is, and the doorkeeper has stepped to one side, so the man bends over to try and see in. When the doorkeeper notices this he laughs and says, "If you're tempted give it a try, try and go in even though I say you can't. Careful though: I'm powerful. And I'm only the lowliest of all the doormen. But there’s a doorkeeper for each of the rooms and each of them is more powerful than the last. It's more than I can stand just to look at the third one.
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Franz Kafka (The Trial)
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But the hands of one of the gentleman were laid on K.’s throat, while the other pushed the knife deep into his heart and twisted it there, twice. As his eyesight failed, K. saw the two gentlemen cheek by cheek, close in front of his face, watching the result. β€œLike a dog!” he said, it was as if the shame of it should outlive him.".
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Franz Kafka
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He accepted it as a fundamental principle for an accused man to be always forearmed, never to let himself be caught napping, never to let his eyes stray unthinkingly to the right when his judge was looming up on the left--to the right when his judge was looming up on the left--and against that very principle he kept offending again and again.
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Franz Kafka (The Trial)
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Fragen war die Hauptsache
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Franz Kafka (The Trial)
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Could K. represent the congregation all by himself? What if he had been a stranger merely visiting the church? That was more or less his position.
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Franz Kafka (The Trial)
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No,' said the priest, 'we must not accept everything is true, we must only accept it is necessary.' 'A dismal thought,' said K., 'it makes untruth into a universal principle.
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Franz Kafka (The Trial)
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There is, in Kafka, a sort of sleep-worship; he regards sleep as a panacea.
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Elias Canetti (Kafka's Other Trial: The Letters to Felice)
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The way she sits on my lap as if it were her proper place!
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Franz Kafka (The Trial)
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β€žWie ein Hund!β€Ÿ sagte er, es war, als sollte die Scham ihn ΓΌberleben.
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Franz Kafka (The Trial)
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Justice has to be motionless or else the scales will waver that and there is no possibility of a correct judgement
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Franz Kafka (The Trial)
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Start with what is right rather than what is acceptable.
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Franz Kafka (The Castle / The Trial)
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The court wants nothing from you. It receives you when you come and dismisses you when you go.
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Franz Kafka (The Trial)
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As someone said to me--I can't remember now who it was--it is really remarkable that when you wake up in the morning you nearly always find everything in exactly the same place as the evening before. For when asleep and dreaming you are, apparently at least, in an essentially different state from that of wakefulness; and therefore, as that man truly said, it requires enormous presence of mind or rather quickness of wit, when opening your eyes to seize hold as it were of everything in the room at exactly the same place where you had let it go on the previous evening. That was why, he said, the moment of waking up was the riskiest moment of the day. Once that was well over without deflecting you from your orbit, you could take heart of grace for the rest of the day.
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Franz Kafka (The Trial)
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Once more the odious courtesies began, the first handed the knife across K. to the second, who handed it across K. back again to the first. K. now perceived clearly that he was supposed to seize the knife himself, as it traveled from hand to hand above him, and plunge it into his own breast. But he did not do so, he merely turned his head, which was still free to move, and gazed around him. He could not completely rise to the occasion, he could not relieve the officials of all their tasks; the responsibility for this last failure of his lay with him who had not left him the remnant of strength necessary for the deed.
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Franz Kafka (The Trial)
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The freedom to fail is preserved, as a sort of supreme law, which guarantees escape at every fresh juncture. One is inclined to call this the freedom of the weak person who seeks salvation in defeat. His true uniqueness, his special relation to power, is expressed in the prohibition of victory. All calculations originate and end in impotence.
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Elias Canetti (Kafka's Other Trial: The Letters to Felice)
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For a good part of his [Kafka's] work consists of tentative steps toward perpetually changing possibilities of future. He does not acknowledge a single future, there are many; this multiplicity of futures paralyzes him and burdens his step.
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Elias Canetti (Kafka's Other Trial: The Letters to Felice)
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Lo raro es que, cuando uno se despierta por la maΓ±ana, por lo menos en lΓ­neas generales vuelve a encontrar las cosas en el mismo estado en que estaban por la noche. Sin embargo, durante el sueΓ±o uno se ha encontrado, por lo menos en apariencia, en un estado esencialmente distinto de la vigilia y hace falta una infinita presencia de Γ‘nimo, o mejor dicho, de presteza para cogerlo todo, al abrir los ojos, por asΓ­ decir en el mismo punto en que uno lo habΓ­a dejado la noche anterior.
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Franz Kafka (The Trial)
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When you read The Arabian Nights you accept Islam. You accept the fables woven by generations as if they were by one single author or, better still, as if they had no author. And in fact they have one and none. Something so worked on, so polished by generations is no longer associated with and individual. In Kafka's case, it's possible that his fables are now part of human memory. What happened to Quixote could happen to to them. Let's say that all the copies of Quixote, in Spanish and in translation, were lost. The figure of Don Quixote would remain in human memory. I think that the idea of a frightening trial that goes on forever, which is at the core of The Castle and The Trial (both books that Kafka, of course, never wanted to publish because he knew they were unfinished), is now grown infinite, is now part of human memory and can now be rewritten under different titles and feature different circumstances. Kafka's work now forms a part of human memory.
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Jorge Luis Borges (Conversations, Volume 1)
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There is a story, for instance, that has very much the ring of truth about it. It goes like this: One of the older officials, a good and peaceful man, was dealing with a difficult matter for the court which had become very confused, especially thanks to the contributions from the lawyers. He had been studying it for a day and a night without a break β€” as these officials are indeed hard working, no-one works as hard as they do. When it was nearly morning, and he had been working for twenty-four hours with probably very little result, he went to the front entrance, waited there in ambush, and every time a lawyer tried to enter the building he would throw him down the steps. The lawyers gathered together down in front of the steps and discussed with each other what they should do; on the one hand they had actually no right to be allowed into the building so that there was hardly anything that they could legally do to the official and, as I've already mentioned, they would have to be careful not to set all the officials against them. On the other hand, any day not spent in court is a day lost for them and it was a matter of some importance to force their way inside. In the end, they agreed that they would try to tire the old man out. One lawyer after another was sent out to run up the steps and let himself be thrown down again, offering what resistance he could as long as it was passive resistance, and his colleagues would catch him at the bottom of the steps. That went on for about an hour until the old gentleman, who was already exhausted from working all night, was very tired and went back to his office.
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Franz Kafka (The Trial)
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Logic may indeed be unshakeable, but it cannot withstand a man who is determined to live. Where was the judge he had never seen? Where was the High Court he had never reached? He raised his hands and spread out all his fingers. But the hands of one of the men closed round his throat, just as the other drove the knife deep into his heart and turned it twice.
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Franz Kafka (The Trial)
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You see, Willem, he admits he doesn’t know the law, and at the same time claims he’s innocent.
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Franz Kafka (The Trial)
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he gave way to a pleasant lassitude
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Franz Kafka (The Trial)
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We're only being punished because you reported us. Otherwise nothing would have happened to us, even if they found out what we did. Can that be called justice?
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Franz Kafka (The Trial)
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I had to arrange things as well as I could. That's obviously a very bad place for the bed, in front of the door. For instance when the judge I'm painting at present comes he always comes through the door by the bed, and I've even given him a key to this door so that he can wait for me here in the studio when I'm not home. Although nowadays he usually comes early in the morning when I'm still asleep. And of course, it always wakes me up when I hear the door opened beside the bed, however fast asleep I am. If you could hear the way I curse him as he climbs over my bed in the morning you'd lose all respect for judges. I suppose I could take the key away from him but that'd only make things worse. It only takes a tiny effort to break any of the doors here off their hinges.
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Franz Kafka (The Trial)
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If you utter it, who will think of opposing you? The great choir of dogdom will join in as if it had been waiting for you. Then you will have clarity, truth, avowal, as much of them as you desire. The roof of this wretched life, of which you say so many hard things, will burst open, and all of us, shoulder to shoulder, will ascend into the lofty realm of freedom. And if we should not achieve the final consummation, if things should become worse than before, if the whole truth should be more insupportable than the half-truth, if it should be proved that the silent are the guardians of existence, if the faint hope that we still possess should give way to complete hopelessness, the attempt is still worth the trial, since you do not desire to live as you are compelled to live.
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Franz Kafka
β€œ
They don't make mistakes. Our authorities, as far as I am aware - and I know only the lowest ranks - don't actually look for guilt in the population, but are, as the law says, drawn towards guilt and must send us guards out. That's the law. Where would there be a mistake? 'I don't know this law', said K. 'That's your problem,' said the guard. 'It probably only exists in your minds', said K.
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Franz Kafka (The Trial)
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Ona osama koja mi je najveΔ‡im dijelom oduvijek bila prisilno nametnuta, a djelomično sam je i ja traΕΎio, ali i to je bilo nekom prisilom – sada, iduΔ‡i u krajnost postaje nedvosmislena. Kamo ona vodi?
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Franz Kafka (The Castle / The Trial)
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On the other hand, there are also dark moments, such as everyone has, when you think you’ve achieved nothing at all, when it seems that the only trials to come to a good end are those that were determined to have a good end from the start and would do so without any help, while all the others are lost despite all the running to and fro, all the effort, all the little, apparent successes that gave such joy.
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Franz Kafka (The Trial)
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The only thing I can do now,” he said to himself, and his thought was confirmed by the equal length of his own steps with the steps of the two others, β€œthe only thing I can do now is keep my common sense and do what’s needed right till the end. I always wanted to go at the world and try and do too much, and even to do it for something that was not too cheap. That was wrong of me. Should I now show them I learned nothing from facing trial for a year? Should I go out like someone stupid? Should I let anyone say, after I’m gone, that at the start of the proceedings I wanted to end them, and that now that they’ve ended I want to start them again? I don’t want anyone to say that. I’m grateful they sent these unspeaking, uncomprehending men to go with me on this journey, and that it’s been left up to me to say what’s necessary
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Franz Kafka (The Trial)
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There were dark hours, of course, such as came to everybody, in which you thought you had achieved nothing at all, in which it seemed to you that only the cases predestined from the start to seucceed came to a good end, which they would have reached in any event without your help, while every one of the others was doomed to fail in spite of all your manΕ“uvres, all your exertions, all the illusory little victories on which you plumes yourself.
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Franz Kafka (The Trial)
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It had a strange resemblance to Kafka's novel,The Trial- that dream-like allegory of a man who,having received a mysterious convocation to attend his 'trial",strives and struggles in vain to find out where the trial would be held and what it would be about; wherever he inquires he receives non - commital,elusive replies,as if everybody has joined in a secret conspiracy:the closer he gets to his aim,the farther it recedes,like the transparent walls of a dream:and the story ends abruptly,as it began,in tormenting suspense.The High Court which Kafka's hero is unable to find is his own conscience:but what was the symbolic meaning of all these nut-cracker-faced,nail-biting,pimpled,slimy features,spinning their spider webs of intrigue and sabotage in the bureaux of the French Administration?Perhaps I was really guilty,I and my like:perhaps our guilt was the past,the guilt of having forseen the catastrophe and yet failed to open the eyes of the blind.But if we were guilty-who were they to sit in judgement over us?
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Arthur Koestler (Scum of the Earth)
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Why do you have to go to the cathedral?' said Leni. K. tried to explain briefly, but he had hardly begun when Leni suddenly said: 'They are hounding you.' K., who could not bear anyone feeling sorry for him unexpectedly or gratuitously, broke off abruptly with just two words; but as he hung up the receiver he said, half to himself and half to the distant woman who could no longer hear him: 'Yes, they are hounding me.
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Franz Kafka (The Trial)
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About some books we feel that our reluctance to return to them is the true measure of our admiration. It is hard to suppose that many people go back, from a spontaneous desire, to reread 1984: there is neither reason nor need to, no one forgets it. The usual distinctions between forgotten details and a vivid general impression mean nothing here, for the book is written out of one passionate breath, each word is bent to a severe discipline of meaning, everything is stripped to the bareness of terror. Kafka's The Trial is also a book of terror, but it is a paradigm and to some extent a puzzle, so that one may lose oneself in the rhythm of the paradigm and play with the parts of the puzzle. Kafka's novel persuades us that life is inescapably hazardous and problematic, but the very 'universality' of this idea helps soften its impact: to apprehend the terrible on the plane of metaphysics is to lend it an almost soothing aura.
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Irving Howe (Orwell's Nineteen Eighty-Four: Text, Sources, Criticism (Harbrace Sourcebooks))
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An elderly merchant, a man with a long beard, was pleading with a young girl for a favourable report! Whatever Block's ulterior motive might be, nothing could justify his behaviour in the eyes of a fellow human being. K. did not understand how the advocate could have imagined that this spectacle would win him over. If K. had not dismissed him already, this performance would have made him do so; it almost degraded the onlooker. So this was the effect of the advocate's method, to which K. had fortunately not been exposed for too long: the client finally forgot the whole world and could only drag himself along this illusory path to the end of his trial. He was no longer a client; he was the advocate's dog.
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Franz Kafka (The Trial)
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Kafka is an ethical, not an aesthetic, writer. There is no conclusion to his books. The Castle was actually unfinished, but what ending could there be to it? And there is some doubt about the proper order of the chapters in The Trialβ€”it does not really seem to matter very much in which order you read them, since the book as a whole does not get you anywhere. (An uncharitable reader might disagree, and say that it throws fresh light on the Judiciary.) In this it is faithful to life as we actually experience it. There is no 'happy ending' or 'tragic ending' or 'comic ending' to life, only a 'dead ending'β€”and then we start again. We suffer, because we refuse to be reconciled with this lamentable fact; and even though we may say that life is meaningless we continue to think and act as if it had a meaning. Kafka's heroes (or hero, 'K.'β€”himself and not himself) obstinately persist in making efforts that they understand perfectly well are quite pointlessβ€”and this with the most natural air in the world. And, after all, what else can one do? Notice, in The Trial, how the notion of guilt is taken for granted. K. does not question the fact that he is guilty, even though he does not know of what he is guiltyβ€”he makes no attempt to discover the charge against him, but only to arrange for his defence. For both Kierkegaard and Heidegger, guilt is fundamental in human existence. (And it is only the Buddha who tells us the charge against usβ€”avijjā.)
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Nanavira Thera
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Suggested Reading Nuha al-Radi, Baghdad Diaries Margaret Atwood, The Blind Assassin Jane Austen, Emma, Mansfield Park, and Pride and Prejudice Saul Bellow, The Dean’s December and More Die of Heartbreak Emily BrontΓ«, Wuthering Heights Lewis Carroll, Alice’s Adventures in Wonderland Joseph Conrad, Under Western Eyes Henry Fielding, Shamela and Tom Jones Gustave Flaubert, Madame Bovary Anne Frank, The Diary of Anne Frank Henry James, The Ambassadors, Daisy Miller, and Washington Square Franz Kafka, In the Penal Colony and The Trial Katherine Kressman Taylor, Address Unknown Herman Melville, The Confidence Man Vladimir Nabokov, Lolita, Invitation to a Beheading, and Pnin Sarah Orne Jewett, The Country of the Pointed Firs Iraj Pezeshkzad, My Uncle Napoleon Diane Ravitch, The Language Police Julie Salamon, The Net of Dreams Marjane Satrapi, Persepolis Scheherazade, A Thousand and One Nights F. Scott Fitzgerald, The Great Gatsby W. G. Sebald, The Emigrants Carol Shields, The Stone Diaries Joseph Skvorecky, The Engineer of Human Souls Muriel Spark, Loitering with Intent and The Prime of Miss Jean Brodie Italo Svevo, Confessions of Zeno Peter Taylor, A Summons to Memphis Mark Twain, The Adventures of Huckleberry Finn Anne Tyler, Back When We Were Grownups and St. Maybe Mario Vargas Llosa, Aunt Julia and the Scriptwriter Reading
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Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)