Jem Growing Up Quotes

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She remembered when Will had died, her agony, the long nights alone, reaching across the bed every morning when she woke up, for eighty years expecting to find him there, and only slowly growing accustomed to the fact that that side of the bed would always be empty. The moments when she had found something funny and turned to share the joke with him, only to be shocked anew that he was not there. The worst moments, when, sitting alone at breakfast, she had realized that she had forgotten the precise blue of his eyes or the depth of his laugh; that like the sound of Jem's violin, they had faded into the distance where memories are silent.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Will. For a moment her heart hesitated. She remembered when Will had died, her agony, the long nights alone, reaching across the bed every morning when she woke up, for years expecting to find him there, and only slowly growing accustomed to the fact that side of the bed would always be empty. The moments when she had found something funny and turned to share the joke with him, only to be shocked anew that he was not there. The worst moments, when, sitting alone at breakfast, she had realized that she had forgotten the precise blue of his eyes or the depth of his laugh; that, like the sound of Jem's violin music, they had faded into the distance where memories are silent.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
If you think Atticus Finch went home at night and slept easy because he knew he was doing the right thing, you're wrong....Because even one voice in a wilderness of ignorance is a voice that is heard by someone. Because every woman and man, no matter their color or their religion, is entitled to a good defense. And because Jem and Scout would grow up to be like their father, spreading his wisdom, understanding his compassion and sharing his strength which are the only, the only weapons we have against injustice.
Kristen Ashley
And so in that moment he completes the process of growing up. And begins the process of dying. Which is much the same thing.
Frederik Pohl (Jem)
Will looked down at himself, at the knife at his feet, and remembered the knife he had buried at the base of the tree on the Shrewsbury-Welshpool road, stained with his blood and Jem’s. “All my life, since I came to the Institute, you were the mirror of my soul. I saw the good in me in you. In your eyes alone I found grace. When you are gone from me, who will see me like that?” There was a silence then. Jem stood as still as a statue. With his gaze Will searched for, and found, the parabatai rune on Jem’s shoulder; like his own, it had faded to a pale white. At last Jem spoke. The cool remoteness had left his voice. Will breathed in hard, remembering how much that voice had shaped the years of his growing up, its steady kindness a lighthouse beacon in the dark. “Have faith in yourself. You can be your own mirror.” “That words have the power to change us. Your words have changed me, Tess; they have made me a better man than I would have been otherwise. Life is a book, and there are a thousand pages I have not yet read. I would read them together with you, as many as I can, before I die—
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Will. For a moment her heart hesitated. She remembered when Will had died, her agony, the long nights alone, reaching across the bed every morning when she woke up, for years expecting to find him there, and only slowly growing accustomed to the fact that that side of the bed would always be empty. The moments when she had found something funny and turned to share the joke with him, only to be shocked anew that he was not there. The worst moments, when, sitting alone at breakfast, she had realized that she had forgotten the precise blue of his eyes or the depth of his laugh; that like the sound of Jem's violin music, they had faded into the distance where memories are silent.
Cassandra Clare (The Infernal Devices: Clockwork Princess #21)
Thank you from the bottom of my heart, but I don’t want my boy starting out with something like this over his head. Best way to clear the air is to have it all out in the open. Let the county come and bring sandwiches. I don’t want him growing up with a whisper about him, I don’t want anybody saying, ‘Jem Finch… his daddy paid a mint to get him out of that.
Harper Lee
See there, Heck? Thank you from the bottom of my heart, but I don’t want my boy starting out with something like this over his head. Best way to clear the air is to have it all out in the open. Let the county come and bring sandwiches. I don’t want him growing up with a whisper about him, I don’t want anybody saying, ‘Jem Finch . . . his daddy paid a mint to get him out of that.’ Sooner we get this over with the better.” “Mr. Finch,” Mr. Tate said stolidly, “Bob Ewell fell on his knife. He killed himself.
Harper Lee (To Kill a Mockingbird)
What are people saying about me and Rosie?” Ryder asks, his brows drawn. I throw one hand up in the air. “Never mind. It’s not like I care, anyway.” “No, ’course you don’t,” he snaps back. “What’s that supposed to mean?” He shakes his head. “Nothing, Jemma. Just…go to bed, why don’t you?” “What, are you my dad now? How about this? I’ll go to bed when I’m ready to go to bed.” “Wow, that’s real mature.” “You’re such a jerk, Ryder.” “A jerk? That’s the best you’ve got? You’re really off your game tonight.” “You are really getting on my nerves,” I say, my skin flushing hotly. He just shrugs, looking entirely unmoved. “What else is new? I’ve always gotten on your nerves.” “Not always,” I say, and my heart catches a little. I squeeze my eyes shut, forcing back the memories. When I open them again, he’s still standing there, glowering at me. “Great, here we go again.” He starts to walk away and then turns back to face me. “You know what? I have no idea what I did to piss you off, but--” “Seriously?” I sputter. “I’ll give you a hint--eighth grade.” “You’re mad at me about something I did in eighth grade, Jem? That was four fucking years ago. Whatever it was, why don’t you grow up and get over it?” “Why don’t you go to hell,” I shoot back. “I’m leaving now,” he says, turning to stalk away. “Good!” I shout, tears burning behind my eyelids. “Go. I hate you, Ryder Marsden!” “Yeah, well…the feeling’s mutual,” he throws back over one shoulder. Even though I know it’s childish of me, I storm back inside and slam the French doors with as much force as I can muster, nearly rattling them off their hinges. Charming, right?
Kristi Cook (Magnolia (Magnolia Branch, #1))
One spring day, when the daffodils were blowing on the Ingleside lawn, and the banks of the brook in Rainbow Valley were sweet with white and purple violets, the little, lazy afternoon accommodation train pulled into the Glen station. It was very seldom that passengers for the Glen came by that train, so nobody was there to meet it except the new station agent and a small black-and-yellow dog, who for four and a half years had met every train that had steamed into Glen St. Mary. Thousands of trains had Dog Monday met and never had the boy he waited and watched for returned. Yet still Dog Monday watched on with eyes that never quite lost hope. Perhaps his dog-heart failed him at times; he was growing old and rheumatic; when he walked back to his kennel after each train had gone his gait was very sober now—he never trotted but went slowly with a drooping head and a depressed tail that had quite lost its old saucy uplift. One passenger stepped off the train—a tall fellow in a faded lieutenant’s uniform, who walked with a barely perceptible limp. He had a bronzed face and there were some grey hairs in the ruddy curls that clustered around his forehead. The new station agent looked at him anxiously. He was used to seeing the khaki-clad figures come off the train, some met by a tumultuous crowd, others, who had sent no word of their coming, stepping off quietly like this one. But there was a certain distinction of bearing and features in this soldier that caught his attention and made him wonder a little more interestedly who he was. A black-and-yellow streak shot past the station agent. Dog Monday stiff? Dog Monday rheumatic? Dog Monday old? Never believe it. Dog Monday was a young pup, gone clean mad with rejuvenating joy. He flung himself against the tall soldier, with a bark that choked in his throat from sheer rapture. He flung himself on the ground and writhed in a frenzy of welcome. He tried to climb the soldier’s khaki legs and slipped down and groveled in an ecstasy that seemed as if it must tear his little body in pieces. He licked his boots and when the lieutenant had, with laughter on his lips and tears in his eyes, succeeded in gathering the little creature up in his arms Dog Monday laid his head on the khaki shoulder and licked the sunburned neck, making queer sounds between barks and sobs. The station agent had heard the story of Dog Monday. He knew now who the returned soldier was. Dog Monday’s long vigil was ended. Jem Blythe had come home.
L.M. Montgomery (Rilla of Ingleside (Unabridged Start Publishing LLC))
One spring day, when the daffodils were blowing on the Ingleside lawn, and the banks of the brook in Rainbow Valley were sweet with white and purple violets, the little, lazy afternoon accommodation train pulled into the Glen station. It was very seldom that passengers for the Glen came by that train, so nobody was there to meet it except the new station agent and a small black and yellow dog, who for four and a half long years had met every train that had steamed into Glen St. Mary. Thousands of trains had Dog Monday met and never had the boy he waited and watched for returned. Yet still Dog Monday watched on with eyes that never quite lost hope. Perhaps his dog-heart failed him at times; he was growing old and rheumatic; when he walked back to his kennel after each train had gone his gait was very sober now—he never trotted but went slowly with a drooping head and a depressed tail that had quite lost its old saucy uplift. One passenger stepped off the train—a tall fellow in a faded lieutenant’s uniform, who walked with a barely perceptible limp. He had a bronzed face and there were some grey hairs in the ruddy curls that clustered around his forehead. The new station agent looked at him anxiously. He was used to seeing the khaki-clad figures come off the train, some met by a tumultuous crowd, others, who had sent no word of their coming, stepping off quietly like this one. But there was a certain distinction of bearing and features in this soldier that caught his attention and made him wonder a little more interestedly who he was. A black and yellow streak shot past the station agent. Dog Monday stiff? Dog Monday rheumatic? Dog Monday old? Never believe it. Dog Monday was a young pup, gone clean mad with rejuvenating joy. He flung himself against the tall soldier, with a bark that choked in his throat from sheer rapture. He flung himself on the ground and writhed in a frenzy of welcome. He tried to climb the soldier’s khaki legs and slipped down and grovelled in an ecstasy that seemed as if it must tear his little body in pieces. He licked his boots and when the lieutenant had, with laughter on his lips and tears in his eyes, succeeded in gathering the little creature up in his arms Dog Monday laid his head on the khaki shoulder and licked the sunburned neck, making queer sounds between barks and sobs. The station agent had heard the story of Dog Monday. He knew now who the returned soldier was. Dog Monday’s long vigil was ended. Jem Blythe had come home.
L.M. Montgomery (Rilla of Ingleside)