“
I'd run my whole life long to reach you; paddle my way across Atlantic and Pacific; traverse Jungle and Desert to find you; climb cliffs and drop from the sky to rescue you. Anything to be close to you. Any way to say I love you.
”
”
Heather Kris Thomas (A Place for You and Me)
“
Now this is the Law of the Jungle -- as old and as true as the sky;
And the Wolf that shall keep it may prosper, but the Wolf that shall break it must die.
As the creeper that girdles the tree-trunk the Law runneth forward and back --
For the strength of the Pack is the Wolf, and the strength of the Wolf is the Pack.
”
”
Rudyard Kipling
“
Clear.
Cold.
Empty.
Like how I feel
right now. Love
is strange. One
minute you’re
jungle fever.
The next
you’re
Artic
winter.
”
”
Ellen Hopkins (Fallout (Crank, #3))
“
For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.
And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls.
It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else.
I would have done anything to feel real again.
”
”
Gillian Flynn (Gone Girl)
“
Did you know I always thought you were braver than me? Did you ever guess that that was why I was so afraid? It wasn't that I only loved some of you. But I wondered if you could ever love more than some of me.
I knew I'd miss you. But the surprising thing is, you never leave me. I never forget a thing. Every kind of love, it seems, is the only one. It doesn't happen twice. And I never expected that you could have a broken heart and love with it too, so much that it doesn't seem broken at all. I know young people look at me and think my youth seems so far away, but it's all around me, and you're all around me. Tiger Lily, do you think magic exists if it can be explained? I can explain why I loved you, I can explain the theory of evolution that tells me why mermaids live in Neverland and nowhere else. But it still feels magic.
The lost boys all stood at our wedding. Does it seem odd to you that they could have stood at a wedding that wasn't yours and mine? It does to me. and I'm sorry for it, and for a lot, and I also wouldn't change it.
It is so quiet here. Even with all the trains and the streets and the people. It's nothing like the jungle. The boys have grown. Everything has grown. Do you think you will ever grow? I hope not. I like to think that even if I change and fade away, some other people won't.
I like to think that one day after I die, at least one small particle of me - of all the particles that will spread everywhere - will float all the way to Neverland, and be part of a flower or something like that, like that poet said, the one that your Tik Tok loved. I like to think that nothing's final, and that everyone gets to be together even when it looks like they don't, that it all works out even when all the evidence seems to say something else, that you and I are always young in the woods, and that I'll see you sometime again, even if it's not with any kind of eyes I know of or understand. I wouldn't be surprised if that is the way things go after all - that all things end happy. Even for you and Tik Tok. and for you and me.
Always,
Your Peter
P.S. Please give my love to Tink. She was always such a funny little bug.
”
”
Jodi Lynn Anderson (Tiger Lily)
“
Emotion is ‘recognition’. When treasured moments are identified in the jungle of our personal history during a visual or aural encounter, we capture magic sparks from our past, arousing flashes of insight and revealing an inner flare. These instants of recognition may kindle enthralling emotion and fulfilling inspiration. (“Those journeys of love”)
”
”
Erik Pevernagie
“
Chapter 1.
He adored New York City. He idolized it all out of proportion...no, make that: he - he romanticized it all out of proportion. Yeah. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin.'
Uh, no let me start this over.
'Chapter 1.
He was too romantic about Manhattan, as he was about everything else. He thrived on the hustle bustle of the crowds and the traffic. To him, New York meant beautiful women and street-smart guys who seemed to know all the angles...'.
Ah, corny, too corny for my taste. Can we ... can we try and make it more profound?
'Chapter 1.
He adored New York City. For him, it was a metaphor for the decay of contemporary culture. The same lack of individual integrity that caused so many people to take the easy way out was rapidly turning the town of his dreams in...'
No, that's going to be too preachy. I mean, you know, let's face it, I want to sell some books here.
'Chapter 1.
He adored New York City, although to him it was a metaphor for the decay of contemporary culture. How hard it was to exist in a society desensitized by drugs, loud music, television, crime, garbage...'
Too angry, I don't want to be angry.
'Chapter 1.
He was as tough and romantic as the city he loved. Behind his black-rimmed glasses was the coiled sexual power of a jungle cat.'
I love this.
'New York was his town, and it always would be.
”
”
Woody Allen (Manhattan)
“
I love how, whenever you tell me a story, you go backwards and forwards and tell me everything else that could possibly be happening in every direction, like an explosion. Like a flower blooming.
”
”
Andrew Smith (Grasshopper Jungle)
“
Thou art of the Jungle and not of the Jungle. And I am only a black panther. But I love thee, Little Brother.
”
”
Rudyard Kipling (The Jungle Book (Jungle Book, #1))
“
Well, I always tried to look nice and be feminine even in the worst tragedies and crisis, there's no reason to add to everyone's misery by looking miserable yourself. That's my philosophy. This is why I always wore makeup and jewelry into the jungle-nothing too extravagant, but maybe just a nice gold bracelet and some earrings, a little lipstick, good perfume. Just enough to show that I still had my self-respect.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
He nuzzled my neck, inhaling deeply. “Mmm. You smell so good.”
“Oh, yeah,” I said, smirking. “I call this new perfume ‘Le Jungle grime et tropical BO.’ ”
“Dirt and sweat. Very sexy.
”
”
James Patterson (Nevermore (Maximum Ride, #8))
“
I love you, and because I love you I believe in you. But if I did not believe, still should I love. Had you come back for me, and had there been no other way, I would have gone into the jungle with you - forever.
”
”
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
“
There is something immensely scary about putting yourself out there for people to love or hate you, fan or pan you, review or screw you.
”
”
L.V. Lewis (Fifty Shades of Jungle Fever)
“
But I'll always love you, and I'll always miss you and I'll never forget that It's okay to put dragons in the jungle and tears on a tiger
”
”
Sharon M. Draper (Tears of a Tiger (Hazelwood High, #1))
“
A man in the jungle at night, as someone said, may suppose a hyena's growl to be a lion's; but when he hears the lion's growl, he knows damn well it's a lion.
”
”
Sheldon Vanauken (A Severe Mercy: A Story of Faith, Tragedy, and Triumph)
“
Coffee is a girl who never tells a boy no.
”
”
Andrew Smith (Grasshopper Jungle)
“
We made this stupid rule and this stupid rule.
Boys are not allowed to love each other.
Then we painted a bison on the wall.
”
”
Andrew Smith (Grasshopper Jungle)
“
I will remember what I was, I am sick of rope and chains -
I will remember my old strength and all my forest affairs.
I will not sell my back to man for a bundle of sugar cane;
I will go out to my own kind, and the wood-folk in their lairs.
I will go out until the day, until the morning break -
Out to the wind's untainted kiss, the water's clean caress;
I will forget my ankle-ring and snap my picket stake.
I will revisit my lost love and playmates masterless!
”
”
Rudyard Kipling (The Jungle Books)
“
You want me to level, here it is: I need you. I need you because I love you. Three months without you will be hell. But even if we weren’t together, I would still need you. You’re a good fighter, you’ve worked as a bodyguard, and you know magic. We may not have many magic users, but we don’t know if those packs do, and if they hit us with magic, we have no way to counter.” He spread his arms. “But I love you and I don’t want you to be hurt. I’m not going to ask you to come with me. That would be like stepping in front of a moving train and saying, ‘Hey, honey, come stand next to me.’”
I hopped off the wall and stood next to him. “Anytime.”
He just looked at me.
“I’ve never killed a train before. It might be fun to try.”
“Are you sure?”
“One time I was dying in a cage inside a palace that was flying over a magic jungle. And some idiot went in there, chased the palace down, fought his way through hundreds of rakshasas, and rescued me.”
“I remember,” he said.
“That’s when I realized you loved me,” I said. “I was in the cage and I heard you roar.
”
”
Ilona Andrews (Magic Rises (Kate Daniels, #6))
“
You must be crazy, after all, if a bird loves you.
”
”
Andrew Smith (Grasshopper Jungle)
“
Have you ever been in love, Hadrian?”
“I’m not sure. How do you tell?”
“Love? Why, it’s like coming home.”
Hadrian considered the comment.
“What are you thinking?” Bulard asked.
Hadrian shook his head. “Nothing.”
“Yes, you were. What? You can tell me. I’m an excellent repository for secrets. I’ll likely forget, but if I don’t, well, I’m an old man in a remote
jungle. I’m sure to die before I can repeat anything.”
Hadrian smiled, then shrugged. “I was just thinking about the rain.
”
”
Michael J. Sullivan (Rise of Empire (The Riyria Revelations, #3-4))
“
In the spring of her twenty-second year, Sumire fell in love for the first time in her life. An intense love, a veritable tornado sweeping across the plains—flattening everything in its path, tossing things up in the air, ripping them to shreds, crushing them to bits. The tornado’s intensity doesn’t abate for a second as it blasts across the ocean, laying waste to Angkor Wat, incinerating an Indian jungle, tigers and everything, transforming itself into a Persian desert sandstorm, burying an exotic fortress city under a sea of sand. In short, a love of truly monumental proportions. The person she fell in love with happened to be 17 years older than Sumire. And was married. And, I should add, was a woman. This is where it all began, and where it all ended. Almost.
”
”
Haruki Murakami (Sputnik Sweetheart)
“
Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. In a way, he thought, they were right. The more coloredpeople spent their strength trying to convince them how gentle they were, how clever and loving, how human, the more they used themselves up to persuade whites of something Negroes believed could not be questioned, the deeper and more tangled the jungle grew inside. But it wasn’t the jungle blacks brought with them to this place from the other (livable) place. It was the jungle whitefolks planted in them. And it grew. It spread. In, through and after life, it spread, until it invaded the whites who had made it. Touched them every one. Changed and altered them. Made them bloody, silly, worse than even they wanted to be, so scared were they of the jungle they had made. The screaming baboon lived under their own white skin; the red gums were their own.
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
Better he should be bruised from head to foot by me who love him than that he should come to harm through ignorance,
”
”
Rudyard Kipling (The Jungle Book)
“
I give you now Professor Twist
The conscientious scientist.
Trustees exclaimed, “He never bungles”
And sent him off to distant jungles.
Camped on a tropic riverside
One day he missed his lovely bride.
She had, the guide informed him later,
Been eaten by an alligator.
Professor Twist could not but smile.
You mean,” he said “a crocodile.!
”
”
Ogden Nash
“
The world is a wide place where we stumble like children learning to walk. The world is a bright mosaic where we learn like children to see, where our little blurry eyes strive greedily to take in as much light and love and colour and detail as they can.
The world is a coaxing whisper when the wind lips the trees, when the sea licks the shore, when animals burrow into earth and people look up at the sympathetic stars. The world is an admonishing roar when gales chase rainclouds over the plains and whip up ocean waves, when people crowd into cities or intrude into dazzling jungles.
What right have we to carry our desperate mouths up mountains or into deserts? Do we want to taste rock and sand or do we expect to make impossible poems from space and silence? The vastness at least reminds us how tiny we are, and how much we don't yet understand. We are mere babes in the universe, all brothers and sisters in the nursery together. We had better learn to play nicely before we're allowed out..... And we want to go out, don't we? ..... Into the distant humming welcoming darkness.
”
”
Jay Woodman (SPAN)
“
It’s for survival. You need to be prepared for novel experiences because often they signal danger. If you live in a jungle full of fragrant flowers, you have to stop being so overwhelmed by the lovely smell because otherwise you couldn’t smell a predator. That’s why your brain is considered a discounting mechanism. It’s literally a matter of survival.” “That’s cool.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
I am Tarzan of the Apes. I want you. I am yours. You are mine. We live here together always in my house. I will bring you the best of fruits, the tenderest deer, the finest meats that roam the jungle. I will hunt for you. I am the greatest of the jungle fighters. I will fight for you. I am the mightiest of the jungle fighters. You are Jane Porter, I saw it in your letter. When you see this you will know that it is for you and that Tarzan of the Apes loves you.
”
”
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
“
They were both so beautiful, and their sound, as we said them to each other above the music, made our chests fill up with something electric and buzzing, like love and magic.
”
”
Andrew Smith (Grasshopper Jungle)
“
Every culture has its southerners -- people who work as little as they can, preferring to dance, drink, sing brawl, kill their unfaithful spouses; who have livelier gestures, more lustrous eyes, more colorful garments, more fancifully decorated vehicles, a wonderful sense of rhythm, and charm, charm, charm; unambitious, no, lazy, ignorant, superstitious, uninhibited people, never on time, conspicuously poorer (how could it be otherwise, say the northerners); who for all their poverty and squalor lead enviable lives -- envied, that is, by work-driven, sensually inhibted, less corruptly governed northerners. We are superior to them, say the northerners, clearly superior. We do not shirk our duties or tell lies as a matter of course, we work hard, we are punctual, we keep reliable accounts. But they have more fun than we do ... They caution[ed] themselves as people do who know they are part of a superior culture: we mustn't let ourselves go, mustn't descend to the level of the ... jungle, street, bush, bog, hills, outback (take your pick). For if you start dancing on tables, fanning yourself, feeling sleepy when you pick up a book, developing a sense of rhythm, making love whenever you feel like it -- then you know. The south has got you.
”
”
Susan Sontag (The Volcano Lover)
“
In our heart we know that life loves life. Yet we feast on some of the other life-forms with which we share our planet; we kill to live. Taste is what carries us across that rocky moral terrain, what makes the horror palatable, and the paradox we could not defend by reason melts into a jungle of sweet temptations.
”
”
Diane Ackerman (A Natural History of the Senses)
“
I love you. I’ve loved you since the day I barbecued your babies and pushed you down the jungle gym just so I could kiss you.” He pauses, pain lacing his voice. “I fucking love you, Vee… And I’m paying for it.
”
”
Eliah Greenwood (Dear Love, I Hate You (Easton High, #1))
“
Love is strange. One minute you're jungle fever. The next you're Arctic winter.
”
”
Ellen Hopkins (Fallout (Crank, #3))
“
I don't suppose you have a rocket powered helicopter hidden in your bra?
”
”
Jackie Williams (Tinted Lenses)
“
What the hell does it all mean anyhow? Nothing. Zero. Zilch. Nothing comes to anything. And yet, there's no shortage of idiots to babble. Not me. I have a vision. I'm discussing you. Your friends. Your coworkers. Your newspapers. The TV. Everybody's happy to talk. Full of misinformation. Morality, science, religion, politics, sports, love, your portfolio, your children, health. Christ, if I have to eat nine servings of fruits and vegetables a day to live, I don't wanna live. I hate goddamn fruits and vegetables. And your omega 3's, and the treadmill, and the cardiogram, and the mammogram, and the pelvic sonogram, and oh my god the-the-the colonoscopy, and with it all the day still comes where they put you in a box, and its on to the next generation of idiots, who'll also tell you all about life and define for you what's appropriate. My father committed suicide because the morning newspapers depressed him. And could you blame him? With the horror, and corruption, and ignorance, and poverty, and genocide, and AIDS, and global warming, and terrorism, and-and the family value morons, and the gun morons. "The horror," Kurtz said at the end of Heart of Darkness, "the horror." Lucky Kurtz didn't have the Times delivered in the jungle. Ugh... then he'd see some horror. But what do you do? You read about some massacre in Darfur or some school bus gets blown up, and you go "Oh my God, the horror," and then you turn the page and finish your eggs from the free range chickens. Because what can you do. It's overwhelming!
”
”
Woody Allen
“
Soldiers in the heat of battle; death-row prisoners; explorers stranded in deserts, jungles, on mountaintops; anyone sick or lost or just tired and bewildered: we all wanted our mothers.
”
”
Marisa de los Santos (Love Walked In (Love Walked In, #1))
“
Oh lovely snowball, packed with care, smack a head that's unaware! Then with freezing ice to spare, melt and soak through underwear! Fly straight and true, hit hard and square! This, oh snowball, is my prayer. I only throw consecrated snowballs.
”
”
Bill Watterson (Homicidal Psycho Jungle Cat (Calvin and Hobbes, #9))
“
Everyone on every road that crossed beneath the point of my pen was always going to do the same things over and over and over.
I was confused.
How could I be in love with a girl and a boy, at the same time?
I was trapped forever.
You know what I mean.
”
”
Andrew Smith (Grasshopper Jungle)
“
Just like you fell on me, I fell for you, and the sensation of the fall happened so fast but in a beautiful way.
”
”
Aishabella Sheikh (Jungle Princess)
“
Remember, Bagheera loved thee," he cried, and bounded away. At the foot of the hill he cried again long and loud, "Good hunting on a new trail, Master of the Jungle! Remember, Bagheera loved thee.
”
”
Rudyard Kipling (The Jungle Books)
“
Everyone would remember Peter for nineteen minutes of his life, but what about the other nine million? Lacy would be the keeper of those, because it was the only way for that part of Peter to stay alive. For every recollection of him that involved a bullet or a scream, she would have a hundred others: of a little boy splashing in a pond, or riding a bicycle for the first time, or waving from the top of a jungle gym. Of a kiss good night, or a crayoned Mother's Day card, or a voice off-key in the shower. She would string them together - the moments when her child had been just like other people's. She would wear them, precious pearls, every day of her life; because if she lost them, then the boy she had loved and raised and known would really be gone.
”
”
Jodi Picoult (Nineteen Minutes)
“
I had never thought I had much in common with anybody. I had no mother, no father, no roots, no biological similarities called sisters and brothers. And for a future I didn't want a split-level home with a station wagon, pastel refrigerator, and a houseful of blonde children evenly spaced through the years. I didn't want to walk into the pages of McCall's magazine and become the model housewife. I didn't even want a husband or any man for that matter. I wanted to go my own way. That's all I think I ever wanted, to go my own way and maybe find some love here and there. Love, but not the now and forever kind with chains around your vagina and a short circuit in your brain. I'd rather be alone.
”
”
Rita Mae Brown (Rubyfruit Jungle)
“
Every child should have love, every person should have it. She herself would rather have had her mother's love - the love she still continued to believe in, the love that had followed her through the jungle in the form of a bird so she would not be too frightened or lonely.
”
”
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
“
There are humans versus humans in a jungle of predators; humans full of judgment, full of blame, full of guilt, full of emotional poison — envy, anger, hate, sadness, suffering. We create all these little demons in our mind because we have learned to dream hell in our own life.
”
”
Miguel Ruiz (The Mastery of Love: A Practical Guide to the Art of Relationship)
“
In the wilderness of life
Happiness is looking for you
In the jungles of dreams and desires,
In the beauty of shrubs and flowers,
In the span of sadness and kindness.
In the deepness of hearts and minds.
”
”
Debasish Mridha
“
Love was not an easy thing to find on this island. But it sure was an easy thing to lose
”
”
Aishabella Sheikh (Jungle Princess)
“
Taking a close look at - at what's around us there - there is some sort of a harmony. It is the harmony of... overwhelming and collective murder. And we in comparison to the articulate vileness and baseness and obscenity of all this jungle - Uh, we in comparison to that enormous articulation - we only sound and look like badly pronounced and half-finished sentences out of a stupid suburban... novel... a cheap novel. We have to become humble in front of this overwhelming misery and overwhelming fornication... overwhelming growth and overwhelming lack of order. Even the - the stars up here in the - in the sky look like a mess. There is no harmony in the universe. We have to get acquainted to this idea that there is no real harmony as we have conceived it. But when I say this, I say this all full of admiration for the jungle. It is not that I hate it, I love it. I love it very much. But I love it against my better judgment.
”
”
Werner Herzog (Burden of Dreams)
“
A low thrum in his gut. Love. What is the measure of such a thing? Love, or the word love, is like an elusive jungle bird that because it is so durable has thousands of mimics and camouflaged neighbors.
”
”
Lawrence Krauser (Lemon)
“
New eyes awaken.
I send Love's name into the world with wings
And songs grow up around me like a jungle.
Choirs of all creatures sing the tunes
Your Spirit played in Eden.
Zebras and antelopes and birds of paradise
Shine on the face of the abyss
And I am drunk with the great wilderness
Of the sixth day in Genesis.
But sound is never half so fair
As when that music turns to air
And the universe dies of excellence.
Sun, moon and stars
Fall from their heavenly towers.
Joys walk no longer down the blue world's shore.
Though fires loiter, lights still fly on the air of the gulf,
All fear another wind, another thunder:
Then one more voice
Snuffs all their flares in one gust.
And I go forth with no more wine and no more stars
And no more buds and no more Eden
And no more animals and no more sea:
While God sings by himself in acres of night
And walls fall down, that guarded Paradise.
”
”
Thomas Merton
“
If there were no women then men would still be living in the jungle.
”
”
Debasish Mridha
“
One time I was dying in a cage inside a palace that was flying over a magic jungle. And some idiot went in there, chased the palace down, fought his way through hundreds of rakshasas, and rescued me."
"I remember," he said.
"That's when I realized you loved me," I said. "I was in the cage and I heard you roar.
”
”
Ilona Andrews (Magic Rises (Kate Daniels, #6))
“
At day, the man and the jungle. At night, the man is the jungle
”
”
Luis Sepúlveda (The Old Man Who Read Love Stories)
“
I wish I could tell you about the South Pacific. The way it actually was. The endless ocean. The infinite specks of coral we called islands. Coconut palms nodding gracefully toward the ocean. Reefs upon which waves broke into spray, and inner lagoons, lovely beyond description. I wish I could tell you about the sweating jungle, the full moon rising behind the volcanoes, and the waiting. The waiting. The timeless, repetitive waiting.
”
”
James A. Michener (Tales of the South Pacific)
“
The car was on the FDR drive now and, turning her head, she glanced out at the bleak brown buildings of the projects that stretched for blocks along the drive. Something inside her sank at the sight of all that sameness, and she suddenly felt defeated.
She shifted uncomfortably in her seat. In the past year, she'd started experiencing these moments of desperate emptiness, as if nothing really mattered, nothing was ever going to change, there was nothing new; and she could see her life stretching before her--one endless long day after the next, in which every day was essentially the same. Meanwhile, time was marching on, and all that was happening to her was that she was getting older and smaller, and one day she would be no bigger than a dot, and then she would simply disappear. Poof! Like a small leaf burned up under a magnifying glass in the sun. These feelings were shocking to her, because she'd never experienced world-weariness before. She'd never had time. All her life, she'd been striving and striving to become this thing that was herself--the entity that was Nico O'Neilly. And then, one morning, time had caught up with her and she had woken up and realized that she was there. She had arrived at her destination, and she had everything she'd worked so hard for: a stunning career, a loving (well, sort of) husband, whom she respected, and a beautiful eleven-year-old daughter whom she adored.
She should have been thrilled. But instead, she felt tired. Like all those things belonged to someone else.
”
”
Candace Bushnell (Lipstick Jungle)
“
Spilled blood and superstition are the basis of the world. Man is not the only creature who kills for bread, or love, or power, because animals in the jungle do that in various ways, but he is the only creature who kills because of faith.
”
”
Hassan Blasim (The Corpse Exhibition and Other Stories of Iraq)
“
A son who will never be older than his motherland - neither older nor younger. There shall be two heads – but you will only see one – there will be knees and a nose, a nose and knees. Newspaper praises him, two mothers raise him! Bicycles love him – but crowds will shove him! Sisters will weep, cobras will creep… Washing will hide him – voices will guide him! Friends will mutilate him – blood will betray him! Spittoons will brain him – doctors will drain him – jungle will claim him – wizards reclaim him! Soldiers will try him – tyrants will fry him… He will have sons without having sons! He will be old before he is old! And he will die before he is dead!
”
”
Salman Rushdie (Midnight’s Children)
“
THEY WERE PEOPLE who went in for Negroes—Michael and Anne—the Carraways. But not in the social-service, philanthropic sort of way, no. They saw no use in helping a race that was already too charming and naive and lovely for words. Leave them unspoiled and just enjoy them, Michael and Anne felt. So they went in for the Art of Negroes—the dancing that had such jungle life about it, the songs that were so simple and fervent, the poetry that was so direct, so real. They never tried to influence that art, they only bought it and raved over it, and copied it. For they were artists, too.
”
”
Langston Hughes (The Ways of White Folks: Stories (Vintage Classics))
“
You really have a bad habit of falling," he remarked.
Falling for you, Amarissa thought.
”
”
Aishabella Sheikh (Jungle Princess)
“
Doesn’t it seem as though her heart were a green flame? Perhaps it’s the cold green heart of a small green snake, with a minute flaw in it, the kind of small green snake that slithers from branch to branch in the jungle, passing itself off as a vine. What’s more, perhaps when she gave me the ring with such a gentle, loving expression, she wanted me to draw such a meaning from it some day.
”
”
Yukio Mishima (Spring Snow (The Sea of Fertility, #1))
“
I saw very little as it truly was. But that was what Martha taught me. We swear we see each other, but all we are ever able to make out is a tiny porthole view of an ocean. We think we remember the past as it was, but our memories are as fantastic and flimsy as dreams. It's so easy to hate the pretty one, worship the genius, love the rock star, trust the good girl.
That's never their only story.
We are all anthologies. We are each thousands of pages long, filled with fairy tales and poetry, mysteries and tragedy, forgotten stories in the back no one will ever read.
The most we can do is hold out our hands and help each other across the unknown. For in our held hands we find pathways through the dark, across jungles and cities, bridges suspended over the deepest caverns of this world. Your friends will walk with you, holding on with all their might, even when they're no longer there.
”
”
Marisha Pessl (Neverworld Wake)
“
Because the night you asked me,
the small scar of the quarter moon
had healed - the moon was whole again;
because life seemed so short;
because life stretched out before me
like the halls of a nightmare;
because I knew exactly what I wanted;
because I knew exactly nothing;
because I shed my childhood with my clothes -
they both had years of wear in them;
because your eyes were darker than my father's;
because my father said I could do better;
because I wanted badly to say no;
because Stanly Kowalski shouted "Stella...;"
because you were a door I could slam shut;
because endings are written before beginnings;
because I knew that after twenty years
you'd bring the plants inside for winter
and make a jungle we'd sleep in naked;
because I had free will;
because everything is ordained;
I said yes.
”
”
Linda Pastan
“
It’s for survival. You need to be prepared for novel experiences because often they signal danger. If you live in a jungle full of fragrant flowers, you have to stop being so overwhelmed by the lovely smell because otherwise you couldn’t smell a predator. That’s why your brain is considered a discounting mechanism. It’s literally a matter of survival.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
To me, hearing that those girls gave my brother Eric a blow job sounded very nice.
History shows that all boys consider blow job to be a nice-sounding set of words.
I thought a blow job was putting your face in front of an air conditioner, which is something all nine-year-old boys love to do, even though Eric did not look like he had been cooled off very much.
”
”
Andrew Smith (Grasshopper Jungle)
“
To hell, to hell with balance! I break glasses; I want to burn, even if I break myself. I want to live only for ecstasy. Nothing else affects me. Small doses, moderate loves, all the demi-teintes – all these leave me cold. I like extravagance, heat… sexuality which bursts the thermometer! I’m neurotic, perverted, destructive, fiery, dangerous - lava, inflammable, unrestrained. I feel like a jungle animal who is escaping captivity.
”
”
Anaïs Nin (Incest: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1932-1934)
“
I mean, in the last few months alone, I've been pinned in a big set of white-water rapids, been bitten by an angry snake in a jungle, had a close escapewith a big mountain rockfall, narrowly avoided being eaten by a huge croc in the Australian swamps, and had to cut away from my main parachute and come down on my reserve, some five thousand feet above the Arctic plateau.
When did all this craziness become my world?
It's as if - almost accidentally - this madness had become my life. And don't get me wrong - I love it all.
The game, though, now, is to hang on to that life.
Every day is the most wonderful of blessings, and a gift that I never, ever take for granted.
Oh, and as for the scars, broken bones, aching limbs and sore back?
I consider them just gentle reminders that life is precious - and that maybe, just maybe, I am more fragile than I dare to admit.
”
”
Bear Grylls
“
So you want something similar to what's depicted in romance novels?" "Not exactly. I want a man who'll love me with a forever kind of love. One who stimulates me both physically and intellectually. Who challenges me and isn't afraid to be challenged by me.
”
”
L.V. Lewis (Fifty Shades of Jungle Fever)
“
A reaper emerges from the crowd with glossy, black wings, and Akila takes off her headset and runs dizzily over. She puts her arms around me and says, I am so happy right now. I do my best to be cool about this contact, but it has never happened before, and I pat her awkwardly on the shoulder, terrified that a too-enthusiastic reciprocation will alert her to her error, like the way a white person might raise a jungle cat from birth and be pals for a time until the cat turns five and realizes it is, in fact, a carnivore. If I’m honest, all my relationships have been like this, parsing the intent of the jaws that lock around my head. Like, is he kidding, or is he hungry? In other words, all of it, even the love, is a violence.
”
”
Raven Leilani (Luster)
“
There had never been a funeral in our town before, at least not during our lifetimes. The majority of dying had happened during the Second World War when we didn't exist and our fathers were impossibly skinny young men in black-and-white photographs—dads on jungle airstrips, dads with pimples and tattoos, dads with pinups, dads who wrote love letters to the girls who would become our mothers, dads inspired by K rations, loneliness and glandular riot in malarial air into poetic reveries that ceased entirely once they got back home.
”
”
Jeffrey Eugenides (The Virgin Suicides)
“
Stop that Stuart," Patty said as Stuart struggled with the suitcases, which were too heavy for him, she thought. (Almost everything was way too heavy for Stuart.)" Just put those down. Besides," Patty said, "where will you go? You don't have anyplace to go." But Stuart took her hand and held it for a moment against his closed eyes, and despite the many occasions when Patty had wanted him to go, and the several occasions when she had tried to make him go, despite the fact that he was at his most enragingly pathetic, for once she could think of nothing, nothing at all that he could be trying to shame her into or shame her out of, and so it occurred to her that this he would really leave---that he was simply saying good-bye. All along, Patty had been unaware that time is as adhesive as love, and that the more time you spend with someone the greater the likelihood of finding yourself with a permanent sort of thing to deal with that people casually refer to as "friendship," as if that were the end of the matter,when the truth is that even if "your friend" does something annoying, or if you and "your friend" decided that you hate each other, or if "your friend" moves away and you lose each other's address, you still have a friendship, and although it can change shape, look different in different lights, become an embarrassment or an encumbrance or a sorrow, it can't simply cease to have existed, no matter how far into the past it sinks, so attempts to disavow or destroy it will not merely constitute betrayals of friendship but, more practically, are bound to be fruitless, causing damage only to the humans involved rather than to that gummy jungle(friendship)in which those humans have entrapped themselves, so if sometime in the future you're not going to want to have been a particular person's friend, or if you're not going to want to have had that particular friendship you and that person can make with one another, then don't be friends with that person at all, don't talk to that person, don't go anywhere near that person, because as soon as you start to see something from that person's point of view (which, inevitably, will be as soon as you stand next to that person) common ground is sure to slide under your feet.
”
”
Deborah Eisenberg (The Stories (So Far))
“
How we hate to admit that we would like nothing better than to be the slave! Slave and master at the same time! For even in love the slave is always the master in disguise. The man who must conquer the woman, subjugate her, bend her to his will, form her according to his desires—is he not the slave of his slave? How easy it is, in this relationship, for the woman to upset the balance of power! The mere threat of self-dependence, on the woman’s part, and the gallant despot is seized with vertigo. But if they are able to throw themselves at one another recklessly, concealing nothing, surrendering all, if they admit to one another their interdependence, do they not enjoy a great and unsuspected freedom? The man who admits to himself that he is a coward has made a step towards conquering his fear; but the man who frankly admits it to every one, who asks that you recognize it in him and make allowance for it in dealing with him, is on the way to becoming a hero. Such a man is often surprised, when the crucial test comes, to find that he knows no fear. Having lost the fear of regarding himself as a coward he is one no longer: only the demonstration is needed to prove the metamorphosis. It is the same in love. The man who admits not only to himself but to his fellowmen, and even to the woman he adores, that he can be twisted around a woman’s finger, that he is helpless where the other sex is concerned, usually discovers that he is the more powerful of the two. Nothing breaks a woman down more quickly than complete surrender. A woman is prepared to resist, to be laid siege to: she has been trained to behave that way. When she meets no resistance she falls headlong into the trap.
To be able to give oneself wholly and completely is the greatest luxury that life affords. Real love only begins at this point of dissolution. The personal life is altogether based on dependence, mutual dependence. Society is the aggregate of persons all interdependent. There is another richer life beyond the pale of society, beyond the personal, but there is no knowing it, no attainment possible, without firs traveling the heights and depths of the personal jungle. To become the great lover, the magnetiser and catalyzer, the blinding focus and inspiration of the world, one has to first experience the profound wisdom of being an utter fool. The man whose greatness of heart leads him to folly and ruin is to a woman irresistible. To the woman who loves, that is to say. As to those who ask merely to be loved, who seek only their own reflection in the mirror, no love however great, will ever satisfy them. In a world so hungry for love it is no wonder that men and women are blinded by the glamour and glitter of their own reflected egos. No wonder that the revolver shot is the last summons. No wonder that the grinding wheels of the subway express, though they cut the body to pieces, fail to precipitate the elixir of love. In the egocentric prism the helpless victim is walled in by the very light which he refracts. The ego dies in its own glass cage…
”
”
Henry Miller (Sexus (The Rosy Crucifixion, #1))
“
Not too many years ago, the names of our perfumes bore testimony to such things. There was a popular scent called Tabu, there was Sorcery, My Sin, Vampire, Voodoo, Evening in Paris, Jungle Gardenia, Bandit, Shocking, Intimate, Love Potion, and L'Heure Bleue—The Blue Hour. Nowadays what do we find? Vanderbilt, Miss Dior, Lauren, and Armani, perfumes named after glorified tailors"—there were murmurs and gasps in the audience—"names that evoke not the poetic, the erotic, the magic, but economic status, social snobbery, and the egomania of designers. Perfumes that confuse the essence of creation with the essence of money. How much sustenance can the soul receive from a scent entitled Bill Blass?
”
”
Tom Robbins (Jitterbug Perfume)
“
Vhalla knew she understood love. Love was throwing herself into a sandstorm. Love was braving her darkest fears and battling her demons. Love was a blind dash through a Northern jungle. Love was hopeful words shared across a pillow in the darkness. Love was bravery and --- perhaps most importantly --- forgiveness.
”
”
Elise Kova
“
They have no craving for truth as a transcendental reality. Indeed, the concept has no place in their values. Truth to the Pirahãs is catching a fish, rowing a canoe, laughing with your children, loving your brother, dying of malaria. Does this make them more primitive? Many anthropologists have suggested so, which is why they are so concerned about finding out the Pirahãs notions about God, the world, and creation.
But there is an interesting alternative to think about things. Perhaps it is their presence of these concerns that makes a culture more primitive, and their absense that renders a culture more sophisticated. If that is true, the Pirahãs are a very sophisticated people. Does this sound far-fetched? Let's ask ourselves if it is more sophisticated to look at the universe with worry, concern, and a believe that we can understand it all, or to enjoy life as it comes, recognizing the likely futility of looking for truth or God?
”
”
Daniel L. Everett (Don't Sleep, There Are Snakes: Life and Language in the Amazonian Jungle)
“
I realized how little I knew of what makes a true missionary statesman; of a faith that never staggers at the promise of God, no matter how incredible to the natural man its fulfilment seems; of a trust in the Unchanging One, Who keeps the heart at rest and unperturbed in a changing world; of a burning love that counts not life dear unto itself, but is expendable for God; and of a vision that is never dimmed.
”
”
Darlene Deibler Rose (Evidence Not Seen: A Woman's Miraculous Faith in the Jungles of World War II)
“
One day, as Sarita tended to the wash, Gemma played in the garden. She was a knight, you see, with a sword fashioned out of wood. Most formidable, she was, though I didn't quite know how formidable. As I sat in my study, I heard screaming from outside. I ran to see what the commotion was. Sarita called to me, wide-eyed with fear, "Oh, Mr. Doyle, look- over there!" The tiger had entered the garden and was making his way toward where our Gemma frolicked with her wooden sword. Beside me, our house servant, Raj, drew his blade so stealthily it seemed to simply appear in his hand by magic. But Sarita stayed his hand. "If you run for him with your life, you will provoke the tiger," she advised. "We must wait."...
I must tell you that it was the longest moment of my life. No one dared move. No one dared draw a breath. And all the while, Gemma played on, taking no notice until the great cat was upon her. She stood and faced him. They stared at one another as if each wondered what to make of the other, as if they sensed a kindred spirit. At last, Gemma placed her sword upon the ground. "Dear tiger," she said. "You may pass if you are peaceful." The tiger looked at the sword and back at Gemma, and without a sound, it passed on, dissappearing into the jungle."
...
"The tiger had gone. He did not come around a gain. But I was a man possessed. The tiger had come too close, you see. I no longer felt safe. I hired the best tracker in Bombay. We hunted for days, tracking the tiger to the mountains there. We found him taking water from a small watering hole. He looked up but he did not charge. He took no notice of us at all but continued to drink. "Sahib, let us go," the boy said. "This tiger means you no harm." He was right, of course. But we had come all that way. The gun was in my hand. The tiger was before us. I took aim and shot it dead on the spot. I sold the tiger's skin for a fortune to a man in Bombay, and he called me brave for it. But it was not courage that brought me to that; it was fear..."But you," he says, smiling with a mix of sadness and pride, "you faced the tiger and survived."
...
"The time has come for me to face my tiger, to look him in the eye and see which of us survives." - Mr. Doyle
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
Roan looked down at the pathetic little fur ball with a pink ribbon clipped to the top of its head and growled at it. It came from deep in his throat, and while it was unintentional, it wasn’t precisely a human noise. He could feel it in his throat, vibrating his vocal chords, and the dog’s ears rotated briefly in as much alarm as a dog could express, and then it whimpered and cringed, pissing on the sidewalk in submission.
The woman took a couple steps backward, eyes wide and horrified, and dragged her dog past them as she hurried off, the Pom more than happy to leave.
Paris looked at him, an eyebrow raised and the corner of his mouth quirked up in a half smile. “I love it when you get defensive.”
“I’m the king of the jungle.I’m not taking any shit from a living dust mop.
”
”
Andrea Speed (Prey (Infected, #1))
“
What had the man had, to make him by the loss of it so bleed and yet live? Something—and this reached him with a pang—that he, John Marcher, hadn’t; the proof of which was precisely John Marcher’s arid end. No passion had ever touched him, for this was what passion meant; he had survived and maundered and pined, but where had been his deep ravage?... The escape would have been to love her; then, then he would have lived.
”
”
Henry James (The Beast in the Jungle and Other Stories)
“
I mean, what are you going to do to him for shooting your dog?” “I will do nothing. I won’t hurt my brother. He acted like a child. He did a bad thing. But he is drunk and his head is not working well. He should not have hurt my dog. It is like my child.” Even when provoked, as Kaaboogí was now, the Pirahãs were able to respond with patience, love, and understanding, in ways rarely matched in any other culture I have encountered.
”
”
Daniel L. Everett (Don't Sleep, There Are Snakes: Life and Language in the Amazonian Jungle (Vintage Departures))
“
The feeding of the Muse then, which we have spent most of our time on here, seem to me to be the continual running after loves, the checking of these loves against one's present and future needs, the moving on from simple textures to more complex ones, from naive ones to more informed ones, from nonintellectual to intellectual ones. Nothing is ever lost. If you have moved over vast territories and dared to love silly things, you will have learned even from the most primitive items collected and out aside in your life. From an ever-roaming curiosity in all the arts, from bad radio to good theatre, from nursery rhyme to symphony, from jungle compound to Kafka's Castle, there is basic excellence to be winnowed out, truths found, kept, savored, and used on some later day. To be a child of one's time is to do all these things.
”
”
Ray Bradbury (Zen in the Art of Writing: Releasing the Creative Genius Within You)
“
Loretta folded her arms. She felt like a heroine in a movie, confronted by a jealous husband in a kitchen while outside the camera is aching to draw back and show a wonderland of adventures waiting for her—long, frantic rides on trains, landscapes of wounded soldiers, a lovely white desert across which a camel caravan draped voluptuously in veils moves slowly with a kind of mincing melancholy, the steamy jungles of India opening before British officers in white, young officers, the mysteries of English drawing-rooms cracking before the quick, humorless smirk of a wise young woman from America. . . .
”
”
Joyce Carol Oates
“
A Wild Woman Is Not A Girlfriend.
She Is A Relationship With Nature.
But can you love me in the deep? In the dark? In the thick of it?
Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard?
Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me?
Can you love me then too?
Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight?
Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill?
When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then?
What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted?
Will you trust that Spring will return?
Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life?
Can you trust me, even though you cannot tame me?
Can you love me, even though I am all that you fear and admire?
Will you fear my shifting shape?
Does it frighten you, when my eyes flash like your camera does?
Do you fear they will capture your soul?
Are you afraid to step into me?
The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you.
So do not worry. They belong to me, and I have invited you here.
Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart.
You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky.
If you want to be safe, go back to your tiny room — the night sky is not for you.
If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire.
I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold.
I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching.
So, come to me, and be healed in the unbearable lightness and darkness of all that you are.
There is nothing in you that can scare me. Nothing in you I will not use to make you great.
A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm.
She will plant pear trees in the wake of your disaster.
She will see to it that you shall rise again.
She is the lover who restores you to your own wild nature.
”
”
Alison Nappi
“
It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative...we were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or a TV show. A fucking commercial. You know the awful singsong of the blasé: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crispier, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
”
”
Gillian Flynn (Gone Girl)
“
Interest did not naturally belong to such anecdotes. For the most part, only Chloe and I appreciated them, because of the subsidiary associations we attached to them. Yet these leitmotifs were important because they gave us the feeling that we were far from strangers to one another, that we had lived through things together, and remembered the joint meanings we had derived from them. However slight these leitmotifs were, they acted like cement. The language of intimacy they helped to create was a reminder that (without clearing our way through jungles, slaying dragons, or even sharing apartments) Chloe and I had created something of a world together.
”
”
Alain de Botton (On Love)
“
For several thousand years man has been in contact with animals whose character and habits have been deformed by domestication. He has ended by believing that he understands them. All he means by this is that he is able to rely on certain reflex actions which he himself has implanted in them. He will flatter himself at times on the grasp of animal psychology which has brought him the love of the dog and the purr of the cat; and on the strength of such assumptions he approaches the beasts of the jungle. The old tag about nature being an open book is just not true. What nature offers on a first examination may appear to be simple but it is never as simple as it appears.
”
”
Hans Brick (Jungle, Be Gentle)
“
I do my best to be cool about this contact, but it has never happened before, and I pat her awkwardly on the shoulder, terrified that a too-enthusiastic reciprocation will alert her to her error, like the way a white person might raise a jungle cat from birth and be pals for a time until the cat turns five and realizes it is, in fact, a carnivore. If I’m honest, all my relationships have been like this, parsing the intent of the jaws that lock around my head. Like, is he kidding, or is he hungry? In other words, all of it, even the love, is a violence.
”
”
Raven Leilani (Luster)
“
There was a muffled tap again, and I heard a familiar voice whisper faintly, “Kelsey, it’s me.”
I unlocked the door and peeked out. Ren was standing there dressed in his white clothes, barefoot, with a triumphant grin on his face. I pulled him inside and hissed out thickly, “What are you doing here? It’s dangerous coming into town! You could have been seen, and they’d send hunters out after you!”
He shrugged his shoulders and grinned. “I missed you.”
My mouth quirked up in a half smile. “I missed you too.”
He leaned a shoulder nonchalantly against the doorframe. “Does that mean you’ll let me stay here? I’ll sleep on the floor and leave before daylight. No one will see me. I promise.”
I let out a deep breath. “Okay, but promise you’ll leave early. I don’t like you risking yourself like this.”
“I promise.” He sat down on the bed, took my hand, and pulled me down to sit beside him. “I don’t like sleeping in the dark jungle by myself.”
“I wouldn’t either.”
He looked down at our entwined hands. “When I’m with you, I feel like a man again. When I’m out there all alone, I feel like a beast, an animal.” His eyes darted up to mine.
I squeezed his hand. “I understand. It’s fine. Really.”
He grinned. “You were hard to track, you know. Lucky for me you two decided to walk to dinner, so I could follow your scent right to your door.”
Something on the nightstand caught his attention. Leaning around me, he reached over and picked up my open journal. I had drawn a new picture of a tiger-my tiger. My circus drawings were okay, but this latest one was more personal and full of life. Ren stared at it for a moment while a bright crimson flush colored my cheeks.
He traced the tiger with his finger, and then whispered gently, "Someday, I'll give you a portrait of the real me."
Setting the journal down carefully, he took both of my hands in his, turned to me with an intense expression, and said, "I don't want you to see only a tiger when you look at me. I want you to see me. The man."
Reaching out, he almost touched my cheek but he stopped and withdrew his hand. "I've worn the tiger's face for far too many years. He's stolen my humanity."
I nodded while he squeezed my hands and whispered quietly, "Kells, I don't want to be him anymore. I want to be me. I want to have a life."
"I know," I said softly. I reached up to stroke his cheek. "Ren, I-" I froze in place as he pulled my hand slowly down to his lips and kissed my palm. My hand tingled. His blue eyes searched my face desperately, wanting, needing something from me.
I wanted to say something to reassure him. I wanted to offer him comfort. I just couldn't frame the words. His supplication stirred me. I felt a deep bond with him, a strong connection. I wanted to help him, I wanted to be his friend, and I wanted...maybe something more. I tried to identify and categorize my reactions to him. What I felt for him seemed too complicated to define, but it soon became obvious to me that the strongest emotion I felt, the one that was stirring my heart, was...love.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Life is flinching in the midst of breathing, gasping at the thought of dying. It’s climbing ropeless up sheer rock faces, groping for the next finger-hole of hope. Steady on! Only a thousand feet to go and after that a jungle, a minefield, a rapids. (Can I stop smiling now?)
Once, not long ago, I was flung off the cliff of the moment, thrust into an illicit relationship with destiny, an affair not of my making. Was I making love or being raped? The lines were fuzzy.
”
”
Chila Woychik (On Being a Rat and Other Observations)
“
Outsong in the Jungle
[Baloo:] For the sake of him who showed
One wise Frog the Jungle-Road,
Keep the Law the Man-Pack make
For thy blind old Baloo's sake!
Clean or tainted, hot or stale,
Hold it as it were the Trail,
Through the day and through the night,
Questing neither left nor right.
For the sake of him who loves
Thee beyond all else that moves,
When thy Pack would make thee pain,
Say: "Tabaqui sings again."
When thy Pack would work thee ill,
Say: "Shere Khan is yet to kill."
When the knife is drawn to slay,
Keep the Law and go thy way.
(Root and honey, palm and spathe,
Guard a cub from harm and scathe!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
[Kaa:] Anger is the egg of Fear--
Only lidless eyes see clear.
Cobra-poison none may leech--
Even so with Cobra-speech.
Open talk shall call to thee
Strength, whose mate is Courtesy.
Send no lunge beyond thy length.
Lend no rotten bough thy strength.
Gauge thy gape with buck or goat,
Lest thine eye should choke thy throat.
After gorging, wouldst thou sleep ?
Look thy den be hid and deep,
Lest a wrong, by thee forgot,
Draw thy killer to the spot.
East and West and North and South,
Wash thy hide and close thy mouth.
(Pit and rift and blue pool-brim,
Middle-Jungle follow him!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
[Bagheera:] In the cage my life began;
Well I know the worth of Man.
By the Broken Lock that freed--
Man-cub, ware the Man-cub's breed!
Scenting-dew or starlight pale,
Choose no tangled tree-cat trail.
Pack or council, hunt or den,
Cry no truce with Jackal-Men.
Feed them silence when they say:
"Come with us an easy way."
Feed them silence when they seek
Help of thine to hurt the weak.
Make no bandar's boast of skill;
Hold thy peace above the kill.
Let nor call nor song nor sign
Turn thee from thy hunting-line.
(Morning mist or twilight clear,
Serve him, Wardens of the Deer!)
Wood and Water, Wind and Tree,
Jungle-Favour go with thee!
[The Three:] On the trail that thou must tread
To the threshold of our dread,
Where the Flower blossoms red;
Through the nights when thou shalt lie
Prisoned from our Mother-sky,
Hearing us, thy loves, go by;
In the dawns when thou shalt wake
To the toil thou canst not break,
Heartsick for the Jungle's sake;
Wood and Water, Wind air Tree,
Wisdom, Strength, and Courtesy,
Jungle-Favour go with thee!
”
”
Rudyard Kipling
“
Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. In a way, he thought, they were right. The more coloredpeople spent their strength trying to convince them how gentle they were, how clever and loving, how human, the more they used themselves up to persuade whites of something Negroes believed could not be questioned, the deeper and more tangled the jungle grew inside. But it wasn’t the jungle blacks brought with them to this place from the other (livable) place. It was the jungle whitefolks planted in them. And it grew. It spread. In, through and after life, it spread, until it invaded the whites who had made it. Touched them every one. Changed and altered them. Made them bloody, silly, worse than even they wanted to be, so scared were they of the jungle they had made. The screaming baboon lived under their own white skin; the red gums were their own. Meantime,
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
V. R. Lang
You are so serious, as if
a glacier spoke in your ear
or you had to walk through
the great gate of Kiev
to get to the living room.
I worry about this because I
love you. As if it weren't grotesque
enough that we live in hydrogen
and breathe like atomizers, you
have to think I'm a great architect!
and you float regally by on your
incessant escalator, calm, a jungle queen.
Thinking it a steam shovel. Looking
a little uneasy. But you are yourself
again, yanking silver beads off your neck.
Remember, the Russian Easter Overture
is full of bunnies. Be always high,
full of regard and honor and lanolin. Oh
ride horseback in pink linen, be happy!
and ride with your beads on, because it rains.
”
”
Frank O'Hara
“
Perhaps it is the scarcity of vocabulary that is the root of the problem. Love seems like such a deeply inadequate word for a concept with so many complex shades and shapes and degrees of intensity. If the Inuit have twenty words for the concept of snow, then perhaps it is because they live in a realm where the differences between each type of snow are of vital importance to them, and the minutiae of their specific vocabulary reflects that central importance. Yet we, who spend vast amounts of our time, energy, and ingenuity thinking about love, being loved, loving, longing for love, living for love, even dying for love, have no more than this paltry, troublesome word that is no more descriptive or effective than the word fuck is for expressing the wonderful and infinite varieties of sexual congress. It’s rather like a city dweller looking at the jungle and dumbly grunting the word trees for the manifold diversity that faces him. There are plants out there that can feed him, plants that can cure him, and plants that can kill him, and the sooner he identifies them and names them, the safer he will be.
”
”
Sting (Broken Music: A Memoir)
“
I believe in brevity. I believe that you, the reader, entrust me, the writer, with your most valued commodity—your time. I shouldn’t take more than my share. For that reason, I love the short sentence. Big-time game it is. Hiding in the jungle of circular construction and six-syllable canyons. As I write, I hunt. And when I find, I shoot. Then I drag the treasure out of the trees and marvel. Not all of my prey make their way into chapters. So what becomes of them? I save them. But I can’t keep them to myself. So, may I invite you to see my trophy case? What follows are cuts from this book and a couple of others. Keep the ones you like. Forgive the ones you don’t. Share them when you can. But if you do, keep it brief. Pray all the time. If necessary, use words. Sacrilege is to feel guilt for sins forgiven. God forgets the past. Imitate him. Greed I’ve often regretted. Generosity—never. Never miss a chance to read a child a story. Pursue forgiveness, not innocence. Be doubly kind to the people who bring your food or park your car. In buying a gift for your wife, practicality can be more expensive than extravagance. Don’t ask God to do what you want. Ask God to do what is right. Nails didn’t hold God to a cross. Love did.
”
”
Max Lucado (When God Whispers Your Name: Discover the Path to Hope in Knowing that God Cares for You)
“
Can such a man, you ask, be a leader of the masses? Surprisingly, the answer is yes. The masses — by which I mean not the proletariat, but the anonymous collective body into which all of us, high and low, amalgamate at certain moments — react most strongly to someone who least resembles them. Normality coupled with talent may make a politician popular. But to provoke extremes of love and hate, to be worshipped like a god or loathed like the devil, is given only to a truly exceptional person who is poles apart from the masses, be it far above or far below them. If my experience of Germany has taught me anything, it is this: Rathenau and Hitler are the two men who excited the imagination of the German masses to the utmost; the one by his ineffable culture, the other by his ineffable vileness. Both, and this is decisive, came from inaccessible regions, from some sort of “beyond.” The one from a sphere of sublime spirituality where the cultures of three millennia and two continents hold a symposium; the other from a jungle far below the depths plumbed by the basest penny dreadfuls, from an underworld where demons rise from a brewed-up stench of petty-bourgeois back rooms, doss-houses, barrack latrines, and the hangman’s yard. From their different “beyonds” they both drew
”
”
Sebastian Haffner (Defying Hitler: A Memoir)
“
He’d never encountered beauty of such magnitude and intensity. It was not allure, but grace, like the sight of land to a shipwrecked man. And he, who hadn’t been on a capsized vessel since he was six—and that had only been an overturned canoe—suddenly felt as if he’d been adrift in the open ocean his entire life.
Someone spoke to him. He couldn’t make out a single word.
There was something elemental to her beauty, like a mile-high thunderhead, a gathering avalanche, or a Bengal tiger prowling the darkness of the jungle. A phenomenon of inherent danger and overwhelming perfection.
He felt a sharp, sweet ache in his chest: His life would never again be complete without her. But he felt no fear, only excitement, wonder, and desire.
Christian's thoughts upon seeing Venetia for the first time (Beguiling the Beauty, Fitzhugh Trilogy 1, by Sherry Thomas)
”
”
Sherry Thomas
“
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
”
”
Michelle Tea
“
I no longer believe that character formation is mostly an individual task, or is achieved on a person-by-person basis. I no longer believe that character building is like going to the gym: You do your exercises and you build up your honesty, courage, integrity, and grit. I now think good character is a by-product of giving yourself away. You love things that are worthy of love. You surrender to a community or cause, make promises to other people, build a thick jungle of loving attachments, lose yourself in the daily act of serving others as they lose themselves in the daily acts of serving you. Character is a good thing to have, and there’s a lot to be learned on the road to character. But there’s a better thing to have—moral joy. And that serenity arrives as you come closer to embodying perfect love.
Furthermore, I no longer believe that the cultural and moral structures of our society are fine, and all we have to do is fix ourselves individually. Over the past few years, as a result of personal, national, and global events, I have become radicalized.
I now think the rampant individualism of our current culture is a catastrophe. The emphasis on self—individual success, self-fulfillment, individual freedom, self-actualization—is a catastrophe. I now think that living a good life requires a much vaster transformation. It’s not enough to work on your own weaknesses. The whole cultural paradigm has to shift from the mindset of hyper-individualism to the relational mindset of the second mountain.
”
”
David Brooks
“
You know the real reason we celebrate Christmas, don't you? I mean, beyond Santa Claus and jungle bells and Christmas trees?
You mean because Jesus was born? she asked.
Yes... but did you ever think how Jesus was born? I mean, have you considered how it was such a humble birth, in a small barn...how he was laid in a hay trough...how the Son if almighty God humbled himself to be born in such lowly conditions? Have you thought about it like that? Jesus could have been born in a fine palace. After all, he was the Son of God. But for some reason God chose humble beginnings for His son. Do you ever wonder why? ... I think because God wanted to show that his love could reach to everyone, no matter who they were, from the poorest of poor to great kings.
”
”
Melody Carlson (The Christmas Pony)
“
Did he say anything to you?”
“Just that I was supposed to watch you while he was gone. A hunt can take several days.”
“Really? I had no idea it would take that long.” I hestitated, “So…he doesn’t mind you staying here while he’s gone.”
“Oh, he minds,” he chuckled, “but he wants to make sure you’re safe. At least he trusts me that much.”
“Well, I think he’s mad at both of us right now.”
Kishan looked at me curiously with a raised eyebrow. “How so?”
“Um…let’s just say we had a misunderstanding.”
Kishan’s face turned hard. “Don’t worry, Kelsey. I’m sure that whatever he’s upset about is foolish. He’s very argumentative.”
I sighed and shook my head sadly. “No, it’s really all my fault. I’m difficult, a hindrance, and I’m a pain to have around sometimes. He’s probably used to being around sophisticated, more experienced women who are much more…more…well, more than I am.”
Kishan quirked an eyebrow. “Ren hasn’t been around any women as far as I know. I must confess that I’m now exceedingly curious as to what your argument was about. Whether you tell me or not, I won’t tolerate any more derogatory comments about yourself. He’s lucky to have you, and he’d better realize it.”
He grinned. “Of course, if you did have a falling out, you’re always welcome to stay with me.”
“Thanks for the offer, but I don’t really want to live in the jungle.”
He laughed. “For you, I would even consider a change of residence. You, my lovely, are a prize worth fighting for.”
I laughed and punched him lightly on the arm. “You, sir, are a major flirt. Worth fighting for? I think you two have been tigers for too long. I’m no great beauty, especially when I’m stuck out here in the jungle. I haven’t even picked a college major yet. What have I ever done that would make someone want to fight over me?”
Kishan apparently took my rhetorical questions seriously. He reflected for a moment, and then answered, “For one thing, I’ve never met a woman so dedicated to helping others. You put your own life at risk for a person you met only a few weeks ago. You are confident, feisty, intelligent, and full of empathy. I find you charming and, yes, beautiful.”
The golden-eyed prince fingered a strand of my hair. I blushed at his assessment, sipped my water, and then said softly, “I don’t like him being angry with me.”
Kishan shrugged and dropped his hand, looking slightly annoyed that I’d steered the conversation back to Ren. “Yes. I’ve been on the receiving side of his anger, and I’ve learned not to underestimate his ability to hold a grudge.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
I am that man, the sum of him, the all of him, the hairless biped who struggled upward from the slime and created love and law out of the anarchy of fecund life that screamed and squalled in the jungle. I am all that that man was and did become. I see myself, through the painful generations, snaring and killing the game and the fish, clearing the first fields from the forest, making rude tools of stone and bone, building houses of wood, thatching the roofs with leaves and straw, domesticating the wild grasses and meadow roots, fathering them to become the progenitors of rice and millet and wheat and barley and all manner of succulent edibles, learning to scratch the soil, to sow, to reap, to store, beating out the fibers of plants to spin into thread and to weave into cloth, devising systems of irrigation, working in metals, making markets and trade routes, building boats, and founding navigation—ay, and organizing village life, welding villages to villages till they became tribes, welding tribes together till they became nations, ever seeking the laws of things, ever making the laws of humans so that humans might live together in amity and by united effort beat down and destroy all manner of creeping, crawling, squalling things that might else destroy them.
”
”
Jack London (The Star Rover (Modern Library Classics))
“
Everything fell together, confessed, explained, overwhelmed; leaving him most of all stupefied at the blindness he had cherished. The fate he had been marked for he had met with a vengeance—he had emptied the cup to the lees; he had been the man of his time, THE man, to whom nothing on earth was to have happened. That was the rare stroke—that was his visitation. So he saw it, as we say, in pale horror, while the pieces fitted and fitted. So she had seen it while he didn’t, and so she served at this hour to drive the truth home. It was the truth, vivid and monstrous, that all the while he had waited the wait was itself his portion. This the companion of his vigil had at a given moment made out, and she had then offered him the chance to baffle his doom. One’s doom, however, was never baffled, and on the day she told him his own had come down she had seen him but stupidly stare at the escape she offered him. The escape would have been to love her; then, then he would have lived. She had lived—who could say now with what passion?—since she had loved him for himself; whereas he had never thought of her (ah how it hugely glared at him!) but in the chill of his egotism and the light of her use.
”
”
Henry James (The Beast in the Jungle)