Juliet And The Nurse Quotes

Was Juliet a better poet than Romeo? If Juliet found out about Rosaline, would she still love Romeo? Should Juliet have given Paris a chance? Why is love so dangerous for Juliet? Why are Juliet’s parents so blind? Was the Nurse Juliet’s friend or enemy? Would Juliet have killed herself if she had been twenty-five years old instead of thirteen?

How much easier it is to be poor than rich.

Gallop apace, you fiery-footed steeds, Towards Phoebus' lodging: such a wagoner As Phaethon would whip you to the west, And bring in cloudy night immediately. Spread thy close curtain, love-performing night, That runaway's eyes may wink and Romeo Leap to these arms, untalk'd of and unseen. Lovers can see to do their amorous rites By their own beauties; or, if love be blind, It best agrees with night. Come, civil night, Thou sober-suited matron, all in black, And learn me how to lose a winning match, Play'd for a pair of stainless maidenhoods: Hood my unmann'd blood, bating in my cheeks, With thy black mantle; till strange love, grown bold, Think true love acted simple modesty. Come, night; come, Romeo; come, thou day in night; For thou wilt lie upon the wings of night Whiter than new snow on a raven's back. Come, gentle night, come, loving, black-brow'd night, Give me my Romeo; and, when he shall die, Take him and cut him out in little stars, And he will make the face of heaven so fine That all the world will be in love with night And pay no worship to the garish sun. O, I have bought the mansion of a love, But not possess'd it, and, though I am sold, Not yet enjoy'd: so tedious is this day As is the night before some festival To an impatient child that hath new robes And may not wear them. O, here comes my nurse, And she brings news; and every tongue that speaks But Romeo's name speaks heavenly eloquence.

I know Verona as I do my own body.

Hold thy desperate hand: Art thou a man? thy form cries out thou art: Thy tears are womanish; thy wild acts denote The unreasonable fury of a beast: Unseemly woman in a seeming man! Or ill-beseeming beast in seeming both! Thou hast amazed me: by my holy order, I thought thy disposition better temper’d. Hast thou slain Tybalt? wilt thou slay thyself? And stay thy lady too that lives in thee, By doing damned hate upon thyself? Why rail’st thou on thy birth, the heaven, and earth? Since birth, and heaven, and earth, all three do meet In thee at once; which thou at once wouldst lose. Fie, fie, thou shamest thy shape, thy love, thy wit; Which, like a usurer, abound’st in all, And usest none in that true use indeed Which should bedeck thy shape, thy love, thy wit: Thy noble shape is but a form of wax, Digressing from the valour of a man; Thy dear love sworn but hollow perjury, Killing that love which thou hast vow’d to cherish; Thy wit, that ornament to shape and love, Misshapen in the conduct of them both, Like powder in a skitless soldier’s flask, Is set afire by thine own ignorance, And thou dismember’d with thine own defence. What, rouse thee, man! thy Juliet is alive, For whose dear sake thou wast but lately dead; There art thou happy: Tybalt would kill thee, But thou slew’st Tybalt; there are thou happy too: The law that threaten’d death becomes thy friend And turns it to exile; there art thou happy: A pack of blessings lights up upon thy back; Happiness courts thee in her best array; But, like a misbehaved and sullen wench, Thou pout’st upon thy fortune and thy love: Take heed, take heed, for such die miserable. Go, get thee to thy love, as was decreed, Ascend her chamber, hence and comfort her: But look thou stay not till the watch be set, For then thou canst not pass to Mantua; Where thou shalt live, till we can find a time To blaze your marriage, reconcile your friends, Beg pardon of the prince, and call thee back With twenty hundred thousand times more joy Than thou went’st forth in lamentation. Go before, nurse: commend me to thy lady; And bid her hasten all the house to bed, Which heavy sorrow makes them apt unto: Romeo is coming.

hadn’t laughingly stuck the letter in Charlotte’s mailbox and forgotten about it, sleeping in the next morning and nursing their hangovers

If the world is so cruel you are frightened of it, I will hold you, and protect you, and teach it to love you as I already love you.

The twins each grab one of my shoulders, stretching and pushing according to the midwife’s commands, until I’m as close to that improbable position as a woman my size and age can get.

Nurse. Registered Massage therapist. Yoga instructor. She considered al of the above programs and costed out notions, and returned, always, to the library, to its heat, the fragrance of dried pages like pressed leaves, its quietude. Something else is present here too: oscuridad - the Spanish word for darkness, which Juliet believes contains so much more than its translation. The oscuridad in here mirrors her own: one tiny darkness amidst the darkness of a multitude of minds seeking illumination, dead and alive trapped in dormant words. She thinks she can hear the oscuridad, her cheek pressed to the fake wood of the carrel she has earned; she can hear it, even though the library's lights are forever on.

Bronnie Ware, an Australian palliative care nurse, became famous for her arresting writings and book, The Top Five Regrets of the Dying, about her patients in the final twelve weeks of life. Though her list has been widely published, it can’t be shared often enough. If not for the heaviness of its message, it should be posted on every fridge and bathroom mirror for every person on this earth to reread daily. The top five regrets of dying people were: I wish I’d had the courage to live a life true to myself, not the life others expected of me. I wish I hadn’t worked so hard. I wish I’d had the courage to express my feelings. I wish I had stayed in touch with my friends. I wish that I had let myself be happier.

For a role model, I used Juliet’s old nurse in Romeo and Juliet: a good-hearted fussbudget, a woman who spoke her piece but knew her place.

But the point is that a story is exciting because it has in it so strong an element of will, of what theology calls free-will. You cannot finish a sum how you like. But you can finish a story how you like. When somebody discovered the Differential Calculus there was only one Differential Calculus he could discover. But when Shakespeare killed Romeo he might have married him to Juliet’s old nurse if he had felt inclined. And Christendom has excelled in the narrative romance exactly because it has insisted on the theological free-will.