K Drama Love Quotes

We've searched our database for all the quotes and captions related to K Drama Love. Here they are! All 18 of them:

One of the largest barbarians spouted after donning Trantan royalty clothing, "I would be a great nobleman. I look splendid.
Dennis K. Hausker (Primitives of Kar)
Hi, Anya. Can I join you?" Anya looked up from her meal with a dour expression. "I'm not a blond." An obvious statement, it made no sense without a context. She added, "I'm not a twig." "You're not a twig, that's also true." He gave her a smile, curious where this was going.
Dennis K. Hausker (Anya)
Peter muttered, shaking his head in dismay. "Megan is some piece of work. I was a little worried that guy she supplied to Anya would try to throw-down. He was one of those bodybuilder types that stand in front of the mirror all day admiring themselves." Christy replied, "I know the type. They can't believe all people aren't equally in love with their muscles. Most of them can't even finish a sentence, or put down their muscle magazines.
Dennis K. Hausker (Anya)
I think I realized a lot of things. When it comes to loving yourself, I think it’s about asking yourself a lot of questions and learning more about who you are. I think that’s the foundation and beginning of learning to love yourself” - Jimin told fans what he learned about loving yourself.
Serene Pae (K-Drama : Best Quotes on Life, Love & Happiness: Including Inspirational Quotes from K-pop group BTS and Blackpink)
This has been a novel about some people who were punished entirely too much for what they did. They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed--run over, maimed, destroyed--but they continued to play anyhow. We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief: even when we could see it, we could not believe it. For example, while I was writing this I learned that the person on whom the character Jerry Fabin is based killed himself. My friend on whom I based the character Ernie Luckman died before I began the novel. For a while I myself was one of these children playing in the street; I was, like the rest of them, trying to play instead of being grown up, and I was punished. I am on the list below, which is a list of those to whom this novel is dedicated, and what became of each. Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error,a life-style. In this particular life-style the motto is "Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory. It is, then, only a speeding up, an intensifying, of the ordinary human existence. It is not different from your life-style, it is only faster. It all takes place in days or weeks or months instead of years. "Take the cash and let the credit go," as Villon said in 1460. But that is a mistake if the cash is a penny and the credit a whole lifetime. There is no moral in this novel; it is not bourgeois; it does not say they were wrong to play when they should have toiled;it just tells what the consequences were. In Greek drama they were beginning, as a society, to discover science, which means causal law. Here in this novel there is Nemesis: not fate, because any one of us could have chosen to stop playing in the street, but, as I narrate from the deepest part of my life and heart, a dreadful Nemesis for those who kept on playing. I myself,I am not a character in this novel; I am the novel. So, though, was our entire nation at this time. This novel is about more people than I knew personally. Some we all read about in the newspapers. It was, this sitting around with our buddies and bullshitting while making tape recordings, the bad decision of the decade, the sixties, both in and out of the establishment. And nature cracked down on us. We were forced to stop by things dreadful. If there was any "sin," it was that these people wanted to keep on having a good time forever, and were punished for that, but, as I say, I feel that, if so, the punishment was far too great, and I prefer to think of it only in a Greek or morally neutral way, as mere science, as deterministic impartial cause-and-effect. I loved them all. Here is the list, to whom I dedicate my love: To Gaylene deceased To Ray deceased To Francy permanent psychosis To Kathy permanent brain damage To Jim deceased To Val massive permanent brain damage To Nancy permanent psychosis To Joanne permanent brain damage To Maren deceased To Nick deceased To Terry deceased To Dennis deceased To Phil permanent pancreatic damage To Sue permanent vascular damage To Jerri permanent psychosis and vascular damage . . . and so forth. In Memoriam. These were comrades whom I had; there are no better. They remain in my mind, and the enemy will never be forgiven. The "enemy" was their mistake in playing. Let them all play again, in some other way, and let them be happy.
Philip K. Dick (A Scanner Darkly)
These were the girls who had boyfriends. Not girls with keratosis on their upper arms, or morning breath, or who spent an inordinate number of evenings watching K dramas with their dads, or … girls who at the age of seventeen still hadn’t had boyfriends.
Maurene Goo (I Believe in a Thing Called Love)
From Chloe's Secret--coming soon “What are you saying?” “I’m saying I want to have a relationship with you. I want to love you.” “Is there a ‘but’ coming next?” “But the funny thing is, when I didn’t want to love you—it happened anyway.” He slipped his arms into my back pockets and hugged the breath out of me. I choked, my eyes stung. “I don’t know what to say.” He smiled. “Say whatever you want to. Just because I said it, you don’t have to.” He was right; I didn’t have to. He wasn’t asking anything of me.
Shelley K. Wall
Poirot asked: ‘Whatdo you see so plainly? The witnesses? The counsel? The judge? The accused standing in the dock?’ Fogg said quietly: ‘That’s the reason, of course! You’ve put your finger on it. I shall always seeher…Funny thing, romance. She had the quality of it. I don’t know if she was really beautiful…She wasn’t very young-tired looking-circles under her eyes. But it all centered round her. The interest-the drama. And yet, half the time,she wasn’t there. She’d gone away somewhere, quite far away-just left her body there, quiescent, attentive, with the little polite smile on her lips. She was all half tones, you know, lights and shades. And yet, with it all, she was more alive than the other-that girl with the perfect body, and the beautiful face, and the crude young strength. I admired Elsa Greer because she had guts, because she could fight, because she stood up to her tormentors and never quailed! But I admired Caroline Crale because she didn’t fight, because she retreated into her world of half lights and shadows. She was never defeated because she never gave battle.’ He paused: ‘I’m only sure of one thing. She loved the man she killed. Loved him so much that half of her died with him…’ Mr Fogg, K.C., paused and polished his glasses. ‘Dear me,’ he said. ‘I seem to be saying some very strange things! I was quite a young man at the time, you know. Just an ambitious youngster. These things make an impression. But all the same I’m sure that Caroline Crale was a very remarkable woman. I shall never forget her. No-I shall never forget her…
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
Real Quick" [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]
G-Unit
After all, grief is just love without a place to go.
Odessa E. Taner (Public Image, Private Heart: A Slow Burn K-Drama Romance (K-Drama Love Story))
Real Quick [Intro:] Valuable lesson, man I had to grow up That's why I never ask for help I'll do it for you niggaz and do it for myself [Chorus:] I go 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga 0 to 100 nigga, real quick Real quick, whole squad on that real shit 0 to 100 nigga, real quick Real quick, real fuckin quick nigga! [50 Cent:] I'll run my blade 'cross a nigga ass {"real quick"} I'm so for real I'm on some real real nigga shit You playin boy I'll get you hit {"real quick"} You better hope the parademics come {"real quick"} Got me fucked up you think it's different now a nigga rich Before I get to cuttin know you niggaz better cut the shit Boy, you gon' have ya head popped, pull a trigger for me And my lil' niggaz trigger op' like it's legal homie No game when I bang, boy I empty the clip You run like a bitch, you ain't 'bout that shit Hey hey hey hey, I'll catch you another day day day day It's the Unit back to the bullshit [Tony Yayo:] Yeah! Nothin in life is out of bounds AK hold about a hundred rounds 60 shots like K.D. at the Rucker's Okay! When I see you on respirators Southside nigga 'til the day I'm gone Indulge in the violence when the drama on Yeah, these rap niggaz lukewarm I'm two sleeves of dope, when the mic on [Chorus] [Kidd Kidd:] Real quick, Rida Gang fuck nigga, huh! Don't Tweet me, see me when you see me Down to make the news just to say that I'm on TV (Kidd Kidd) This clip rated R, niggaz PG Them shells burn like a bootleg CD (huh?) Fuck love, I want the money When you get too much of it they gon' say you actin funny "Kidd, how you feel now that the Unit's back?" Like a million bucks, muh'fucker do the math! [Young Buck:] Cold-blooded, boy my heart don't feel shit Get with me, ask 50, I'll take the hit {"real quick"} Balenciagas, you can still get ya ass kicked Take a rapper nigga bitch and make a real flick I know I'm different from what you usually be dealin with Don't need a mic, give me some white to make a million with Single borough, six shots on the Brooklyn Bridge I'll let the nigga Drake tell you what I just did (yeah) [Chorus] [Lloyd Banks:] Nigga gettin money new to you (uh) I give a fuck if shit get ugly, there'll be a beautiful funeral You fit the script I'm gon' assume it's true Can't manuever through the street without a strategy, ain't nobody to tutor you And man was lucky Unit's through, you know why he flows 15 years, switchin dealers like casinos And my goon'll clip you on the arm (uhh) I'm out the country every week and dumpin ash out on the Autobahn Auto-pilot's always on Rather better livin, I've been [?] green bills callin me all day long This is homicide, more tears in your mama eyes More reason to wake up, real niggaz arrive [Chorus]
Drake
Indeed, the telos for a Christian is Christ: Jesus Christ is the very embodiment of what we're made for, of the end to which we are called....and how does this happen? By being regularly immersed in the drama of God in Christ reconciling the world to himself, which is precisely the point of Christian worship--to invite us into that story over and over again, 'character-izing' us as we rehearse the gospel drama over and over.
James K.A. Smith (You Are What You Love: The Spiritual Power of Habit)
At the liquor store, we select a bottle of wine based on one very important factor: price. The cheaper the better. Then we head home, change into comfier clothes, pull out our plastic wineglasses (very classy), and start up a K-drama that we've been meaning to watch for ages. See? This is the great thing about being in your thirties, childless, and living with a roommate. You can do things like this, whereas Allison is probably wrangling her children into bed, trying to reason with them about monsters under the bed or similar.
Jackie Lau (Love, Lies, and Cherry Pie)
Every time I felt the relief of not needing to determine the value (monetary, emotional, whatever) of something and instead asked myself whether it fit into the container I had for it, I started looking for more ways to put this drama-free strategy to work. No angst. No emotion. No analysis. I just picked out my favorites, put them in the container, and knew that when the container was full, anything left wasn’t as loved as the ones in the container. This made decluttering easy, or at least doable.
Dana K. White (Decluttering at the Speed of Life: Winning Your Never-Ending Battle with Stuff)
Then hold me close, Jake, and kiss me like I mean the world to you
N.K. Aning (The Most Beautiful Thing)
Maybe he's like Virgil guiding Dante through Hell and Purgatory, showing you who you are so you can start living.
T.K. Leigh
I can see the internal struggle through those vibrant blue orbs, ones I've seen look at me in a way I never thought another man would. So much admiration. So much devotion. So much... love?
T.K. Leigh
When he pulls away, a hint of moisture dots his own eyes. 'We'll always have Tiffany's.' I pull my lips between my teeth as I struggle to swallow through the pain in my throat. 'We'll always have Tiffany's.
T.K. Leigh