Apron Love Quotes

It was a time before Facebook and Instagram and texting. I imagine it must be easier now, for college students. Home must not feel so far away anymore. But how do you cut the apron strings if the strings are virtual?

~“She likes my dog, doesn’t take my crap, and looks at me like I can be the kind of man Dad was. When she cooks…she wears this apron…And I love her so damn much that I have no idea how I’m suppose to wake up tomorrow and pretend like my life hasn’t just fucking ended” Marco Delucca

When I left Merle was wearing a bungalow apron and rolling pie crust. She came to the door wiping her hands on the apron and kissed me on the mouth and began to cry and ran back into the house, leaving the doorway empty [...] I had a funny feeling as I saw the house disappear, as though I had written a poem and it was very good and I had lost it and would never remember it again. (p. 262)

Live or die, but don't poison everything... Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. The chief ingredient is mutilation. And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn bitch! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk. This became perjury of the soul. It became an outright lie and even though I dressed the body it was still naked, still killed. It was caught in the first place at birth, like a fish. But I play it, dressed it up, dressed it up like somebody's doll. Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up. And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer. Today life opened inside me like an egg and there inside after considerable digging I found the answer. What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer. God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles. If I'm on fire they dance around it and cook marshmallows. And if I'm ice they simply skate on me in little ballet costumes. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed. O dearest three, I make a soft reply. The witch comes on and you paint her pink. I come with kisses in my hood and the sun, the smart one, rolling in my arms. So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny tits. Just last week, eight Dalmatians, 3/4 of a lb., lined up like cord wood each like a birch tree. I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected. Not an Eichmann. The poison just didn't take. So I won't hang around in my hospital shift, repeating The Black Mass and all of it. I say Live, Live because of the sun, the dream, the excitable gift.

You don't need to pity me. I'm here. And I'm alive. So there's your answer, Chase. When am I giving up? I'm not. I did not give up on myself then. I am not giving up on you now." She smoothed her apron. "Now I'm going to tidy myself up, take the girls for ices, eat two of them myself, and not bring you any. When we return, I'll send Rosamund and Daisy in to visit you, and you will behave. Treat me as you like. But you will not belittle those girls for loving you. I won't allow it. And do not ever waste your breath again with more of that 'lost cause' nonsense. Consider yourself found.

These women lived their lives happily. They had been taught, probably by loving parents, not to exceed the boundaries of their happiness regardless of what they were doing. But therefore they could never know real joy. Which is better? Who can say? Everyone lives the way she knows best. What I mean by 'their happiness' is living a life untouched as much as possible by the knowledge that we are really, all of us, alone. That's not a bad thing. Dressed in their aprons, their smiling faces like flowers, learning to cook, absorbed in their little troubles and perplexities, they fall in love and marry. I think that's great. I wouldn't mind that kind of life. Me, when I'm utterly exhausted by it all, my skin breaks out, on those lonely evenings when I call my friends again and again and nobody's home, then I despise my own life - my birth, my upbringing, everything. I feel only regret for the whole thing.

Alex forgets, momentarily, about the pancakes and everything else, not because he wants to do absolutely filthy things to Henry—maybe even with the apron still on—but because he loves him, and isn't that wild, to know that that's what makes the filthy things so good.

You know how comfortably you go on as a bachelor, and how very much you would dislike to be tied to a wife’s apron-strings.” He laughed a little ruefully, but denied it. “I shouldn’t dislike being tied to your apron-strings.

She hesitated, wiping her hands off on her apron. “I’m not sure if I’ll be here when you get back. This place is a little—it’s a little much for me.” She didn’t have to tell him how it was. He had lived here for years, in a house that wanted to be silent until the silence was broken by a certain step and a certain voice, in a house holding its breath for someone’s return. If anyone held their breath long enough, they were dead.

The carnistic schema, which twists information so that nonsense seems to make perfect sense, also explains why we fail to see the absurdities of the system. Consider, for instance, advertising campaigns in which a pig dances joyfully over the fire pit where he or she is to be barbecued, or chickens wear aprons while beseeching the viewer to eat them. And consider the Veterinarian's Oath of the American Veterinary Medical Association, 'I solemnly swear to use my...skills for the...relief of animal suffering,' in light of the fact that the vast majority of veterinarians eat animals simply because they like the way meat tastes. Or think about how poeple won't replace their hamburgers with veggie burgers, even if the flavor is identical, because they claim that, if they try hard enough, they can detect a subtle difference in texture. Only when we deconstruct the carnistic schema can we see the absurdity of placing our preference for a flawless re-creation of a textural norm over the lives and deaths of billions of others.

... I see the green earth covered with the works of man or with the ruins of men’s work. The pyramids weigh down the earth, the tower of Babel has pierced the sky, the lovely temples and the gray castles have fallen into ruins. But of all those things which hands have built, what hasn’t fallen nor ever will fall? Dear friends, throw away the trowel and mortarboard! Throw your masons’ aprons over your heads and lie down to build dreams! What are temples of stone and clay to the soul? Learn to build eternal mansions of dreams and visions!

What Love Means to Me,” Chad said, writing. “By Apron Bramhall, the loveliest noun I know. Get over here, noun.

My beloved has arrived, but rather than greeting him, All I can do is bite the corner of my apron with a blank expression- What an awkward woman am I. My heart has longed for him as hugely and openly as a full moon But instead I narrow my eyes, and my glance to him Is sharp and narrow as the crescent moon. But then, I'm not the only one who behaves this way. My mother and my mother's mother were as silly and stumbling as I am when they were girls... Still, the love from my heart is overflowing, As bright and crimson as the heated metal in a blacksmith's forge.

My perception of Winsome belonged to my mother—I thought of her as old, punctilious, someone without an interior life or worthwhile passions. That was the first time I saw her for myself. Winsome was an adult, someone who took care, who loved order and beauty and labored to create it as a gift to other people. She lifted her eyes to the ceiling and smiled. She was still wearing her wet apron.

Gate C22 At gate C22 in the Portland airport a man in a broad-band leather hat kissed a woman arriving from Orange County. They kissed and kissed and kissed. Long after the other passengers clicked the handles of their carry-ons and wheeled briskly toward short-term parking, the couple stood there, arms wrapped around each other like he’d just staggered off the boat at Ellis Island, like she’d been released at last from ICU, snapped out of a coma, survived bone cancer, made it down from Annapurna in only the clothes she was wearing. Neither of them was young. His beard was gray. She carried a few extra pounds you could imagine her saying she had to lose. But they kissed lavish kisses like the ocean in the early morning, the way it gathers and swells, sucking each rock under, swallowing it again and again. We were all watching– passengers waiting for the delayed flight to San Jose, the stewardesses, the pilots, the aproned woman icing Cinnabons, the man selling sunglasses. We couldn’t look away. We could taste the kisses crushed in our mouths. But the best part was his face. When he drew back and looked at her, his smile soft with wonder, almost as though he were a mother still open from giving birth, as your mother must have looked at you, no matter what happened after–if she beat you or left you or you’re lonely now–you once lay there, the vernix not yet wiped off, and someone gazed at you as if you were the first sunrise seen from the Earth. The whole wing of the airport hushed, all of us trying to slip into that woman’s middle-aged body, her plaid Bermuda shorts, sleeveless blouse, glasses, little gold hoop earrings, tilting our heads up.

The only acceptable hobby, throughout all stages of life, is cookery. As a child: adorable baked items. Twenties: much appreciated spag bol and fry-ups. Thirties and forties: lovely stuff with butternut squash and chorizo from the Guardian food section. Fifties and sixties: beef wellington from the Sunday Telegraph magazine. Seventies and eighties: back to the adorable baked items. Perfect. The only teeny tiny downside of this hobby is that I HATE COOKING. Don't get me wrong; I absolutely adore the eating of the food. It's just the awful boring, frightening putting together of it that makes me want to shove my own fists in my mouth. It's a lovely idea: follow the recipe and you'll end up with something exactly like the pretty picture in the book, only even more delicious. But the reality's rather different. Within fifteen minutes of embarking on a dish I generally find myself in tears in the middle of what appears to be a bombsite, looking like a mentally unstable art teacher in a butter-splattered apron, wondering a) just how I am supposed to get hold of a thimble and a half of FairTrade hazelnut oil (why is there always the one impossible-to-find recipe ingredient? Sesame paste, anyone?) and b) just how I managed to get flour through two closed doors onto the living-room curtains, when I don't recall having used any flour and oh-this-is-terrible-let's-just-go-out-and-get-a-Wagamama's-and-to-hell-with-the-cost, dammit.

He was barefoot. Wearing an apron. In her kitchen. It’s true what they said about porn: you know it when you see it.

paisley apron, has her back to me. Her curly brown hair is locked away in pigtails, and she looks like she just stepped

All men like him ever see are aprons. I could be Mada Vittora risen from the dead, but if I had a mop in my hand he's still just ask for tea.

She let go of me, kissed the top of my head, and brushed her hands down her apron. ‘I wish your sister was here. It seems wrong to have a celebration without her.’ Not to me it didn’t. Just for once, I was quite enjoying being the focus of attention. It might sound childish, but it was true. I loved having Will and Dad laughing about me. I loved the fact that every element of supper – from roast chicken to chocolate mousse – was my favourite. I liked the fact that I could be who I wanted to be without my sister’s voice reminding me of who I had been.

I recommend popcorn for its convenience and quick preparation time. First, place the bag in the microwave. When all the kernels have popped, remove the popcorn from the microwave carefully, because it will be very hot. Be sure to wear a cooking mitt, an apron, and a spatula to assist in the removal of the popcorn from the microwave. This will not only impress your guest, it will also make it look like you really know what you’re doing. If you find that the popcorn is burned, notice where it is burned. If it’s black at the top, dump out the black part and salvage the rest by pouring it into a bowl. Serve the yellow part to your guest, and then adjust the time when you make a new bag for yourself. Serves: one and a half. (Good enough.)

Maybe I could get a job in Colonial Williamsburg,” I say, trying to get into the spirit. “I could churn butter. Wear period garb. Like, a calico dress with an apron or whatever they wore in Colonial times. I’ve heard they’re not allowed to speak to each other in modern-day language, and kids are always trying to trip them up. That could be fun. The only thing is, I’m not sure if they hire Asian people because of historical accuracy…” “Lara Jean, we live in the time of Hamilton! Phillipa Soo is half-Chinese, remember? If she can play Eliza Hamilton, you can churn butter.

The women we become after children, she typed, then stopped to adjust the angle of the paper....We change shape, she continued, we buy low-heeled shoes, we cut off our long hair, We begin to carry in our bags half-eaten rusks, a small tractor, a shred of beloved fabric, a plastic doll. We lose muscle tone, sleep, reason, persoective. Our hearts begin to live outside our bodies. They breathe, they eat, they crawl and-look!-they walk, they begin to speak to us. We learn that we must sometimes walk an inch at a time, to stop and examine every stick, every stone, every squashed tin along the way. We get used to not getting where we were going. We learn to darn, perhaps to cook, to patch knees of dungarees. We get used to living with a love that suffuses us, suffocates us, blinds us, controls us. We live, We contemplate our bodies, our stretched skin, those threads of silver around our brows, our strangely enlarged feet. We learn to look less in the mirror. We put our dry-clean-only clothes to the back of the wardrobe. Eventually we throw them away. We school ourselves to stop saying 'shit' and 'damn' and learn to say 'my goodness' and 'heavens above.' We give up smoking, we color our hair, we search the vistas of parks, swimming-pools, libraries, cafes for others of our kind. We know each other by our pushchairs, our sleepless gazes, the beakers we carry. We learn how to cool a fever, ease a cough, the four indicators of meningitis, that one must sometimes push a swing for two hours. We buy biscuit cutters, washable paints, aprons, plastic bowls. We no longer tolerate delayed buses, fighting in the street, smoking in restaurants, sex after midnight, inconsistency, laziness, being cold. We contemplate younger women as they pass us in the street, with their cigarettes, their makeup, their tight-seamed dresses, their tiny handbags, their smooth washed hair, and we turn away, we put down our heads, we keep on pushing the pram up the hill.

My favorite kind of darkness is the one inside us, I want to tell him. &: I like the way your apron makes it look like you’re ready for war. I too am ready for war. Given another chance, I’d pick the life where I play the piano in a room with no roof. Broken keys, Bach sonata like footsteps fast down the stairs as my father chases my mother through New England’s endless leaves. Maybe I saw a boy in a black apron crying in a Nissan the size of a monster’s coffin & knew I could never be straight. Maybe, like you, I was one of those people who loves the world most when I’m rock-bottom in my fast car going nowhere.

Those who jump out of airplanes do not love life—they deny it, which, of course, is not done without a certain naughty exhilaration. Like children they relish tugging on the apron of Mother Nature, as long as she doesn’t turn and slap them.

Once my father told me: When a Jew prays, he is asking God a question that has no end. Darkness fell. Rain fell. I never asked: What question? And now it's too late. Because I lost you, Tateh. One day, in the spring of 1938, on a rainy day that gave way to a break in the clouds, I lost you. You'd gone out to collect specimens for a theory you were hatching about rainfall, instinct, and butterflies. And then you were gone. We found you lying under a tree, your face splashed with mud. We knew you were free then, unbound by disappointing results. And we buried you in the cemetery where your father was buried, and his father, under the shade of the chestnut tree. Three years later, I lost Mameh. The last time I saw her she was wearing her yellow apron. She was stuffing things in a suitcase, the house was a wreck. She told me to go into the woods. She'd packed me food, and told me to wear my coat, even though it was July. "Go," she said. I was too old to listen, but like a child I listened. She told me she'd follow the next day. We chose a spot we both knew in the woods. The giant walnut tree you used to like, Tateh, because you said it had human qualities. I didn't bother to say goodbye. I chose to believe what was easier. I waited. But. She never came. Since then I've lived with the guilt of understanding too late that she thought she would have been a burden to me. I lost Fitzy. He was studying in Vilna, Tateh—someone who knew someone told me he'd last been seen on a train. I lost Sari and Hanna to the dogs. I lost Herschel to the rain. I lost Josef to a crack in time. I lost the sound of laughter. I lost a pair of shoes, I'd taken them off to sleep, the shoes Herschel gave me, and when I woke they were gone, I walked barefoot for days and then I broke down and stole someone else's. I lost the only woman I ever wanted to love. I lost years. I lost books. I lost the house where I was born. And I lost Isaac. So who is to say that somewhere along the way, without my knowing it, I didn't also lose my mind?

Never May the Fruit Be Plucked” Never, never may the fruit be plucked from the bough And gathered into barrels. He that would eat of love must eat it where it hangs. Though the branches bend like reeds, Though the ripe fruit splash in the grass or wrinkle on the tree, He that would eat of love may bear away with him Only what his belly can hold, Nothing in the apron, Nothing in the pockets. Never, never may the fruit be gathered from the bough And harvested in barrels. The winter of love is a cellar of empty bins, In an orchard soft with rot.

When she first fell in love with Jack, she had dreamed she could fly, that on a warm, inky black night she had pushed off the grass with her bare feet to float among the leafy treetops and stars in her nightgown. The sensation had returned. Through the window, the night air appeared dense, each snowflake slowed in its long, tumbling fall through the black. It was the kind of snow that brought children running out their doors, made them turn their faces skyward, and spin in circles with their arms outstretched. She stood spellbound in her apron, a washrag in her hand. Perhaps it was the recollection of that dream, or the hypnotic nature of the spinning snow. Maybe it was Esther in her overalls and flowered blouse, shooting bears and laughing out loud. Mabel set down the rag and untied her apron. She slipped her feet into her boots, put on one of Jack’s wool coats, and found a hat and some mittens.

There was once a girl who loved to lie in the grass and let it tickle her skin. She liked the feel of dirt under her fingers. She didn't like aprons or making dinner or washing dishes. She didn't like being told to behave. She didn't like feeling that no matter what she did her mother and father looked at her with disappointed eyes. She could never be pretty enough or sweet enough or pleasantly talkative enough. And she grew angrier and angrier and angrier that all anyone wanted her to be was an idea they held in their head that had nothing to do with her. And this anger became bitterness, and this bitterness turned her into a monster.

Tabitha stared at him. "Oliver, do you think your mother and father love you? Do they tell you that?" He looked embarrassed. "Yes, of course." Wiping a hand on the side of her apron, Tabitha tapped a finger to Oliver's temple so that her words would stick. "Then they are perfect parents, no matter their shortcomings in understanding. (pg. 222)

I've learned that home is not a place, it's a feeling. I can make the flat look as pretty as I can, put as many flower boxes on the window sill as I want, put a welcome mat outside the front door, hang a Home Sweet Home sign over the fireplace, and take to wearing aprons and baking cookies, but the truth is that I know I don't want to stay here forever.

You should definitely frame the picture too, so people know you’re not someone to mess with. A frame says permanence. A picture taped on a wall says here today, gone tomorrow.” I chew on my bottom lip thoughtfully. “So maybe a picture of me baking, in an apron--” “With nothing underneath?” Chris cackles, and I flick her forehead lightning quick. “Ow!” “Get serious then!

How happy and energized she looks when it's barely six in the morning. Her hair is tied up in the messiest, sexiest bun, and she's sprinkled in flour. All over her apron, on her arms, her jeans, and the tip of her nose. My heart slingshots around my chest as I take in the sight of her. She's so goddamn cute. And sexy. And stunning. And every other word that exists to describe just how amazing a person can look.

Savannah, darlin’?” “Yes, Mama. Come in.” Her mother opened the door a crack, then slipped into the room, carrying the largest, most extravagant bouquet of wildflowers Savannah had ever seen. Wildflowers that smelled of lilac and honeysuckle and the outdoors. She breathed deeply and sighed, looking at her mother in question. “Asher Lee,” she said, “is downstairs.” Savannah felt her mouth tilt up into an involuntary smile and her eyes flood with tears. Her mother set the bouquet on her vanity and put her arm around Savannah. “Whatever he did, he’s awful sorry, button.” “He yelled at me and made me cry.” “Guessing he didn’t mean whatever it is he said.” “He thinks I want him to change.” “Well, of course you do,” said her mother matter-of-factly, swiping at Savannah’s tears with the corner of her sunflower apron. “We all want to change the men we love. Leave our mark on them.” “Oh, I don’t lov—” “Of course you don’t. I was just makin’ conversation.

This place, our little cloud forest, even though we missed our papi, it was the most beautiful place you've ever seen. We didn't really know that then, because it was the only place we'd ever seen, except in picture in books and magazines, but now that's I've seen other place, I know. I know how beautiful it was. And we loved it anyway even before we knew. Because the trees had these enormous dark green leaves, as a big as a bed, and they would sway in the wind. And when it rain you could hear the big, fat raindrops splatting onto those giant leaves, and you could only see the sky in bright blue patches if you were walking a long way off to a friend's house or to church or something, when you passed through a clearing and all those leaves would back away and open up and the hot sunshine would beat down all yellow and gold and sticky. And there were waterfalls everywhere with big rock pools where you could take a bath and the water was always warm and it smelled like sunlight. And at night there was the sound of the tree frogs and the music of the rushing water from the falls and all the songs of the night birds, and Mami would make the most delicious chilate, and Abuela would sing to us in the old language, and Soledad and I would gather herbs and dry them and bundle them for Papi to sell in the market when he had a day off, and that's how we passed our days.' Luca can see it. He's there, far away in the misty cloud forest, in a hut with a packed dirt floor and a cool breeze, with Rebeca and Soledad and their mami and abuela, and he can even see their father, far away down the mountain and through the streets of that clogged, enormous city, wearing a long apron and a chef's hat, and his pockets full of dried herbs. Luca can smell the wood of the fire, the cocoa and cinnamon of the chilate, and that's how he knows Rebeca is magical, because she can transport him a thousand miles away into her own mountain homestead just by the sound of her voice.

About sexuality of English mice. A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles. But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness. You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate. While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams. That’s it … children are in bed …. Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences. It’s a love very warm, very present and yet invisible, mice’s love in the duvets. Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..

Ugh,” Turner groans from the kitchen. “That skinny tramp can go fuck herself. She doesn't stand a chance. Even if I wasn't fucking committed to marrying your ass making tiny Turner babies, she's a little below my usual standards.” Naomi's eyes narrow, and I can't hold back my smile. God, I love the shit out of these stupid assholes. I hope they buy a house down the street from me, so I can watch Naomi throwing Turner's stuff out on the lawn every other Christmas. I don't admit to myself that in that fantasy, Lola Saints is in the kitchen with nothing but an apron on.

Good morning! The sun is up! Wake up! Time to eat," said the birds. "Good morning," Ashlynn said back. There was a clink of glass slippers against the wood floor, and then her mother appeared in the doorway. She had the same strawberry-blond hair and green eyes as Ashlynn. Her mother was already dressed, but Ashlynn didn't notice the clothes she was wearing. As always, her eyes went right to the glass slippers. Oh, how she loved those shoes. "Chores, dear!" her mother said, leaning over to kiss the top of Ashlynn's head. "And then you should pack." "Yes, Mother!" Ashlynn washed her face, put on an apron, and then opened wide the door to her shoe closet. This princess wouldn't care if she wore a burlap sack every day, so long as she had dozens of footwear choices. Today she settled on a pair of scrappy teal wedges and went to start breakfast. Even though her father's grand house came fully stocked with servants, her mother believed in good, solid, character-forming chores. After all, Ashlynn would inherit her mother's story and become the next Cinderella someday, and there would be lots of floors to mop and hearths to sweep before her Happily Ever After.

This kitchen had been the home to my beloved kitchen utensils too. There was the hundred-year-old pestle and mortar that belonged to my late grandmother, a container made of Japanese cypress that I'd used for keeping rice, a Le Creuset enamel pot I'd bought with my first pay cheque, a set of long-serving chopsticks with extra fine tips I'd found in a specialty shop in Kyoto, an Italian paring knife given to me on my twentieth birthday by the owner of an organic-vegetables shop, a comfortable cotton apron, jade gravel I used for making pickled aubergine, and the traditional cast-iron nambu frying pan I'd travelled as far north as Morioka to buy. It was a collection of quality items built to last a lifetime.

Recipe for a Funeral From the Kitchen of Lila Reyes Ingredients: One grieving family. One coffin (it must be white like flour and sugar). One cathedral. One white apron. One abuela, gone, dressed in her favorite blue vestido. Preparation: Sit between your boyfriend and best friend as they try to hold you upright in the pew. Clutch a white apron tightly on your lap. Watch your parents weeping one row ahead, and your sister leaning on your mother’s shoulder. Look back once over the massive cathedral, marveling at the crowd that came for her. *Leave out actually seeing your abuela laid out so lovingly in the white coffin. She is not there. Instead, cry, kneeling during the private viewing with your eyes secretly pressed closed. Cooking temp: 100 degrees Fahrenheit. The coldest your oven goes.

With great reluctance— sitting in the chair with Kate and doing nothing but hold her was surprisingly satisfying— he stood, lifting her in his arms as he did so, and then set her back in the chair. “This has been a delightful interlude,” he murmured, leaning down to drop a kiss on her forehead. “But I fear your mother’s early return. I shall see you Saturday morning?” She blinked. “Saturday?” “A superstition of my mother’s,” he said with a sheepish smile. “She thinks it’s bad luck for the bride and groom to see one another the day before the wedding.” “Oh.” She rose to her feet, self-consciously smoothing her dress and hair. “And do you believe it as well?” “Not at all,” he said with a snort. She nodded. “It’s very sweet of you to indulge your mother, then.” Anthony paused for a moment, well aware that most men of his reputation did not want to appear tied to apron strings. But this was Kate, and he knew that she valued devotion to family as much as he did, so he finally said, “There is little I would not do to keep my mother content.” She smiled shyly. “It is one of the things I like best about you.” He made some sort of gesture designed to change the subject, but she interrupted with, “No, it’s true. You’re far more caring a person than you’d like people to believe.” Since he wasn’t going to be able to win the argument with her— and there was little point in contradicting a woman when she was being complimentary— he put a finger to his lips and said, “Shhh. Don’t tell anyone.” And then, with one last kiss to her hand and a murmured, “Adieu,” he made his way out the door and outside. -Anthony & Kate

You watch. Someday you’re going to love those freckles.” “No I’m not.” Mr. John leapt through the air after that, feet flailing and his back arched too far away from his knees: his worst one yet. After both of our ankles got splashed again, Grandma Bramhall picked up my chin and said, “You are as beautiful as your mom was,” and then kissed my cheek with hers. I looked down at the mirrors in her sarong again, tiny little pieces of blue sky in them. “Thanks,” I said quietly. “You’re welcome,” Grandma Bramhall said squeezing my hand. “How was that?” Mr. John yelled, popping up and dog paddling toward us. I snuck a look at Grandma Bramhall. “A ten,” I said. “Yes!” Mr. John yelled, raising both fists this time and sinking back into the water. Grandma Bramhall and I had to suck in our cheeks not to laugh. “See how beautiful you are, Apron?

I grabbed a handful of tarragon and closed my eyes, inhaling its sweet fragrance. I could almost feel my grandmother next to me, smell the aromas embedded into her poppy-print apron, taste her creamy veloutés. Thanks to her, my skills in the kitchen started developing from the age of seven. I'd learned how to chop, slice, and dice without cutting my fingers, to sauté, fry, and grill, pairing flavors and taming them into submission. Just as I'd experienced with my grandmother's meals, when people ate my creations, I wanted them to think "now this is love"- while engaging all of the five senses. For me, cooking was the way I expressed myself, each dish a balance of flavors and ingredients representing my emotions- sweet, sour, salty, smoky, spicy-hot, and even bitter. My inspiration as a chef was to give people sensorial experiences, to bring them back to times of happiness, to let them relive their youth, or to awaken their minds.

You should give him a picture of you to keep him company, if you know what I mean.” She frowns at me. “Do you know what I mean?” “Like, a sexy picture? No way!” I start backing away from her. “Look, I’ve gotta go to class.” The last thing I want to do is think about Peter and random girls. I’m still trying to get used to the idea that we won’t be together at UVA this fall. Chris rolls her eyes. “Calm down. I’m not talking about a nudie. I would never suggest that for you of all people. What I’m talking about is a pinup-girl shot, but not, like, cheesy. Sexy. Something Kavinsky can hang up in his dorm room.” “Why would I want him to hang up a sexy picture of me in his dorm room for all the world to see?” Chris reaches out and flicks me on the forehead. “Ow!” I shove her away from me and rub the spot where she flicked me. “That hurt!” “You deserved it for asking such a dumb question.” She sighs. “I’m talking about preventative measures. A picture of you on his wall is a way for you to mark your territory. Kavinsky’s hot. And he’s an athlete. Do you think other girls will respect the fact that he’s in a long-distance relationship?” She lowers her voice and adds, “With a Virgin Mary girlfriend?” I gasp and then look around to see if anyone heard. “Chris!” I hiss. “Can you please not?” “I’m just trying to help you! You have to protect what’s yours, Lara Jean. If I met some hot guy in Costa Rica with a long-distance gf who he wasn’t even sleeping with? I don’t think I’d take it very seriously.” She gives me a shrug and a sorry-not-sorry look. “You should definitely frame the picture too, so people know you’re not someone to mess with. A frame says permanence. A picture taped on a wall says here today, gone tomorrow.” I chew on my bottom lip thoughtfully. “So maybe a picture of me baking, in an apron--” “With nothing underneath?” Chris cackles, and I flick her forehead lightning quick. “Ow!” “Get serious then!

Physically, Manya was both appealing and aristocratic in her bearing. It wasn't her copious white hair that attracted men, her flawless white skin, her billowing breasts, but the innate womanliness that emanated from her. Even when she wore her cooking clothes- a mammoth Hoover apron that she slipped on over her head and tied around a baggy dress or her cardigan sweater, a dull brown thing appropriate for shopping- she exuded a sympathetic femininity. Many didn't give much thought to her appearance. More often than not she washed her face and body with the brown kosher soap that contained no fat from forbidden animals, and wrapped her hair in a haphazard bun held together with several large imitation-turquoise hairpins. Her cooking shoes were splattered with chicken and goose fat, bits and oddments of duck, salmon roe, even calves' brains. Because she had been raised on the Black Sea, she loved caviar, so every now and then a glistening bead would fall upon her well-fed shoes. The smell of food on her body made her no less alluring.

Ma Chere Mamma, We are all well I do my lessons always and never corroberate the girls -- Meg says I mean contradick so I put in both words and you can take the properest. Meg is a great comfort to me and lets me have jelly every night at tea its so good for me Jo says because it keeps me sweet tempered. Laurie is not as respeckful as he ought to be now I am almost in my teens, he calls me Chick and hurts my feelings by talking French to me very fast when I say Merci or Bon jour as Hattie King does. The sleeves of my blue dress were all worn out, and Meg put in new ones, but the full front came wrong and they are more blue than the dress. I felt bad but did not fret I bear my troubles well but I do wish Hannah would put more starch in my aprons and have buckwheats every day. Can't she? Didn't I make that interrogation point nice? Meg says my punchtuation and spelling are disgraceful and I am mortyfied but dear me I have so many things to do, I can't stop. Adieu, I send heaps of love to Papa. Your affectionate daughter . .. AMY CURTIS MARCH

There was a clink of glass slippers against the wood floor, and then her mother appeared in the doorway. She had the same strawberry-blond hair and green eyes as Ashlynn. Her mother was already dressed, but Ashlynn didn't notice the clothes she was wearing. As always, her eyes went right to the glass slippers. Oh, how she loved those shoes. "Chores, dear!" her mother said, leaning over to kiss the top of Ashlynn's head. "And then you should pack." "Yes, Mother!" Ashlynn washed her face, put on an apron, and then opened wide the door to her shoe closet. This princess wouldn't care if she wore a burlap sack every day, so long as she had dozens of footwear choices. Today she settled on a pair of scrappy teal wedges and went to start breakfast. Even though her father's grand house came fully stocked with servants, her mother believed in good, solid, character-forming chores. After all, Ashlynn would inherit her mother's story and become the next Cinderella someday, and there would be lots of floors to mop and hearths to sweep her Happily Ever After.

Yes. I'm going to talk to her. Maybe." Kristoff huffed. "You, Bulda, Grand Pabbie... you act like this is so easy! They may be so-called love experts, but they've never left the valley." Sven snorted. "Hi," Anna interrupted, feeling funny. She was suddenly very aware of how she looked, and how he did, too. Kristoff had on a bright blue dress shirt and clean pants. She was wearing a green dress under a flour-and-icing-covered apron. Her braids, which she'd had in for two days, needed refreshing. "Were you looking for me? I mean, not actually looking, but you're here, so maybe... you're hungry?" He immediately blushed. "What? Yes. I mean, no. I..." He pressed a bunch of carrots into her hands. "I just wanted to give you what I owed you." "Oh." Anna looked down. "You didn't have to bring me back- oof!" Sven had bumped into Anna, sending her flying into Kristoff's arms. The two tumbled backward, falling onto several stacks of flour Anna's parents hadn't had a chance to bring into the shop yet. "This is awkward," Anna said, struggling to get up. 'Not because you're awkward. Because we're... I'm... awkward." She stood up. "You're gorgeous. Wait, what?

On Becoming a Poet in the 1950s" There was love and there was trees. Either you could stay inside and probe your emotions or you could go outside and keenly observe nature. Describe the sheen on carapaces, the effect of breeze on grass. What's the fag doing now? Dad would say. Picking the nose of his heart? Wanking off on a daffodil? He's not homosexual, Mom would retort, using her apron as a potholder to remove the apple brown betty from the oven. He's sensitive. He cares. He wishes to impart values and standards to an indifferent world. Wow! said Dad, stomping off to the pantry for another scotch. Two poets in the family. Ain't I a lucky duck? As fate would have it, I became one of your tweedy English teachers, what Dad would call a daffodil-wanker, and Mom ended up doing needlepoint, seventy-two kneelers for St. Fred's before she expired of the heart broken on the afternoon that Dad roared off with the Hell's Angels. We heard a little from Big Sur. A beard. Tattoos. A girlfriend named Strawberry. A boyfriend named Thor. Bars and pot and coffeehouses, stuff like that. After years of quotation by younger poets, admiration but no real notice, Dad is making the anthologies now. Critics cite his primal rage, the way he nails Winnetka.

He had no desire to form attachments to people. That would have required more trust and intimacy than he could summon. But he did care for all the Hathaway brood, even Leo. And then there was Win, for whom Kev would have died a thousand times over. He would never degrade Win with his touch, or dare to assume a place in her life other than as a protector. She was too fine, too rare. As she grew into womanhood, every man in the county was enthralled by her beauty. Outsiders tended to view Win as an ice maiden, neat and unruffled and cerebral. But outsiders knew nothing of the sly wit and warmth that lurked beneath her perfect surface. Outsiders hadn't seen Win teaching Poppy the steps to a quadrille until they had both collapsed to the floor in giggles. Or frog-hunting with Beatrix, her apron filled with leaping amphibians. Or the droll way she read a Dickens novel with an array of voices and sounds, until the entire family howled at her cleverness. Kev loved her. Not in the way that novelists and poets described. Nothing so tame. He loved her beyond earth, heaven, or hell. Every moment out of her company was agony; every moment with her was the only peace he had ever known. Every touch of her hands left an imprint that ate down his soul. He would have killed himself before admitting it to anyone. The truth was buried deep within his heart.

The area around the fifty-yard line had been set up with a stage and seating. The kids held my hands as we went to the elevator, ready to go out. "Can you believe we're in Cowboys Stadium for Daddy?" I asked them, trying to rally my spirits as well as theirs. "He would be so blown away." I think they nodded. The elevator opened. We got in. The car went down, and suddenly we were walking onto the runway that led to the field. Pay attention to what’s around you. This is unbelievable! The bagpipers began to move, the tap of their shoes on the concrete apron echoing loudly. The cadence centered me. The pipes began to mourn and my spirit swelled, the music propelling me forward. The casket was marched out and placed front and center. The pallbearers and Navy honor guard stood at attention. I was moving in a cocoon of numbing grief and overwhelming awe. There was a prayer, speeches--each moment moved me in a different way. The easy jokes, the devotional hymns, each had its own effect. I began to float. When I’d asked people to talk about Chris at the ceremony, I’d made a point of reminding them of his humor and asking if possible to add some lighter touches to their speeches, roasting him, even; it was all so Chris. But now some of the light jokes tripped a wire: Don’t talk bad about him! Don’t you dare! Then in the next moment I’d realize he would have been leading the laughs, and it was all good again. I couldn’t force a smile, though.

The world is dead, The Samurai, moving among the inert metal of pumps and lines and distillation columns, over the concrete apron in which the plants were constructed, over gravel brought from the Prospect quarries. it is a world of age-old stones - picking up a piece of gravel in which glinted minerals unknown to him - of basalt chiped from mountains long ago, lying around on roads, lying under hills waiting to be plundered. And laughing at humans. These dead rocks were all of them older than the human race which trod them. each fragment had an immortality. Humans rotted away into the soil in an instant of time. What was the power he had that enabled him to lift this fragment of eternity in his hand and decide where to throw it? What had been breathed into his fragile dust that seemed for his instant of life to mock the inertia of the rock? Was his own existence supported by a paper warrant somewhere? He drew back from following these thoughts. There was a power in him, or rather power came to him that made him stronger than he needed to be. A power that blew up certain feelings to an enormous size, a secret power. Was he so different from the men around him? What was the mission that he had been born to perform? He deliberately relaxed. As he looked about him with a new mood the whole world filled with love. Even the dirt underfoot was sympathetic and grateful. he could love these random stones, these heaps of inert, formed metal so far now from where they were mined. He could love the soil itself and everything that was. He needed, at the moment, no written justification of his existence.

When we first started dating, my talent in the kitchen was a turn-on. The prospect of me in the kitchen, wearing a skimpy apron and holding a whisk in my hand- he thought that was sexy. And, as someone with little insight into how to work her own sex appeal, I pounced on the opportunity to make him want and need me. I spent four days preparing my first home-cooked meal for him, a dinner of wilted escarole salad with hot bacon dressing, osso bucco with risotto Milanese and gremolata, and a white-chocolate toasted-almond semifreddo for dessert. At the time, I lived with three other people in a Columbia Heights town house, so I told all of my housemates to make themselves scarce that Saturday night. When Adam showed up at my door, as the rich smell of braised veal shanks wafted through the house, I greeted him holding a platter of prosciutto-wrapped figs, wearing nothing but a slinky red apron. He grabbed me by the waist and pushed me into the kitchen, slowly untying the apron strings resting on my rounded hips, and moments later we were making love on the tiled kitchen floor. Admittedly, I worried the whole time about when I should start the risotto and whether he'd even want osso bucco once we were finished, but it was the first time I'd seduced someone like that, and it was lovely. Adam raved about that meal- the rich osso bucco, the zesty gremolata, the sweet-and-salty semifreddo- and that's when I knew cooking was my love language, my way of expressing passion and desire and overcoming all of my insecurities. I learned that I may not be comfortable strutting through a room in a tight-fitting dress, but I can cook one hell of a brisket, and I can do it in the comfort of my own home, wearing an apron and nothing else. Adam loved my food, and he loved watching me work in the kitchen even more, the way my cheeks would flush from the heat of the stove and my hair would twist into delicate red curls along my hairline. As the weeks went by, I continued to seduce him with pork ragu and roasted chicken, creamed spinach and carrot sformato, cannolis and brownies and chocolate-hazelnut cake.

If you aren't in love, Willow Vaughn, then my name isn't Miriam Brigham." Willow started out of her daydreaming and glanced up from the laundry tub. Miriam stood before her with her fists planted on her hips. "Now, Miriam, I-" "No sense denying it, young lady. You've got that dreamy dazed glow about you. Rider Sinclair isn't much better, the way he hangs around you,like a bee drawn to honey. He's always holding your hand or throwing his arm around you when he thinks I'm not looking." "Well,even if I were in love, it wouldn't change anything. I still don't want another man to look after, and I don't need one looking out for me either. I can take care of myself!" "Course, you can!" Miriam agreed, picking the last sheet out of the rinse water and wringing it out. "Most women can. Look at me, I run a boarding house and support myself just fine. But let me tell you something. That lonely bed of mine is mighty cold on winter nights, even here in the territory." Willow blushed and concentrated on her hands where they rested on the edge of the tub. "Willow," Miriam continued, "you've been managing your pa just fine since he got home. A husband isn't any more difficult to manage than a father, unless, of course, you're married to a no-good lout." Willow dried her hands on the wide white apron around her middle. "But, Miriam, if I don't marry, then I don't have to bother finagling a man to my way of doing things. Staying single makes a hell of a lot more sense!" "Watch the cursing, young lady." Miriam slung the sheet over the line and returned to help Willow with the wash tub. They each grapped a handle and carried it a few feet before setting it down to rest their arms a moment. "Willow, use your noggin, will you? Part of the fun of being a woman is wrapping some big, handsome hunk of a man around your little finger. You do have to use your good sense, though, and realize when you're wrong and he's right. Of course"-Miriam chuckled-"that won't be too often. "And you have to be careful not to hurt a man's feelings overly much. Men are funny creatures. They seldom let their emotions show because they think it isn't manly. But you can tell when they're upset.They start pouting like a little boy.I've always thought that was rather curious.

St. Louis Blues (1929) I hate to see de evenin' sun go down, Hate to see de evenin' sun go down 'Cause ma baby, he done lef' dis town. Feelin' tomorrow like I feel today, Feel tomorrow like I feel today, I'll pack my trunk, make ma git away. Saint Louis woman wid her diamon' rings Pulls dat man 'roun' by her apron strings. 'Twant for powder an' for store-bought hair, De man ah love would not gone nowhere, nowhere. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. Been to de gypsy to get ma fortune tole, To de gypsy, done got ma fortune tole, Cause I'm most wile 'bout ma Jelly Roll. Gypsy done tole me, "Don't you wear no black." Yes, she done told me, "Don't you wear no black. Go to Saint Louis, you can win him back." Help me to Cairo, make Saint Louis by maself, Git to Cairo, find ma old friend Jeff, Gwine to pin maself close to his side; If ah flag his train, I sho' can ride. Got de Saint Louis Blues jes as blue as ah can be. That man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Colonel loves his mint an' rye. I'll love ma baby till the day I die. You ought to see dat stovepipe brown of mine, Lak he owns de Dimon' Joseph line, He'd make a cross-eyed o'man go stone blin'. Blacker than midnight, teeth lak flags of truce, Blackest man in de whole of Saint Louis, Blacker de berry, sweeter am de juice. About a crap game, he knows a pow'ful lot, But when worktime comes, he's on de dot. Gwine to ask him for a cold ten-spot, What it takes to git it, he's cert'nly got. Got de Saint Louis Blues jes as blue as ah can be. Dat man got a heart lak a rock cast in the sea. Or else he wouldn't have gone so far from me. Doggone it! I loves day man lak a schoolboy loves his pie, Lak a Kentucky Col'nel loves his mint an' rye. I'll love ma baby till the day ah die. A black-headed gal makes a freight train jump the track, said a black-headed Gal makes a freight train jump the track, But a long tall gal makes a preacher ball the jack. Lawd, a blonde-headed woman makes a good man leave the town, I said Blonde-headed woman makes a good man leave the town, But a red-headed woman makes a boy slap his papa down. Oh, ashes to ashes and dust to dust, I said ashes to ashes and dust to dust, If my blues don't get you, my jazzing must.

The Enchanted Broccoli Forest. Oh, what a pleasure that was! Mollie Katzen's handwritten and illustrated recipes that recalled some glorious time in upstate New York when a girl with an appetite could work at a funky vegetarian restaurant and jot down some tasty favorites between shifts. That one had the Pumpkin Tureen soup that Margo had made so many times when she first got the book. She loved the cheesy onion soup served from a pumpkin with a hot dash of horseradish and rye croutons. And the Cardamom Coffee Cake, full of butter, real vanilla, and rich brown sugar, said to be a favorite at the restaurant, where Margo loved to imagine the patrons picking up extras to take back to their green, grassy, shady farmhouses dotted along winding country roads. Linda's Kitchen by Linda McCartney, Paul's first wife, the vegetarian cookbook that had initially spurred her yearlong attempt at vegetarianism (with cheese and eggs, thank you very much) right after college. Margo used to have to drag Calvin into such phases and had finally lured him in by saying that surely anything Paul would eat was good enough for them. Because of Linda's Kitchen, Margo had dived into the world of textured vegetable protein instead of meat, and tons of soups, including a very good watercress, which she never would have tried without Linda's inspiration. It had also inspired her to get a gorgeous, long marble-topped island for prep work. Sometimes she only cooked for the aesthetic pleasure of the gleaming marble topped with rustic pottery containing bright fresh veggies, chopped to perfection. Then Bistro Cooking by Patricia Wells caught her eye, and she took it down. Some pages were stuck together from previous cooking nights, but the one she turned to, the most splattered of all, was the one for Onion Soup au Gratin, the recipe that had taught her the importance of cheese quality. No mozzarella or broken string cheeses with- maybe- a little lacy Swiss thrown on. And definitely none of the "fat-free" cheese that she'd tried in order to give Calvin a rich dish without the cholesterol. No, for this to be great, you needed a good, aged, nutty Gruyère from what you couldn't help but imagine as the green grassy Alps of Switzerland, where the cows grazed lazily under a cheerful children's-book blue sky with puffy white clouds. Good Gruyère was blocked into rind-covered rounds and aged in caves before being shipped fresh to the USA with a whisper of fairy-tale clouds still lingering over it. There was a cheese shop downtown that sold the best she'd ever had. She'd tried it one afternoon when she was avoiding returning home. A spunky girl in a visor and an apron had perked up as she walked by the counter, saying, "Cheese can change your life!" The charm of her youthful innocence would have been enough to be cheered by, but the sample she handed out really did it. The taste was beyond delicious. It was good alone, but it cried out for ham or turkey or a rich beefy broth with deep caramelized onions for soup.

I got your flowers. They’re beautiful, thank you.” A gorgeous riot of Gerber daisies and lilies in a rainbow of reds, pinks, yellows and oranges. “Welcome. Bet Duncan loved sending one of his guys out to pick them up for me.” She could hear the smile in his voice, imagined the devilish twinkle in his eyes. “Oh, he did. Said it’s probably the first time in the history of WITSEC that a U.S. Marshal delivered flowers to one of their witnesses.” A low chuckle. “Well, this was a special circumstance, so they helped me out.” “I loved the card you sent with them the best though.” Proud of you. Give ‘em hell tomorrow. He’d signed it Nathan rather than Nate, which had made her smile. “I had no idea you were romantic,” she continued. “All these interesting things I’m learning about you.” She hadn’t been able to wipe the silly smile off her face after one of the security team members had knocked on her door and handed them to her with a goofy smile and a, “special delivery”. “Baby, you haven’t seen anything yet. When the trial’s done you’re gonna get all the romance you can handle, and then some.” “Really?” Now that was something for a girl to look forward to, and it sure as hell did the trick in taking her mind off her worries. “Well I’m all intrigued, because it’s been forever since I was romanced. What do you have in mind? Candlelit dinners? Going to the movies? Long walks? Lazy afternoon picnics?” “Not gonna give away my hand this early on, but I’ll take those into consideration.” “And what’s the key to your heart, by the way? I mean, other than the thing I did to you this morning.” “What thing is that? Refresh my memory,” he said, a teasing note in his voice. She smiled, enjoying the light banter. It felt good to let her worry about tomorrow go and focus on what she had to look forward to when this was all done. Being with him again, seeing her family, getting back to her life. A life that would hopefully include Nathan in a romantic capacity. “Waking you up with my mouth.” He gave a low groan. “I loved every second of it. But think simpler.” Simpler than sex? For a guy like him? “Food, then. I bet you’re a sucker for a home-cooked meal. Am I right?” He chuckled. “That works too, but it’s still not the key.” “Then what?” “You.” She blinked, her heart squeezing at the conviction behind his answer. “Me?” “Yeah, just you. And maybe bacon,” he added, a smile in his voice. He was so freaking adorable. “So you’re saying if I made and served you a BLT, you’d be putty in my hands?” Seemed hard to imagine, but okay. A masculine rumble filled her ears. “God, yeah.” She couldn’t help the sappy smile that spread across her face. “Wow, you are easy. And I can definitely arrange that.” “I can hardly wait. Will you serve it to me naked? Or maybe wearing just a frilly little apron and heels?” She smothered a laugh, but a clear image of her doing just that popped into her head, serving him the sandwich in that sexy outfit while watching his eyes go all heated. “Depends on how good you are.” “Oh, baby, I’ll be so good to you, you have no idea.

Hellooo.” The ferry captain shot a thumb at her Jeep. “Gonna get it off ?” “Oh.” She laughed. “Sorry.” Releasing Nicole, she ran back onto the ferry and slid behind the wheel. By the time she revved the engine, Nicole was in the passenger’s seat, sliding a hand over the timeworn dashboard. “I am paying you for this.” Charlotte shot her a startled look and inched forward. “For this car? You are not.” “You wouldn’t have bought it if it weren’t for my book, and you won’t take money for that.” “Because it’s your book. I’m just along for the ride.” She laughed at her own words. “Can you believe, this is the first car I’ve ever owned?” She eased it onto the dock. “Is it real or what?” “Totally real,” Nicole said, though momentarily wary. “Safe on the highway?” “It got me here.” Charlotte waved at the captain. “Thank you!” Still crawling along, she drove carefully off the pier. When she was on firm ground, she stopped, angled sideways in the seat, and addressed the first of the ghosts. “I’m sorry about your dad, Nicki. I wanted to be there. I just couldn’t.” Seeming suddenly older, Nicole smiled sadly. “You were probably better off. There were people all over the place. I didn’t have time to think.” “A heart attack?” “Massive.” “No history of heart problems?” “None.” “That’s scary. How’s Angie?” Nicole’s mother. Charlotte had phoned her, too, and though Angie had said all the right words—Yes, a tragedy, he loved you, too, you’re a darling to call—she had sounded distracted. “Bad,” Nicole confirmed. “They were so in love. And he loved Quinnipeague. His parents bought the house when he was little. He actually proposed to Mom here. They always said that if I’d been a boy, they’d have named me Quinn. She can’t bear to come now. That’s why she’s selling. She can’t even come to pack up. This place was so him.” “Woo-hoo,” came a holler that instantly lifted the mood. “Look who’s here!” A stocky woman, whose apron covered a T-shirt and shorts, was trotting down the stairs from the lower deck of the Chowder House. Dorey Jewett had taken over from her father midway through Charlotte’s summers here and had brought the place up to par with the best of city restaurants. She had the gleaming skin of one who worked over steam, but the creases by her eyes, as much from smiling as from squinting over the harbor, suggested she was nearing sixty. “Missy here

In the middle of the everyday conversation between mother and daughter, Lillia suddenly remembered something. “Wait! You said you’re going to be doing test flights for twenty days straight!” “Yeah. Maybe even longer, depending on the weather.” “Then… does that mean you’re gonna stay there the whole time, Mom?” Allison nodded. “It’s not an ordinary base, honey. I can’t tell you the details, but it’s a little far from the Capital District. I can’t commute there every day.” “Th-then—” Lillia glared at the boy in the apron drinking tea next to her. Then, she pointed at him. “Then I have to stay with Treize the whole time? Here, just the two of us?” “I guess so.” Allison replied nonchalantly. Lillia raised her voice again. “No way! With this sorry guy?!” “Now, now, be nice, Lillia. And what’s wrong with Treize? He’s a good cook and an excellent housekeeper. You have no idea how much I appreciate all his help.” Lillia nodded, sullenly agreeing. But she quickly shot back. “But still! You want a teenaged guy and a teenaged girl to live in a house together, just the two of them? As a mother, aren’t you worried? What if we have an accident or something?” Treize quietly sipped his tea. “Don’t worry, Treize is a gentleman.” “How can you be so sure?” “Because I’m good friends with Treize’s father, who is a gentleman.” Treize quietly sipped his tea. Lillia shot him a glance, then replied dubiously. “Still…” Allison gave a loving smile. “It’ll be fine as long as you don’t force yourself on Treize.” “Why would I?!” “For example, when he’s asleep and defenseless.” “Are you out of your mind, Mom?! I would not!” Treize quietly sipped his tea.

You can not force love apron others, but you can influence them to love you by showing your love to them.

I don’t know what it is about a man in an apron, but I love it.

The third time it landed on her apron, cocked its head, then fluttered to her hand. Luke held his breath. The bird nipped a piece of cake and whisked away. She never moved a muscle. Die and be blamed, but she was beautiful. The breeze ruffling her hair, blooms trimming her silhouetted figure, birds eating out of her hand. He swallowed. He needed to get out of here.

To her complete surprise, Robbie wrapped his arms around her waist and pressed his cheek against her apron. He smelled of sunshine, river water, and sun-warmed blackberries. Ada’s eyes filled. “I’m sorry about your ma and pa. And I’m sorry I made you sad.” It was easy to see why Wyatt set such store by this boy. He was a treasure. She held him by the shoulders and smiled into his bright blue eyes. “You are a wonderful boy, Robbie Whiting, and I can never be sad when you’re around.” He smiled, and she swallowed the lump in her throat.

Lord Alexander Clarke stood before her, looking quite regal in his frock coat and top hat. She couldn’t breathe. “You’re supposed to be on that boat,” she said, her voice trembling. “Going to London.” “London is no longer my home.” “But Lady Judith—” He stopped her. “She did not want to stay here.” “You were supposed to marry.” He shook his head. “I did not love her, nor did she love me.” She brushed her hands over her yellow apron, streaking dirt down the front of it as he stepped closer to her. The pounding of her heart seemed to echo in her ears. “Why do you Waldrons keep running?” “Micah and I—” she whispered. “We had to finish our journey.” He reached for her hand, and her heart leaped as he wrapped his strong fingers over hers and placed them on his heart. “The trail ends right here, Miss Waldron. With you and me.” “If you don’t call me ‘Samantha’—” He leaned forward and drowned her words with his kiss. Her body warmed in his embrace, her skin fluttering at his touch. Strong and tender. Powerful and passionate. Alex Clarke hadn’t gone to London. He was here, and he wanted to be with her.

Dressed in their aprons, their smiling faces like flowers, learning to cook, absorbed in their little troubles and per-plexities, they fall in love and marry. I think that's great. I wouldn't mind that kind of life. Me, when I'm utterly exhausted by it all, when my skin breaks out, on those lonely evenings when I call my friends again and again and nobody's home, then I despise my own life—my birth, my upbringing, everything. I feel only regret for the whole thing.

Wilhelm!” he called again. “Show yourself!” Wilhelm and a pair of his guards rounded the keep at a run. He reigned in Gil’s horse. “Where is she? Where is my wife?” “Right behind me. What happened, man? Are ye wounded?” Malina came running around the keep with Constance. Relief surged through him to see her blessedly unharmed, though her face was drawn with concern. She was worrit for him. He flew from the saddle and dashed to her. His ripped thigh protested, but he didn’t falter in his steps. Pain was nothing compared to the need to hold his sweet wife in his arms. Sweeping her up, he pinned her to his chest. Their hearts reached for each other with every beat. She clung to him as fiercely as he clung to her, and some of the horror of the last hour lifted from him. “Christ, lass, I thought…I thought—” He buried his face in her hair. She smelled of herbs and flowers, and underneath was her own scent of sugared custard. She wore a lovely kirtle of sapphire blue and an apron smudged with dirt as if she’d been doing chores in the garden. Her hair flowed like silk through his fingers as he ran his hand over her head and face, assuring himself she was hale, all except for the purple marks around her left eye from Hamish’s hand. Passing over her cheeks, his fingers came away wet with her tears. “Dinna weep, Malina mine. All is well.” “You’re hurt,” she cried. “Let me see. There’s so much blood.” “What happened?” Wilhelm demanded. “How much of the blood is yours?” Constance asked. He ignored all but Malina. “I’m all right, lass. I’m all right. Just a few scrapes.” He permitted himself a relieved breath as her face smoothed somewhat, but he refused to let her go. He couldn’t even bring himself to lower her feet to the ground. With Malina in his arms, he was whole. She wasn’t only his to love and protect; she was part of him. Realization struck him with blinding force. “I canna let ye go back,” he said. “I willna. You are mine, and I willna send you away to your time.” The tightness in his chest unfurled. Malina’s eyes widened with shock. Her rose-petal lips parted to say somat, but he silenced her with a kiss. He couldn’t help himself. Let her hate him for a time. He would find a way to earn her love and forgiveness. He’d earn them every day for the rest of his life.

I've got this problem, you see, and I thought that maybe you'd know what I should do about it." "Go on." "He's —" Amy was blushing now, head bent as she rolled and unrolled the hem of her apron between thumb and forefinger — "he's terribly handsome, you know." "You in love with him?" Leave it to Mira not to waste words.  "I . . . I think I might be." "Bleedin' hell Amy, you do have a problem." "I know.  And the thing is, he's engaged to someone else.  A colonial girl, down in Boston."  She looked up at Mira, her eyes desperate.  "I shouldn't be feeling this way, Mira.  He's not mine to dream over, he's not mine to think about, he's not mine, period — and yet I can't stop dreaming about him, I can't stop thinking about him, and just being in the same room with him is torment because I find myself wanting to do all these lustful, wicked things with him.  I'm wanton, Mira, the fruit of sin, and already I'm going the same route as —" "Oh, not this again, I won't hear it." "Mira, you know as well as I do that the circumstances of my birth are no secret!  This — this wantonness is just what Sylvanus always predicted for me, and it's all because I've got the blood of a —" Mira put up a hand.  "You say he's handsome?" "Yes." "Kind?" "Oh, yes — he defended me against my sisters, refused to let me slave over him, complimented me on my cooking, managed to trap Ophelia and Mildred into doing some work, and set an example at table last night over how he thinks I ought to be treated." "Well, hallelujah." "What?" "And you wonder why the hell ye're havin' lustful thoughts about him?!  Bleedin' hell, Amy, if I was in yer shoes, had a family like yours, and a man treated me like that, I'd be all over him like cream on milk." "Mira!" "Well, I would.  And ye know something?  I think that if he wants to treat ye nice, you damn well oughtta let him do it.  Ain't no one else in that house who does, and maybe the rest of 'em will learn by his example.  Hell, he might be a damned Brit, but if he can do that much for ye, then he's got my eternal gratitude.

What’s got you looking like something a dog dug up in the backyard?” Since she was wearing her apron with the ever-present wooden mixing spoon in her pocket, he swallowed the smart-ass retort that came to mind. “Not sleeping, I guess. After being in the middle of nowhere for the last month, being over in the bar in the middle of the city’s taking some getting used to.” She whacked him in the back of the head with that damn wooden spoon and he rubbed the spot. That might actually leave a knot. “Ow!” “You look at me, Sean Michael Kowalski.” He looked in the general vicinity of her face, and she took his chin in her hand and jerked his head up. “You look me in the eye, young man, and don’t you dare lie to me. Do you love Emma?” “Yes,” he said through gritted teeth. She released his face and he rubbed his jaw. “Well, that’s a start. And I’m going to guess you didn’t tell her that before you packed your stuff and moved out.” “I don’t know what I’m doing. Other that not getting any sympathy.” “If you’re looking for sympathy—” “I know. It’s between shit and syphilis in the dictionary.” So they’d all heard. Many times. “The brownies are good, though.

ANECDOTE So silent I when love was by He yawned, and turned away; But sorrow clings to my apron-strings, I have so much to say.

(...) even as a little girl I'd never never remarked how beautiful the tress were, how fine the leaves and bushes were, how beautiful flowerbeds were, truly, I'd never noticed, till then, how beautiful vegetables were, vegetables watered by fat ladies dressed in just their enormous aprons, aprons nobody put on anymore. Actually, a whole transformation was brought about by the person striding next to me like my nanny, my tutor, no need for the person to explain, or lecture, in fact it suited me fine and dandy, I was stubborn, took after my mother, let him try preaching to me, I wouldn't have looked at a thing on purpose, or noticed, I would have sulked, teared up, stared at the ground... But he just walked beside me, gazing around, and I looked where he looked, saw almost what he did, didn't check my watvh, I almost wished time would quit, so I might have walked in that space we had entered together, forever.

Is there anything you would like to say to the man who nominated you?” “Yes, actually. There is.” I turn slightly to face my boyfriend in the audience where he is just basking in the attention. “Clyde? We’re over. Done. Caput.” Clyde’s smug smile deflates and I turn to face the frozen host. “Also, I’m so not doing this.” Panic cracks like lightning across his features when I start to remove my apron. “Uhhh. B-but…don’t you want to meet our celebrity judges first?” “Nope.

His dark eyebrow arches at me and then he does something that makes the ground tremble under my feet. He shakes his head at me. Just a quick tweak of his head. Just one. He’s telling me no. That I can’t leave. That he isn’t allowing it. I feel the certainty of our communication down to my toes and automatically, my fingers leave the strings of my apron. I press my thighs together as tightly as possible so the resulting wetness doesn’t run down my inner thighs. Thank God my lower half is hidden by the worktable. Based on the way Sebastian’s blue eyes darken, however, he knows very well the effect his silent command is having on me.

The fragrance started off bright and happy, fresh-cut grass and sunshine, iced hibiscus tea, the best of a Sunday afternoon. Lavender and rose released their sweetness into the air so serenely you knew there was not a weed within ten yards of them. The scents filtered out through the store, and as Victoria and I watched, the customers began putting down their phones, looking about with greater interest, smiling at one another. "Well, you certainly made them friendly," Victoria said. I just smiled. The fragrance began to deepen. Vanilla, the clarion call of mothers in aprons and after-school cookies warm from the oven. The women's expressions softened. Your life can be like this, the fragrance said. Your children will love you. Then, slowly, lazily, in came the scent of jasmine. Victoria tilted her head. "Hello, troublemaker," she said. It floated out across the room, heavy and sensual, the essence of beautiful, younger women. Women who birthed children and wore bikinis within a month, or worse yet, never had children at all, their stomachs taut, their breasts ripe. Women who drew the wandering eyes of husbands. Then, even as the customers began shifting away from each other with polite, nervous smiles, there came another scent, lurking inside the jasmine, where it always waited- a touch of indole. A trail that led you downward, into the dirt. But not enough- the fragrance was still too sweet. It hovered in the store, off-kilter. "Hmm," Victoria said, her eyebrows pulling together. "Wait," I said. The want of balance was like an ache in the air. The fragrance reached out, searching, begging for completion. It didn't want sweet. It didn't want nice. And then, out of the skin, the sweat, the very heat of the women's thoughts, came the missing base note. Keen edged as a knife, it rose to meet the sweetness. Jealousy. As we watched, one of the women picked up a cashmere throw and clutched it to her chest. Another sat down on a leather couch, her arms spread out like a claim jumper. Mine. "Brilliant," Victoria said, stifling a laugh. "Absolutely brilliant.

We're making profiteroles." Profiteroles. Little cream puffs filled with vanilla ice cream and drowned in thick chocolate sauce. "Ha! I knew it!" he said triumphantly. "You already look ten times better. There is nothing as satisfying as making choux pastry." It was exactly what she was thinking. Choux pastry was literally one of her favorite things to make in the whole world. But she didn't tell him that. Instead, she grabbed an apron from a hook on the wall and tied it on. Together, they melted the butter with water in a saucepan, then added the flour, stirring with a wooden spoon until it pulled away from the sides and formed a ball- that was Rosie's favorite part, the way it came together like that. There was something so satisfying about it. Then they scooped the choux into bags and piped them into little circles on a baking sheet, competing to see who could do it better- Bodie was faster, but Rosie was neater.

With a resigned sigh, Cal leaned across the table and took a bite. And suddenly there she was. His mom, her fingers sticky with caramel, her apron dusty with flour, her smile for him and him alone. He chewed the pie, but didn’t taste the sweetness. He tasted home. He tasted safety and warmth and love. He tasted every time his parents had held him, or hugged him, or read him a story and tucked him in. Cal’s

Good evening, all.” The warm room was empty. Only the crackling fire and waiting furniture greeted him. His perfect posture dropped half an inch. So much for a triumphal entry.  He closed the door and removed his hat. “Did you all hear I was coming and decide to hide?” “Good evening, Nathaniel.” Kitty stepped into the parlor from the kitchen, removing her striped apron to reveal a yellow, rose-dotted dress that molded to her curves in a way Nathaniel hadn’t thought possible. Simple ringlets bobbed at her neck and an alluring grin threatened to topple his well-placed line of defense.  “Good evening, lovely lady.” Extinguishing every spark of emotion with the skill of a perfect marksman, Nathaniel draped himself in his cloak of dramatic charm and bowed deeply. He closed his eyes and inhaled through his nose. “Aw, Kitty, you have done it again. All I must do is savor that aroma to know this evening’s meal will very likely be the best I’ve ever tasted.” If he stayed jocular he wouldn’t be at risk of succumbing to the emotions that toyed with him so carelessly. Kitty rolled her eyes and started toward the fire. “Oh, Nathaniel. You’re always full of exaggerated compliments, though I thank you just the same.” The grin behind her eyes toyed with his humor. “Are you calling me a liar, Miss Campbell?” He stepped forward. Her lips twitched as if she held back a smile that yearned for exposure. “Should I be?” Before

Thomas led the way, but promptly stopped and pointed at the table. “Is that carrot pudding?” The glee in his face made Kitty want to toss the infernal pudding in the fire. She pursed her lips playfully and glared. “Aye, I adore carrot pudding. Or didn’t you know?”  Removing her apron, Kitty followed Eliza toward the parlor ignoring Thomas’s jesting as she walked upstairs. “Are you sure it’s the pudding you like—and not the man that will come to eat it?” His gentle laughter rumbled behind her as she and Eliza hurried upstairs.

The joy of Loretta’s homecoming was overshadowed by Henry’s rage. Friends with a murderin’ savage, was she? A Comanche slut, that’s what, kissin’ on him in broad daylight, comin’ home to shame them all with her Injun horse and heathen necklace. His land looked like a bloomin’ pincushion with all them heathen lances pokin’ up. He was gonna get shut of ’em, just like he had those horses. Half of ’em stole from white folks! Some trade that was! Loretta listened to his tirade in stony silence. When he wound down she said, “Are you quite finished?” “No, I ain’t!” He leveled a finger at her. “Just you understand this, young lady. If that bastard planted his seed in that belly of yours, it’ll be hell to pay. The second you throw an Injun brat, I’ll bash its head on a rock!” Loretta flinched. “And we call them animals?” Henry backhanded her, catching her on the cheek with stunning force. Loretta reeled and grabbed the table to keep from falling. Rachel screamed and threw herself between them. Amy’s muffled sobs could be heard coming up through the floor. “For the love of God, Henry, please…” Rachel wrung her hands in her apron. “Get a hold on your temper.” Henry swept Rachel aside. Leveling a finger at Loretta again, he snarled, “Don’t you sass me, girl, or I’ll tan your hide till next Sunday. You’ll show respect, by gawd.” Loretta pressed her fingers to her jaw, staring at him. Respect? Suddenly it struck her as hysterically funny. She had been captured by savages and dragged halfway across Texas. Never once, not even when he had just cause, had Hunter hit her with enough force to hurt her, and never in the face. She’d had to come home to receive that kind of abuse. She sank onto the planked bench and started to laugh, a high-pitched, half-mad laughter. Aunt Rachel crossed herself, and that only made her laugh harder. Henry stormed outside to get “those dad-blamed Indian lances” pulled up before a passing neighbor spied them and started calling them Injun lovers. Loretta laughed harder yet. Maybe she had gone mad. Stark, raving mad.

And sometimes an old woman, tiny and bent, who wore an apron and had pale green eyes and was the frequent stopping block to Hanna’s headlong rushes. She was strong, this little woman, always carrying Hanna around, and it appeared she was the housekeeper of the green house. Her love for the child was obvious, and she had no love for Fire. Fire had encountered her once in the orchard and found her mind as closed as Brigan’s. Her face, at the sight of the monster lady, had gone cold and unhappy.

a friend back in her hometown of Battle Point had thrown her a well-attended Apron Collection bridal shower, so Dolly owned an impressive variety of aprons, nineteen in all, one to match nearly every one of her dresses—because she had read somewhere that “nothing says ‘happy home’ to a husband like his smiling wife, in an apron and lovely dress, bidding him come to the table, where she has a colorful, balanced, hot meal waiting.

Are you out of cupcakes?” “No, not at all. Is that what you want?” “No, but it seems you’re pushing them today.” Kally crinkled her forehead. “Am I?” He pointed to her apron and smirked. “I’ll get over it if you will. Whatever that is,” he added with a wry smile. “Thanks again,” he said, and without another word, he walked out the door. “Well, isn’t he a bit of an ass,” Kally grumbled. “If you mean to say you’d like to bite his ass, I’m with you, girl!

She’d been trying to put distance between them, afraid that the strange attraction she felt for him would somehow be noticed and he’d think her incapable of doing her job. And all this time, he was in love with her! This would never do. Polly took a deep breath as she entered the kitchen. What if Mitch was there? What was she supposed to say? Mitch, I got your note, and, against my better judgment, I am finding myself very attracted to you, but I cannot imagine how a romance between us would work? Preposterous. That’s what it was. How could she even consider falling in love with a man who would keep her tied down to a family that… “Good morning, Polly!” Five cheerful voices greeted her as she entered the kitchen. They were all seated at the kitchen table, working on their…lessons? Isabella held up a slate. “I wite name!” Someone had clearly written Isabella on her slate, and underneath, Isabella had scribbled. “I’ve already done my spelling,” Louisa said. “And the other children are still working on theirs, but we should be ready for the rest of our lessons soon.” Then she held up a book. “Pastor, er, Uncle Frank said it was all right to borrow something from his study. I thought this looked interesting.” Robinson Crusoe. Not something Polly would have picked for the girl, but if she wanted to read it… “That sounds just fine.” Polly looked around the spotless kitchen. “Where’s Maddie?” Maddie came in the back door, drying her hands on her apron. “Just out finishing up a few things. I don’t know what you did to these children, but they’ve been well behaved all morning. Said they wanted you to get your rest and helped me with the washing up, then got right to their lessons.” Polly stared at them. “Really?” “Oh, yes,” Clara said, her smile filling her face. “We like you best of all of our nannies, and since the other ones left

Apron strings.... What do they mean? Your grandmas love or your mother's dream? We remember when every day when they wore these signs of love for ever lore...

Now we need to put buttercream on the sides, since we're not doing a naked cake..." She put a hand to her mouth. Oh, hell. He'd---barely---managed to keep quiet when she found excuses to touch him, but he wasn't going to let that go. He put down the spatula. "Did you say something about naked cakes?" Yes, Lindsay had mentioned naked cakes. clearly, she hadn't been thinking straight. This wasn't the best topic of conversation around Ryan Kwok, but it was difficult to think clearly in his presence----especially when he was wearing that dark T-shirt that clung to his muscles----so she just opened her mouth and words came out. "Naked cakes are...well...they've become popular in the past several years. You don't put frosting on the outside, so you can see all the different layers. There are also semi-naked cakes, which are..." To her horror, she'd forgotten. She wasn't even sure she'd be able to make chocolate ganache right now. Ryan's lips quirked in a way that said, I know exactly what you're thinking. "What are semi-naked cakes, Lindsay? Is that what happens when I take off my shirt before I eat some cake?" He reached around to the knot he'd tied at the back of his apron. Oh God. Did he intend to get semi-naked in the kitchen?

I want to take ten gazillion photos and put them on Instagram, since I'm proud of myself for baking and decorating this cake when I was horny as fuck." "Did you just say...?" "Did I just say what, Lindsay?" He wanted her to repeat his words, damn him. "That you're horny as fuck?" she said. "Might have done," he said innocently, as he started removing his clothes. No, his apron. He was only removing his apron. She did the same and hung it on a peg, bumping into him in the process. An accident. She hadn't done that on purpose. But then she was in his arms again, and he was kissing her, and God, why was he so good at this? His hands slipped beneath her T-shirt, touching her skin above the waistband of her jeans. It was enough to nearly make her combust, and at the same time, it frustrated her. She wrapped a leg around him and tried to climb him like a tree. He laughed softly, in a way that made her insides turn into runny strawberry filling

At the moment, he was looking for his friend Princess Anna. They were supposed to go into town and find a special present for the royal cook. The next day was her birthday, and Olaf loved picking out presents. Maybe they would get her a new apron. Or a nice new spatula! Pausing to think, Olaf raised one of his stick hands to his long carrot nose. That gave him an idea. Maybe Cook would like

Giti was killed, collecting pieces of her daughter’s flesh in an apron, screeching hysterically. Giti’s decomposing right foot, still in its nylon sock and purple sneaker, would be found on a rooftop two weeks later. At Giti’s fatiha, the day after the killings, Laila sat stunned in a roomful of weeping women. This was the first time that someone whom Laila had known, been close to, loved, had died.

Did she love him back?” I ask. Felicity tips the crushed wormwood from her pestle into the kettle. “I don’t remember. But it’s hard to believe anyone can truly love someone who took them without their consent.” “So why didn’t she leave him?” I ask. “It’s not always so simple. Maybe she learned to love him, in her own way. Maybe she was frightened of him. Maybe she began to love the underworld.” Felicity unfastens the ties of her apron, then tosses it onto a hook beside the stove. “Walking into hell is always the easiest part. It’s the coming back that takes work.

I’ve always loved uniforms: A fresh stack of T-shirts or a colored apron at a new job always told me who the boss wanted me to be. No guesswork, no mistakes, no standing out.

Because, do you think any of the other moms are buying cupcakes from Food Lion? How would that make Kitty look?” “Well, if it’s for Kitty, then Kitty should be helping.” Peter hops off the stool and comes up to me and slides his hands around my waist and tries to untie my apron strings. “Where is the kid?” I stare at him. “What… are you doing?” Peter looks at me like I’m a dummy. “I need an apron too if I’m going to help. I’m not trying to get my clothes all messed up.

Then you do your part. Observe him. Raise your standards. Demand what you need. Honor your commitment and hold him accountable if he’s not honoring his.” She wipes her hands against her apron. “But you aim to thrive. You always aim for more than survival, even if you fall, you don’t reach for the minimum. Do you hear me?

Tobias stands with the toddler in his arms as the baby points to the slide. “Don’t get me wrong, I love Josh,” she glances at her husband, who’s wearing a “eat my meat” apron over his hoodie, “but door number two sure is appealing.” “Door number two is a reformed egomaniac and gigantic ass, who I’ll have to fight every day for the rest of my life.

HONORING Who sings to the plants That are grown for our plates? Are they gathered lovingly In aprons or arms? Or do they suffer the fate Of the motor-driven whip Of the monster reaper? No song at all, only The sound of money Being stacked in a bank Who stitched the seams in my clothes One line after another? Was the room sweaty and dark With no hour to spare? Did she have enough to eat? Did she have a home anywhere? Or did she live on the floor? And where were the children? Or was the seamstress the child With no home of his or her own? Who sacrifices to make clothes For strangers of another country? And why? Let’s remember to thank the grower of food The picker, the driver, The sun and the rain. Let’s remember to thank each maker of stitch And layer of pattern, The dyer of color In the immense house of beauty and pain. . . . Let’s honor the maker. Let’s honor what’s made.

since the accident. I don’t know what her problem was. After all, I was a “hero.” At least the newspaper said so. “Hey, Alex,” she said, twirling her ponytail with her pencil. “Oh, hi,” I stammered, looking down at my burger. “You guys sounded really great in the talent show. I didn’t know you could sing like that.” “Uhh, thanks. It must be all the practice I get with my karaoke machine.” Oh God, did I just tell her I sing karaoke? Definitely not playing it cool, I thought to myself. TJ butted in, “Yeah, Small Fry was ok, but I really carried the show with my awesome guitar solo.” He smiled proudly. “Shut up, TJ,” I said, tossing a fry at him, which hit him between the eyes. “Hey, watch it, Baker. Just because you’re a ‘hero’ doesn’t mean I won’t pummel you.” “Yeah, right,” I said, smiling. Emily laughed. “Maybe we could come over during Christmas break and check out your karaoke machine. Right, Danielle?” Danielle rolled her eyes and sighed. “Yeah, whatever.” I gulped. “Uhhh…yeah…that sounds great.” “Ok, give me your hand,” she said. “My hand,” I asked, surprised. “Yep,” she said, grabbing my wrist and opening my palm. “Here’s my number,” she said, writing the numbers 585-2281 in gold glitter pen on my palm.” I will never wash my hand again, I thought to myself. “Text me over break, ok?” she said, smiling brightly. “Yeah, sure,” I nodded, as she walked away giggling with Danielle. “Merry Christmas to me!” I whispered to TJ and Simon. “Yeah, there’s just one problem, Dufus,” TJ said. “Oh yeah, what’s that, TJ? That she didn’t give you her number?” I asked. “No, Dork. How are you going to text her if you don’t have a cell phone?” He smiled. “Oh, right,” I said, slumping down in my seat. “That could be a problem.” “You could just call her on your home phone,” Simon suggested, wiping his nose with a napkin. “Yeah, sure,” TJ chuckled. “Hi Emily, this is Alex Baker calling from the year 1984.” He held his pencil to his ear like a phone.  “Would you like to come over to play Atari? Then maybe we can solve my Rubik’s Cube while we break dance ….and listen to New Kids on the Block.” He was cracking himself up and turning bright red. “Maybe I’ll type you a love letter on my typewriter. It’s so much cooler than texting.” “Shut up, TJ,” I said, smiling. “I’m starting to remember why I didn’t like you much at the beginning of the year.” “Lighten up, Baker. I’m just bustin’ your chops. Christmas is coming. Maybe Santa will feel sorry for your dorky butt and bring you a cell phone.” Chapter 2 ePhone Denied When I got home from school that day, it was the perfect time to launch my cell phone campaign. Mom was in full Christmas mode. The house smelled like gingerbread. She had put up the tree and there were boxes of ornaments and decorations on the floor. I stepped over a wreath and walked into the kitchen. She was baking sugar cookies and dancing around the kitchen to Jingle Bell Rock with my little brother Dylan. My mom twirled Dylan around and smiled. She was wearing the Grinch apron that we had given her last Christmas. Dylan was wearing a Santa hat, a fake beard, and of course- his Batman cape. Batman Claus. “Hey Honey. How was school?” she asked, giving Dylan one more spin. “It was pretty good. We won second place in the talent show.” I held up the candy cane shaped award that Ms. Riley had given us. “Great job! You and TJ deserved it. You practiced hard and it payed off.” “Yeah, I guess so,” I said, grabbing a snicker-doodle off the counter. “And now it’s Christmas break! I bet your excited.” She took a tray of cookies out of the oven and placed

Shit.” He suddenly sets down the carver. “You know what I need?” “What?” “An apron.” He disappears into the pantry adjacent to the kitchen then sticks his head out. “Do you want one too?” Lord. Can I handle him in an apron? “Um, sure.” Tripp is pulling one over his neck when he walks back out, a basic black canvas getup he’s tying around his waist. Has an identical one for me. Standing in front of me, mere inches away, he slides the thin straps over my head, pulls it down and sizes it. Creates a fold in front so it’s not too long, then slides his arms behind my back, loops it around once, and ties it in a bow at my belly button. “Well then. Aren’t you fucking adorable.” He leans forward, kissing me on the tip of the nose. What the what has gotten into him? What the hell is in this wine?

Harriet Nelson was my idol when I was growing up. She was everything I wanted to become-- a wife, a mother, and a homemaker. I watched The Adventures of Ozzie and Harriet every week on television, reverently noting Harriet's clever way with her husband and sons, her calm demeanor, how she dressed up each day to stay at home taking care of her family. I loved how they worshipped her. And I coveted her apron. My own mother was an amazing woman; long before it was the norm, she had a college degree, worked full time, and raised six children. She enjoyed her career and was successful at it, but as far as I was concerned, the job I wanted was Harriet's.

I love you, too, Chuck,” he replies easily, the edge of his mouth turning up in a genuine smile. “I have since the moment you asked for that hug at the Valentine's Day dance.” Ranger cups the back of my head, kissing me long and deep, his tongue swirling against mine, and then he pulls back to put his forehead to mine. “Now. Get off this counter and turn around. I'm slapping that ass, and fucking you in that apron—just like I promised. We'll finish our baking afterward.

So, I did some illustrations." Turning the laptop around again, I explain each drawing as I click through them. I've drawn a couple of the most recent dishes and also ones from the most popular episodes of Lily's, Katherine's, and Nia's series---baba ghanoush and samosas from World on a Plate, Easy Peasy Split Pea Soup and Julia Child's Play Boeuf Bourguignon from Fuss-Free Foodie, and a baked Alaska and cannoli cheesecake from Piece of Cake. I've also done some minimalist illustrations of each of the Friends, highlighting their respective settings and personal style with mostly solid colors and basic shapes. Since Rajesh's show takes him to a lot of different restaurants around the country, I've drawn him with wavy black hair and brown skin, standing under a generic restaurant sign and wearing a graphic T-shirt and the green backpack he always carries on his travels. Seb and Aiden are side by side in the FoF studio, in their white and red aprons, respectively, and looking like the little culinary angel and devil on your shoulder. And I've depicted Katherine standing in one of the prep kitchens with her hands on her hips and her wild auburn hair piled in a bun atop her head. She's surrounded by plates of miscellaneous food and the yellow notepad she jots her recipes down on, using the most basic steps and terms, and then displays on camera at the end of each episode.

Now put me to work like the tyrant I know you are.” “Finn Rimes, I’ve waited my whole life for someone to say those words.” She handed him an apron. “Suit up, Minion.

We sometimes went on long hikes, to the woods around Czernovitz, a day's outing. Everyone carried a knapsack on the back, wore shoes with heavy soles and white, knee-high cotton socks. The girls wore a "dirndl" which consisted of a white blouse, a flowered skirt and a little apron, adorned with lace. It was the way the Tyrolians dressed, an old Austrian custom. Sometimes, we would sit in a meadow and one or another would read aloud. Paul Antschel, who later changed his name to Celan, loved to read to the group poems by Rainer Maria Rilke, in German, of course. Sometimes we'd read aloud H. Heine poems and sometimes we'd sing.