K N Quotes

We've searched our database for all the quotes and captions related to K N. Here they are! All 100 of them:

In a child's eyes, a mother is a goddess. She can be glorious or terrible, benevolent or filled with wrath, but she commands love either way. I am convinced that this is the greatest power in the universe.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
For all those that have to fight for the respect that everyone else is given without question.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
We can never be gods, after all--but we can become something less than human with frightening ease.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
Home is what you take with you, not what you leave behind.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
I think,” Hoa says slowly, “that if you love someone, you don’t get to choose how they love you back.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
But for a society buit on exploitation, there is no greater threat than having no one left to oppress.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
Being useful to others is not the same thing as being equal.
N.K. Jemisin (The Obelisk Gate (The Broken Earth, #2))
But love like that doesn't just disappear, does it? No matter how powerful the hate, there is always a little love left, underneath. Yes. Horrible, isn't it?
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
Well, some worlds are built on a fault line of pain, held up by nightmares. Don’t lament when those worlds fall. Rage that they were built doomed in the first place.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
Let's start with the end of the world, why don't we? Get it over with and move on to more interesting things.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
When we say “the world has ended,” it’s usually a lie, because the planet is just fine. But this is the way the world ends. This is the way the world ends. This is the way the world ends. For the last time.
N.K. Jemisin (The Fifth Season)
After all, a person is herself, and others. Relationships chisel the final shape of one's being. I am me, and you.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
How can we prepare for the future if we won’t acknowledge the past?
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
To those who’ve survived: Breathe. That’s it. Once more. Good. You’re good. Even if you’re not, you’re alive. That is a victory.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
But there are none so frightened, or so strange in their fear, as conquerors. They conjure phantoms endlessly, terrified that their victims will someday do back what was done to them—even if, in truth, their victims couldn’t care less about such pettiness and have moved on. Conquerors live in dread of the day when they are shown to be, not superior, but simply lucky.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
They’re afraid because we exist, she says. There’s nothing we did to provoke their fear, other than exist. There’s nothing we can do to earn their approval, except stop existing – so we can either die like they want, or laugh at their cowardice and go on with our lives.
N.K. Jemisin (The Stone Sky)
True peace required the presence of justice, not just the absence of conflict.
N.K. Jemisin (The Killing Moon (Dreamblood, #1))
Don't be silly, Dawlish. I'm sure you are an excellent Auror, I seem to remember you achieved 'Outstanding' in all your N.E.W.T.s, but if you attempt to — er — 'bring me in' by force, I will have to hurt you.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Tell them they can be great someday, like us. Tell them they belong among us, no matter how we treat them. Tell them they must earn the respect which everyone else receives by default. Tell them there is a standard for acceptance; that standard is simply perfection. Kill those who scoff at those contradictions, and tell the rest that the dead deserved annihilation for their weakness and doubt. Then they'll break themselves trying for what they'll never achieve
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
But if you stay, no part of this comm gets to decide that any part of this comm is expendable. No voting on who gets to be people.
N.K. Jemisin (The Obelisk Gate (The Broken Earth, #2))
There's truth even in tainted knowledge, if one reads carefully.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
Who misses what they have never, ever even imagined?
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
This is why she hates Alabaster: not because he is more powerful, not even because he is crazy, but because he refuses to allow her any of the polite fictions and unspoken truths that have kept her comfortable, and safe, for years.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
People who say change is impossible are usually pretty happy with things just as they are.
N.K. Jemisin (The City We Became (Great Cities, #1))
Strange things have been spoken, why does your heart speak strangely? The dream was marvellous but the terror was great; we must treasure the dream whatever the terror.
N.K. Sandars (The Epic of Gilgamesh)
There is an art to smiling in a way that others will believe. It is always important to include the eyes; otherwise, people will know you hate them.
N.K. Jemisin (The Fifth Season)
It is blasphemy to separate oneself from the earth and look down on it like a god. It is more than blasphemy; it is dangerous. We can never be gods, after all - but we can become something less than human with frightening ease.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
The way of the world isn’t the strong devouring the weak, but the weak deceiving and poisoning and whispering in the ears of the strong until they become weak, too.
N.K. Jemisin (The Obelisk Gate (The Broken Earth, #2))
We aren't human." "Yes. We. Are." His voice turns fierce. "I don't give a shit what the something-somethingth council of big important farts decreed, or how the geomests classify things, or any of that. That we're not human is just the lie they tell themselves so they don't have to feel bad about how they treat us.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
Fortunately, where reason failed, blind panic served well enough.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
neither myths nor mysteries can hold a candle to the most infinitesimal spark of hope.
N.K. Jemisin (The Fifth Season)
You are what your creators and experiences have made you, like every other being in this universe. Accept that and be done; I tire of your whining.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
It’s a gift if it makes us better. It’s a curse if we let it destroy us.
N.K. Jemisin (The Fifth Season)
Winter, Spring, Summer, Fall; Death is the fifth and master of all.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
No, I'm telling this wrong. After all a person is herself and others. Relationships chisel the final shape of one's being. I am me and you.
N.K. Jemisin (The Obelisk Gate (The Broken Earth, #2))
This is what you must remember: the ending of one story is just the beginning of another.
N.K. Jemisin (The Fifth Season)
Love betrayed has an entirely different sound from hatred outright.
N.K. Jemisin (The Broken Kingdoms (Inheritance, #2))
Don’t be patient. Don’t ever be. This is the way a new world begins.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
...and when I lift my head to scream out my fury, a million stars turn black and die. No one can see them, but they are my tears.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
Never," said Hagrid irritably, "try an' get a straight answer out of a centaur. Ruddy stargazers. Not interested in anythin' closer'n the moon.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
The priest's lesson: beware the Nightlord, for his pleasure is a mortal's doom. My grandmother's lesson: beware love, especially with the wrong man.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
to be a woman is to be warbound, k n o w i n g all the odds are stacked against you. - & never giving up in spite of it.
Amanda Lovelace (The Witch Doesn't Burn in This One (Women Are Some Kind of Magic, #2))
There is such a thing as too much loss. Too much has been taken from you both - taken and taken and taken, until there's nothing left but hope, and you've given that up because it hurts too much. Until you would rather die, or kill, or avoid attachments altogether, than lose one more thing.
N.K. Jemisin (The Obelisk Gate (The Broken Earth, #2))
But breathing doesn’t always mean living, and maybe… maybe genocide doesn’t always leave bodies.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
The Fulcrum is not the first institution to have learned an eternal truth of humankind: No need for guards when you can convince people to collaborate in their own internment.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
This means, in a way, that true light is dependent on the presence of other lights. Take the others away and darkness results. Yet the reverse is not true: take away darkness and there is only more darkness. Darkness can exist by itself. Light cannot.
N.K. Jemisin (The Broken Kingdoms (Inheritance, #2))
You're very lucky... Friends are precious, powerful things - hard to earn, harder still to keep. You should thank this one for taking a chance on you.
N.K. Jemisin (The Broken Kingdoms (Inheritance, #2))
Nothing to do but follow your crazy,
N.K. Jemisin (The Fifth Season)
But human beings, too, are ephemeral things in the planetary scale. The number of things that they do not notice are literally astronomical.
N.K. Jemisin (The Fifth Season)
There is nothing foolish about hope.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
It's not hate that you're seeing. Hate requires emotion. What this woman has simply done is realize that you are a rogga, and decide that you aren't a person, just like that.
N.K. Jemisin (The Obelisk Gate (The Broken Earth, #2))
When the Dark Lord takes over, is he going to care how many O.W.L.s or N.E.W.T.s anyone’s got? Of course he isn’t. . . . It’ll be all about the kind of service he received, the level of devotion he was shown.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
No human beings, regardless of who they might be, want to look directly at their own shortcomings.
Tatsuhiko Takimoto (Welcome to the N.H.K.)
Any woman can face the world alone, but why should we have to?
N.K. Jemisin (The Shadowed Sun (Dreamblood, #2))
Because that is how one survives eternity,” I say, “or even a few years. Friends. Family. Moving with them. Moving forward.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
He pretends to be less special than he is, because the world has punished him for loving himself.
N.K. Jemisin (The City We Became (Great Cities, #1))
Conquerors live in dread of the day when they are shown to be, not superior, but simply lucky.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
When the reasoning mind is forced to confront the impossible again and again, it has no choice but to adapt.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
So here is why I write what I do: We all have futures. We all have pasts. We all have stories. And we all, every single one of us, no matter who we are and no matter what’s been taken from us or what poison we’ve internalized or how hard we’ve had to work to expel it – – we all get to dream.
N.K. Jemisin
When we say that “the world has ended,” remember – it is usually a lie. The planet is just fine.
N.K. Jemisin (The Stone Sky)
This is the lesson: Great cities are like any other living things, being born and maturing and wearying and dying in their turn.
N.K. Jemisin (The City We Became (Great Cities, #1))
You are pathetic, Rache," Jenks said, and my eyes darted to the top of the rack and I saw him standing there, hands on his hips and frowning at me, his wings a silver blur. "Rachel and Trent, sitting in a tree, K-I-S-S-I-N-G. No wait, it was a hospital room, and he had his hands on your ass and you had your tongue down his throat. I can see why you might be confused.
Kim Harrison (A Perfect Blood (The Hollows, #10))
Once upon a time there was a Once upon a time there was a Once upon a time there was a Stop this. It's undignified.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
Johnny and Marissa, sitting in a tree, K-I-S-S-I-N-G. First comes love, then comes marriage. Then comes an abrupt, tragic miscarriage. Then comes blame, then comes despair. Two hearts damaged beyond repair... Johnny leaves Marissa, and takes the tree. D-I-V-O-R-C-E.
Kris Wilson (Ice Cream & Sadness)
Being alone is best. I mean, it's true, isn't it? In the end you'll be absolutely alone; therefore, being alone is natural. If you accept that, nothing bad can happen. That's why I shut myself away in my six-mat one-room apartment.
Tatsuhiko Takimoto (Welcome to the N.H.K.)
A is for Amy who fell down the stairs. B is for Basil assaulted by bears. C is for Clara who wasted away. D is for Desmond thrown out of a sleigh. E is for Ernest who choked on a peach. F is for Fanny sucked dry by a leech. G is for George smothered under a rug. H is for Hector done in by a thug. I is for Ida who drowned in a lake. J is for James who took lye by mistake. K is for Kate who was struck with an axe. L is for Leo who choked on some tacks. M is for Maud who was swept out to sea. N is for Neville who died of ennui. O is for Olive run through with an awl. P is for Prue trampled flat in a brawl. Q is for Quentin who sank on a mire. R is for Rhoda consumed by a fire. S is for Susan who perished of fits. T is for Titus who flew into bits. U is for Una who slipped down a drain. V is for Victor squashed under a train. W is for Winnie embedded in ice. X is for Xerxes devoured by mice. Y is for Yorick whose head was bashed in. Z is for Zillah who drank too much gin.
Edward Gorey
Determination could easily become obsession.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
When the world is hard, love must be harder still.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
Some worlds are built on a fault line of pain, held up by nightmares. Don’t lament when those worlds fall. Rage that they were built doomed in the first place.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
You are Insignificant. One of millions, neither special nor unique. I did not ask for this ignominy, and I resent the comparison. Fine. I don't you like you, either.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
You pretended to hate him because you were a coward. But you eventually loved him, and he is a part of you now, because you have since grown brave.
N.K. Jemisin (The Obelisk Gate (The Broken Earth, #2))
When a slave rebels, it is nothing much to the people who read about it later. Just thin words on thinner paper worn finer by the friction of history. (“So you were slaves, so what?” they whisper. Like it’s nothing.)
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
Don't you understand? Listen carefully to what I'm saying. If you do, you'll get it. you can grasp this easily. In short...in short, I shut myself in because I'm lonely. Because I don't want to face any more loneliness, I shut myself away.
Tatsuhiko Takimoto (Welcome to the N.H.K.)
Come, then, City That Never Sleeps. Let me show you what lurks in the empty spaces where nightmares dare not tread.
N.K. Jemisin (The City We Became (Great Cities, #1))
I will tear the whole world apart if they ever hurt us again.'' But we would still be hurt, she thinks.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
You obeyed, once, because you thought it would make you safe. He showed you—again and again, unrelentingly, he would not let you pretend otherwise—that if obedience did not make one safe from the Guardians or the nodes or the lynchings or the breeding or the disrespect, then what was the point? The game was too rigged to bother playing.
N.K. Jemisin (The Obelisk Gate (The Broken Earth, #2))
When it comes to girls (and in Colin's case, it so often did), everyone has a type. Colin Singleton's type was not physical but linguistic: he liked Katherines. And not Katies or Kats or Kitties or Cathys or Rynns or Trinas or Kays or Kates or, god forbid, Catherines. K-A-T-H-E-R-I-N-E. He had dated 19 girls. All of them had been named Katherine. And all of them- every single solitary one- had dumped him.
John Green (An Abundance of Katherines)
The body fades. A leader who would last relies on more.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
In the future, as in the present, as in the past, black people will build many new worlds. This is true. I will make it so. And you will help me.
N.K. Jemisin
This is what you must remember: the ending of one story is just the beginning of another. This has happened before, after all. People die. Old orders pass. New societies are born. When we say “the world has ended,” it’s usually a lie, because the planet is just fine. But this is the way the world ends. This is the way the world ends. This is the way the world ends. For the last time.
N.K. Jemisin (The Fifth Season)
Life endures. It doesn’t need to do so enthusiastically.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
Loneliness is amplified when everyone you know is busy talking to everyone but you.
N.K. Smith (My Only)
think you hate me because… I’m someone you can hate. I’m here, I’m handy. But what you really hate is the world.
N.K. Jemisin (The Fifth Season)
Frightened people look for scapegoats.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
Nothing human beings do is set in stone--and even stone changes, anyway. We can change, too, anything about ourselves that we want to. We just have to want to. People who say change is impossible are usually pretty happy with things just as they are.
N.K. Jemisin (The City We Became (Great Cities, #1))
There passes a time of happiness in your life, which I will not describe to you. It is unimportant. Perhaps you think it wrong that I dwell so much on the horrors, the pain, but pain is what shapes us, after all. We are creatures born of heat and pressure and grinding, ceaseless movement. To be still is to be… not alive. But
N.K. Jemisin (The Fifth Season)
And just to add insult to injury? I backhand its ass with Hoboken, raining the drunk rage of ten thousand dudebros down on it like the hammer of God. Port Authority makes it honorary New York, motherfucker; you just got Jerseyed.
N.K. Jemisin (The City We Became (Great Cities, #1))
And then we will understand that people cannot be possessions. And because we are both and this should not be, a new concept will take shape within us, though we have never heard the word for it because the conductors are forbidden to even mention it in our presence. Revolution.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
And once upon a time I wondered: Is writing epic fantasy not somehow a betrayal? Did I not somehow do a disservice to my own reality by paying so much attention to the power fantasies of disenchanted white men? But. Epic fantasy is not merely what Tolkien made it. This genre is rooted in the epic — and the truth is that there are plenty of epics out there which feature people like me. Sundiata’s badass mother. Dihya, warrior queen of the Amazighs. The Rain Queens. The Mino Warriors. Hatshepsut’s reign. Everything Harriet Tubman ever did. And more, so much more, just within the African components of my heritage. I haven’t even begun to explore the non-African stuff. So given all these myths, all these examinations of the possible… how can I not imagine more? How can I not envision an epic set somewhere other than medieval England, about someone other than an awkward white boy? How can I not use every building-block of my history and heritage and imagination when I make shit up? And how dare I disrespect that history, profane all my ancestors’ suffering and struggles, by giving up the freedom to imagine that they’ve won for me.
N.K. Jemisin
Real gods aren’t what most of you Christians think of as gods. Gods are people. Sometimes dead people, sometimes still alive. Sometimes never lived.” She shrugs. “They do jobs—bring fortune, look after people, make sure the world works as it should. They fall in love. Have babies. Fight. Die.” She shrugs. “It’s duty. It’s normal. Get over it.
N.K. Jemisin (The City We Became (Great Cities #1))
Say nothing to me of innocent bystanders, unearned suffering, heartless vengeance. When a comm builds atop a fault line, do you blame its walls when they inevitably crush the people inside? No; you blame whoever was stupid enough to think they could defy the laws of nature forever. Well, some worlds are built on a fault line of pain, held up by nightmares. Don’t lament when those worlds fall. Rage that they were built doomed in the first place.
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
You must remember, though, that most normal people have never seen an orogene, let alone had to do business with one, and—” She spreads her hands. “Isn’t it understandable that we might be… uncomfortable?” “Discomfort is understandable. It’s the rudeness that isn’t.” Rust this. This woman doesn’t deserve the effort of her explanation. Syen decides to save that for someone who matters. “And that’s a really shitty apology. ‘I’m sorry you’re so abnormal that I can’t manage to treat you like a human being.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
I remembered Nahadoth's lips on my throat and fought to suppress a shudder, only half succeeding. Death as a consequence of lying with a god wasn't something I had considered, but it did not surprise me. A mortal man's strength had its limits. He spent himself and slept. He could be a good lover, but even his best skills were only guesswork - for every caress that sent a woman's head into the clouds, he might try ten that brought her back to earth.
N.K. Jemisin (The Hundred Thousand Kingdoms (Inheritance, #1))
There passes a time of happiness in your life, which I will not describe to you. It is unimportant. Perhaps you think it wrong that I dwell so much on the horrors, the pain, but pain is what shapes us, after all. We are creatures born of heat and pressure and grinding, ceaseless movement. To be still is to be… not alive. But what is important is that you know it was not all terrible. There was peace in long stretches, between each crisis. A chance to cool and solidify before the grind resumed.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
Tony:...but you need something to do about Noah. Paul: I know, I know. The only problem being that (a) he thinks I'm getting back with my ex-boyfriend, (b) he thinks I'll only hurt him, because (c) I've already hurt him and (d) someone else has already hurt him, which means that I'm hurting him even more. So (e) he doesn't trust me, and in all fairness, (g) every time I see him, I (h) want everything to be right again and I (i) want to kiss him madly. This means that (j) my feelings aren't going away anytime soon, but (k) his feelings don't look likely to budge, either. So either (l) I'm out of luck, (m) I'm out of hope, or (n) there's a way to make it up to him that I'm not thinking of. I could (o) beg, (p) plead, (q) grovel, or (r) give up. But, in order to do that, I would have to sacrifice my (s) pride, (t) reputation, and (u) self-respect, even though (v) I have very little of them left and (w) it probably wouldn't work anyway. As a result, I am (x) lost, (y) clue-free, and (z) wondering if you have any idea whatsoever what I should do.
David Levithan (Boy Meets Boy)
Suffering is part of life,' she said. 'All the parts of life are jumbled up together; you can't separate out just the one thing.' She parred his hand again, kindly. 'I could let you kill me now, lovely man, and have peace and good dreams forever. But who knows what I get instead, if I stay? Maybe time to see a new grandchild. Maybe a good joke that sets me laughing for days. Maybe another handsome young fellow flirting with me.' She grinned toothlessly, then let loose another horrible, racking cough. Ehiru steadies her with shaking hands. 'I want every moment of my life, pretty man, the painful and the sweet alike. Until the very end. If these are all the memories I get for eternity, I want to take as many of them with me as I can.
N.K. Jemisin (The Killing Moon (Dreamblood, #1))
J. R. R. Tolkien, the near-universally-hailed father of modern epic fantasy, crafted his magnum opus The Lord of the Rings to explore the forces of creation as he saw them: God and country, race and class, journeying to war and returning home. I’ve heard it said that he was trying to create some kind of original British mythology using the structure of other cultures’ myths, and maybe that was true. I don’t know. What I see, when I read his work, is a man trying desperately to dream. Dreaming is impossible without myths. If we don’t have enough myths of our own, we’ll latch onto those of others — even if those myths make us believe terrible or false things about ourselves. Tolkien understood this, I think because it’s human nature. Call it the superego, call it common sense, call it pragmatism, call it learned helplessness, but the mind craves boundaries. Depending on the myths we believe in, those boundaries can be magnificently vast, or crushingly tight.
N.K. Jemisin
There is a strange emptiness to life without myths. I am African American — by which I mean, a descendant of slaves, rather than a descendant of immigrants who came here willingly and with lives more or less intact. My ancestors were the unwilling, unintact ones: children torn from parents, parents torn from elders, people torn from roots, stories torn from language. Past a certain point, my family’s history just… stops. As if there was nothing there. I could do what others have done, and attempt to reconstruct this lost past. I could research genealogy and genetics, search for the traces of myself in moldering old sale documents and scanned images on microfiche. I could also do what members of other cultures lacking myths have done: steal. A little BS about Atlantis here, some appropriation of other cultures’ intellectual property there, and bam! Instant historically-justified superiority. Worked great for the Nazis, new and old. Even today, white people in my neck of the woods call themselves “Caucasian”, most of them little realizing that the term and its history are as constructed as anything sold in the fantasy section of a bookstore. These are proven strategies, but I have no interest in them. They’ll tell me where I came from, but not what I really want to know: where I’m going. To figure that out, I make shit up.
N.K. Jemisin
According to legend, Father Earth did not originally hate life. In fact, as the lorists tell it, once upon a time Earth did everything he could to facilitate the strange emergence of life on his surface. He crafted even, predictable seasons; kept changes of wind and wave and temperature slow enough that every living being could adapt, evolve; summoned waters that purified themselves, skies that always cleared after a storm. He did not create life—that was happenstance—but he was pleased and fascinated by it, and proud to nurture such strange wild beauty upon his surface. Then people began to do horrible things to Father Earth. They poisoned waters beyond even his ability to cleanse, and killed much of the other life that lived on his surface. They drilled through the crust of his skin, past the blood of his mantle, to get at the sweet marrow of his bones. And at the height of human hubris and might, it was the orogenes who did something that even Earth could not forgive: They destroyed his only child.
N.K. Jemisin (The Fifth Season (The Broken Earth, #1))
This book first arose out of a passage in [Jorge Luis] Borges, out of the laughter that shattered, as I read the passage, all the familiar landmarks of my thought—our thought that bears the stamp of our age and our geography—breaking up all the ordered surfaces and all the planes with which we are accustomed to tame the wild profusion of existing things, and continuing long afterwards to disturb and threaten with collapse our age-old distinction between the Same and the Other. This passage quotes a ‘certain Chinese encyclopaedia’ in which it is written that ‘animals are divided into: (a) belonging to the Emperor, (b) embalmed, (c) tame, (d) suckling pigs, (e) sirens, (f) fabulous, (g) stray dogs, (h) included in the present classification, (i) frenzied, (j) innumerable, (k) drawn with a very fine camelhair brush, (l) et cetera, (m) having just broken the water pitcher, (n) that from a long way off look like flies’. In the wonderment of this taxonomy, the thing we apprehend in one great leap, the thing that, by means of the fable, is demonstrated as the exotic charm of another system of thought, is the limitation of our own, the stark impossibility of thinking that.
Michel Foucault (The Order of Things: An Archaeology of the Human Sciences)