Jewelry Short Quotes

We've searched our database for all the quotes and captions related to Jewelry Short. Here they are! All 26 of them:

In short, a diamond bracelet is a much more honest instrument of courtship than a perforated stomach. She has the option of throwing the jewelry back at him, but she cannot decently walk out on the ulcer. ("Look How Hard I've Been Trying")
Eric Berne (Games People Play)
They walked in silence through the little streets of Chinatown. Women from all over the world smiled at them from open windows, stood on the doorsteps inviting them in. Some of the rooms were exposed to the street. Only a curtain concealed the beds. One could see couples embracing. There were Syrian women wearing their native costume, Arabian women with jewelry covering their half-naked bodies, Japanese and Chinese women beckoning slyly, big African women squatting in circles, chatting together. One house was filled with French whores wearing short pink chemises and knitting and sewing as if they were at home. They always hailed the passers-by with promises of specialities. The houses were small, dimly lit, dusty, foggy with smoke, filled with dusky voices, the murmurs of drunkards, of lovemaking. The Chinese adorned the setting and made it more confused with screens and curtains, lanterns, burning incense, Buddhas of gold. It was a maze of jewels, paper flowers, silk hangings, and rugs, with women as varied as the designs and colors, inviting men who passed by to sleep with them.
Anaïs Nin (Delta of Venus)
Each day Marda gets closer. The sub circles coral reefs off the coasts, where mermaids are said to like the colors of the schools of fishes, and train them to swim around their necks like jewelry or live behind their ears, beneath their long hair. Sometimes mermaids like shallow places, but mostly they like the dark and the beautiful, uncharted, abandoned, soulless parts of the undiscovered world.
Holly Walrath (Pulp Literature Issue 7 Summer 2015)
Oh! Jewelry!” I say on a gasp as I dart to the shiny diamond necklace. “Someone reel her the fuck in before she cuts her face nuzzling that rock,” Kai says like he’s amused. But there are so many gems that I can’t look at all of them at once when I pull out a drawer. I fall back as the lights go out, my brain short-circuiting over all the shiny things.
Kristy Cunning (Two Kingdoms (The Dark Side, #3))
Life appears to have been pretty good for the Skara Brae residents. They had jewelry and pottery. They grew wheat and barley, and enjoyed bounteous harvests of shellfish and fish, including a codfish that weighed seventy-five pounds. They kept cattle, sheep, pigs, and dogs. The one thing they lacked was wood.
Bill Bryson (At Home: A Short History of Private Life)
I look in the jewelry box where Joanie found the drugs. She showed me a miniature Ziploc bag filled with a clear, hard rock. “What is this?” I said. I never did drugs, so I had no idea. Heroin? Cocaine? Crack? Ice? “What is this?” I screamed at Alex, who screamed back, “It’s not like I shoot it!” A plastic ballerina pops up and slowly twirls to a tinkling song whose sound is discordant and deformed. The pink satin liner is dirty, and other than a black pearl necklace, the box holds only rusty paper clips and rubber bands noosed with Alex’s dark hair. I see a note stuck to the mirror and pick up the jewelry box and move the ballerina aside. She twirls against my finger. The note says, I wouldn’t hide them in the same place twice. I let out a short breath through my nose. Good one, Alex. I close the jewelry box and shake my head, missing her tremendously. I wish she never went back to boarding school, and I don’t understand her sudden change of plans. What did they fight about? What could have been so bad?
Kaui Hart Hemmings (The Descendants)
The last clear thought I have is of my grandmother’s rust-colored wall clock ticking away in the darkness of my apartment—my sanctuary where I dreamed and desired and hoped for goodness and love. I wonder how long that clock will tick without anyone around to hear it. I wonder if maybe I should have taken my grandmother’s silverware or jewelry instead. I wonder – if I knew then what I know now – if I still would have approached Jade that first night and invited her into my life, only to watch as she took it from me and fed it to some Godless thing, as my mother had called it. Would I still have given myself over to her, knowing it would end the same way, with the barbaric flicker of hope that this time she could love me?
J. Tonzelli (The End of Summer: Thirteen Tales of Halloween)
example of one of the big differences between Kristy and me. I was wearing a very short pink cotton dress, white tights, and black ballet slippers. I had swept all of my hair way over to one side, where it was held in place with a piece of pink cloth that matched the dress. Only one ear showed, and in it I had put my big palm tree earring. (Kristy was not wearing any jewelry.)
Ann M. Martin (Claudia and the New Girl (The Baby-sitters Club, #12))
short red pants with purple suspenders over a bright yellow and black sweat shirt. On my feet I put my purple push-down socks and a pair of red hightop sneakers. I added jewelry — a big necklace with wooden bananas and oranges strung on it, and dangly earrings shaped like sunglasses. I fixed my hair. I brushed it until it was full and shiny. Then I rolled up a red scarf and tied it in my hair
Ann M. Martin (Welcome Back, Stacey (The Baby-Sitters Club, #28))
Her scales were a deep, dark green, and textured, like a jeweled avocado rind, and they covered most of her, except the short, stubby horns on her head, which were a dull gold, like dirty jewelry. Two enormous wings, angular and with pointed tips like a bat’s, stuck out from her sides and propelled them through the air. Beyond Riv at the back of the dragon, the queen caught glimpses of a powerfully muscled tail.
Shira Glassman (The Second Mango (Mangoverse, #1))
She was a tall and slender woman, possibly in her early thirties. Her skin had the extraordinary fineness of grain, and the translucence you see in small children and fashion models. In her fine long hands, delicacy of wrists, floating texture of dark hair, and in the mobility of the long narrow sensitive structuring of her face there was the look of something almost too well made, too highly bred, too finely drawn for all the natural crudities of human existence. Her eyes were large and very dark and tilted and set widely. She wore dark Bermuda shorts and sandals and a crisp blue and white blouse, no jewelry of any kind, a sparing touch of lipstick.
John D. MacDonald (The Deep Blue Good-By)
Marisol looked me over. “Now for your outfit.” I tugged my black tee and tan shorts. “I’m already wearing an outfit.” “No,” Marisol said with a slow head shake. “There’s a big difference between wearing clothes and wearing an outfit.” She pointed at my closet. “Get that denim shirt I made you buy and layer it on top, opened, sleeves rolled. Your tee has a little rip.” I glanced down. Grimaced. “Then the necklace with the dangling blue stone that’s hanging in your jewelry caddy, by your black jacket. And swap the flip-flops for sandals. The black ones with silver buckles.” “How in the—” “After all this time, you’re actually questioning it?” I conceded with a hand flip and moved toward the closet Marisol freakishly knew by heart.
Laura Taylor Namey (The Library of Lost Things)
Daniel Giordano reached into his pocket and held out the beautiful, emerald necklace for his date. He'd met this woman in a night club two weeks before. He certainly didn't give her the expensive jewelry because of any emotional attachment on his part. The rich bachelor was careful about keeping a collection of extraordinary gifts inside of his penthouse to give to the women who pleased him the most. This was the second date with her in a week, and she was very good at satisfying his needs without hounding him about a relationship. Any such talk on that subject warranted indefinite distance. Daniel was a player and was perfectly happy with that decision. Life was just too short. "Oh my God! I love it!" "I bought it just for you, Monique," whispered Daniel as he fastened the clasp around her delicate neck. She
Terri Marie (Forbidden Disclosure (A Billionaire in Disguise, #1))
That same day we drove to Seville to celebrate. I asked someone for the name of the smartest hotel in Seville. Alfonso XIII, came the reply. It is where the King of Spain always stays. We found the hotel and wandered in. It was amazing. Shara was a little embarrassed as I was dressed in shorts and an old holey jersey, but I sought out a friendly-looking receptionist and told her our story. “Could you help us out? I have hardly any money.” She looked us up and down, paused--then smiled. “Just don’t tell my manager,” she whispered. So we stayed in a $1,000-a-night room for $100 and celebrated--like the King of Spain. The next morning we went on a hunt for a ring. I asked the concierge in my best university Spanish where I would find a good (aka well-priced) jeweler. He looked a little surprised. I tried speaking slower. Eventually I realized that I had actually been asking him where I might find a good mustache shop. I apologized that my Spanish was a little rusty. Shara rolled her eyes again, smiling. When we eventually found a small local jeweler, I had to do some nifty subcounter mathematics, swiftly converting Spanish pesetas into British pounds, to work out whether or not I could afford each ring Shara tried on. We eventually settled on one that was simple, beautiful--and affordable. Just. Love doesn’t require expensive jewelry. And Shara has always been able to make the simple look exquisite. Luckily.
Bear Grylls (Mud, Sweat and Tears)
She had not wanted to come, and now that she was there, she was still praying for deliverance. “Aunt Berta!” she said forcefully as the front door of the great, rambling house was swung open. The butler stepped aside, and footmen hurried forward. “Aunt Berta!” she said urgently, and in desperation Elizabeth reached for the maid’s tightly clenched eyelid. She pried it open and looked straight into a frightened brown orb. “Please do not do this to me, Berta. I’m counting on you to act like an aunt, not a timid mouse. They’re almost upon us.” Berta nodded, swallowed, and straightened in her seat, then she smoothed her black bombazine skirts. “How do I look?” Elizabeth whispered urgently. “Dreadful,” said Berta, eyeing the severe, high-necked black linen gown Elizabeth had carefully chosen to wear at this, her first meeting with the prospective husband whom Alexandra had described as a lecherous old roué. To add to her nunlike appearance, Elizabeth’s hair was scraped back off her face, pinned into a bun a la Lucida, and covered with a short veil. Around her neck she wore the only piece of “jewelry” she intended to wear for as long as she was here-a large, ugly iron crucifix she’d borrowed from the family chapel. “Completely dreadful, milady,” Berta added with more strength to her voice. Ever since Robert’s disappearance, Berta had elected to address Elizabeth as her mistress instead of in the more familiar ways she’d used before. “Excellent,” Elizabeth said with an encouraging smile. “So do you.” The footman opened the door and let down the steps, and Elizabeth went first, following by her “aunt.” She let Berta step forward, then she turned and looked up at Aaron, who was atop the coach. Her uncle had permitted her to take six servants from Havenhurst, and Elizabeth had chosen them with care. “Don’t forget,” she warned Aaron needlessly. “Gossip freely about me with any servant who’ll listen to you. You know what to say.” “Aye,” he said with a devilish grin. “We’ll tell them all what a skinny ogress you are-prim ‘n proper enough to scare the devil himself into leading a holy life.” Elizabeth nodded and reluctantly turned toward the house. Fate had dealt her this hand, and she had no choice but to play it out as best she could. With head held high and knees shaking violently she walked forward until she drew even with Berta. The butler stood in the doorway, studying Elizabeth with bold interest, giving her the incredible impression that he was actually trying to locate her breasts beneath the shapeless black gown she wore.
Judith McNaught (Almost Heaven (Sequels, #3))
The opponent seemed to shift slightly in the seat. His index finger tapped a card, just a couple strokes. There it was the card that ruined his hand. Her hazel eyes release the player across from her to steal a glance registering the emotion of observers around the table then to her best friend. Sophie looks like a Nervous Nelly-she, always worries. She knows the girl will put too much emphasis on a lost hand. The striking man with his lusty brown eyes tries to draw Sophie closer. Now that he has folded and left the game, he is unnecessary, and the seasoned flirt easily escapes his reach. He leaves with a scowl; Sophie turns and issues knowing wink. Ell’s focus is now unfettered, freeing her again to bring down the last player. When she wins this hand, she will smile sweetly, thank the boys for their indulgence, and walk away $700 ahead. The men never suspected her; she’s no high roller. She realizes she and Sophie will have to stay just a bit. Mill around and pay homage to the boy’s egos. The real trick will be leaving this joint alone without one of them trying to tag along. Her opponent is taking his time; he is still undecided as to what card to keep—tap, tap. He may not know, but she has an idea which one he will choose. He attempts to appear nonchalant, but she knows she has him cornered. She makes a quick glance for Mr. Lusty Brown-eyes; he has found a new dame who is much more receptive than Sophie had been. Good, that small problem resolved itself for them. She returns her focuses on the cards once more and notes, her opponent’s eyes have dilated a bit. She has him, but she cannot let the gathering of onlookers know. She wants them to believe this was just a lucky night for a pretty girl. Her mirth finds her eyes as she accepts his bid. From a back table, there is a ruckus indicating the crowd’s appreciation of a well-played game as it ends. Reggie knew a table was freeing up, and just in time, he did not want to waste this evening on the painted and perfumed blonde dish vying for his attention. He glances the way of the table that slowly broke up. He recognizes most of the players and searches out the winner amongst them. He likes to take on the victor, and through the crowd, he catches a glimpse of his goal, surprised that he had not noticed her before. The women who frequent the back poker rooms in speakeasies all dress to compete – loud colors, low bodices, jewelry which flashes in the low light. This dame faded into the backdrop nicely, wearing a deep gray understated yet flirty gown. The minx deliberately blended into the room filled with dark men’s suits. He chuckles, thinking she is just as unassuming as can be playing the room as she just played those patsies at the table. He bet she had sat down all wide-eyed with some story about how she always wanted to play cards. He imagined she offered up a stake that wouldn’t be large but at the same time, substantial enough. Gauging her demeanor, she would have been bold enough to have the money tucked in her bodice. Those boys would be eager after she teased them by retrieving her stake. He smiled a slow smile; he would not mind watching that himself. He knew gamblers; this one was careful not to call in the hard players, just a couple of marks, which would keep the pit bosses off her. He wants to play her; however, before he can reach his goal, the skirt slips away again, using her gray camouflage to aid her. Hell, it is just as well, Reggie considered she would only serve as a distraction and what he really needs is the mental challenge of the game not the hot release of some dame–good or not. Off in a corner, the pit boss takes out a worn notepad, his meaty hands deftly use a stub of a pencil to enter the notation. The date and short description of the two broads quickly jotted down for his boss Mr. Deluca. He has seen the pair before, and they are winning too often for it to be accidental or to be healthy.
Caroline Walken (Ell's Double Down (The Willows #1))
Ralph swept back the yellow curtain to look out on the street. The leaves were turning red, the whole block ablaze. Across the street stood a barbershop that shared a storefront with a black bookstore. Next door, the hair salon spewed steam onto the street, the fried chicken spot, a jewelry shop with crucifixes and chains glittering on display, and the beauty supply store that blasted soca and flashed neon lights onto the sidewalk. This particular corner didn't have a view of any of the coffee shops that had opened farther east. Those had plush furniture and abstract art on the walls, stainless-steel espresso pumps. They were always crowded with young people in jeans and plaid, typing away on their laptops. There were the bars, too, with a dozen local beers on tap, and short menus that consisted mostly of nuts, pickles, cheese. Penelope could see the changes, of course, but she still recognized the neighborhood - it wasn't like Fort Greene or Williamsburg, which were no longer themselves. Strangers still said hello to her as they lounged on their stoops at sundown. She still had to ignore the whistles from the young men who stood in front of the bodega for so long each day it was clear they were dealing. Church bells rang on the hour and floors thumped with praise for Jesus in the Baptist churches, the one-room Pentecostal churches, the regal AME tabernacles, worship never ceasing in Bed-Stuy. The horizon on Bedford Avenue was just as long, the sirens of the police cars ars persistent, the wheeze of the B26 loud enough to wake her up at night.
Naima Coster (Halsey Street)
With Matthew at her side, Daisy browsed the row of wooden stalls that had been erected along High Street, filled with fabrics, toys, millinery, silver jewelry, and glassware. She was determined to see and do as much as possible in a short time, for Westcliff had strongly advised them to return to the manor well before midnight. “The later the hour, the more unrestrained the merrymaking tends to become,” the earl had said meaningfully. “Under the influence of wine—and behind the concealment of masks—people tend to do things they would never think of doing in the light of day.” “Oh, what’s a little fertility ritual here or there?” Daisy had scoffed cheerfully. “I’m not so innocent that I—” “We’ll be back early,” Matthew had told the earl.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Styled by Kitty Black Perkins, an African-American designer whom Mattel hired in 1975, Black Barbie made her debut in 1980. Barbie had had black friends since the late sixties, but by 1979, Mattel determined that America was ready for the dream girl herself to be of color. Because the new doll was likely to be scrutinized, Mattel fashioned her with sensitivity: her hair is short and realistically textured; her face, if not aggressively non-Caucasian, is at least different from blond Barbie's; and her dress, while corporate, is livened up with jewelry evocative of African sculpture. Hispanic Barbie, who appeared the same year, is another story. Decked out in a peasant blouse, a two-tiered skirt, and a mantilla, the doll looks like a refugee from an amateur production of Carmen; she even has a rose pinned at her neck. Mattel's designers could hardly be unacquainted with Hispanics:
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
Shortly before Christmas that year, Patrick, now seven, came along with me to work at our church’s annual Christmas bazaar. As he wandered around, he spotted a small handcrafted necklace and earring set. He thought of Diana’s recent letter and remembered our visit in Washington. As a result, he bought the little jewelry set with his saved-up allowance. We sent it to Diana for Christmas, accompanied by notes from Patrick and me. Later the following January, 1987, Diana wrote to “Dearest Patrick,” telling him she was “enormously touched to be thought of in this wonderful way.” Then she drew a smiley face. “I will wear the necklace and earrings with great pride and they will be a constant reminder of my dear friend in America. This comes with a big thank you and a huge hug, and as always, lots of love from Diana.” Could one imagine a more precious letter? I just felt chills of emotion when I rediscovered it after her death. Diana wrote to me at the same time. Now that the holidays were over, Diana had to return to her official duties--“It’s just like going back to school!” Prince William loved his new school. Diana felt he was ready for “stimulation from a new area and boys his own age…” She described taking William to school the first day “in front of 200 press men and quite frankly I could easily have dived into a box of Kleenex as he look incredibly grown-up--too sweet!” Diana noticed that Patrick and Caroline looked very much alike in our 1987 Christmas photograph. “But my goodness how they grow or maybe it’s the years taking off and leaving us mothers behind!” Diana was a young twenty-six when she wrote that observation. I wonder if she knew then that less than four years later, Prince William would be off to boarding school, truly leaving his mother behind. Again she extended a welcoming invitation. If we could manage a trip to London, “I’d love to introduce you to my two men!” By then, she meant her two sons. She also repeated that our letters “mean a great deal to me…
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
Richard had sold Gillian's piano. He'd offered to ship it out to California, but neither Jess nor Emily played. Emily had quit her lessons at "Streets of Laredo" and Jess only got as far as "The Teddy Bears' Picnic." They had Gillian's jewelry, but she hadn't collected much. She had never liked necklaces or earrings. In fact, she'd never pierced her ears. She'd preferred a rosebush or two for her birthday, or a standing mixer. "This is very sticky dough," she would tell Emily as she rolled it out. "It's very difficult to work with this dough, because it's so short. You see?" She dusted the rolling pin and board with more flour and rolled briskly, as if to tame the stiff pastry, which she then cut into circles with an overturned teacup, or filled with honeyed poppy seeds, or spread into a glass pan to bake a cake with luscious prunes, their sweetness undercut with lemon. Nothing too sweet. That was the secret. Gillian said as much to Emily in her "Sixteenth Birthday" letter. 'Don't doctor recipes. More is less, and sugar will only get you so far.
Allegra Goodman (The Cookbook Collector)
POGUE AND I stood outside the closed door to the outbuilding. I observed him closely for the first time. The head beneath that sandy hair was long, a predator’s skull. His features were pinched—they’d circled in on themselves—and a scar curved forward from his chin, short and narrow, from a knife, not shrapnel. He didn’t smile or offer much expression and I doubted that he ever did. No wedding ring, no jewelry. I noted remnants of stitching where insignias had been removed from his green jacket. I supposed that it was a personal favorite and that he’d had the garment for years. His
Jeffery Deaver (Edge)
Thus to this day, Europe’s elite discourse often depicts America not as proletarian, which at least to leftist Europeans has the connotation of authenticity, but rather as commodified, commercial, vulgar—values that exude inauthenticity, plasticity, and heteronomy. European elites’ image of America as “Las Vegas,” “Disneyland,” basically as “white trash”—or what the British call “chav”— has a distinguished pedigree: gaudy jewelry, expensive-but-tacky clothes, garish makeup, platinum blond hair, tattoos, vulgar demeanor, in short inauthentic and kitschy glitter best captured by the term “uncouth.” This disparaging image of America cultivated by European elites was also linked to how the young United States embodied modern capitalism hostile to an aristocratic order.
Andrei S. Markovits (Uncouth Nation: Why Europe Dislikes America (The Public Square Book 5))
Photographs from Distant Places (1) In distant villages, You always see the same scenes: Farms Cattle Worship spaces Small local shops. Just basic the things humans need To endure life. (2) ‘Can you stay with me forever?’ She asked him in the airport, While hugging him tightly in her arms. ‘Sorry, I can’t. My flight leaves in two hours and a half.’ He responded with an artificially caring voice, As he kissed her on her right cheek. (3) I was walking in one of Bucharest’s old streets, In a neighborhood that looked harshly beaten by Time, And severely damaged by development and globalization. I saw a poor homeless man Combing his dirty hair In a side mirror of a modern and expensive car! (4) The shape and the color of the eyes don’t matter. What matters is that, As soon as you gaze into them, You know that they have seen a lot. All eyes that dare to bear witness To what they have seen are beautiful. (5) A stranger asked me how I chose my path in life. I told him: ‘I never chose anything, my friend.’ My path has always been like someone forced to sit In an airplane on a long flight. Forced to sit with the condition Of keeping the seatbelt on at all times, Until the end of the flight. Here I am still sitting with the seatbelt on. I can neither move Nor walk. I can’t even throw myself out of the plane’s emergency exit To end this forced flight! (6) After years of searching and observing, I discovered that despair’s favorite hiding place Is under business suits and tuxedos. Under jewelry and expensive night gowns. Despair dances at the tables where Expensive wines of corruption And delicious dinners of betrayal are served. (7) Oh, my poet friend, Did you know that The bouquet of fresh flowers in that vase On your table is not a source of inspiration or creativity? The vase is just a reminder Of a flower massacre that took place recently In a field Where these poor flowers happened to be. It was their fate to have their already short lives cut shorter, To wither and wilt in your vase, While breathing the not-so-fresh air In your room, As you sit down at your table And write your vain words. (8) Under authoritarian regimes, 99.9% of the population vote for the dictator. Under capitalist ‘democratic’ regimes, 99.9% of people love buying and consuming products Made and sold by the same few corporations. Awe to those societies where both regimes meet to create a united vicious alliance against the people! To create a ‘nation’ Of customers, not citizens! (9) The post-revolution leaders are scavengers not hunters. They master the art of eating up The dead bodies and achievements Of the fools who sacrificed themselves For the ‘revolution’ and its ideals. Is this the paradox and the irony of all revolutions? (10) Every person is ugly if you take a close look at them, And beautiful, if you take a closer look. (11) Just as wheat fields can’t thrive Under the shadow of other trees, Intellectuals, too, can’t thrive under the shadow Of any power or authority. (12) We waste so much time trying to change others. Others waste so much time thinking they are changing. What a waste! October 20, 2015
Louis Yako (أنا زهرة برية [I am a Wildflower])
News “…she fell into the water from the sky…” Jae-in Doe Decedent is an Asian female. Twenty-two she just had turned. The cause of death we cannot tell Despite the many things we’ve learned. TOP SECRET My Doe-type can be difficult to track. Yet here I am, my voice-box playing back From lips hydrangea-lavender in hue His thoughts during our first few interviews. The hair is shoulder-length, the color black. The height and weight suggest she won’t fight back. The fingernails are unadorned and short. The eyes are brown; no makeup do they sport. The skin appears unpierced and untattooed, Yet scars of ruby-pearl seem to protrude Like self-inflicted jewelry on each arm And wrist—which means she’s vulnerable to harm. The language of her flesh, as I assess her, Reveals Confucian worship of professors. Her deference Korean gives me right To use her innocence for my delight.
Seo-Young Chu (The Best American Nonrequired Reading 2018)
The Latest types of girls hair cutting styles Hair is jewelry for girls. It’s an accessory. Hair is a beautiful form of self-expression. Hair is a part of our body. The hair can affect your personality.I am proud of my short hair and I think that I don’t grow it long again.
Faisal De