“
Yes, poor Darren, forced to cook and clean and do other unmanly things. Next thing you know he’ll be wearing an apron and popping out babies.” He snorted as Darren turned and did something with his hand. “We’re friends, but we’re not that close, Dare.
”
”
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
“
Baby, you are gonna miss that plane.
”
”
Julie Delpy (Before Sunrise & Before Sunset: Two Screenplays)
“
Jack wrapped his arms around her, pulling her close. He whispered in her ear. “He’s not getting near you again, baby, I promise. No one’s laying a finger on you ever again.
”
”
Julie James (Something About You (FBI/US Attorney, #1))
“
Just because we haven’t met Mr. Right doesn’t mean we’re doing anything wrong. And by the way, you’re brilliant and awesome, too. If I were a
lesbian, I’d totally settle down with you and make lots of in vitro babies.
”
”
Julie James (About That Night (FBI/US Attorney, #3))
“
Oh God, baby...love me.
”
”
Julie James (A Lot like Love (FBI/US Attorney, #2))
“
Tell me, what size must a guy's balls be in order to walk up to his former comandin' officer and declare his intent to plant his flag, so to speak, in the man's baby sister? Texas-sizes, maybe? Alaska-sized?
”
”
Julie Ann Walker (Rev It Up (Black Knights Inc., #3))
“
I hope they remember the good stuff, when I was a baby, a toddler, when they still had hopes and dreams for their little girl, their miracle child. In truth they were good to me. They were only doing what they knew how to do; what they thought was best.
”
”
Julie Anne Peters (By the Time You Read This, I'll Be Dead)
“
He might actually be a decent bloodsucker. And by decent, I mean a proper, murdering, ‘I eat babies for breakfast’ vampire. It’s always the nice ones you have to worry about.
”
”
Julie Kagawa (The Forever Song (Blood of Eden, #3))
“
You know what? Forget what I just said. You’re already a part of this. You will eat, you will laugh at stupid things, you will stay up all night just to see what it feels like, you will fall painfully in love, you will have babies of your own, you will doubt and regret and yearn and keep a secret. You will get old and decrepit, and you will die, exhausted from all that living. That is when you get to die. Not now.
”
”
Miranda July (The First Bad Man)
“
Aw, isn’t that sweet.” And Jackal sauntered into view, smirk firmly in place. “But don’t wait around on my account. It’s not like I can’t wait for yet another riveting night of listening to you people whine at each other. Oh, woe is me, I’m a vampire. I’m a horrible monster who eats babies and murders bunnies, boo hoo hoo.
”
”
Julie Kagawa (The Forever Song (Blood of Eden, #3))
“
Iain didn't know what to say to her. They had all asked an incredible amount from her. She was such an innocent, too. Hell, she wasn't even married, and yet they'd demanded she deliver a baby. He wasn't even certain if she knew how Isabelle had conceived the babe.
”
”
Julie Garwood (The Secret (Highlands' Lairds, #1))
“
Kids, Roberts,” she said, just to be clear. “I have fertile eggs in me, and I’m talking about having
babies.”
She waited for the eye twitch. Or hell, even a tiny twinge.
Instead, with a smile, he pulled her in for a kiss.
”
”
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
“
Oh, woe is me, I'm a vampire. I'm a horrible monster who eats babies and murders bunnies, boo hoo hoo
”
”
Julie Kagawa (The Forever Song (Blood of Eden, #3))
“
You didn't write the Baby Hope story. I'm not saying you don't bear the burden of it, you obviously do, but you didn't write it. So it's not yours. Not really.
”
”
Julie Buxbaum (Hope and Other Punchlines)
“
Then one night I woke at three A.M. certain he was rotting like a chicken carcass. Only as I lowered him into the sink did I realize this was a crazy time to wash a baby and I began to cry because he was so trusting—I could do anything and he would go along with it, the little fool.
”
”
Miranda July (The First Bad Man)
“
Baby leaving you is easier than being gone
I don't know what I'll do if one more thing goes wrong
”
”
Julie Roberts
“
We thrust our babies into the air again and again, showing them what it felt like to be a mother, to be terrifyingly in love without the option of getting off.
”
”
Miranda July (The First Bad Man)
“
Because we are going to love this baby just the way she pops out, and if she's heterosexual, we're just going to tell her, honey, that's just the way you are and you can't help it.
”
”
Shukyou (Six Sundays in July)
“
Every night my plan was to make it to dawn and then feel out the options. But that was just it -- there were no options. There had been options, before the baby, but none of them had been pursued. I had not flown to Japan by myself to see what it was like there. I had not gone to nightclubs and said Tell me everything about yourself to strangers. I had not even gone to the movies by myself. I had been quiet when there was no reason to be quiet and consistent when consistency didn't matter. For the last twenty years I had lived as if I was taking care of a newborn baby.
”
”
Miranda July (The First Bad Man)
“
You know what? Forget what I just said. You’re already a part of this. You will eat, you will laugh at stupid things, you will stay up all night just to see what it feels like, you will fall painfully in love, you will have babies of your own, you will doubt and regret and yearn and keep a secret. You will get old and decrepit, and you will die, exhausted from all that living.
”
”
Miranda July (The First Bad Man)
“
Picture how the vaginal canal squeezes the water out of a baby’s lungs—it’s the shock of this squeezing and the sudden cold air that makes the baby cry out and take their first breath!” She inhaled so I inhaled, too. “The trauma itself prepares them for the next phase, life on Earth.
”
”
Miranda July (All Fours)
“
After Auschwitz"
Anger,
as black as a hook,
overtakes me.
Each day,
each Nazi
took, at 8: 00 A.M., a baby
and sauteed him for breakfast
in his frying pan.
And death looks on with a casual eye
and picks at the dirt under his fingernail.
Man is evil,
I say aloud.
Man is a flower
that should be burnt,
I say aloud.
Man
is a bird full of mud,
I say aloud.
And death looks on with a casual eye
and scratches his anus.
Man with his small pink toes,
with his miraculous fingers
is not a temple
but an outhouse,
I say aloud.
Let man never again raise his teacup.
Let man never again write a book.
Let man never again put on his shoe.
Let man never again raise his eyes,
on a soft July night.
Never. Never. Never. Never. Never.
I say those things aloud.
I beg the Lord not to hear.
”
”
Anne Sexton
“
There had been options, before the baby, but none of them had been pursued... I had been quiet when there was no reason to be quiet, consisten when consistency didn't matter. For the last twenty years I had lived as if I were taking care of a newborn baby.
”
”
Miranda July (The First Bad Man)
“
Damn, baby, I’m gonna fuck you so hard,” he groans, low and deep. “Hell, I probably should say sorry in advance for what I’m getting ready to do.
”
”
Julie Thorn (Come For Me)
“
One of our favorite spring rituals is to buy packs of white goose feathers at a craft store, climb our bird-watching tower, and stand, feathers in our outstretched fingers, until tree swallows gather the courage to hover close, snatch them, and bear them off to their nest.
”
”
Julie Zickefoose (Baby Birds: An Artist Looks into the Nest)
“
You will eat, you will laugh at stupid things, you will stay up all night just to see what it feels like, you will fall painfully in love, you will have babies of your own, you will doubt and regret and yearn and keep a secret. You will get old and decrepit, and you will die, exhausted from all that living.
”
”
Miranda July (The First Bad Man)
“
With a baby one could no longer be cute and coy about capitalism - money was time, time was everything. We could have skipped lightly across all this by not becoming parents; it never really had to come to a head.
”
”
Miranda July (All Fours)
“
After a minute a willowy woman with a baby boy came out. The baby was swinging a crystal from a string. I checked to see if he and I had a special connection that was greater than his bond with his mother. We didn’t.
”
”
Miranda July (The First Bad Man)
“
Dr. Meredith was a large, robust man, and jolly too, with rosy cheeks and this perpetual baby-powder smell. I always thought he would be better suited as a Santa Claus at the Green Oaks Mall rather than a doctor charged with the duty of delivering earth-shattering news. Maybe his appearance was supposed to soften the blow. The bad news is you have cancer. The good news is Santa Claus is your doctor. Peppermint stick for your trouble?
”
”
Julie Murphy (Side Effects May Vary)
“
As long as I'm between home and the clinic I do all right. But out in the real world, I feel like prey. I slink around and can feel people looking at me. I feel their eyes boring into me. I feel what they're thinking: Watch her, she could go off anytime. But within the walls of my farmhouse, I climb out of the protective shell, my arms slowly rise like a phoenix, and I dance, wail, fly around the room and then collapse, crying, in front of my mirrors. I start to see in the mirror what it is I really look like, instead of what I was trained from the womb to see. I do not write about it. I do not talk about it. I do not know what I am doing. But just like a baby bird, I am blinking once-sealed eyes and unfolding damp wings. I cannot articulate the past. A part of me knows it's there, lurking, just behind what I can acknowledge, but it is not within sight. And I am keeping it that way.
”
”
Julie Gregory (Sickened: The Memoir of a Munchausen by Proxy Childhood)
“
But for the love of piss, make some sort of decision. If you don’t want to eat babies and nail bloodbags to walls, that’s your choice. What Sarren did or made you do in the past has nothing to do with it now. You’re a vampire. Do whatever the hell you want.
”
”
Julie Kagawa (The Forever Song (Blood of Eden, #3))
“
I didn't bathe him because I was too afraid he would slip out of my hands or his belly button would open. Then one night I woke at three A.M. certain he was rotting like a chicken carcass. Only as I lowered him into the sink did I realize this was a crazy time to wash a baby and I began to cry because he was so trusting—I could do anything and he would go along with it, the little fool.
”
”
Miranda July (The First Bad Man)
“
Women are more powerful than most of us give ourselves credit for. When we actually decide to stop the jealousy and the finger pointing, and band together to laugh with one another and understand one another, it's like a beautiful firework display on the Fourth of July in Vegas, baby!
”
”
Helen Edwards (Nothing Sexier Than Freedom)
“
None of this was part of the plan all the girls I'd grown up with had been given. Not a written plan, unless the book about Cinderella counted. The plan was in the water we drank, the air we breathed. It was poured into the pavement on the streets we called home. Marry a nice man, one who was a good provider, and live happily, or at least comfortably, ever after.
Safe to say I'd followed the plan. I'd married a banker. Had a baby. But the plan had failed me. It left me alone huddled in a window seat with every emotion I'd refused to let myself feel seeping through my pores until the air in my bedroom was heavy with sadness and angst and confusion. (p. 235)
”
”
Julie Mulhern (The Deep End (The Country Club Murders #1))
“
January?
The month is dumb.
It is fraudulent.
It does not cleanse itself.
The hens lay blood-stained eggs.
Do not lend your bread to anyone
lest it nevermore rise.
Do not eat lentils or your hair will fall out.
Do not rely on February
except when your cat has kittens,
throbbing into the snow.
Do not use knives and forks
unless there is a thaw,
like the yawn of a baby.
The sun in this month
begets a headache
like an angel slapping you in the face.
Earthquakes mean March.
The dragon will move,
and the earth will open like a wound.
There will be great rain or snow
so save some coal for your uncle.
The sun of this month cures all.
Therefore, old women say:
Let the sun of March shine on my daughter,
but let the sun of February shine on my daughter-in-law.
However, if you go to a party
dressed as the anti-Christ
you will be frozen to death by morning.
During the rainstorms of April
the oyster rises from the sea
and opens its shell —
rain enters it —
when it sinks the raindrops
become the pearl.
So take a picnic,
open your body,
and give birth to pearls.
June and July?
These are the months
we call Boiling Water.
There is sweat on the cat but the grape
marries herself to the sun.
Hesitate in August.
Be shy.
Let your toes tremble in their sandals.
However, pick the grape
and eat with confidence.
The grape is the blood of God.
Watch out when holding a knife
or you will behead St. John the Baptist.
Touch the Cross in September,
knock on it three times
and say aloud the name of the Lord.
Put seven bowls of salt on the roof overnight and the next morning the damp one will foretell the month of rain.
Do not faint in September
or you will wake up in a dead city.
If someone dies in October
do not sweep the house for three days
or the rest of you will go.
Also do not step on a boy's head
for the devil will enter your ears
like music.
November?
Shave,
whether you have hair or not.
Hair is not good,
nothing is allowed to grow,
all is allowed to die.
Because nothing grows
you may be tempted to count the stars
but beware,
in November counting the stars
gives you boils.
Beware of tall people,
they will go mad.
Don't harm the turtle dove
because he is a great shoe
that has swallowed Christ's blood.
December?
On December fourth
water spurts out of the mouse.
Put herbs in its eyes and boil corn
and put the corn away for the night
so that the Lord may trample on it
and bring you luck.
For many days the Lord has been
shut up in the oven.
After that He is boiled,
but He never dies, never dies.
”
”
Anne Sexton
“
NEW ORLEANS JAZZ: RECOMMENDED LISTENING Louis Armstrong, “Heebie Jeebies,” February 26, 1926 Louis Armstrong, “Potato Head Blues,” May 10, 1927 Louis Armstrong, “Struttin’ with Some Barbecue,” December 9, 1927 Louis Armstrong, “West End Blues,” June 28, 1928 Sidney Bechet, “I’ve Found a New Baby,” September 15, 1932 Sidney Bechet, “Wild Cat Blues,” June 30, 1923 Johnny Dodds, “Perdido Street Blues,” July 13, 1926 Freddie Keppard, “Stock Yards Strut,” September, 1926 Jelly Roll Morton, “Black Bottom Stomp,” September 15, 1926 Jelly Roll Morton, “Sidewalk Blues,” September 21, 1926 King Oliver, “Dipper Mouth Blues,” April 6, 1923 King Oliver, “Froggie Moore,” April 6, 1923
”
”
Ted Gioia (How to Listen to Jazz)
“
Orin's special conscious horror, besides heights and the early morning, is roaches. There'd been parts of metro Boston near the Bay he'd refused to go to, as a child. Roaches give him the howling fantods. The parishes around N.O. had been having a spate or outbreak of a certain Latin-origin breed of sinister tropical flying roaches, that were small and timid but could fucking fly, and that kept being found swarming on New Orleans infants, at night, in their cribs, especially infants in like tenements or squalor, and that reportedly fed on the mucus in the babies' eyes, some special sort of optical-mucus — the stuff of fucking nightmares, mobile flying roaches that wanted to get at your eyes, as an infant — and were reportedly blinding them; parents'd come in in the ghastly A.M.-tenement light and find their infants blind, like a dozen blinded infants that last summer; and it was during this spate or nightmarish outbreak, plus July flooding that sent over a dozen nightmarish dead bodies from a hilltop graveyard sliding all gray-blue down the incline Orin and two teammates had their townhouse on, in suburban Chalmette, shedding limbs and innards all the way down the hillside's mud and one even one morning coming to rest against the post of their roadside mailbox, when Orin came out for the morning paper, that Orin had had his agent put out the trade feelers.
”
”
David Foster Wallace (Infinite Jest)
“
Tom began screaming, and I wondered if the baby's soft brain was, in this moment, changing shape in response to the violent stimuli. I tried to intellectualize the noise to protect the baby's psyche. I whispered: Isn't that interesting to hear a man scream? Doesn't that challenge our stereotypes of what men can do? And then I tried, Shhhhhhhhh.
”
”
Miranda July (No One Belongs Here More Than You)
“
By July we had strawberries, red currants, raspberries, veal, dill, baby turnips, marrow. Mussolini resigned, and Italy capitulated. Roses could be had.
”
”
Elise Blackwell (Hunger)
“
opened the vial of holy water and dumped it in with the wipes. I could practically see the ad campaign: Blessed be your baby’s bottom … Now with Aloe!
”
”
Julie Kenner (The Trouble with Demons (Demon-Hunting Soccer Mom, #1 - #5))
“
I had forgotten about the baby. Until then she had been giving birth to birth—to contractions and noises and liquids. There was someone in there. We
”
”
Miranda July (The First Bad Man)
“
Baby Zeke 15 Friday, May 28, 2021 (tentative) Glitch Guardians 3 Friday, June 18, 2021 (tentative) Surfer Villager 31 TBA (Late June or early July)
”
”
Dr. Block (The Ballad of Winston the Wandering Trader, Book 11 (The Ballad of Winston #11))
“
The kiss is the greatest of gifts, uniquely human. A kiss before midnight. A kiss before dying. The Judas kiss. The kiss of the devil. A big wet smacker beneath the mistletoe. More can be said with a kiss than a book full of words. We kiss to say I love you. We kiss the rings of the self-important. The feet of the conquerors. The rich dark earth when we reach the promised land. We kiss babies' cheeks to soak up their innocence. We kiss the foreheads of loved ones as they begin a journey. We kiss beautiful strangers in far away places because on hot July nights with the music of the sea and the stars above your head your lips are incomplete until they are joined in a kiss.
”
”
Chloe Thurlow (Girl Trade)
“
Julie raised her face, gasping and hiccuping, and he saw clearly how she would look when she was old. "Baby," he said, and began helplessly kissing lines and hollows and wounds that were not there yet, sick with tenderness and fear.
”
”
Peter S. Beagle (The Folk of the Air)
“
Omigod,” Valerie said. “Unh!” And her water broke. It was an explosion of water. A tidal wave. We’re talking Hoover Dam quantity water. Water everywhere . . . but mostly on Cal. Cal had been standing at the bottom of the gurney. Cal was totally slimed from the top of his head to his knees. It dripped off the end of his nose and ran in rivulets down his bald head. Valerie drew her legs up, the sheet fell away, and Cal gaped at the sight in front of him. Julie stuck her head around for a look. “Uh-oh,” Julie said, “there’s a foot sticking out. Guess this is going to be a breech baby.” That was when Cal fainted. CRASH. Cal went over like he was a giant redwood cut down by Paul Bunyan. Windows rattled and the building shook. Everyone clustered around Cal.
”
”
Janet Evanovich (To the Nines (Stephanie Plum, #9))
“
THE REBIRTHS OF AMERICA In 1776 a New Nation was born. Its fathers named it “America”. Its birth certificate is: “The Constitution of the United States of America”. As a baby, America faced an assortment of growing pains in growing from infant to toddler, to juvenile delinquent to adolescent to adult. In its growth it characterized the bible teachings of: “When I was a Child…..” The America that is admired, bragged about, and receives oaths of allegiance, is not the same child that was born in July 4,
”
”
Amin Falaq (THAWED WRITNGS OF AMIN FALAQ)
“
Imagine getting up right now, slipping out the front door, and finding that all the women in the neighborhood were also leaving their houses. We were all running to the same field, a place we hadn't discussed but implicitly knew we would meet in when the tipping point tipped. We ran like horses, but we weren't horses, so after the initial hugs, there wasn't anything to do there in the grass. Everyone started checking their phones to see if their partners were calling. And they were not yet. We hadn't been gone long enough. Soon it was just a million women waiting for their mates to call, to be needed and then to fall into panic and guilt, to be torn, which was our primary state. Start the revolution here, now, in this field, or drive home and slip back into the fold, use the electric toothbrush, feel grim and trapped. Of course, there was no decision to make because we were all already home, not in a field. There was no collective tipping point. Most of us wouldn't do anything very different, ever. Our yearning and quiet rage would be suppressed and seep into our children, and they would hate this about us enough to do it a new way. That was how most change happened, not within one lifetime, but between generations. If you really wanted to change your belief that you're both yourself and your baby, you had to let yourself be completely reborn within one life. Of course, the danger was in risking everything, destroying everything…
”
”
Miranda July (All Fours)
“
I don't mind scrambling around in public after baby birds and trapped butterflies. I don't mind the strange looks and smirks that inevitably follow such activities. I can't walk by creatures in need. And I get to take home the greatest treasure of all: a warm glow, knowing that one more turtle will lay her eggs; one more dove, one more skipper will fly because I stopped to help.
”
”
Julie Zickefoose (Letters From Eden: A Year at Home, in the Woods)
“
Start the revolution here, now, in this field? Or drive home and slip back into the fold, use the electric toothbrush, feel grim and trapped? Of course there was no decision to make because we were all already home, not in a field. There was no collective tipping point. Most of us wouldn’t do anything very different, ever. Our yearning and quiet rage would be suppressed and seep into our children and they would hate this about us enough to do it a new way. That was how most change happened, not within one lifetime but between generations. If you really wanted to change you had to believe that you were both yourself and your baby; you had to let yourself be completely reborn within one life. Of course the danger was in risking everything, destroying everything, for nothing. As I had done tonight.
”
”
Miranda July (All Fours)
“
What’s the date?” “September 8, 1998. Where you from?” “Next July.” We sit down at the table. Kimy is doing the New York Times crossword puzzle. “What’s going on, next July?” “It’s been a very cool summer, your garden’s looking good. All the tech stocks are up. You should buy some Apple stock in January.” She makes a note on a piece of brown paper bag. “Okay. And you? How are you doing? How’s Clare? You guys got a baby yet?
”
”
Audrey Niffenegger (The Time Traveler's Wife)
“
CHICAGO JAZZ RECOMMENDED LISTENING Bix Beiderbecke and Frank Trumbauer, “I’m Coming Virginia,” May 13, 1927 Bix Beiderbecke and Frank Trumbauer, “Singin’ the Blues,” February 4, 1927 Bing Crosby and Bix Beiderbecke, “Mississippi Mud,” January 20, 1928 Chicago Rhythm Kings, “I’ve Found a New Baby,” April 4, 1928 Eddie Condon and Frank Teschemacher, “Indiana,” July 28, 1928 Eddie Lang and Joe Venuti, “Stringin’ the Blues,” November 8, 1926 McKenzie and Condon Chicagoans, “Nobody’s Sweetheart,” December 16, 1927 Pee Wee Russell and Jack Teagarden, “Basin Street Blues,” June 11, 1929
”
”
Ted Gioia (How to Listen to Jazz)
“
To the Dead
My concerns belong to the living.
I see hear touch
weigh myself on a street scale
I dodge a blue tram
In July I wipe the sweat off a shiny forehead
I drink raspberry soda
I am tired
I am bored I write poems
I think about death
I buy pretzels and fuzzy
peaches that look like baby mice
I read Marx
I don’t understand Bergson
I go out dancing with a redhead
and we laugh
about the A-bomb
the red circle of lips
a long golden straw
my girl in a green blouse
drinks the moon from the sky
a waiter carries foamy beer around
lights glisten on the eyelashes of evening
the memory of you
covered my anxiety with a hand.
These are my concerns. I live
and nothing is as alien to me
as you my dead Friend.
”
”
Tadeusz Różewicz (Sobbing Superpower: Selected Poems)
“
He wished he had some witty, romantic comeback. But he was the man he was, and words had never been a gift. “How about Delgado? I want to marry you. I want to be a daddy to this baby.” He touched his forehead to hers and his heart spilled out. “I want… Oh, God, Jose… I love you so much. I love this baby. I was so scared I was going to lose you and I was never going to get the chance to tell you that I finally wised up and believed what you knew all along.”
She lifted one hand to stroke his jaw with her soothing touch. “That we were meant to be together?”
“That I can love—that I do love. You.” He turned his face to press a kiss into her palm. “Hell, honey, I’ve got nothing without you. I am nothing without you.
”
”
Julie Miller (Protecting the Pregnant Witness (The Precinct: SWAT #3; The Precinct #15))
“
I pulled Slayer from its sheath and pushed the door open with my fingertips. It swung soundlessly on well-greased hinges. Through the hallway, I saw the living room lamp glowing with soothing yellow light. I smelled coffee.
Who breaks into a house, turns on the lights, and makes coffee?
I padded into the living room on soft feet, Slayer ready.
“Loud and clumsy, like a baby rhino,” said a familiar voice.
I stepped into the living room. Curran sat on my couch, reading my favorite paperback. His hair was back to its normal short length. His face was clean shaven. He looked nothing like the dark, demonic figure who shook a would-be god’s head on a field a month ago.
I thought he had forgotten about me. I had been quite happy to stay forgotten.
“The Princess Bride?” he said, flipping the book over.
“What are you doing in my house?” Let himself in, had he? Made himself comfortable, as if he owned the place.
“Did everything go well with Julie?”
“Yes. She didn’t want to stay, but she’ll make friends quickly, and the staff seems sensible.”
I watched him, not quite sure where we stood.
“I meant to tell you but haven’t gotten a chance. Sorry about Bran. I didn’t like him, but he died well.”
“Yes, he did. I’m sorry about your people. Many losses?”
A shadow darkened his face. “A third.”
He had taken a hundred with him. At least thirty people had never come back. The weight of their deaths pressed on both of us.
Curran turned the book over in his hands. “You own words of power.”
He knew what a word of power was. Lovely. I shrugged. “Picked up a couple here and there. What happened in the Gap was a one shot deal. I won’t be that powerful again.” At least not until the next flare.
“You’re an interesting woman,” he said.
“Your interest has been duly noted.” I pointed to the door.
He put the book down. “As you wish.” He rose and walked past me. I lowered my sword, expecting him to pass, but suddenly he stepped in dangerously close. “Welcome home. I’m glad you made it. There is coffee in the kitchen for you.”
My mouth gaped open.
He inhaled my scent, bent close, about to kiss me . . .
I just stood there like an idiot.
Curran smirked and whispered in my ear instead. “Psych.”
And just like that, he was out the door and gone.
Oh boy.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
Nope.' He grabs my hand and places it over his heart. 'I already know the truth. We’re dating.' His eyebrows waggle. 'Exclusively.'
'Gross.'
'Do you want to wear my letterman’s jacket?'
'I’m going to vomit.'
'“Should I buy you a corsage?'
'Seriously. Gagging.'
'Okay, no corsage.' He laughs. 'Just the matching tattoos, then?'
'Seriously.' I fight the urge to stomp my foot. 'Let it go, Parker. Let it go.'
'Hey, Elsa, don’t quote Frozen to me unless you’re prepared to listen to the entire soundtrack in my car on the way to Seaport.' I stare up at him. 'I’m not sure whether I should be disturbed or turned on by the fact that you know all the words to Let It Go.'
He grins. 'Definitely turned on.'
'Downloaded in your iTunes library, no doubt.' I shake my head. 'This is nearly as disturbing as the time I learned the song A Whole New World from Aladdin is a metaphor for mind-blowing sex.'
'I’m sorry, what?'
'I can open your eyes? Lead you wonder by wonder? Over, sideways, and under?' I snort. 'Come on. That’s basically soft-core porn.'
'Thank you, Zoe, for ruining a beloved Disney classic for me.'
'Anytime.'
'For the record…' He trails off.
I wince, anticipating the worst. 'What?'
'I’ll take you on my magic carpet ride any time you
want, snookums.'
'Pass.'
'So, that’s a no on rubbing my lamp then?'
'You know, I think I’ll just find my own way to Nate’s…' I turn and start walking to the elevator.
'Oh, come on.' Parker twines his fingers with mine and pushes the call button, humming under his breath. 'I’m a genie in a bottle, baby, gotta rub—' 'AH!' I stare at him in horror as the elevator arrives. 'So help me god if you start singing vintage Christina Aguilera lyrics right now, I will murder you with my bare hands.
”
”
Julie Johnson (One Good Reason (Boston Love, #3))
“
THREE HUNDRED YEARS AFTER JESUS DIED ON A ROMAN cross, the emperor Theodosius made Christianity the official religion of the Roman Empire. Christians, who had once been persecuted by the empire, became the empire, and those who had once denied the sword took up the sword against their neighbors. Pagan temples were destroyed, their patrons forced to convert to Christianity or die. Christians whose ancestors had been martyred in gladiatorial combat now attended the games, cheering on the bloodshed. Lord, have mercy. Christ, have mercy. On July 15, 1099, Christian crusaders lay siege to Jerusalem, then occupied by Fatimite Arabs. They found a breach in the wall and took the city. Declaring “God wills it!” they killed every defender in their path and dashed the bodies of helpless babies against rocks. When they came upon a synagogue where many of the city’s Jews had taken refuge, they set fire to the building and burned the people inside alive. An eyewitness reported that at the Porch of Solomon, horses waded through blood. Lord, have mercy. Christ, have mercy. Through a series of centuries-long inquisitions that swept across Europe, hundreds of thousands of people, many of them women accused of witchcraft, were tortured by religious leaders charged with protecting the church from heresy. Their instruments of torture, designed to slowly inflict pain by dismembering and dislocating the body, earned nicknames like the Breast Ripper, the Head Crusher, and the Judas Chair. Many were inscribed with the phrase Soli Deo Gloria, “Glory be only to God.” Lord, have mercy. Christ, have mercy. In a book entitled On Jews and Their Lies, reformer Martin Luther encouraged civic leaders to burn down Jewish synagogues, expel the Jewish people from their lands, and murder those who continued to practice their faith within Christian territory. “The rulers must act like a good physician who when gangrene has set in proceeds without mercy to cut, saw, and burn flesh, veins, bone, and marrow,” he wrote. Luther’s writings were later used by German officials as religious justification of the Holocaust. Lord, have mercy. Christ, have mercy.
”
”
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
“
She keeps her fingers on Faye’s face. Faye closes her eyes against tears. When she opens them Julie is still looking at her. She’s smiling a wonderful smile. Way past twenty. She takes Faye’s hands.“‘Then tell them to look closely at men’s faces. Tell them to stand perfectly still, for time, and to look into the face of a man. A man’s face has nothing on it. Look closely. Tell them to look. And not at what the faces do–men’s faces never stop moving–they’re like antennae. But all the faces do is move through different configurations of blankness.’
Faye looks for Julie’s eyes in the mirror.
Julie says, ‘Tell them there are no holes for your fingers in the masks of men. Tell them how could you ever even hope to have what you can’t grab onto.’
Julie turns her makeup chair and looks up at Faye. ‘That’s when I love you, if I love you,’ she whispers, running a finger down her white powdered cheek, reaching to trace an angled line of white onto Faye’s own face. 'Is when your face moves into expression. Try to look out from yourself, different, all the time. Tell people that you know your face is at least pretty at rest.’
'You asked me once how poems informed me,’ she says. Almost a whisper–her microphone voice. 'And you asked whether we, us, depended on the game, to even be. Baby?’–lifting Faye’s face with one finger under the chin–'Remember? Remember the ocean? Our dawn ocean, that we loved? We loved it because it was like us, Faye. That whole ocean was obvious. We were looking at something obvious, the whole time.’ She pinches a nipple, too softly for Faye even to feel. 'Oceans are only oceans when they move,’ Julie whispers. 'Waves are what keep oceans from just being very big puddles. Oceans are just their waves. And every wave in the ocean is finally going to meet what it moves toward, and break. The whole thing we looked at, the whole time you asked, was obvious. It was obvious and a poem because it was us. See things like that, Faye. Your own face, moving into expression. A wave, breaking on a rock, giving up its shape in a gesture that expresses that shape. See?’
It wasn’t at the beach that Faye had asked about the future. It was in Los Angeles. And what about the anomalous wave that came out of nowhere and broke on itself?
Julie is looking at Faye. 'See?’
Faye’s eyes are open. They get wide. 'You don’t like my face at rest?
”
”
David Foster Wallace (Girl with Curious Hair)
“
When a Southerner took the trouble to pack a trunk and travel twenty miles for a visit, the visit was seldom of shorter duration than a month, usually much longer. Southerners were as enthusiastic visitors as they were hosts, and there was nothing unusual in relatives coming to spend the Christmas holidays and remaining until July. Often when newly married couples went on the usual round of honeymoon visits, they lingered in some pleasant home until the birth of their second child. Frequently elderly aunts and uncles came to Sunday dinner and remained until they were buried years later. Visitors presented no problem, for houses were large, servants numerous and the feeding of several extra mouths a minor matter in that land of plenty. All ages and sexes went visiting, honeymooners, young mothers showing of new babies, convalescents, the bereaved, girls whose parents were anxious to remove them from the dangers of unwise matches, girls who had reached the danger age without becoming engaged and who, it was hoped, would make suitable matches under the guidance of relatives in other places. Visitors added excitement and variety to the slow-moving Southern life and they were always welcome.
”
”
Margaret Mitchell (Gone with the Wind)
“
Delbert was the only Bumpus kid in my grade, but they infested Warren G. Harding like termites in an outhouse. There was Ima Jean, short and muscular, who was in the sixth grade, when she showed up, but spent most of her time hanging around the poolroom. There was a lanky, blue-jowled customer they called Jamie, who ran the still and was the only one who ever wore shoes. He and his brother Ace, who wore a brown fedora and blue work shirts, sat on the front steps at home on the Fourth of July, sucking at a jug and pretending to light sticks of dynamite with their cigars when little old ladies walked by. There were also several red-faced girls who spent most of their time dumping dishwater out of windows. Babies of various sizes and sexes crawled about the back yard, fraternizing indiscriminately with the livestock. They all wore limp, battleship-gray T-shirts and nothing else. They cried day and night. We thought that was all of them—until one day a truck stopped in front of the house and out stepped a girl who made Daisy Mae look like Little Orphan Annie. My father was sprinkling the lawn at the time; he wound up watering the windows. Ace and Emil came running out onto the porch, whooping and hollering. The girl carried a cardboard suitcase—in which she must have kept all her underwear, if she owned any—and wore her blonde hair piled high on her head; it gleamed in the midday sun. Her short muslin dress strained and bulged. The truck roared off. Ace rushed out to greet her, bellowing over his shoulder as he ran: “MAH GAWD! HEY, MAW, IT’S CASSIE! SHE’S HOME FROM THE REFORMATORY!” Emil
”
”
Jean Shepherd (A Christmas Story: The Book That Inspired the Hilarious Classic Film)
“
Of babies born alive and in hospitals during that month of July 1945, 92 percent would die within then days.
”
”
Andrei Cherny (The Candy Bombers: The Untold Story of the Berlin Airlift and America's Finest Hour)
“
Jake,” I murmur. He opens his eyes. “Are you absolutely sure this is what you want? The baby, I mean.”
“I’m sure.” His gaze drops to my stomach. “This baby will be made of everything I have loved my whole life.”
“I’m gonna get fat,” I mumble.
“No, you’re going to get even sexier.” Coming close again, he wraps his arms around me tightly, rubbing the tip of his nose against mine. “How could I not want something made up of Trudy Wethers’s DNA?”
“Still Bennett.” I grin. “You haven’t made an honest woman of me yet.”
“You ready to hop that plane to Vegas now?”
“A shotgun wedding. My folks would be so proud.” I laugh.
“What do you want to do about the wedding?” he asks. “Move it forward?”
“That would give me a matter of weeks to plan it. Why don’t we just wait until after the baby is born?”
I see him quickly do the math in his head. “We wouldn’t be able to get married July twenty-first. You okay with that?”
“I’m going to have a mini-Jake soon. Of course I’m okay with that.”
“Or a mini-Tru,” he says. Then his expression suddenly changes. “Fuck, a girl. We might have to lock her up, Tru.”
I scrunch up my face. “Why?”
“Because, if she looks anything like you, I’m one day going to be fighting off horny teenage boys left, right, and centre. I’ll probably end up in jail for beating one to death if I find him with his hands on my baby girl.” He shudders comically.
I let out a laugh. “Let’s hope if we have a boy, he’s doesn’t grow up to be one of those horny teenagers…or God forbid, as horny as you are. Otherwise we’ll have some girl’s dad round here kicking his ass.”
“Then I’ll end up in jail for beating the shit out of the dad—fuck, this is a no-win, sweetheart,” he groans, dropping his head back against the rest. “I’m doomed to a future behind bars.”
Laughing softly, I say, “Don’t worry, baby, we’ll figure a way to keep you out of prison.” I kiss the tip of his nose, then open the door, ready to get out of the car and into the house to bed.
”
”
Samantha Towle (Wethering the Storm (The Storm, #2))
“
I watch fireworks in July 2013. Two weeks later, George Zimmerman walks free, and Trayvon Martin is still dead.
Marvin Gaye sings, 'If you wanna love, you got to save the babies,' and a black mother pulls her son close.
I watch fireworks in July 2014. Later that month, the world turns to the Internet and sees Eric Garner choked to death by police officer Daniel Pantaleo.
Marvin Gaye sings 'Trigger happy policing / Panic is spreading / God knows where we're heading,' and thousands of people march from New York to Washington.
I will watch the fireworks in 2015 and black churches are burning in the south.
I will watch the fireworks in 2015 and no one marched for Renisha McBride.
I will watch the fireworks in 2015 and people I love can be legally married on Saturday, and then legally fired from their jobs on Monday.
Marvin Gaye sings 'In the morning, I'll be all right, my friend,' and a group of black children watch the sky light up, seeing darkness turned inside out for the first time.
”
”
Hanif Abdurraqib (They Can't Kill Us Until They Kill Us)
“
The focus of that week was “learning how to listen to the voice of God” in what was dubbed “My Quiet Time with God.” You have to admire the camp leaders’ intent, but let’s be honest. Most pre-adolescents are clueless about such deeply spiritual goals, let alone the discipline to follow through on a daily basis. Still, good little camperettes that we were, we trekked across the campground after our counselors told us to find our “special place” to meet with God each day. My special place was beneath a big tree. Like the infamous land-run settlers of Oklahoma’s colorful history, I staked out the perfect location. I busily cleared the dirt beneath my tree and lined it with little rocks, fashioned a cross out of two twigs, stuck it in the ground near the tree, and declared that it was good. I wiped my hands on my madras Bermudas, then plopped down, cross-legged on the dirt, ready to meet God. For an hour. One very long hour. Just me and God. God and me. Every single day of camp. Did I mention these quiet times were supposed to last an entire hour? I tried. Really I did. “Now I lay me down to sleep . . . ” No. Wait. That’s a prayer for babies. I can surely do better than that. Ah! I’ve got it! The Lord’s Prayer! Much more grown-up. So I closed my eyes and recited the familiar words. “Our Father, Who art in heaven . . .” Art? I like art. I hope we get to paint this week. Maybe some watercolor . . . “Hallowed by Thy name.” I’ve never liked my name. Diane. It’s just so plain. Why couldn’t Mom and Dad have named me Veronica? Or Tabitha? Or Maria—like Maria Von Trapp in The Sound of Music. Oh my gosh, I love that movie! “Thy kingdom come, Thy will be done . . . ” Be done, be done, be done . . . will this Quiet Time ever BE DONE? I’m sooooo bored! B-O-R-E-D. BORED! BORED! BORED! “On earth as it is in Heaven.” I wonder if Julie Andrews and I will be friends in heaven. I loved her in Mary Poppins. I really liked that bag of hers. All that stuff just kept coming out. “Give us this day, our daily bread . . . ” I’m so hungry, I could puke. I sure hope they don’t have Sloppy Joes today. Those were gross. Maybe we’ll have hot dogs. I’ll take mine with ketchup, no mustard. I hate mustard. “And forgive us our trespasses, as we forgive those who trespass against us.” What the heck is a trespass anyway? And why should I care if someone tresses past me? “And lead us not into temptation but deliver us from evil . . . ” I am so tempted to short-sheet Sally’s bed. That would serve her right for stealing the top bunk. “For Thine is the kingdom and the power and the glory forever.” This hour feels like forever. FOR-E-VERRRR. Amen. There. I prayed. Now what?
”
”
Diane Moody (Confessions of a Prayer Slacker)
“
When Steve and I brought Bindi home in July of 1998, we felt complete. Now we were a family, and this beautiful baby girl would add a whole new dimension to our adventures. Sui for her part, was less than thrilled with the new addition to the household, a little crying person the size of a loaf of bread. Sui’s initial reaction reminded me of the reception I got from her when I first arrived.
“Listen, Sui,” Steve said, talking to her intently as if she were human. “You need to take care of my little Bindi. You need to help me protect her.”
From the expression on her face, it looked like she was thinking, All right, I’ll do it as a favor for you, Stevo, but I’m not that wild about it.
”
”
Terri Irwin (Steve & Me)
“
It felt fantastic to be back filming again, and it made me realize how much I missed it. The crew represented our extended family. I never once caught a feeling of annoyance or impatience at the prospect of having a six-day-old baby on set. To the contrary, the atmosphere was one of joy. I can mark precisely Bindi Irwin’s introduction to the wonderful world of wildlife documentary filming: Thursday, July 30, 1998, in the spectacular subtropics of the Queensland coast, where the brilliant white sand meets the turquoise water. This is where the sea turtles navigate the rolling surf each year to come ashore and lay their eggs.
Next stop: America, baby on board. Bindi was so tiny she fit on an airplane pillow. Steve watched over her almost obsessively, fussing with her and guarding to see if anything would fall out of the overhead bins whenever they were opened. Such a protective daddy.
Our first shoot in California focused on rattlesnakes and spiders. We got a cute photo of baby Bindi with a little hat on and a brown tarantula on her head. In Texas she got to meet toads and Trans-Pecos rat snakes. Steve found two stunning specimens of the nonvenomous snakes in an abandoned house. I watched as two-week-old Bindi reacted to their presence. She gazed up at the snakes and her small, shaky arms reached out toward them.
I laughed with delight at her eagerness. Steve looked over at me, as if to say, See? Our own little wildlife warrior!
”
”
Terri Irwin (Steve & Me)
“
Niall’s nostrils flared with a patience-inducing breath before he whispered, “Seriously? Are you packing today?”
Duff’s overbuilt shoulders shifted as he turned to whisper a response. “Hey. You wear your glasses every day, Poindexter. I wear my gun.”
“I wasn’t aware that you knew what the term Poindexter meant.”
“I’m smarter than I look” was Duff’s terse response.
Keir chuckled. “He’d have to be.”
Duff’s muscular shoulders shifted. “So help me, baby brother, if you give me any grief today, I will lay you out flat.”
“Zip it. Both of you.”
Niall, Duff and Keir Watson
”
”
Julie Miller (APB: Baby (The Precinct: Bachelors in Blue #1; The Precinct #28))
“
about Hawaii. Mary Anne had been there on a school trip in July, along with almost all of my other BSC (Baby-sitters Club) friends. “Sorry about the noise, Mary Anne,” I shouted into the phone as Emily Michelle zipped by. “Emily, go to Nannie!” “I’m glad you’re home,” Mary Anne replied. “I have been soooo lonely, and —” “I’m starving!” announced my middle brother, Sam, stomping toward the kitchen. “Yo, Blabberlips, when are you going to be off the phone?” Sam’s fifteen, but sometimes he has the maturity of a toddler.
”
”
Ann M. Martin (Kristy's Worst Idea (The Baby-Sitters Club, #100))
“
We’ve had tufted titmice land on our hammock and pull our hair as we snooze on spring days, so eager are they to line their nests with the finest.
”
”
Julie Zickefoose (Baby Birds: An Artist Looks into the Nest)
“
One day as I am holding baby and feeding her, I realize that this is exactly the state of mind and heart that so many male writers from Thomas Mann to James Joyce describe with yearning—the mystery of an epiphany, the sense of oceanic oneness, the great yes,
”
”
Julie Phillips (The Baby on the Fire Escape: Creativity, Motherhood, and the Mind-Baby Problem)
“
the wholeness. There is also the sense of a self merged and at least temporarily erased—it is deathlike. . . . Perhaps we owe some of our most moving literature to men who didn’t understand that they wanted to be women nursing babies. (Louise Erdrich)
”
”
Julie Phillips (The Baby on the Fire Escape: Creativity, Motherhood, and the Mind-Baby Problem)
“
But if you’d told him, wouldn’t it confirm what you most wanted to hide? That there was something wrong with you? Not that you were crazy, maybe. You knew you weren’t your mother. But what might happen once the baby was born? New mothers lost it all the time. Ordinary ones, who didn’t carry what you carried.
”
”
Julie Orringer (Can You Feel This?)
“
If you’re a woman writer, sometime, somewhere, you will be asked, Do you think of yourself as a writer first, or as a woman first? Look out. Whoever asks this hates and fears both writing and women. (Margaret Atwood)
”
”
Julie Phillips (The Baby on the Fire Escape: Creativity, Motherhood, and the Mind-Baby Problem)
“
It occurred to me that one day I will be a father,” he said. “And I have no idea how the hell I’m going to do that.” “You’re already a father. Sort of.” “Julie was already a good kid when you found her. Most of the hard work was done. I am talking about raising a little human from the first breath. I don’t even know what the hell I would do with a baby.” “I think you will make an excellent father. I’d worry more about what kind of mother I would make.
”
”
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
“
What was the matter with him? The war, he decided. The war had addled his senses. The war had driven the whole world to the brink of insanity. Hasty war weddings and fatherless war babies and last-minute love. The whole cheap, flimsy spectacle of it.
”
”
Julie Berry (Lovely War)
“
I had lived with Aunt Cordelia too long to enjoy being called “Julie, baby” or “Honeybun” or “Sugar.” They were foolish in the first place and rather revoltingly sticky for someone who was strictly a high protein girl.
”
”
Irene Hunt (Up a Road Slowly)
“
Chrissy, there’s a baby currently coming out of your womb. Please focus.
”
”
Julie Johnson (Not You It's Me (Boston Love, #1))
“
Walter’s fortunes fluctuated wildly, but the Brennans did not wait to have a family. Arthur, “Mike,” was born on January 6, 1922, Walter Jr., “Andy,” on July 21, 1923, and baby Ruth “Ruthie” on September 22, 1924. By 1924, Walter’s mother and father had also moved to California, settling in Pasadena. With three children to feed, Ruth supplemented the family’s meager budget by growing her own vegetables and raising chickens. All three children would quickly learn two fundamental facts about their father: He worked almost all the time, and he expected them to carry their own weight. No Brennan child would be out on the road in a delivery wagon at the age of eleven, but every Brennan child would—certainly by the age of eleven—know what it cost to obtain the things he or she wanted.
”
”
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
“
glanced at the van sitting in the driveway before turning her gaze on the mountains in the distance, all lilac and orange in the rising sunlight. How easy would it be to just drive away? Never look back? Do something different. Something new. Something
”
”
Julie Frayn (Mazie Baby)
“
Good boy" can be canceled out the next day by "bad boy." "You're a smart girl" by "What a stupid thing to do!" "Careful" by "Careless" . . . and so on.
But you can't take away the time he shoveled the whole walkway even though his arms were tired and his toes were frozen. Or the time he made the baby laugh with his goofy faces when the babysitter couldn't get her to stop crying, or found his mom's reading glasses, or figured out how to make the alarm on the cell phone stop going off when no one else could do it. These are the things he can draw upon to give himself confidence in the face of adversity and discouragement. In the past he did something he was proud of, and he has, within himself, the power to do it again.
”
”
Julie King (How to Talk so Little Kids Will Listen: A Survival Guide to Life with Children Ages 2-7 (The How To Talk Series))
“
first Horseman is criticism. If partners regularly use criticism to voice their complaints where one partner blames a problem on the other partner’s character flaws, the relationship will slowly sink. Words like “You never wash the dishes!” or “You’re so selfish” only inspire resentment, not cooperation or care. The second Horseman is contempt. This one leads couples to gallop over a cliff. Partners who are contemptuous act superior and punctuate their criticisms with a sneer, a left lip corner raise, or an eye roll that signifies their superiority and disgust. They may also mock their partner or use sarcasm, like, “Aw, your pinkie hurts? Poor baby. Guess that gets you out of doing the dishes … again.
”
”
Julie Schwartz Gottman (10 Principles for Doing Effective Couples Therapy)
“
As I come back to myself, I feel Wes enter me. My arms go around his shoulders and my legs around his hips as he pulls me from his car with his hands on my ass then presses me into the cold metal of his truck.
“I like the idea of you having my son,” he tells me, causing the walls of my vagina to contract around him. “Seems you like it too, baby.” He smiles, lifting me higher with his hands around my thighs. My heels dig into his ass and my nails grasp into his tee-covered back.
“I’m going to come,” I moan then clamp down on his shoulder with my teeth, coming hard.
“Fuck!” he roars, pulling me down hard on him, making the orgasm already flowing through me reignite as I feel him get bigger as warmth floods my insides. His hips still and my mouth releases his skin as he gathers me close to his chest.”
Excerpt From: Aurora Rose Reynolds. “Until July.” Aurora Rose Reynolds, 2015-04-13T04:00:00+00:00. iBooks.
This material may be protected by copyright.
”
”
Aurora Rose Reynolds
“
Marry me, Baby Girl.
”
”
Julie A. Richman (Searching For Moore (Needing Moore, #1))
“
Thank you. There were three of us kids, all right together. I’m the oldest, she was the knee-baby, and my brother Henry came last. Funny, I miss her all the time, but I miss her most when I’m reading Austen. We’d been fans since we were in the seventh and eighth grade, two Creole girls gigglin’ about marriage proposals gone bad. Our daddy teased us about reading each other passages during a Fourth of July crawfish boil, so he named the biggest one Mr. Darcy and threw him in the pot.” She looked up, a smile fighting the tears in her eyes. “We refused to eat him.
”
”
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
“
Why did Daddy do that?
”
”
Julie Frayn (Mazie Baby)
“
You always have bruises everywhere. He does that, right?
”
”
Julie Frayn (Mazie Baby)
“
You’re not a klutz. I know you wear long pants and sweaters to cover it up. I’m not stupid, you know.
”
”
Julie Frayn (Mazie Baby)
“
Keeping quiet probably saved her from countless beatings. But it was time she found her voice.
”
”
Julie Frayn (Mazie Baby)
“
She lives here now, Mom. With me. And it won’t be long before you can meet her, but there’s one more thing. During that short time we knew each other in Grants Pass, we had a little…ah, a little…blessing, that’s what it was. We had a blessing. Well, actually a couple of blessings. On the way. Soon.” Dead silence answered him. “It came as a shock to poor Abby at first, and I admit—I was pretty surprised, but we’re very happy about it. Happy and excited.” Silence. It stretched out. “Mom? Twins. We know one is a boy, but the other one is hiding.” Again, a vacuum. Then he heard his mother shriek, “Edward! Come here! Cameron got some girl pregnant!” “Mom! Just have a little sip of that wine!” “I think it’s going to take something a little stronger! Twins? You got some girl pregnant with twins?” He couldn’t help it—he laughed. “Mom,” he said. “She’s not some girl—she’s not a girl. Her name is Abby and she’s thirty-one.” “Cameron, how in the world—” “Now, Mother, I’m not going to explain. You’ll just have to trust me, I’ve never been careless and neither has Abby. So—here’s the deal. She’s probably going to go early, though the babies are due the second of July. Anytime, Mom. Abby wants to have her mother come as soon as they’re delivered, so I hope you can be a little patient. Twins is a pretty big—” “Cameron! Are you married?” “Not yet, Mom. Even though we’re in this together, completely, we just haven’t had time to get married. That will come—we’ll take care of the details. No point in rushing it now. Besides, we’re not going to be fooling anybody, including the great-grandmothers and great-aunt Jean, by rushing into it right now. They’re nearly here.” “Dear God in heaven,” his mother said. And in the background he could hear his father, Ed, saying, “What? What? What?” “I’ll call you the moment they’re born. Tomorrow, when I’m at the clinic, I’ll get Mel to take a picture of me and Abby and e-mail it to you. By then you will have calmed down.” “But, Cameron,” she said, “you haven’t given me time to knit anything!” He laughed again. “Well, get started. Abby’s really ready to unload. She just has to make it a couple more weeks to be completely safe.” “Oh, dear God in heaven,” she muttered.
”
”
Robyn Carr (Paradise Valley)
“
Love is like recognition. It’s the moment when you catch sight of someone and you think There is someone I have business with in this life. There is someone I was born to know. Has that never happened to you?” “It has, but I never took much comfort in it.”
- Your Highlight on page 496 | location 7599-7603 | Added on Saturday, 5 July 2014 13:09:06
“Love is like a baby sleeping on its mother’s breast,” Steppan said. “Inchoate and likely to piss itself?” “Ah, you can play at being a cynic, my friend, but I’ve known you too long. You’re a romantic at heart. You’re in love with the world.” “I’d say I’m inchoate and likely to piss myself,” Asa
Love is like falling from a window and discovering you can fly.” “Unlikely to happen and dangerous to try.”
“Love is like the burst of sweetness when you bite into a strawberry.” “Brief for you and painful for the berry.”
“Love,” Asa said, “is like a pigeon shitting over a crowd.” “How so?” “Where it lands hasn’t got much to do with who deserves it.” The priest made a deep sound in his throat, and frowned. “I think you may be confusing love with a different kind of longing,” he said,
”
”
Daniel Abraham
“
Are you afraid to touch me, darlin’? Are you afraid you’ll burn? You’ll have to get in line, darlin’ You’ll have to wait your turn Yeah everybody wants me, darlin’ But one day you’ll finally learn I only ever wanted you Because, baby, I’m a badass rose Baby, I’m the kind that grows Stronger when it storms And weaker in your arms I might cut you, make you bleed But I’m all you’ll ever need Don’t give up on me Oh, don’t give up on me
”
”
Julie Anne Long (Wild at Whiskey Creek (Hellcat Canyon, #2))
“
The music starts again. Two bars, then four. The song is “I’ll Melt with You” by Modern English. Nicole and Louisa scream. They were both babies when this song came out, but that doesn’t matter: they recognize it for the happy high school dancing romantic anthem that it has been forever and ever. They take over the dance floor at the Myrtle Street Tavern on the last night in July, as summer turns the corner in Rockland, Maine, and they dance like two friends with everything ahead of them and nothing behind.
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Meg Mitchell Moore (Vacationland)
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If my family had crossed the river two months later, they would have been massacred. Thailand was no longer taking Hmong refugees from Laos; there were too many coming in because of the continued influx of North Vietnamese soldiers to help the Pathet Lao kill the remaining Hmong. Jane Hamilton-Merritt, a journalist from America, recorded the deaths of two hundred Hmong people, families with small children, on the Mekong on July 27, 1979. The group was on a sandbar gathering vines to weave a bridge to Thailand. They built fires and boiled water in old U.S. Army canteens. The women took off their shirts to put over sticks to shelter their babies and the old women. They fed their hungry children. Many of them were little more than skeletons. The adults didn’t eat. They saved their rice for the children. Thai soldiers appeared on the Thai bank in jeeps with a machine gun bolted to the front hood. In two Thai patrol boats, the soldiers traveled to the island. The Thai soldiers slashed the vines that tried to connect the people to Thailand. Thailand had had enough Hmong refugees. On August 2, 1979, Hamilton-Merritt learned that a group of thirty to forty Pathet Lao soldiers had landed on the river island and the Hmong were massacred.*
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Kao Kalia Yang (The Latehomecomer: A Hmong Family Memoir)
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There is one particular levator muscle above the inner eyebrow. It’s small, and all dogs have it, but wolves don’t. It makes dogs’ eyes look sad or soulful, more like the wide eyes of a baby. You remember all the good chemistry those baby’s eyes can trigger? These
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Julie Holland (Good Chemistry: The Science of Connection, from Soul to Psychedelics)
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Most frightening of all, I now notice that same terror of loneliness in the searching eyes of babies faced with the back of a cell phone.
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Julie Holland (Good Chemistry: The Science of Connection, from Soul to Psychedelics)
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International Socialist Review Issue 24, July–August 2002
Stephen Jay Gould: Dialectical Biologist by Phil Gasper
Every major newspaper carried an obituary of Gould after his death, praising his scientific accomplishments. But most said nothing about another important aspect of Gould’s life–his radical politics. Gould was a red diaper baby. His maternal grandparents were Jewish immigrants who worked in Manhattan’s garment sweatshops in the early years of the last century, just blocks from the horrific Triangle Shirtwaist fire that killed 146 workers in 1911. "I grew up in a family of Jewish immigrant garment workers," Gould wrote, "and this holocaust (in the literal meaning of a thorough sacrifice by burning)…set their views and helped to define their futures."4 Gould’s parents were New York leftists, probably in or around the Communist Party in the 1930s, and he once boasted that he had learned his Marxism "literally at [my] daddy’s knee.
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Stephen Jay Gould (The Mismeasure of Man)
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Everything, you understand, will threaten the baby’s life forever. Somehow you have to survive this.
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Julie Orringer (Can You Feel This?)
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The disappearance of a young baby has shocked the expat community in Bangkok. Julie and David McFarlane, who live in the Sukhumvit area, reported the baby missing yesterday morning. The police have arrested Hayley Taylor, who was employed as a nanny by the family.
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Ruth Heald (The Nanny)
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A typical picture of a woman with children is of someone whose children are constantly breaking in. Perhaps she has shut herself into a room to write. Her kids have promised not to knock or to make noise. But she knows they are there because they are lying down and breathing under the door. Adrienne Rich longed in vain, amid “the discontinuity of female life with its attention to small chores,” for the “freedom to press on, to enter the currents of thought like a glider pilot, knowing that your motion can be sustained, that the buoyancy of your attention will not be suddenly snatched away.
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Julie Phillips (The Baby on the Fire Escape: Creativity, Motherhood, and the Mind-Baby Problem)
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THE DIVISION BETWEEN mothering and creative work once seemed (more or less) absolute. Sylvia Plath feared that a woman must “sacrifice all claims to femininity and family to be a writer.” Tillie Olsen wrote: “In the twenty years I bore and reared my children . . . the simplest circumstances for creation did not exist.” It was a physical problem, a time problem; it was also a question of selfhood. “The obligation to be physically attractive and patient and nurturing and docile and sensitive and deferential . . . contradicts and must collide with the egocentricity and aggressiveness and the indifference to self that a large creative gift requires in order to flourish,
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Julie Phillips (The Baby on the Fire Escape: Creativity, Motherhood, and the Mind-Baby Problem)
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the experience of motherhood loses nearly everything in its translation to the outside world. In motherhood a woman exchanges her public significance for a range of private meanings, and like sounds outside a certain range they can be very difficult for other people to identify.
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Julie Phillips (The Baby on the Fire Escape: Creativity, Motherhood, and the Mind-Baby Problem)