Jerk People Quotes

We've searched our database for all the quotes and captions related to Jerk People. Here they are! All 100 of them:

I wish I had more friends, but people are such jerks. If you can just get most people to leave you alone, you're doing good. If you can find even one person you really like, you're lucky. And if that person can also stand you, you're really lucky.
Bill Watterson (The Complete Calvin and Hobbes)
There are four kinds of people to avoid in the world: the assholes, the asswipes, the ass-kissers, and those that just will shit all over you.
Anthony Liccione
And now I realize Lindsay's not fearless. She's terrified. She's terrified that people will find out she's faking, bullshitting her way through life, pretending to have everything together when really she's just floundering like the rest of us. Lindsay, who will bite at you if you even look in her direction the wrong way, like on of those tiny attack dogs that are always barking and snapping in the air before they're jerked backward on the chains that keep them in one place.
Lauren Oliver (Before I Fall)
Every single person is a fool, insane, a failure, or a bad person to at least ten people.
Mokokoma Mokhonoana
Women can change better’n a man,” Ma said soothingly. “Woman got all her life in her arms. Man got it all in his head.” “Man, he lives in jerks-baby born an’ a man dies, an’ that’s a jerk-gets a farm and looses his farm, an’ that’s a jerk. Woman, its all one flow, like a stream, little eddies, little waterfalls, but the river, it goes right on. Woman looks at it like that. We ain’t gonna die out. People is goin’ on-changin’ a little, maybe, but goin’ right on.
John Steinbeck (The Grapes of Wrath)
Don't try fixing something that is already broken in the first place.
John Robert Go
Ten feet from the car, a man stepped directly into our path. We came to a screeching halt, and I jerked Lissa back by her arm. It was him, the guy I’d seen across the street watching me. He was older than us, maybe mid-twenties, and as tall as I’d figured, probably six-six or six-seven. And under different circumstances–say, when he wasn’t holding up our desperate escape–I would have thought he was hot. Shoulder-length brown hair, tied back in a short ponytail. Dark brown eyes. A long brown coat–a duster, I thought it was called. But his hotness was irrelevant now. He was only an obstacle keeping Lissa and me away from the car and our freedom. The footsteps behind us slowed, and I knew our pursuers had caught up. Off to the sides, I detected more movement, more people closing in. God. They’d almost sent a dozen guardians to retrieve us. I couldn’t believe it. The queen herself didn’t travel with that many.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
You want to be a better person? Go listen to someone you disagree with. don't argue with them just listen. It's remarkable what interesting things people will say if you take the time to not be a jerk.
Brandon Sanderson (Alcatraz Versus the Knights of Crystallia (Alcatraz, #3))
Explain to me how you having a problem with me is my problem...
Dan Pearce (Single Dad Laughing: The Best of Year One)
I tell everybody, I’m tired of being jerked around. Okay? So let’s just not pretend. I don’t have fuck for a heart. You people are not going to make me feel anything. You are not going to get to me.
Chuck Palahniuk (Choke)
People who go broke in a big way never miss any meals. It is the poor jerk who is shy a half slug who must tighten his belt.
Robert A. Heinlein (Time Enough for Love)
So you were talking crap about me? Hm. I missed it. I was too busy being fabulous.
Dan Pearce (Single Dad Laughing: The Best of Year One)
I believe all people are assholes. You won't find anyone that you like. You'll just find someone you dislike a little less than the last asshole. And I can't wait for that day. To have a woman that I can say I dislike a little less than all the other assholes.
Travis J. Dahnke (Write like no one is reading)
I'm not sure what a good person is, exactly. On the one hand, it could be someone who always play by the rules. But someone can follow the rules and still be a real jerk, you know? In fact, some of the biggest idiots I know are people who follow the rules, usually because they make you feel like crap when you don't.
Michael Thomas Ford (Suicide Notes)
It's music rage, which is like road rage, only more righteous. When you get road rage, a tiny part of you knows you're being a jerk, but when you get music rage, you're carrying out the will of God, and God wants these people dead
Nick Hornby
I want someone who builds people up, not tears them down. I need someone who makes me laugh and isn't afraid to rib me when I'm being a royal jerk.' She smiled a little. 'You're that girl. I want to be with you, and I want everyone to know it.
Jen Calonita (Belles (Belles, #1))
People who are jerks don't get to decide whether they're jerks. It's left up to a jury of their peers.
Rainbow Rowell (Kindred Spirits)
No, I'm not a jerk, Astrid. You know what I am? I'm the guy getting people killed," Sam said quietly. Then, "My head is exploding from it. I can't get my brain around it. I can't do this. I can't be that guy, Astrid, I'm a kid...
Michael Grant
It’s so much easier for people to get excited about disliking something than agreeing to like it. The circle jerk of mockery and self-congratulation was so intense I didn’t even notice I was at its center. It was so easy to get people to follow me, and in the end, that’s what I wanted.
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
"I gave up a world for you." He glared at me, not giving me anything. I kept right on going. "I thought, perhaps, when I learned I had powers, I might be able to use them to go home," his eyes flashed but that was all I got so I kept on going, "but not for good. My father isn't dead." Another flash. "He's alive and at home and living maybe with a fake Circe. He'll know the difference, though, I KNOW it. He's out of his mind with worry, I know that too. He's wondering where I am and if I'm okay and how to get me back. I also know that. I know that and I know that my life was good. I loved my life. I loved my home. I loved my job. I had a lot of people who loved me that loved me back." I sucked in a breath and then whispered, "But as much as your world scared me, as much as our practices repulsed me, I still chose you." His torso jerked, it was almost imperceptible, but I caught it. I kept at him. "I gave up my world for you, Lahn. I sat at your side through things people in my world would find loathsome and I did it with my head held high. I even felt 'pride' that I could endure, that I could be a good queen to you.......Everything I did in this fucking place, even before I fell in love with you, was for...fucking...YOU."
Kristen Ashley (The Golden Dynasty (Fantasyland, #2))
I see how it is,” I snapped. “You were all in favor of me breaking the tattoo and thinking on my own—but that’s only okay if it’s convenient for you, huh? Just like your ‘loving from afar’ only works if you don’t have an opportunity to get your hands all over me. And your lips. And . . . stuff.” Adrian rarely got mad, and I wouldn’t quite say he was now. But he was definitely exasperated. “Are you seriously in this much self-denial, Sydney? Like do you actually believe yourself when you say you don’t feel anything? Especially after what’s been happening between us?” “Nothing’s happening between us,” I said automatically. “Physical attraction isn’t the same as love. You of all people should know that.” “Ouch,” he said. His expression hadn’t changed, but I saw hurt in his eyes. I’d wounded him. “Is that what bothers you? My past? That maybe I’m an expert in an area you aren’t?” “One I’m sure you’d just love to educate me in. One more girl to add to your list of conquests.” He was speechless for a few moments and then held up one finger. “First, I don’t have a list.” Another finger, “Second, if I did have a list, I could find someone a hell of lot less frustrating to add to it.” For the third finger, he leaned toward me. “And finally, I know that you know you’re no conquest, so don’t act like you seriously think that. You and I have been through too much together. We’re too close, too connected. I wasn’t that crazy on spirit when I said you’re my flame in the dark. We chase away the shadows around each other. Our backgrounds don’t matter. What we have is bigger than that. I love you, and beneath all that logic, calculation, and superstition, I know you love me too. Running away and fleeing all your problems isn’t going to change that. You’re just going to end up scared and confused.” “I already feel that way,” I said quietly. Adrian moved back and leaned into his seat, looking tired. “Well, that’s the most accurate thing you’ve said so far.” I grabbed the basket and jerked open the car door. Without another word, I stormed off, refusing to look back in case he saw the tears that had inexplicably appeared in my eyes. Only, I wasn’t sure exactly which part of our conversation I was most upset about.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
People who use snark attacks confuse cleverness with cruelty.
Debra Crown
Until recently, I was an ebook sceptic, see; one of those people who harrumphs about the “physical pleasure of turning actual pages” and how ebook will “never replace the real thing”. Then I was given a Kindle as a present. That shut me up. Stock complaints about the inherent pleasure of ye olde format are bandied about whenever some new upstart invention comes along. Each moan is nothing more than a little foetus of nostalgia jerking in your gut. First they said CDs were no match for vinyl. Then they said MP3s were no match for CDs. Now they say streaming music services are no match for MP3s. They’re only happy looking in the rear-view mirror.
Charlie Brooker
I don’t know why the world has to be populated by so many unpleasant people. I really don’t. It really takes an effort to be rude, too. The amount of energy people expend on being a jerk astounds me sometimes.
Meg Cabot (Haunted (The Mediator, #5))
Most people aren’t as insane as you,” I said in a throaty voice that wasn’t mine. “That’s not a very nice thing to say.” He scraped harder with his sharp teeth, just below where he’d bitten me before, and I gasped as my body jerked. “And the truth is, you like my brand of insanity.
Jennifer L. Armentrout (From Blood and Ash (Blood and Ash, #1))
So what are we supposed to do again, when we hate everything? You stop pretending life is such fun or makes sense. It's often messy and cruel and dull, and we do the best we can. It's unfair, and jerks seem to win. But you fall in love with a few people. Like I love you, Elizabeth. You're the angel God sent me.
Anne Lamott
I know you are new at this dating thing, but people don’t usually insult their girlfriend and ask them to move in with them in the same sentence,” I inform him, chewing my bottom lip to suppress my smile. “Well, sometimes the said girlfriend needs to lighten up.” He grins. Even drunk, he’s charming as hell. “Well, then said boyfriend needs to stop being a jerk,” I say to retaliate. He laughs and moves from the chair over to my bed. “I am trying not to be a jerk, I really am. Sometimes I can’t help it.” He sits on the edge of the bed. “I’m really, really good at it!
Anna Todd (After (After, #1))
Nothing has changed. The body is susceptible to pain, It must eat and breath air and sleep, It has thin skin and blood right underneath, An adequate stock of teeth and nails, Its bones are breakable, its joints are stretchable. In tortures all this is taken into account. Nothing has changed. The body shudders as it is shuddered Before the founding of Rome and after, In the twentieth century before and after Christ. Tortures are as they were, it’s just the earth that’s grown smaller, And whatever happens seems on the other side of the wall. Nothing has changed. It’s just that there are more people, Besides the old offenses, new ones have appeared, Real, imaginary, temporary, and none, But the howl with which the body responds to them, Was, and is, and ever will be a howl of innocence According to the time-honored scale and tonality. Nothing has changed. Maybe just the manners, ceremonies, dances, Yet the movement of the hands in protecting the head is the same. The body writhes, jerks, and tries to pull away Its legs give out, it falls, the knees fly up, It turns blue, swells, salivates, and bleeds. Nothing has changed. Except of course for the course of boundaries, The lines of forests, coasts, deserts, and glaciers. Amid these landscapes traipses the soul, Disappears, comes back, draws nearer, moves away, Alien to itself, elusive At times certain, at others uncertain of its own existence, While the body is and is and is And has no place of its own.
Wisława Szymborska
Stay away from people who don't know who they are but want you to be just like them. People who'll want to label you. People who'll try to write their fears on your face.
Richard Peck (The Best Man)
It seemed to me that the people who made the rules of the road had figured out everything that would help a person drive safely right down to having a sign that tells you you're passing through a place where deer cross. Somebody should stick up some signs on the highway of life. CAUTION: JERKS CROSSING. Blinking yellow lights when you're about to to something stupid. Stop signs in front of people who could hurt you. Green lights shining when you're doing the right thing. It would make the whole experience easier.
Joan Bauer (Rules of the Road (Rules of the Road, #1))
Nowhere does it say free speech is carte blanche to be a jerk. And don't cheapen real free speech by hijacking an honourable concept bought dearly with people's lives just to get a little spotlight. Spotlights run hot, and they can burn.
Karen Traviss
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
You need to come with us right now," one of the queen's guards said. "If you resist, we'll take you by force." "Leave him alone!" I yelled, looking from face to face. That angry darkness exploded within me. How could they still not believe? Why were they still coming after him? "He hasn't done anything! Why can't you guys accept that he's really a dhampir now?" The man who'd spoken arched an eyebrow. "I wasn't talking to him." "You're...you're here for me?" I asked. I tried to think of any new spectacles I might have caused recently. I considered the crazy idea that the queen had found out I'd spent the night with Adrian and was pissed off about it. That was hardly enough to send the palace guard for me, though...or was it? Had I really gone too far with my antics? "What for?" demanded Dimitri. That tall, wonderful bod of his—the one that could be so sensual sometimes—was filled with tension and menace now. The man kept his gaze on me, ignoring Dimitri. "Don't make me repeat myself: Come with us quietly, or we will make you." The glimmer of handcuffs showed in his hands. My eyes went wide. "That's crazy! I'm not going anywhere until you tel me how the hell this—" That was the point at which they apparently decided I wasn't coming quietly. Two of the royal guardians lunged for me, and even though we technically worked for the same side, my instincts kicked in. I didn't understand anything here except that I would not be dragged away like some kind of master criminal. I shoved the chair I'd been sitting in earlier at the one of the guardians and aimed a punch at the other. It was a sloppy throw, made worse because he was taller than me. That height difference allowed me to dodge his next grab, and when I kicked hard at his legs, a grunt told me I'd hit home. [...] Meanwhile, other guardians were joining the fray. Although I got a couple of good punches in, I knew the numbers were too overwhelming. One guardian caught hold of my arm and began trying to put the cuffs on me. He stopped when another set of hands grabbed me from the other side and jerked me away. Dimitri. "Don't touch her," he growled. There was a note in his voice that would have scared me if it had been directed toward me. He shoved me behind him, putting his body protectively in front of mine with my back to the table. Guardians came at us from all directions, and Dimitri began dispatching them with the same deadly grace that had once made people call him a god. [...] The queen's guards might have been the best of the best, but Dimitri...well, my former lover and instructor was in a category all his own. His fighting skills were beyond anyone else's, and he was using them all in defense me. "Stay back," he ordered me. "They aren't laying a hand on you.
Richelle Mead (Spirit Bound (Vampire Academy, #5))
I guess I learned that even though most people are good, they can be talked into doing bad things by one or two jerks...And I guess, people sometimes need someone who can stand up and remind them that they are good people and they know what's right.
Christopher Scotton (The Secret Wisdom of the Earth)
Got us a full moon too coming tomorrow night. Just make things a whole lot worse. All we need. - Why is that? - What’s that, Marshal? - The full moon. You think it makes people crazy? - I know it does.- Found a wrinkle in one of the pages and used his index finger to smooth it out. - How come? - Well, you think about it—the moon affects the tide, right? - Sure. - Has some sort of magnet effect or something on water. - I’ll buy that. - Human brain,- Trey said, - is over fifty percent water. - No kidding? - No kidding. You figure ol’ Mr. Moon can jerk the ocean around, think what it can do to the head.
Dennis Lehane (Shutter Island)
All this "honest work" kills beauty in man too. It forces men into poor diet, poor choices, poor paths outside the workplace. Everything in life for them, whether they chose so or not, must revolve around their "honest work". No time to research, pick, and cook a proper meal so I have chips and soda again. No time to work out, to worship the sun in peace, to study so I watch television and jerk off in-between beers again. No time to even so much as consider another way of life so I hammer nails into useless thing for useless people in useless place again. You are being scammed, robbed.
Mike Ma (Harassment Architecture)
Why is language in the Borderlands so weird? Some of it’s modern, and some of it’s medieval, and I guess that makes sense with the influx of a certain amount of new blood to the training camp every year, but how do some words and phrases transfer, while others don’t? Why do you know the word ‘jerk’ and not the word ‘bisexual’?” “I guess people say the first word more,” said Luke.
Sarah Rees Brennan (In Other Lands)
A person of good intelligence and sensitivity cannot exist in this society very long without having some anger about the inequality - and it’s not just a bleeding-heart, knee-jerk, liberal kind of a thing - it is just a normal human reaction to a nonsensical set of values where we have cinnamon flavored dental floss and there are people sleeping in the street.
George Carlin
I am spinning the silk threads of my story, weaving the fabric of my world. The tiny elf dancer became a wooden doll whose strings were jerked by people not paying attention. I spun out of control. Eating was hard. Breathing was hard. Living was hardest. I wanted to swallow the bitter seeds of forgetfulness. Cassie did, too. We leaned on each other, lost in the dark and wandering in endless circles. She got too tired an went to sleep. Somehow, I dragged myself out of the dark and asked for help. I spin and weave and knit my words and visions until a life starts to take shape. There is no magic cure, no making it all go away forever. There are only small steps upward; an easier day, an unexpected laugh, a mirror that doesn't matter anymore. I am thawing.
Laurie Halse Anderson (Wintergirls)
He jerked his head at Dill: 'Things haven't caught up with that one's instinct yet. Let him get a little older and he won't get sick and cry. Maybe things'll strike him as being- not quite right, say, but he won't cry, not when he gets a few years on him.' 'Cry about what, Mr. Raymond?' Dill's maleness was beginning to assert itself. 'Cry about the simple hell people give each other- without even thinking. Cry about the hell white people give colored folks, without even stopping to think that they're people too. A reflection on the innocence and vulnerability of children
Harper Lee (To Kill a Mockingbird)
The little people will get even, which is one of a thousand reasons why they are not little people at all. If you're a jerk as a leader, you will be torpedoed. And usually it won't be by your vice presidents; it will be on the loading dock at 3am when no supervisors are around.
Tom Peters
Maybe you've gotten through something and when you did you thought, I am leaving that behind and will never return. And that's a great way of thinking...for selfish jerks. If we actually care about people other than ourselves, we can't leave our problems behind and never return. If we don't take the freedom we've experienced and try to bring it to others, we are not becoming people worth becoming.
Vince Antonucci (Guerrilla Lovers: Changing the World With Revolutionary Compassion)
The more I write stories for young people, and the more young readers I meet, the more I'm struck by how much kids long to see themselves in stories. To see their identities and perspectives—their avatars—on the page. Not as issues to be addressed or as icons for social commentary, but simply as people who get to do cool things in amazing worlds. Yes, all the “issue” books are great and have a place in literature, but it's a different and wildly joyous gift to find yourself on the pages of an entertainment, experiencing the thrills and chills of a world more adventurous than our own. And when you see that as a writer, you quickly realize that you don't want to be the jerk who says to a young reader, “Sorry, kid. You don't get to exist in story; you're too different.” You don't want to be part of our present dystopia that tells kids that if they just stopped being who they are they could have a story written about them, too. That's the role of the bad guy in the dystopian stories, right? Given a choice, I'd rather be the storyteller who says every kid can have a chance to star.
Paolo Bacigalupi
I think that people who keep notebooks and jot down their thoughts are jerk-offs. I am only doing this because somebody suggested I do it, so you see, I'm not even an original jerk-off. But this somehow makes it easier. I just let it roll. Like a hot turd down a hill.
Charles Bukowski (The Captain is Out to Lunch and the Sailors Have Taken Over the Ship)
That illusion of a world so shaped that it echoes every groan, of human beings so tied together by common needs and fears that a twitch at one wrist jerks another, where however strange your experience other people have had it too, where however far you travel in your own mind someone has been there before you - - is all an illusion. We do not know our own souls, let alone the souls of others. Human beings do not go hand in hand the whole stretch of the way. There is a virgin forest in each; a snowfield where even the print of birds' feet is unknown. Here we go alone, and like it better so. Always to have sympathy, always to be accompanied, always to be understood would be intolerable.
Virginia Woolf (On Being Ill)
There are always going to be jerks in the world, Auggie,” she said, looking at me. “But I really believe, and Daddy really believes, that there are more good people on this earth than bad people, and the good people watch out for each other and take care of each other.
R.J. Palacio (Wonder)
Man, he lives in the jerks-- baby born an' a man dies, an' that's a jerk-- gets a farm an' loses his farm, an' that's a jerk. Woman, it's all one flow, like a stream, little eddies, little waterfalls, but the river, it goes right on. Woman looks at it like that. We ain't gonna die out. People is goin' on-- changin' a little, maybe, but goin' right on.
John Steinbeck (The Grapes of Wrath)
Yadriel bit back his knee-jerk reaction to say, “It’s okay.” Because it wasn’t. It didn’t change what his dad had said. If it had been a mistake, his slip of the tongue was more telling than his apologies. Why did Yadriel always have to absolve people of their guilt? He didn’t want to be understanding. He didn’t have it in him to be forgiving this time.
Aiden Thomas (Cemetery Boys (Cemetery Boys, #1))
The Romanians really do lead the world when it comes to cursing. “What have you got for me?” I asked a woman from Transylvania who was now living in Vienna. “Shove your hand up my ass and jerk off my shit,” she offered. I was stunned. “Anyone else would say, ‘Shove your hand up my ass,’ and then run out of imagination,” I told her. “You people, though, you just keep going. And that’s what makes you the champions you are.” Maybe it’s not too late to learn how to drive, I thought, watching as she walked out the door and onto the unsuspecting streets of Vienna, this poet, this queen, this glittering jewel in a city of flint.
David Sedaris (Calypso)
I need to check your ankle.” “Ask.” “If you object, I—” “Giving me a chance to object is not the same as asking permission. You’re used to telling people what to do. That works with those guards you’re in charge of. You aren’t in charge of me. You have to ask.” One corner of his mouth turned up. “It’s more efficient my way.” “If your primary goal in life is efficiency, you should just die.” That startled him. His head actually jerked back. “What?” “The most efficient way to live a life is to die a couple seconds after you’re born. Pfft. Done.” She dusted her hands to demonstrate that. “It’s too late for you to achieve optimal efficiency, but you could still . . .
Eileen Wilks (Blood Challenge (World of the Lupi, #7))
As I stood there surrounded by three people who had the ability to do just that-crack my chest open to all the disappointment and difficulty and grief-I knew I still wanted it. The risk of the bad stuff was so worth the good stuff. People who would be there for you even when you messed up and behaved like a little jerk? They were the good stuff.
Maurene Goo (The Way You Make Me Feel)
Speaking uphill takes courage. It takes overcoming a universal human affliction—the impostor complex. All of us labor, to one degree or another, under the belief that if other people really knew us, if they knew us the way we know ourselves, they would think less of us. That’s the impostor complex—the fear that by showing ourselves we will be exposed as the flawed person we are. If you don’t have this, in some measure, you are an incredible jerk and should stop reading immediately.
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)
Who are we to say getting incested or abused or violated or any of those things can’t have their positive aspects in the long run? … You have to be careful of taking a knee-jerk attitude. Having a knee-jerk attitude to anything is a mistake, especially in the case of women, where it adds up to this very limited and condescending thing of saying they’re fragile, breakable things that can be destroyed easily. Everybody gets hurt and violated and broken sometimes. Why are women so special? Not that anybody ought to be raped or abused, nobody’s saying that, but that’s what is going on. What about afterwards? All I’m saying is there are certain cases where it can enlarge you or make you more of a complete human being, like Viktor Frankl. Think about the Holocaust. Was the Holocaust a good thing? No way. Does anybody think it was good that it happened? No, of course not. But did you read Viktor Frankl? Viktor Frankl’s Man’s Search for Meaning? It’s a great, great book, but it comes out of his experience. It’s about his experience in the human dark side. Now think about it, if there was no Holocaust, there’d be no Man’s Search for Meaning… . Think about it. Think about being degraded and brought within an inch of your life, for example. No one’s gonna say the sick bastards who did it shouldn’t be put in jail, but let’s put two things into perspective here. One is, afterwards she knows something about herself that she never knew before. What she knows is that the most totally terrible terrifying thing that she could ever have imagined happening to her has now happened, and she survived. She’s still here, and now she knows something. I mean she really, really knows. Look, totally terrible things happen… . Existence in life breaks people in all kinds of awful fucking ways all the time, trust me I know. I’ve been there. And this is the big difference, you and me here, cause this isn’t about politics or feminism or whatever, for you this is just ideas, you’ve never been there. I’m not saying nothing bad has ever happened to you, you’re not bad looking, I’m sure there’s been some sort of degradation or whatever come your way in life, but I’m talking Viktor Frankl’s Man’s Search for Meaning type violation and terror and suffering here. The real dark side. I can tell from just looking at you, you never. You wouldn’t even wear what you’re wearing, trust me. What if I told you it was my own sister that was raped? What if I told you a little story about a sixteen-year-old girl who went to the wrong party with the wrong guy and four of his buddies that ended up doing to her just about everything four guys could do to you in terms of violation? But if you could ask her if she could go into her head and forget it or like erase the tape of it happening in her memory, what do you think she’d say? Are you so sure what she’d say? What if she said that even after that totally negative as what happened was, at least now she understood it was possible. People can. Can see you as a thing. That people can see you as a thing, do you know what that means? Because if you really can see someone as a thing you can do anything to him. What would it be like to be able to be like that? You see, you think you can imagine it but you can’t. But she can. And now she knows something. I mean she really, really knows. This is what you wanted to hear, you wanted to hear about four drunk guys who knee-jerk you in the balls and make you bend over that you didn’t even know, that you never saw before, that you never did anything to, that don’t even know your name, they don’t even know your name to find out you have to choose to have a fucking name, you have no fucking idea, and what if I said that happened to ME? Would that make a difference?
David Foster Wallace (Brief Interviews with Hideous Men)
Let's suppose that you want to say, "I am a jerk." IN the 18th century, you would have to go around person to person and utter the phrase individually to each one of them. However, here in the third millennium, with our advances in telephone communication, it is possible to say "I am a jerk" to a thousand people at a time by forgetting to turn off your cell phone and having it ring during a performance of Death of a Salesman.
Steve Martin
It’s brutally hard to tell people when they are screwing up. You don’t want to hurt anyone’s feelings; that’s because you’re not a sadist. You don’t want that person or the rest of the team to think you’re a jerk. Plus, you’ve been told since you learned to talk, “If you don’t have anything nice to say, don’t say anything at all.” Now all of a sudden it’s your job to say it. You’ve got to undo a lifetime of training. Management is hard.
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
Hercules was a bitter, selfish jerk. He’d hurt too many people, and he wanted to keep on hurting them. Maybe he’d had some bad breaks. Maybe the gods had kicked him around. But that didn’t excuse it. A hero couldn’t control the gods, but he should be able to control himself.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
It's like people have a place in their brain for normal, and they have a place in their brain for something obviously wrong, but they can't deal with something just a little bit different. And that makes them uncomfortable. And when people are uncomfortable, they act like jerks.
Claire LaZebnik (Things I Should Have Known)
I’d like to praise the drivers who picked me up. If I ever hear another elitist jerk use the term flyover people, I’ll punch him in the mouth. My riders were brave and open-minded, and their down-to-earth kindness gave me new faith in how decent Americans can be. They are the only heroes in this book.
John Waters (Carsick: John Waters Hitchhikes Across America)
[P]eople only make decisions based on what they know. You can have everyone in the country vote freely and democratically and still come up with the wrong answer - if the information they base that decision on is wrong. People don't want the truth [when] it is complicated. They don't want to spend years debating an issue. They want it homogenized, sanitized, and above all, simplified into terms they can understand...Governments are often criticized for moving slowly, but that deliberateness, it turns out, is their strength. They take time to think through complex problems before they act. People, however, are different. People react first from the gut and then from the head...give that knee-jerk reflex real power to make its overwhelming will known as a national mandate instantly and you can cause a political riot. Combine these sins - simplification of information and instant, visceral democratic mandates - and you lose the ability to cool down. There is no longer deliberation time between events that may or may not be true and our reaction to them. Policy becomes instinct rather than thought.
Tracy Hickman (The Immortals)
One of the biggest, most damaging mistakes too many Christians so willingly make is assuming that God is as much of a judgmental jerk as we are. But what if we could make room for difference and space for disagreement in our spiritual communities? What if we could give permission for moral failure and freedom to not be certain, and the chance to gloriously fail without needing those things to become black marks against people or death-penalty offenses? What if we made space for people who are as screwed up as we are?
John Pavlovitz (A Bigger Table: Building Messy, Authentic, and Hopeful Spiritual Community)
All of us labor, to one degree or another, under the belief that if other people really knew us, if they knew us the way we know ourselves, they would think less of us. That’s the impostor complex—the fear that by showing ourselves we will be exposed as the flawed person we are. If you don’t have this, in some measure, you are an incredible jerk and should stop reading immediately.
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)
When she stepped back, she smiled at me and then turned. "What?" she yelled. I followed her gaze to find Zayne and Roth standing several feet away, watching us. "Nothing." Roth has hands in his pockets. "Just that you two getting all handsy was kind of hot." Zayne jerked his head toward Roth. The demon prince shrugged. "Look, I'm just being honest. I'm a demon. I don't know why any of you would expect anything less from me." "It's a good thing I love him," Layla muttered as she stalked forward, and I got moving. "And I do love him with every part of my being and then some, but he... he just doesn't people well.
Jennifer L. Armentrout (Rage and Ruin (The Harbinger, #2))
Claiming to be offended is a great way to elevate yourself at the expense of others: “Look at me! I'm a much better person than you! And I judge you! I condemn you! Shame! Shame! SHAME! I shame you for being a bad person. That means I'm a good person! Look at how really really offended I am! That means I'm a really really good person!” According to the bible, Jesus said "let he who is without sin throw the first rock." But a lot of people seem to think he said: "If you throw rocks at someone else, it proves that you're without sin.
Oliver Markus Malloy (Why Creeps Don't Know They're Creeps - What Game of Thrones can teach us about relationships and Hollywood scandals (Educated Rants and Wild Guesses, #2))
I think it is because the Grisha do not suffer the way the Saints suffer, the way the people suffer.” “Maybe,” I said absently. “But you have suffered, haven’t you, Alina Starkov? And I think … yes. I think you will suffer more.” My head jerked up. I thought he might be threatening me, but his eyes were full of a strange sympathy that was even more terrifying. I
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
If other people thought art was important, then it would be required to graduate. But no, I don’t have to take art. I do have to take math, which is just a waste of time because the numbers get all switched up in my brain, plus, calculators exist for a reason. I do have to take history, which is basically memorizing tariff acts till your brain bleeds. I do have to take four years of gym class with a bunch of jerks who punch me if they don’t like what I say. But art? Optional. Even though art and music and literature and all that are what make us human. Algebra doesn’t make us human. Games don’t make us human.
Laura Ruby (Bad Apple)
I furrow my brow. “And how would that even affect you?” Since I’m not seeing his logic, he slowly spells it out for me. “Sides, dude. People break up, their friends take sides. Dean’s my buddy, so obviously the bro code says I have to side with him. But this one—” He jerks a thumb at Hannah, “is my girlfriend. Girlfriend trumps buddy. Wellsy’ll take Allie’s side, and I’ll have to take Wellsy’s side, vis-à-vis, I’m taking Allie’s side.” “I don’t think you’re using vis-à-vis right,” Morris pipes up. “Yeah, I believe the word you’re looking for is therefore.” Logan’s lips are twitching wildly. “I wouldn’t expect you to take Allie’s side on my behalf,” Hannah protests. “And you’re being such a jackass about this. We’re adults. If they break up, we’ll all still be able to co-exist peacefully.” “Ross and Rachel co-existed,” Logan agrees. Fitzy snorts.
Elle Kennedy (The Goal (Off-Campus, #4))
HOW TO GRIND YOUR DEADLIFT Mentally prepare for a steady, relentless effort, as opposed to having a speed mindset. Pre-tense. Pressurize. Squeeze the bar off the floor, don’t jerk. “Lift the barbell powerfully-steady, applying a maximal effort along the whole lift.” (Smolov) Aim for a constant, low, acceleration towards the lockout. There is more than one way to pull big.
Pavel Tsatsouline (Power to the People Professional: How to Add 100s of Pounds to Your Squat, Bench,and Deadlift with Advanced Russian Techniques)
Why were the other kids doing better than me? Because they were better, that's why That's what I knew every time I sat down online or got on the subway to Aaron's house. Other people weren't smoking or jerking off, and those that were were gifted-able to live and compete at the same time. I wasn't gifted. Mom was wrong. I was just smart and I worked hard. I had fooled myself into thinking that was something important to the rest of the world. Other people were complicit in this ruse. Nobody had told me I was common.
Ned Vizzini (It's Kind of a Funny Story)
But did he go to heaven?" Katherine persisted. "That's between him and God, not him and history," JB said. Alex started, jerking so spastically that he kicked the basketball and would have sent it spinning out into the street if Chip hadn't caught it. Amazingly, Chip still seemed to have a swordsman's quick reflexes. "YOU believe in God?" Alex asked JB incredulously. "But you know how to travel through time. You're a scientist." He hesitated. "Aren't you?" JB rolled his eyes. "It amazes me how people of your time set up such a false dichotomy between science and religion. Fortunately, that only lasts for another... well, I can't tell you that," he said, stopping himself just in time. "But I assure you, the more I travel through time, the more I witness, the more I realize that there are things that are both strange and wonderful, far beyond human comprehension." (pgs 299-300)
Margaret Peterson Haddix (Sent (The Missing, #2))
Stand here, he thought, and count the lighted windows of a city. You cannot do it. But behind each yellow rectangle that climbs, one over another, to the sky - under each bulb - down to there, see that spark over the river which is not a star? - there are people whom you will never see and who are your masters. At the supper tables, in the drawing rooms, in their beds and in their cellars, in their studies and in their bathrooms. Speeding in the subways under your feet. Crawling up in elevators through vertical cracks around you. Jolting past you in every bus. Your masters, Gail Wynand. There is a net - longer than the cables that coil through the walls of this city, larger than the mesh of pipes that carry water, gas and refuse - there is another hidden net around you; it is strapped to you, and the wires lead to every hand in the city. They jerked the wires and you moved. You were a ruler of men. You held a leash. A leash is only a rope with a noose at both ends.
Ayn Rand (The Fountainhead)
Everybody in this room is bored. The poems drag, the voice and gestures irk. He can't be interrupted or ignored. Poor fools, we came here of our own accord And some of us have paid to hear this jerk. Everybody in the room is bored. The silent cry goes up, 'How long, O Lord?' But nobody will scream or go berserk. He won't be interrupted or ignored. Or hit by eggs, or savaged by a horde Of desperate people maddened by his work. Everybody in the room is bored, Except the poet. We are his reward, Pretending to indulge in his every quirk. He won't be interrupted or ignored. At last it's over. How we all applaud! The poet thanks us with a modest smirk. Everybody in the room was bored. He wasn't interrupted or ignored.
Wendy Cope (If I Don't Know)
m such a nihilistic jerk half the time. I’m so fucking sarcastic at times and then at other times I’m still vulnerable and so sincere. That’s pretty much how every song comes out — it’s like a mixture of both of them, and that’s pretty much how people my age are. I’m just as pissed off about the things that made me pissed off a few years ago. I’m pissed off about everything in general so all these songs are pretty much about my battle with the things that piss me off.
Kurt Cobain (Come As You Are)
We will martyr ourselves, suffering under the weight of a non-reciprocal relationship until some part of us bursts in protest. Suddenly, we lose our mind, and allowing ourselves to heap all manner of nastiness, name calling, patronizing, death threats on the “deserving” jerk who has it coming after all we do for him/her! As the final insult rings across the room and we regain consciousness, we are horrified by what has come out of our mouth. After all, we LOVE these people, and we quickly move into anxious terror that this time we have gone too far . . . this time we crossed the line and they will leave us. So, we hunker back down and the martyrdom begins again. It’s a terrible cycle.
Mary Crocker Cook (Awakening Hope. A Developmental, Behavioral, Biological Approach to Codependency Treatment.)
So when you encounter problem people, realize that there’s a reason they’re behaving the way they do. It may be a new problem: a health scare, money problems, or job pressures. It may be a long-term problem: anxiety about not being good enough for a job, anger at not being respected, fear that you don’t find them attractive or intelligent. And, yes: It may be that they’re actually just jerks (but they’re usually not). Open your own mind and look for the reasons behind the behavior, and you’ll take the first step toward breaking down barriers and communicating with an “impossible” person.
Mark Goulston (Just Listen: Discover the Secret to Getting Through to Absolutely Anyone)
I can’t imagine what other people think cold turkey is like. It is fucking awful. On the scale of things, it’s better than having your leg blown off in the trenches. It’s better than starving to death. But you don’t want to go there. The whole body just sort of turns itself inside out and rejects itself for three days. You know in three days it’s going to calm down. It’s going to be the longest three days you’ve spent in your life, and you wonder why you’re doing this to yourself when you could be living a perfectly normal fucking rich rock star life. And there you are puking and climbing walls. Why do you do that to yourself? I don’t know. I still don’t know. Your skin crawling, your guts churning, you can’t stop your limbs from jerking and moving about, and you’re throwing up and shitting at the same time, and shit’s coming out your nose and your eyes, and the first time that happens for real, that’s when a reasonable man says, “I’m hooked.” But even that doesn’t stop a reasonable man from going back on it.
Keith Richards (Life)
Silly that a grocery should depress one—nothing in it but trifling domestic doings—women buying beans—riding children in those grocery go-carts—higgling about an eighth of a pound more or less of squash—what did they get out of it? Miss Willerton wondered. Where was there any chance for self-expression, for creation, for art? All around her it was the same—sidewalks full of people scurrying about with their hands full of little packages and their minds full of little packages—that woman there with the child on the leash, pulling him, jerking him, dragging him away from a window with a jack-o’-lantern in it; she would probably be pulling and jerking him the rest of her life. And there was another, dropping a shopping bag all over the street, and another wiping a child’s nose, and up the street an old woman was coming with three grandchildren jumping all over her, and behind them was a couple walking too close for refinement.
Flannery O'Connor (The Complete Stories)
what is the expression which the age demands? the age demands no expression whatever. we have seen photographs of bereaved asian mothers. we are not interested in the agony of your fumbled organs. there is nothing you can show on your face that can match the horror of this time. do not even try. you will only hold yourself up to the scorn of those who have felt things deeply. we have seen newsreels of humans in the extremities of pain and dislocation. you are playing to people who have experienced a catastrophe. this should make you very quiet. speak the words, convey the data, step aside. everyone knows you are in pain. you cannot tell the audience everything you know about love in every line of love you speak. step aside and they will know what you know because you know it already. you have nothing to teach them. you are not more beautiful than they are. you are not wiser. do not shout at them. do not force a dry entry. that is bad sex. if you show the lines of your genitals, then deliver what you promise. and remember that people do not really want an acrobat in bed. what is our need? to be close to the natural man, to be close to the natural woman. do not pretend that you are a beloved singer with a vast loyal audience which has followed the ups and downs of your life to this very moment. the bombs, flame-throwers, and all the shit have destroyed more than just the trees and villages. they have also destroyed the stage. did you think that your profession would escape the general destruction? there is no more stage. there are no more footlights. you are among the people. then be modest. speak the words, convey the data, step aside. be by yourself. be in your own room. do not put yourself on. do not act out words. never act out words. never try to leave the floor when you talk about flying. never close your eyes and jerk your head to one side when you talk about death. do not fix your burning eyes on me when you speak about love. if you want to impress me when you speak about love put your hand in your pocket or under your dress and play with yourself. if ambition and the hunger for applause have driven you to speak about love you should learn how to do it without disgracing yourself or the material. this is an interior landscape. it is inside. it is private. respect the privacy of the material. these pieces were written in silence. the courage of the play is to speak them. the discipline of the play is not to violate them. let the audience feel your love of privacy even though there is no privacy. be good whores. the poem is not a slogan. it cannot advertise you. it cannot promote your reputation for sensitivity. you are students of discipline. do not act out the words. the words die when you act them out, they wither, and we are left with nothing but your ambition. the poem is nothing but information. it is the constitution of the inner country. if you declaim it and blow it up with noble intentions then you are no better than the politicians whom you despise. you are just someone waving a flag and making the cheapest kind of appeal to a kind of emotional patriotism. think of the words as science, not as art. they are a report. you are speaking before a meeting of the explorers' club of the national geographic society. these people know all the risks of mountain climbing. they honour you by taking this for granted. if you rub their faces in it that is an insult to their hospitality. do not work the audience for gasps ans sighs. if you are worthy of gasps and sighs it will not be from your appreciation of the event but from theirs. it will be in the statistics and not the trembling of the voice or the cutting of the air with your hands. it will be in the data and the quiet organization of your presence. avoid the flourish. do not be afraid to be weak. do not be ashamed to be tired. you look good when you're tired. you look like you could go on forever. now come into my arms. you are the image of my beauty.
Leonard Cohen (Death of a Lady's Man)
Among the required reading for all PUAs were books on evolutionary theory: The Red Queen by Matt Ridley, The Selfish Gene by Richard Dawkins, Sperm Wars by Robin Baker. You read them, and you understand why women tend to like jerks, why men want so many sexual partners, and why so many people cheat on their spouses. At the same time, however, you understand that the violent impulses most of us successfully repress are actually normal and natural. For Mystery, a Darwinist by nature, these books gave him an intellectual justification for his antisocial emotions and his desire to harm the organism that had mated with his woman. It was not a healthy thing. Tyler
Neil Strauss (The Game: Penetrating the Secret Society of Pickup Artists)
Chillax, I’m not going to hurt myself. I’m made of pretty sturdy stuff.”  He looked at her, and his gray eyes went soft when he spoke. “Yeah, like your heart, it’s made of stone,” Mina responded tartly.. Jared actually looked a little hurt at the barb. “Maybe, but that’s because no one has ever taken the time to break through the stone and see that I do actually have one.” “Well, maybe it’s because you are a jerk!” she snapped. “Well, maybe I only pretend to be a jerk to keep from getting too close to people!” His tone slowly began to rise in pitch and volume. “Then you must be lonely ’cause you seem to have yourself closed off from the world and protected just fine!” She spun and pointed her finger, poking him hard in the chest. “No! I don’t have to protect myself from others. Only from you!
Chanda Hahn (Fairest (An Unfortunate Fairy Tale, #2))
The so-called “black magician” is a “new brain” hominid fear-merchant who has somewhere learned that there are more powerful intimidations than physical assault. The dimensions of horror, terror and mindwarp are discovered. You can scare more people, and acquire greater power, by the exploitation of psychic assault. When a human’s “mind” or reality-construct is threatened, the person virtually ceases to exist as human, and regresses to the status of a terrorized mammal in a trap. Just as the physical bully feeds on fear and is thrown off stride by the appearance of real courage, the psychic terrorist feeds on gullibility and is baffled by intelligence. When the bully confronts true courage, he automatically ceases to attack. Instead, he seeks to make the maverick into an ally, and often offers the position of second-in-command. If that is declined in a respectful (not churlish) manner, he will probably agree to recognize the other as a separate sovereign with a private turf. The psychic terrorist, similarly, is only accustomed to bamboozling the credulous. Confronted with a self-disciplined independent mind, he hesitates. Eventually, like the physical bully, he laughs and offers comradeship. “You and me, we’re smart. We’re not like these other jerks.” A nudge and a conspiratorial wink.
Robert Anton Wilson
Pa said, "Won't you say a few words? Ain't none of our folks ever been buried without a few words." Connie led Rose of Sharon to the graveside, she reluctant. "You got to," Connie said. "It ain't decent not to. It'll jus' be a little. The firelight fell on the grouped people, showing their faces and their eyes, dwindling on their dark clothes.All the hats were off now. The light danced, jerking over the people. Casy said, It'll be a short one." He bowed his head, and the others followed his lead. Casy said solemnly, "This here ol' man jus' lived a life an' just died out of it. I don't know whether he was good or bad, but that don't matter much. He was alive, an' that's what matters. An' now his dead, an' that don't matter. Heard a fella tell a poem one time, an' he says 'All that lives is holy.' Got to thinkin', an' purty soon it means more than the words says. An' I woundn' pray for a ol' fella that's dead. He's awright. He got a job to do, but it's all laid out for'im an' there's on'y one way to do it. But us, we got a job to do, an' they's a thousan' ways, an' we don' know which one to take. An' if I was to pray, it'd be for the folks that don' know which way to turn. Grampa here, he got the easy straight. An' now cover 'im up and let'im get to his work." He raised his head.
John Steinbeck (The Grapes of Wrath)
We won!” yelled Ron, bounding into sight and brandishing the silver Cup at Harry. “We won! Four hundred and fifty to a hundred and forty! We won!” Harry looked around; there was Ginny running toward him; she had a hard, blazing look in her face as she threw her arms around him. And without thinking, without planning it, without worrying about the fact that fifty people were watching, Harry kissed her. After several long moments — or it might have been half an hour — or possibly several sunlit days — they broke apart. The room had gone very quiet. Then several people wolf-whistled and there was an outbreak of nervous giggling. Harry looked over the top of Ginny’s head to see Dean Thomas holding a shattered glass in his hand, and Romilda Vane looking as though she might throw something. Hermione was beaming, but Harry’s eyes sought Ron. At last he found him, still clutching the Cup and wearing an expression appropriate to having been clubbed over the head. For a fraction of a second they looked at each other, then Ron gave a tiny jerk of the head that Harry understood to mean, Well — if you must. The creature in his chest roaring in triumph, he grinned down at Ginny and gestured wordlessly out of the portrait hole. A long walk in the grounds seemed indicated, during which — if they had time — they might discuss the match.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
I break out laughing. I frown. I yell and scream. Sometimes, if one jokes and giggles, one causes war. So I hide how tickled I am. Tears well up in my eyes. My body is a large city. Much grieving in one sector. I live in another part. Lakewater. Something on fire over here. I am sour when you are sour, sweet when you are sweet. You are my face and my back. Only through you can I know this back-scratching pleasure. Now people the likes of you and I come clapping, inventing dances, climbing into this high meadow. I am a spoiled parrot who eats only candy. I have no interest in bitter food. Some have been given harsh knowledge. Not I. Some are lame and jerking along. I am smooth and glidingly quick. Their road is full of washed-out places and long inclines. Mine is royally level, effortless. The huge Jerusalem mosque stands inside me, and women full of light. Laughter leaps out. It is the nature of the rose to laugh. It cannot help but laugh.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (Bridge to the Soul: Journeys Into the Music and Silence of the Heart)
Anyway, most of the chapter is Bella telling us how much pain she's in. First she's about to die because delivering Optimus Beyonce nearly killed her. And then she goes on and on about how hot and awful the vampire venom feels as it takes hold of her body. She's in agony and there's nothing she can do about it. Good! I hope it hurts. This is what you get, Bella Swan. This is what you get for being a greedy, self-centered jerk. This is what happens to people who let thousands die in Italy. This is what you get for ruining Jacob's life and ignoring your human friends because you'd rather spend time with pretty people. This is what happens to selfish brats that have no regard for their family. This is what you get for being weak and dependent. This is what you get for lying to your father. This is what you get for crying and complaining about your perfect life. This is what you get for spending pages and pages describing freaking magnets! THIS IS WHAT YOU GET! I only wish the pain lasted longer than a chapter. An entire book of Bella's torture would be nice. And maybe if the book were illustrated…with Octo-Bears…I would finally sympathize with this, the least likable character in the history of novels. Bella, I do not care one tiny bit that you're in pain.
Dan Bergstein
There is no racism against white people. If you can turn on the tv and see people like you that's not racism. If you can have your favorite characters who are poc race changed to look like you then you don't face racism. If you don't think about Ferguson every single second because your race is being killed every hour, that's not racism. If you don't get called derogatory slurs because of your skin tone that's not racism. If you don't hate your body because of your race that's not racism. If you don't have to go through life knowing people will think of you as ugly or disgusting and hate you simply because your white that's not racism. You don't face racism for being white. Ya people can be jerks about it. But its not institutionalized. That's like saying you face discrimination for being straight. It's not a thing. You don't face racism. You might want to get over that
Adam Snowflake
But, Cass, ask yourself, look out and ask yourself – wouldn’t you hate all white people if they kept you in prison here?’ They were rolling up startling Seventh Avenue. The entire population seemed to be in the streets, draped, almost, from lamp-posts, stoops, and hydrants, and walking through the traffic as though it were not there. ‘Kept you here, and stunted you and starved you, and made you watch your mother and father and sister and lover and brother and son and daughter die or go mad or go under, before your very eyes? And not in a hurry, like from one day to the next, but, every day, every day, for years, for generations? Shit. They keep you here because you’re black, while they go around jerking themselves off with all the jazz about the land of the free and the home of the brave. And they want you to jerk yourself off with the same music, too, only keep your distance. Some days, honey, I wish I could turn myself into one big fist and grind this miserable country to powder. Some days, I don’t believe it has a right to exist. Now, you’ve never felt like that, and Vivaldo’s never felt like that. Vivaldo didn’t want to know my brother was dying because he doesn’t want to know that my brother would still be alive if he hadn’t been born black.
James Baldwin (Another Country)
I try not to hate anybody. "Hate is a four-letter word," like the bumper sticker says. But I hate book reviewers. Book reviewers are the most despicable, loathsome order of swine that ever rooted about the earth. They are sniveling, revolting creatures who feed their own appetites for bile by gnawing apart other people's work. They are human garbage. They all deserve to be struck down by awful diseases described in the most obscure dermatology journals. Book reviewers live in tiny studios that stink of mothballs and rotting paper. Their breath reeks of stale coffee. From time to time they put on too-tight shirts and pants with buckles and shuffle out of their lairs to shove heaping mayonnaise-laden sandwiches into their faces, which are worn in to permanent snarls. Then they go back to their computers and with fat stubby fingers they hammer out "reviews." Periodically they are halted as they burst into porcine squeals, gleefully rejoicing in their cruelty. Even when being "kindly," book reviewers reveal their true nature as condescending jerks. "We look forward to hearing more from the author," a book reviewer might say. The prissy tones sound like a second-grade piano teacher, offering you a piece of years-old strawberry hard candy and telling you to practice more. But a bad book review is just disgusting. Ask yourself: of all the jobs available to literate people, what monster chooses the job of "telling people how bad different books are"? What twisted fetishist chooses such a life?
Steve Hely (How I Became a Famous Novelist)
Except for the giant sword in his hand. "Is that really necessary?" I asked when I walked in, noting that his dagger was also hanging off his belt. His head jerked up, and I thought he might have been relieved to see me. But then he turned back to the Itineris, crouching down to pull something out of a black duffel bag at his feet. "Never hurts to be prepared," he said. "It just seems like overkill when you already have a dagger and I have supernatural magic at my disposal." "'Superpowerful?'" He stood up, a gold chain dangling from his fingers. "let me remind you of two words, Mercer: Bad. Dog." I rolled my eyes. "That was nearly a year ago. I'm way better now." "Yeah,well,I'm not taking any chances," he said. For the first time, I noticed there was some sort of holster thing on his back. He slid the sword into it so the hilt rose over his shoulders. "Besides," he added, "I thought you might not come. After what happened the other night..." he paused, studying my face. "Are you all right?" "I will be when people stop asking me that." "You know I had nothing to do with that, right?" "Yeah," I replied. "And if you did have something to do with it, I will vaporize you where you stand." The corner of his mouth quirked. "Good to know." He closed the distance between us, coming to stand entirely too close to me. "What are you doing?" I asked, hoping I didn't sound as breathless as I felt. He lifted his hands, and with surprising gentleness, placed the chain around both our necks. Looking down at it, I saw that the links were actually tiny figures holding hands. I'd seen it somewhere before. "This is the necklace one of the angels is wearing in the window at Hex Hall." "It is indeed." Reaching down to take my hands, he explained, "It's also a very powerful protection charm, which we're going to need." I swallowed as we laced our fingers and stepped closer to the Itineris. "Why?" "Because we're going a very long way." I involuntarily squeezed his fingers with mine. The last time I'd traveled through the Itineris, I'd only gone a few hundred miles, and that had made my head nearly explode. "Where are we going?" I asked. "Graymalkin Island," he answered. And then he yanked me into the doorway.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
Oh, good, it worked,” Archer said, his ghostly face relieved. Unlike Elodie, his voice came in loud and clear, and so familiar that my heart broke all over again. I stood frozen, my back against the door. Even though he was faint, I could see him smirk. “Um…Mercer? Haven’t seen you in nearly a month. I was expecting something like, ‘Oh, Cross, love of my heart, fire of my loins, how I’ve longed-“ “You’re dead,” I blurted out, pressing a hand against my stomach. “You’re a ghost, and you think-“ All the humor disappeared from his face, and he held up both hands. “Whoa, whoa, whoa. Not dead. Promise.” My heart was still hammering. “Then what the heck are you?” Archer almost looked sheepish as he reached inside his shirt and pulled out some kind of amulet on a thin silver chain. “It’s a speaking stone. Lets you appear to people kind of like a hologram. You know. ‘Help me, Sophie-Wan Kenobi, you’re my only hope.’” “Did you steal it from the cellar at Hecate, too?” Archer had collected all sorts of magical knickknacks back when we had cellar duty at Hex Hall. “No,” he said, offended. “I found it at a…store. For magical stuff. Okay, yes, I stole it from the cellar.” I rushed across the room and thrust my fist at his solar plexus. It went right through him, but it was still kind of satisfying. “You jerk!” I cried, striking at his head. “You scared me to death! Cal said The Eye probably had you, and I thought they’d found out about you and me working together, and killed you, you arrogant piece of-“ “I’m sorry!” he shouted, waving his translucent hands. “I-I thought the talking would give it away, and I didn’t mean to scare you, but I’m not dead! So would you please stop hitting me?” I paused. “You can feel it?” “No, but it’s still kind of unsettling to see your fist coming at my face.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Speaking of chocolate, what kind of cake are we having for the shower?” “I don’t know.” Sincerely shocked, Peabody jerked around in her seat. “You didn’t get cake?” “I don’t know. Probably.” Because the idea of the shower, what she had to do, hadn’t done, should do, made her stomach jitter, Eve squirmed. “Look, I called the caterer, okay? I did it myself. I didn’t dump it on Roarke, I didn’t ask—God forbid—Summerset to handle it.” “Well, what did you ask for? What’s the theme?” The jitters escalated into a roiling. “What do you mean, theme?” “You don’t have a theme? How can you have a baby shower without a theme?” “Jesus Christ, I need a theme? I don’t even know what that means. I called the caterer. I did my job. I told her it was a baby shower. I told her how many people, more or less. I told her when and where. She started asking me all kinds of questions, which gives me a fucking headache, and I told her not to ask me all kinds of questions or she was fired. Just to do whatever needed doing. Why isn’t that enough?” Peabody’s sigh was long and heartfelt. “Give me the caterer’s info, and I’ll check in with her. Does she do the decorations, too?” “Oh, my God. I need decorations?” “I’m going to help you, Dallas. I’m going to run interference with the caterer. I’m going to come over early on the day and help get it set up.” Eve narrowed her eyes and tried to ignore the joy and relief bubbling in her breast. “And what’s this going to cost me?” “Nothing. I like baby showers.” “You’re a sick, sick woman.
J.D. Robb
Although the idea has been around for ages, most depressed people do not really comprehend it. If you feel depressed, you may think it is because of bad things that have happened to you. You may think you are inferior and destined to be unhappy because you failed in your work or were rejected by someone you loved. You may think your feelings of inadequacy result from some personal defect—you may feel convinced you are not smart enough, successful enough, attractive enough, or talented enough to feel happy and fulfilled. You may think your negative feelings are the result of an unloving or traumatic childhood, or bad genes you inherited, or a chemical or hormonal imbalance of some type. Or you may blame others when you get upset: “It’s these lousy stupid drivers that tick me off when I drive to work! If it weren’t for these jerks, I’d be having a perfect day!” And nearly all depressed people are convinced that they are facing some special, awful truth about themselves and the world and that their terrible feelings are absolutely realistic and inevitable. Certainly all these ideas contain an important gem of truth—bad things do happen, and life beats up on most of us at times. Many people do experience catastrophic losses and confront devastating personal problems. Our genes, hormones, and childhood experiences probably do have an impact on how we think and feel. And other people can be annoying, cruel, or thoughtless. But all these theories about the causes of our bad moods have the tendency to make us victims—because we think the causes result from something beyond our control. After all, there is little we can do to change the way people drive at rush hour, or the way we were treated when we were young, or our genes or body chemistry (save taking a pill). In contrast, you can learn to change the way you think about things, and you can also change your basic values and beliefs. And when you do, you will often experience profound and lasting changes in your mood, outlook, and productivity. That, in a nutshell, is what cognitive therapy is all about. The theory is straightforward
David D. Burns (Feeling Good: The New Mood Therapy)
When we meet someone new, we quickly answer two questions: “Can I trust this person?” and “Can I respect this person?” In our research, my colleagues and I have referred to these dimensions as warmth and competence respectively. Usually we think that a person we’ve just met is either more warm than competent or more competent than warm, but not both in equal measure. We like our distinctions to be clear—it’s a human bias. So we classify new acquaintances into types. Tiziana Casciaro, in her research into organizations, refers to these types as lovable fools or competent jerks.2 Occasionally we see people as incompetent and cold—foolish jerks—or as warm and competent—lovable stars. The latter is the golden quadrant, because receiving trust and respect from other people allows you to interact well and get things done. But we don’t value the two traits equally. First we judge warmth or trustworthiness, which we consider to be the more important of the two dimensions. Oscar Ybarra and his colleagues found, for instance, that people process words related to warmth and morality (friendly, honest, and others) faster than words related to competence (creative, skillful, and others).3 Why do we prioritize warmth over competence? Because from an evolutionary perspective, it is more crucial to our survival to know whether a person deserves our trust. If he doesn’t, we’d better keep our distance, because he’s potentially dangerous, especially if he’s competent. We do value people who are capable, especially in circumstances where that trait is necessary, but we only notice that after we’ve judged their trustworthiness. Recalling
Amy Cuddy (Presence: Bringing Your Boldest Self to Your Biggest Challenges)
Lost in the stormy kiss, Elizabeth felt her legs gliding down his as he gently lowered her against him until her feet touched the floor. But when his fingers pulled at the ribbon that held her gown in place at her shoulder, she jerked free of his kiss, automatically clamping her hand over his. “What are you doing?” she asked in a quaking whisper. His fingers stilled, and Ian lifted his heavy-lidded gaze to hers. The question took him by surprise, but as he stared into her green eyes Ian saw her apprehension, and he had a good idea what was causing it. “What do you think I’m doing?” he countered cautiously. She hesitated, as if unwilling even to accuse him of such an unspeakable act, and then she admitted in a small, reluctant voice, “Disrobing me.” “And that surprises you?” “Surprises me? Of course it does. Why wouldn’t it?” Elizabeth asked, more suspicious than ever of what Lucinda had told her. Quietly he said, “What exactly do you know about what takes place between a husband and wife in bed?” “You-you mean ‘as it pertains to the creation of children’?” she said, quoting his words to her the day she agreed to become betrothed to him. He smiled with tender amusement at her phrasing. “I suppose you can call it that-for now.” “Only what Lucinda told me.” He waited to hear an explanation, and Elizabeth reluctantly added, “She said a husband kisses his wife in bed and that it hurts the first time, and that is how it is done.” Ian hesitated, angry with himself for not having followed his own instincts and questioned her further when she seemed fully informed and without maidenly qualms about lovemaking. As gently as he could, he said, “You’re a very intelligent young woman, love, not an overly fastidious spinster like your former duenna. Now, do you honestly believe the rules of nature would be completely set aside for people?
Judith McNaught (Almost Heaven (Sequels, #3))
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly. The blond Red Sox girl looked me up and down. “Hello,” she said. Conrad said, “With who?” I pointed at Cam. “Him.” “You’re not riding with someone you don’t even know,” he said flatly. “I do so know him. He’s Sextus.” He narrowed his eyes. “Sex what?” “Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow. “I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.” I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go. “I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before. I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!” He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!” “I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.” I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said. He looked me dead in the eyes and said, “And you’re a four-year-old.” As I walked away, I heard the girl ask, “Is she your girlfriend?” I whirled around, and we both said “No!” at the same time. Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in. “No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse. Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter? I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers. “Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it. Red Sox girl frowned. “What is she talking about, Conrad?” To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?” Her pretty face twisted. “You little skank,” she hissed. I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter. Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly. That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way. “Your brother is a jerk,” I said. “That’s what’s going on.” Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?” I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.” “Wait, are you guys brother and sister too?” the girl asked. Conrad said, “Don’t even think about leaving with that guy.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out." You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft. I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it." That so?" Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact." They'll remember this," Gerry said. "Believe me." Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke. I depressed the trigger on the one-shot and nothing happened. Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times. And Gerry's hand exploded. And so did mine. The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair. Gerry threw his head back and opened his mouth wide and bellowed in ecstasy. I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working. I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand. My broken finger came back out of the shotgun and Gerry swung the barrels toward my head. The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck. Good-bye, I thought. Everyone. It's been nice. Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back. The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell. He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil. Patrick, the eye said through the gathering smoke, you still know nothing. Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh. Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire. Burn, I thought. Burn. God help me, but burn. Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed. I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar. His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment. How you doing, Patrick?" he said and smiled broadly. And, behind him, Gerry burned on the ice. And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.
Dennis Lehane
So we call upon the author to explain (Doop doop doop doop dooop) Our myxomatoid kids spraddle the streets, we've shunned them from the greasy-grind The poor little things, they look so sad and old as they mount us from behind I ask them to desist and to refrain And then we call upon the author to explain (Doop doop doop doop dooop)Rosary clutched in his hand, he died with tubes up his nose And a cabal of angels with finger cymbals chanted his name in code We shook our fists at the punishing rain And we call upon the author to explain (Doop doop doop doop dooop) He said everything is messed up around here, everything is banal and jejune There is a planetary conspiracy against the likes of you and me in this idiot constituency of the moon Well, he knew exactly who to blame And we call upon the author to explain (Doop doop doop doop dooop) Prolix! Prolix! Nothing a pair of scissors can't fix! Prolix! Prolix! Nothing a pair of scissors can't fix!(Doop doop doop doop dooop) Well, I go guruing down the street, young people gather round my feet Ask me things, but I don't know where to start They ignite the power-trail ssstraight to my father's heart And once again I call upon the author to explain (Doop doop doop doop dooop ...)We call upon the author to explain Who is this great burdensome slavering dog-thing that mediocres my every thought? I feel like a vacuum cleaner, a complete sucker, it's fucked up and he is a fucker But what an enormous and encyclopaedic brain I call upon the author to explain (Doop doop doop doop dooop ...) Oh rampant discrimination, mass poverty, third world debt, infectious diseease Global inequality and deepening socio-economic divisions Well, it does in your brain And we call upon the author to explain (Doop doop doop doop dooop ...) Now hang on, my friend Doug is tapping on the window (Hey Doug, how you been?) Brings me back a book on holocaust poetry complete with pictures Then tells me to get ready for the rain And we call upon the author to explain (Doop doop doop doop dooop ...) I say prolix! Prolix! Something a pair of scissors can fix Bukowski was a jerk! Berryman was best! He wrote like wet papier mache, went the Heming-way weirdly on wings and with maximum pain We call upon the author to explain (Doop doop doop doop dooop ...) Down in my bolthole I see they've published another volume of unreconstructed rubbish "The waves, the waves were soldiers moving". Well, thank you, thank you, thank you And again I call upon the author to explain Yeah, we call upon the author to explain Prolix! Prolix! There's nothing a pair of scissors can't fix!
Nick Cave
[Stice's] parents had met and fallen in love in a Country/Western bar in Partridge KS — just outside Liberal KS on the Oklahoma border — met and fallen in star-crossed love in a bar playing this popular Kansas C/W-bar-game where they put their bare forearms together and laid a lit cigarette in the little valley between the two forearms' flesh and kept it there till one of them finally jerked their arm away and reeled away holding their arm. Mr. and Mrs. Stice each discovered somebody else that wouldn't jerk away and reel away, Stice explained. Their forearms were still to this day covered with little white slugs of burn-scar. They'd toppled like pines for each other from the git-go, Stice explained. They'd been divorced and remarried four or five times, depending on how you defined certain jurisprudential precepts. When they were on good domestic terms they stayed in their bedroom for days of squeaking springs with the door locked except for brief sallies out for Beefeater gin and Chinese take-out in little white cardboard pails with wire handles, with the Stice children wandering ghostlike through the clapboard house in sagging diapers or woolen underwear subsisting on potato chips out of econobags bigger than most of them were, the Stice kids. The kids did somewhat physically better during periods of nuptial strife, when a stony-faced Mr. Stice slammed the kitchen door and went off daily to sell crop insurance while Mrs. Stice —whom both Mr. Stice and The Darkness called 'The Bride' —while The Bride spent all day and evening cooking intricate multicourse meals she'd feed bits of to The Brood (Stice refers to both himself and his six siblings as 'The Brood') and then keep warm in quietly rattling-lidded pots and then hurl at the kitchen walls when Mr. Stice came home smelling of gin and of cigarette-brands and toilet-eau not The Bride's own. Ortho Stice loves his folks to distraction, but not blindly, and every holiday home to Partridge KS he memorizes highlights of their connubial battles so he can regale the E.T.A. upperclass-men with them, mostly at meals, after the initial forkwork and gasping have died down and people have returned to sufficient levels of blood-sugar and awareness of their surroundings to be regaled.
David Foster Wallace (Infinite Jest)
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late." "Always," Josh corrects. "Always running late." I clear my throat. "I think I met him last night. In the hallway." "Good hair and an English accent?" Meredith asks. "Um.Yeah.I guess." I try to keep my voice casual. Josh smirks. "Everyone's in luuurve with St. Clair." "Oh,shut up," Meredith says. "I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend. He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it." "This school has a prom?" I ask. "God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes." "Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead." "St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug. "No kiss? I'm crushed,mate." "Thought it might miff the ol' ball and chain. She doesn't know about us yet." "Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often. Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me. "Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race. Josh must be right. Every girl in school must be in love with him. "Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban." I'm determined to speak rationally in his presence. "I'm not sure how to order." "Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood." "I heard they raised it to three pints this year," Rashmi says. "Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe." "I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language." "You don't speak French?" Meredith asks. "I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris." "It's okay," Meredith says quickly. "A lot of people here don't speak French." "But most of them do," Josh adds. "But most of them not very well." Rashmi looks pointedly at him. "You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit." "Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk." I glance at the chalkboard again. It's still in French. "And, um, until then?" "Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I was on the first one when I felt his fingers encircle my wrist. “Sophie, come on. I don’t want to fight with you.” Turning, I opened my mouth to say I didn’t want to fight with him either. But before I could, I saw the telltale flash out of the corner of my eye, and the next thing I knew, my arm was jerking out of his grasp. “If you don’t want to fight with her, maybe you shouldn’t suggest she team up with people who want to kill her,” my voice snarled. Archer backed up so fast he nearly stumbled, and I wasn’t sure I’d ever seen him look so freaked out. But he recovered quickly. “Elodie, if I wanted to talk to you, I’d do a séance or something. Maybe go on an episode of Ghost Hunters. But right now, I want to talk to Sophie. So clear out.” Elodie had no intention of doing that. “You always were a crappy boyfriend,” she said. “Once you left, I chalked that up to you, you know, not actually liking me. But unless I’m blind as well as dead, you really like Sophie. In fact, hard as it is for me to fathom, I think you love her.” Shut up, shut up, shut up! Screw that, she retorted. You two spend all your time making stupid jokes and being all witty. Someone has to get real. “What’s your point?” Archer asked, narrowing his eyes at me. Her. Whatever. God, this was getting confusing. “Cal loves her, too, you know. And the last time I checked, he wasn’t part of a cult of monster killers. I’m just saying that if you’re going have loyalties that divided, maybe it’s time to bow out gracefully.” You couldn’t say Elodie didn’t know how to make a dramatic exit. The next thing I knew, I was pitching forward into Archer’s arms, my head swimming. Archer clutched my waist and then abruptly shoved me at arm’s length. “Sophie?” he asked, looking intently into my eyes. “Yeah,” I said, my voice shaking. “I’m back.” His fingers loosened, becoming more of a caress than a grip. “So you can’t control when she swoops in like that? She can just take you over…whenever?” I tried to laugh, but it came out more of a cough. “You know Elodie. I don’t think anyone has ever controlled her.” Frowning, Archer pulled his hands back and shoved them in his pockets. “Well, that’s awesome.” I grabbed the railing to steady myself. “Archer…that stuff she said. You know it’s not true.” He shrugged and moved past me onto the steps. “Saying the most hateful things possible is like Elodie’s superpower. Don’t worry about it.” He paused and looked over his shoulder. “We should probably go tell Jenna what we found down here.” Oh, right. We’d just unearthed a whole bunch of demons. That probably trumped over relationship issues. Another few seconds passed. “Come on, Mercer,” Archer said, holding his hand out to me. This time, I took it.
Rachel Hawkins (Spell Bound (Hex Hall, #3))