Jingle Dress Quotes

I always wanted a father. Any kind. A strict one, a funny one, one who bought me pink dresses, one who wished I was a boy. One who traveled, one who never got up out of his Morris chair. Doctor, lawyer, Indian chief. I wanted shaving cream in the sink and whistling on the stairs. I wanted pants hung by their cuffs from a dresser drawer. I wanted change jingling in a pocket and the sound of ice cracking in a cocktail glass at five thirty. I wanted to hear my mother laugh behind a closed door.

the story of the jingle dress. A girl was sick, and her father feared she would not recover. He sought a vision and it came to him: a dress for her, with rows of jingles made from tin cones that clinked melodically when she danced. The more she danced, the more she healed. Once she was all better, she continued to dance, to heal others in her community. The Jingle Dance represents healing. And the red dress symbolizes our women.

Life was going past her, down a hot shady summer road, life with gray uniforms and jingling spurs and flowered organdie dresses and banjos playing.

Agnes shut her eyes, clenched her fists, opened her mouth and screamed. It started low. Plaster dust drifted down from the ceiling. The prisms on the chandelier chimed gently as they shook. It rose, passing quickly through the mysterious pitch at fourteen cycles per second where the human spirit begins to feel distinctly uncomfortable about the universe and the place in it of the bowels. Small items around the Opera House vibrated off shelves and smashed on the floor. The note climbed, rang like a bell, climbed again. In the Pit, all the violin strings snapped, one by one. As the tone rose, the crystal prisms shook in the chandelier. In the bar, champagne corks fired a salvo. Ice jingled and shattered in its bucket. A line of wine-glasses joined in the chorus, blurred around the rims, and then exploded like hazardous thistledown with attitude. There were harmonics and echoes that caused strange effects. In the dressing-rooms the No. 3 greasepaint melted. Mirrors cracked, filling the ballet school with a million fractured images. Dust rose, insects fell. In the stones of the Opera House tiny particles of quartz danced briefly... Then there was silence, broken by the occasional thud and tinkle. Nanny grinned. 'Ah,' she said, 'now the opera's over.

My song has put off her adornments. She has no pride of dress and decoration. Ornaments would mar our union; they would come between thee and me; their jingling would drown thy whispers. My poet's vanity dies in shame before thy sight. O master poet, I have sat down at thy feet. Only let me make my life simple and straight, like a flute of reed for thee to fill with music.

I was examining the perfumed, coloured candles guaranteed to bring good fortune with continued use when a lovely mocha-skinned girl came in from the back room and stood behind the counter. She wore a white smock over her dress and looked about nineteen or twenty. Her wavy, shoulder-length hair was the colour of polished mahogany. A number of thin, silver hoops jingled on her fine-boned wrist. "May I help you?" she asked. Just beneath her carefully modulated diction lingered the melodic calypso lilt of the Caribbean.

But, without preaching, the truth may surely be borne in mind, that the bustle, and triumph, and laughter, and gaiety which Vanity Fair exhibits in public, do not always pursue the performer into private life, and that the most dreary depression of spirits and dismal repentances sometimes overcome him. Recollection of the best ordained banquets will scarcely cheer sick epicures. Reminiscences of the most becoming dresses and brilliant ball triumphs will go very little way to console faded beauties. Perhaps statesmen, at a particular period of existence, are not much gratified at thinking over the most triumphant divisions; and the success or the pleasure of yesterday becomes of very small account when a certain (albeit uncertain) morrow is in view, about which all of us must some day or other be speculating. O brother wearers of motley! Are there not moments when one grows sick of grinning and tumbling, and the jingling of cap and bells? This, dear friends and companions, is my amiable object--to walk with you through the Fair, to examine the shops and the shows there; and that we should all come home after the flare, and the noise, and the gaiety, and be perfectly miserable in private.

I am, in large measure, the selfsame prose I write. I unroll myself in sentences and paragraphs, I punctuate myself. In my arranging and rearranging of images I’m like a child using newspaper to dress up as a king, and in the way I create rhythm with a series of words I’m like a lunatic adorning my hair with dried flowers that are still alive in his dreams. And above all I’m calm, like a rag doll that has become conscious of itself and occasionally shakes its head to make the tiny bell on top of its pointed cap (a component part of the same head) produce a sound, the jingling life of a dead man, a feeble notice to Fate.

While thus engaged, I heard in a side-room the softest possible jingle of bracelets, crackle of dress, and footfall; and I felt certain that two curious eyes were watching me through a small opening of the window. All at once there flashed upon my memory a pair of eyes,—a pair of large eyes, beaming with trust, simplicity, and girlhood's love,—black pupils,—thick dark eyelashes,—a calm fixed gaze. Suddenly some unseen force squeezed my heart in an iron grip, and it throbbed with intense pain. I returned to my house, but the pain clung to me. Whether I read, wrote, or did any other work, I could not shake that weight off my heart; a heavy load seemed to be always swinging from my heart-strings. In the evening, calming myself a little, I began to reflect: ‘What ails me?’ From within came the question: ‘Where is your Surabala now?’ I replied: ‘I gave her up of my free will. Surely I did not expect her to wait for me for ever.’ But something kept saying: ‘Then you could have got her merely for the asking. Now you have not the right to look at her even once, do what you will. That Surabala of your boyhood may come very close to you; you may hear the jingle of her bracelets; you may breathe the air embalmed by the essence of her hair,—but there will always be a wall between you two.’ I answered: ‘Be it so. What is Surabala to me?’ My heart rejoined: ‘To-day Surabala is nobody to you. But what might she not have been to you?’ Ah! that's true. What might she not have been to me? Dearest to me of all things, closer to me than the world besides, the sharer of all my life's joys and sorrows,—she might have been. And now, she is so distant, so much of a stranger, that to look on her is forbidden, to talk with her is improper, and to think of her is a sin!—while this Ram Lochan, coming suddenly from nowhere, has muttered a few set religious texts, and in one swoop has carried off Surabala from the rest of mankind! I have not come to preach a new ethical code, or to revolutionise society; I have no wish to tear asunder domestic ties. I am only expressing the exact working of my mind, though it may not be reasonable. I could not by any means banish from my mind the sense that Surabala, reigning there within shelter of Ram Lochan's home, was mine far more than his. The thought was, I admit, unreasonable and improper,—but it was not unnatural.

She sprang out of bed, the ornaments in her hair tinkling and jingling, making tiny versions of the noises of the chimes above her. And that was Rapunzel's most striking beauty: her hair. Bound in plaits and whorls and buns and knots and twists as tightly as she could manage. Some of the braids were so long they hung in loops that she put her arms through; they hung at her sides like giant sleeves or tippets from an ancient dress. Decorating all of this were dozens of charms-- also silver, like her hair, but some with exotic stones like lapis and turquoise. Bells, tiny moons, hands, suns, six-pointed stars, eyes, and anything else Mother Gothel could lay her hands on at her daughter's request. By these amulets Rapunzel definitely tried to control her hair, bind her hair, disempower her hair, and unenchant her magic hair.

Well?" said Loki. "What about you, Heimdall? Do you have any suggestions?" "I do," said Heimdall. "But you won't like it." Thor banged his fist down upon the table. "It does not matter whether or not we like it," he said. "We are gods! There is nothing that any of us gathered here would not do to get back Mjollnir, the hammer of the gods. Tell us your idea, and if it is a good idea, we will like it." "You won't like it," said Heimdall. "We will like it!" said Thor. "Well," said Heimdall, "I think we should dress Thor as a bride. Have him put on the necklace of the Brisings. Have him wear a bridal crown. Stuff his dress so he looks like a woman. Veil his face. We'll have him wear keys that jingle, as women do, drape him with jewels -" "I don't like it!" said Thor. "People will think... well, for a start they'll think I dress up in women's clothes. Absolutely out of the question. I don't like it. I am definitely not going to be wearing a bridal veil. None of us like this idea, do we? Terrible, terrible idea. I've got a beard. I can't shave off my beard." "Shut up, Thor," said Loki son of Laufey. "It's an excellent idea.

Still onto This Day, I Dawdle to Be Plagued With The Same Unfortunate Reoccurring Nightmare. In My Horrifying Dream, there is an Attractive Women With Piercing Blue Eyes And Light Brownish Hair, Sporting A Lengthy Red Dress With Extended Dark Black Heals Who Kills Me On Christmas Day. In My Dream I am Listening to A Christmas Song… “Jingle Bells” While Rambling Down a Dark Corridor Inside A Home. I am Shot in The Back of The Head And The Music Box Lingers Playing The Same Tune. I Can See Nothing but The Bottom of Her Mends, And Then All Becomes Ample Dark.

I closed my eyes again - the sun felt so good against my face - and I continued to eat the ice cream. This time I imagined my white Cadillac was my faithful white horse, Storm. He had a fancy black leather saddle with silver studs and matching reins. I was dressed in all black except for my white hat, which was on at a slight angle, letting it be known I wasn’t an hombre to be trifled with. My silver spurs jingled-jangled the tune from the ice cream truck as I walked because they had been blessed by a Yaqui shaman. The tune cast a spell of fear into the hearts of banditos and love into the hearts of senoritas. A silver plated six-shooter was on my hip in a black tooled holster with notches on its mother of pearl handle from desperados who had to be taken out. The desperados gave me no choice, mostly drug lords from Mexican cartels. The villages along the border celebrated their demise once a year with a big fiesta. Mariachi singers sang my praises with lyrics about the gringo with green eyes who couldn’t be killed.

All of these dancers. Imagine that each one is an atom, forming molecules of dancers fore each category: Traditional, Fancy, Grass, Jingle. You see the whole identity... Now focus on just one dancer-say, a Jingle Dress dancer...Every atom has subatomic parts. Her regalia includes a dress, belt, moccasins, and a lot of other items. Dancers don't start out with their full regalia; they get it bit by bit. Each piece is a connection to her family, her teachers, and even to ancestors generations back. If you know the story of her regalia-who and where and why each item came to be-then you know her.

The sounds: hollering, singing, music playing. Even the women are like bright chimes when they walk, gold adornments jingling. Throughout it all, the groom’s family waits with horses for the bride, who eventually arrives in a bold red dress and a red veil edged in gold, walking behind a man who carries a giant mirror bright with her reflection. After a lifetime of weddings in white ordered silence, the day is a beautiful shock.

You might try dancing theory with a bustle, or a jingle dress, or with turtles strapped around your legs. You might try wearing colonization like a heavy gold chain around a pimp's neck.

THE STORY WHEEL I leave you to your ceremony of grieving Which is also of celebration Given when an honored humble one Leaves behind a trail of happiness In the dark of human tribulation. None of us is above the other In this story of forever. Though we follow that red road home, one behind another. There is a light breaking through the storm And it is buffalo hunting weather. There you can see your mother. She is busy as she was ever— She holds up a new jingle dress, for her youngest beloved daughter. And for her special son, a set of finely beaded gear. All for that welcome home dance, The most favorite of all— when everyone finds their way back together to dance, eat and celebrate. And tell story after story of how they fought and played in the story wheel and how no one was ever really lost at all.

Jackie remembered being awakened early one morning by Jack in Ashland, Wisconsin. Within moments Steve Smith, the husband of Jack’s sister Jean and one of Jack’s key campaign strategists, knocked at the door. “While they were talking about the news stories and things like that, I packed my bag and got dressed. Neither of us is very talkative so early in the morning, especially me. But I remember something in the car going to the airport in Ashland. I saw a crow and I told Jack we must see another crow, and I told him the jingle I learned as a little girl: ‘One crow sorrow, two crows joy, three crows a girl, four a boy.