John James Audubon Quotes

A true conservationist is a man who knows that the world is not given by his fathers, but borrowed from his children.

The woods would be very silent if no birds sang except those who sang the best.

As I grew up I was fervently desirous of becoming acquainted with Nature.

[Audubon's works are] the most splendid monuments which art has erected in honor of ornithology.

The worse my drawings were, the more beautiful did the originals appear.

A similar unhappy fate awaited the delightful Bachman’s warbler. Always rare, it was said to have one of the loveliest songs of all birds. For years it escaped detection, but in 1939, two birders, operating independently in different places, coincidentally saw a Bachman’s warbler within two days of each other. Both shot the birds (nice work, boys!), and that, it appears, was that for the Bachman’s warbler. But there are almost certainly others that disappeared before anyone much noticed. John James Audubon painted three species of bird—the small-headed flycatcher, the carbonated warbler, and the Blue Mountain warbler—that have not been seen by anyone since. The same is true of Townsend’s bunting, of which there is one stuffed specimen in the Smithsonian Institution in Washington.

The real loser in the eastern forests has been the songbird. One of the most striking losses was the Carolina parakeet, a lovely, innocuous bird whose numbers in the wild were possibly exceeded only by the unbelievably numerous passenger pigeon. (When the first pilgrims came to America there were an estimated nine billion passenger pigeons—more than twice the number of all birds found in America today.) Both were hunted out of existence—the passenger pigeon for pig feed and the simple joy of blasting volumes of birds from the sky with blind ease, the Carolina parakeet because it ate farmers’ fruit and had a striking plumage that made a lovely ladies’ hat. In 1914, the last surviving members of each species died within weeks of each other in captivity. A similar unhappy fate awaited the delightful Bachman’s warbler. Always rare, it was said to have one of the loveliest songs of all birds. For years it escaped detection, but in 1939, two birders, operating independently in different places, coincidentally saw a Bachman’s warbler within two days of each other. Both shot the birds (nice work, boys!), and that, it appears, was that for the Bachman’s warbler. But there are almost certainly others that disappeared before anyone much noticed. John James Audubon painted three species of bird—the small-headed flycatcher, the carbonated warbler, and the Blue Mountain warbler—that have not been seen by anyone since. The same is true of Townsend’s bunting, of which there is one stuffed specimen in the Smithsonian Institution in Washington. Between the 1940s and 1980s, the populations of migratory songbirds fell by 50 percent in the eastern United States (in large part because of loss of breeding sites and other vital wintering habitats in Latin America) and by some estimates are continuing to fall by 3 percent or so a year. Seventy percent of all eastern bird species have seen population declines since the 1960s. These days, the woods are a pretty quiet place.

But Not the Hippopotamus This book is a book about a hippopotamus that watches other animals play together and do certain activities. The hippopotamus just hangs around waiting for them to ask him to play. They finally ask him to play and so he is now included. This book I feel covers the Identity of courage by the other kids asking hippopotamus to go play with them. John James Audubon Painted Birds: Little Naturalists This book describes James Audubon and the type of artwork he does. This book shows all the parts of a bird such as the beak, legs, wings, etc. This book is children's literature because it is teaching the children the parts of a bird as well as illustrating the pictures of the birds so that the children can comprehend the birds and have illustrations to help.

Near our old apartment in Auburn, there is a trail of trees called the George Bengtson Historic Tree Trail, named after a white research forester and plant physiologist at the University of Auburn, Alabama. A great man, I’m sure. These trees are grafted from scions of heritage trees. Among the trees planted: Lewis & Clark Osage Orange. Trail of Tears Water Oak. General Jackson Black Walnut. General Robert E. Lee Sweetgum. Southern Baldcypress. Johnny Appleseed Apple Tree. Mark Twain Bur Oak. Lewis & Clark Cottonwood. Helen Keller Southern Magnolia. Amelia Earhart Sugar Maple. Chief Logan American Elm. Lincoln’s Tomb White Oak. John F. Kennedy Crabapple. John James Audubon Japanese Magnolia. No trees are named for Muskogee, the First People who died in the millions during epidemics, displacement, and land raids. Under the buildings and homes and replanted forests are remnants of Muskogee earthwork mounds, temples, and trenches, a complex network of pre-American cities. There is a single scion named for a northern Indian Iroquois, Chief Logan, another for the Trail of Tears, the only nod to the suffering of Indigenous people. There is no mention of Sacajawea, never mind that Lewis and Clark would’ve been lost in the American wilderness without her. George Washington Carver Green Ash is the only scion named after the Black inventor and scientist. No Black or Native women or femmes are named. No mention of a single civil rights leader, which Alabama birthed aplenty: Coretta Scott King, Rosa Parks, Angela Y. Davis. Imagine a Zora Neale Hurston Sweetgum or a Margaret Walker Poplar.

He who follows the feathered inhabitants of the forest and plains, however rough or tangled the paths may be, seldom fails to obtain the objects of his pursuit, provided he be possessed of due enthusiasm and perseverance.