Jude The Obscure Quotes

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People go on marrying because they can't resist natural forces, although many of them may know perfectly well that they are possibly buying a month's pleasure with a life's discomfort.
Thomas Hardy (Jude the Obscure)
But no one came. Because no one ever does.
Thomas Hardy (Jude the Obscure)
You have never loved me as I love you--never--never! Yours is not a passionate heart--your heart does not burn in a flame! You are, upon the whole, a sort of fay, or sprite-- not a woman!
Thomas Hardy (Jude the Obscure)
Remember that the best and greatest among mankind are those who do themselves no worldly good. Every successful man is more or less a selfish man. The devoted fail...
Thomas Hardy (Jude the Obscure)
But his dreams were as gigantic as his surroundings were small.
Thomas Hardy (Jude the Obscure)
Sometimes a woman's love of being loved gets the better of her conscience, and though she is agonized at the thought of treating a man cruelly, she encourages him to love her while she doesn't love him at all. Then, when she sees him suffering, her remorse sets in, and she does what she can to repair the wrong.
Thomas Hardy (Jude the Obscure)
At first I did not love you, Jude; that I own. When I first knew you I merely wanted you to love me. I did not exactly flirt with you; but that inborn craving which undermines some women's morals almost more than unbridled passion--the craving to attract and captivate, regardless of the injury it may do the man--was in me; and when I found I had caught you, I was frightened. And then--I don't know how it was-- I couldn't bear to let you go--possibly to Arabella again--and so I got to love you, Jude. But you see, however fondly it ended, it began in the selfish and cruel wish to make your heart ache for me without letting mine ache for you.
Thomas Hardy (Jude the Obscure)
I may do some good before I am dead--be a sort of success as a frightful example of what not to do; and so illustrate a moral story.
Thomas Hardy (Jude the Obscure)
You concede nothing to me and I have to concede everything to you.
Thomas Hardy (Jude the Obscure)
Teach me to live, that I may dread The grave as little as my bed. Teach me to die…
Thomas Hardy (Jude the Obscure)
We ought to have lived in mental communion, and no more.
Thomas Hardy (Jude the Obscure)
Somebody might have come along that way who would have asked him his trouble, and might have cheered him by saying that his notions were further advanced than those of his grammarian. But nobody did come, because nobody does; and under the crushing recognition of his gigantic error Jude continued to wish himself out of the world.
Thomas Hardy (Jude the Obscure)
--the ethereal, fine-nerved, sensitive girl, quite unfitted by temperament and instinct to fulfil the conditions of the matrimonial relation with Phillotson, possibly with scarce any man...
Thomas Hardy (Jude the Obscure)
...it is foreign to a man's nature to go on loving a person when he is told that he must and shall be that person's lover. There would be a much likelier chance of his doing it if he were told not to love. If the marriage ceremony consisted in an oath and signed contract between the parties to cease loving from that day forward, in consideration of personal possession being given, and to avoid each other's society as much as possible in public, there would be more loving couples than there are now. Fancy the secret meetings between the perjuring husband and wife, the denials of having seen each other, the clambering in at bedroom windows, and the hiding in closets! There'd be little cooling then.
Thomas Hardy (Jude the Obscure)
Done because we are too many.
Thomas Hardy
Women are so strange in their influence that they tempt you to misplaced kindness.
Thomas Hardy (Jude the Obscure)
Be a good boy, remember; and be kind to animals and birds, and read all you can.
Thomas Hardy (Jude the Obscure)
Always wanting another man than your own.
Thomas Hardy (Jude the Obscure)
He waited day after day, saying that it was perfectly absurd to expect, yet expecting.
Thomas Hardy (Jude the Obscure)
You are Joseph the dreamer of dreams, dear Jude. And a tragic Don Quixote. And sometimes you are St. Stephen, who, while they were stoning him, could see Heaven opened. Oh, my poor friend and comrade, you'll suffer yet!
Thomas Hardy (Jude the Obscure)
I hate to be what is called a clever girl--there are too many of that sort now!
Thomas Hardy (Jude the Obscure)
you dear, sweet, tantalizing phantom--hardly flesh at all; so that when I put my arms round you I almost expect them to pass through you as through air!
Thomas Hardy (Jude the Obscure)
you are absolutely the most ethereal, least sensual woman I ever knew to exist without inhuman sexlessness.
Thomas Hardy (Jude the Obscure)
He's charmed by her as if she were some fairy!" continued Arabella. "See how he looks round at her, and lets his eyes rest on her. I am inclined to think that she don't care for him quite so much as he does for her. She's not a particular warm-hearted creature to my thinking, though she cares for him pretty middling much-- as much as she's able to; and he could make her heart ache a bit if he liked to try--which he's too simple to do.
Thomas Hardy (Jude the Obscure)
My wicked heart will ramble on in spite of myself. (Arabella)
Thomas Hardy (Jude the Obscure)
You simply mean that you flirted outrageously with him, poor old chap, and then repented, and to make reparation, married him, though you tortured yourself to death by doing it.
Thomas Hardy (Jude the Obscure)
As Antigone said, I am neither a dweller among men nor ghosts.
Thomas Hardy (Jude the Obscure)
What at night had been perfect and ideal was by day the more or less defective real.
Thomas Hardy (Jude the Obscure)
You don't talk quite like a girl who has had no advantages.
Thomas Hardy (Jude the Obscure)
The beggarly question of parentage--what is it, after all? What does it matter, when you come to think of it, whether a child is yours by blood or not? All the little ones of our time are collectively the children of us adults of the time, and entitled to our general care. That excessive regard of parents for their own children, and their dislike of other people's, is, like class-feeling, patriotism, save-your-own-soul-ism, and other virtues, a mean exclusiveness at bottom.
Thomas Hardy (Jude the Obscure)
I can't bear that they, and everybody, should think people wicked because they may have chosen to live their own way!
Thomas Hardy (Jude the Obscure)
But nobody did come, because nobody does: and under the crushing recognition of his gigantic error Jude continued to wish himself out if the world.
Thomas Hardy (Jude the Obscure)
Only a wall divided him from those happy young contemporaries of his with whom he shared a common mental life; men who had nothing to do from morning till night but to read, mark, learn, and inwardly digest. Only a wall—but what a wall!
Thomas Hardy (Jude the Obscure)
Events did not rhyme quite as he had thought.
Thomas Hardy (Jude the Obscure)
But a new thing, a great hitch, had happened yesterday in the gliding and noiseless current of his life, and he felt as a snake must feel who has sloughed off its winter skin, and cannot understand the brightness and sensitiveness of its new one.
Thomas Hardy (Jude the Obscure)
That mercy towards one set of creatures was cruelty towards another sickened his sense of harmony. As you got older, and felt yourself to be at the center of your time, and not at a point in its circumference, as you had felt when you were little, you were seized with a sort of shuddering, he perceived. All around you there seemed to be something glaring, garish, rattling, and the noises and glares hit upon the little cell called your life, and shook it, and warped it.
Thomas Hardy (Jude the Obscure)
I shan't forget you, Jude,' he said, smiling, as the cart moved off. 'Be a good boy, remember; and be kind to animals and birds, and read all you can.
Thomas Hardy (Jude the Obscure)
It was quite impossible, he found, to ask to be delivered from temptation when your heart’s desire was to be tempted unto seventy times seven.
Thomas Hardy (Jude the Obscure)
Like enthusiasts in general, he made no inquiries into details of procedure.
Thomas Hardy (Jude the Obscure)
I have sometimes thought--that under the affectation of independent views you are as enslaved to the social code as any woman I know!
Thomas Hardy (Jude the Obscure)
Then if children make so much trouble, why do people have 'em?
Thomas Hardy (Jude the Obscure)
But it was also obvious that man could not live by work alone; that the particular man Jude, at any rate, wanted something to love.
Thomas Hardy (Jude the Obscure)
the social moulds civilization fits us into have no more relation to our actual shapes than the conventional shapes of the constellations have to the real star-patterns.
Thomas Hardy (Jude the Obscure)
The intentions as to reading, working, and learning, which he had so precisely formulated only a few minutes earlier, were suffering a curious collapse into a corner, he knew not how.
Thomas Hardy (Jude the Obscure)
Some of the most passionately erotic poets have been the most self-contained in their daily lives.
Thomas Hardy (Jude the Obscure)
be kind to animals and birds, and read all you can.
Thomas Hardy (Jude the Obscure)
Love has its own dark morality when rivalry enters in.
Thomas Hardy (Jude the Obscure)
I have no fear of men, as such, nor of their books. I have mixed with them--one or two of them particularly-- almost as one of their own sex. I mean I have not felt about them as most women are taught to feel--to be on their guard against attacks on their virtue; for no average man-- no man short of a sensual savage--will molest a woman by day or night, at home or abroad, unless she invites him. Until she says by a look 'Come on' he is always afraid to, and if you never say it, or look it, he never comes.
Thomas Hardy (Jude the Obscure)
Why should we faint, and fear to live alone, Since all alone, so Heaven has will’d, we die?
Thomas Hardy (Jude the Obscure)
They had done nothing but wait, and had become poetical. How easy to the smallest building; how impossible to most men.
Thomas Hardy (Jude the Obscure)
For the present he was outside the gates of everything, colleges included: perhaps some day he would be inside. Those palaces of light and leading; he might some day look down on the world through their panes.
Thomas Hardy (Jude the Obscure)
Well, here I am, just come home; a fellow gone to the bad; though I had the best intentions in the world at one time. Now I am melancholy mad, what with drinking and one thing and another.
Thomas Hardy (Jude the Obscure)
I can't bear that they,and everybody, should think people wicked because they may have chosen to live their own way!It is really these opinions that make the best intentioned people reckless, and actually become immoral!
Thomas Hardy (Jude the Obscure)
Let that day be darkness; let not God regard it from above, neither let the light shine upon it. Lo, let that night be solitary, let no joyful voice come within.
Thomas Hardy (Jude the Obscure)
We are acting by the letter; and 'the letter killeth.
Thomas Hardy (Jude the Obscure)
Well -- I'm an outsider to the end of my days!
Thomas Hardy (Jude the Obscure)
I have been thinking ... that the social moulds civilization fits us into have no more relation to our actual shapes than the conventional shapes of the constellations have to the real star-patterns. I am called Mrs. Richard Phillotson, living a calm wedded life with my counterpart of that name. But I am not really Mrs. Richard Phillotson, but a woman tossed about, all alone, with aberrant passions, and unaccountable antipathies…
Thomas Hardy (Jude the Obscure)
A cloud that has gathered over us; though 'we have wronged no man, corrupted no man, defrauded no man!' Though perhaps we have 'done that which was right in our own eyes.
Thomas Hardy (Jude the Obscure)
but she remained more or less and ideal character, about whose form he began to weave curious and fantastic day-dreams.
Thomas Hardy (Jude the Obscure)
Women were different from men in such matters. Was it that they were, instead of more sensitive, as reputed, more callous, and less romantic ; or were they more heroic?
Thomas Hardy (Jude the Obscure)
He supposed he was not a sufficiently dignified person for suicide.Peaceful death abhorred him as a subject and would not take him.
Thomas Hardy (Jude the Obscure)
The purpose of a chronicler of moods and deeds does not require him to express his personal views upon the grave controversy above given.
Thomas Hardy (Jude the Obscure)
Every desired renewal of an existence is debased by being half alloy.
Thomas Hardy (Jude the Obscure)
All laughing comes from misapprehension. Rightly looked at there is no laughable thing under the sun.
Thomas Hardy (Jude the Obscure)
It takes two or three generations to do what I tried to do in one; and my impulses--affections--vices perhaps they should be called-- were too strong not to hamper a man without advantages; who should be as cold-blooded as a fish and as selfish as a pig to have a really good chance of being one of his country's worthies. You may ridicule me--I am quite willing that you should-- I am a fit subject, no doubt. But I think if you knew what I have gone through these last few years you would rather pity me. And if they knew"--he nodded towards the college at which the dons were severally arriving--"it is just possible they would do the same.
Thomas Hardy (Jude the Obscure)
Your worldly failure, if you have failed, is to your credit rather than to your blame. Remember that the best and greatest among mankind are those who do themselves no worldly good. Every successful man is more or less a selfish man. The devoted fail.
Thomas Hardy (Jude the Obscure)
Yea, many there be that have run out of their wits for women, and become servants for their sakes. Many also have perished, have erred, and sinned, for women… O ye men, how can it be but women should be strong, seeing they do thus?"—Esdras.
Thomas Hardy (Jude the Obscure)
It is a difficult question, my friends, for any young man-- that question I had to grapple with, and which thousands are weighing at the present moment in these uprising times-- whether to follow uncritically the track he finds himself in, without considering his aptness for it, or to consider what his aptness or bent may be, and re-shape his course accordingly. I tried to do the latter, and I failed. But I don't admit that my failure proved my view to be a wrong one, or that my success would have made it a right one; though that's how we appraise such attempts nowadays--I mean, not by their essential soundness, but by their accidental outcomes. If I had ended by becoming like one of these gentlemen in red and black that we saw dropping in here by now, everybody would have said: 'See how wise that young man was, to follow the bent of his nature!' But having ended no better than I began they say: 'See what a fool that fellow was in following a freak of his fancy!
Thomas Hardy (Jude the Obscure)
The yard was a little centre of regeneration. Here, with keen edges and smooth curves, were forms in the exact likeness of those he had seen abraded and time-eaten on the walls. These were the ideas in modern prose which the lichened colleges presented in old poetry. Even some of those antiques might have been called prose when they were new. They had done nothing but wait, and had become poetical. How easy to the smallest building; how impossible to most men.
Thomas Hardy (Jude the Obscure)
They seemed, like himself, to be living in a world which did not want them.
Thomas Hardy (Jude the Obscure)
People say I must be cold–natured—sexless—on account of it. But I won’t have it! Some of the most passionately erotic poets have been the most self–contained in their daily lives.
Thomas Hardy (Jude the Obscure)
Perhaps you are making a cat's paw of me with Phillotson all this time. Upon my word it almost seems so--to see you sitting up there so prim.
Thomas Hardy (Jude the Obscure)
But nobody did come, because nobody does;
Thomas Hardy (Jude the Obscure)
To adorn her in somebody else’s eyes; never again in mine.
Thomas Hardy (Jude the Obscure)
I have been thinking", she continued, still in the tone of one brimful of feeling, "that the social moulds civilization fits us into have no more relation to our actual shapes than the conventional shapes of the constellations have to the real star-patterns.
Thomas Hardy (Jude the Obscure)
I had a neat stock of fixed opinions, but they dropped away one by one; and the further I get the less sure I am. I doubt if I have anything more for my present rule of life than following inclinations which do me and nobody else any harm, and actually give pleasure to those I love best. There, gentlemen, since you wanted to know how I was getting on, I have told you. Much good may it do you! I cannot explain further here. I perceive there is something wrong somewhere in our social formulas: what it is can only be discovered by men or women with greater insight than mine--if, indeed, they ever discover it-- at least in our time. 'For who knoweth what is good for man in this life?--and who can tell a man what shall be after him under the sun?
Thomas Hardy (Jude the Obscure)
and she had altogether the air of a woman clipped and pruned by severe discipline, an under–brightness shining through from the depths which that discipline had not yet been able to reach.
Thomas Hardy (Jude the Obscure)
The Fawleys were not made for wedlock: it never seemed to sit well upon us. There's sommat in our blood that won't take kindly to the notion of being bound to do what we do readily enough if not bound. ...
Thomas Hardy (Jude the Obscure)
With Sue as companion he could have renounced his ambitions with a smile. Without her it was inevitable that the reaction from the long strain to which he had subjected himself should affect him disastrously.
Thomas Hardy (Jude the Obscure)
Beautiful city! so venerable, so lovely, so unravaged by the fierce intellectual life of our century, so serene!… Her ineffable charm keeps ever calling us to the true goal of all of us, to the ideal, to perfection
Thomas Hardy (Jude the Obscure)
Is it that the women are to blame; or is it the artificial system of things, under which the normal sex-impulses are turned into devilish domestic gins and springes to noose and hold back those who want to progress?
Thomas Hardy (Jude the Obscure)
It's tucked away in a quiet corner, shadowed and obscured, no part of the Nightside's usual bright gaudy neon noir. It doesn't advertise and it doesn't care if you habitually pass by on the other side. It's just there for when you need it. Dedicated to the patron saint of lost causes, St. Jude's is an old old place... St. Jude's isn't a place for comfort for frills and fancies and the trappings of religion. just a place where you can talk to your god and sometimes get an answer.
Simon R. Green (Agents of Light and Darkness (Nightside, #2))
He might fast and pray during the whole interval, but the human was more powerful in him than the Divine.
Thomas Hardy (Jude the Obscure)
If he could only prevent himself growing up! He did not want to be a man.
Thomas Hardy (Jude the Obscure)
He read whenever he could as he walked to and from his work.
Thomas Hardy (Jude the Obscure)
Oh, my poor friend and comrade, you'll suffer yet!
Thomas Hardy (Jude the Obscure)
I have understanding as well as you; I am not inferior to you: yea, who knoweth not such things as these?"—Job xii. 3.
Thomas Hardy (Jude the Obscure)
Well, because it is provokingly wrong. I am a sort of negation of it." "You are very philosophical. 'A negation' is profound talking.
Thomas Hardy (Jude the Obscure)
Above the youth's inspired and flashing eyes/I see the motley, mocking fool's-cap rise.
Thomas Hardy (Jude the Obscure)
Jude waited at all the evening downstairs. At a very late hour the intelligence was bought to him that a child had been prematurely born, and that it, like the others, was a corpse.
Thomas Hardy (Jude the Obscure)
The theologians, the apologists, and their kin the metaphysicians, the high-handed statesmen, and others, no longer interest me. All that has been spoilt for me by the grind of stern reality!
Thomas Hardy (Jude the Obscure)
Jude continued his walk homeward alone, pondering so deeply that he forgot to feel timid. He suddenly grew older. It had been the yearning of his heart to find something to anchor on, to cling to—for some place which he could call admirable. Should he find that place in this city if he could get there? Would it be a spot in which, without fear of farmers, or hindrance, or ridicule, he could watch and wait, and set himself to some mighty undertaking like the men of old of whom he had heard? As the halo had been to his eyes when gazing at it a quarter of an hour earlier, so was the spot mentally to him as he pursued his dark way.
Thomas Hardy (Jude the Obscure)
No average man will molest a woman by day or night, at home or abroad, unless she invites him. Until she says by a look "Come on" he is always afraid to, and if you never say it, or look it, he never comes.
Thomas Hardy (Jude the Obscure)
By every law of nature and sex a kiss was the only rejoinder that fitted the mood and the moment, under the suasion of which Sue’s undemonstrative regard of him might not inconceivably have changed its temperature.
Thomas Hardy (Jude the Obscure)
If he had been a woman he must have screamed under the nervous tension which he was now undergoing. But that relief being denied to his virility, he clenched his teeth in misery, bringing lines about his mouth like those in the Laocoön, and corrugations between his brows.
Thomas Hardy (Jude the Obscure)
She was in a sound sleep, Jude, dying of anxiety lest she should have caught a chill which might permanently injure her, was glad to hear the regular breathing. He softly went nearer to her, and observed that a warm flush now rosed her hitherto blue cheeks, and felt that her hanging hand was no longer cold. Then he stood with his back to the fire regarding her, and saw in her almost a divinity.
Thomas Hardy (Jude the Obscure)
Era racchiusa in un firmamento di luci e sibili acuti che somigliava a un cielo pieno di meteore, proprio lì, a portata di mano.
Thomas Hardy (Far From The Madding Crowd +5 Thomas Hardy Classics: Tess of the d'Urbervilles, Jude The Obscure, The Return Of The Native, The Mayor Of Casterbridge, ... The Greenwood Tree[+30 Audiobooks + Movies])
And then he again uneasily saw, as he had latterly seen with more and more frequency, the scorn of Nature for man’s finer emotions, and her lack of interest in his aspirations.
Thomas Hardy (Jude the Obscure)
An average woman is in this superior to an average man—that she never instigates, only responds.
Thomas Hardy (Jude the Obscure)
I have no fear of men, as such, nor of their books
Thomas Hardy (Jude the Obscure)
This weakness of character... suggested that he was the sort of man who was born to ache a good deal before the fall of the curtain on his unncessary life.
Thomas Hardy (Jude the Obscure)
And so, standing before the aforesaid officiator, the two swore that at every other time of their lives till death took them, they would assuredly believe, feel, and desire precisely as they had believed, felt, and desired during the few preceding weeks. What was as remarkable as the undertaking itself was the fact that nobody seemed at all surprised at what they swore.
Thomas Hardy (Jude the Obscure)
It was as if we were having two different conversations. Which wasn’t that surprising after all, as we were clearly having two entirely different experiences of breaking up. His was soft, cushioned; Jude and his friends had broken his fall. Mine was cold, empty and bereft. I was freefalling in space and time, with nobody standing by to stop me hurtling headlong into obscurity.
Ruth Mancini (Swimming Upstream)
She saw that he had singled her out from the three, as a woman is singled out in such cases, for no reasoned purpose of further acquaintance, but in commonplace obedience to conjunctive orders from headquarters, unconsciously received by unfortunate men when the last intention of their lives is to be occupied with the feminine.
Thomas Hardy (Jude the Obscure)
The spring came and calmed her; the summer came and soothed her; the autumn arrived, and she began to be comforted, for her little girl was strong and happy, growing in size and knowledge every day.
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
His supper still remained spread; and going to the front door, and softly setting it open, he returned to the room and sat as watchers sit on Old-Midsummer eves, expecting the phantom of the Beloved. But she did not come.
Thomas Hardy (Jude the Obscure)
Yes. I—I can't help liking her—just a little bit! She's not an ungenerous nature; and I am so glad her difficulties have all suddenly ended." She explained how Arabella had been summoned back, and would be enabled to retrieve her position. "I was referring to our old question. What Arabella has been saying to me has made me feel more than ever how hopelessly vulgar an institution legal marriage is—a sort of trap to catch a man—I can't bear to think of it. I wish I hadn't promised to let you put up the banns this morning!
Thomas Hardy (Jude the Obscure)
Some women’s love of being loved is insatiable ; and so, often, is their love of loving; and in the last case they may find that they can’t give it continuously to the chamber-officer appointed by the bishop’s licence to receive it.
Thomas Hardy (Jude the Obscure)
You are one of the very men Christminster was intended for when the colleges were founded; a man with a passion for learning, but no money, or opportunities, or friends. But you were elbowed off the pavement by the millionaires' sons.
Thomas Hardy (Jude the Obscure)
whether to follow uncritically the track he finds himself in, without considering his aptness for it, or to consider what his aptness or bent may be, and reshape his course accordingly. I tried to do the latter, and I failed. But I don't admit that my failure proved my view to be a wrong one, or that my success would have made it a right one; though that's how we appraise such attempts nowadays.
Thomas Hardy (Jude the Obscure)
Biblioll College. Sir,—I have read your letter with interest; and, judging from your description of yourself as a working-man, I venture to think that you will have a much better chance of success in life by remaining in your own sphere and sticking to your trade than by adopting any other course. That, therefore, is what I advise you to do. Yours faithfully, T. Tetuphenay. To Mr. J. Fawley, Stone-mason.
Thomas Hardy (Jude the Obscure)
The rain still continued, the candlelight falling upon the nearest drops and making glistening darts of them as they descended across the throng of invisible ones behind. To plunge into that medium was to plunge into water slightly diluted with air.
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
I have been looking at the marriage service in the Prayer-book, and it seems to me very humiliating that a giver-away should be required at all. According to the ceremony as there printed, my bridegroom chooses me of his own will and pleasure; but I don’t choose him. Somebody gives me to him, like a she-ass or she-goat, or any other domestic animal.
Thomas Hardy (Jude the Obscure)
Then he stood with his back to the fire regarding her, and saw in her almost a divinity.
Thomas Hardy (Jude the Obscure)
The creeping plants about the old manor-house were bowed with rows of heavy water drops, which had upon objects behind them the effect of minute lenses of high magnifying power.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
He was altogether too much for her, and Bathsheba seemed as one who, facing a reviving wind, finds it blow so strongly that it stops the breath.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
It seemed impossible that modern thought could house itself in such decrepit and superseded chambers.
Thomas Hardy (Jude the Obscure)
He knew he should go to see her again, according to her invitation. Those earnest men he read of, the saints, whom Sue, with gentle irreverence, called his demi-gods, would have shunned such encounters if they doubted their own strength. But he could not. He might fast and pray during the whole interval, but the human was more powerful in him than the Divine.
Thomas Hardy
In the middle of the porch was a vertical sun-dial, whose gnomon swayed loosely about when the wind blew, and cast its shadow hither and thither, as much as to say, ‘Here’s your fine model dial; here’s any time for any man; I am an old dial; and shiftiness is the best policy.
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
But you shouldn't have let her. That's the only way with these fanciful women that chaw high--innocent or guilty. She'd have come round in time. We all do! Custom does it! It's all the same in the end! However, I think she's fond of her man still--whatever he med be of her. You were too quick about her. I shouldn't have let her go! I should have kept her chained on-- her spirit for kicking would have been broke soon enough! There's nothing like bondage and a stone-deaf taskmaster for taming us women. Besides, you've got the laws on your side. Moses knew.
Thomas Hardy (Jude the Obscure)
Life with a man is more businesslike after it, and money matters work better. And then, you see, if you have rows, and he turns you out of doors, you can get the law to protect you, which you can't otherwise, unless he half-runs you through with a knife, or cracks your noddle with a poker. And if he bolts away from you--I say it friendly, as woman to woman, for there's never any knowing what a man med do-- you'll have the sticks o' furniture, and won't be looked upon as a thief.
Thomas Hardy (Jude the Obscure)
Boldwood always carried with him a social atmosphere of his own, which everybody felt who came near him; and the talk, which Bathsheba's presence had somewhat suppressed, was now totally suspended.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
I have been thinking," she continued, still in the tone of one brimful of feeling, "that the social moulds civilization fits us into have no more relation to our actual shapes than the conventional shapes of the constellations have to the real star-patterns. I am called Mrs. Richard Phillotson, living a calm wedded life with my counterpart of that name. But I am not really Mrs. Richard Phillotson, but a woman tossed about, all alone, with aberrant passions, and unaccountable antipathies...
Thomas Hardy
I read it too, imagined I was one of the group, munching coffee cake (none handy) and sipping wine (this I managed). “What did you think of Jude, Anna?” Christine Gray would ask me, and I’d say I found it rather obscure. We’d laugh. They’re laughing now, in fact. I try laughing with them. I take a sip.
A.J. Finn (The Woman in the Window)
I am certain one ought to be allowed to undo what one has done so ignorantly ! I daresay it happens to lots of women; only they submit, and I kick.... When people of a later age look back upon the barbarous customs and superstitions of the times that we have the unhappiness to live in, what will they say!
Thomas Hardy (Jude the Obscure)
Children begin with detail, and learn up to the general; they begin with the contiguous, and gradually comprehend the universal. The boy seemed to have begun with the generals of life, and never to have concerned himself with the particulars. To him the houses, the willows, the obscure fields beyond, were apparently regarded not as brick residences, pollards, meadows; but as human dwellings in the abstract, vegetation, and the wide dark world.
Thomas Hardy (Jude the Obscure)
Well, I do, I can't help it. I love the place — although I know how it hates all men like me — the so-called self-taught — how it scorns our laboured acquisitions, when it should be the first to respect them; how it sneers at our false quantities and mispronunciations, when it should say, I see you want help, my poor friend! ... Nevertheless, it is the centre of the universe to me, because of my early dream: and nothing can alter it. Perhaps it will soon wake up, and be generous. I pray so! ... I should like to go back to live there — perhaps to die there! In two or three weeks I might, I think. It will then be June, and I should like to be there by a particular day.
Thomas Hardy (Jude the Obscure)
This weakness of character, as it may be called, suggested that he was the sort of man who was born to ache a good deal before the fall of the curtain upon his unnecessary life should signify that all was well with him again.
Thomas Hardy (Jude the Obscure)
TAKE ALMOST ANYTHING FROM JUDE THE OBSCURE. HOW ABOUT THAT TERRIBLE LITTLE PRAYER THAT JUDE REMEMBERS FALLING ASLEEP TO, WHEN HE WAS A CHILD? “TEACH ME TO LIVE, THAT I MAY DREAD “THE GRAVE AS LITTLE AS MY BED. “TEACH ME TO DIE
John Irving (A Prayer for Owen Meany)
My dear Sue,—Of course I wish you joy! And also of course I will give you away. What I suggest is that, as you have no house of your own, you do not marry from your school friend's, but from mine. It would be more proper, I think, since I am, as you say, the person nearest related to you in this part of the world. I don't see why you sign your letter in such a new and terribly formal way? Surely you care a bit about me still!—Ever your affectionate, Jude.
Thomas Hardy (Jude the Obscure)
To indulge one's instinctive and uncontrolled sense of justice and right, was not, he had found, permitted with impunity in an old civilization like ours. It was necessary to act under an acquired and cultivated sense of the same, if you wished to enjoy an average share of comfort and honour; and to let crude loving kindness take care of itself.
Thomas Hardy (Jude the Obscure)
The trees overhead deepened the gloom of the hour, and they dripped sadly upon him, impressing him with forebodings—illogical forebodings; for though he knew that he loved her he also knew that he could not be more to her than he was.
Thomas Hardy (Jude the Obscure)
The beggarly question of parentage...what is it after all? What does it matter,when you come to think of it, wheter a child is yours by blood or not? All the little ones of our time are collectively the children of us adults of the time, and entitled to our general care. That excessive regard of parents for their own children, and their dislike of other people's, is, like class-feeling, patriotism, save-your-own-soul-ism and other virtues, a mean exclusiveness at bottom.
Thomas Hardy
Children begin with detail, and learn up to the general; they begin with the contiguous, and gradually comprehend the universal. The boy seemed to have begun with the generals of life, and never to have concerned himself with the particulars.
Thomas Hardy (Jude the Obscure)
Their lives were ruined, he thought; ruined by the fundamental error of their matrimonial union: that of having based a permanent contract on a temporary feeling which had no necessary connection with affinities that alone render a life-long comradeship tolerable.
Thomas Hardy (Jude the Obscure)
In the dusk of that evening Jude walked away from his old aunt's as if to go home. But as soon as he reached the open down he struck out upon it till he came to a large round pond. The frost continued, though it was not particularly sharp, and the larger stars overhead came out slow and flickering, Jude put one foot on the edge of the ice, and then the other: it cracked under his weight; but this did not deter him. He ploughed his way inward to the centre, the ice making sharp noises as he went. When just about the middle he looked around him and gave a jump. The cracking repeated itself; but he did not go down. He jumped again, but the cracking had ceased. Jude went back to the edge, and stepped upon the ground. It was curious, he thought. What was he reserved for? He supposed he was not a sufficiently dignified person for suicide. Peaceful death abhorred him as a subject, and would not take him. What could he do of a lower kind than self-extermination; what was there less noble, more in keeping with his present degraded position? He could get drunk.
Thomas Hardy (Jude the Obscure)
He began to see that the town life was a book of humanity infinitely more palpitating, varied, and compendious than the gown life. These struggling men and women before him were the reality of Christminster, though they knew little of Christ or Minster. That was one of the humours of things. The floating population of students and teachers, who did know both in a way, were not Christminster in a local sense at all.
Thomas Hardy (Jude the Obscure)
I have been thinking that the social moulds civilisation fits us into have no more relation to our actual shapes than the conventional shapes of the constellations have to the real star-patterns. I am called Mrs. Richard Phillotson, living a calm wedded life with my counterpart of that name. But I am not really Mrs. Richard Phillotson, but a woman tossed about, all alone, with aberrant passions, and unaccountable antipathies....
Thomas Hardy (Jude the Obscure)
Not mentally. But I haven't the courage of my views, as I said before. I didn't marry him altogether because of the scandal. But sometimes a woman's LOVE OF BEING LOVED gets the better of her conscience, and though she is agonized at the thought of treating a man cruelly, she encourages him to love her while she doesn't love him at all. Then, when she sees him suffering, her remorse sets in, and she does what she can to repair the wrong.
Thomas Hardy (Jude the Obscure)
The flowers in the bride’s hand are sadly like the garland which decked the heifers of sacrifice in old times!” “Still, Sue, it is no worse for the woman than for the man. That’s what some women fail to see, and instead of protesting against the conditions they protest against the man, the other victim; just as a woman in a crowd will abuse the man who crushes against her, when he is only the helpless transmitter of the pressure put upon him.
Thomas Hardy (Jude the Obscure)
When a strong woman recklessly throws away her strength she is worse than a weak woman who has never had any strength to throw away. One source of her inadequacy is the novelty of the occasion. She has never had practice in making the best of such a condition. Weakness is doubly weak by being new.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
As you got older, and felt yourself to be at the centre of your time, and not at a point on the circumference, as you had felt when you were little, you were seized with a sort of shuddering, he perceived. All around you there seemed to be something glaring, garish, rattling, and the noises and glares hit upon the little cell called your life, and shook it, and warped it. If he could only prevent himself growing up! He did not want to be a man!
Thomas Hardy (Jude the Obscure)
As to our going on together as we were going, in a sort of friendly way, the people round us would have made it unable to continue. Their views of the relations of man and woman are limited, as is proved by their expelling me from the school. Their philosophy only recognizes relations based on animal desire. The wide field of strong attachment where desire plays, at least, only a secondary part, is ignored by them—the part of—who is it?—Venus Urania.
Thomas Hardy (Jude the Obscure)
Ever since his first ecstasy or vision of Christminster and its possibilities, Jude had meditated much and curiously on the probable sort of process that was involved in turning the expressions of one language into those of another. He concluded that a grammar of the required tongue would contain, primarily, a rule, prescription, or clue of the nature of a secret cipher, which, once known, would enable him, by merely applying it, to change at will all words of his own speech into those of the foreign one. His childish idea was, in fact, a pushing to the extremity of mathematical precision what is everywhere known as Grimm's Law—an aggrandizement of rough rules to ideal completeness. Thus he assumed that the words of the required language were always to be found somewhere latent in the words of the given language by those who had the art to uncover them, such art being furnished by the books aforesaid.
Thomas Hardy (Jude the Obscure)
The landlord of the lodging, who had heard that they were a queer couple, had doubted if they were married at all, especially as he had seen Arabella kiss Jude one evening when she had taken a little cordial; and he was about to give them notice to quit, till by chance overhearing her one night haranguing Jude in rattling terms, and ultimately flinging a shoe at his head, he recognized the note of ordinary wedlock; and concluding that they must be respectable, said no more.
Thomas Hardy (Jude The Obscure)
his dreams were as gigantic as his surroundings were small.
Thomas Hardy (Jude The Obscure: by Thomas Hardy with Original Illustrations)
in PARADISE LOST, and at last whispered them to himself — ‘Fool’d and beguiled: by him thou, I by thee!
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
furze-
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
and l felt for the first time that my fastidiousness was a blessing.
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
fatuity
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
grain, flour, milk, raisins, currants,
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
carrefour
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
He was getting on towards the dead level of middle age, when material things increasingly possess the mind.
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
furmity;
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
toss-pot
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
Strange difference of sex, that time and circumstance, which enlarge the views of most men, narrow the views of women almost invariably.
Thomas Hardy (Jude The Obscure)
It is as risky to calculate people’s ways of living from their writings as their incomes from their way of living.
Thomas Hardy (Thomas Hardy: 25 Novels - Far From The Madding Crowd, The Return of the Native, The Mayor of Casterbridge, Tess of the d'Urbervilles, Jude the Obscure and much more..)
In short, he was twenty-eight, and a bachelor.
Thomas Hardy (Works of Thomas Hardy. (200+ Works) The Return of the Native, Desperate Remedies, Tess of the d'Urbervilles, Jude the Obscure & more (mobi))
All that silence and absence of goings-on is the stillness of infinite motion.
Thomas Hardy (Jude the Obscure)
Kadın aslında düşünen bir bütün müdür, yoksa her zaman tümleyicisini arayan bir kesir mi?
Thomas Hardy (Jude the Obscure)
Şunu unutma ki her başarılı insan az çok bencil bir insandır. Başkasına bağlı olanlar başarısızlıga uğrarlar... İyilikseverlik kendi soyundan olanların peşine düşmez.
Thomas Hardy (Jude the Obscure)
Yaşayan bir sır ölü bir rezaletten daha az ilgi çekici değildi.
Thomas Hardy (Jude the Obscure)
some women only require an emergency to make them fit for one.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
She became more or less red in the cheek, the blood wavering in uncertain flux and reflux over the sensitive space between ebb and flood. Gabriel sheared on, constrained and sad.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
The facility with which even the most timid women sometimes acquire a relish for the dreadful when that is amalgamated with a little triumph, is marvellous.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
Women are never tired of bewailing man's fickleness in love, but they only seem to snub his constancy.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
While they sipped Sue went to the window and thoughtfully said, "It is such a beautiful sunset, Richard." "They are mostly beautiful from here, owing to the rays crossing the mist of the vale. But I lose them all, as they don't shine into this gloomy corner where I lie." "Wouldn't you like to see this particular one? It is like heaven opened." "Ah yes! But I can't.
Thomas Hardy (Jude the Obscure)
It was not exactly the fault of the hut," she observed in a tone which showed her to be that novelty among women—one who finished a thought before beginning the sentence which was to convey it.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
she appeared to feel that Gabriel's espial had made her an indecorous woman without her own connivance. It was food for great regret with him; it was also a contretemps which touched into life a latent
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
for she had penetrated Troy's nature so far as to estimate his tendencies pretty accurately, but unfortunately loved him no less in thinking that he might soon cease to love her—indeed, considerably more.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
It wouldn't do, Mr Oak. I want somebody to tame me; I am too independent; and you would never be able to, I know." Oak cast his eyes down the field in a way implying that it was useless to attempt argument.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
(Jude) had, he verily believed, overcome all tendency to fly to liquor—which, indeed, he had never done from taste, but merely as an escape from intolerable misery of mind. Yet he perceived with despondency that, taken all round, he was a man of too many passions to make a good clergyman; the utmost he could hope for was that in a life of constant internal warfare between flesh and spirit the former might not always be victorious.
Thomas Hardy (Jude the Obscure)
When I mentioned to a friend I was writing a book about eggs he told me to be sure to mention how in Thomas Hardy's "Jude the Obscure" the young Arabella incubates a sky-blue egg of a song bird in the cleavage of her bosom ... When I checked, I was disappointed to find it wasn't a song thrush egg, but that of a chicken ... The original image in my mind disintegrated like the sound of a vinyl record after the power has been turned off.
Tim Birkhead (The Most Perfect Thing: Inside and Outside a Bird's Egg)
The boy's face expressed the whole tale of their situation. On that little shape had converged all the inauspiciousness and shadow which had darkened the first union of Jude, and all the accidents, mistakes, fears, errors of the last. He was their nodal point, their focus, their expression in a single term. For the rashness of those parents he had groaned, for their ill assortment he had quaked, and for the misfortunes of these he had died.
Thomas Hardy (Jude the Obscure)
«Cosa stai guardando?» «Stupide fantasie. In un certo senso vedo di nuovo, in questa mia ultima passeggiata, quegli spiriti dei morti che vidi la prima volta che venni qui!» «Sei proprio un tipo curioso!» «Mi sembra di vederli, e quasi di sentire il fruscio delle loro vesti. Ma non li venero più come allora. Non credo alla metà di loro. Teologi, apologisti, metafisici, statisti arroganti e altri, non mi interessano più. Tutto questo ha perso per me ogni fascino perché è stato annientato dalla cruda realtà!» L'espressione cadaverica del volto di Jude alla luce dei lampioni sotto la pioggia faceva veramente credere che vedesse qualcuno laddove non c'era nessuno.
Thomas Hardy (Jude the Obscure)
THE ONLY superiority in women that is tolerable to the rival sex is, as a rule, that of the unconscious kind; but a superiority which recognizes itself may sometimes please by suggesting possibilities of capture to the subordinated man.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
It is an ignorant place, except as to the townspeople, artisans, drunkards, and paupers, she said, perverse still at his differing from her. They see life as it is, of course; but few of the people in the colleges do. You prove it in your own person. You are one of the very men Christminster was intended for when the colleges were founded; a man with a passion for learning, but no money, or opportunities, or friends. But you were elbowed off the pavement by the millionaires' sons.
Thomas Hardy (Jude the Obscure)
Well, what is your opinion of my conduct," she said, quietly. "That it is unworthy of any thoughtful, and meek, and comely woman." In an instant Bathsheba's face coloured with the angry crimson of a Danby sunset. But she forbore to utter this feeling, and the reticence of her tongue only made the loquacity of her face the more noticeable. The next thing Gabriel did was to make a mistake. "Perhaps you don't like the rudeness of my reprimanding you, for I know it is rudeness; but I thought it would do good.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
Why should you care so much for Christminster?" she said pensively. "Christminster cares nothing for you, poor dear!" "Well, I do, I can't help it. I love the place — although I know how it hates all men like me — the so-called self-taught — how it scorns our laboured acquisitions, when it should be the first to respect them; how it sneers at our false quantities and mispronunciations, when it should say, I see you want help, my poor friend! ... Nevertheless, it is the centre of the universe to me, because of my early dream: and nothing can alter it. Perhaps it will soon wake up, and be generous. I pray so! ... I should like to go back to live there — perhaps to die there! In two or three weeks I might, I think. It will then be June, and I should like to be there by a particular day.
Thomas Hardy (Jude the Obscure)
Never since the broadsword became the national weapon had there been more dexterity shown in its management than by the hands of Sergeant Troy, and never had he been in such splendid temper for the performance as now in the evening sunshine among the ferns with Bathsheba. It may safely be asserted with respect to the closeness of his cuts, that had it been possible for the edge of the sword to leave in the air a permanent substance wherever it flew past, the space left untouched would have been almost a mould of Bathsheba's figure.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
Boldwood had not been outside his garden since his meeting with Bathsheba in the road to Yalbury. Silent and alone, he had remained in moody meditation on woman's ways, deeming as essentials of the whole sex the accidents of the single one of their number he had ever closely beheld.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
She asked him to come in, if only for a minute, as it would seem so odd otherwise, and as if she had been out alone in the dark. He gave way, and followed her in. Immediately that the door was opened he found, in addition to her parents, several neighbours sitting round. They all spoke in a congratulatory manner, and took him seriously as Arabella's intended partner. They did not belong to his set or circle, and he felt out of place and embarrassed. He had not meant this: a mere afternoon of pleasant walking with Arabella, that was all he had meant. He did not stay longer than to speak to her stepmother, a simple, quiet woman without features or character; and bidding them all good night plunged with a sense of relief into the track over the down. But that sense was only temporary: Arabella reasserted her sway in his soul. He walked as if he felt himself to be another man from the Jude of yesterday. What were his books to him? what were his intentions, hitherto adhered to so strictly, as to not wasting a single minute of time day by day? 'Wasting!' It depended on your point of view to define that: he was just living for the first time: not wasting life. It was better to love a woman than to be a graduate, or a parson; ay, or a pope!
Thomas Hardy (Jude the Obscure)
Was Bathsheba altogether blind to the obvious fact that the support of a lover's arms is not of a kind best calculated to assist a resolve to renounce him? Or was she sophistically sensible, with a thrill of pleasure, that by adopting this course for getting rid of him she was ensuring a meeting with him, at any rate, once more?
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
Oh, they never look at anything that folks like we can understand," the carter continued, by way of passing the time. "On'y foreign tongues used in the days of the Tower of Babel, when no two families spoke alike. They read that sort of thing as fast as a night-hawk will whir. 'Tis all learning there—nothing but learning, except religion. And that's learning too, for I never could understand it. Yes, 'tis a serious-minded place. Not but there's wenches in the streets o' nights… You know, I suppose, that they raise pa'sons there like radishes in a bed? And though it do take—how many years, Bob?—five years to turn a lirruping hobble-de-hoy chap into a solemn preaching man with no corrupt passions, they'll do it, if it can be done, and polish un off like the workmen they be, and turn un out wi' a long face, and a long black coat and waistcoat, and a religious collar and hat, same as they used to wear in the Scriptures, so that his own mother wouldn't know un sometimes. … There, 'tis their business, like anybody else's.
Thomas Hardy (Jude the Obscure)
Although she scarcely knew the divinity's name, Diana was the goddess whom Bathsheba instinctively adored. That she had never, by look, word, or sign, encouraged a man to approach her—that she had felt herself sufficient to herself, and had in the independence of her girlish heart fancied there was a certain degradation in renouncing the simplicity of a maiden existence to become the humbler half of an indifferent matrimonial whole—were facts now bitterly remembered. Oh, if she had never stooped to folly of this kind, respectable as it was, and could only stand again, as she had stood on the hill at Norcombe, and dare Troy or any other man to pollute a hair of her head by his interference!
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
There are occasions when girls like Bathsheba will put up with a great deal of unconventional behaviour. When they want to be praised, which is often, when they want to be mastered, which is sometimes; and when they want no nonsense, which is seldom. Just now the first feeling was in the ascendant with Bathsheba, with a dash of the second. Moreover,
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
It was not a bridle-path—merely a pedestrian's track, and the boughs spread horizontally at a height not greater than seven feet above the ground, which made it impossible to ride erect beneath them. The girl, who wore no riding-habit, looked around for a moment, as if to assure herself that all humanity was out of view, then dexterously dropped backwards flat upon the pony's back, her head over its tail, her feet against its shoulders, and her eyes to the sky. The rapidity of her glide into this position was that of a kingfisher—its noiselessness that of a hawk. Gabriel's eyes had scarcely been able to follow her. The tall lank pony seemed used to such doings, and ambled along unconcerned. Thus she passed under
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
His dog waited for his meals in a way so like that in which Oak waited for the girl's presence, that the farmer was quite struck with the resemblance, felt it lowering, and would not look at the dog. However, he continued to watch through the hedge for her regular coming, and thus his sentiments towards her were deepened without any corresponding effect being produced upon herself.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
Unlike and superior to either of those two typical remnants of mediævalism, the old barn embodied practices which had suffered no mutilation at the hands of time. Here at least the spirit of the ancient builders was at one with the spirit of the modern beholder. Standing before this abraded pile, the eye regarded its present usage, the mind dwelt upon its past history, with a satisfied sense of functional continuity throughout—a feeling almost of gratitude, and quite of pride, at the permanence of the idea which had heaped it up. The fact that four centuries had neither proved it to be founded on a mistake, inspired any hatred of its purpose, nor given rise to any reaction that had battered it down, invested this simple grey effort of old minds with a repose, if not a grandeur, which a too curious reflection was apt to disturb in its ecclesiastical and military compeers. For once mediævalism and modernism had a common stand-point. The lanceolate windows,
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
He crossed over towards Bathsheba, who turned to greet him with a carriage of perfect ease. He spoke to her in low tones, and she instinctively modulated her own to the same pitch, and her voice ultimately even caught the inflection of his. She was far from having a wish to appear mysteriously connected with him; but woman at the impressionable age gravitates to the larger body not only in her choice of words, which is apparent every day, but even in her shades of tone and humour, when the influence is great.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
Among these heavy yeomen a feminine figure glided, the single one of her sex that the room contained. She was prettily and even daintily dressed. She moved between them as a chaise between carts, was heard after them as a romance after sermons, was felt among them like a breeze among furnaces. It had required a little determination—far more than she had at first imagined—to take up a position here, for at her first entry the lumbering dialogues had ceased, nearly every face had been turned towards her, and those that were already turned rigidly fixed there.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
No; 'tis no use," she said. "I don't want to marry you." "Try." "I have tried hard all the time I've been thinking; for a marriage would be very nice in one sense. People would talk about me, and think I had won my battle, and I should feel triumphant, and all that, But a husband—" "Well!" "Why, he'd always be there, as you say; whenever I looked up, there he'd be." "Of course he would—I, that is." "Well, what I mean is that I shouldn't mind being a bride at a wedding, if I could be one without having a husband. But since a woman can't show off in that way by herself, I shan't marry—at least yet.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
Well, sir, by all accounts the yeomanry will be put in front.’ ‘Front! That’s what my uncle has been saying.’ ‘Yes, and by all accounts ‘tis true. And naterelly they’ll be mowed down like grass; and you among ‘em, poor young galliant officer!’ ‘Look here, Cripplestraw. This is a reg’lar foolish report. How can yeomanry be put in front? Nobody’s put in front. We yeomanry have nothing to do with Buonaparte’s landing. We shall be away in a safe place, guarding the possessions and jewels. Now, can you see, Cripplestraw, any way at all that the yeomanry can be put in front? Do you think they really can?
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
This picture of to-day in its frame of four hundred years ago did not produce that marked contrast between ancient and modern which is implied by the contrast of date. In comparison with cities, Weatherbury was immutable. The citizen's Then is the rustic's Now. In London, twenty or thirty-years ago are old times; in Paris ten years, or five; in Weatherbury three or four score years were included in the mere present, and nothing less than a century set a mark on its face or tone. Five decades hardly modified the cut of a gaiter, the embroidery of a smock-frock, by the breadth of a hair. Ten generations failed to alter the turn of a single phrase. In these
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
The agricultural and pastoral character of the people upon whom the town depended for its existence was shown by the class of objects displayed in the shop windows. Scythes, reap-hooks, sheep-shears, bill-hooks, spades, mattocks, and hoes at the iron-monger’s; bee-hives, butter-firkins, churns, milking stools and pails, hay-rakes, field-flagons, and seed-lips at the cooper’s; cart-ropes and plough-harness at the saddler’s; carts, wheel-barrows, and mill-gear at the wheelwright’s and machinist’s, horse-embrocations at the chemist’s; at the glover’s and leather-cutter’s, hedging-gloves, thatchers’ knee-caps, ploughmen’s leggings, villagers’ pattens and clogs.
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
I wonder what a farmer-woman can want with a harpsichord, dulcimer, pianner, or whatever 'tis they d'call it?" said the maltster. "Liddy saith she've a new one." "Got a pianner?" "Ay. Seems her old uncle's things were not good enough for her. She've bought all but everything new. There's heavy chairs for the stout, weak and wiry ones for the slender; great watches, getting on to the size of clocks, to stand upon the chimbley-piece." "Pictures, for the most part wonderful frames." "And long horse-hair settles for the drunk, with horse-hair pillows at each end," said Mr. Clark. "Likewise looking-glasses for the pretty, and lying books for the wicked." A firm loud tread was
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
them flouncing into the pool, drinking, tossing up their heads, drinking again, the water dribbling from their lips in silver threads. There was another flounce, and they came out of the pond, and turned back again towards the farm. She looked further around. Day was just dawning, and beside its cool air and colours her heated actions and resolves of the night stood out in lurid contrast. She perceived that in her lap, and clinging to her hair, were red and yellow leaves which had come down from the tree and settled silently upon her during her partial sleep. Bathsheba shook her dress to get rid of them, when multitudes of the same family lying round about her rose and fluttered away in the breeze thus created, "like ghosts from an enchanter fleeing." There was an opening towards the east, and the glow from the as yet unrisen sun attracted her eyes thither. From her feet, and between the beautiful yellowing ferns with their feathery arms, the ground sloped downwards to a hollow, in which was a species of swamp, dotted with fungi. A morning mist hung over it now—a fulsome yet magnificent silvery veil, full of light from the sun, yet semi-opaque—the hedge behind it being in some measure hidden by its hazy luminousness. Up the sides of this depression grew sheaves of the common rush, and here and there a peculiar species of flag, the blades of which glistened in the emerging sun, like scythes. But the general aspect of the swamp was malignant. From its moist and poisonous coat seemed to be exhaled the essences of evil things in the earth, and in the waters under the earth. The fungi grew in all manner of positions from rotting leaves and tree stumps, some exhibiting to her listless gaze their clammy tops, others their oozing gills. Some were marked with great splotches, red as arterial blood, others were saffron yellow, and others tall and attenuated, with stems like macaroni. Some were leathery and of richest browns. The hollow seemed a nursery of pestilences small and great, in the immediate neighbourhood of comfort and health, and Bathsheba arose with a tremor at the thought of having passed the night on the brink of so dismal a place.
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))
The hill was covered on its northern side by an ancient and decaying plantation of beeches, whose upper verge formed a line over the crest, fringing its arched curve against the sky, like a mane. To-night these trees sheltered the southern slope from the keenest blasts, which smote the wood and floundered through it with a sound as of grumbling, or gushed over its crowning boughs in a weakened moan. The dry leaves in the ditch simmered and boiled in the same breezes, a tongue of air occasionally ferreting out a few, and sending them spinning across the grass. A group or two of the latest in date amongst the dead multitude had remained till this very mid-winter time on the twigs which bore them and in falling rattled against the trunks with smart taps.
Thomas Hardy (Thomas Hardy: The Complete Novels [Tess of the D'Urbervilles, Jude the Obscure, The Mayor of Casterbridge, Two on a Tower, etc] (Book House))
That accounts for his crying so. Poor creature!” ”Well--you must do the sticking--there's no help for it. I'll showyou how. Or I'll do it myself--I think I could. Though as it issuch a big pig I had rather Challow had done it. However, his basketo' knives and things have been already sent on here, and we can use'em.” ”Of course you shan't do it,” said Jude. ”I'll do it, since it mustbe done.” He went out to the sty, shovelled away the snow for the space of acouple of yards or more, and placed the stool in front, with theknives and ropes at hand. A robin peered down at the preparationsfrom the nearest tree, and, not liking the sinister look of thescene, flew away, though hungry. By this time Arabella had joinedher husband, and Jude, rope in hand, got into the sty, and noosed theaffrighted animal, who, beginning with a squeak of surprise, rose torepeated cries of rage. Arabella opened the sty-door, and togetherthey hoisted the victim on to the stool, legs upward, and while Judeheld him Arabella bound him down, looping the cord over his legs tokeep him from struggling. The animal's note changed its quality. It was not now rage, but thecry of despair; long-drawn, slow and hopeless. ”Upon my soul I would sooner have gone without the pig than have hadthis to do!” said Jude. ”A creature I have fed with my own hands.” ”Don't be such a tender-hearted fool! There's the sticking-knife--the one with the point. Now whatever you do, don't stick un toodeep.” ”I'll stick him effectually, so as to make short work of it. That'sthe chief thing.” ”You must not!” she cried. ”The meat must be well bled, and to dothat he must die slow. We shall lose a shilling a score if the meatis red and bloody! Just touch the vein, that's all. I was broughtup to it, and I know. Every good butcher keeps un bleeding long.He ought to be eight or ten minutes dying, at least.” ”He shall not be half a minute if I can help it, however the meat maylook,” said Jude determinedly. Scraping the bristles from the pig'supturned throat, as he had seen the butchers do, he slit the fat;then plunged in the knife with all his might. ”'Od damn it all!” she cried, ”that ever I should say it! You'veover-stuck un! And I telling you all the time--” ”Do be quiet, Arabella, and have a little pity on the creature!
Thomas Hardy (Jude the Obscure)
horizontal division between clearness and opacity, but were imbedded in an elastic body of a monotonous pallor throughout. There was no perceptible motion in the air, not a visible drop of water fell upon a leaf of the beeches, birches, and firs composing the wood on either side. The trees stood in an attitude of intentness, as if they waited longingly for a wind to come and rock them. A startling quiet overhung all surrounding things—so completely, that the crunching of the waggon-wheels was as a great noise, and small rustles, which had never obtained a hearing except by night, were distinctly individualized. Joseph Poorgrass looked round upon his sad burden as it loomed faintly through the flowering laurustinus, then at the unfathomable gloom amid the high trees on each hand, indistinct, shadowless, and spectre-like in their monochrome of grey. He felt anything but cheerful, and wished he had the company even of a child or dog. Stopping the horse, he listened. Not a footstep or wheel was audible anywhere around, and the dead silence was broken only by a heavy particle falling from a tree through the evergreens and alighting with a smart rap upon the coffin of poor Fanny. The fog had by this time saturated the trees, and this was the first dropping of water from the overbrimming leaves. The hollow echo of its fall reminded the waggoner painfully of the grim Leveller. Then hard by came down another drop, then two or three. Presently there was a continual tapping of these heavy drops upon the dead leaves, the road, and the travellers. The nearer boughs were beaded with the mist to the greyness of aged men, and the rusty-red leaves of the beeches were
Thomas Hardy (Thomas Hardy Six Pack – Far from the Madding Crowd, The Return of the Native, A Pair of Blue Eyes, Tess of the D’Urbervilles, Jude the Obscure and Elegy ... (Illustrated) (Six Pack Classics Book 5))