Jet Black Quotes

We've searched our database for all the quotes and captions related to Jet Black. Here they are! All 100 of them:

Now that number was gone, covered up by the jet-black image of a chess piece. Neil's knowledge of chess was hazy at best, but he knew for sure that wasn't a king. "You did it," Neil said, too stunned to manage anything else. "Let Riko be King," Kevin said, with the exaggerated enunciation of the thoroughly sloshed. "Most coveted, most protected. He'll sacrifice every piece he has to protect his throne. Whatever. Me?" Kevin gestured again, meaning to indicate himself but too drunk to get his hand higher than his waist. "I'm going to be the deadliest piece on the board." "Queen," Andrew said somewhere behind Neil.
Nora Sakavic (The King's Men (All for the Game, #3))
Dante had wings. And, holy mother of saints, they were beautiful-soulless jet-black with midnight-blue veins, the color of lost wishes and fallen stardust.
Stephanie Garber (Legendary (Caraval, #2))
It was a lone tree burning on the desert. A heraldic tree that the passing storm had left afire. The solitary pilgrim drawn up before it had traveled far to be here and he knelt in the hot sand and held his numbed hands out while all about in that circle attended companies of lesser auxiliaries routed forth into the inordinate day, small owls that crouched silently and stood from foot to foot and tarantulas and solpugas and vinegarroons and the vicious mygale spiders and beaded lizards with mouths black as a chowdog's, deadly to man, and the little desert basilisks that jet blood from their eyes and the small sandvipers like seemly gods, silent and the same, in Jeda, in Babylon. A constellation of ignited eyes that edged the ring of light all bound in a precarious truce before this torch whose brightness had set back the stars in their sockets.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
He turned his head and caught her with his eyes. She froze, locked by the intensity of his stare. His eyes were stark and cold, the concentrated green of pale jade. Outlined in smudged black kohl, those eyes focused on her, unblinking through the feathery strands of his jet black hair, and it was like being watched through a cage by a complacent and calculating cat. Discomfort welled in her, thick and black as an oil spring. Who was this guy and what was his royal problem? Her gaze flicked briefly to the small metal loop that hugged one corner of his bottom lip. He blinked once, then slowly lifted one hand and crooked a beckoning finger at her. Isobel hesitated but then as though spellbound to obey, she found herself leaning in. “What are you staring at?” he whispered.
Kelly Creagh (Nevermore (Nevermore, #1))
And then I get why Wes can’t stop smiling, even though it looks silly with his eyeliner and jet-black hair and hard jaw and scars. I am not alone. The words dance in my mind and in his eyes and against our rings and our keys, and now I smile too.
Victoria Schwab (The Archived (The Archived, #1))
I loved going to the library. It was the first time I ever saw Black newspapers and magazines like JET, Ebony, the Baltimore Afro-American, or the Chicago Defender. And I’ll never forget my librarian.
John Lewis (March: Book One (March, #1))
Man, that did his ego good. Matter of fact, she hit him with anything like that again, he was going to feel like he could bench-press a city bus. With a jet plane on its roof.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
Hold on a minute." She leaned out the window, shouted at the messenger who'd nearly sideswiped her vehicle with his jet-board. "Police property, asshole. If I had time I'd hunt you down and use that board to beat your balls black." "Darling Eve, you know how that kind of talk thrills and excites me. How can I keep my mind off sex now?
J.D. Robb (Survivor In Death (In Death, #20))
Radical Edwards's profile? He's a seven-foot tall ex-basketball pro hindu guru drag-queen alien. -Jet Black, from the Cowboy Bebop anime script
Keiko Nobumoto
Take it from someone who's read the Wikipedia entry: this is how the Ottoman Empire was won: madden horsemen fueled by lethal jet-black coffee-mud.
Cory Doctorow (Little Brother (Little Brother, #1))
They were jet, those wings, as deep as the sky, as black as Eoduin's hair—no, blacker, for they were dull, unoiled. They gave off no sheen in the light, no gleam to the eye. They drank up the light and diminished it: they were wings of pure shadow.
Meredith Ann Pierce (The Darkangel (Darkangel Trilogy, #1))
My family suffered. My hair turned up in every corner, every drawer, every meal. Even in the rice puddings Tessie made, covering each little bowl with wax paper before putting it away in the fridge--even into these prophylactically secure desserts my hair found its way! Jet black hairs wound themselves around bars of soap. They lay pressed like flower stems between the pages of books. They turned up in eyeglass cases, birthday cards, once--I swear--inside an egg Tessie had just cracked. The next-door neighbor's cat coughed up a hairball one day and the hair was not the cat's.
Jeffrey Eugenides (Middlesex)
He looks exotic. Maybe Hawaiian or Cuban. He has light caramel skin, jet black hair and eyes to match. And the smile he turns on me? Holy shit. What is this? The land of misfit models?
M. Leighton (Down to You (The Bad Boys, #1))
The subtlest change in New York is something people don't speak much about but that is in everyone's mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sound of jets overhead, in the black headlines of the latest edition. (Written in 1949, 22 years before the World Trade Center was completed.)
E.B. White (Essays of E.B. White)
Yes, you make yourself useful, angel boy. Meanwhile, I’ll be in the bathroom.” William’s jet-black hair was dripping wet and plastered to his face. There was a fluffy white towel wrapped around his waist, displaying muscles that rivaled Paris’s own, and a tattooed treasure map that led to his man junk. Looking at his, you could see the makings of a temper so savage anyone who miraculously survived an encounter with him would end up needing therapy. And diapers. “I’ve got to finish deep conditioning my hair.” Or maybe not so savage.
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
Just the sight of him sent pleasure shooting through me. I might be reluctant to get emotionally involved with anyone right now, but I was still a wolf, and still capable of admiring a good-looking man. Kade was that, and a whole lot more. He was a horseshifter, and his coloring was that of a bay--a rich, mahogany bay that came complete with jet black hair and wicked, velvet-brown eyes. And he was built like a thoroughbred, with broad shoulders, slim hips, and those wonderfully long legs. Legs that could hold a girl just in the right place as she drove him deeper and harder inside. excert from Darkest Kiss
Keri Arthur
Spike Spiegel: Hey, Jet, did you know that there are three things that I hate? Jet Black: Whatever... Spike Spiegel: Kids... animals... and women with atitude. Jet Black: Oh? Spike Spiegel: So why do we have all three neatly gathered on our ship!
Keiko Nobumoto
I dye my jeans jet black once a week, but they never seem dark enough. I bleach my hair bright white twice a month but it never seems light enough. I drink two and a half bottles of champagne every night but I never seem drunk enough. And I know I’m not high enough until someone grabs my face to check my vision to see if I’m still responsive— And even then, I’m thinking to myself that I should probably do one more line, you know, just to be safe.
Kris Kidd (I Can't Feel My Face (The Altar Collective Presents...))
The jet-black sky behind him was reflected in this smile, and under the soft candlelight, it seemed to radiate with the brilliance of the whole universe.
Tang Qi Gong Zi (To the Sky Kingdom)
You could drop Tony Stark naked in the middle of the desert and he'd fly out in a jet made of sand and cactus needles. It's not his *stuff* that gives him power. It's his *brain*. Try using yours. You'll be amazed the difference it makes.
Charles Soule (Daredevil: Back in Black, Vol. 1: Chinatown)
He looked like the devil. His skin ruddy, his eyes a glowing yellow. Jet black hair slicked back on his head hung to his shoulders. But the demons didn’t call him Devil, or Satan, or even Lucifer. They called him… Azazel.
Michelle K. Pickett (Milayna (Milayna, #1))
Oh, her beauty--the tender maid! Its brilliance gives light like lamps to one travelling in the dark. She is a pearl hidden in a shell of hair as black as jet, A pearl for which Thought dives and remains unceasingly in the deeps of that ocean. He who looks upon her deems her to be a gazelle of the sand-hills, because of her shapely neck and the loveliness of her gestures.
Ibn ʿArabi
He felt that the stars had been pulverized by the sound of the black jets and that in the morning the earth would be covered with their dust like a strange snow.
Ray Bradbury (Fahrenheit 451)
Man always thinks about the past before he dies, as if he were frantically searching for proof that he truly lived.
Jet Black, Cowboy Bebop
Nothing is so sad, in my opinion, as the devastation wrought by age. My poor friend. I have described him many times. Now to convey to you the difference. Crippled with arthritis, he propelled himself about in a wheelchair. His once plump frame had fallen in. He was a thin little man now. His face was lined and wrinkled. His moustache and hair, and hair, it is true, were still of a jet black colour, but candidly, though I would not for the world have hurt his feelings by saying so to him, this was a mistake. There comes a moment when hair dye is only too painfully obvious. There had been a time when I had been surprised to learn that the blackness of Poirot's hair came out of a bottle. But now the theatricality was apparent and merely created the impression that he wore a wig and had adorned his upper lip to amuse children!
Agatha Christie (Curtain (Hercule Poirot, #44))
Below me, in spreading, concentric circles, like those a fish makes when it rises in still water, spun round the lower tiers; above me arched the black sky pierced by the gas jets of the stars.
Angela Carter (The Passion of New Eve)
There was a zombie at my back door. Its eyes swung up, and they were blue, the whites already clouding with the egg rot of death. Its jaw a mess of meat and frozen blood; something had eaten half its face. Its fingertips already worn down to bony nubs, scraped against the window. Flesh hung in strips from it’s hand, and my stomach turned over hard. Black mist rose at the corners of my vision, and the funny rushing sound in my head sounded like a jet plane taking off. I’d know that zombie anywhere. Even if he was dead and mangled, his eyes were the same. Blue as winter ice, fringed with pale lashes.
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
The subtlest change in New York is something people don’t speak much about but that is in everyone’s mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sound of jets overhead, in the black headlines of the latest edition.
E.B. White (Here is New York)
Day followed day, and night followed night, until Dany knew she could not endure a moment longer. She would kill herself rather than go on, she decided one night... Yet when she slept that night, she dreamt the dragon dream again. Viserys was not in it this time. There was only her and the dragon. Its scales were black as night, wet and slick with blood. Her blood, Dany sensed. Its eyes were pools of molten magma and when it opened its mouth, the flame came roaring out in a hot jet. She could hear it singing to her. She opened her arms to the fire, embraced it, let it swallow her whole, let it cleanse her and temper her and scour her clean. She could feel her flesh sear and blacken and slough away, could feel her blood boil and turn to steam, and yet there was no pain. She felt strong and new and fierce. And the next day, strangely, she did not seem to hurt quite as much.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
For a moment, unseen by condemning human eyes, I gave into my fascination and let myself look at her. Her pale skin seemed to glow in the moonlight slanting through the latticed windows, her hair an inky curtain across her back and shoulders. She breathed calmly, her face unguarded in sleep, as it was when she was awake. A jet-black strand of hair came loose to fall into her eyes, and I was filled with and incomprehensible urge to brush it back.
Julie Kagawa (Shadow of the Fox (Shadow of the Fox, #1))
Put it on record --I am an Arab And the number of my card is fifty thousand I have eight children And the ninth is due after summer. What's there to be angry about? Put it on record. --I am an Arab Working with comrades of toil in a quarry. I have eight childern For them I wrest the loaf of bread, The clothes and exercise books From the rocks And beg for no alms at your doors, --Lower not myself at your doorstep. --What's there to be angry about? Put it on record. --I am an Arab. I am a name without a tide, Patient in a country where everything Lives in a whirlpool of anger. --My roots --Took hold before the birth of time --Before the burgeoning of the ages, --Before cypess and olive trees, --Before the proliferation of weeds. My father is from the family of the plough --Not from highborn nobles. And my grandfather was a peasant --Without line or genealogy. My house is a watchman's hut --Made of sticks and reeds. Does my status satisfy you? --I am a name without a surname. Put it on Record. --I am an Arab. Color of hair: jet black. Color of eyes: brown. My distinguishing features: --On my head the 'iqal cords over a keffiyeh --Scratching him who touches it. My address: --I'm from a village, remote, forgotten, --Its streets without name --And all its men in the fields and quarry. --What's there to be angry about? Put it on record. --I am an Arab. You stole my forefathers' vineyards --And land I used to till, --I and all my childern, --And you left us and all my grandchildren --Nothing but these rocks. --Will your government be taking them too --As is being said? So! --Put it on record at the top of page one: --I don't hate people, --I trespass on no one's property. And yet, if I were to become starved --I shall eat the flesh of my usurper. --Beware, beware of my starvation. --And of my anger!
Mahmoud Darwish
him jump a little inside whenever they roamed his way. Her hair—off-limits to touch, but not to his other senses—entranced him, jet black, shoulder-length, tightly coiled like powerful springs, smelling slightly of chemicals and cinnamon, the beads at the end of each braid clicking together as she walked.
Barry Lyga (I Hunt Killers (I Hunt Killers, #1))
But what of Lenore, of Lenore’s hair? Here is hair that is clearly within and of itself every color—blond and red and jet-black-blue and honeynut—but which effects an outward optical compromise with possibility that consists of appearing simply dull brown, save for brief teasing glimpses out of the corner of one’s eye.
David Foster Wallace (The Broom of the System)
His teeth are those of a carnivore. When he bares them in a smile, it gives one the impression of an animal snarling. His face is white, for he despises the sun, eschews the out-of-doors. He has astonishingly green eyes, which seem to possess an inner light of their own. His forehead is broad, his hair and short-trimmed beard jet black. Despite his handsomeness, his is a frightening visage, the face of some demon who has taken on a human aspect
Richard Matheson (Hell House)
The black can be sooty, soily, glazed, cindery, blackboard black, kohl black, coal black, noir, schwarz, nero. I don’t know how many words and phrases there are to describe black—slate black, cast-iron black, jet black, flat-screen-TV black, ink black, burnt black, liturgical black, hell black—but the raven’s black is as various and as a dense as there are meanings and values attached to the very idea of black, black representing death, mourning, negation, sin, solemnity, the vacancy of space, and all the horrors of human terror and the exercise of power.
Christopher Skaife (The Ravenmaster: My Life with the Ravens at the Tower of London)
Taller than most, he stood well over six feet, with hair so dark it appeared jet black in the fading light. Matching brows arched over dark brown eyes and his cheekbones rose high over a square jaw covered with day-old whiskers.
Coreene Callahan (Warrior's Revenge (Warriors of the Realm, #1))
She had slowly encroached on every inch of my being, and occupied a lot of space on my mind. Her jet black hair that fell in wisps across her cheeks, the murky eyes that find my soul every time, her long fingers that threaded with mine and the way she held my hand till our fingertips every time I had to leave… Preethi was on my mind, here to stay.
Kavipriya Moorthy (Dirty Martini)
Then she looked away, dismissing him as if she’d found him to be substandard. All right, then. She didn’t find him attractive. Good. In fact, he kept his head shaved to a glossy shine for just that reason. He was a man willing to do anything to discourage feminine attention. Because yeah, females could be vanity hounds and most preferred their dates to have hair. Black, blond, red, it didn’t matter, as long as the locks were thick and lustrous. And here was a news flash for little Miss Giggles: when he allowed his to grow, it was dark brown, nearly jet, with hints of gold and worthy of a fucking lion.
Gena Showalter (Dark Taste of Rapture (Alien Huntress, #6))
Because yeah, females could be vanity hounds and most preferred their dates to have hair. Black, blond, red, it didn't matter, as long as the locks were thick and lustrous. And here was a news flash for little Miss Giggles: when he allowed his to grow, it was dark brown, nearly jet, with hints of gold and worthy of a fucking lion. Not that he was feeling defensive or anything.
Gena Showalter
I have a notion that, at big fires, a moment of extreme suspense can sometimes occur, when the jets of water slacken off, the firemen no longer climb, no one moves a muscle. Without a sound, a high black wall of masonry cants over up above, the fire blazing behind it, and, without a sound, leans, about to topple. Everyone stands waiting, shoulders tensed, faces drawn in around their eyes, for the terrible crash. That is how the silence is here.
Rainer Maria Rilke (The Notebooks of Malte Laurids Brigge)
I already began to inspire the men with love. My breast began to take its right form, and such a breast! white, firm, and formed like that of the Venus de' Medici; my eyebrows were as black as jet, and as for my eyes, they darted flames and eclipsed the luster of the stars, as I was told by the poets of our part of the world. My maids, when they dressed and undressed me, used to fall into an ecstasy in viewing me before and behind; and all the men longed to be in their places.
Voltaire (Candide)
And then, to the sound of death, the sound of the jets cutting the sky in two black pieces beyond the horizon, he would lie in the loft, hidden and safe, watching those strange new stars over the rim of the earth, fleeing from the soft color of dawn.
Ray Bradbury (Fahrenheit 451)
The problem is obvious, once the Father began creating, He risked that, although perfect, His new and autonomous family could choose badness. How else did we get demon angels? Two is a risky number. The solution is unifying, or amening, with the original “one.” Only recently has science been able to monitor a quasar. The elements that compose the stars is too base for the creation of higher forms of life. When these stars die, however, they go through two steps: First, the star implodes. Second, the star explodes. Only after the second step does the quasar create higher elements, from which we are formed. Stardust: We are made of stardust. The universe we come from is lyrical. From polarity, matter, energy and light eventuate. Even a black hole emits a super-charged jet. For the birth of any new thing, there must be polarity. For any children to exist, there must be a man and his opposite, woman. It is no mystery why the ancient Sumerian words for, “one” and “two” are the same words for, “man” and “woman.
Michael Ben Zehabe (The Meaning of Hebrew Letters: A Hebrew Language Program For Christians (The Jonah Project))
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there. What are you doing here? I was taking a walk and I saw you and I followed you. What do you want. I want you to stop. I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks. It's okay. I breathe hard, close my eyes, let myself be held. It's okay. Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says. Okay. Okay. Okay. Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry. It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying. She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything. It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken. THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers. You're okay. You're okay. You're okay.
James Frey
I spent a few more minutes puzzling over the timeline before turning my attention to the notebook’s first page, which contained a pencil drawing of an old-school coin-operated arcade game—one I didn’t recognize. Its control panel featured a single joystick and one unlabeled white button, and its cabinet was entirely black, with no side art or other markings anywhere on it, save for the game’s strange title, which was printed in all capital green letters across its jet black marquee: POLYBIUS. Below his drawing of the game, my father had made the following notations: No copyright or manufacturer info anywhere on game cabinet. Reportedly only seen for 1–2 weeks in July 1981 at MGP. Gameplay was similar to Tempest. Vector graphics. Ten levels? Higher levels caused players to have seizures, hallucinations, and nightmares. In some cases, subject committed murder and/or suicide. “Men in Black” would download scores from the game each night. Possible early military prototype created to train gamers for war? Created by same covert op behind Bradley Trainer?
Ernest Cline (Armada)
It was a very beautiful thing, this Golden Ticket, having been made, so it seemed, from a sheet of pure gold hammered out almost to the thinness of paper. On one side of it, printed by some clever method in jet-black letters, was the invitation itself—from Mr. Wonka.
Roald Dahl (Charlie and the Chocolate Factory)
He was a long, slender youth, with green eyes, jet-black hair, and a passionate fondness for the sound of his own voice.
P.G. Wodehouse (The Man Upstairs and Other Stories (Golf Stories, #0.5))
One benefit of government work? Frequent flyer miles. Seriously, I get bumped up about every flight. Still not as nice as the director's private jet though...
Nathan Edmondson (Black Widow #4)
Thank you for inviting me here today " I said my voice sounding nothing like me. "I'm here to testify about things I've seen and experienced myself. I'm here because the human race has become more powerful than ever. We've gone to the moon. Our crops resist diseases and pests. We can stop and restart a human heart. And we've harvested vast amounts of energy for everything from night-lights to enormous super-jets. We've even created new kinds of people, like me. "But everything mankind" - I frowned - "personkind has accomplished has had a price. One that we're all gonna have to pay." I heard coughing and shifting in the audience. I looked down at my notes and all the little black words blurred together on the page. I just could not get through this. I put the speech down picked up the microphone and came out from behind the podium. "Look " I said. "There's a lot of official stuff I could quote and put up on the screen with PowerPoint. But what you need to know what the world needs to know is that we're really destroying the earth in a bigger and more catastrophic was than anyone has ever imagined. "I mean I've seen a lot of the world the only world we have. There are so many awesome beautiful tings in it. Waterfalls and mountains thermal pools surrounded by sand like white sugar. Field and field of wildflowers. Places where the ocean crashes up against a mountainside like it's done for hundreds of thousands of years. "I've also seen concrete cities with hardly any green. And rivers whose pretty rainbow surfaces came from an oil leak upstream. Animals are becoming extinct right now in my lifetime. Just recently I went through one of the worst hurricanes ever recorded. It was a whole lot worse because of huge worldwide climatic changes caused by... us. We the people." .... "A more perfect union While huge corporations do whatever they want to whoever they want and other people live in subway tunnels Where's the justice of that Kids right here in America go to be hungry every night while other people get four-hundred-dollar haircuts. Promote the general welfare Where's the General welfare in strip-mining toxic pesticides industrial solvents being dumped into rivers killing everything Domestic Tranquility Ever sleep in a forest that's being clear-cut You'd be hearing chain saws in your head for weeks. The blessings of liberty Yes. I'm using one of the blessings of liberty right now my freedom of speech to tell you guys who make the laws that the very ground you stand on the house you live in the children you tuck in at night are all in immediate catastrophic danger.
James Patterson (The Final Warning (Maximum Ride, #4))
If a fleet of jet-black CHOPPERS ain't cresting over a back-lit hill by the end of Act II, you've got to start asking yourself whether this is a movie or a fucking art installation.
Richard Ayoade (The Grip of Film)
The solitary pilgrim drawn up before it had traveled far to be here and he knelt in the hot sand and held his numbed hands out while all about in that circle attended companies of lesser auxiliaries routed forth into the inordinate day, small owls that crouched silently and stood from foot to foot and tarantulas and solpugas and vinegarroons and the vicious mygale spiders and beaded lizards with mouths black as a chowdog’s, deadly to man, and the little desert basilisks that jet blood from their eyes and the small sandvipers like seemly gods, silent and the same, in Jedda, in Babylon.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
Apart from the jet-black sky, the photo might have been taken almost anywhere in the polar regions of Earth; there was nothing in the least alien about the sea of wrinkled ice that stretched all the way out to the horizon. Only the five space-suited figures in the foreground proclaimed that the panorama was of another world.
Arthur C. Clarke (2010: Odyssey Two (Space Odyssey, #2))
What the Motorcycle Said Br-r-r-am-m-m, rackerty-am-m, OM, AM: All-r-r-room, r-r-ram, ala-bas-ter- Am, the world’s my oyster. I hate plastic, wear it black and slick, hate hardhats, wear one on my head, That’s what the motorcycle said. Passed phonies in Fords, knockede down billboards, landed On the other side of The Gap, and Whee, bypassed history. When I was born (The Past), baby knew best. They shook when I bawled, took Freud’s path, threw away their wrath. R-r-rackety-am-m. Am. War, rhyme, soap, meat, marriage, the Phantom Jet are sh*t, and like that. Hate pompousness, punishment, patience, am into Love, hate middle-class moneymakers, live on Dad, that’s what the motorcycle said. Br-r-r-am-m-m. It’s Nowsville, man. Passed Oldies, Uglies, Straighties, Honkies. I’ll never be mean, tired, or unsexy. Passed cigarette suckers, souses, mother-fuckers, losers, went back to Nature and found how to get VD, stoned. Passed a cow, too fast to hear her moo, “I rolled our leaves of grass into one ball. I am the grassy All.” Br-r-r-am-m-m, rackety-am-m, OM, Am: All-gr-r-rin, oooohgah, gl-l-utton- Am, the world’s my smilebutton.
Mona van Duyn
All of them at length succeeded in getting up the ship's side, where they clung dripping with the brine and glowing from the bath, their jet-black tresses streaming over their shoulders, and half enveloping their otherwise naked forms. There they hung, sparkling with savage vivacity, laughing gaily at one another, and chattering away with infinite glee.
Herman Melville (Typee)
I stood in a clearing among a stand of beech trees, leaves as red as rubies, branches black as jet. It was sunset, and shafts of richly colored sunlight struck through the delicate pillars of the tree trunks, as if through the lancet windows of a cathedral.
Kate Forsyth (Bitter Greens)
Happiness? that entails comfort, organization, a constructed stability altogether foreign to me. To have troubles is to feel the scaffolding that is happiness shaken by the blows of fate. In this sense i am safe. Trouble can not reach me, because i have no scaffolding. I am a man of sadness and joy, a completely different alternative to that of happiness-unhappiness. I lived naked and solitary, without family or friends, keeping alive by a trade so beneath me that i need think about it, no more than i need think about my breathing or my digestion. My usual moral climate is jet black sadness, opaque and sombre. But this darkness is often shot through by flashing joys, unexpected and unmerited, which swiftly die out, but leave my eyes full of gold and dancing fireflies.
Michel Tournier (The Ogre)
Dante had wings. And, holy mother of saints, they were beautiful—soulless jet-black with midnight-blue veins, the color of lost wishes and fallen stardust. He was turned toward his nightstand washing his face, or maybe he was kissing his reflection in the mirror.
Stephanie Garber (Legendary (Caraval, #2))
The edge of the whirl was represented by a broad belt of gleaming spray; but no particle of this slipped into the mouth of the terrific tunnel, whose interior, as far as the eye could fathom it, was a smooth, shining, and jet black wall of water, inclined to the horizon at an angle of some forty-five degrees, speeding dizzily round and round with a swaying and sweltering motion, and sending forth to the winds an appalling voice, half shriek, half roar, such as not even the mighty cataract of Niagara ever lifts up in its agony to Heaven.
Edgar Allan Poe (A Descent into the Maelstrom)
Well, I like her. Who the fuck cares whether anyone else does, as long as they want to read about her?" "People also slow down to gawk at car wrecks, Charlie. Are you calling me a car wreck?" "I'm not talking about you at all," he says " I'm talking about Nadine Winters. My fictional crush." "Big fan of jet-black hair and Krav Maga, huh?" Charlie leans forward, face serious, voice low. "It's more about the blood dripping from her fangs.
Emily Henry (Book Lovers)
A’ight, so what do you think it means?” “You don’t know?” I ask. “I know. I wanna hear what YOU think.” Here he goes. Picking my brain. “Khalil said it’s about what society feeds us as youth and how it comes back and bites them later,” I say. “I think it’s about more than youth though. I think it’s about us, period.” “Us who?” he asks. “Black people, minorities, poor people. Everybody at the bottom in society.” “The oppressed,” says Daddy. “Yeah. We’re the ones who get the short end of the stick, but we’re the ones they fear the most. That’s why the government targeted the Black Panthers, right? Because they were scared of the Panthers?” “Uh-huh,” Daddy says. “The Panthers educated and empowered the people. That tactic of empowering the oppressed goes even further back than the Panthers though. Name one.” Is he serious? He always makes me think. This one takes me a second. “The slave rebellion of 1831,” I say. “Nat Turner empowered and educated other slaves, and it led to one of the biggest slave revolts in history.” “A’ight, a’ight. You on it.” He gives me dap. “So, what’s the hate they’re giving the ‘little infants’ in today’s society?” “Racism?” “You gotta get a li’l more detailed than that. Think ’bout Khalil and his whole situation. Before he died.” “He was a drug dealer.” It hurts to say that. “And possibly a gang member.” “Why was he a drug dealer? Why are so many people in our neighborhood drug dealers?” I remember what Khalil said—he got tired of choosing between lights and food. “They need money,” I say. “And they don’t have a lot of other ways to get it.” “Right. Lack of opportunities,” Daddy says. “Corporate America don’t bring jobs to our communities, and they damn sure ain’t quick to hire us. Then, shit, even if you do have a high school diploma, so many of the schools in our neighborhoods don’t prepare us well enough. That’s why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don’t get the resources to equip you like Williamson does. It’s easier to find some crack than it is to find a good school around here. “Now, think ’bout this,” he says. “How did the drugs even get in our neighborhood? This is a multibillion-dollar industry we talking ’bout, baby. That shit is flown into our communities, but I don’t know anybody with a private jet. Do you?” “No.” “Exactly. Drugs come from somewhere, and they’re destroying our community,” he says. “You got folks like Brenda, who think they need them to survive, and then you got the Khalils, who think they need to sell them to survive. The Brendas can’t get jobs unless they’re clean, and they can’t pay for rehab unless they got jobs. When the Khalils get arrested for selling drugs, they either spend most of their life in prison, another billion-dollar industry, or they have a hard time getting a real job and probably start selling drugs again. That’s the hate they’re giving us, baby, a system designed against us. That’s Thug Life.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
He was tall, probably six foot one or so, his hair was jet black, it was longer on top and she could tell that he had bangs that fell across his face sweeping to the left partially covering that eye. He had broad shoulders and from what she could see of his profile, high cheek bones, a straight nose and full lips.
Quinn Loftis (Prince of Wolves (The Grey Wolves, #1))
Perhaps, but this Awakening felt very different from those in the past. A peculiar sensation seemed to spread throughout his body, propelled by the very beating of his heart. Within his veins, lycan blood mixed with his own, merging in an unexpected alchemical reaction. He felt a change come over him, a fundamental transformation in his very nature. Power such as he had never known surged through his veins. His eyes snapped open, revealing a pair of jet-black orbs. Hybrid eyes.
Greg Cox
Simi rolled back and forth and spun around on Ash’s wheeled desk chair. Dressed in a neon pink lab coat and black and white striped leggings with thigh high laced platform boots that went all the way up to her black lace miniskirt, she was adorable. Her face was mostly covered by a black surgical mask with a matching pink skull and crossbones on the right side of it. Her glowing red eyes were emphasized by her solid jet-black pigtails and dark purple eyeliner. She’d been so excited about the impending birth of the baby, that she’d been dressed that way for a month and shadowing Tory’s every step. If Tory so much as hiccuped, Simi had whipped out a black baseball glove and asked, “is it time yet? The Simi’s gots her glove all ready to catch it if it is, ’cause sometimes they come out flying.”’ – Simi
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
At first it was not quite dark. I could see little trees growing out of the face of the cliff, and I grabbed at them with my hands as I went down. Several times I managed to catch hold of a branch, but it always broke off at once because I was so heavy and because I was falling so fast, and once I caught a thick branch with both hands and the tree leaned forward and I heard the snapping of the roots one by one until it came away from the cliff and I went on falling. Then it became darker because the sun and the day were in the fields far away at the top of the cliff, and as I fell I kept my eyes open and watched the darkness turn from grey-black to black, from black to jet black and from jet black to pure liquid blackness which I could touch with my hands but which I could not see. But I went on falling, and it was so black that there was nothing anywhere and it was not any use doing anything or caring or thinking because of the blackness and because of the falling.
Roald Dahl (The Wonderful Story of Henry Sugar and Six More: Deliciously dark adult tales soon to be a major Netflix film starring Benedict Cumberbatch, Sir Ben Kingsley Dev Patel and more!)
The corridor dissolved, and the scene took a little longer to reform: Harry seemed to fly through shifting shapes and colors until his surroundings solidified again and he stood on a hilltop, forlorn and cold in the darkness, the wind whistling through the branches of a few leafless trees. The adult Snape was panting, turning on the spot, his wand gripped tightly in his hand, waiting for something or for someone… His fear infected Harry too, even though he knew that he could not be harmed, and he looked over his shoulder, wondering what it was that Snape was waiting for — Then a blinding, jagged jet of white light flew through the air. Harry thought of lightning, but Snape had dropped to his knees and his wand had flown out of his hand. “Don’t kill me!” “That was not my intention.” Any sound of Dumbledore Apparating had been drowned by the sound of the wind in the branches. He stood before Snape with his robes whipping around him, and his face was illuminated from below in the light cast by his wand. “Well, Severus? What message does Lord Voldemort have for me?” “No — no message — I’m here on my own account!” Snape was wringing his hands. He looked a little mad, with his straggling black hair flying around him. “I — I come with a warning — no, a request — please —” Dumbledore flicked his wand. Though leaves and branches still flew through the night air around them, silence fell on the spot where he and Snape faced each other. “What request could a Death Eater make of me?” “The — the prophecy… the prediction… Trelawney…” “Ah, yes,” said Dumbledore. “How much did you relay to Lord Voldemort?” “Everything — everything I heard!” said Snape. “That is why — it is for that reason — he thinks it means Lily Evans!” “The prophecy did not refer to a woman,” said Dumbledore. “It spoke of a boy born at the end of July —” “You know what I mean! He thinks it means her son, he is going to hunt her down — kill them all —” “If she means so much to you,” said Dumbledore, “surely Lord Voldemort will spare her? Could you not ask for mercy for the mother, in exchange for the son?” “I have — I have asked him —” “You disgust me,” said Dumbledore, and Harry had never heard so much contempt in his voice. Snape seemed to shrink a little, “You do not care, then, about the deaths of her husband and child? They can die, as long as you have what you want?” Snape said nothing, but merely looked up at Dumbledore. “Hide them all, then,” he croaked. “Keep her — them — safe. Please.” “And what will you give me in return, Severus?” “In — in return?” Snape gaped at Dumbledore, and Harry expected him to protest, but after a long moment he said, “Anything.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Ojiisan says if you want to understand a people, look at their language. The words write the history, not the other way around.
Leza Lowitz (Jet Black and the Ninja Wind: British Edition)
her jet-black hair and dark eyes and exquisite arrangement of features,
Dean Koontz (Quicksilver)
I am still vaguely haunted by our hitchhiker’s remark about how he’d “never rode in a convertible before.” Here’s this poor geek living in a world of convertibles zipping past him on the highways all the time, and he’s never even ridden in one. It made me feel like King Farouk. I was tempted to have my attorney pull into the next airport and arrange some kind of simple, common-law contract whereby we could just give the car to this unfortunate bastard. Just say: “Here, sign this and the car’s yours.” Give him the keys and then use the credit card to zap off on a jet to some place like Miami and rent another huge fireapple-red convertible for a drug-addled, top-speed run across the water all the way out to the last stop in Key West … and then trade the car off for a boat. Keep moving. But this manic notion passed quickly. There was no point in getting this harmless kid locked up—and, besides, I had plans for this car. I was looking forward to flashing around Las Vegas in the bugger. Maybe do a bit of serious drag-racing on the Strip: Pull up to that big stoplight in front of the Flamingo and start screaming at the traffic: “Alright, you chickenshit wimps! You pansies! When this goddamn light flips green, I’m gonna stomp down on this thing and blow every one of you gutless punks off the road!” Right. Challenge the bastards on their own turf. Come screeching up to the crosswalk, bucking and skidding with a bottle of rum in one hand and jamming the horn to drown out the music … glazed eyes insanely dilated behind tiny black, gold-rimmed greaser shades, screaming gibberish … a genuinely dangerous drunk, reeking of ether and terminal psychosis. Revving the engine up to a terrible high-pitched chattering whine, waiting for the light to change … How often does a chance like that come around? To jangle the bastards right down to the core of their spleens. Old elephants limp off to the hills to die; old Americans go out to the highway and drive themselves to death with huge cars.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
When she first saw him, she took him for a ghost. His jet-black hair fluttered in the breeze as he walked, letting her see his eyes. They seemed haunted, lost in some way. He was tall and gaunt, starkly pale in his black clothes. He was the very picture of Anton, even sharing his world-weary eyes of deepest blue. She could hardly look away from this apparition, an echo of all the memories and dreams that had haunted her these many years.
Amanda M. Lyons (Eyes Like Blue Fire)
Do you remember our conversation? Do you remember the places we went and the things we saw? The bindery was our access, the point in space that contains all other points, and that night you were a boy unbound, a tiny astronaut, taking your first leap into an infinite and unknowable universe. For the first time you could see the voices of the things you'd been hearing for so long, all that clamorous matter vying for your attention. With your supernatural ears, you were able to perceive, with absolute clarity, the sinuous shapes and contours of the sounds that matter makes as it moves through space and time and mind. Some of these sounds were so beautiful they made you laugh out loud and clap your hands with delight, and others were so sad they made tears run down your face. And, oh, the visions we had! Container ships glittering on a moonlit night off the coast of Alaska. Pyramids of sulfur, rising yellow in the mist. The plundered moon and all its craters; globes and stars and asteroids; a jet black crow with a diamond tiara; a flock of rubber duckies, spinning through the Pacific gyres. At the sound of a footstep, a young girl freezes, and Andromeda sparkles in the firmament. Fires rage as the redwoods burn; and in the deep ocean, a pilot whale carries her dead baby on her nose, while sea turtles weep briny tears onto nets of plastic.
Ruth Ozeki (The Book of Form and Emptiness)
He knew he was in love with her the moment he realized what love was. It was just like what you read in books, what you see in Shakespeare, what you hear in Beatles songs. Honestly, it was even better than all that. It was perfection; she was. There wasn't a moment he didn't think of her. Every time she spoke to him, he tried to replay her voice in his head over and over again. He wouldn't stop smiling. It was all he needed to be happy. She, was all he needed. He fell asleep at night thinking of her. He saw her in his dreams, her jet black hair and her brown eyes. Her long eyelashes. And that smile, oh that smile. She was all the motivation he needed. He didn’t understand how it was possible for someone to be so obsessed with another person. How could anyone possibly care for someone else the way he did for her? But it was all happening, it was real. He would do anything for her, absolutely anything. He knew he wouldn't ever force her to be with him. He would never put her on the spot; he would never risk losing her. In fact, he will give himself time, to become a better person, to grow into a more mature human being, the kind of man she deserves. He hoped, with all his heart, that someday, someday she'll love him the way he loves her. Let it be ten or twenty years from now, he didn’t care, he will wait for her. Until then he will love her, more and more, every day.
Thisuri Wanniarachchi (The Terrorist's Daughter)
In any case, right in this moment, the demon was wearing the infinitely lovely face of a cocubine. Being felt up all over by those lovely hands, Shen Qingqiu inevitably became embarrassed, and he involuntarily shrank back a little. This vision—that moment—struck Luo Binghe to his core. Until now, he'd only ever seen Shen Qingqiu's aloof and remote attitude, his derisive expression. But here and now, a faint, uncontrollable red flush formed on that face, and the way those eyes darted away... Also, Shen Qingqiu's upper body was completely bare but for the thin yet unbreakable immortal-binding cable and the red marks it left, and for Shen Qingqiu's long, disheveled, jet-black hair—neither of which concealed anything. Luo Binghe's chest was burning with a convoluted emotion that was impossible to describe.
Mò Xiāng Tóng Xiù (The Scum Villain's Self-Saving System: Ren Zha Fanpai Zijiu Xitong, Vol. 1)
a stunning glimpse of Buddy, at a later date by innumerable years, quite bereft of my dubious, loving company, writing about this very party on a very large, jet-black, very moving, gorgeous typewriter. He is smoking a cigarette, occasionally clasping his hands and placing them on the top of his head in a thoughtful, exhausted manner. His hair is gray; he is older than you are now, Les! The veins in his hands are slightly prominent in the glimpse, so I have not mentioned the matter to him at all, partially considering his youthful prejudice against veins showing in poor adults’ hands. So it goes. You would think this particular glimpse would pierce the casual witness’s heart to the quick, disabling him utterly, so that he could not bring himself to discuss the glimpse in the least with his beloved, broadminded family. This is not exactly the case; it mostly makes me take an exceedingly deep breath as a simple, brisk measure against getting dizzy. It is his room that pierces me more than anything else. It is all his youthful dreams realized to the full! It has one of those beautiful windows in the ceiling that he has always, to my absolute knowledge, fervently admired from a splendid reader’s distance! All round about him, in addition, are exquisite shelves to hold his books, equipment, tablets, sharp pencils, ebony, costly typewriter, and other stirring, personal effects. Oh, my God, he will be overjoyed when he sees that room, mark my words! It is one of the most smiling, comforting glimpses of my entire life and quite possibly with the least strings attached. In a reckless manner of speaking, I would far from object if that were practically the last glimpse of my life.
J.D. Salinger (Hapworth 16, 1924)
Imagine if you will—and you will—a mushroom cloud bigger than anything that you currently see out that window. Imagine jet planes and bombers the size of apartment complexes dropping technological marvels of deconstruction upon this city, this world, all around the epicenter of a blooming death cloud. Imagine that mushroom coming to a head, knowing that it is filled with unimaginable heat and concrete, dust, papers—human faces, eyes, and brains. Gray matter filling the radioactive cloud with electricity as all that is inside us leaves us and becomes one with the mushroom. Glass will melt and connect with steel, and we will melt and connect with each other as everything that made us whole is criminally dissected and rearranged. Everything below us, from the sewer tunnels to the subway line, will be consumed into the cloud and jettisoned into the stratosphere, where it will become nothing but silken ash, hardened to a black substance, and turned back to a black dust, transfixed into a black nothing. A stinking, glowing crater all that remains of where you had your first kiss and told someone that you loved them. A mess of a world where everything you’ve ever done quickly becomes all that you’ll ever do.
Michael A. Ferro (TITLE 13: A Novel)
snuck into the vacant copilot’s room next to our victim, carrying a bucket with the sea cucumber. I crept through the room, being careful not to make any noise. I removed the sea cucumber and slid it into our victim’s toilet, being careful not to splash any water. The sea cucumber looked like a world record, giant turd. It was jet black, about fourteen inches long and thick around as a coke can. Neither of our pilots was a scuba diver and I guessed they would never suspect the giant turd was really a sea creature. The humongous turd impersonator lay motionless in the bottom of the toilet bowl, leaking a faint reddish dye. When they discovered the state of the toilet the pilots began a heated argument, blaming each other for not flushing the disgusting mound of excrement. This was a serious breach of etiquette for an officer and gentleman. The hapless pilots finally tried flushing and the toilet backed up and flooded the bathroom. They had to summon a plumber who immediately recognized the turd for what it was, a sea cucumber, and said it must have somehow crawled up through the pipes. Neither pilot ever guessed they were the victims of a practical joke. The prank was flawless and I still have the picture of the cucumber in their toilet.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
Free Shoes The pairs of shoes stand in rows, polished and jet, like coffins for small pets, lined with off-white. Evacuated children sit in rows eyeing the pairs, child after child after child, no parents anywhere near. When it's their turn, they get a pair of new shoes and the old ones are taken away. Of course it is kind of the nice people to give them the shoes. Of course it is better to be here in the country, not there where the buildings explode and hurl down pieces of children. Of course, of course. This life that has been given them like a task! This life, this black bright narrow unbroken-in shoe.
Sharon Olds (One Secret Thing)
One thing she did know was the greatest book on human psychology is the Bible. If you were lazy and did not wish to work, or if you had failed to make your way in society, you could always say, 'My kingdom is not of this world.' If you were a jet-set woman who believed in sleeping around, VD or no VD, you could always say Mary Magdalene had no husband, but didn't she wash the feet of Our Lord? Wasn't she the first person to see our risen saviour? If, in the other hand, you believed in the inferiority of the blacks, you could always say, 'Slaves, obey your masters.' It is a mysterious book, one of the greatest of all books, if not the greatest. Hasn't it got all the answers?
Buchi Emecheta (Second Class Citizen)
I feel as though dispossessed from the semblances of some crystalline reality to which I’d grown accustomed, and to some degree, had engaged in as a participant, but to which I had, nevertheless, grown inexplicably irrelevant. But the elements of this phenomenon are now quickly dissolving from memory and being replaced by reverse-engineered Random Access actualizations of junk code/DNA consciousness, the retro-coded catalysts of rogue cellular activity. The steel meshing titters musically and in its song, I hear a forgotten tale of the Interstitial gaps that form pinpoint vortexes at which fibers (quanta, as it were) of Reason come to a standstill, like light on the edge of a Singularity. The gaps, along their ridges, seasonally infected by the incidental wildfires in the collective unconscious substrata. Heat flanks passageways down the Interstices. Wildfires cluster—spread down the base trunk Axon in a definitive roar: hitting branches, flaring out to Dendrites to give rise to this release of the very chemical seeds through which sentience is begotten. Float about the ether, gliding a gentle current, before skimming down, to a skip over the surface of a sea of deep black with glimmering waves. And then, come to a stop, still inanimate and naked before any trespass into the Field, with all its layers that serve to veil. Plunge downward into the trenches. Swim backwards, upstream, and down through these spiraling jets of bubbles. Plummet past the threshold to trace the living history of shadows back to their source virus. And acquire this sense that the viruses as a sample, all of the outlying populations withstanding: they have their own sense of self-importance, too. Their own religion. And they mine their hosts barren with the utilitarian wherewithal that can only be expected of beings with self-preservationist motives.
Ashim Shanker (Sinew of the Social Species)
My children,” Lik-Rifa growled, her voice like a mountain slide, like a summer storm fractured with lightning, rumbling into the distance. A tremor passed through her, from snout to tail, and then her shape was shimmering, twisting and coiling like mist, shifting and changing, contracting, shrinking, until a woman stood before Ilska and her kin. She was tall, taller than any man, at least as big as the bull troll Elvar had slain on Iskalt Island. Her body was lean and striated, skin pale and raw and scabbed, weeping pus. Blood oozed from wounds. She was clothed in a tunic of grey, red-woven at the neck and hem, a belt studded with gold about her waist and a dark cloak billowing about her like wings. Her hair, black as jet, streaked with silver, was pulled back tightly, braids woven into it. She had a sharply beautiful face. Red coals glowed in her eyes. “What has become of my world, my children, my warbands?” she said, her voice hard as the north wind, a tremor shivering through it. She looked around at the battle-plain, the shapes of the long-dead become part of the landscape. Her red eyes flickered to Ilska.
John Gwynne (The Shadow of the Gods (The Bloodsworn Saga, #1))
And when spring comes to the City people notice one another in the road; notice the strangers with whom they share aisles and tables and the space where intimate garments are laundered. going in and out, in and out the same door, they handle the handle; on trolleys and park benches they settle thighs on a seat in which hundreds have done it too. Copper coins dropped in the palm have been swallowed by children and tested by gypsies, but it’s still money and people smile at that. It’s the time of year when the City urges contradiction most, encouraging you to buy street food when you have no appetite at all; giving you a taste for a single room occupied by you alone as well as a craving to share it with someone you passed in the street. Really there is no contradiction—rather it’s a condition; the range of what an artful City can do. What can beat bricks warming up to the sun? The return of awnings. The removal of blankets from horses’ backs. Tar softens under the heel and the darkness under bridges changes from gloom to cooling shade. After a light rain, when the leaves have come, tree limbs are like wet fingers playing in woolly green hair. Motor cars become black jet boxes gliding behind hoodlights weakened by mist. On sidewalks turned to satin figures move shoulder first, the crowns of their heads angled shields against the light buckshot that the raindrops are. The faces of children glimpsed at windows appear to be crying, but it is the glass pane dripping that makes it seem so.
Toni Morrison (Jazz (Beloved Trilogy, #2))
New Rule: Americans must realize what makes NFL football so great: socialism. That's right, the NFL takes money from the rich teams and gives it to the poorer one...just like President Obama wants to do with his secret army of ACORN volunteers. Green Bay, Wisconsin, has a population of one hundred thousand. Yet this sleepy little town on the banks of the Fuck-if-I-know River has just as much of a chance of making it to the Super Bowl as the New York Jets--who next year need to just shut the hell up and play. Now, me personally, I haven't watched a Super Bowl since 2004, when Janet Jackson's nipple popped out during halftime. and that split-second glimpse of an unrestrained black titty burned by eyes and offended me as a Christian. But I get it--who doesn't love the spectacle of juiced-up millionaires giving one another brain damage on a giant flatscreen TV with a picture so real it feels like Ben Roethlisberger is in your living room, grabbing your sister? It's no surprise that some one hundred million Americans will watch the Super Bowl--that's forty million more than go to church on Christmas--suck on that, Jesus! It's also eighty-five million more than watched the last game of the World Series, and in that is an economic lesson for America. Because football is built on an economic model of fairness and opportunity, and baseball is built on a model where the rich almost always win and the poor usually have no chance. The World Series is like The Real Housewives of Beverly Hills. You have to be a rich bitch just to play. The Super Bowl is like Tila Tequila. Anyone can get in. Or to put it another way, football is more like the Democratic philosophy. Democrats don't want to eliminate capitalism or competition, but they'd like it if some kids didn't have to go to a crummy school in a rotten neighborhood while others get to go to a great school and their dad gets them into Harvard. Because when that happens, "achieving the American dream" is easy for some and just a fantasy for others. That's why the NFL literally shares the wealth--TV is their biggest source of revenue, and they put all of it in a big commie pot and split it thirty-two ways. Because they don't want anyone to fall too far behind. That's why the team that wins the Super Bowl picks last in the next draft. Or what the Republicans would call "punishing success." Baseball, on the other hand, is exactly like the Republicans, and I don't just mean it's incredibly boring. I mean their economic theory is every man for himself. The small-market Pittsburgh Steelers go to the Super Bowl more than anybody--but the Pittsburgh Pirates? Levi Johnston has sperm that will not grow and live long enough to see the Pirates in a World Series. Their payroll is $40 million; the Yankees' is $206 million. The Pirates have about as much chance as getting in the playoffs as a poor black teenager from Newark has of becoming the CEO of Halliburton. So you kind of have to laugh--the same angry white males who hate Obama because he's "redistributing wealth" just love football, a sport that succeeds economically because it does just that. To them, the NFL is as American as hot dogs, Chevrolet, apple pie, and a second, giant helping of apple pie.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
As we prepared for sleep that night I noticed that Lisa was staring at her reflection in the mirror. She looked as young now as the day I met her, no grey upon her jet black hair, face always pale, she rarely sun bathed, dark glittering eyes and finally pearly white teeth. What a woman, always passionate about her affairs and always interested in my work. Shame her family could not attend our wedding. I suppose that is the hazard of marrying a Slav, either the family is dead, scattered or too poor to fly to England. Still it was a happy wedding, a quiet one with a few friends from work. Lisa crawled into bed beside me; her body, always cold, quickly warmed to my touch. Why are women always cold when they first get into bed? We kissed for what seemed an age, caressing each other’s bodies until at last she pushed me onto my back, straddled me and smiled looking down into my eyes. She licked her lips and slowly leant forward. The next morning I checked my neck for any tell-tale signs of our love making. Again Lisa had bitten every inch of my body and left not a mark. I smiled down at her sleeping form, kissed her cheek and went to my study. I had term papers to mark and research for my next set of lectures. Lisa came into my study just after lunch. For a woman just out of bed she looked remarkably well, her hair was untangled, her cheeks full in bloom, there were no signs of tiredness in her eyes at all. I smiled at her as we kissed, then she told me of the theme for the dinner party. Eleven guests as usual and each one would have to be very special. I left her to set up the invitations and planning. This was going to be the Last supper revisited it seemed.
E.A.Drake (The Vampyre's Kiss)
I used to believe there was a part of the human brain we couldn’t quite excise, and its sole purpose was to encourage self-destruction. Someday, I thought, the guys working on the BRAIN Initiative would push aside a contour in the gray matter and find a pulsing, jet-black spot. They’d insert a probe into the patient’s head to press the nodule and the patient’s immediate response would be to shout out, “FUCK IT! WHY NOT?
Jeremy Robert Johnson (Skullcrack City)
She was very ugly - the ugliest person you ever saw in your life! Her hair was scraped into a bun, sticking straight out at the back of her head like a teapot handle; and her face was round and wrinkly, and she had eyes like two little black boot-buttons. And her nose! - she had a nose like two potatoes. She wore a rusty black dress right up to the top of her neck and right down to her button boots, and a rusty black jacket and a rusty black bonnet, all trimmed with trembly black jet, with her teapot-handled of a bun sticky out at the back. And she carried a small brown case and a large black stick, and she had a very fierce expression indeed on her wrinkly, round, brown face. But what you noticed most of all was that she had one huge front Tooth, sticking right out like a tombstone over her lower lip. You never, in the whole of your life, ever saw such a Tooth!
Christianna Brand (Nurse Matilda)
I heard the clicking of hells, like the tapping of tiny hooves, and there appeared in front of me two, tiny withered crones. I thought I had to be dreaming still, for they were identical, dressed in the same dark red, with small, black, cunning eyes in their pale, wrinkled faces. They looked as if they put up their silvery-white hair in its coiled braids using each other as a mirror, and there were long, dangling earrings of marcasite and jet.
Sarah Monette (The Bone Key: The Necromantic Mysteries of Kyle Murchison Booth)
described approached so nigh as to receive some interruption from the warders, he dashed his dusky green turban from his head, showed that his beard and eyebrows were shaved like those of a professed buffoon, and that the expression of his fantastic and writhen features, as well as of his little black eyes, which glittered like jet, was that of a crazed imagination. "Dance, marabout," cried the soldiers, acquainted with the manners of these wandering enthusiasts, "dance, or we will scourge thee with our bow-strings till thou spin as never top did under schoolboy's lash." Thus shouted the reckless warders, as much delighted at having a subject to tease as a child when he catches a butterfly, or a schoolboy upon discovering a bird's nest. The marabout, as if happy to do their behests, bounded from the earth, and spun his giddy round before them with singular agility, which, when contrasted with his slight and wasted figure, and
Walter Scott (The Complete Works of Sir Walter Scott: Novels, Short Stories, Poetry, Plays, Journal, Letters, Articles and much more (Illustrated Edition): The Entire ... Guy Mannering, The Antiquary and many more)
Mr. Gweta looked ten years younger than Professor Khupe had expected. His jet-black hair was trimmed so neatly that it would make a manicured golf course look scruffy. His face was exceptionally smooth, giving the impression that he had been born without skin pores and transitioned through puberty devoid of any facial hair to pockmark his countenance. Mr. Gweta’s face was perfectly symmetrical. An ant walking from one side to the other would experience a serious case of déjà vu.
Taona Dumisani Chiveneko (The Hangman's Replacement: Sprout of Disruption)
The wind blew stronger. Masakichi had to walk into its resistance, but his pace did not slow. The further he went, the faster he moved, soundlessly and forcefully. The earth smelled like rain. He had to find a way out. Alive. His grandfather Jinzaemon had taught him how to find a straight path, even in the wind. Jinzaemon was born in 1848, twenty years before Japan first opened its doors to the West. He had taught Masakichi all about ninjutsu. “If you want to go straight against the wind, find a path in its folds and pass through it,” he had said, al- though he’d never actually taught his grandson how to find it. Still, Masakichi had begged him. “Even if I teach you where the path is, you won’t be able to see it because the wind is always changing. If I show you the path in the wind one minute, the wind will shift and the path will disappear the next.” “Then how do I find it?” Masakichi had asked, worried he’d never be able to do it. “You must find it anew each time,” his grandfather smiled. “The only way to see the path in the wind is to become the wind itself.
Leza Lowitz Shogo Oketani (Jet Black and the Ninja Wind)
I don’t get it, man. That dude has zero game, then suddenly he up and jets with a hottie? Meanwhile I can’t buy a date.” “Makes no sense.” Hi, face serious. I pressed a fist to my lips, considering. “What’d the girl look like?” “Hot.” Ben shifted his weight. I heard Hi chuckle behind me. I choked back my mounting frustration. “Could you be more specific?” “Oh, right.” Cole rubbed his oily chin and squinted at the ceiling. “She had, like, nice hair. It was sorta . . . black? Or maybe brown. Not blonde, for sure. And she was kinda tall. But not really. Oh, and I think she wore a T-shirt. Could be wrong, though.” I stared at the useless witness before me. What a moron. “Can you remember anything else, Cole?” Catching his eye, I tried to urge the memory from his brain by force of will. “Anything at all?” For a moment, Cole’s face screwed up in thought, then it bloomed with contentment. “He said I could have his mattress. Solid dude, that Jordan.” Hi snapped on his seat belt. “Not everyone is college material.” Shelton shook his head. “I’m surprised that guy remembers to breathe.
Kathy Reichs (Terminal (Virals, #5))
Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta. “For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately. “She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.” Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery. Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him… “Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?” “Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.” “Oh. Well, find something you like here…” She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.” “You belong to it,” he returned. “We adopted you years ago.” “So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.” “You could take your hair down,” he continued thoughtfully. She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it. “How old are you?” he asked, trying to remember. “Twenty, isn’t it?” “I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?” He looked surprised. Where had the years gone? She hadn’t aged, not visibly.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Astounding, really, that Michel could consider psychology any kind of science at all. So much of it consisted of throwing together. Of thinking of the mind as a steam engine, the mechanical analogy most ready to hand during the birth of modern psychology. People had always done that when they thought about the mind: clockwork for Descartes, geological changes for the early Victorians, computers or holography for the twentieth century, AIs for the twenty-first…and for the Freudian traditionalists, steam engines. Application of heat, pressure buildup, pressure displacement, venting, all shifted into repression, sublimation, the return of the repressed. Sax thought it unlikely steam engines were an adequate model for the human mind. The mind was more like—what?—an ecology—a fellfield—or else a jungle, populated by all manner of strange beasts. Or a universe, filled with stars and quasars and black holes. Well—a bit grandiose, that—really it was more like a complex collection of synapses and axons, chemical energies surging hither and yon, like weather in an atmosphere. That was better—weather—storm fronts of thought, high-pressure zones, low-pressure cells, hurricanes—the jet streams of biological desires, always making their swift powerful rounds…life in the wind. Well. Throwing together. In fact the mind was poorly understood.
Kim Stanley Robinson (Blue Mars (Mars Trilogy, #3))
In the elaborate con that is American electoral politics, the Republican voter has long been the easiest mark in the game, the biggest dope in the room. Everyone inside the Beltway knows this. The Republican voters themselves are the only ones who never saw it. Elections are about a lot of things, but at the highest level, they’re about money. The people who sponsor election campaigns, who pay the hundreds of millions of dollars to fund the candidates’ charter jets and TV ads and 25-piece marching bands, those people have concrete needs. They want tax breaks, federal contracts, regulatory relief, cheap financing, free security for shipping lanes, antitrust waivers and dozens of other things. They mostly don’t care about abortion or gay marriage or school vouchers or any of the social issues the rest of us spend our time arguing about. It’s about money for them, and as far as that goes, the CEO class has had a brilliantly winning electoral strategy for a generation. They donate heavily to both parties, essentially hiring two different sets of politicians to market their needs to the population. The Republicans give them everything that they want, while the Democrats only give them mostly everything. They get everything from the Republicans because you don’t have to make a single concession to a Republican voter. All you have to do to secure a Republican vote is show lots of pictures of gay people kissing or black kids with their pants pulled down or Mexican babies at an emergency room. Then you push forward some dingbat like Michele Bachmann or Sarah Palin to reassure everyone that the Republican Party knows who the real Americans are. Call it the “Rove 1-2.” That’s literally all it’s taken to secure decades of Republican votes, a few patriotic words and a little over-the-pants rubbing. Policywise, a typical Republican voter never even asks a politician to go to second base. While we always got free trade agreements and wars and bailouts and mass deregulation of industry and lots of other stuff the donors definitely wanted, we didn’t get Roe v. Wade overturned or prayer in schools or balanced budgets or censorship of movies and video games or any of a dozen other things Republican voters said they wanted.
Matt Taibbi (Insane Clown President: Dispatches from the 2016 Circus)
I was halfway across when the planes came roaring, demolishing the sky over the Severn Valley. Tornados fly over our school several times a day, so I was ready to cover my ears with my hands. But I wasn’t ready for three Hawker Harrier Jump Jets, close enough to the ground to hit with a cricket ball. The slam of noise was incredible! I bent into a tight ball and peeped out. The Harriers curved before they smashed into the Malverns, just, and flew off toward Birmingham, screaming under Soviet radar height. When World War III comes, it’ll be MiGs stationed in Warsaw or East Germany screaming under NATO radar. Dropping bombs on people like us. On English cities, towns, and villages like Worcester, Malvern, and Black Swan Green. Dresden, the Blitz, and Nagasaki.
David Mitchell (Black Swan Green)
Smokers Only, taking a drag at the end of each line: ‘I get no kick from champagne . . .’ National Airlines was the first company to fly jets from New York to Miami, in barely three hours, charging fifty-five dollars a ticket. The construction of the Interstate Highway System, the largest motorway network in the world, had been in full swing for four years. The mechanical cotton picker had taken over the South. The arrival of air conditioning allowed housebuilders to throw up suburbs even in the desert. The countryside moved to the city, the overcrowded inner cities moved to suburban avenues, the black South moved to the factories of the North. On 9 May – Mother’s Day – the first contraceptive pill, Enovid, was declared safe and approved for sale. Dr John Rock, champion
Geert Mak (In America: Travels with John Steinbeck)
Directly Mr Pye stepped ashore he heard her voice. 'The name is Dredger,' it said. Mr Pye lifted his head again, his thorn-shaped nose veering towards her and the rest of his round face following it, as a ship must follow its bowsprit. His little mouth continued to smile gently but it gave nothing away. As he remained silent, Miss Dredger raised her voice as though to establish the fact of her forthright nature from the outset. 'Mr Pye, I imagine!' Her new acquaintance removed his glasses, wiped them carefully, and re-set them on his nose. 'Who else?' he murmured. 'Who else, dear lady?' As Miss Dredger could not think 'who' else could possibly be Mr Pye, and had no wish to follow so foolish a train of conjecture, she blew some smoke out of her nostrils. Mr Pye watched the smoke-jets with interest, ad then, as though he were suggesting an alternative attitude to life, he drew a little box from his waistcoat pocket and helped himself to a fruit-drop. At this, Miss Dredger raised one of her black eyebrows, and as she did so she caught sight of young Pépé - and seeing him reminded her of Mr Pye's luggage. She turned to Mr Pye, her scrubbed hands on her tweed hips. 'What have you brought with you?' she said. Mr Pye turned his gaze upon her. 'Love,' he said. 'Just ... Love ...' and then he transferred the fruit-drop from one cheek to the other with a flick of his experience tongue. His fat little hands that held the lapels of his coat were quite green with the light reflected from the harbour water. Miss Dredger's face had turned the most dreadful colour and she had shut her eyes. The smoke drifted out of her nostrils with no enthusiasm. There were some things that simply are not mentioned - unless one wishes to be offensive and embarrassing. Religion, Art, and now this new horror - Love. What on earth did the man mean?
Mervyn Peake (Mr Pye)
The real secret to eliminating poverty is not a secret at all. It’s amazingly simple, but it makes the people living in their tony little bubbles seethe with rage. Ready for this? Marriage. Sounds too simple to be true, but here’s a fact—the Beverly LaHaye Institute researched data in 2012 to discover that if a family has two married parents, the poverty rate is about 7.5 percent. If a family is headed by a single mother, the poverty rate is almost 34 percent. While Hollywood celebrities make it seem quite normal to have a baby now, and think about a husband later (if at all or ever), most young, single women having babies aren’t Hollywood starlets with millions of dollars to afford full-time live-in nannies, private jets, and private schools. And the War on Poverty we discussed earlier was launched fifty years ago when most children were raised by two married parents. The Heritage Foundation has done extensive and admirable research on the economics of the family and found that the poverty rate for white, married couples in 2009 was 3.2 percent. If it was a white nonmarried family, the poverty rate jumped to 22 percent. For black couples who were married, 7 percent were in poverty; if a nonmarried black family, that number soared to almost 36 percent!
Mike Huckabee (God, Guns, Grits, and Gravy: and the Dad-Gummed Gummint That Wants to Take Them Away)
There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Religious people, the “people of God,” the people of the impossible, impassioned by a love that leaves them restless and unhinged, panting like the deer for running streams, as the psalmist says (Ps. 42:1), are impossible people. In every sense of the word. If, on any given day, you go into the worst neighborhoods of the inner cities of most large urban centers, the people you will find there serving the poor and needy, expending their lives and considerable talents attending to the least among us, will almost certainly be religious people — evangelicals and Pentecostalists, social workers with deeply held religious convictions, Christian, Jewish, and Islamic, men and women, priests and nuns, black and white. They are the better angels of our nature. They are down in the trenches, out on the streets, serving the widow, the orphan, and the stranger, while the critics of religion are sleeping in on Sunday mornings. That is because religious people are lovers; they love God, with whom all things are possible. They are hyper-realists, in love with the impossible, and they will not rest until the impossible happens, which is impossible, so they get very little rest. The philosophers, on the other hand, happen to be away that weekend, staying in a nice hotel, reading unreadable papers on “the other” at each other, which they pass off as their way of serving the wretched of the earth. Then, after proclaiming the death of God, they jet back to their tenured jobs, unless they happen to be on sabbatical leave and are spending the year in Paris.
John D. Caputo (On Religion (Thinking in Action))
Our cities have constructed elaborate expressways and elevated skyways, and white Americans speed from suburb to inner city through vast pockets of black deprivation without ever getting a glimpse of the suffering and misery in their midst. But while so many white Americans are unaware of conditions inside the ghetto, there are very few ghetto dwellers who are unaware of the life outside. Their television sets bombard them day by day with the opulence of the larger society. From behind the ghetto walls they see glistening towers of glass and steel springing up almost overnight. They hear jet liners speeding over their heads at six hundred miles an hour. They hear of satellites streaking through outer space and revealing details of the moon. Then they begin to think of their own conditions. They know that they are always given the hardest, ugliest, most menial work to do. They look at these impressive buildings under construction and realize that almost certainly they cannot get those well-paying construction jobs, because building trade unions reserve them for whites only. They know that people who built the bridges, the mansions and docks of the South could build modern buildings if they were only given a chance for apprenticeship training. They realize that it is hard, raw discrimination that shuts them out. It is not only poverty that torments the Negro; it is the fact of poverty amid plenty. It is a misery generated by the gulf between the affluence he sees in the mass media and the deprivation he experiences in his everyday life.
Martin Luther King Jr.
That's all well and good,but my concern is for Willow. I think she's beginning to realize that she both needs and wants the respect and companionship of the women in this town. And frankly, a man with your reputation can only hurt her. Not that I think you'd deliberately cause her harm. I don't. But the girl already has several black marks against her and your attentions could very well add to her problems.Do you understand what I'm trying to tell you?" Rider plowed his fingers through his jet hair. "Yes, you'd like me to stay clear of her. I understand,but I'm afraid I can't do that. Look, I know it's asking a lot,but you'll have to trust me where Willow Vaughn is concerned. I promise you that she'll come to no harm from me." "Trust,Mr. Sinclair,is something to be earned." "I know,and I hope you'll give me time to earn yours. But if you want me to pack up and find another place to stay, I'll understand." She considered that a moment. "No," she finally answered. "It would serve no purpose. This town has become a haven for every outlaw in the country and if every boarding house and hotel in Tombstone emptied out the disreputables, they'd soon go broke. I doubt I'll be held accountable for housing one more. Besides, at least this way,I can keep an eye on you." Rider smiled and stood, politely helping her to her feet. "Thanks. And by the way, for what it's worth, I'm not an outlaw." "If I truly believed you were, young man, you'd know it." "I'm very sorry for any trouble I might have caused you, Mrs. Brigham. Now if you'll excuse me, I have to change my clothes and saddle the horses." Rider walked to the parlor doors, glancing back over his shoulder as Miriam added, "You've asked me to trust you,Mr. Sinclair. Don't disappoint me or I guarantee you'll be sorry. I may be a woman, and not a young one at that, but I still have a few good tricks up my sleeve. If Willow suffers so much as a broken fingernail on your account, you'll have me to answer to." Rider inclined his head and opened the door to leave. "I'll do my best, ma'am, but much depends on the young lady." Knowing he'd already said more than he should, he turned and left.
Charlotte McPherren (Song of the Willow)