Kafka Quotes

Memories warm you up from the inside. But they also tear you apart.

If you remember me, then I don't care if everyone else forgets.

And once the storm is over, you won’t remember how you made it through, how you managed to survive. You won’t even be sure, whether the storm is really over. But one thing is certain. When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about.

Don't bend; don't water it down; don't try to make it logical; don't edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly.

A book must be the axe for the frozen sea within us.

I am a cage, in search of a bird.

Many a book is like a key to unknown chambers within the castle of one’s own self.

Youth is happy because it has the capacity to see beauty. Anyone who keeps the ability to see beauty never grows old.

It's like Tolstoy said. Happiness is an allegory, unhappiness a story.

I cannot make you understand. I cannot make anyone understand what is happening inside me. I cannot even explain it to myself.

I am free and that is why I am lost.

Silence, I discover, is something you can actually hear.

I write differently from what I speak, I speak differently from what I think, I think differently from the way I ought to think, and so it all proceeds into deepest darkness.

Listen up - there's no war that will end all wars.

The meaning of life is that it stops.

Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That’s part of what it means to be alive.

A First Sign of the Beginning of Understanding is the Wish to Die.

All language is but a poor translation.

Taking crazy things seriously is a serious waste of time.

In everybody’s life there’s a point of no return. And in a very few cases, a point where you can’t go forward anymore. And when we reach that point, all we can do is quietly accept the fact. That’s how we survive.

A non-writing writer is a monster courting insanity." [Letter to Max Brod, July 5, 1922]

I have spent all my life resisting the desire to end it.

Not just beautiful, though--the stars are like the trees in the forest, alive and breathing. And they're watching me.

I have the true feeling of myself only when I am unbearably unhappy.

Slept, awoke, slept, awoke, miserable life.

By believing passionately in something that still does not exist, we create it. The nonexistent is whatever we have not sufficiently desired.

It's only because of their stupidity that they're able to be so sure of themselves.

Books are a narcotic.

Paths are made by walking

Even chance meetings are the result of karma… Things in life are fated by our previous lives. That even in the smallest events there’s no such thing as coincidence.

He is terribly afraid of dying because he hasn’t yet lived.

I think we ought to read only the kind of books that wound and stab us.

You are the knife I turn inside myself; that is love. That, my dear, is love.

I think we ought to read only the kind of books that wound or stab us. If the book we're reading doesn't wake us up with a blow to the head, what are we reading for? So that it will make us happy, as you write? Good Lord, we would be happy precisely if we had no books, and the kind of books that make us happy are the kind we could write ourselves if we had to. But we need books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea within us. That is my belief.

Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.

A certain type of perfection can only be realized through a limitless accumulation of the imperfect.

Chance encounters are what keep us going.

I miss you deeply, unfathomably, senselessly, terribly.

Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe.

You do not need to leave your room. Remain sitting at your table and listen. Do not even listen, simply wait, be quiet, still and solitary. The world will freely offer itself to you to be unmasked, it has no choice, it will roll in ecstasy at your feet.

I usually solve problems by letting them devour me.

Writing is utter solitude, the descent into the cold abyss of oneself.

There is an infinite amount of hope in the universe ... but not for us.

Closing your eyes isn't going to change anything. Nothing's going to disappear just because you can't see what's going on. In fact, things will even be worse the next time you open your eyes. That's the kind of world we live in. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won't make time stand still.

I’m tired, can’t think of anything and want only to lay my face in your lap, feel your hand on my head and remain like that through all eternity.

I never wish to be easily defined. I’d rather float over other people’s minds as something strictly fluid and non-perceivable; more like a transparent, paradoxically iridescent creature rather than an actual person.

What do you think? I'm not a starfish or a pepper tree. I'm a living, breathing human being. Of course I've been in love.

I am in chains. Don't touch my chains.

When you come out of the storm, you won’t be the same person who walked in. That’s what this storm’s all about.

It's hard to tell the difference between sea and sky, between voyager and sea. Between reality and the workings of the heart.

In a way, you are poetry material; You are full of cloudy subtleties I am willing to spend a lifetime figuring out. Words burst in your essence and you carry their dust in the pores of your ethereal individuality.

Now I can look at you in peace; I don't eat you any more.

Yours (now I'm even losing my name - it was getting shorter and shorter all the time and is now: Yours)

Love is, that you are the knife which I plunge into myself.

Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine. And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others. And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.

How about if I sleep a little bit longer and forget all this nonsense",

As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect.

I do not speak as I think, I do not think as I should, and so it all goes on in helpless darkness.

You are at once both the quiet and the confusion of my heart.

If you think God’s there, He is. If you don’t, He isn’t. And if that’s what God’s like, I wouldn’t worry about it.

Better to have, and not need, than to need, and not have.

This tremendous world I have inside of me. How to free myself, and this world, without tearing myself to pieces. And rather tear myself to a thousand pieces than be buried with this world within me.

Being with her I feel a pain, like a frozen knife stuck in my chest. An awful pain, but the funny thing is I'm thankful for it. It's like that frozen pain and my very existence are one. The pain is an anchor, mooring me here.

Each person feels pain in his own way, each has his own scars.

They say ignorance is bliss.... they're wrong

I need solitude for my writing; not 'like a hermit' - that wouldn't be enough - but like a dead man.

In man's struggle against the world, bet on the world.

May I kiss you then? On this miserable paper? I might as well open the window and kiss the night air.

I am constantly trying to communicate something incommunicable, to explain something inexplicable, to tell about something I only feel in my bones and which can only be experienced in those bones. Basically it is nothing other than this fear we have so often talked about, but fear spread to everything, fear of the greatest as of the smallest, fear, paralyzing fear of pronouncing a word, although this fear may not only be fear but also a longing for something greater than all that is fearful.

April 27. Incapable of living with people, of speaking. Complete immersion in myself, thinking of myself. Apathetic, witless, fearful. I have nothing to say to anyone - never.

People label themselves with all sorts of adjectives. I can only pronounce myself as 'nauseatingly miserable beyond repair'.

I can’t think of any greater happiness than to be with you all the time, without interruption, endlessly, even though I feel that here in this world there’s no undisturbed place for our love, neither in the village nor anywhere else; and I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more.

Written kisses don't reach their destination, rather they are drunk on the way by the ghosts.

It would have been so pointless to kill himself that, even if he had wanted to, the pointlessness would have made him unable.

Time weighs down on you like an old, ambiguous dream. You keep on moving, trying to sleep through it. But even if you go to the ends of the earth, you won't be able to escape it. Still, you have to go there- to the edge of the world. There's something you can't do unless you get there.

Things outside you are projections of what's inside you, and what's inside you is a projection of what's outside. So when you step into the labyrinth outside you, at the same time you're stepping into the labyrinth inside.

I was ashamed of myself when I realised life was a costume party and I attended with my real face

Beyond a certain point there is no return. This point has to be reached.

You can hold yourself back from the sufferings of the world, that is something you are free to do and it accords with your nature, but perhaps this very holding back is the one suffering you could avoid.

Most men are not wicked... They are sleep-walkers, not evil evildoers.

We photograph things in order to drive them out of our minds. My stories are a way of shutting my eyes.

L'éternité, c'est long ... surtout vers la fin.

I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more

Love is a drama of contradictions.

First impressions are always unreliable.

From a certain point onward there is no longer any turning back. That is the point that must be reached.

When I open them, most of the books have the smell of an earlier time leaking out between the pages - a special odor of the knowledge and emotions that for ages have been calmly resting between the covers. Breathing it in, I glance through a few pages before returning each book to its shelf.

Last night I dreamed about you. What happened in detail I can hardly remember, all I know is that we kept merging into one another. I was you, you were me. Finally you somehow caught fire.

That’s how stories happen — with a turning point, an unexpected twist. There’s only one kind of happiness, but misfortune comes in all shapes and sizes. It’s like Tolstoy said. Happiness is an allegory, unhappiness a story.

Do you know, darling? When you became involved with others you quite possibly stepped down a level or two, but If you become involved with me, you will be throwing yourself into the abyss.

Beyond the edge of the world there’s a space where emptiness and substance neatly overlap, where past and future form a continuous, endless loop. And, hovering about, there are signs no one has ever read, chords no one has ever heard.

I want in fact more of you. In my mind I am dressing you with light; I am wrapping you up in blankets of complete acceptance and then I give myself to you. I long for you; I who usually long without longing, as though I am unconscious and absorbed in neutrality and apathy, really, utterly long for every bit of you.

My peers, lately, have found companionship through means of intoxication--it makes them sociable. I, however, cannot force myself to use drugs to cheat on my loneliness--it is all that I have--and when the drugs and alcohol dissipate, will be all that my peers have as well.

The sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues. ... [But] we accept irony through a device called metaphor. And through that we grow and become deeper human beings.

Most things are forgotten over time. Even the war itself, the life-and-death struggle people went through is now like something from the distant past. We’re so caught up in our everyday lives that events of the past are no longer in orbit around our minds. There are just too many things we have to think about everyday, too many new things we have to learn. But still, no matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone.

The truth is always an abyss. One must — as in a swimming pool — dare to dive from the quivering springboard of trivial everyday experience and sink into the depths, in order to later rise again — laughing and fighting for breath — to the now doubly illuminated surface of things.

Dear Milena, I wish the world were ending tomorrow. Then I could take the next train, arrive at your doorstep in Vienna, and say: “Come with me, Milena. We are going to love each other without scruples or fear or restraint. Because the world is ending tomorrow.” Perhaps we don’t love unreasonably because we think we have time, or have to reckon with time. But what if we don't have time? Or what if time, as we know it, is irrelevant? Ah, if only the world were ending tomorrow. We could help each other very much.

Adults constantly raise the bar on smart children, precisely because they're able to handle it. The children get overwhelmed by the tasks in front of them and gradually lose the sort of openness and sense of accomplishment they innately have. When they're treated like that, children start to crawl inside a shell and keep everything inside. It takes a lot of time and effort to get them to open up again. Kids' hearts are malleable, but once they gel it's hard to get them back the way they were.

One of the first signs of the beginning of understanding is the wish to die. This life appears unbearable, another unattainable. One is no longer ashamed of wanting to die; one asks to be moved from the old cell, which one hates, to a new one, which one willl only in time come to hate. In this there is also a residue of belief that during the move the master will chance to come along the corridor, look at the prisoner and say: "This man is not to be locked up again, He is to come with me.

According to Aristophanes in Plato's The Banquet, in the ancient world of legend there were three types of people. In ancient times people weren't simply male or female, but one of three types : male/male, male/female or female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangment and never really gave it much thought. But then God took a knife and cut everyone in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing half.