Cadillac Williams Quotes

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In 1904, the newly created Los Angeles Department of Water and Power issued its first public report. 'The time has come,' it said, 'when we shall have to supplement the supply from another source.' With that simple statement, William Mulholland was about to become a modern Moses. But instead of leading his people to the promised land, he would cleave the desert and lead the promised waters to them.
Marc Reisner (Cadillac Desert: The American West and Its Disappearing Water)
loser. A new car was the reward for years of self-denial and hard work, as the Cadillac ads were constantly making clear: ‘Here is the man who has earned the right to sit at this wheel.’ Most families gradually let go of their traditional puritan sobriety. Historian William Leach described the development of a ‘culture of desire that confused the good life with goods’. His colleague David M. Potter complained as early as 1954 that modern society expected a man ‘to consume his quota of goods – of automobiles, of whiskey, of television sets – by maintaining a certain standard of living, and it regards him as a “good guy” for absorbing his share, while it snickers at the prudent, self-denying, abstemious thrift that an earlier generation would have respected’. This too signified a
Geert Mak (In America: Travels with John Steinbeck)
Marc Reisner’s Cadillac Desert, Rick Bass’s The Watch, Terry Tempest Williams’s Refuge, Charles Bowden’s Red Line, Leslie Marmon Silko’s Ceremony, Doug Peacock’s Grizzly Years, and Pam Houston’s Cowboys Are My Weakness.
David Gessner (All The Wild That Remains: Edward Abbey, Wallace Stegner, and the American West)
Fundamentals of Esperanto The grammatical rules of this language can be learned in one sitting. Nouns have no gender & end in -o; the plural terminates in -oj & the accusative, -on Amiko, friend; amikoj, friends; amikon & amikojn, accusative friend & friends. Ma amiko is my friend. A new book appears in Esperanto every week. Radio stations in Europe, the United States, China, Russia & Brazil broadcast in Esperanto, as does Vatican Radio. In 1959, UNESCO declared the International Federation of Esperanto Speakers to be in accord with its mission & granted this body consultative status. The youth branch of the International Federation of Esperanto Speakers, UTA, has offices in 80 different countries & organizes social events where young people curious about the movement may dance to recordings by Esperanto artists, enjoy complimentary soft drinks & take home Esperanto versions of major literary works including the Old Testament & A Midsummer Night’s Dream. William Shatner’s first feature-length vehicle was a horror film shot entirely in Esperanto. Esperanto is among the languages currently sailing into deep space on board the Voyager spacecraft. - Esperanto is an artificial language constructed in 1887 by L. L. Zamenhof, a polish oculist. following a somewhat difficult period in my life. It was twilight & snowing on the railway platform just outside Warsaw where I had missed my connection. A man in a crumpled track suit & dark glasses pushed a cart piled high with ripped & weathered volumes— sex manuals, detective stories, yellowing musical scores & outdated physics textbooks, old copies of Life, new smut, an atlas translated, a grammar, The Mirror, Soviet-bloc comics, a guide to the rivers & mountains, thesauri, inscrutable musical scores & mimeographed physics books, defective stories, obsolete sex manuals— one of which caught my notice (Dr. Esperanto since I had time, I traded my used Leaves of Grass for a copy. I’m afraid I will never be lonely enough. There’s a man from Quebec in my head, a friend to the purple martins. Purple martins are the Cadillac of swallows. All purple martins are dying or dead. Brainscans of grown purple martins suggest these creatures feel the same levels of doubt & bliss as an eight-year-old girl in captivity. While driving home from the brewery one night this man from Quebec heard a radio program about purple martins & the next day he set out to build them a house in his own back yard. I’ve never built anything, let alone a house, not to mention a home for somebody else. Never put in aluminum floors to smooth over the waiting. Never piped sugar water through colored tubes to each empty nest lined with newspaper shredded with strong, tired hands. Never dismantled the entire affair & put it back together again. Still no swallows. I never installed the big light that stays on through the night to keep owls away. Never installed lesser lights, never rested on Sunday with a beer on the deck surveying what I had done & what yet remained to be done, listening to Styx while the neighbor kids ran through my sprinklers. I have never collapsed in abandon. Never prayed. But enough about the purple martins. Every line of the work is a first & a last line & this is the spring of its action. Of course, there’s a journey & inside that journey, an implicit voyage through the underworld. There’s a bridge made of boats; a carp stuffed with flowers; a comic dispute among sweetmeat vendors; a digression on shadows; That’s how we finally learn who the hero was all along. Weary & old, he sits on a rock & watches his friends fly by one by one out of the song, then turns back to the journey they all began long ago, keeping the river to his right.
Srikanth Reddy (Facts for Visitors)
And that new Cadillac she came up in must have cost a bundle. Ten, twelve thousand, at least. Maybe more.
William W. Johnstone (Wolfsbane (Wolf, #1))