Jewelry Designer Quotes

You don’t need fashion designers when you are young. Have faith in your own bad taste. Buy the cheapest thing in your local thrift shop - the clothes that are freshly out of style with even the hippest people a few years older than you. Get on the fashion nerves of your peers, not your parents - that is the key to fashion leadership. Ill-fitting is always stylish. But be more creative - wear your clothes inside out, backward, upside down. Throw bleach in a load of colored laundry. Follow the exact opposite of the dry cleaning instructions inside the clothes that cost the most in your thrift shop. Don’t wear jewelry - stick Band-Aids on your wrists or make a necklace out of them. Wear Scotch tape on the side of your face like a bad face-lift attempt. Mismatch your shoes. Best yet, do as Mink Stole used to do: go to the thrift store the day after Halloween, when the children’s trick-or-treat costumes are on sale, buy one, and wear it as your uniform of defiance.

his jewelry was custom designed for the very rich and tasteless, people who would find it necessary to buy hundred-thousand-dollar necklaces to wear to a thousand-dollar-a-plate charity dinner, and never grasp the irony.

There are countless tattoos, and yet they meld and flow into one design gracefully adorning her like an elegant, unusual piece of jewelry.

They walked in silence through the little streets of Chinatown. Women from all over the world smiled at them from open windows, stood on the doorsteps inviting them in. Some of the rooms were exposed to the street. Only a curtain concealed the beds. One could see couples embracing. There were Syrian women wearing their native costume, Arabian women with jewelry covering their half-naked bodies, Japanese and Chinese women beckoning slyly, big African women squatting in circles, chatting together. One house was filled with French whores wearing short pink chemises and knitting and sewing as if they were at home. They always hailed the passers-by with promises of specialities. The houses were small, dimly lit, dusty, foggy with smoke, filled with dusky voices, the murmurs of drunkards, of lovemaking. The Chinese adorned the setting and made it more confused with screens and curtains, lanterns, burning incense, Buddhas of gold. It was a maze of jewels, paper flowers, silk hangings, and rugs, with women as varied as the designs and colors, inviting men who passed by to sleep with them.

How many were the aquarelles she painted for me; what a revelation it was when she showed me the lilac tree that grows out of mixed blue and red! Sometimes, in our St Petersburg house, from a secret compartment in the wall of her dressing room (and my birth room), she would produce a mass of jewelry for my bedtime amusement. I was very small then, and those flashing tiaras and chokers and rings seemed to me hardly inferior in mystery and enchantment to the illumination in the city during imperial fêtes, when, in the padded stillness of a frosty night, giant monograms, crowns, and other armorial designs, made of coloured electric bulbs - sapphire, emerald, ruby - glowed with a kind of charmed constraint above snow-lined cornices on housefronts along residential streets.

As a creator, you can design any sort of jewelry that you like for the inside of other people’s minds (or simply for the inside of your own mind). You can make work that’s provocative, aggressive, sacred, edgy, traditional, earnest, devastating, entertaining, brutal, fanciful . . . but when all is said and done, it’s still just intracranial jewelry-making. It’s still just decoration. And that’s glorious.

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Biography is the medium through which the remaining secrets of the famous dead are taken from them and dumped out in full view of the world. The biographer at work, indeed, is like the professional burglar, breaking into a house, rifling through certain drawers that he has good reason to think contain the jewelry and money, and triumphantly bearing his loot away. The voyeurism and busybodyism that impel writers and readers of biography alike are obscured by an apparatus of scholarship designed to give the enterprise an appearance of banklike blandness and solidity. The biographer is portrayed almost as a kind of benefactor. He is seen as sacrificing years of his life to his task, tirelessly sitting in archives and libraries and patiently conducting interviews with witnesses. There is no length he will not go to, and the more his book reflects his industry the more the reader believes that he is having an elevating literary experience, rather than simply listening to backstairs gossip and reading other people’s mail. The transgressive nature of biography is rarely acknowledged, but it is the only explanation for biography’s status as a popular genre. The reader’s amazing tolerance (which he would extend to no novel written half as badly as most biographies) makes sense only when seen as a kind of collusion between him and the biographer in an excitingly forbidden undertaking: tiptoeing down the corridor together, to stand in front of the bedroom door and try to peep through the keyhole.

Disney now unofficially tolerates hundreds of small online shops run by die-hard fans selling T-shirts, buttons, pins, patches, jewelry, and thousands more items that leverage Disney characters. These stores don’t pay Disney a dime in licensing fees. Why the pivot to tolerating knockoffs? Because Disney learned that fan-made, unlicensed twenty-five-dollar T-shirts drive their wearers to Disney parks, where they buy expensive entrance tickets and pass the day spending even more money. Another reason for Disney’s newfound tolerance: it has discovered the marketing research value from the hundreds of small knockoff shops. These shops turn out to be a vibrant source of ideas for new official Disney merchandise. In 2016 the online vendor Bibbidi Bobbidi Brooke came out with a hugely popular line of rose-gold sequined Mickey ears, something that had not occurred to the Disney licensors. So Disney copied the design, which sold out immediately in its official stores. Bibbidi Bobbidi Brooke was gracious, posting “always excited to see new merch offerings.” Her fans replied, “Yours will always be the original!!!” Everyone wins.

Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.

In On Desire, Professor Irvine offers the following thought experiment: Suppose you woke up one morning to discover that you were the last person on earth: during the night, aliens had spirited away everyone but you. Suppose that despite the absence of other people, the world’s buildings, houses, stores, and roads remained as they had been the night before. Cars were where their now-vanished owners had parked them, and gas for these cars was plentiful at now-unattended gas stations. The electricity still worked. It would be a world like this world, except that everyone but you was gone. You would, of course, be very lonely, but let us ignore the emotional aspects of being the last person, and instead focus our attention on the material aspects. In the situation described, you could satisfy many material desires that you can’t satisfy in our actual world. You could have the car of your dreams. You could even have a showroom full of expensive cars. You could have the house of your dreams – or live in a palace. You could wear very expensive clothes. You could acquire not just a big diamond ring but the Hope Diamond itself. The interesting question is this: without people around, would you still want these things? Would the material desires you harbored when the world was full of people still be present in you if other people vanished? Probably not. Without anyone else to impress, why own an expensive car, a palace, fancy clothes, or jewelry? Irvine continues to suggest that, alone in this imagined world, you might try these luxuries for a while but would soon, for example, find a dwelling that was easy to maintain rather than live in a palace, obtain clothes that were comfortable rather than expensive, and would probably lose all interest in your appearance. The thought experiment shows that we choose our lifestyles – our houses, our clothes, our watches – with other people in mind. One way or another, we project a style designed

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It was not altogether easy to be cordial and warm with this lawyer. She snapped and clicked. Heavy brass snap catch on handbag, heavy copper and brass jewelry that clattered, clump-heel shoes, and a huge silver ring with a horribly ugly African mask design, frowning eyebrows, hard voice: clack, clash, snap … In the second ten seconds, Haber suspected that the whole affair was indeed a mask, as the ring said: a lot of sound and fury signifying timidity. That, however, was none of his business. He would never know the woman behind the mask, and she did not matter, so long as he could make the right impression on Miss Lelache the lawyer.

She had to have the best cars and closets filled with designer clothes and expensive jewelry and exotic trips with her friends. She spent money as fast as I could make it, and that was fine with me because all that kept her entertained so I didn’t have to bother. I just wanted to hole up in my study with my computer and a bottle of Jack Daniels and the voices in my head.

I thought about a game we loved to play called The Heavenly City. All the kids would design our mansions in Heaven, the ultimate reward we were told we'd be granted in exchange for all the deprivations and pain during our lives on Earth. Different kids had different dreams: Many wanted a house all to themselves, all the food they could imagine. And typical kid desires too: pets, toys, candy. All the things we never had. But not me. I didn't care about streets of gold or all the clothes in the world, or the real jewelry that Dorothea and the other girls fancied. I wanted books. I had a secret dream that my mansion in Heaven would be a giant library, beautiful, with tall shelves in every room, filled with every book that had ever been written. I pictured myself like the cartoon Belle, a sparkling girl with a worldly name that didn't come from anywhere in the Bible and meant beautiful, who'd been gifted the most precious thing I could imagine- the freedom to read, the ability to teach herself anything she wanted. Even though she was a prisoner in the Beast's castle, Belle had the freedom of her own mind.

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In a harmonious ballet of grace, another maiden retrieved a gold bracelet adorned with sea blue and white flowers and pearls from a jewelry display stand. The stand, crafted from metal, held an array of bracelets that dangled from its graceful arms. The bracelets, made from an array of materials, featured intricate designs, from beads to stones. This particular bracelet, with its gold chain links, bore a large sea-blue flower with white pearls on either side. It also featured smaller white flowers and golden leaves scattered throughout its design. Placing the bracelet into the princess's hands, the maiden added to the symphony of beauty.

I came to welcome you back and to give you this.” He reached into his suit jacket and withdrew what looked like a black jewelry box—perhaps a necklace or a bracelet—long and narrow with a designer name embossed on the top. “I thought it could be your something blue.” I took the box in my hands, noting it was a tad heavier than I would have expected, but that was because I’d been totally wrong about its contents. Inside lay a fixed tactical knife with a sapphire blue handle, just big enough for a woman’s hand. I scooped up the gleaming blade, allowing the discarded box to drop to the floor. The quality was unsurpassed. Perfectly balanced weight with a carbonite handle and gleaming steel blade. Far more precious to me than any jewelry ever could have been.

Gold Buyer in Chennai: Santhi Jewellery Chennai is a city where gold holds a special place because of its extensive cultural heritage. Gold has been used as a symbol of wealth and prestige in South Indian culture for centuries. Santhi Jewellery is the most popular place to sell gold in Chennai because of its dedication to trust, openness, and excellent service among the many gold buyers there. Why Exchange Gold? The decision to sell gold can be made for a variety of reasons, including the need to upgrade outdated designs, unlock financial liquidity in the event of an emergency, or simply to make a strategic financial decision. In any case, if you want to get the most money for your precious metal, you need to find a reputable gold buyer. Santhi Gems - A Confided in Gold Buyer in Chennai Santhi Gems has procured a standing as quite possibly of the most confided in gold purchaser in Chennai. Santhi Jewellery, which is located in the center of the city, takes pride in providing transparent and sincere evaluations for your gold assets, ensuring that you receive the best price based on market rates at the present time. Why Santhi Jewelers? Fair Market Value: Santhi Jewellery is known for providing honest and accurate gold appraisals. They use cutting-edge technology to evaluate the purity and weight of your gold, ensuring that you are compensated fairly based on current market prices. The process is open and transparent. Experience and knowledge: Santhi Jewellery has a deep understanding of gold's value and market trends thanks to years of experience in the gold industry. Whether your gold is in the form of old jewelry, coins, or bullion, their team of experts will make sure you get the best price for it. A focus on the customer: Customer satisfaction is a top priority at Santhi Jewellery. They make selling easy and comfortable for you, and they make sure that all of your questions are answered. Whether you are selling a little piece of gems or a lot of gold, each exchange is dealt with absolute attention to detail and impressive skill. Payment in a flash: The guarantee of immediate payments is one of the biggest advantages of selling gold at Santhi Jewellery. Payment is processed immediately after your gold has been evaluated and you agree to the price. Because of this, it is a convenient choice for people who require quick access to funds. No extra costs: At Santhi Jewellery, openness is important. Santhi Jewellery guarantees a transparent transaction, in contrast to some gold buyers who may deduct concealed fees or charges. The whole thing is easy, so there won't be any surprises. You'll know exactly how much you'll get. Convenient Location Santhi Jewellery is conveniently located in the center of Chennai, making it convenient for people looking to sell gold in the city. Their courteous staff is always available to assist you with any inquiries, and their modern and secure premises guarantee a safe environment for your transaction. Conclusion Santhi Jewellery is a name that stands out when looking for a dependable Gold Buyer in Chennai because of its professionalism, open process, and dedication to customer satisfaction. Santhi Jewellery guarantees that you will receive the highest possible value for your gold, without any hassle, whether you are selling old gold jewelry or looking for a quick financial solution. Visit them right now for a hassle-free and dependable gold buying experience.

Styled by Kitty Black Perkins, an African-American designer whom Mattel hired in 1975, Black Barbie made her debut in 1980. Barbie had had black friends since the late sixties, but by 1979, Mattel determined that America was ready for the dream girl herself to be of color. Because the new doll was likely to be scrutinized, Mattel fashioned her with sensitivity: her hair is short and realistically textured; her face, if not aggressively non-Caucasian, is at least different from blond Barbie's; and her dress, while corporate, is livened up with jewelry evocative of African sculpture. Hispanic Barbie, who appeared the same year, is another story. Decked out in a peasant blouse, a two-tiered skirt, and a mantilla, the doll looks like a refugee from an amateur production of Carmen; she even has a rose pinned at her neck. Mattel's designers could hardly be unacquainted with Hispanics:

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Jack sat in the big chair in his room and said, “Come here,” to Mel. She went to him and he pulled her down onto his lap. “I have something for you.” He pulled a small box out of his pocket, shocking her into silence. It was definitely a ring box. “I don’t know how practical this is in a place like Virgin River. It might be a little fussy. But I couldn’t help myself. I want to give you everything—but this will have to do.” She opened the box to find a diamond ring so beautiful it brought tears to her eyes. It was a wide gold band with three large diamonds set in; classy and understated, yet very rich and unique. “Jack, what were you thinking? This is beautiful! The diamonds are huge!” “I understand if you can’t wear it often, given your work. And if you don’t like the design—” “Are you kidding? It’s gorgeous!” “I went ahead and got a band like it, no diamonds. Is that okay?” “Only perfect. Where in the world did you find this thing?” “Not the Virgin River jewelry store, that’s for sure. I had to drive over to the coast. Are you sure you like it?” She threw her arms around his neck. “You gave me a baby,” she said. “I wasn’t expecting this, too!” “I didn’t know I was giving you a baby,” he said, grinning. “This, I did on purpose.” She laughed at him and said, “People will think we’re uppity.” “Mel—I got it a while ago. When I first thought you might be pregnant. Probably before you did. Even if it had turned out you weren’t, I was set on this. This idea to marry you, to have my life with you… It’s not something I feel like I have to do. It’s what I want.” “God, how did this happen?” “I don’t care how,” he said. He

Alberto Repossi Since opening his first shop in the Hotel Hermitage in Monte Carlo in 1977, Alberto Repossi has remained one of the most distinguished and sought after jewelry designers in the world. He was commissioned in the mid-nineties to design a ring for Diana and Dodi Al Fayed, and he continues to design for many notable royal families and cultural figures. I hope that now, after ten years, the time has come when conjectures have died off and everyone remembers her elegance and follows her legacy of kindness and charity. As for me, as a designer, I shall have in mind an image that shall always be a source of inspiration. I only have one regret: a meeting that will never take place.

While Gstaad is one of the wealthiest places you can set foot in, unlike many similarly upscale spots, farming is not only tolerated here but considered culturally indispensable and a most honorable profession. That’s the reason for the zoning and why cows always have the right of way. The main street through the center of downtown is rightly known as the Promenade, and it is where many newly minted locals go show off their Ferraris and Bentleys and fur coats, while shopping for jewelry, watches, and more fur coats in the boutiques. Cheese making in the Alps is largely seasonal, and like many other mountain towns in Switzerland, the cows have to pass through town when they come down from the mountains in the fall and return in the spring. Usually there is a designated day each season when the streets close to traffic for this migration, but not in Gstaad, where each farmer chooses when to move his herd, and in the fall, cows might block traffic on the Promenade for ten straight days. Each time they come through, the government sends a special cleaning crew to follow, because cheese making is that important here, not so much economically as culturally. That is why some fifty-two mountain peaks around Gstaad are privately owned, not by Russian billionaires, or ski resort operators, but rather by multigenerational farming families like the Bachs.

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repeatedly despite my feeble protestations. I would soon discover—perhaps the last person in America to do so—that this film was part of an entire ecosystem—books, clothes, jewelry, accessories—designed to support the launch of a new doll named, you guessed it, McKenna.

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What you value leads to how you measure your worth. Value things like expensive jewelry, fast cars, designer clothing, and status, and you will inevitably measure your worth by the very same things.

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Her friends had scheduled Cecily an appointment with Madam Chantal, London’s most expensive dressmaker, and quickly endeavored to commission Cecily an entirely new wardrobe. She had since spent countless hours in the French woman’s boutique being measured, pinned, dressed, and fussed over. She’d even shared some of her own design ideas with the modiste, and together she and Madam Chantal were integrating them into her new apparel. In between these lengthy appointments, the young ladies had patronized numerous other shops to purchase all manner of accessories. It was in one particularly pricy jewelry store where Cecily had come across Flavion making the purchase for Miss Cunnington.

Hyderabad's weddings are known for their opulence and grandeur. From the intricately designed bridal attire and jewelry to the sumptuous cuisine and exquisite decor, every detail is meticulously documented by photographers. These images serve as a testament to the city's rich cultural heritage and the values that bind families together. The business of wedding photography in Hyderabad india is thriving. The city's residents place a high value on preserving the memories of their special day, and they are willing to invest in professional photography services to achieve this. Photographers have embraced digital technology and social media to market their services and showcase their work. They have adapted to the changing times, offering diverse packages to meet the evolving needs and preferences of couples. Established photographers continue to innovate and expand their services, offering pre-wedding shoots, destination wedding coverage, thematic photography, and more. Aspiring photographers also enter the field, adding fresh talent and perspectives to the vibrant community of wedding photographers in Hyderabad.

Relax,” she hissed at the Captain of the Guard. “I only wanted to have some fun.” “Fun? Crashing a royal ball is your idea of fun?” Arguing wouldn’t help; she could tell that his anger was mostly about being embarrassed that she’d managed to slip out of her rooms in the first place. So she gave him a pitiful pout. “I was lonely.” He choked. “You couldn’t spend one evening on your own?” She twisted her wrist out of his grasp. “Nox is here—and he’s a thief! How could you let him come—with all this jewelry flashing about—and not me? How can I be the King’s Champion if you don’t trust me?” Actually, that was a question she really wanted to know the answer to. Chaol covered his face with a hand and let out a long, long sigh. She tried not to smile. She’d won. “If you take one step out of line—” She grinned in earnest. “Consider it your Yulemas present to me.” Chaol gave her a weighing look, but slumped his shoulders. “Please don’t make me regret this.” She patted his cheek, sweeping past him. “I knew I liked you for some reason.” He said nothing, but followed her back into the crowd. She’d been to masked balls before, but there was still something unnerving about not being able to see the faces of those around her. Most of the court, Dorian included, wore masks of varying sizes, shapes, and colors—some of simple design, others elaborate and animal-shaped. Nehemia still sat with the queen, wearing a gold-and-turquoise mask with a lotus motif. They

France’s national image was the product of a collaboration between a king with a vision and some of the most brilliant artists, artisans, and craftspeople of all time—men and women who were the founding geniuses in domains as disparate as wine making, fashion accessorizing, jewelry design, cabinetry, codification of culinary technique, and hairstyling. There was a second collaboration: between Louis XIV and a series of brilliant inventors, the creators of everything from a revolutionary technology for glassmaking to a visionary pair of boots. Each of these areas seems modest enough in and of itself. All together, however, they added up to an amazingly powerful new entity. Thanks to Louis XIV, France had acquired a reputation as the country that had written the book on elegant living.

The power in a sincere compliment is enormous. There is nothing that makes people feel more special than to have their finer traits noted and appreciated. You can compliment someone on a new hairstyle, an item of clothing, a piece of jewelry, or physical appearance. However, not all compliments are created equal. A good compliment acknowledges the object of admiration: - That’s a nice sweater you’re wearing, or What an unusual tie. An excellent, top-of-the-line compliment goes beyond that to give conversation material by expounding on why you like the item. For instance, you might elaborate on the sweater by saying, - I love your sweater. That shade really enhances the color of your eyes. You can turn your appreciation of a good-looking tie into a more powerful compliment by saying, - That’s a great tie. Its unusual design really sets it apart, I always enjoy it when men make fashion statements with their ties.

Bethany Cocco jewelry designs are characterized by juxtapositions: precious metals take on the textures and patterns of natural objects or mimic the eroding surfaces of manmade ones.

Around her throat and wrist she wore several pieces of jewelry and her face was carefully made up, especially around the eyes, which she had outlined dramatically so that they appeared continually startled, as though they were observing things whose intensity and extremity only she could see. After a while I could recognize behind this disguise the timid woman I remembered, and I understood her outfit to be something designed to prevent her from being forgotten or ignored, yet it also had the effect of making her femininity seem a kind of question other people were required to answer or a problem they were expected to solve.

it’s her brother’s wedding. Julie hero-worships Pippa Bennett—or more accurately, her designs. My daughter loves to draw, and lately, she’s taken to drawing jewelry, which isn’t such a surprise since I sell jewelry for a living. Callahan’s Finest, of which I am the CEO, is the largest chain of high-end jewelry shops on the East Coast and has been for three generations. We work closely with Bennett Enterprises, and I admire the Bennett family. They started from nothing. Sebastian created Bennett Enterprises less than fifteen years ago, and it grew to be one of the most prestigious producers in the

If women are diamonds or gold, then men got to be jewelry designers.

A lady recently said to me, “Lebo, the passion you have for women is so deep. I don’t think I have half the passion you have for my own self and I’m a woman.” Truth is, every man inherently has this drive whether they aware of it or not. We, as men, whether gay or straight, live to unravel the sensual mystery/beauty of the feminine energy. Not to sound like a male chauvinist, but I believe this is one of the biggest reasons why as Tom Ford said, “Men are often better designers for women than other women.” It is this approach of “mining” and wanting to “unravel” the sensual feminine mystery/beauty that serves as our biggest drive or motivation. Male designers (i.e. David tlale, Gert Johan Coetzee, Christian Louboutin, Tomford, ME, etc.) are very exceptional at their craft because I believe they have this deep acknowledgement that they were first and foremost “CALLED” TO PUT WOMEN ON A PEDESTAL, and that means understanding that women want to feel overwhelmingly desired rather than rationally considered. By the way, women are not given the luxury to unravel their own sensual feminine mystery/beauty as men are. Women in general tend to have a very limited perspective of themselves which prevents them from reaching their fullest sensual feminine potential. Blame it on the society. Their biggest challenge is seeing themselves beyond their insecurities; they’re trapped by their own views of themselves particularly as women in a patriarchal society. But men (NOT patriarchal men), on the other hand, are able to see beyond women’s insecurities; they can see women’s potential than most women can see themselves. AND AWAKENED MODERN MEN WANT TO FULLY MAXIMIZE THAT POTENTIAL. This is why I strongly believe that a man’s ultimate role in the 21st century is to help carve the definition of what it means to be a woman. I know most feminists are pissed to hear me say that. The legendary photographer Peter Lindbergh said, “The most important part of fashion photography, for me, is not the models; it is not the clothes. It’s that you are responsible for defining what a woman today is. That, I think, is my job.” If women are diamonds/gold, then men got to be jewelry designers.

Wealth and rarity go together. The rarer the art, the piece of jewelry, the designer gown, the travel experience, the first edition book, the celebrity’s autograph, the professional expertise, the higher the price paid, the greater the appreciation, the greater the demand.

Directed dabbling is what led me to Bre Pettis, a former art teacher from Seattle who started NYC Resistor, a Brooklyn maker space, and also launched the 3-D printing company MakerBot next door. I had been tracking Bre as part of our digital development effort. I e-mailed Bre to ask if I could simply hang out and watch what he was doing: “I want to understand the new wave of micro-manufacturing, and especially what you are doing with 3-D printing.” Resistor was a higgledy-piggledy series of rooms on the fourth floor of a run-down factory. There Bre introduced me to his “makers” as we walked between workbenches covered with bits of sheet metal and wires and boxes of odds and ends. I saw people making a miniature wind turbine and a portable water purification system. That is, GE kinds of things. One guy was building his own miniature gas turbine, because, well, he could. “Why not?” he said. “People want to live off the grid.” “We could use this ingenuity inside GE,” I said out loud. After NYC Resistor and MakerBot, I met with Shapeways, in Queens, an advanced contract manufacturer where people submitted designs to be 3-D printed for a fee. As we toured the space and talked about the jewelry they made, I

We treat plants like pieces of jewelry, fine dresses, and designer shoes…Instead of celebrating plants as part of the global community, highlighting what each can do for life beyond our own visual pleasure, we focus exclusively on a new leaf color or a new bloom….plants are far more than a visual commodity. Simply put plants are not art. What we do with them, how we honor their life processes as part of creating ecological function—that is art.

Aurelia’s internet search history shows an extensive interest in jewelry design and double penetration.

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