Journal Inscription Quotes

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They were flinty, dull, with inscriptions depicting each of the five Ws of Journalism (What? What! What!? What. Why?).
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
After my death, no one will find in my papers (this is my consolation) the least information about what has really filled my life, find the inscription in my innermost being which explains everything and what, more often than not, makes what the world would call trifles into, for me, events of immense importance, and which I too consider of no significance once I take away the secret note which explains it.
Søren Kierkegaard (Papers and Journals: A Selection)
As you look at a recorded dream that contains your own gaze in it, you realize you are quite literally looking at yourself across time. Your own past is also closer than it may appear. Whether we’re talking a span of a few hours or days or a few decades, such an idea has no place in mainstream psychology or philosophy. Just imagine what it could do for our sense of self to have such experiences more frequently. Discovering some past dream representation of oneself looking back at the dream in hindsight is the most powerful validation of precognitive dreamwork as a gnosis: the knower is literally included in the known. There’s that serpent devouring its own tail, again. It is also yet another startling confirmation of the solid, block-like nature of spacetime: the past is still here, and more amazingly, the future is already here. The evidence is there for those who merely have the patience to write their dreams down in their journals and routinely go back to their dream records. The act of inscription is crucial, though. Even though I might well have remembered my Permian-battle dream from the night before without a written record, I would never have been sure of my memories, or sure I wasn’t somehow deceiving myself, and I would easily have forgotten a small but pertinent detail like the laser dot.
Eric Wargo (Precognitive Dreamwork and the Long Self: Interpreting Messages from Your Future (A Sacred Planet Book))
the bottom shelf you can see what is known as the Titulus Crucis or title of the cross. This was discovered here in the church in 1492. The same year as Colombus. This is a piece of wood written in Hebrew, Greek and Latin. Legend has it that this piece was personally written by Pontius Pilate the Roman governor of Judaea at the time of Christ’s crucifixion. For many years it has been thought to be a forgery from the medieval period. However new evidence suggests that the inscriptions were written from right to left and not left to right as would be the case with a medieval translator. In the 19th century this relic was further proved by the discovery of a travel journal belonging to the Spanish pilgrim Egeria, a lady who had visited the holy land in the 4th century and recorded that she’d seen this relic in Jerusalem.
Julian Noyce (Spear of Destiny (Peter Dennis, #2))
Jacob Wainwright was asked to carve an inscription on the large Mvula tree which stands by the place where the body rested, stating the name of Dr. Livingstone and the date of his death, and, before leaving, the men gave strict injunctions to Chitambo to keep the grass cleared away, so as to save it from the bush-fires which annually sweep over the country and destroy so many trees. Besides this, they erected close to the spot two high thick posts, with an equally strong cross-piece, like a lintel and door-posts in form, which they painted thoroughly with the tar that was intended for the boat: this sign they think will remain for a long time from the solidity of the timber. Before parting with Chitambo, they gave him a large tin biscuit-box and some newspapers, which would serve as evidence to all future travellers that a white man had been at his village.
David Livingstone (The Last Journals of David Livingstone, in Central Africa, from 1865 to His Death: 1869-1873)
Toute la vie trépidante du vingtième siècle se trouve là à mes pieds : un cycliste passe en portant, pareil à un trophée, un carton remplis d’œufs ; deux vieilles dames se sont arrêtées au coin de la rue et lisent avec intérêt les articles d'un journal placardé -notre député peut être satisfait, la "propagande visuelle" éveille pleinement l'intérêt de nos concitoyens ; des gens qui faisaient la queue devant un magasin se dispersent- le boucher vient certainement de leur dire qu'aucune livraison n'aura lieu aujourd'hui ; un homme remplace une plaque rouillée sur laquelle était écrit "Vos enfants ont besoin de sucre !" par une autre plaque fraîchement peinte avec l'inscription "Citoyens ! Gardez votre ville propre !" ; des gamins font une partie de foot entre deux cages improvisées avec des pierres -comment diable arrivent-ils à courir sous une chaleur pareille ?!
George Arion
Jacob Wainwright was asked to carve an inscription on the large Mvula tree which stands by the place where the body rested, stating the name of Dr. Livingstone and the date of his death, and, before leaving, the men gave strict injunctions to Chitambo to keep the grass cleared away, so as to save it from the bush-fires which annually sweep over the country and destroy so many trees.
David Livingstone (The Last Journals of David Livingstone, in Central Africa, from 1865 to His Death, Volume II (of 2), 1869-1873 Continued By A Narrative Of His Last Moments ... From His Faithful Servants Chuma And Susi)
in his stocking feet so as not to awaken Emilee or the children, Hans padded into the living room, walked past the Christmas tree, and moved into the small vestibule that served as his home office. Only then did he turn on a small desk lamp. He opened the drawer of his desk and withdrew the leatherbound book he had placed there earlier that day. He opened it to the first page and looked at the neatly lettered inscription: To My Beloved Hans Merry Christmas, 1932 From Emilee, Alisa, Jolanda, Hans Otto, Enrika, & Nikolaus Your Adoring Family Hans smiled and reread the handwritten message on the inside cover. Hans: A brief note of explanation. I can hear you saying to yourself as you read this: “Really? A journal? My
Gerald N. Lund (Out of the Smoke (Fire and Steel #5))