Idle Hands Quotes

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The thirst for something other than what we have…to bring something new, even if it is worse, some emotion, some sorrow; when our sensibility, which happiness has silenced like an idle harp, wants to resonate under some hand, even a rough one, and even if it might be broken by it.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
Like most others, I was a seeker, a mover, a malcontent, and at times a stupid hell-raiser. I was never idle long enough to do much thinking, but I felt somehow that some of us were making real progress, that we had taken an honest road, and that the best of us would inevitably make it over the top. At the same time, I shared a dark suspicion that the life we were leading was a lost cause, that we were all actors, kidding ourselves along on a senseless odyssey. It was the tension between these two poles - a restless idealism on one hand and a sense of impending doom on the other - that kept me going.
Hunter S. Thompson (The Rum Diary)
If we shadows have offended, Think but this, and all is mended, That you have but slumbered here While these visions did appear. And this weak and idle theme, No more yielding but a dream, Gentles, do not reprehend: If you pardon, we will mend: And, as I am an honest Puck, If we have unearned luck Now to 'scape the serpent's tongue, We will make amends ere long; Else the Puck a liar call; So, good night unto you all. Give me your hands, if we be friends, And Robin shall restore amends.
William Shakespeare (A Midsummer Night’s Dream)
What's worse: to be idle while someone dies, or to be exiled and empty-handed?
Veronica Roth (Divergent (Divergent, #1))
I promise I will repay you.” “Oh yeah?” she asked, looking at him, with his bare feet and plain, dark clothes. “With what?” The smile stayed on his lips. “Jewels, lies, slips of paper, dried flowers, memories of things long past, useless quotations, idle hands, beads, buttons, and mischief.
Holly Black (The Coldest Girl in Coldtown)
Jewels, lies, slips of paper, dried flowers, memories of thing long past, useless quotations, idle hands, beads, buttons, and mischief.
Holly Black (The Coldest Girl in Coldtown)
I had to stop hoping so much that a ship would rescue me. I should not count on outside help. Survival had to start with me. In my experience, a castaway’s worst mistake is to hope too much and to do too little. Survival starts by paying attention to what is close at hand and immediate. To look out with idle hope is tantamount to dreaming one’s life away.
Yann Martel (Life of Pi)
The devil finds work for idle hands. Bad thoughts find empty heads.
Alex North (The Whisper Man)
I guess we'd better move the trash. We can start with the Dumpster." He pointed at it, looking distinctly unenthusiastic. "You'd rather face a ravening horde of demons, wouldn't you?" Clary said. "At least they wouldn't be crawling with maggots. Well," he added thoughtfully, "not most of them, anyway. There was this one demon, once, that I tracked down to the sewers under Grand Central—" "Don't." Clary raised a warning hand. "I'm not really in the mood right now." "That's got to be the first time a girl's ever said that to me," Jace mused. "Stick with me and it won't be the last." The corner of Jace's mouth twitched. "This is hardly the time for idle banter. We have garbage to haul.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Life is a thing to be lived, not spent; to be faced, not ordered. Life is not a game of chess, the victory to the most knowing; it is a game of cards, one's hand by skill to be made the best of.
Jerome K. Jerome (Second Thoughts of an Idle Fellow)
I've always said that idleness dulls the spirit. We have to keep the brain busy, or at least the hands if we don't have a brain.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
That the Devil finds work for idle hands to do is probably true. But there is a profound difference between leisure and idleness.
Henry Ford
Survival starts by paying attention to what is close at hand and immediate. To look out with idle hope is tantamount to dreaming one's life away.
Yann Martel (Life of Pi)
Busy hands and idle minds have knitted many a sweater; Busy minds and idle hands have knitted many a brow.
Maryrose Wood (The Unseen Guest (The Incorrigible Children of Ashton Place, #3))
What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake. Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.” “Oh, you’re using a Glamour rune. There’s one thing to declare, you are not afraid of anything when you live in the country. But this is London.” “I’m not afraid of London,” Cecily said defiantly. Will leaned closer, almost hissing in her ear *and said something very complicated in Welsh* She laughed. “No, it wouldn’t do you any good to tell me to go home. You are my brother, and I want to go with you.” Will blinked at her words. You are my brother, and I want to go with you. It was the sort of thing he was used to hearing Jem say. Although Cecily was unlike Jem in every other conceivable possible way, she did share one quality with him. Stubbornness. When Cecily said she wanted something, it did not express an idle desire, but an iron determination. “Do you even care where I’m going?” he said. “What if I were going to hell?” “I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?” “Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.” “Wouldn’t you stop them?” “I suppose it would depend on whether they cut me a part of the profit.” She shook her head. “Jem is your parabatai,” she said. “He is your brother, given to you by the Clave, but I am your sister by blood. Why would you do anything for him, but you only want me to go home?” “How do you know the drugs are for Jem?” Will said. “I’m not an idiot, Will.” “No, more’s the pity. Jem- Jem is like the better part of me. I would not expect you to understand. I owe him. I owe him this.” “So what am I?” Cecily said. Will exhaled, too desperate to check himself. “You are my weakness.” “And Tessa is your heart,” she said, not angrily, but thoughtfully. “I am not fooled. As I told you, I’m not an idiot. And more’s the pity for you, although I suppose we all want things we can’t have.” “Oh,” said Will, “and what do you want?” “I want you to come home.” A strand of black hair was stuck to her cheek by the dampness, and Will fought the urge to pull her cloak closer about her, to make her safe as he had when she was a child. “The Institute is my home,” Will sighed, and leaned his head against the stone wall. “I can’t stand out her arguing with you all evening, Cecily. If you’re determined to follow me into hell, I can’t stop you.” “Finally,” she said provingly. “You’ve seen sense. I knew you would, you’re related to me.” Will fought the urge to shake her. “Are you ready?” She nodded, and he raised his hand to knock on the door.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Busy hands achieve more than idle tongues.
Matshona Dhliwayo
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
There are moments in life when a man retreats defensively, when he must give ground, when he must surrender less important positions in order to protect the more important ones. But should it come to the very last, the most important one, at this point a man must halt and stand firm if he doesn't want to begin life all over again with idle hands and a feeling of being shipwrecked.
Milan Kundera (Laughable Loves)
There is a great difference between one idler and another idler. There is someone who is an idler out of laziness and lack of character, owing to the baseness of his nature. If you like, you may take me for one of those. Then there is the other kind of idler, the idler despite himself, who is inwardly consumed by a great longing for action who does nothing because his hands are tied, because he is, so to speak, imprisoned somewhere, because he lacks what he needs to be productive, because disastrous circumstances have brought him forcibly to this end. Such a one does not always know what he can do, but he nevertheless instinctively feels, I am good for something! My existence is not without reason! I know that I could be a quite a different person! How can I be of use, how can I be of service? There is something inside me, but what can it be? He is quite another idler. If you like you may take me for one of those.
Vincent van Gogh (The Letters of Vincent van Gogh)
If I gave my mother a knitted scarf she'd be worried I was wasting my time doing stupid stuff like knitting instead of school work. Presenting a homemade knitted object to my parents was actually like handing them a detailed backlog of my idleness.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
All of our days are numbered; we cannot afford to be idle. To act on a bad idea is better than to not act at all because the worth of the idea never becomes apparent until you do it. Sometimes this idea can be the smallest thing in the world, a little flame that you hunch over and cup with your hand and pray will not be extinguished by all the storm that howls about it. If you can hold on to that flame great things can be constructed around it that are massive and powerful and world changing – all held up by the tinniest of ideas.
Nick Cave
Shame, child, is for those who fail to live up to the ideal of what they believe they should be." She waved her hand. "It was shame that drove me to my queen, to beseech her aid." Her long, delicate fingers idly moved to the streaks of white in her otherwise flawless red tresses. "But she showed me the way back to myself, through exquisite pain, and now I am here to watch over my dear godson--and the rest of you, as long as it is quite convenient." Spooky death Sidhe lady," Molly said. "Now upgraded to spooky, crazy death Sidhe lady.
Jim Butcher (Changes (The Dresden Files, #12))
Old Flossie settle down on the other side of What-the-Dickens and dragged some handiwork out of a sack. She armed herself with two thorns shaped into knitting needles. A wodge of curlicued metallic scrubbing pad supplied the threat. 'I knit handcuffs as a hobby,' explained Old Flossie happily, and set to work. 'Idle hands get up to no good, so I like to be prepared in case I meet up with any idle hands.
Gregory Maguire (What-the-Dickens: The Story of a Rogue Tooth Fairy)
Please,” I gasped out. He just brushed his lips against my jaw, my neck, my mouth. “Tamlin,” I begged. He palmed my breast, his thumb flicking over my nipple. I cried out, and he buried himself in me with a mighty stroke. For a moment, I was nothing, no one. Then we were fused, two hearts beating as one, and I promised myself it always would be that way as he pulled out a few inches, the muscles of his back flexing beneath my hands, and then slammed back into me. Again and again. I broke and broke against him as he moved, as he murmured my name and told me he loved me. And when that lightning once more filled my veins, my head, when I gasped out his name, his own release found him. I gripped him through each shuddering wave, savoring the weight of him, the feel of his skin, his strength. For a while, only the rasp of our breathing filled the room. I frowned as he withdrew at last—but he didn’t go far. He stretched out on his side, head propped on a fist, and traced idle circles on my stomach, along my breasts.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
...suddenly I was afraid of what Father would say. Afraid he would say, "There'll be someone else soon," and that forever afterward this untruth would lie between us. For in some deep part of me I knew already that there would not--soon or ever--be anyone else. The sweet cigar-smell came into the room with Father. And of course he did not say the false, idle words. "Corrie," he began instead, "do you know what hurts so very much? It's love. Love is the strongest force in the world, and when it is blocked that means pain. "There are two things we can do when this happens. We can kill the love so that it stops hurting. But then of course part of us dies, too. Or, Corrie, we can ask God to open up another route for that love to travel. "God loves Karel--even more than you do--and if you ask Him, He will give you His love for this man, a love nothing can prevent, nothing destroy. Whenever we cannot love in the old, human way, Corrie, God can give us his perfect way." I did not know, as I listened to Father's footsteps winding back down the stairs, that he had given me more than the key to this hard moment. I did not know that he had put into my hands the secret that would open far darker rooms than this--places where there was not, on a human level, anything to love at all.
Corrie ten Boom (The Hiding Place: The Triumphant True Story of Corrie Ten Boom)
The devil finds work for idle hands. Bad thoughts find empty heads. So he kept his hands busy and his mind occupied.
Alex North (The Whisper Man)
Every day for a week, sitting in my idling car, saying goodbye without saying anything at all—the touch of his hand, his forehead pressed to mine, the way he brushed my hair out of my face, tucking it behind my ear. And still, he hadn’t kissed me. Not once. Nothing but that brief brush of his lips. I was beginning to go a little crazy.
Emme Rollins (Dear Rockstar (Dear Rockstar, #1))
If your passion does not keep you sleepless, you can't be a good beginner. When passion itches, a great hand scratches... Wake up, it's your time to rise above idleness!
Israelmore Ayivor (Daily Drive 365)
God spreads the heavens above us like great wings And gives a little round of deeds and days, And then come the wrecked angels and set snares, And bait them with light hopes and heavy dreams, Until the heart is puffed with pride and goes Half shuddering and half joyous from God's peace; And it was some wrecked angel, blind with tears, Who flattered Edane's heart with merry words. Come, faeries, take me out of this dull house! Let me have all the freedom I have lost; Work when I will and idle when I will! Faeries, come take me out of this dull world, For I would ride with you upon the wind, Run on the top of the dishevelled tide, And dance upon the mountains like a flame. I would take the world And break it into pieces in my hands To see you smile watching it crumble away. Once a fly dancing in a beam of the sun, Or the light wind blowing out of the dawn, Could fill your heart with dreams none other knew, But now the indissoluble sacrament Has mixed your heart that was most proud and cold With my warm heart for ever; the sun and moon Must fade and heaven be rolled up like a scroll But your white spirit still walk by my spirit. When winter sleep is abroad my hair grows thin, My feet unsteady. When the leaves awaken My mother carries me in her golden arms; I'll soon put on my womanhood and marry The spirits of wood and water, but who can tell When I was born for the first time? The wind blows out of the gates of the day, The wind blows over the lonely of heart, And the lonely of heart is withered away; While the faeries dance in a place apart, Shaking their milk-white feet in a ring, Tossing their milk-white arms in the air; For they hear the wind laugh and murmur and sing Of a land where even the old are fair, And even the wise are merry of tongue; But I heard a reed of Coolaney say-- When the wind has laughed and murmured and sung, The lonely of heart is withered away.
W.B. Yeats (The Land of Heart's Desire)
You do keep busy.” “Idle hands are the devil’s workshop.” “Why? They’re idle when you’re sleeping—does he set up shop then? Are we all supposed to stay awake using our hands so the devil doesn’t make stuff? What if you broke your hand? Is he doing his workshop thing while you’re waiting to have it fixed?” Roarke contemplated the pale gold ceiling. “Such a simple, if moralistic, phrase now thoroughly destroyed.” “I keep busy, too.
J.D. Robb (Brotherhood in Death (In Death, #42))
If I have a handful of silver it is because I work and my wife works, and we do not, as some do, sit idling over a gambling table or gossiping on doorsteps never swept, letting the fields grow to weeds and our children go half-fed!" (Buck, 65)
Pearl S. Buck (The Good Earth (House of Earth, #1))
Stop chasing another busy self to become. Your real self is idle waiting to be lived... Go, take up your real self!
Israelmore Ayivor (The Great Hand Book of Quotes)
Satan finds some mischief still, for idle hands to do'...He might have written with as much truth, 'Satan finds some mischief for busy hands too.' The busy people achieve their full share of mischief in the world, you may rely upon it. What have the people been about, who have been the busiest in getting money, and in getting power, this century or two? No mischief?
Charles Dickens
For a hundred generations, I had walked the world drowsy and dull, idle and at my ease. I left no prints, I did no deeds. Even those who had loved me a little did not care to stay. Then I learned that I could bend the world to my will, as a bow is bent for an arrow. I would have done that toil a thousand times to keep such a power in my hands. I thought: this is how Zeus felt when he first lifted the thunderbolt.
Madeline Miller (Circe)
There are two types of patience. One is exercised in hard work and the other in idleness. Patience with hard work is the one that moves mountains. Patience in idleness moves nothing, not even cobwebs.
Israelmore Ayivor (The Great Hand Book of Quotes)
I have often wondered whether especially those days when we are forced to remain idle are not precisely the days spend in the most profound activity. Whether our actions themselves, even if they do not take place until later, are nothing more than the last reverberations of a vast movement that occurs within us during idle days. In any case, it is very important to be idle with confidence, with devotion, possibly even with joy. The days when even our hands do not stir are so exceptionally quiet that it is hardly possible to raise them without hearing a whole lot.
Rainer Maria Rilke (Letters on Life)
The Cold Within" Six humans trapped in happenstance In dark and bitter cold, Each one possessed a stick of wood, Or so the story's told. The first woman held hers back For of the faces around the fire, She noticed one was black. The next man looking across the way Saw not one of his church, And couldn't bring himself to give The fire his stick of birch. The third one sat in tattered clothes He gave his coat a hitch, Why should his log be put to use, To warm the idle rich? The rich man just sat back and thought Of the wealth he had in store, And how to keep what he had earned, From the lazy, shiftless poor. The black man's face bespoke revenge As the fire passed from sight, For all he saw in his stick of wood Was a chance to spite the white. The last man of this forlorn group Did naught except for gain, Giving only to those who gave, Was how he played the game. The logs held tight in death's still hands Was proof of human sin, They didn't die from the cold without, They died from the cold within.
James Patrick Kinney
As we pass one step, and as we recognize it as being behind us, the next one already rises up before us. By the time we learn everything, we slowly come to understand it. And while you come to understand everything gradually, you don't remain idle at any moment: you are already attending to your new business; you live, you act, you move, you fulfill the new requirements of every new step of development. If, on the other hand, there were no schedule, no gradual enlightenment, if all the knowledge descended on you at once right there in one spot, then it's possible neither your brains nor your heart could bear it.
Imre Kertész (Fatelessness)
Moments spill through hands idling away at nothing To puddle in years
Hugh Howey (The Plagiarist)
It must be eight years since I last saw Joseph Taboys. How pleasant it would be to meet his jovial face again, to clasp his strong hand, and to hear his cheery laugh once more! He owes me 14 shillings, too.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
You are tired of being alone. You told me.” “You don’t know,” he said in a low, almost hostile voice. He shook his head. “I don’t even know what I’m doing with you. You’re not like anyone else who’s in my life—” He stopped abruptly. “Did you ever drink too much wine, Alice ?” He held up the glass in his hand and waggled it idly, making the ruby contents swirl. “I’m not one to overindulge.” “No, you wouldn’t be. Allow me to explain, then, that the more you drink, the more thirsty you become. Not all the wine in the world can assuage the thirst for water. Water. Wine makes you merry, but a man needs water to keep him alive. Pure, clean, sweet water. I am parched, Alice, scorched like a wasteland, burning like a damned soul in hell. I thirst.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
If I were the Devil . . . I mean, if I were the Prince of Darkness, I would of course, want to engulf the whole earth in darkness. I would have a third of its real estate and four-fifths of its population, but I would not be happy until I had seized the ripest apple on the tree, so I should set about however necessary to take over the United States. I would begin with a campaign of whispers. With the wisdom of a serpent, I would whisper to you as I whispered to Eve: “Do as you please.” “Do as you please.” To the young, I would whisper, “The Bible is a myth.” I would convince them that man created God instead of the other way around. I would confide that what is bad is good, and what is good is “square”. In the ears of the young marrieds, I would whisper that work is debasing, that cocktail parties are good for you. I would caution them not to be extreme in religion, in patriotism, in moral conduct. And the old, I would teach to pray. I would teach them to say after me: “Our Father, which art in Washington” . . . If I were the devil, I’d educate authors in how to make lurid literature exciting so that anything else would appear dull an uninteresting. I’d threaten T.V. with dirtier movies and vice versa. And then, if I were the devil, I’d get organized. I’d infiltrate unions and urge more loafing and less work, because idle hands usually work for me. I’d peddle narcotics to whom I could. I’d sell alcohol to ladies and gentlemen of distinction. And I’d tranquilize the rest with pills. If I were the devil, I would encourage schools to refine yound intellects but neglect to discipline emotions . . . let those run wild. I would designate an athiest to front for me before the highest courts in the land and I would get preachers to say “she’s right.” With flattery and promises of power, I could get the courts to rule what I construe as against God and in favor of pornography, and thus, I would evict God from the courthouse, and then from the school house, and then from the houses of Congress and then, in His own churches I would substitute psychology for religion, and I would deify science because that way men would become smart enough to create super weapons but not wise enough to control them. If I were Satan, I’d make the symbol of Easter an egg, and the symbol of Christmas, a bottle. If I were the devil, I would take from those who have and I would give to those who wanted, until I had killed the incentive of the ambitious. And then, my police state would force everybody back to work. Then, I could separate families, putting children in uniform, women in coal mines, and objectors in slave camps. In other words, if I were Satan, I’d just keep on doing what he’s doing. (Speech was broadcast by ABC Radio commentator Paul Harvey on April 3, 1965)
Paul Harvey
Like most of my generation, I was brought up on the saying: 'Satan finds some mischief for idle hands to do.' But I think that there is far too much work done in the world, that immense harm is caused by the belief that work is virtuous, and that what needs to be preached in modern industrial countries is quite different from what always has been preached. I hope that, after reading the following pages, the leaders of the YMCA will start a campaign to induce good young men to do nothing. If so, I shall not have lived in vain.
Bertrand Russell (In Praise of Idleness and Other Essays)
Bit by bit, nevertheless, it comes over us that we shall never again hear the laughter of our friend, that this one garden is forever locked against us. And at that moment begins our true mourning, which, though it may not be rending, is yet a little bitter. For nothing, in truth, can replace that companion. Old friends cannot be created out of hand. Nothing can match the treasure of common memories, of trials endured together, of quarrels and reconciliations and generous emotions. It is idle, having planted an acorn in the morning, to expect that afternoon to sit in the shade of the oak.
Antoine de Saint-Exupéry (Wind, Sand And Stars (Harvest Book))
Military life in general depraves men. It places them in conditions of complete idleness, that is, absence of all rational and useful work; frees them from their common human duties, which it replaces by merely conventional duties to the honor of the regiment, the uniform, the flag; and while giving them on the one hand absolute power over other men, also puts them into conditions of servile obedience to those of higher ranks than themselves.
Leo Tolstoy (Resurrection)
I had forgotten how gently time passes in Paris. As lively as the city is, there's a stillness to it, a peace that lures you in. In Paris, with a glass of wine in your hand, you can just be. All along the Seine, street lamps come on, apartment windows turn golden. "It's seven," Julien says, and I realize that he has been keeping time all along, waiting. He is so American. No sitting idle, forgetting oneself, not for this young man of mine.
Kristin Hannah (The Nightingale)
Old friends cannot be created out of hand. Nothing can match the treasure of common memories, of trials endured together, of quarrels and reconciliations and generous emotions. It is idle, having planted an acorn in the morning, to expect that afternoon to sit in the shade of the oak.
Antoine de Saint-Exupéry (Wind, Sand And Stars (Harvest Book))
What’s worst: to be idle while someone dies, or to be exiled and empty-handed?
Veronica Roth (Divergent (Divergent, #1))
For remember, that it is altogether your world now. You and all the rest. We have delivered you from evil, but the evil that is inside men is at the last a matter for men to control. The responsibility and the hope and the promise are in your hands-your hands and the hands of all men on this earth. The future can not blame the present, just as the present can not blame the past. The hope is always here, always alive, but only your fierce caring can fan it into a fire to warm the world. For Drake is no longer in his hammock, children, nor is Arthur somewhere sleeping, and you may not lie idly expecting the second coming of anybody now, because the world is yours and it is up to you. Now especially since man has the strength to destroy the world, it is the responsibility of man to keep it alive, in all its beauty and marvelous joy. And the world will still be imperfect, because men are imperfect. Good men will still be killed by bad, or sometimes by other good men, and there will still be pain and disease and famine, anger and hate. But if you work and care and are watchful, as we have tried to be for you, then in the long run the worse will never, ever, triumph over the better. And the gifts put into some men, that shine as bright as Eirias the sword, shall light the dark corners of life for all the rest, in so brave a world.
Susan Cooper (Silver on the Tree (The Dark is Rising, #5))
I was never idle long enough to do much thinking, but I felt somehow that my instincts were right. I shared a vagrant optimism that some of us were making real progress, that we had taken an honest road, and that the best of us would inevitably make it over the top. I shared a dark suspicion that the life we were leading was a lost cause, that we were all actors, kidding ourselves along on a senseless journey. It was the tension between these two poles--a restless idealism on one hand and a sense of impending doom on the other--that kept me going.
Hunter S. Thompson (The Rum Diary)
Still, Lindsay stops getting dressed, even though he's only half-done, because he gets this urge to ambush the kid with a hug. Just that, nothing else. He wraps his arms around Valentine's skinny body and pulls him close and rests his cheek on the still-damp hair and inhales the cherry-almond scent of his shampoo, and Valentine says, "Oh!" in a really odd way, like he's just read a particularly interesting fact on the back of a Penguin biscuit wrapper. Lindsay's got his eyes shut but he can feel the kid's hands creeping up his bare arms, over his shoulders. One stays there and the other comes to rest on the back of his neck, fingers playing idly with the ends of his hair, and several minutes pass without sound or movement, just the gentle thud of heartbeats. "What's that for?" Valentine asks, when Lindsay finally lets him go. "Don't know. Nothing. Just seemed the kind of thing you'd like. BAM, surprise ninja cuddles.
Richard Rider (Stockholm Syndrome (Stockholm Syndrome, #1))
The bees sit so slothfully on the flowers, and the sunshine lies so lazily on the ground. A horrible idleness prevails. -- Idleness is the root of all vice. -- What people won't do out of boredom! They study out of boredom, they pray out of boredom, they fall in love, marry, and multiply out of boredom and finally die out of boredom, and -- and that's the humor in it -- they do everything with the most serious faces, without realizing why and with God knows what intentions. All these heroes, these geniuses, these idiots, these saints, these sinners, these fathers of families are basically nothing but refined idlers. -- Why must I be the one to know this? Why can't I take myself seriously and dress this poor puppet in tails and put an umbrella in its hand so that it will become very proper and very useful and very moral? That man who just left me -- I envied him, I could have beaten him out of envy. Oh, to be someone else for once! Just for a minute. -- How that man runs! If only I knew of one thing under the sun that could still make me run.
Georg Büchner (Leonce und Lena)
Evangeline stopped shaking his shoulder and smoothed back a lock of golden hair that had fallen across his sleeping face... it felt incredibly soft against her thawing fingers as she ran them through- Jacks' hand covered hers, cold and firm atop her fingers. 'Bad... idea...,' he murmured. She snatched her hand away. She hadn't meant to touch him like that. Jacks was not a thing to idly touch. He wasn't even a thing she liked. Although, as soon as she had the thought, she knew it wasn't true. Not anymore.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
But compare the hardest day's work you ever did with the idleness that splits flowers and pokes its way into spiders' stomachs, and thank your stars that your head has got something it must think of, and your hands something that they must do.
Wilkie Collins (The Moonstone)
There is no law by which to determine the superiority of nations; hence the vanity of the claim, and the idleness of disputes about it. A people risen, run their race, and die either of themselves or in the hands of another, who, succeeding to their power, take possession of their place, and upon their monuments write new names; such is history.
Ben-Hur: A Tale of the Christ
Where are you going?” He looked over his shoulder at me. “If I stay, you won’t get any sleep.” “Stay,” I said. “I promise to keep my hands to myself.” Lie—such an outright lie. He gave me a half smile that told me he knew it, too, but nestled down, tugging me into his arms. I wrapped an arm around his waist and rested my head in the hollow of his shoulder. He idly stroked my hair. I didn’t want to sleep—didn’t want to lose a minute with him—but an immense exhaustion was pulling me away from consciousness, until all I knew was the touch of his fingers in my hair and the sounds of his breathing.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Ivanov: I am a bad, pathetic and worthless individual. One needs to be pathetic, too, worn out and drained by drink, like Pasha, to be still fond of me and to respect me. My God, how I despise myself! I so deeply loathe my voice, my walk, my hands, these clothes, my thoughts. Well, isn't that funny, isn't that shocking? Less than a year ago I was healthy and strong, I was cheerful, tireless, passionate, I worked with these very hands, I could speak to move even Philistines to tears, I could cry when I saw grief, I became indignant when I encountered evil. I knew inspiration, I knew the charm and poetry of quiet nights when from dusk to dawn you sit at your desk or indulge you mind with dreams. I believed, I looked into the future as into the eyes of my own mother... And now, my God, I am exhausted, I do not believe, I spend my days and nights in idleness.
Anton Chekhov (Ivanov (Plays for Performance Series))
There were times when I could not afford to sacrifice the bloom of the present moment to any work, whether of the head or hands. I love a broad margin to my life. [...] They were not time subtracted from my life, but so much over and above my usual allowance. [...] This was sheer idleness to my fellow-townsmen, no doubt; but if the birds and flowers had tried me by their standard, I should not have been found wanting.
Henry David Thoreau (Walden & Civil Disobedience)
With the land and possession of America rapidly passing into the hands of a favored few; with great corporations taking the place of individual effort; with the small shops going down before the great factories and department stores; with thousands of men and women in idleness and want; with wages constantly tending to a lower level; ... with bribery and corruption openly charged, constantly reiterated by the press, and universally believed; and above all and more than all, with the knowledge that the servants of the people, elected to correct abuses, are bought and sold in legislative halls at the bidding of corporations and individuals: with all these notorious evils sapping the foundations of popular government and destroying personal liberty, some rude awakening must come. And if it shall come, ... when you then look abroad over the ruin and desolation, remember the long years in which the storm was rising, and do not blame the thunderbolt.
Clarence Darrow
The Summer Day Who made the world? Who made the swan, and the black bear? Who made the grasshopper? This grasshopper, I mean— the one who has flung herself out of the grass, the one who is eating sugar out of my hand, who is moving her jaws back and forth instead of up and down— who is gazing around with her enormous and complicated eyes. Now she lifts her pale forearms and thoroughly washes her face. Now she snaps her wings open, and floats away. I don't know exactly what a prayer is. I do know how to pay attention, how to fall down into the grass, how to kneel down in the grass, how to be idle and blessed, how to stroll through the fields, which is what I have been doing all day. Tell me, what else should I have done? Doesn't everything die at last, and too soon? Tell me, what is it you plan to do with your one wild and precious life?
Mary Oliver (House of Light)
A certain man who was learning archery faced the target with two arrows in his hand. But his instructor said, ' A beginner ought never to have a second arrow; for as long as he relies upon the other, he will be careless with his first one. At each shot he ought to think that he is bound to settle it with this particular shaft at any cost.' Doubtless he would not intentionally act foolishly before his instructor with one arrow, when he has but a couple. But, though he may not himself realize that he is being careless, his teacher knows it. You should bear this advice in mind on every occasion. (In the same way) he who follows the path of learning thinks confidently in the evening that the morning is coming, and in the morning that the evening is coming, and that he will then have plenty of time to study more carefully ; less likely still is he to recognize the waste of a single moment. How hard indeed is it to do a thing at once-now, the instant that you think of it !
Yoshida Kenkō (Essays in Idleness: The Tsurezuregusa of Kenkō)
The problems on campus life today are not about free speech. They are about how the students have absolutely nothing to do with their lives but sit and listen to lectures, find the best parties to attend, and otherwise discover first-world problems to stew about and protest. That's the root of the problem. This is not a commercial environment where people are incentivized to find value in each other. Campuses have become completely artificial 4-year holding tanks for infantilized kids with zero experience in actual life in which people find ways to get along. These students are not serving each other in a market exchange, and very few have worked at day in their lives, so their default is to find some offense and protest. It's all they've been taught to do and all they know how to do. Idle hands and parents' money = trouble.
Jeffrey Tucker
He picked up a twist of straw and began to rub her down. In the space of a blink, the twist of straw became a brush of boar’s hair. The mare stood with her ears flopping, loose-lipped with enjoyment. Vasya went nearer, fascinated. “Did you change the straw? Was that magic?” “As you see.” He went on with his grooming. “Can you tell me how you do it?” She came up beside him and peered eagerly at the brush in his hand. “You are too attached to things as they are,” said Morozko, combing the mare’s withers. He glanced down idly. “You must allow things to be what best suits your purpose. And then they will.” Vasya,
Katherine Arden (The Bear and the Nightingale (Winternight Trilogy, #1))
He reaches over, takes my face in his hands and pulls me to him. In my idle moments, imagining such a scene, I have always assumed that it would be the other way round, that I would reach for him and he would pull away, denouncing me as a degenerate and a false friend. But now I am neither shocked nor surprised by his initiative, nor do I feel any of the great urgency that I thought I would, should this moment ever come to pass. Instead, it feels perfectly natural, everything he does to me, everything that he allows to happen between us. And for the first time since that dreadful afternoon when my father beat me to within an inch of my life, I feel that I have come home.
John Boyne (The Absolutist)
Actually, this is a poem my father once showed me, a long time ago. It has been bastardized many times, in many ways, but this is the original: The Cold Within Six men trapped by happenstance, in bleak and bitter cold Each possessed a stick of wood, or so the story's told. Their dying fire in need of logs, the first man held his back For of the faces round the fire, he noticed one was black. One man looking cross the way, saw one not of his church And could not bring himself to give the fire his stick of birch. The third one sat in tattered clothes, he gave his coat a hitch Why should his log be put to use to warm the idle rich? The rich man just sat back and thought of the wealth he had in store And how to keep what he had earned from the lazy, shiftless poor. The black man's face bespoke revenge as the fire passed from his sight, For all he saw in his stick of wood was a chance to spite the white. And the last man of this forlorn group did naught except for gain, Giving only to those who gave, was how he played the game The logs held tight, in death's still hands, was proof of human sin They didn't die from the cold without, they died from the cold within.
James Patrick Kinney
The men came to mind as mostly idle between nights of running wild or time in the pen, cooking moon and gathering around the spout, with ears chewed, fingers chopped, arms shot away, and no apologies grunted ever. The women came to mind bigger, closer, with their lonely eyes and homely yellow teeth, mouths clamped against smiles, working in the hot fields from can to can't, hands tattered rough as dry cobs, lips cracked all winter, a white dress for marrying, a black dress for burying, and Ree nodded yup. Yup.
Daniel Woodrell (Winter's Bone)
Holding each other, the rain cooling their bodies, they laughed like children. "I expected steam this time," Jacques said, crushing her to him. "Can you do that?" Shea fit the back of her head into the niche of his sternum. One hand idly slid over the heavy muscles of his chest. "Make us so hot we turn the rain to steam?" He grinned boyishly down at her, for the first time so carefree that he forgot for a moment the torment he had suffered.
Christine Feehan (Dark Desire (Dark, #2))
You do not seem to realize that beauty is a liability rather than an asset - that in view of the fact that spirit creates form we are justified in supposing that you must have brains. For you, a symbol of the unit, stiff and sharp, conscious of surpassing by dint of native superiority and liking for everything self-dependent, anything an ambitious civilization might produce: for you, unaided, to attempt through sheer reserve, to confuse presumptions resulting from observation, is idle. You cannot make us think you a delightful happen-so. But rose, if you are brilliant, it is not because your petals are the without-which-nothing of pre-eminence. Would you not, minus thorns, be a what-is-this, a mere perculiarity? They are not proof against a worm, the elements, or mildew; but what about the predatory hand? What is brilliance without co-ordination? Guarding the infinitesimal pieces of your mind, compelling audience to the remark that it is better to be forgotten than to be re- membered too violently, your thorns are the best part of you.
Marianne Moore
In the trenches of the First World War, English men came to love one another decently, without shame or make-believe, under the easy likelihoods of their sudden deaths, and to find in the faces of other young men evidence of otherworldly visits, some poor hope that may have helped redeem even mud, shit, the decaying pieces of human meat... It was the end of the world, it was total revolution (though not quite in the way Walter Rathenau had announced): every day thousands of the aristocracy new and old, still haloed in their ideas of right and wrong, went to the loud guillotine of Flanders, run day in and out, on and on, by no visible hands, certainly not those of the people - an English class was being decimated, the ones who'd volunteered were dying for those who'd known something and hadn't, and despite it all, despite knowing, some of them, of the betrayal, while Europe died meanly in its own wastes, men loved. But the life-cry of that love has long since hissed away into no more than this idle and bitchy faggotry. In this latest War, death was no enemy, but a collaborator. Homosexuality in high places is just a carnal afterthought now, and the real and only fucking is done on paper...
Thomas Pynchon (Gravity’s Rainbow)
I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch – hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into – some fearful, devastating scourge, I know – and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it. I sat for awhile, frozen with horror; and then, in the listlessness of despair, I again turned over the pages. I came to typhoid fever – read the symptoms – discovered that I had typhoid fever, must have had it for months without knowing it – wondered what else I had got; turned up St. Vitus’s Dance – found, as I expected, that I had that too, – began to get interested in my case, and determined to sift it to the bottom, and so started alphabetically – read up ague, and learnt that I was sickening for it, and that the acute stage would commence in about another fortnight. Bright’s disease, I was relieved to find, I had only in a modified form, and, so far as that was concerned, I might live for years. Cholera I had, with severe complications; and diphtheria I seemed to have been born with. I plodded conscientiously through the twenty-six letters, and the only malady I could conclude I had not got was housemaid’s knee. ... I had walked into that reading-room a happy, healthy man. I crawled out a decrepit wreck. I went to my medical man. He is an old chum of mine, and feels my pulse, and looks at my tongue, and talks about the weather, all for nothing, when I fancy I’m ill; so I thought I would do him a good turn by going to him now. “What a doctor wants,” I said, “is practice. He shall have me. He will get more practice out of me than out of seventeen hundred of your ordinary, commonplace patients, with only one or two diseases each.” So I went straight up and saw him, and he said: “Well, what’s the matter with you?” I said: “I will not take up your time, dear boy, with telling you what is the matter with me. Life is brief, and you might pass away before I had finished. But I will tell you what is NOT the matter with me. I have not got housemaid’s knee. Why I have not got housemaid’s knee, I cannot tell you; but the fact remains that I have not got it. Everything else, however, I HAVE got.” And I told him how I came to discover it all. Then he opened me and looked down me, and clutched hold of my wrist, and then he hit me over the chest when I wasn’t expecting it – a cowardly thing to do, I call it – and immediately afterwards butted me with the side of his head. After that, he sat down and wrote out a prescription, and folded it up and gave it me, and I put it in my pocket and went out. I did not open it. I took it to the nearest chemist’s, and handed it in. The man read it, and then handed it back. He said he didn’t keep it. I said: “You are a chemist?” He said: “I am a chemist. If I was a co-operative stores and family hotel combined, I might be able to oblige you. Being only a chemist hampers me.” I read the prescription. It ran: “1 lb. beefsteak, with 1 pt. bitter beer every 6 hours. 1 ten-mile walk every morning. 1 bed at 11 sharp every night. And don’t stuff up your head with things you don’t understand.” I followed the directions, with the happy result – speaking for myself – that my life was preserved, and is still going on.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
When you bluff, your left eyebrow twitches. It hasn’t twitched all night. Besides, I already told you I’m going to get you there safely. No need for games now." I pulled back indignantly. "My left eyebrow does not twitch." Jude studied me with an idle smile, as if calculating the wisdom of saying more. "When you’re amused, your mouth takes on a mischievous curl." he went on, as if proving his point. "When you’re angry, you press your lips together and three tiny lines jump out between your eyebrows." I rolled onto my knees and planted my hands squarely on my hips. "Anything else?" I asked hotly. He thumbed his nose, struggling not to grin. "When you kiss, you make a purring noise deep in your throat. It’s so faint, I have to be touching you to hear it." Now I turned bright red. "We should kiss again and see what other observations I make," he suggested.
Becca Fitzpatrick (Black Ice)
He lifted a hand and turned and went on. He had divested himself of the little cloaked godlet and his other amulets in a place where they would not be found in his lifetime and he'd taken for talisman the simple human heart within him. Walking down the little street for the last time he felt everything fall away from him. Until there was nothing left of him to shed. It was all gone. No trail, no track. The spoor petered out down there on Front Street where things he'd been lay like paper shadows, a few here, they thin out. After that nothing. A few rumors. Idle word on the wind. Old news years in traveling that you could not put stock in.
Cormac McCarthy (Suttree)
I understand, my lord. I…don’t wish to embarrass you again.” “Embarrass me? Jean, you misunderstand.” Maranzalla kicked idly at the toy rapier, and it clattered across the tiles of the rooftop. “Those prancing little pants-wetters come here to learn the colorful and gentlemanly art of fencing, with its many sporting limitations and its proscriptions against dishonorable engagements. “You, on the other hand,” he said as he turned to give Jean a firm but friendly poke in the center of his forehead, “you are going to learn how to kill men with a sword.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
Alexander and Tatiana danced to their wedding song, unable this once to hide their intimacy from prying, idly curious eyes; their hands entwined, their bodies pressed together, they waltzed by the banks of the Kama in their Lazarevo clearing under the crimson moon, an officer in his Red Army uniform, a peasant girl in her wedding dress—her white dress with red roses—and when Tatiana lifted her glistening eyes to him, Alexander was looking down at her with his I’ll-get-on-the-busfor-you-anytime face. She couldn’t believe it—he bent his head and kissed her, openly and deeply, as they continued to swirl away the minutes of someone else’s wedding.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Gentlefolks in general have a very awkward rock ahead in life - the rock ahead of their own idleness. Their lives being, for the most part, passed in looking about them for something to do, it is curious to see - especially when their tastes are of what is called the intellectual sort - how often they drift blindfold into some nasty pursuit. [...] But there! the poor souls must get through the time, you see - they must get through the time. You dabbled in nasty mud, and made pies, when you were a child; and you dabble in nasty science, and dissect spiders, and spoil flowers, when you grow up. In the one case and in the other, the secret of it is, that you have got nothing to think of in your poor empty head, and nothing to do with your poor idle hands. And so it ends in your spoiling canvas with paints, and making a smell in the house; or in keeping tadpoles in a glass box full of dirty water, and turning everybody's stomach in the house; or in chipping off bits of stone here, there, and everywhere, and dropping grit into all the victuals in the house; or in staining your fingers in the pursuit of photography, and doing justice without mercy on everybody's face in the house. It often falls heavy enough, no doubt, on people who are really obliged to get their living, to be forced to work for the clothes that cover them, the roof that shelters them, and the food that keeps them going. But compare the hardest day's work that you ever did with the idleness that splits flowers and pokes its way into spiders' stomachs, and thank your stars that your head has got something it must think of, and your hands something that they must do.
Wilkie Collins (The Moonstone)
When I sat down on Gary’s sofa, Hannah climbed up from the carpet and cuddled in close to me. It felt like forever since I’d held her like that. I’d forgotten how comforting it was, how she always made me feel as if all the parts of me were finally in one place. Hannah rested one hand on my knee and the other on the back of my neck, her fingers playing idly with the ends of my hair. We passed several minutes in silence, before I turned to face her. ‘By the way,’ I said. ‘I think I might be in love with you.’ Hannah stared at me. ‘You think?’ I placed my face so close to hers that her features became indistinct, and I began to lose myself in them.  ‘Actually,’ I whispered. ‘I’m pretty sure of it. I just didn’t want to freak you out.’ ‘Oh, Mister. You should know me better than that by now.’ Hannah said. ‘I probably should, huh?’ Hannah nodded, stared at me a moment longer. Then, smiling gently, she pressed her head into my chest and kissed my neck, my cheek, my lips. And told me she loved me, too.
Andy Marr (Hunger for Life)
There pass the careless people That call their souls their own: Here by the road I loiter, How idle and alone. Ah, past the plunge of plummet, In seas I cannot sound, My heart and soul and senses, World without end, are drowned. His folly has not fellow Beneath the blue of day That gives to man or woman His heart and soul away. There flowers no balm to sain him From east of earth to west That's lost for everlasting The heart out of his breast. Here by the labouring highway With empty hands I stroll: Sea-deep, till doomsday morning, Lie lost my heart and soul.
A.E. Housman (A Shropshire Lad)
A solemn sadness reigns. A great peace is around us. In its light our cares of the working day grow small and trivial, and bread and cheese—ay, and even kisses—do not seem the only things worth striving for. Thoughts we cannot speak but only listen to flood in upon us, and standing in the stillness under earth's darkening dome, we feel that we are greater than our petty lives. Hung round with those dusky curtains, the world is no longer a mere dingy workshop, but a stately temple wherein man may worship, and where at times in the dimness his groping hands touch God's.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
[My grandfather] returned to what he called ‘studying.’ He sat looking down at his lap, his left hand idle on the chair arm, his right scratching his head, his white hair gleaming in the lamplight. I knew that when he was studying he was thinking, but I did not know what about. Now I have aged into knowledge of what he thought about. He thought of his strength and endurance when he was young, his merriment and joy, and how his life’s burdens had then grown upon him. He thought of that arc of country that centered upon Port William as he first had known it in the years just after the Civil War, and as it had changed, and as it had become; and how all that time, which would have seemed almost forever when he was a boy, now seemed hardly anytime at all. He thought of the people he remembered, now dead, and of those who had come and gone before his knowledge, and of those who would come after, and of his own place in that long procession.
Wendell Berry (Andy Catlett: Early Travels)
Hands If I could tell the world just one thing It would be that we're all ok And not to worry 'cause worry is wasteful and useless in times like these I won't be made useless I won't be idled with despair I'll gather myself around my faith for light does the darkness most fear My hands are small, I know, but they're not yours, they are my own but they're not yours, they are my own and I am never broken Poverty stole your golden shoes but it didn't steal your laughter And heartache came to visit me but i knew it wasn't ever after We will fight, not out of spite for someone must stand up for what's right 'cause where there's a man who has no voice there ours shall go singing My hands are small, I know, but they're not yours, they are my own but they're not yours, they are my own and I am never broken In the end only kindness matters In the end only kindness matters I will get down on my knees, and I will pray I will get down on my knees, and I will pray I will get down on my knees, and I will pray My hands are small, I know, but they're not yours they are my own but they're not yours they are my own and I am never broken My hands are small, i know, but they're not yours they are my own but they're not yours they are my own and I am never broken We are never broken We are God's eyes God's hands God's mind We are God's eyes God's hands God's heart We are God's eyes We are God's hands We are God's eyes
Jewel
Yet there is no gainsaying but that it must have been somewhat sweeter in that dewy morning of creation, when it was young and fresh, when the feet of the tramping millions had not trodden its grass to dust, nor the din of the myriad cities chased the silence forever away. Life must have been noble and solemn to those free-footed, loose-robed fathers of the human race, walking hand in hand with God under the great sky. They lived in sunkissed tents amid the lowing herds. They took their simple wants from the loving hand of Nature. They toiled and talked and thought; and the great earth rolled around in stillness, not yet laden with trouble and wrong. Those days are past now. The quiet childhood of Humanity, spent in the far-off forest glades and by the murmuring rivers, is gone forever; and human life is deepening down to manhood amid tumult, doubt, and hope. Its age of restful peace is past. It has its work to finish and must hasten on. What that work may be—what this world's share is in the great design—we know not, though our unconscious hands are helping to accomplish it. Like the tiny coral insect working deep under the dark waters, we strive and struggle each for our own little ends, nor dream of the vast fabric we are building up for God.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
I could feel the warmth of the dog through my nightgown; I must have gotten hot during the night and thrown off the sheet. I drowsily patted the animal's head and began to stroke his fur, my fingers running idly through the thick hair. He wriggled even closer, sniffed my face, put his arm around me. His *arm*? I was off the bed and shrieking in one move. In my bed, Sam propped himself on his elbows, sunny side up, and looked at me with some amusement. "Oh, ohmyGod! Sam, how'd you get here? What are you doing? Where's Dean?" I covered my face with my hands and turned back, but I'd certainly seen all there was to see of Sam. "Woof," said Sam, from a human throat, and the truth stomped over me in combat boots. I whirled back to face him, so angry I felt like I was going to blow a gasket. "You watched me undress last night, you ... you ... damn dog!
Charlaine Harris (Dead Until Dark (Sookie Stackhouse, #1))
This notion of rest, it’s attractive to her, but I don’t think she would like it. They are all like that, these women. Waiting for the ease, the space that need not be filled with anything other than the drift of their own thoughts. But they wouldn’t like it. They are busy and thinking of ways to be busier because such a space of nothing pressing to do would knock them down. No fields of cowslips will rush into that opening, nor mornings free of flies and heat when the light is shy. No. Not at all. They fill their mind and hands with soap and repair and dicey confrontations because what is waiting for them, in a suddenly idle moment, is the seep of rage. Molten. Thick and slow-moving. Mindful and particular about what in its path it chooses to bury. Or else, into a beat of time, and sideways under their breasts, slips a sorrow they don’t know where from.
Toni Morrison (Jazz (Beloved Trilogy, #2))
What infinite heart's-ease Must kings neglect, that private men enjoy! And what have kings, that privates have not too, Save ceremony, save general ceremony? And what art thou, thou idle ceremony? What kind of god art thou, that suffer'st more Of mortal griefs than do thy worshippers? What are thy rents? what are thy comings in? O ceremony, show me but thy worth! What is thy soul of adoration? Art thou aught else but place, degree and form, Creating awe and fear in other men? Wherein thou art less happy being fear'd Than they in fearing. What drink'st thou oft, instead of homage sweet, But poison'd flattery? O, be sick, great greatness, And bid thy ceremony give thee cure! Think'st thou the fiery fever will go out With titles blown from adulation? Will it give place to flexure and low bending? Canst thou, when thou command'st the beggar's knee, Command the health of it? No, thou proud dream, That play'st so subtly with a king's repose; I am a king that find thee, and I know 'Tis not the balm, the sceptre and the ball, The sword, the mace, the crown imperial, The intertissued robe of gold and pearl, The farced title running 'fore the king, The throne he sits on, nor the tide of pomp That beats upon the high shore of this world, No, not all these, thrice-gorgeous ceremony, Not all these, laid in bed majestical, Can sleep so soundly as the wretched slave, Who with a body fill'd and vacant mind Gets him to rest, cramm'd with distressful bread; Never sees horrid night, the child of hell, But, like a lackey, from the rise to set Sweats in the eye of Phoebus and all night Sleeps in Elysium; next day after dawn, Doth rise and help Hyperion to his horse, And follows so the ever-running year, With profitable labour, to his grave: And, but for ceremony, such a wretch, Winding up days with toil and nights with sleep, Had the fore-hand and vantage of a king. The slave, a member of the country's peace, Enjoys it; but in gross brain little wots What watch the king keeps to maintain the peace, Whose hours the peasant best advantages.
William Shakespeare (Henry V)
Sebastian, the Duke of Kingston, radiated the cool confidence of a man who had been born to privilege. Unlike most British peers, who were disappointingly average, Kingston was dashing and ungodly handsome, with the taut, slim physique pf a man half his age. Known for his shrewd mind and caustic wit, he oversaw a labyrinthine financial empire that included, of all things, a gentlemen's gaming club. If his fellow noblemen expressed private distaste for the vulgarity of owning such an enterprise, none dared criticize him publicly. He was the holder of too many debts, the possessor of too many ruinous secrets. With a few words or strokes of a pen, Kingston could have reduced nearly any proud aristocratic scion to beggary. Unexpectedly, rather sweetly, the duke seemed more than little enamored of his own wife. One of his hands lingered idly at the small of her back, his enjoyment in touching her covert but unmistakable. One could hardly blame him. Evangeline, the duchess, was a spectacularly voluptuous woman with apricot-red hair, and merry blue eyes set in a lightly freckled complexion. She looked warm and radiant, as if she'd been steeped in a long autumn sunset.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
He was perfectly astonished with the historical account gave him of our affairs during the last century; protesting “it was only a heap of conspiracies, rebellions, murders, massacres, revolutions, banishments, the very worst effects that avarice, faction, hypocrisy, perfidiousness, cruelty, rage, madness, hatred, envy, lust, malice, and ambition, could produce.” His majesty, in another audience, was at the pains to recapitulate the sum of all I had spoken; compared the questions he made with the answers I had given; then taking me into his hands, and stroking me gently, delivered himself in these words, which I shall never forget, nor the manner he spoke them in: “My little friend Grildrig, you have made a most admirable panegyric upon your country; you have clearly proved, that ignorance, idleness, and vice, are the proper ingredients for qualifying a legislator; that laws are best explained, interpreted, and applied, by those whose interest and abilities lie in perverting, confounding, and eluding them. I observe among you some lines of an institution, which, in its original, might have been tolerable, but these half erased, and the rest wholly blurred and blotted by corruptions. It does not appear, from all you have said, how any one perfection is required toward the procurement of any one station among you; much less, that men are ennobled on account of their virtue; that priests are advanced for their piety or learning; soldiers, for their conduct or valour; judges, for their integrity; senators, for the love of their country; or counsellors for their wisdom. As for yourself,” continued the king, “who have spent the greatest part of your life in travelling, I am well disposed to hope you may hitherto have escaped many vices of your country. But by what I have gathered from your own relation, and the answers I have with much pains wrung and extorted from you, I cannot but conclude the bulk of your natives to be the most pernicious race of little odious vermin that nature ever suffered to crawl upon the surface of the earth.
Jonathan Swift (Gulliver’s Travels)
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
Théophile Gautier (Mademoiselle de Maupin)
A Swedish minister having assembled the chiefs of the Susquehanna Indians, made a sermon to them, acquainting them with the principal historical facts on which our religion is founded — such as the fall of our first parents by eating an apple, the coming of Christ to repair the mischief, his miracles and suffering, etc. When he had finished an Indian orator stood up to thank him. ‘What you have told us,’ says he, ‘is all very good. It is indeed bad to eat apples. It is better to make them all into cider. We are much obliged by your kindness in coming so far to tell us those things which you have heard from your mothers. In return, I will tell you some of those we have heard from ours. ‘In the beginning, our fathers had only the flesh of animals to subsist on, and if their hunting was unsuccessful they were starving. Two of our young hunters, having killed a deer, made a fire in the woods to boil some parts of it. When they were about to satisfy their hunger, they beheld a beautiful young woman descend from the clouds and seat herself on that hill which you see yonder among the Blue Mountains. ‘They said to each other, “It is a spirit that perhaps has smelt our broiling venison and wishes to eat of it; let us offer some to her.” They presented her with the tongue; she was pleased with the taste of it and said: “Your kindness shall be rewarded; come to this place after thirteen moons, and you will find something that will be of great benefit in nourishing you and your children to the latest generations.” They did so, and to their surprise found plants they had never seen before, but which from that ancient time have been constantly cultivated among us to our great advantage. Where her right hand had touched the ground they found maize; where her left had touched it they found kidney-beans; and where her backside had sat on it they found tobacco.’ The good missionary, disgusted with this idle tale, said: ‘What I delivered to you were sacred truths; but what you tell me is mere fable, fiction, and falsehood.’ The Indian, offended, replied: ‘My brother, it seems your friends have not done you justice in your education; they have not well instructed you in the rules of common civility. You saw that we, who understand and practise those rules, believed all your stories; why do you refuse to believe ours?
Benjamin Franklin (Remarks Concerning the Savages)
Then, idly scratching his nose, he walks to the bookcase in the living room and stoops before a set of drab brown Victorian volumes gathering dust on the second shelf from the bottom. How amusing, he thinks, as he withdraws one of them-amusing that a key to dark and ancient rites should survive in such innocuous-looking form. A young fool like Freirs would probably refuse to believe it. Like the rest of his doomed kind, he'd probably expect such lore to be found only in ancient leather-bound tomes with gothic lettering and portentously sinister titles. He'd search for it in mysterious old trunks and private vaults, in the "restricted" sections of libraries, in intricately carved wood chests with secret compartments. But there are no real secrets, the Old One knows. Secrets are ultimately too hard to conceal. The keys to the rites that will transform the world are neither hidden nor rare nor expensive. They are available to anyone. You can find them on the paperback racks or in any second-hand bookshop.
T.E.D. Klein (The Ceremonies)
We believe that cowardice is to blame for the world's injustices. We believe that peace is hard-won, that sometimes it is necessary to fight for peace. But more than that: We believe that justice is more important than peace. We believe in freedom from fear, in denying fear the power to influence our decisions. We believe in ordinary acts of bravery, in the courage that drives one person to stand up for another. We believe in acknowledging fear and the extent to which it rules us. We believe in facing that fear no matter what the cost to our comfort, our happiness, or even to our sanity. We believe in shouting for those who can only whisper, in defending those who cannot defend themselves. We believe, not in just bold words, but in bold deeds to match them. We believe that pain and death are better than cowardice and inaction because we believe in action. We do not believe in living comfortable lives. We do not believe that silence is useful. We do not believe in good manners. We do not believe in empty heads, empty mouths, or empty hands. We do not believe that learning to master violence encourages unnecessary violence. We do not believe that we should be allowed to stand idly by. We do not believe that any other virtue is more important than bravery.
Veronica Roth
I have met with but one or two persons in the course of my life who understood the art of Walking, that is, of taking walks, who had a genius, so to speak, for sauntering; which word is beautifully derived "from idle people who roved about the country, in the middle ages, and asked charity, under pretence of going à la sainte terre" — to the holy land, till the children exclaimed, "There goes a sainte-terrer", a saunterer — a holy-lander. They who never go to the holy land in their walks, as they pretend, are indeed mere idlers and vagabonds, but they who do go there are saunterers in the good sense, such as I mean. Some, however, would derive the word from sans terre, without land or a home, which, therefore, in the good sense, will mean, having no particular home, but equally at home everywhere. For this is the secret of successful sauntering. He who sits still in a house all the time may be the greatest vagrant of all, but the Saunterer, in the good sense, is no more vagrant than the meandering river, which is all the while sedulously seeking the shortest course to the sea. But I prefer the first, which indeed is the most probable derivation. For every walk is a sort of crusade, preached by some Peter the Hermit (1) in us, to go forth and reconquer this holy land from the hands of the Infidels.
Henry David Thoreau
All the people within reach had suspended their business, or their idleness, to run to the spot and drink the wine. The rough, irregular stones of the street, pointing every way, and designed, one might have thought, expressly to lame all living creatures that approached them, had dammed it into little pools; these were surrounded, each by its own jostling group or crowd, according to its size. Some men kneeled down, made scoops of their two hands joined, and sipped, or tried to help women, who bent over their shoulders, to sip, before the wine had all run out between their fingers. Others, men and women, dipped in the puddles with little mugs of mutilated earthenware, or even with handkerchiefs from women’s heads, which were squeezed dry into infants’ mouths; others made small mud-embankments, to stem the wine as it ran; others, directed by lookers-on up at high windows, darted here and there, to cut off little streams of wine that started away in new directions; others devoted themselves to the sodden and lee-dyed pieces of the cask, licking, and even champing the moister wine-rotted fragments with eager relish. There was no drainage to carry off the wine, and not only did it all get taken up, but so much mud got taken up along with it, that there might have been a scavenger in the street, if anybody acquainted with it could have believed in such a miraculous presence.
Charles Dickens (A Tale of Two Cities (Bantam Classics))
To write, to be able to write, what does it mean? It means spending long hours dreaming before a white page, scribbling unconsciously, letting your pen play round a blot of ink and nibble at a half-formed word, scratching it, making it bristle with darts and adorning it with antennae and paws until it loses all resemblance to a legible word and turns into a fantastic insect or a fluttering creature half butterfly, half fairy. To write is to sit and stare, hypnotized, at the reflection of the window in the silver ink-stand, to feel the divine fever mounting to one's cheeks and forehead while the hand that writes grows blissfully numb upon the paper. It also means idle hours curled up in the hollow of the divan, and then the orgy of inspiration from which one emerges stupefied and aching all over, but already recompensed and ladened with treasures that one unloads slowly on to the virgin page in the little round pool of light under the lamp. To write is to pour one's innermost self passionately upon the tempting paper, at such frantic speed that sometimes one's hand struggles and rebels, overdriven by the impatient god who guides it — and to find, next day, in place of the golden bough that bloomed miraculously in that dazzling hour, a withered bramble and a stunted flower. To write is the joy and torment of the idle. Oh to write! From time to time I feel a need, sharp as thirst in summer, to note and to describe. And then I take up my pen again and attempt the perilous and elusive task of seizing and pinning down, under its flexible double-pointed jib, the many-hued, fugitive, thrilling adjective.… The attack does not last long; it is but the itching of an old scar.
Colette Gauthier-Villars (The Vagabond)
I’m not a person who does well with idle time.” “Seriously? I never would have guessed.” His teasing didn’t bother her, especially when she looked at her ring again. Smaller diamonds surrounded the impressive princess-cut stone, making it glint brightly in the sunlight. “It is so perfect.” “If it’s not, we can exchange it—” She snatched the ring up close to her chest. “Never.” Trace gave a slow, sexy grin. “So, Priscilla Patterson, since you approve of my job, my home, my friends and my ring, will you try another new experience—and marry me?” Joy bubbled up, but she didn’t want to shout just yet. “When you go off to—” She glanced at Matt “—work, will you at least tell me what’s going on?” “Yes. As much as I can.” “Will you be honest about the danger involved?” “I’ll be honest with you about everything.” “Okay.” She peeked at him, and winced in dread. “Did you want a big wedding?” Trace frowned at the continued line of questioning. “I want whatever you want.” That almost made her cry, too. “Another first,” she whispered, because before now, what she wanted hadn’t really mattered. She kept smoothing her hands over his chest, as always drawn by his physique. “You should enter a wet T-shirt contest. You’d win.” Chris snorted, but Matt agreed.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Bagpipe Music' It's no go the merrygoround, it's no go the rickshaw, All we want is a limousine and a ticket for the peepshow. Their knickers are made of crêpe-de-chine, their shoes are made of python, Their halls are lined with tiger rugs and their walls with heads of bison. John MacDonald found a corpse, put it under the sofa, Waited till it came to life and hit it with a poker, Sold its eyes for souvenirs, sold its blood for whiskey, Kept its bones for dumb-bells to use when he was fifty. It's no go the Yogi-Man, it's no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi. Annie MacDougall went to milk, caught her foot in the heather, Woke to hear a dance record playing of Old Vienna. It's no go your maidenheads, it's no go your culture, All we want is a Dunlop tyre and the devil mend the puncture. The Laird o' Phelps spent Hogmanay declaring he was sober, Counted his feet to prove the fact and found he had one foot over. Mrs Carmichael had her fifth, looked at the job with repulsion, Said to the midwife 'Take it away; I'm through with overproduction'. It's no go the gossip column, it's no go the Ceilidh, All we want is a mother's help and a sugar-stick for the baby. Willie Murray cut his thumb, couldn't count the damage, Took the hide of an Ayrshire cow and used it for a bandage. His brother caught three hundred cran when the seas were lavish, Threw the bleeders back in the sea and went upon the parish. It's no go the Herring Board, it's no go the Bible, All we want is a packet of fags when our hands are idle. It's no go the picture palace, it's no go the stadium, It's no go the country cot with a pot of pink geraniums, It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won't hold up the weather.
Louis MacNeice
But if we look a little deeper we shall find there is a pathetic, one might almost say a tragic, side to the picture. A shy man means a lonely man—a man cut off from all companionship, all sociability. He moves about the world, but does not mix with it. Between him and his fellow-men there runs ever an impassable barrier—a strong, invisible wall that, trying in vain to scale, he but bruises himself against. He sees the pleasant faces and hears the pleasant voices on the other side, but he cannot stretch his hand across to grasp another hand. He stands watching the merry groups, and he longs to speak and to claim kindred with them. But they pass him by, chatting gayly to one another, and he cannot stay them. He tries to reach them, but his prison walls move with him and hem him in on every side. In the busy street, in the crowded room, in the grind of work, in the whirl of pleasure, amid the many or amid the few—wherever men congregate together, wherever the music of human speech is heard and human thought is flashed from human eyes, there, shunned and solitary, the shy man, like a leper, stands apart. His soul is full of love and longing, but the world knows it not. The iron mask of shyness is riveted before his face, and the man beneath is never seen. Genial words and hearty greetings are ever rising to his lips, but they die away in unheard whispers behind the steel clamps. His heart aches for the weary brother, but his sympathy is dumb. Contempt and indignation against wrong choke up his throat, and finding no safety-valve whence in passionate utterance they may burst forth, they only turn in again and harm him. All the hate and scorn and love of a deep nature such as the shy man is ever cursed by fester and corrupt within, instead of spending themselves abroad, and sour him into a misanthrope and cynic.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
All this attempt to control... We are talking about Western attitudes that are five hundred years old... The basic idea of science - that there was a new way to look at reality, that it was objective, that it did not depend on your beliefs or your nationality, that it was rational - that idea was fresh and exciting back then. It offered promise and hope for the future, and it swept away the old medieval system, which was hundreds of years old. The medieval world of feudal politics and religious dogma and hateful superstitions fell before science. But, in truth, this was because the medieval world didn't really work any more. It didn't work economically, it didn't work intellectually, and it didn't fit the new world that was emerging... But now... science is the belief system that is hundreds of years old. And, like the medieval system before it, science is starting to not fit the world any more. Science has attained so much power that its practical limits begin to be apparent. Largely through science, billions of us live in one small world, densely packed and intercommunicating. But science cannot help us decide what to do with that world, or how to live. Science can make a nuclear reactor, but it can not tell us not to build it. Science can make pesticide, but cannot tell us not to use it. And our world starts to seem polluted in fundamental ways - air, and water, and land - because of ungovernable science... At the same time, the great intellectual justification of science has vanished. Ever since Newton and Descartes, science has explicitly offered us the vision of total control. Science has claimed the power to eventually control everything, through its understanding of natural laws. But in the twentieth century, that claim has been shattered beyond repair. First, Heisenberg's uncertainty principle set limits on what we could know about the subatomic world. Oh well, we say. None of us lives in a subatomic world. It doesn't make any practical difference as we go through our lives. Then Godel's theorem set similar limits to mathematics, the formal language of science. Mathematicians used to think that their language had some inherent trueness that derived from the laws of logic. Now we know what we call 'reason' is just an arbitrary game. It's not special, in the way we thought it was. And now chaos theory proves that unpredictability is built into our daily lives. It is as mundane as the rain storms we cannot predict. And so the grand vision of science, hundreds of years old - the dream of total control - has died, in our century. And with it much of the justification, the rationale for science to do what it does. And for us to listen to it. Science has always said that it may not know everything now but it will know, eventually. But now we see that isn't true. It is an idle boast. As foolish, and misguided, as the child who jumps off a building because he believes he can fly... We are witnessing the end of the scientific era. Science, like other outmoded systems, is destroying itself. As it gains in power, it proves itself incapable of handling the power. Because things are going very fast now... it will be in everyone's hands. It will be in kits for backyard gardeners. Experiments for schoolchildren. Cheap labs for terrorists and dictators. And that will force everyone to ask the same question - What should I do with my power? - which is the very question science says it cannot answer.
Michael Crichton (Jurassic Park (Jurassic Park, #1))
In South Texas I saw three interesting things. The first was a tiny girl, maybe ten years old, driving in a 1965 Cadillac. She wasn't going very fast, because I passed her, but still she was cruising right along, with her head tilted back and her mouth open and her little hands gripping the wheel. Then I saw an old man walking up the median strip pulling a wooden cross behind him. It was mounted on something like a golf cart with two spoked wheels. I slowed down to read the hand-lettered sign on his chest. JACKSONVILLE FLA OR BUST I had never been to Jacksonville but I knew it was the home of the Gator Bowl and I had heard it was a boom town, taking in an entire county or some such thing. It seemed an odd destination for a religious pilgrim. Penance maybe for some terrible sin, or some bargain he had worked out with God, or maybe just a crazed hiker. I waved and called out to him, wishing him luck, but he was intent on his marching and had no time for idle greetings. His step was brisk and I was convinced he wouldn't bust. The third interesting thing was a convoy of stake-bed trucks all piled high with loose watermelons and cantaloupes. I was amazed. I couldn't believe that the bottom ones weren't crushed under all that weight, exploding and spraying hazardous melon juice onto the highway. One of nature's tricks with curved surfaces. Topology! I had never made it that far in mathematics and engineering studies, and I knew now that I never would, just as I knew that I would never be a navy pilot or a Treasury agent. I made a B in Statics but I was failing in Dynamics when I withdrew from the field. The course I liked best was one called Strength of Materials. Everybody else hated it because of all the tables we had to memorize but I loved it, the sheared beam. I had once tried to explain to Dupree how things fell apart from being pulled and compressed and twisted and bent and sheared but he wouldn't listen. Whenever that kind of thing came up, he would always say - boast, the way those people do - that he had no head for figures and couldn't do things with his hands, slyly suggesting the presence of finer qualities.
Charles Portis (The Dog of the South)
I would be unfair to myself if I said I did not try. I did, even if desultorily. But desire is a curious thing. If it does not exist it does not exist and there is nothing you can do to conjure it up. Worse still, as I discovered, when desire begins to sink, like a capsizing ship it takes down a lot with it.   In our case it took down the conversation, the laughter, the sharing, the concern, the dreams and nearly - the most important thing, the most important thing - and nearly the affection too. Soon my sinking desire had taken everything else down with it to the floor of the sea, and only affection remained like the bobbing hand of a drowning man, poised perilously between life and death.   More than once she tried to seize the moment and open up the issue. She did it with a hard face and a soft face; she did it when I was idling on the terrace and when I was in the thick of my works; first thing in the morning and last thing at night.   We need to talk. Yes. Do you want to talk? Sure. What's happening? I don't know. Is there someone else? No. Is it something I did? Oh no. Then what the hell's happening? I don't know. Is there anything you want to talk to me about? I don't know. What do you mean you don't know? I don't know. What do you mean you don't know? I don't know. That's what I mean - I don't know. Toc toc toc.   All the while I tried to save that bobbing hand - of affection - from vanishing. I felt somehow that if it drowned there would not be a single pointer on the wide stormy surface to show me where our great love had once stood. That bobbing hand of affection was a marker, a buoy, holding out the hope that one day we could salvage the sunken ship. If it drowned, our coordinates would be completely lost and we would not know where to even begin looking.   Even in my weird state, it was an image of such desolation that it made my heart lurch wildly.   ***   For a long time, with her immense pride in herself - in us - she did not turn to anyone for help. Not friends, not family. For simply too long she imagined this was a passing phase, but then, as the weeks rolled by, through slow accretion the awful truth began to settle on her. By then she had run through all the plays of a relationship: withdrawal, sulking, anger, seduction, inquisition, affection, threat.   Logic, love, lust. Now the epitaph was beginning to creep up on her. Acceptance. 
Tarun J. Tejpal
I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)