Justified Funny Quotes

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If you have the woman you love, what more do you need? Well, besides an alibi for the time of her husband’s murder.

Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
HOMICIDE, n. The slaying of one human being by another. There are four kinds of homicide: felonious, excusable, justifiable, and praiseworthy, but it makes no great difference to the person slain whether he fell by one kind or another -- the classification is for advantage of the lawyers.
Ambrose Bierce (The Unabridged Devil's Dictionary)
I saw my ex-husband in the street. I was sitting on the steps of the new library. Hello, my life, I said. We had once been married for twenty-seven years, so I felt justified. He said, What? What life? No life of mine.
Grace Paley (Enormous Changes at the Last Minute: Stories)
It's funny how guilty people start to question your spirituality and education only because they have nothing to say that will justify their faults.
J.B. Albano
But you can always justify killing animals on the grounds that you want to eat them, or wear them, or that they smell bad, look funny, bother you, threaten you, and have the bad luck of being in your way. What about killing humans? Well aside from a few die-hard individualists on the fringe, the general consensus among people these days seems to be that eating and wearing other people is just not on. Wearing a suit which costs as much as a farmer will make in his lifetime is acceptable, but actually putting his eyeballs on a string and letting them dangle above tastefully exposed cleavage is bad form.
Mohsin Hamid (Moth Smoke)
Isn’t it funny how we make rational excuses for being out of alignment? We say, “Well, this ____ and that ____ happened, so it makes perfect sense for me to be feeling like this ____ and wanting to do this ____.” Yet, to this day, I have never met a happy person who adheres to those excuses. In fact, each time I – or anyone else – decide to give in to “rational excuses” that justify feeling bad – it’s interesting that only further suffering is the result. There is never a good enough reason for us to be out of alignment with peace. Sure, we can go there and make choices that dim our lights… and that is fine; there certainly is purpose for it and the contrast gives us lessons to learn… yet if we’re aware of what we are doing and we’re ready to let go of the suffering – then why go there at all? It’s like beating a dead horse. Been there, done that… so why do we keep repeating it? Pain is going to happen; it’s inevitable in this human experience, yet it is often so brief. When we make those excuses, what happens is: we pick up that pain and begin to carry it with us into the next day… and the next day… into next week… maybe next month… and some of us even carry it for years or to our graves! Forgive, let it go! It is NOT worth it! It is NEVER worth it. There is never a good enough reason for us to pick up that pain and carry it with us. There is never a good enough reason for us to be out of alignment with peace. Unforgiveness hurts you; it hurts others, so why even go there? Why even promote pain? Why say painful things to yourself or others? Why think pain? Just let it go! Whenever I look back on painful things or feel pain today, I know it is my EGO that drives me to “go there.” The EGO likes to have the last word, it likes to feel superior, it likes to make others feel less than in hopes that it will make itself (me) feel better about my insecurities. Maybe if I hurt them enough, they will feel the pain I felt over what they did to me. It’s only fair! It’s never my fault; it’s always someone else’s. There is a twisted sense of pleasure I get from feeling this way, and my EGO eats it right up. YET! With awareness that continues to grow and expand each day, I choose to not feed my pain (EGO) or even go there. I still feel it at times, of course, so I simply acknowledge it and then release it. I HAVE power and choice over my speech and actions. I do not need to ever “go there” again. It’s my choice; it’s your choice. So it’s about damn time we start realizing this. We are not victims of our impulses or emotions; we have the power to control them, and so it’s time to stop acting like we don’t. It’s time to relinquish the excuses.
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
Instinct is a funny thing, a whisper of trouble that we can never quite name, never quite define, that allows us to locate danger. Women are taught from a young age to ignore theirs. We’re forced to justify our instincts with evidence, or we’re taught to ignore them—as a way to keep the peace, to prioritize other people’s comfort over our own.
Julie Clark (The Lies I Tell)
There are people who will tell you that the ends justify the means, right up until they’re talking about their own ends. Then, suddenly, morals and ethics matter. Funny thing, that. —Dr. Shannon
Mira Grant (Please Do Not Taunt the Octopus (Newsflesh Trilogy, #3.4))
Hey. You know Twilight?” He blinks.“Excuse me?” “Twilight. The vampire book.” His wary eyes study my face. “What about it?” “Okay, so you know how Bella’s blood is extra special? Like how it gives Edward a raging boner every time he’s around her?” “Are you fucking with me right now?” I ignore that. “Do you think it happens in real life? Pheromones and all that crap. Is it a bullshit theory some horndog dreamed up so he could justify why he’s attracted to his mother or some shit? Or is there actually a biological reason why we’re drawn to certain people? Like goddamn Twilight. Edward wants her on a biological level, right?” “Are you seriously dissecting Twilight right now?
Elle Kennedy (The Score (Off-Campus, #3))
I say to life, "You are very hard", and I also say: "We are blind, we prefer to be blind. It is easier...". Life has to be hard to have any affect on us; even now we hardly notice it. Beyond that can one go? I must. I add, "We are also blind to the miracles of good that come to us. We hardly heed them, we even protest against them". Then I am left where I was, appalled by the hardness of life, knowing we are forced to be unwilling heroes. Suddenly I wonder--is all hardness justified because we are so slow in realizing that life was meant to be heroic? Greatness is required of us. That is life's aim and justification, and we poor fools have for centuries been trying to make it convenient, manageable, pliant to our will. It is also peaceful and tender and funny and dull. Yes, all that.
Florida Scott-Maxwell (The Measure of My Days: One Woman's Vivid, Enduring Celebration of Life and Aging)
Anyhow, high school is just…The. Worst.” “Funny that you became a high school teacher, then,” I say, and she laughs again. “Something I should talk to my therapist about. Speaking of which, you could speak to the school counselor if you want. We have a psychiatrist on staff. A life coach too.” “Seriously?” “I know, right? Finding ways to justify the tuition. Anyhow, if not them, feel free to come talk to me anytime. Students like you are the reason I chose to teach.” “Thanks.” “By the way, I look forward to your and Ethan’s ‘Waste Land’ paper. You’re two of my brightest students. I have great expectations.” Dickens is next on the syllabus. A literary pun. No wonder Mrs. Pollack was destroyed in high school. “We intend to reach wuthering heights,” I say, and as I walk by, she reaches her hand up, and I can’t help it—dorks unite! nerd power!—I give her a high five on my way out.
Julie Buxbaum (Tell Me Three Things)
I AM WRITING IN A time of great anxiety in my country. I understand the anxiety, but also believe America is going to be fine. I choose to see opportunity as well as danger. Donald Trump’s presidency threatens much of what is good in this nation. We all bear responsibility for the deeply flawed choices put before voters during the 2016 election, and our country is paying a high price: this president is unethical, and untethered to truth and institutional values. His leadership is transactional, ego driven, and about personal loyalty. We are fortunate some ethical leaders have chosen to serve and to stay at senior levels of government, but they cannot prevent all of the damage from the forest fire that is the Trump presidency. Their task is to try to contain it. I see many so-called conservative commentators, including some faith leaders, focusing on favorable policy initiatives or court appointments to justify their acceptance of this damage, while deemphasizing the impact of this president on basic norms and ethics. That strikes me as both hypocritical and morally wrong. The hypocrisy is evident if you simply switch the names and imagine that a President Hillary Clinton had conducted herself in a similar fashion in office. I’ve said this earlier but it’s worth repeating: close your eyes and imagine these same voices if President Hillary Clinton had told the FBI director, “I hope you will let it go,” about the investigation of a senior aide, or told casual, easily disprovable lies nearly every day and then demanded we believe them. The hypocrisy is so thick as to almost be darkly funny. I say this as someone who has worked in law enforcement for most of my life, and served presidents of both parties. What is happening now is not normal. It is not fake news. It is not okay.
James Comey (A Higher Loyalty: Truth, Lies, and Leadership)
On reflection, looking at shows like this and considering my own experiences, what fascinated me was that we have so many stories like this that help us empathize with monstrous men. “Yes, these men are flawed, but they are not as evil as this man.” Even more chilling, they tend to be stories that paint women as roadblocks, aggressors, antagonists, complications—but only in the context of them being a bitch, a whore, a Madonna. The women are never people. Stories about monstrous men are not meant to teach us how to empathize with the women and children murdered, but with the men fighting over their bodies. As a woman menaced by monsters, I find this particularly interesting, this erasure of me from a narrative meant to, if not justify, then explain the brokenness of men. There are shows much better at this, of course, which don’t paint women out of the story—Mad Men is the first to come to mind, and Game of Thrones—but True Detective doubled down. The women terrorized by monsters in real life are active agents. They are monster-slayers, monster-pacifiers, monster-nurturers, monster-wranglers—and some of them are monsters, too. In truth, if we are telling a tale of those who fight monsters, it fascinates me that we are not telling more women’s stories, as we’ve spun so many narratives like True Detective that so blatantly illustrate the sexist masculinity trap that turns so many human men into the very things they despise. Where are the women who fight them? Who partner with them? Who overcome them? Who battle their own monsters to fight greater ones? Because I have and continue to be one of those women, navigating a horror show world of monsters and madmen. We are women who write books and win awards and fight battles and carve out extraordinary lives from ruin and ash. We are not background scenery, our voices silenced, our motives and methods constrained to sex. I cannot fault the show’s men for forgetting that; they’ve created the world as they see it. But I can prod the show’s exceptional writers, because in erasing the narrative of those whose very existence is constantly threatened by these monsters, including trusted monsters whose natures vacillate wildly, they sided with the monsters. I’m not a bit player in a monster’s story. But with narratives like this perpetuated across our media, it wouldn’t surprise me if that’s how my obituary read: a catalogue of the men who sired me, and fucked me, and courted me. Stories that are not my own. Funny, isn’t it? The power of story. It’s why I picked up a pen. I slay monsters, too.
Kameron Hurley (The Geek Feminist Revolution)
The sides of my head throb. My knees feel weak. “You need therapy.” Mom laughs the most over-the-top, hysterical laugh I’ve ever heard. “It’s not funny. There is something wrong with you. Who treats their kids this way? There’s a reason none of us want to be around you. There’s a reason Shoji wants to live with Dad, and why Taro spent the rest of the summer with his friend, and why I want to go to art school thousands of miles away from you.” My face burns with frustration. “You are so obsessed with yourself that there isn’t any room for anyone else’s feelings. You don’t care about anything unless it somehow relates back to you.” I start to walk away, intent on leaving her alone in her chair. But something stops me. Spinning back to face her, my breathing erratic and my voice hoarse, I growl, “And I’m not imagining what happened to me. Your sick brother sexually abused me. I don’t care what you think it’s called, because that’s what it is. Sexual abuse. I was sexually abused. Do you get that? And if you were any kind of mother, that would have mattered to you. You wouldn’t have tried to justify it or rationalize it away by saying it wasn’t rape and therefore isn’t as bad—it was bad. That’s it.
Akemi Dawn Bowman (Starfish)
I went into a forest into a plain, and the trees took counsel- And said, Come, let us go and make war against the sea that it may depart away before us, and that we may make us more woods. The floods of the sea also in like manner took counsel, and said, Come, let us go up and subdue the woods of the plain, that there also we may make us another country. The thought of the wood was in vain, for the fire came and consumed it. The thought of the floods of the sea came likewise to nought, for the sand stood up and stopped them. If thou wart judge now betwixt these two, whom would thou begin to justify? or whom would thou condemn?
COMPTON GAGE
I couldn’t think of anything funny.” He hesitated. “Though that hasn’t ever stopped you.” Shallan grinned. “Have you ever considered, bridgeman, that bad art does more for the world than good art? Artists spend more of their lives making bad practice pieces than they do masterworks, particularly at the start. And even when an artist becomes a master, some pieces don’t work out. Still others are somehow just wrong until the last stroke. “You learn more from bad art than you do from good art, as your mistakes are more important than your successes. Plus, good art usually evokes the same emotions in people—most good art is the same kind of good. But bad pieces can each be bad in their own unique way. So I’m glad we have bad art, and I’m sure the Almighty agrees.” “All this,” Adolin said, amused, “to justify your sense of humor, Shallan?” “My sense of humor? No, I’m merely trying to justify the creation of Captain Kaladin.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
I see many so-called conservative commentators, including some faith leaders, focusing on favorable policy initiatives or court appointments to justify their acceptance of this damage, while de-emphasizing the impact of this president on basic norms and ethics. That strikes me as both hypocritical and wrong. The hypocrisy is evident if you simply switch the names and imagine that a President Hillary Clinton had conducted herself in a similar fashion in office. I've said this earlier but it's worth repeating: close your eyes and imagine these same voices if President Hillary Clinton had told the FBI director, 'I hope you will let it go,' about the investigation of a senior aide, or told casual, easily disprovable lies nearly every day and then demanded we believe them. The hypocrisy is so thick as to be almost darkly funny. I say this as someone who has worked in law enforcement for most of my life, and served presidents of both parties. What is happening now is not normal. It is not fake news. It is not okay. Whatever your politics, it is wrong to dismiss the damage to the norms and traditions that have guided the presidency and our public life for decades or, in many cases, since the republic was founded. It is also wrong to stand idly by, or worse, to stay silent when you know better, while a president so brazenly seeks to undermine public confidence in law enforcement institutions that were established to keep our leaders in check...without these checks on our leaders, without those institutions vigorously standing against abuses of power, our country cannot sustain itself as a functioning democracy. I know there are men and women of good conscience in the United States Congress on both sides of the aisle who understand this. But not enough of them are speaking out. They must ask themselves to what, or to whom, they hold a higher loyalty: to partisan interests or to the pillars of democracy? Their silence is complicity - it is a choice - and somewhere deep down they must know that. Policies come and go. Supreme Court justices come and go. But the core of our nation is our commitment to a set of shared values that began with George Washington - to restraint and integrity and balance and transparency and truth. If that slides away from us, only a fool would be consoled by a tax cut or different immigration policy.
James Comey (A Higher Loyalty: Truth, Lies, and Leadership)
It's kind of funny to me listening to [prosecutors] who claim to have these great records of winning a hundred and some odd straight felony cases without a loss and that kind of stuff that you hear of all the time. I'm here to tell you, if you let me pick out which hundred cases I get to try, I'll win a hundred of them in a row too. Case selection is everything in creating records like that. My philosophy was, I tried them all. If I made a determination that the evidence was sufficient to justify the prosecution, then I would try the case, and certainly whenever you do that, you're going to lose a certain percentage of them.
Mark Baker
Hitler might have said, We just want Germany for Germans! Stalin would have said, We want to purge the selfish from Soviet society, so all of us can share. Mao might have justified his persecution and starvation of millions by saying, We must purge ourselves of the thought criminals so we can take that Great Leap Forward. It’s funny how the perfect world for so many of these tyrants begins with getting rid of the people they don’t like.
Alex Jones (The Great Awakening: Defeating the Globalists and Launching the Next Great Renaissance)
It's kind of funny to me listening to people who claim to have these great records of winning a hundred and some odd straight felony cases without a loss and that kind of stuff that you hear of all the time. I'm here to tell you, if you let me pick out which hundred cases I get to try, I'll win a hundred of them in a row, too. Case selection is everything in creating records like that. My philosophy was, I tried them all. If I made a determination that the evidence was sufficient to justify the prosecution, then I would try the case, and certainly whenever you do that, you're going to lose a certain percentage of them.
Mark Baker (D.A.: Prosecutors in Their Own Words)
Act correctly. Incorrect action cannot be justified by incorrect action. An incorrect action taken to cover an incorrect action is doubly incorrect.
COMPTON GAGE
10 Ideas For Transforming Advertising 1. No cranberry bagels at meetings. No exceptions. 2. While on duty, copywriters required to wear those Peruvian knit hats with the funny earflaps. 3. Reinstatement of the three martini lunch. After a 6-month trial period, optional upgrade to four. 4. Confiscate all computers and baseball caps from art directors. 5. Use of the following terms will be considered justifiable cause for termination: ecosystem, conversation, engagement, landscape, seared ahi tuna, and quirky. 6. When making presentations, account planners must dress up as pirates and hop around on one foot. 7. Breakthrough idea for tv spots: Animals that talk! 8. Criminalize all products containing pomegranates or acai berries. 9.  Increase touch points from 360 degrees to 380 degrees. 10. Require Sir Martin Sorrell to walk around with his weenie out.
Bob Hoffman (101 Contrarian Ideas About Advertising)
Pae laughed at that until Tiff gave him an icy glare. Pae kept laughing however because it was funny. “That’s really mean” Tiff said unbelieving that Pae was laughing at that. “Well taking a recently dead man’s uniform was mean too” Pae countered. “I guess the end justifies the mean” Pen said. Both Pae and Tiff turned and shook their heads at him.
Benedict Fetsch (Defend Us in Battle)
Finally, after an awkward episode later that evening in which my friend couldn’t get me into a party he was attending, I took a cab back to the hotel, slept on the couch in his suite, and flew back to Chicago just as Al Gore was accepting the nomination. It’s a funny story, especially in light of where I ultimately ended up. It speaks, I tell my audience, to the unpredictable nature of politics, and the necessity for resilience. What I don’t mention is my dark mood on that flight back. I was almost forty, broke, coming off a humiliating defeat and with my marriage strained. I felt for perhaps the first time in my life that I had taken a wrong turn; that whatever reservoirs of energy and optimism I thought I had, whatever potential I’d always banked on, had been used up on a fool’s errand. Worse, I recognized that in running for Congress I’d been driven not by some selfless dream of changing the world, but rather by the need to justify the choices I had already made, or to satisfy my ego, or to quell my envy of those who had achieved what I had not.
Barack Obama (A Promised Land)
Once I started writing the actual story, it became apparent that this wasn't going to be a story about one domme and two submissives. It just made no sense. A simple, serious look at the characters and their situation transformed it into a story about two women, two online friends, who met for the sole purpose of scratching a very specific sexual itch. And then, the unplanned romance messed up their plans. It was a story about them dealing with their emotions, trying at first to deny the crush. Then, as it grew to love, it became about them struggling to find a way to admit it. It was a very intreaguing [sic.] writing process, as the conflict within their story was interesting, human, and loaded with irony. That is the amazing thing about writing romance. You start realizing just how much logic is chucked out the window. When we are secretly in love, we make mistakes. We make stupid decisions and justify them with the dumbest of reasons. These reasons make sense at the time ... [sic.] they make perfect sense to us ... [sic.] And those reasons, those persistent self delusions piss off everyone around us who can see the obvious. So yeah ... [sic.] Ally, Lisa, Alan, and Anne ... [sic.] they all changed from their initial conception. More and more of their pasts, their motivations, and their interests were revealed. ... From my experience, the funny thing about writing is how the characters rarely remain what you initially thought they would be.
Stjepan Šejić (Sunstone, Vol. 1)
It's kind of funny to me listening to people who claim to have these great records of winning a hundred and some odd straight felony cases without a loss and that kind of stuff that you hear all the time. I'm here to tell you, if you let me pick out which hundred cases I get to try, I'll win a hundred of them in a row, too. Case selection is everything in creating records like that. My philosophy was, I tried them all. If I made a determination that the evidence was sufficient to justify the prosecution, then I would try the case, and certainly whenever you do that, you're going to lose a certain percentage of them.
Mark Baker
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mahalingam
Love such a funny word; a worse emotion. It’s crazy because it has the ability to give you strength, happiness and mostly belief. At the same time this thing call love can turn you bitter, insecure and allow you to lose sight of who you are in that same moment.
Mz. Baltimore (Justified Betrayal)