Jones Very Quotes

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Can officially confirm that the way to a man's heart these days is not through beauty, food, sex, or alluringness of character, but merely the ability to seem not very interested in him.
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
You have these lines you won’t cross. But then you cross them. And suddenly you possess the very dangerous information that you can break the rule and the world won’t instantly come to an end. You’ve taken a big, black, bold line and you’ve made it a little bit gray. And now every time you cross it again, it just gets grayer and grayer until one day you look around and you think, There was a line here once, I think.
Taylor Jenkins Reid (Daisy Jones & The Six)
It is both a blessing And a curse To feel everything So very deeply.
David Jones
I like you very much. Just as you are.
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
I sort of got off on making bad guys sweat. Which was not unlike my love of making good guys sweat, just by very different means.
Darynda Jones (Second Grave on the Left (Charley Davidson, #2))
My ears are too beeg for my head. My head ees too beeg for my body. I am not a Siamese cat ... I AM A CHIHUAHUA!" -- Skippyjon Jones (In his very best Spanish accent)
Judy Schachner
What really alarms me about President Bush's 'War on Terrorism' is the grammar. How do you wage war on an abstract noun? How is 'Terrorism' going to surrender? It's well known, in philological circles, that it's very hard for abstract nouns to surrender.
Terry Jones
Is that what you think? That I follow you around to keep your ass out of trouble?" "If so, you're not very good at your job." A huge smile spread across his face. "True enough. So what's eating you? Because, sadly, it's not me.
Darynda Jones (Fifth Grave Past the Light (Charley Davidson, #5))
Chrestomanci smiled and swept out of the room like a very long procession of one person.
Diana Wynne Jones (Charmed Life (Chrestomanci, #1))
Doors are very powerful things. Things are different on either side of them.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Thank you, Daniel, that is very good to know. But if staying here means working within 10 yards of you, frankly, I'd rather have a job wiping Saddam Hussein's arse.
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
9p.m. My flat. Feel very strange and empty. Is all very well thinking everything is going to be different when you come back but then it is all the same. Suppose I have to make it different. But what am I going to do with my life? I know. Will eat some cheese.
Helen Fielding (Bridget Jones: The Edge Of Reason (Bridget Jones, #2))
I can hear other things, too. Before you came around, I had no idea a man could make a girl scream like that. Reyes seems very talented.
Darynda Jones (Fourth Grave Beneath My Feet (Charley Davidson, #4))
There are very few personal problems that can't be solved with a suitable application of high explosives.
Darynda Jones (Third Grave Dead Ahead (Charley Davidson, #3))
Then watch out. I warn you!" "That is very considerate of you," said Chrestomanci. "I like to be warned.
Diana Wynne Jones (Charmed Life (Chrestomanci, #1))
Yes, you have the very soul of me, Elisabeth.” “Then your name, mein Herr.” He laughed softly, but it was a gasp of pain, not of joy. “No.” “Why?” “So you will forget me,” he said simply. “You cannot love a man with no name.
S. Jae-Jones (Wintersong (Wintersong, #1))
You don't scare me, Cadence Jones. I've lived with crazy, I've ridden with crazy, I've vacationed with crazy, I've visited crazy in various hospitals, I've sat in on therapy sessions with crazy. Frankly, I think women who don't have major emotional disorders are really very dull.
MaryJanice Davidson (Me, Myself and Why? (Cadence Jones, #1))
There is very seldom any true secret.
Diana Wynne Jones (Deep Secret)
God has brought a very wise Japanese lady into my life who lives in Calif. We've never met, but she has shared a tremendous amount of wisdom with me concerning unconditional love within relationships. Here is one of the things she said to me this evening when we were discussing "Soul Mates." "Soul mates aren't perfect people. They can come into your life and provide polar emotional experiences from intense love to intense pain. Growth comes from both. And a soul mate helps you grow. It isn't just "...and they lived happily ever after" but "...and they lived!" ~ From my mentor ~ Lori Chidori Phillips
Dianne Rosena Jones
If there's one thing I've learned, it's that God is a very creative author, and He writes a different story for every person. No two lives or stories alike.
Robin Jones Gunn (With This Ring (Sierra Jensen, #6))
BILLY: Some people will never stop being themselves. And you think it drives you crazy but it is the very thing you will think about when they are gone. When you don’t have them in your life anymore.
Taylor Jenkins Reid (Daisy Jones & The Six)
Look at this!" he shouted "look at it! what has that one-woman force of chaos done to these spells?" Sophie and Michael whirled round and looked at Howl. His hair was wet, but, apart from that, neither of them could see that it looked any different. "If you mean me-" Sophie began. "I do mean you! Look!" Howl shrieked. He sat down with a thump on the three-legged stool and jabbed at his wet head with his fingers. "Look. Survey. Inspect. My hair is ruined! I look like a pan of bacon and eggs!" Michael and Sophie bent nervously over Howl's head. it seemed the usual flaxen color right down to the roots. The only difference might have been a slight, very slight, trace of red. Sophie found that agreeable. It reminded her a little of the color her own hair should have been. "I think it's nice," she said. "Nice!" screamed Howl. "You would! You did it on purpose. You couldn't rest until you made me miserable too. Look at it! It's ginger! I shall have to hide until it's grown out!" He spread his arms out passionately. "Dispair!" he yelled. "Anguish! Horror!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Does anyone here speak English? Or even Ancient Greek? — A very lost Marcus Brody
Rob MacGregor (Indiana Jones and the Last Crusade (Indiana Jones #3))
Howl has been very kind to me.” And this was true, Sophie realized. Howl showed his kindness rather strangely, but, considering all Sophie did to annoy him, he had been very good to her indeed. “Do listen. He’s not wicked at all!” There was a bit of a fizz from the grate at this, where Calcifer was watching with some interest. “ He isn’t!” Sophie said, to Calcifer as much as to Fanny..
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Live, die, something else lives. The very soil humanity walks upon is built up from death. Digging into a flowerbed means digging into bones.
M. Jones (Frankie & Formaldehyde)
Howl’s very fickle,” said Calcifer. “He’s only interested until the girl falls in love with him. Then he can’t be bothered with her.
Diana Wynne Jones (Howl's Moving Castle (Howl's Moving Castle, #1))
So I tried my best to stifle hope. Because hope's twin was despair, and despair was infinitely worse. If hope hurt, then despair was the absence of hurt. It was the absence of feeling. It was the absence of caring. I wanted very much to care.
S. Jae-Jones (Wintersong (Wintersong, #1))
Slender Youth. A tour companion who may be either a lost prince or a girl/princess in disguise. In the latter case it is tactful to pretend you think she is a boy. She/he will be ignorant, hasty and shy, and will need hauling out of trouble quite a lot. But she/he will grow up in the course of the Tour. In fact she/he will be the only Companion who will change in any way. Quite often, she/he will soon exhibit a very useful talent for magic and end up by hauling everyone else out of trouble. But this will not be until midway through your second brochure.
Diana Wynne Jones (The Tough Guide to Fantasyland)
To my astonishment I saw him standing at a table with Kitty Jones. It was the Kitty Jones bit that was astonishing. Not the table. Though it was very nicely polished.
Jonathan Stroud (Ptolemy's Gate (Bartimaeus, #3))
Typical!” he said to Sophie. “ I break my neck to get here, and I find you peacefully tidying up!” Sophie looked up at him. As she had feared, the hard black-and white light coming through the broken wall showed her that Howl had not bothered to shave or tidy his hair. His eyes were still red-rimmed and his black sleeves were torn in several place. There was not much to choose between Howl and the scarecrow. Oh, dear! Sophie thought. He must love Miss Angorian very much. “I came for Miss Angorian,” she explained. “And I thought if I arranged for your family to visit you, it would keep you quiet for once!” Howl said disgustedly. “But no---“.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
And then he spoke the very first words he'd ever spoken to me. His deep, rich voice dissolved my bones. I almost responded with "Of course I'll have sex with you before you sacrifice me to your gods." Then I realized he'd asked me where the restroom was.
Darynda Jones (The Dirt on Ninth Grave (Charley Davidson, #9))
Mother Very Easily Made Jam Sandwiches Under No Protest
Diana Wynne Jones
I am really very grateful for this Award. It is one of the first given to a woman, and to two women at that. When I first started getting work published, I used to have wistful thoughts at the way all important awards were given to men. Women, I used to think, could be as innovative, imaginative and productive as possible - and women were the ones mostly at work in the field of fantasy for children and young adults - but only let a man enter the field, and people instantly regarded what he had to say and what he did as more Important. He got respectful reviews as well as awards, even if what he was doing - which it often was - was imitating the women. But you have changed all that. Thank you for being so enlightened. Women, large-minded, formidable women, have played an almost exclusive part in helping my career. I have hardly ever dealt with a man - at least, when it came to publishing:
Diana Wynne Jones
Some people will never stop being themselves. And you think it drives you crazy but it is the very thing you will think about when they are gone. When you don't have them in your life anymore.
Taylor Jenkins Reid (Daisy Jones & The Six)
It is very foolish to ignore the past. The man who does ignore it, and assumes that our problems are quite new, and that therefore the past has nothing at all to teach us, is a man who is not only grossly ignorant of the Scriptures, he is equally ignorant of some of the greatest lessons even in secular history.
D. Martyn Lloyd-Jones (Revival)
Ethan and I are done," I said finally. "I'm sorry." "He was my first boyfriend." "I know." "The only real boyfriend I've had. I'm a senior in high school and he was my only real boyfriend." "I know." "And I won't find another one at Jones Hall. That is guaranteed." "Okay." "This is all very sad and tragic," I said. Alan unwrapped a sleeve of Smarties. "Yet, oddly, you don't seem that upset." "I know.
Sara Zarr (Sweethearts)
For a moment she could have sworn she was standing in one of those history-comes-alive museums--the kind that feature animatronic robots, the narration stylings of James Earl Jones, and the sort of exhibits that invade children's nightmares for years to come. But instead of a cyborgish John Wilkes Booth discharging his deadly bullet into the back of a plastic Lincoln's head, a very real version of the assassin was engaged in a furious arm-wrestling match with Elvis Presley. Lincoln was watching the tussle, amused. "Come on, John," he said. "You can do better than that." "He's all talk," Elvis whispered back. "Silence!" roared Booth. "I'm trying to concentrate!" Lincoln rolled his eyes.
Gina Damico (Croak (Croak, #1))
To make it quite practical I have a very simple test. After I have explained the way of Christ to somebody I say “Now, are you ready to say that you are a Christian?” And they hesitate. And then I say, “What’s the matter? Why are you hesitating?” And so often people say, “I don’t feel like I’m good enough yet. I don’t think I’m ready to say I’m a Christian now.” And at once I know that I have been wasting my breath. They are still thinking in terms of themselves. They have to do it. It sounds very modest to say, “Well, I don’t think I’ good enough,” but it’s a very denial of the faith. The very essence of the Christian faith is to say that He is good enough and I am in Him. As long as you go on thinking about yourself like that and saying, “I’m not good enough; Oh, I’m not good enough,” you are denying God – you are denying the gospel – you are denying the very essence of the faith and you will never be happy. You think you’re better at times and then again you will find you are not as good at other times than you thought you were. You will be up and down forever. How can I put it plainly? It doesn’t matter if you have almost entered into the depths of hell. It does not matter if you are guilty of murder as well as every other vile sin. It does not matter from the standpoint of being justified before God at all. You are no more hopeless than the most moral and respectable person in the world.
D. Martyn Lloyd-Jones (Spiritual Depression: Its Causes and Its Cure)
And indeed if you think you're a genius at something what you achieve is very much according to your expectations; if you think you're no good, you're not going to get anywhere.
Diana Wynne Jones
I very little, you cheat big! – Short Round
James Kahn (Indiana Jones and the Temple of Doom (Indiana Jones #2))
For answer, Calcifer stretched out a blue arm-shaped flame divided into green fingerlike flames at the end. It was not very long, nor did it look strong. “See? I can almost reach the hearth,” he said proudly.
Diana Wynne Jones (Howl's Moving Castle (Howl's Moving Castle, #1))
Men who are ill-natured and quarrelsome when drunk are very worthy persons when sober. For drink in reality doth not reverse nature or create passions in men which did not exist in them before. It takes away the guard of reason and consequently forces us to produce those symptoms which many when sober have art enough to conceal.
Henry Fielding (The History of Tom Jones, a Foundling)
There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that it is not true.
Henry Fielding (The History of Tom Jones, a Foundling)
Bridget Jones, wanton sex goddess, with a very bad man between her thighs... Mum... Hi.
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
You introduced me to Danger and Will Robinson, but you neglected to acquaint me with the other two.” “Fine,But you can’t make fun of their names. They’re very sensitive.” “I would never.” I pointed in the general vicinity of my left ovary, “This is Beam Me Up.” Then to my right. “And this is Scotty.
Darynda Jones
A man does not learn very well, Mr. Robbins. Women, yes, because they are used to bending with whatever wind comes along. A woman, no matter the age, is always learning, always becoming. But a man, if you will pardon me, stops learning at fourteen or so. He shuts it all down, Mr. Robbins. A log is capable of learning more than a man. To teach a man would be a battle, a war, and I would lose.
Edward P. Jones (The Known World)
It's very vulnerable, being an artist, telling the truth like that, like we're doing now. When you're living your life, you're so inside your head, you're swirling around in your own pain, that it's hard to see how obvious it is to the people around you. These songs I was writing felt coded and secret, but I suspect they weren't coded and secret at all.
Taylor Jenkins Reid (Daisy Jones & The Six)
As she turned left to the gateway, it occurred to her that swimming was only one of a very large number of things she had no idea what to do. Peter had been right to object to her ignorance. "It's not that I'm lazy," she explained to Waif as they arrived in what seemed to be stables, "or stupid. I've just not bothered to look round the edges of Mother's way of doing things, you see.
Diana Wynne Jones (House of Many Ways (Howl's Moving Castle, #3))
Female Mercenary. This will be a companion on your Tour. She is usually tall, thin and wiry, silent, and neurotic. Sex scares her. This is because she either came from a nunnery or was raped as a child. Or both. Somehow this inspired her to become a mercenary and she is very good at her job. You can rely on her absolutely in a fight. She can usually kill two people at once while guarding your back in between. The rest of the time, she will irritate you with lots of punctilious weapons cleaning and a perpetual insistence that a proper watch be kept. Mostly, she will have no magic talents, but sometimes, in an emergency, she will come up with a gift or vision. You will end up grudgingly admiring her.
Diana Wynne Jones (The Tough Guide to Fantasyland)
...her patience was, perhaps, tired out; for this is a virtue which is very apt to be fatigued by exercise.
Henry Fielding (The History of Tom Jones, a Foundling)
People Sophie had known all her life came and bought flowers by the bundle. None of them recognized her, and that made her feel very odd.
Diana Wynne Jones (Howl's Moving Castle (Howl's Moving Castle, #1))
I was meaning to be kind to you this evening, but you make it very difficult.
Diana Wynne Jones (House of Many Ways (Howl's Moving Castle, #3))
She was witchy, yes, and in charge of a cauldron roiling with ideas and stories, but she always gave the impression that the stories, the ones she wrote and wrote so very well and so wisely, had simply happened, and that all she had done was to hold the pen. (On Diana Wynne Jones)
Neil Gaiman
And here, I believe, the wit is generally misunderstood. In reality, it lies in desiring another to kiss your a-- for having just before threatened to kick his; for I have observed very accurately, that no one ever desires you to kick that which belongs to himself, nor offers to kiss this part in another.
Henry Fielding (The History of Tom Jones, a Foundling)
Small Man can be a very funny or a very tiresome Tour Companion, depending on how this kind of thing grabs you. He gambles, he drinks too much and he always runs away. Since the Rules allow him to make Jokes, he will excuse his behaviour in a variety of comical ways. Physically he is stunted and not at all handsome, although he usually dresses flamboyantly. He tends to wear hats with feathers in. You will discover he is very vain. But, if you can avoid smacking him, you will come to tolerate if not love him. He will contrive, in some cowardly way, to play a major part in saving the world.
Diana Wynne Jones (The Tough Guide to Fantasyland)
She was closed up like a fist. It her very own memory, not theirs, her very own real and terrible and lonely and dark memory.
Gayl Jones (Corregidora)
A very short burst of thought was enough to convince Abdullah that his situation, despite the chains, would be very much worse if he became a toad.
Diana Wynne Jones (Castle in the Air (Howl's Moving Castle, #2))
...he picked me up in his arms, as if I was as light as a feather, which I am not, unless it was a very heavy feather, maybe from a giant prehistoric dinosaur-type bird...
Helen Fielding (Mad About the Boy (Bridget Jones, #3))
Bridget: Thank you, Daniel, that is very good to know. But if staying here means working within 10 yards of you, frankly, I'd rather have a job wiping Saddam Hussein's arse.
Helen Fielding (Bridget Jones’s Diary (Bridget Jones, #1))
Rae Layton, I’ve loved you since the very first day I set eyes on you and your pink polka dot knickers, you are my world. I know we’re young, but I love you Gia, I want to make beautiful babies with you. I know people are going to be against this but they don’t know what we know, they don’t feel what we feel, I want to grow old with you G, I want to marry you. Please, would you do the honour of becoming my Wife?
Lesley Jones (The Story of Us (Carnage, #1))
An hour later, Cookie, Lacey, and I sat in the graveyard, watching a slave demon who looked like a nineteen-year-old kid--a very well-built nineteen-year-old kid--dig up a grave shirtless, his wide shoulders shimmering in the moonlight. "I'm going to hell," Cookie said, unable to rip her gaze off him. "Well, if you go, there are probably others who look like that. It might not be such a bad place." "I want to have his demon babies," Lacey said
Darynda Jones (Seventh Grave and No Body (Charley Davidson, #7))
Yes. I was looking for Lettie. They were both very kind to me,” Percival said, “Even though they’d never seen me before. And Wizard Howl kept visiting to court Lettie. Lettie didn’t want him, and she asked me to bite him to get rid of him, until Howl suddenly began asking her about you and—“ “what?” he said, “ I know someone called sophie who looks a little like you.. And Lettie said, that’s my sister,’ without thinking,” Percival said. “ And she got terribly worried then, particularly as Howl went on asking about her sister.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
When compared to the fact that he might very well be dead by this time tomorrow, whether he was courageous or not today was pointless, empty. When compared to the fact that he might be dead tomorrow, everything was pointless. It just didn't make any difference. It was pointless to the tree, it was pointless to every man in his outfit, pointless to everybody in the whole world. Who cared? It was not pointless only to him; and when he was dead, when he ceased to exist, it would be pointless to him too. More important: Not only would it be pointless, it would have been pointless all along. This was an obscure and rather difficult point to grasp. Understanding of it kept slipping in and out on the edges of his mind. It flickered, changing its time sense and tenses. At those moments when he understood it, it left him with a very hollow feeling.
James Jones (The Thin Red Line)
In Zen, there is an old saying: The obstacle is the path. Know that a whole and happy life is not free of obstacles. Quite the contrary, a whole and happy life is riddled with obstacles-they simply become the very stepping-stones that help lift us to a new perspective. It is not what happens to us in this life that shapes us, it is how we choose to respond to what happens to us.
Dennis Merritt Jones (The Art of Being: 101 Ways to Practice Purpose in Your Life)
She read a great deal, and very soon realized how little chance she had of an interesting future. It was a disappointment to her, but she was still happy enough,
Diana Wynne Jones (Howl's Moving Castle (Howl's Moving Castle, #1))
Her arms quiver from holding the bowl. She must truly love him to hold that bowl for so very long. There must be something isdeof him that is worthy of that kindness
Carrie Jones (Endure (Need, #4))
Drinking, drugging, sleeping around, it’s all the same thing. You have these lines you won’t cross. But then you cross them. And suddenly you possess the very dangerous information that you can break the rule and the world won’t instantly come to an end. You’ve taken a big, black, bold line and you’ve made it a little bit gray. And now every time you cross it again, it just gets grayer and grayer until one day you look around and you think, There was a line here once, I think.
Taylor Jenkins Reid (Daisy Jones & The Six)
Does he ever eat cotton candy for breakfast?" He stepped around the counter to face us, lowered his gaze, and took a sip from the black mug in his hands. "No," I said. "He's very much like the Big Bad Wolf. He eats little girls for breakfast." He spoke from behind the cup, his voice deep and as smooth as butterscotch. "She's wrong. I eat big girls for breakfast.
Darynda Jones (The Curse of Tenth Grave (Charley Davidson, #10))
See, Batman is different. He's mortal. He's got a real life to risk. Superman just has to avoid Kryptonite. Big deal. Superman fears nothing because outside a few very specific circumstances where he might encounter some stupid rock, nothing can possibly do him in. Batman has the same vulnerabilities as the rest of us, so he has the same fears as us. That's why he's the most courageous: because he can put those aside and fight on regardless. My point is this: the more you have to lose, the braver you re for standing up. That's why Batman is superior to Superman, and that's why I am infinitely smarter then you.' I am a genius. I have won. 'Pffft! Whatever. I'll bet Batman won't be too loud about his superiority when Superman is belting seven shades of shit out of him.
Craig Silvey (Jasper Jones)
Charlie lying in a heap of hair and body parts at the bottom of a very solid set of stairs “The yard work? “I know, Grandma, but—” The fucking yard work? I’d mow her lawn, for fuck’s sake. This was honestly about yard work?
Darynda Jones (Fourth Grave Beneath My Feet (Charley Davidson, #4))
Get rid of all the cleaners, rubbish collectors, bus drivers, supermarket checkout staff and secretaries, for example, and society will very quickly grind to a halt. On the other hand, if we woke up one morning to find that all the highly paid advertising executives, management consultants and private equity directors had disappeared, society would go on much as it did before: in a lot of cases, probably quite a bit better. So,
Owen Jones (Chavs: The Demonization of the Working Class)
Two whores who finally found something to mother. A guy could write a book about it, he thought bitterly, call it From Hair To Maternity. It would probly be a very long book. Whores did not produce as fast as rabbits.
James Jones (From Here to Eternity)
The customer glared. Then she threw the bonnet at Sophie and stormed out of the shop. Sophie carefully crammed the bonnet into the wastebasket, panting rather. The rule was: Lose your temper, lose a customer. She had just proved that rule. It troubled her to realise how very enjoyable it had been.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
In every remote corner of the world there are people like Carl Jones and Don Merton who have devoted their lives to saving threatened species. Very often, their determination is all that stands between an endangered species and extinction. But why do they bother? Does it really matter if the Yangtze river dolphin, or the kakapo, or the northern white rhino, or any other species live on only in scientists' notebooks? Well, yes, it does. Every animal and plant is an integral part of its environment: even Komodo dragons have a major role to play in maintaining the ecological stability of their delicate island homes. If they disappear, so could many other species. And conservation is very much in tune with our survival. Animals and plants provide us with life-saving drugs and food, they pollinate crops and provide important ingredients or many industrial processes. Ironically, it is often not the big and beautiful creatures, but the ugly and less dramatic ones, that we need most. Even so, the loss of a few species may seem irrelevant compared to major environmental problems such as global warming or the destruction of the ozone layer. But while nature has considerable resilience, there is a limit to how far that resilience can be stretched. No one knows how close to the limit we are getting. The darker it gets, the faster we're driving. There is one last reason for caring, and I believe that no other is necessary. It is certainly the reason why so many people have devoted their lives to protecting the likes of rhinos, parakeets, kakapos, and dolphins. And it is simply this: the world would be a poorer, darker, lonelier place without them.
Mark Carwardine (Last Chance to See)
It’s the other things he does, the things that crush me on the inside, that make me want to die. I would have if not for Dutch’s light. I would be dead. I know it. I wish it were real. I wish she were real. She’s getting older and more beautiful with each passing day, and even though she’s a figment of my fucked-up imagination, I love her. To the very depths of my soul.
Darynda Jones (Brighter Than the Sun (Charley Davidson, #8.5))
Please. I was held captive in a damn cell with massive masked men who wanted to eat me alive for seven days and then sell me to the highest bidder. A girl with no emotion and nothing to lose can be a very dangerous weapon up against girls who care entirely too much about what shoes match what outfit.
Amo Jones (Razing Grace: Part 1 (The Devil's Own, #3))
The trouble with some of us is that we love preaching, but we are not always careful to make sure that we love the people to whom we are actually preaching. If you lack this element of compassion for the people you will also lack the pathos which is a very vital element in all true preaching. Our Lord looked out upon the multitude and ‘saw them as sheep without a shepherd’, and was ‘filled with compassion’. And if you know nothing of this you should not be in a pulpit, for this is certain to come out in your preaching.
D. Martyn Lloyd-Jones (Preaching and Preachers)
At the very time when we have been boasting of our enlightenment and knowledge and understanding, there is this tragic breakdown in personal relationships. ... For instance, we now have to have Marriage Guidance classes. Up to this century men and women were married without this expert advice which now seems to be so essential.
D. Martyn Lloyd-Jones (Studies in the Sermon on the Mount)
Being born into a prosperous middle-class family typically endows you with a safety net for life. If you are not naturally very bright, you are still likely to go far and, at the very least, will never experience poverty as an adult. A good education compounded by your parents' 'cultural capital', financial support and networks will always see you through. If you are a bright child born into a working-class family, you do not have any of these things. The odds are that you will not be better off than your parents.
Owen Jones (Chavs: The Demonization of the Working Class)
Darlin’, do me a favour here, all you ladies in the crowd tonight have gotta appreciate the fact that I’m a one woman type of bloke and I love my girl; I’ve loved my girl since the very first day I set eyes on her and back then she was just a girl… but I have had the pleasure these past few years of watching her grow into an absolutely beautiful young woman and as much as I love touring and playing in front of you lot every night, I’m counting down the days till I’m back in England and in her arms.
Lesley Jones (The Story of Us (Carnage, #1))
The Sanscrit language, whatever be its antiquity, is of a wonderful structure; more perfect than the Greek, more copious than the Latin, and more exquisitely refined than either, yet bearing to both of them a stronger affinity, both in the roots of verbs and the forms of grammar, than could possibly have been produced by accident; so strong indeed, that no philologer could examine them all three, without believing them to have sprung from some common source, which, perhaps, no longer exists; there is a similar reason, though not quite so forcible, for supposing that both the Gothic and the Celtic, though blended with a very different idiom, had the same origin with the Sanscrit; and the old Persian might be added to the same family.
William Jones
As the theologian Alan Jones has said: One of our problems is that very few of us have developed any distinctive personal life. Everything about us seems secondhand, even our emotions. In many cases we have to rely on secondhand information in order to function. I accept the word of a physician, a scientist, a farmer, on trust. I do not like to do this. I have to because they possess vital knowledge of living of which I am ignorant. Secondhand information concerning the state of my kidneys, the effects of cholesterol, and the raising of chickens, I can live with. But when it comes to questions of meaning, purpose, and death, secondhand information will not do. I cannot survive on a secondhand faith in a secondhand God. There has to be a personal word, a unique confrontation, if I am to come alive.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
They say that the devils greatest trick was convincing man that he didn’t exist but their wrong. You are the devils greatest trick. Your very name is a trick. You are no Angel but a demon from hell sent to test us and while the men have failed I will not. Do you understand, I will not. I see you for what you are so go back to hell because I will not yield another member of my family to you.
Angelique Jones (The Matriarchs (The Family #6))
After this, Boy became very curious about the mansion where the clothes and the food came from. He made me describe everything. Then he asked Good Thing 'Are there books in this mansion, too?' 'And pictures and jewels,' Good Thing said through me. 'What does Master wish me to fetch? There is a golden harp, a musical box like a bird, a—' 'Just books,' said Boy. 'I need to learn. I'm still so ignorant.
Diana Wynne Jones (Unexpected Magic: Collected Stories)
it’s a bit like if we were on a planet where all the space creatures were short, green and fat. Except a very few of them were tall, thin and yellow. And all the advertising was of the tall, yellow ones, airbrushed to make them even taller and yellower. So all the little green space creatures spent their whole time feeling sad because they weren’t tall, thin and yellow.
Helen Fielding (Mad About the Boy (Bridget Jones, #3))
Inside, Howl was still sitting on the stool. He sat in an attitude of utter despair. And he was covered all over in thick green slime. There were horrendous, dramatic, violent quantities of green slime – oodles of it. It covered Howl completely. It draped his head and shoulders in sticky dollops, heaping on his knees and hands, trickling in glops down his legs and dripping off the stool in sticky strands. It was in oozing ponds and crawling pools over most of the floor. Long fingers of it had crept into the hearth. It smelled vile. “Save me!” Calcifer cried in a hoarse whisper. He was down to two desperately flickering small flames. “This stuff is going to put me out!” Sophie held up her skirt and marched as near Howl as she could get – which was not very near. “Stop it!” she said. “Stop it at once! You are behaving just like a baby!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
There is, in the Army, a little known but very important activity appropriately called Fatigue. Fatigue, in the Army, is the very necessary cleaning and repairing of the aftermath of living. Any man who has ever owned a gun has known Fatigue, when, after fifteen minutes in the woods and perhaps three shots at an elusive squirrel, he has gone home to spend three-quarters of an hour cleaning up his piece so that it will be ready next time he goes to the woods. Any woman who has ever cooked a luscious meal and ladled it out in plates upon the table has known Fatigue, when, after the glorious meal is eaten, she repairs to the kitchen to wash the congealed gravy from the plates and the slick grease from the cooking pots so they will be ready to be used this evening, dirtied, and so washed again. It is the knowledge of the unendingness and of the repetitious uselessness, the do it up so it can be done again, that makes Fatigue fatigue.
James Jones (From Here to Eternity)
When compared to the fact that he might very well be dead by this time tomorrow, whether he was courageous or not today was pointless, empty. When compared to the fact that he might be dead tomorrow, everything was pointless. Life was pointless. Whether he looked at a tree or not was pointless. It just didn't make any difference. It was pointless to the tree, it was pointless to every man in his outfit, pointless to everybody in the whole world. Who cared? It was not pointless only to him; and when he was dead, when he ceased to exist, it would be pointless to him too. More important: Not only would it be pointless, it would have been pointless, all along.
James Jones (The Thin Red Line)
We would bestow some pains here in minutely describing all the mad pranks which Jones played on this occasion could we be well assured that the reader would take the same pains in perusing them, but as we are apprehensive that after all the labour which we should employ in painting this scene the said reader would be very apt to skip it entirely over, we have saved ourself that trouble. To say the truth, we have from this reason alone often done great violence to the luxuriance of our genius, and have left many excellent descriptions out of our work which would otherwise have been in it.
Henry Fielding (Tom Jones (UBSPD's World Classics))
Should I leave you two alone?" he asked, changing the subject. "He's taken," I said, accepting the fact that forgiving himself was something Reyes didn't do. "Osh. By someone very special." "And who might that be?" This might be a little hard for him to swallow. Tact was definitely in order. Or I could just blurt it out and watch his expression go from content to disbelief to horror to a bristly, murderous kind of fury. I chose door number two. "He's destined to be with our daughter." Reyes's expression slowly changed from content to disbelief to horror to a bristly, murderous kind of fury. "Oh, hell, no." He shot to his feet. "A Daeva? Are you fucking kidding me?" Just like a dad. "Yes, a Daeva. But I wouldn't dismiss him so offhandedly." He whirled around and scowled. Not really at me. Just in general. "What do you mean?" I pressed one corner of my mouth together in thought. "Okay, you know how I was the grim reaper all of my life, then suddenly I'm also this god from another dimension? And how you're the son of Satan all your life, then suddenly you're a god from this dimension? Who does that? Our lives are so weird. I think that maybe Osh is something else, too." I traced one of the dark lines on his face. "I think there's more than meets the eye. I see greatness in him, Reyes. I see a power beyond our imaginings. I see him giving his life for our daughter." "Oh." He sat back down, satisfied. "As long as he dies in the end.
Darynda Jones (The Curse of Tenth Grave (Charley Davidson, #10))
This is who I am, Sara. I will protect you from everything and everyone else, but I can’t protect you from who I am or who we will be if you stay with me.” “I know who you are,” I whisper, and I am more clear of mind than I have been in a very long time. I need him. I’ve needed him from the moment I first met him. Even then, that first night, I felt free to let go with him, to be me, when I didn’t even recognize me. “But you need to know this, Chris. I know who I am now, too. I know what I need to stay with you. If you own my body, I own yours.” I’ve walked away from too much to be willing to settle for less than everything now.
Lisa Renee Jones (Being Me (Inside Out, #2))
NUNNERIES: The Rule is that any Nunnery you approach, particularly if you are in dire need of rest, Healing, or provisions, will prove to have been recently sacked. You will find the place a smoking ruin littered with corpses. You will be shocked and wonder who could have done such a thing. Your natural curiosity will shorty be satisfied, because there is a further Rule that there will be one survivor, either a very young NOVICE or a very old nun, who will give you a graphic account of the raping and burning and the names of the perpetrators. If old, she will then die, thus saving you from having to take her along and feed her from your dwindling provisions; if a Novice, she will either die likewise or prove to be not as nunnish as you at first thought, in which case you may be glad to have her along.
Diana Wynne Jones (The Tough Guide to Fantasyland)
Their little life is entirely controlled by the organization of the world. They think as the world thinks. They take their opinions ready-made from their favorite newspaper. Their very appearance is controlled by the world and its changing fashions. They all conform; it must be done; they dare not disobey; they are afraid of the consequences. That is tyranny, this is absolute control—clothing, hair style, everything, absolutely controlled. The mind of the world! ... Most lives are being controlled by it and governed by it, all their opinions, their language, the way they spend their money, what they desire, where they go, where they spend their holidays; it is all controlled, governed completely ... by this world, the mind of the world, the age of propaganda, the age of advertising, the mass mind, the mass man, the mass individual, without knowing it. Is it not tragic? But that is man in sin ... he is controlled by the mind of the world.
D. Martyn Lloyd-Jones
You do understand, Sara. More than you know. More than I wish you did.” His mouth closes down over mine, hot with demand, and I know he believes this conversation is over, that he means to end it with the wicked caress of his tongue against mine, the possessive splay of his hands on my body. But I refuse to be this powerless, to be silenced with the very passion that drives me to need to understand this man. “No,” I gasp, and shove against him, breathless as I meet his gaze and demand, “Make me understand, Chris.” And on some level I know this is that unknown place I’ve craved to go with him, that place he hides from me, that place he wants to take me. This is where we have to go, where we’ve always been headed.
Lisa Renee Jones (Being Me (Inside Out, #2))
To be sure, rock n' roll is usually a flagrant commercialization of rhythm & blues, but the music in many cases depends on materials that are so alien to the general middle-class, middle-brow American culture as to remain interesting. Many of the same kinds of cheap American dilutions that had disfigured popular swing have tended to disfigure the new music, but the source, the exciting and "vulgar" urban blues of the forties, is still sufficiently removed from the mainstream to be vital. For this reason, rock n' roll has not become as emotionally meaningless as commercial swing. It is sill raw enough to stand the dilution and in some cases, to even be made attractive by the very fact of its commercialization. Even its "alienation" remains conspicuous; it is often used to characterize white adolescents as "youthful offenders." (Rock n' roll also is popular with another "underprivileged" minority, e.g., Puerto Rican youths. There are now even quite popular rock n' roll songs, at least around New York, that have some of the lyrics in Spanish.) Rock n' roll is the blues form of the classes of Americans who lack the "sophistication" to be middle brows, or are too naïve to get in on the mainstream American taste; those who think that somehow Melachrino, Kostelanetz, etc., are too lifeless
Amiri Baraka (Blues People: Negro Music in White America)
He then bespattered the youth with abundance of that language which passes between country gentleman who embrace opposite sides of the question; with frequent applications to him to salute that part which is generally introduced into all controversies that arise among the lower orders of the English gentry at horse-races, cock-matches, and other public places. Allusions to this part are likewise often made for the sake of jest. And here, I believe, the wit is generally misunderstood. In reality, it lies in desiring another to kiss you a-- for having just before threatened ti kick his; for I have observed very accurately, that no one ever desires you to kick that which belongs to himself, nor offers to kiss this part in another. It may likewise seem surprizing that in the many thousand kind invitations of this sort, which every one who hath conversed with country gentlemen must have heard, no one, I believe, hath ever seen a single instance where the desire hath been complied with; - a great instance of their want of politeness; for in town nothing can be more common than for the finest gentlemen to perform this ceremony every day to their superiors, without having that favour once requested of them.
Henry Fielding (The History of Tom Jones, a Foundling)
There is a dark side to religious devotion that is too often ignored or denied. As a means of motivating people to be cruel or inhumane -- as a means of inciting evil, to borrow the vocabulary of the devout -- there may be no more potent force than religion. When the subject of religiously inspired bloodshed comes up, many Americans immediately think of Islamic fundamentalism, which is to be expected in the wake of the September 11 attacks on New York and Washington. But men have been committing heinous acts in the name of God ever since mankind began believing in deities, and extremists exist within all religions. Muhammad is not the only prophet whose words have been used to sanction barbarism; history has not lacked for Christians, Jews, Hindus, Sikhs, and even Buddhists who have been motivated by scripture to butcher innocents. Plenty of these religious extremists have been homegrown, corn-fed Americans. Faith-based violence was present long before Osama bin Laden, and it ill be with us long after his demise. Religious zealots like bin Laden, David Koresh, Jim Jones, Shoko Asahara, and Dan Lafferty are common to every age, just as zealots of other stripes are. In any human endeavor, some fraction of its practitioners will be motivated to pursue that activity with such concentrated focus and unalloyed passion that it will consume them utterly. One has to look no further than individuals who feel compelled to devote their lives to becoming concert pianists, say, or climbing Mount Everest. For some, the province of the extreme holds an allure that's irresistible. And a certain percentage of such fanatics will inevitably fixate on the matters of the spirit. The zealot may be outwardly motivated by the anticipation of a great reward at the other end -- wealth, fame, eternal salvation -- but the real recompense is probably the obsession itself. This is no less true for the religious fanatic than for the fanatical pianist or fanatical mountain climber. As a result of his (or her) infatuation, existence overflows with purpose. Ambiguity vanishes from the fanatic's worldview; a narcissistic sense of self-assurance displaces all doubt. A delicious rage quickens his pulse, fueled by the sins and shortcomings of lesser mortals, who are soiling the world wherever he looks. His perspective narrows until the last remnants of proportion are shed from his life. Through immoderation, he experiences something akin to rapture. Although the far territory of the extreme can exert an intoxicating pull on susceptible individuals of all bents, extremism seems to be especially prevalent among those inclined by temperament or upbringing toward religious pursuits. Faith is the very antithesis of reason, injudiciousness a crucial component of spiritual devotion. And when religious fanaticism supplants ratiocination, all bets are suddenly off. Anything can happen. Absolutely anything. Common sense is no match for the voice of God...
Jon Krakauer (Under the Banner of Heaven: A Story of Violent Faith)
I do not know you, my friends, not individually, most of you, but this is the wonderful thing about the work of a preacher, he does not need to know his congregation. Do you know why? Because I know the most important thing about every single one of you, and that is that each of you is a vile sinner. I do not care who you are, because all have sinned and come short of the glory of God. I do not care what particular form your sin takes. There is a great deal of attention paid to that today. The preacher is not interested in that. I do not want a catalogue of your sins. I do not care what your sins are. They can be very respectable or they can be heinous, vile, foul, filthy. It does not matter, thank God. But what I have authority to tell you is this. Though you may be the vilest man or woman ever known, and though you may until this moment have lived your life in the gutters and the brothels of sin in every shape and form, I say this to you: be it known unto you that through this man, this Lord Jesus Christ, is preached unto you the forgiveness of sin. And by him all who believe, you included, are at this very moment justified entirely and completely from everything you have ever done— if you believe that this is the Lord Jesus Christ, the Son of God, and that he died there on the cross, for your sins and to bear your punishment. If you believe that, and thank him for it, and rely utterly only upon him and what he has done, I tell you, in the name of God, all your sins are blotted out completely, as if you had never sinned in your life, and his righteousness is put on you and God sees you perfect in his Son. That is the message of the cross, that is Christian preaching, that it is our Lord who saves us, by dying on the cross, and that nothing else can save us, but that that can save whosoever believeth in him.
D. Martyn Lloyd-Jones
I remember the sad case of a very godly man whom I knew who had two daughters who were the most excellent women. They had reached middle life when I met them. They lived, in a sense, for the things of God, and yet neither of them had ever become a member of a Christian church, or ever taken communion at the Lord's Table. As regards their life and conduct, you could not think of better people, and yet they had never become members of the church and they had never partaken of the bread and the wine. Why? They said they did not feel they were good enough. What was the matter with them? They were looking at themselves instead of at the finished, perfect work of Christ. You look at yourself and, of course, you will miserable, for within there is blackness and darkness. The best saint when he looks at himself becomes unhappy; he sees things that should not be there, and if you and I spend our whole time looking at ourselves we shall remain in misery, and we shall lose the joy. Self-examination is all right, but introspection is bad. Let us draw the distinction between these two things. We can examine ourselves in the light of Scripture, and if we do that we shall be driven to Christ. But with introspection a man looks at himself and continues to do so, and refuses to be happy until he gets rid of the imperfections that are still there. Oh, the tragedy that we should spend our lives looking at ourselves instead of looking at Him who can set us free!
D. Martyn Lloyd-Jones (Out of the Depths)
Any true definition of preaching must say that that man is there to deliver the message of God, a message from God to those people. If you prefer the language of Paul, he is 'an ambassador for Christ'. That is what he is. He has been sent, he is a commissioned person, and he is standing there as the mouthpiece of God and of Christ to address these people. In other words he is not there merely to talk to them, he is not there to entertain them. He is there - and I want to emphasize this - to do something to those people; he is there to produce results of various kinds, he is there to influence people. He is not merely to influence a part of them; he is not only to influence their minds, not only their emotions, or merely to bring pressure to bear upon their wills and to induce them to some kind of activity. He is there to deal with the whole person; and his preaching is meant to affect the whole person at the very centre of life. Preaching should make such a difference to a man who is listening that he is never the same again. Preaching, in other words, is a transaction between the preacher and the listener. It does something for the soul of man, for the whole of the person, the entire man; it deals with him in a vital and radical manner. I remember a remark made to me a few years back about some studies of mine on “The Sermon on the Mount.” I had deliberately published them in sermonic form. There were many who advised me not to do that on the grounds that people no longer like sermons. The days for sermons, I was told, were past, and I was pressed to turn my sermons into essays and to give them a different form. I was most interested therefore when this man to whom I was talking, and he is a very well-known Christian layman in Britain, said, "I like these studies of yours on “The Sermon on the Mount” because they speak to me.” Then he went on to say, “I have been recommended many books by learned preachers and professors but,” he said, “what I feel about those books is that it always seems to be professors writing to professors; they do not speak to me. But,” he said, “your stuff speaks to me.” Now he was an able man, and a man in a prominent position, but that is how he put it. I think there is a great deal of truth in this. He felt that so much that he had been recommended to read was very learned and very clever and scholarly, but as he put it, it was “professors writing to professors.” This is, I believe, is a most important point for us to bear in mind when we read sermons. I have referred already to the danger of giving the literary style too much prominence. I remember reading an article in a literary journal some five or six years ago which I thought was most illuminating because the writer was making the selfsame point in his own field. His case was that the trouble today is that far too often instead of getting true literature we tend to get “reviewers writing books for reviewers.” These men review one another's books, with the result that when they write, what they have in their mind too often is the reviewer and not the reading public to whom the book should be addressed, at any rate in the first instance. The same thing tends to happen in connection with preaching. This ruins preaching, which should always be a transaction between preacher and listener with something vital and living taking place. It is not the mere imparting of knowledge, there is something much bigger involved. The total person is engaged on both sides; and if we fail to realize this our preaching will be a failure.
D. Martyn Lloyd-Jones (Preaching and Preachers)