Juniper And Thorn Quotes

We've searched our database for all the quotes and captions related to Juniper And Thorn. Here they are! All 14 of them:

My eldest sister was right; I would smile blithely if someone tried to saw off my leg. But no one ever told me I was allowed to scream
Ava Reid (Juniper & Thorn)
I almost laughed. “You would rather me eat your heart than look away in disgust?” “Of course,” he breathed. “Every time.
Ava Reid (Juniper & Thorn)
Well, you’re my first secret then, my first lie. Does that please you?” “Only if it pleases you.
Ava Reid (Juniper & Thorn)
Don’t you see? You can take my heart and liver; split open my belly and eat what’s inside. I would sooner bear it than lose you to those who would call you plain-faced, who makes you kneel and kiss their feet. Do not leave me alone. Do not leave me to lick my wounds like a dog before it’s put down. Do not look at the truth of me and then look away. Please, Marlinchen.
Ava Reid (Juniper & Thorn)
They are not terrible. They are just the truth.
Ava Reid (Juniper & Thorn)
Magic is the first sip of good wine that makes the edges of your vision blur. Magic is the cool breeze of the boardwalk at night and organ music in the air. Magic is landing a grand jeté and nearly going deaf with hate crowd's applause. Magic is the low flicker of tavern lights and the girl your courting leaning close so you can kiss.
Ava Reid (Juniper & Thorn)
You let me eat up all papa’s anger so it wouldn’t poison you. you didn’t mind that he ruined me as long as you were unspoiled and safe. If you ever loved me, it was because I was a soft thing you threw down into the bottom of a pit to break your fall.
Ava Reid (Juniper & Thorn)
It filled me with a terrible pity and guilt, so perfunctory it was as if I'd been made for it, a machine for dispensing grief.
Ava Reid (Juniper & Thorn)
The juniper tree looked as stolid as a grave marker, unruffled. Under the dirt was the compact and inside the compact was the black sand and in every grain of sand was Sevas, my first secret, my first lie, safe as death.
Ava Reid (Juniper & Thorn)
My eldest sister was right; I would smile blithely if someone tried to saw off my leg. But no one had ever told me that I was allowed to scream.
Ava Reid (Juniper & Thorn)
Mags said magic invited a certain amount of mess. That's why the honeysuckle grew three times as large around her house, and birds nested in her eaves no matter the season. In New Salem—the City Without Sin, where the trolleys run on time and every street wears a Saint’s name—the only birds are pigeons and the only green is the faint shine of slime in the gutters. A trolley jangles past several inches from Juniper’s toes and its driver swears at her. Juniper swears back. She keeps going because there’s no place to stop. There are no mossy stumps or blue pine groves; every corner and stoop is filled up with people. Workers and maids, priests and officers, men with pocket-watches and ladies with big hats and children selling buns and newspapers and shriveled up flowers. Juniper tries asking directions twice but the answers are baffling, riddle-like (follow St. Vincent’s to Fourth-and-Withdrop, cross the Thorn, and head straight). Within an hour she’s been invited to a boxing match, accosted by a gentleman who wants to discuss the relationship between the equinox and the end-times, and given a map that has nothing marked on it but thirty-nine churches. Juniper stares down at the map, knotted and foreign and unhelpful, and wants to go the hell home.
Alix E. Harrow (The Once and Future Witches)
And as we pushed westward, patches of what the garage-man called "sage brush" appeared, and then the mysterious outlines of table-like hills, and then red bluffs ink-blotted with junipers, and then a mountain range, dun grading into blue, and blue into dream, and the desert would meet us with a steady gale, dust, gray thorn bushes, and hideous bits of tissue paper mimicking pale flowers among the prickles of wind-tortured withered stalks all along the highway; in the middle of which there sometimes stood simple cows, immobilized in a position (tail left, white eyelashes right) cutting across all human rules of traffic.
Vladimir Nabokov (Lolita)
You should know, of course, that there are only two kinds of mothers in stories, and if you are a mother, you are either wicked or you are dead.
Ava Reid (Juniper & Thorn)
Most of the wizards in Oblya took mortal women as their brides, due to the fact that witches have a tendency to become wickeder when they become wives. Some, I had heard, even grew a second set of sharp teeth and ate their husbands.
Ava Reid (Juniper & Thorn)