Jeans Lover Quotes

So would you like to try on some clothes?" Beth nodded at what was in her arms. "I don't have many dresses but Fritz can get you some." You know what?" Marissa eyed the blue jeans the queen had on. "I've never worn a pair of pants before." I've got two pairs here if you want to try them out." Well, wasn't this a night for firsts. Sex. Arson. Pants.

How stupid lovers can be! But if they were not, there would be no story.

Erotic play discloses a nameless world which is revealed by the nocturnal language of lovers. Such language is not written down. It is whispered into the ear at night in a hoarse voice. At dawn it is forgotten.

She’ll have no lover, for I don’t want her and she’ll see no other.

Stop it. This is serious! (Selena) Serious? Please. I’m standing out here on my twenty-ninth birthday, barefoot and in jeans my mother would burn, holding a stupid book to my chest in an effort to summon a Greek love-slave from the great beyond. (Grace)

Stephan was secretive and a liar, but he was a very gentle and expert lover. She was the petted, cherished child, the desired mistress, the worshipped, perfumed goddess. She was all these things to Stephan - or so he made her believe.

You're a freak. But I really can't accept these-' Were you raised in a barn? Don't be ruuuuuude, my boy. They're a gift.' Blay shook his head. 'Take them, John. You're just going to lose this argument, and it will save us from the theatrics.' Theatrics?' Qhuinn leaped up and assumed a Roman oratory pose. 'Whither thou knowest thy ass from thy elbow, young scribe?' Blay blushed. 'Come on-' Qhuinn threw himself at Blay, grasping onto the guy's shoulders and hanging his full weight off him. 'Hold me. Your insult has left me breathless. I'm agasp.' Blay grunted and scrambled to keep Qhuinn up off the floor. 'That's agape.' Agasp sounds better.' Blay was trying not to smile, trying not to be delighted, but his eyes were sparkling like sapphires and his cheeks were getting red. With a silent laugh, John sat on one of the locker room benches, shook out his pair of white socks, and pulled them on under his new old jeans. 'You sure, Qhuinn? 'Cause I have a feeling they're going to fit and you might change your mind. Qhuinn abruptly lifted himself off Blay and straightened his clothes with a sharp tug. 'And now you offend my honor.' Facing off at John, he flipped into a fencing stance. Touché.' Blay laughed. 'That's en garde, you damn fool.' Qhuinn shot a look over his shoulder. 'ça va, Brutus?' Et tu?' That would be tutu, I believe, and you can keep the cross-dressing to yourself, ya perv.' Qhuinn flashed a brilliant smile, all twelve kinds of proud for being such an ass. 'Now, put the fuckers on, John, and let's be done with this. Before we have to put Blay in an iron lung.' Try sanitarium.' No, thanks, I had a big lunch.

The quarrels of lovers are the renewal of love.

They made love until Chris had to leave for the airport, without sleeping at all. After Chris had left, wearing wrinkled jeans and Xander’s sweat and seed on his skin, Xander flopped back onto the bed and looked miserably at the clock.

Such nights are possible, and we survive them. It is a matter of sleeping next to the adored body you no longer have the right or inclination to love. Whether you are the one who casts off, or are the cast of yourself; whether your arms are the recoilers, or the ones that reach wantingly, then pull back, remembering they are no longer wanted. Two bodies that are used to each other's rhythms and sleep sounds, that know the turnings and breathings, know not to worry about that cough or that brief garbled grunt, that wildly flung arm or that stone-cold foot. Bodies that soon will not know each other's night selves: will touch each other through jackets and jeans and the cooled-down air of reestablished acquaintance, if such a thing is possible between a given pair of ex-lovers.

Vain, silly creature. Made for loving? Yes, but she'll have no lover, for I don't want her and she'll see no other.

A faithful woman looks to the spring, a good book, perfume, earthquakes, and divine revelation for the experience others find in a lover. They deceive their husbands, so to speak, with the entire world, men excepted.

The wind has many lovers and I am one of them, I move freely in her arms I know no chains, nor bound to anyone’s truth, you can call me a harlot of the wind, I take no offense, because I know at the end of my days, my face will show that I have been kissed by the breath of GOD. ~Micheline Jean louis

Take a table and I’ll join you in a second.’’ When he walked away I did something I couldn’t be scolded for doing. I checked out his ass in his jeans and…that looked good.

Jeannot la bêtise des amoureux est immense, végétale, animale, astrale. Que faire? Comment te faire comprendre que je n'existe plus en dehors de toi.

To her own heart, which was shaped exactly like a valentine, there came a winglike palpitation, a delicate exigency, and all the fragrance of all the flowery springtime love affairs that ever were seemed waiting for them in the whisky bottle. To mingle their pain their handshake had promised them, was to produce a separate entity, like a child that could shift for itself, and they scrambled hastily toward this profound and pastoral experience.

Arthur Less is the first homosexual ever to grow old. That is, at least, how he feels at times like these. Here, in this tub, he should be twenty-five or thirty, a beautiful young man naked in a bathtub. Enjoying the pleasures of life. How dreadful if someone came upon naked Less today: pink to his middle, gray to his scalp, like those old double erasers for pencil and ink. He has never seen another gay man age past fifty, none except Robert. He met them all at forty or so but never saw them make it much beyond; they died of AIDS, that generation. Less’s generation often feels like the first to explore the land beyond fifty. How are they meant to do it? Do you stay a boy forever, and dye your hair and diet to stay lean and wear tight shirts and jeans and go out dancing until you drop dead at eighty? Or do you do the opposite—do you forswear all that, and let your hair go gray, and wear elegant sweaters that cover your belly, and smile on past pleasures that will never come again? Do you marry and adopt a child? In a couple, do you each take a lover, like matching nightstands by the bed, so that sex will not vanish entirely? Or do you let sex vanish entirely, as heterosexuals do? Do you experience the relief of letting go of all that vanity, anxiety, desire, and pain?

almost-thirty-year-old woman, with too many T-shirts and jeans to count and

You want me to talk about love, to give you a hold, something to feel, to admire or obtain. I will not give you a straw to grasp, and in this emptiness you will be taken by yourself. You are love so don’t try to be a lover.

Are you done fighting for me?" Humiliation inches up my spine; it bleeds through me at Akio's silence. At last, he opens his mouth and speaks. "Never. I'll never be done fighting for you. How can I? I love you, and you fight for the things you love.

Patton would have said a warmer goodbye to his horse, The author writes on Eisenhower's cold dismissal of his wartime lover.

My dearest, I write this letter by candlelight as you lie sleeping. And though I can't hear the soft sounds of your slumber, I know you are there, and soon I will be lying next to you again as I always have. And I will feel your warmth and your comfort, and your breaths will slowly guide me to the place where I dream of you and the wonderful man you are. I see the flame beside me and it reminds me of another fire, (with me in your soft clothes and you in your jeans) of me and you. I knew then we would always be together. My heart had been captured, and I knew inside that it had always been yours. Who was I to question a love that rode on shooting stars and roared like crashing waves? For that is what is was between us then and that is what it is today. You are my best friend as well as my lover, and I do not know which side of you I enjoy the most. I treasure each side, just as I have treasured our life together. You have something inside you, something beautiful and strong. Kindness, that's what I see when I look at you, that's what everyone sees. Kindness. You are the most forgiving and peaceful man I know. God is with you, He must be, for you are the closest thing to an angel that I've ever seen. We have lived a lifetime most couples never know, and yet, when I look at you, I am frightened by the knowledge that all this will be ending soon. (For we both know my prognosis and what it will mean to us.) I see your tears and I worry more about you than I do about me, because I fear the pain I know you will go through. There are no words to express my sorrow for this, and I am at a loss for words. So I love you so deeply, so incredibly much. Know that I love you, that I always will, and that no matter what happens, know I have led the greatest life possible. My life with you. I love you. I love you now as I write this, and I love you now as you read this. And I am so sorry if I am not able to tell you. I love you deeply. You are, and always have been, my dream.

Enthusiasm is the first step," she said. "Artfulness comes later." "I hope I didn't disappoint you." "I'm not displeased, Jovanno. Hells, having a lover that's new to the dance means you can train him properly. Give me a few nights and I'll have you whipped into proper form." "The Asino brothers ... they always, well, they always invited me to go with them when they went out. To buy it, you know." "There's no shame in doing that. And there's no shame in not having done it. But those two are hounds, Jovanno. Any woman could smell it a mile away. Sometimes a run with the hounds is just what you're in the mood for, but in the end they'll always roll around in muck and shit on your floor." "Oh, they've got an endearing side," said Jean. "It comes out once a month, when the first moon is full. They're like backwards werewolves.

We would never go shopping together or eat an entire cake while we complained about men. He'd never invite me over to his house for dinner or a barbecue. We'd never be lovers. But there was a very good chance that one of us would be the last person the other saw before we died. It wasn't friendship the way most people understood it, but it was friendship. There were several people I'd trust with my life, but there is no one else I'd trust with my death. Jean-Claude and even Richard would try to hold me alive out of love or something that passed for it. Even my family and other friends would fight to keep me alive. If I wanted death, Edward would give it to me. Because we both understand that it isn't death that we fear. It's living.

Poor old Jean Valjean, of course, loved Cosette only as a father; but, as we noted earlier, into this fatherly love his lonely single status in life had introduced every other kind of love; he loved Cosette as his daughter, and he loved her as his mother, and he loved her as his sister; and, as he had never had either a lover or a wife, as nature is a creditor that does not accept nonpayment, that particular feeling, too, the most indestructible of all, had thrown itself in with the rest, vague, ignorant, heavenly, angelic, divine; less a feeling than an instinct, less an instinct than an attraction, imperceptible and invisible but real; and love, truly called, lay in his enormous tenderness for Cosette the way a vein of gold lies in the mountain, dark and virginal. We should bear in mind that state of the heart that we have already mentioned. Marriage between them was out of the question, even that of souls; and yet it is certain that their destinies had joined together as one. Except for Cosette, that is, except for a child, Jean Valjean had never, in all his long life, known anything about love. Serial passions and love affairs had not laid those successive shades of green over him, fresh green on top of dark green, that you notice on foliage that has come through winter and on men that have passed their fifties. In short, and we have insisted on this more than once, this whole inner fusion, this whole set, the result of which was lofty virtue, had wound up making Jean Valjean a father for Cosette. A strange father, forged out of the grandfather, son, brother, and husband that were all in Jean Valjean; a father in whom there was even a mother; a father who loved Cosette and worshipped her, and for whom that child was light, was home, was his homeland, was paradise.

I was in the habit of calling a kiss a peck. Bulkaen had said “a smack.” As erotic language, such as we use in dalliance, is a kind of secretion, a concentrated juice that flows from the lips only in moments of the most intense emotion, of plaint, as this language is, in other words, the essential expression of passion, each pair of lovers has its own peculiar language, a language which has a perfume, an odor sui generis which belongs only to that couple… intimacy… the secret rites of a deep love.

For what it’s worth”—he rose from his seat, moved around the table and bent over her, whispering in her ear as he pressed a kiss to her cheek— “I like you better in a pair of worn jeans, and I think you deserve someone who appreciates what he’s got. Not someone out to have a good time.

What we seek in travel is neither discovery nor trade but rather a gentle deterritorialization: we want to be taken over by the journey - in other words, by absence. As our metal vectors transcend meridians, oceans and poles, absence takes on a fleshy quality. The clandestineness of the depths of private life gives way to annihilation by longitude and latitude. But in the end the body tires of not knowing where it is, even if the mind finds this absence exalting, as if it were a quality proper to itself. Perhaps, after all, what we seek in others is the same gentle deterritorialization that we seek in travel. Instead of one's own desire, instead of discovery, we are tempted by exile in the desire of the other, or by the desire of the other as an ocean to cross. The looks and gestures of lovers already have the distance of exile about them; the language of lovers is an expatriation in words that are afraid to signify; and the bodies of lovers are a tender hologram to eye and hand, offering no resistance and hence susceptible of being crisscrossed, like airspace, by desire. We move around with circumspection on a mental planet of circumvolutions, and from our excesses and passions we bring back the same transparent memories as we do from our travels.

What you call the personality is an inflexible accumulation of emotive images. The real personality appears in your stillness only when you need it and disappears when the situation no longer calls for it. It is flexible without a periphery. It is multidimensional, free from psychological interference. When you are called upon to be a mother, a father, a lover, a student, a teacher, a fighter, you are these temporarily, but they do not remain as a state you identify with. Then there is love, there is affection without affectivity.

Good dancers make excellent lovers.

Love her for all she is, Not just when she can please. She is the crown of your life, Not the fly of your jeans.

Orpheus, with immaculately cut pleated trousers instead of a toga, was played by Jean Marais, Cocteau’s young lover. The leading actress, Maria Casares, was Albert Camus’s mistress.

In silent surrender there is bliss and prayer without request or demand. There is no doer, experiencer, lover or beloved. There is only a divine current. You see that the very act of welcoming is itself the solution to the problem and the action which follows your comprehension is very straightforward. When you become familiar with the act of surrender, truth will solicit you unsought.

He stopped breathing, literally stopped breathing for several seconds. His brain had stopped working as soon as she had unzipped his jeans. His heart was going into overdrive because somewhere in the last few minutes, it had forgotten how to beat in regular intervals. And now his lungs were giving in, blatantly refusing to take in any air. It was like every organ was confused and electrified by the sensations pounding through his body; like they were all shouting: “Hey, what’s going on down there, Penis?” But Penis was too wrapped up in Danny’s mouth to respond so they all just continued to malfunction.

The decent man and the lover holds back even when he could obtain what he wishes. To win this silent consent is to make use of all the violence permitted in love. To read it in the eyes, to see it in the ways in spite of the mouth's denial, that is the art of he who knows how to love. If he then completes his happiness, he is not brutal, he is decent. He does not insult chasteness; he respects it; he serves it.

He calls me his waif, his down-on-her-luck waitress, but he takes it all lightly. In fact, Holly Golightly is one of his names for me. If we lived together I would expose myself as the blighted Jean Rhys character I really am.

Even T.E. Lawrence, who hardly knew the meaning of fear, was by Sassoon's own account, terrified after only five minutes of his driving; 'my methods of turning from side roads into main roads were abrupt in those days' Sassoon added by way of explanation.

Elizabeth ran her finger along the windowsill, gathering dust. The view was almost exactly the same as from her own bedroom, only a few degrees shifted. She could still see the Rosens' place, with its red door and folding shutters, and the Martinez house, with its porch swing and the dog bowl. She'd heard once that what made you a real New Yorker was when you could remember back three laters -- the place on the corner that had been a bakery and then a barbershop before it was a cell-phone store, or the restaurant that had been Italian, then Mexican, then Cuban. The city was a palimpsest, a Mod Podged pileup or old signage and other people's failures. Newcomers saw only what was in front of them, but people who had been there long enough were always looking at two or three other places simultaneously. The IRT, Canal Jeans, the Limelight. So much of the city she'd fallen in love with was gone, but then again, that's how it worked. It was your job to remember. At least the bridges were still there. Some things were too heavy to take down.

Nevertheless, beneath me—along the river bank, beneath the bridges, in the shadow of the walls, I could almost hear the collective, shivering sigh—were lovers and ruins, sleeping, embracing, coupling, drinking, staring out at the descending night. Behind the walls of the houses I passed, the French nation was clearing away the dishes, putting little Jean Pierre and Marie to bed, scowling over the eternal problems of the sou, the shop, the church, the unsteady State. Those walls, those shuttered windows held them in and protected them against the darkness and the long moan of this long night. Ten years hence, little Jean Pierre or Marie might find themselves out here beside the river and wonder, like me, how they had fallen out of the web of safety. What a long way, I thought, I’ve come—to be destroyed!

Giants in Jeans Sonnet 25 Wanna know about people's character? Walk around in shabby clothes. Wanna know who's wise, who's egotistical? Be the dumbest despite your brainforce. Never try to impress people. The more you try, the more they lose interest. Nourish your warmth and kindness instead, Those who care will reach out themselves. But always remember one little thing, You can either have life or calculation. Calculate where it's needed, But not in every situation. Lovers and soldiers are the only ones living, Rest of society is just dehydrating.

[…] without much ardor but quite unmistakably, she was writhing her hips as if she were dancing. When he was very close, he saw' her gaping mouth: she was yawning lengthily, insatiably: the great open hole was rocking gently atop die mechanically dancing body. Jean-Marc thought: she’s dancing and she’s bored. He reached the seawall: down below, on the beach, he saw men with their heads thrown back releasing kites into the air. They were doing it with passion, and Jean-Marc recalled his old theory: there are three kinds of boredom: passive boredom: the girl dancing and yawning; active boredom: kite-lovers; and rebellious boredom: young people burning cars and smashing shop windows.

At the break of dawn I wake up mesmerized to the vision of you walking towards me Fresh out of the shower shirtless, with wet hair and in your unbuttoned jeans I ache for a kiss as I put away the cigarette hanging loosely on your lips And in the moment when your lips touch mine I realize there is no way I am making it out of these sheets or Paris

When a woman is leaving her man, when a woman finally decides her departure, Does she still need to water the plants everyday? Does she still need to wash his shirts, socks and jeans? Check all his pockets before washing them? Does she still need to cook food every evening before he comes back? Or just leave everything uncooked in the fridge? Like those days when he was a bachelor? Does she still need to wash the dishes, and sweep the floor? Does she still kiss him? When he comes back through the evening door? Does she still want to make love with hi,? Does she, or will she cry, when she feels her body needs somebody to cover it and warm it, but not this one, the one lies beside hers? Does she, or will she say, I am leaving you, on a particular day? Or at a particular time? Or in a particular moment? Does she, or will she hire a car or a taxi, to take all her things before he understands what is happening? Does she, or will she cry, cry loudly, when she starts leading her lead to a new life, a life without anybody waiting for her and without anybody lighting a fire for her?

I happened to catch a glimpse of my reflection in the window glass. The image of myself that floated to the surface, tinged with blue against a backdrop of the signs, walls, and windows of the nearby buildings, looked absolutely miserable. Not sad, or tired, but the dictionary definition of a miserable person. This was the woman that I saw in the glass, while an assortment of other objects drifted in and out of the reflection. The space around my head was wild with baby hair or stray hairs that had come free. My shoulders sagged, and the skin around my eyes was sunken. My arms and legs looked stubby while my neck looked long and skinny. The tendons around my collarbone and throat stuck out, and my skin was anything but supple, as if the flesh had been deflated, leaving bizarre diagonal lines on my cheeks. What I saw in the reflection was myself, in a cardigan and faded jeans, at age thirty-four. Just a miserable woman, who couldn’t even enjoy herself on a gorgeous day like this, on her own in the city, desperately hugging a bag full to bursting with the kind of things that other people wave off or throw in the trash the first chance they get.

Creating is not a somewhat frivolous game. The creator has committed himself to the fearful adventure of taking upon himself, to the very end, the perils risked by his creatures. We cannot suppose a creation that does not spring from love. How can a man place before himself something as strong as himself which he will have to scorn and hate?...Every lover does likewise, hoping to be loved for his own sake.

The custom of eating the lover after consummination of the nuptials, of making a meal of the exhausted pigmy, who is henceforth good for nothing, is not so difficult to understand, since insects can hardly be accused of sentimentality; but to devour him during the act surpasses anything the most morbid mind could imagine. I have seen the thing with my own eyes, and I have not yet recovered from my surprise.

Quinn shucked his jeans but left his boxers on as he crawled on the bed and covered her body - kissing her along the way. "I think one of us is still overdressed," he murmured. She couldn't help but tease him. "I was wondering why you left your boxers on." And then he rested his forehead against hers, closed his eyes, and smiled. "You're not going to make this easy, are you?" She shook her head. "I was hoping to make it... hard. Very, very hard.

The Southern man has a certain swagger about him that every woman craves in a man, whether she is willing to admit it or not. in this depressingly utilitarian age, when young lovers remove identical faded jeans and pea jackets before getting into bed together, the thought of a beau sabreur lover is not unappealing, Neither the overbearing male chauvinist nor the supportive gelding are capalbe of stirring the female blood, but a dashing cavalier is.

But this is till the same girl who once lived in the steppes, wild and indomitable. Even when she ceased to play in the falling snow, the snow continued to fall within her soul. She never sough lovers among the wealthy men and the crown princes who prostrated themselves before her; her heart, like her voice, remained faultless. The reputation, temperament and talent of the woman partook of exactly the same crystalline transparency and icy clarity. ("The Glass Of Blood")

Why was it, she wondered, that men always seemed to want so much advice? They never took it unless it was a confirmation of their own desires, but they liked to have it. They liked to march fortified by feminine approval as well as by masculine initiative. Would women, she mused while in the kitchen, opening paper bags, laying out plates and knives and spoons on trays, cutting tomatoes, grating cheese, and scraping the remnants of ham from a knuckle bone, would women have done better through life if they had more consistently demanded from men the toll of daily council? If, instead of merely doing things, they had waylaid friends, lovers, husbands, and brothers, and set before them this plan and the other, crying dramatically, “This step will make or mar me!” Or, “If I go wrong here, I’m done!” Or, “But in spite of God and the devil, I’ll do it yet,” Women, reflected Jean, too often knew that, as likely as not, they would never be done till dead.

the two of them all GQ’d up for Last Meal. Both wore slacks, not jeans, and sweaters, not sweatshirts, and loafers, not shitkickers. They were clean-shaven, cologned, and coiffed, but they were not she-males in the slightest. Frankly, that would have made things a lot easier. For fuck’s sake, he wished one of the SOBs would RuPaul their shit and go all feather boa and fingernail polish. But no. They just kept looking like two too-hot males who knew how to spend their money at Saks

Sandy was fascinated by the economy of Teddy Lloyd's method, as she had been four years earlier by Miss Brodie''s variations on her love story, when she had attached to her first, war-time lover the attributes of the art master and the singing master who had then newly entered her orbit. Teddy Lloyd's method of presentation was similar, it was economical, and it always seemed afterwards to Sandy that where there was a choice of various courses, the most economical was the best, and that the course to be taken was the most expedient and most suitable at the time for all the objects in hand.

The first symptom of true love in a young man is timidity; in a young girl, boldness. This is surprising, yet nothing is more simple. It is the two sexes tending to approach each other and assuming, each the other’s qualities. That day, Cosette’s glance drove Marius beside himself, and Marius’ glance set Cosette to trembling. Marius went away confident, and Cosette uneasy. From that day forth, they adored each other. The first thing that Cosette felt was a confused and profound melancholy. It seemed to her that her soul had become black since the day before. She no longer recognized it. The whiteness of soul in young girls, which is composed of coldness and gayety, resembles snow. It melts in love, which is its sun. Cosette did not know what love was. She had never heard the word uttered in its terrestrial sense. She did not know what name to give to what she now felt. Is any one the less ill because one does not know the name of one’s malady? She loved with all the more passion because she loved ignorantly. She did not know whether it was a good thing or a bad thing, useful or dangerous, eternal or temporary, allowable or prohibited; she loved. She would have been greatly astonished, had any one said to her: ‘You do not sleep? But that is forbidden! You do not eat? Why, that is very bad! You have oppressions and palpitations of the heart? That must not be! You blush and turn pale, when a certain being clad in black appears at the end of a certain green walk? But that is abominable!’ She would not have understood, and she would have replied: ‘What fault is there of mine in a matter in which I have no power and of which I know nothing?’ It turned out that the love which presented itself was exactly suited to the state of her soul. It was admiration at a distance, the deification of a stranger. It was the apparition of youth to youth, the dream of nights become a reality yet remaining a dream, the longed-for phantom realized and made flesh at last, but having as yet, neither name, nor fault, nor spot, nor exigence, nor defect; in a word, the distant lover who lingered in the ideal, a chimaera with a form. Any nearer and more palpable meeting would have alarmed Cosette at this first stage, when she was still half immersed in the exaggerated mists of the cloister. She had all the fears of children and all the fears of nuns combined. The spirit of the convent, with which she had been permeated for the space of five years, was still in the process of slow evaporation from her person, and made everything tremble around her. In this situation he was not a lover, he was not even an admirer, he was a vision. She set herself to adoring Marius as something charming, luminous, and impossible. As extreme innocence borders on extreme coquetry, she smiled at him with all frankness. Every day, she looked forward to the hour for their walk with impatience, she found Marius there, she felt herself unspeakably happy, and thought in all sincerity that she was expressing her whole thought when she said to Jean Valjean:— ‘What a delicious garden that Luxembourg is!’ Marius and Cosette were in the dark as to one another. They did not address each other, they did not salute each other, they did not know each other; they saw each other; and like stars of heaven which are separated by millions of leagues, they lived by gazing at each other. It was thus that Cosette gradually became a woman and developed, beautiful and loving, with a consciousness of beauty and in ignorance of love.

This Sarah Perez had the most beautiful eyes in the world, those green eyes spangled with gold that you love so much: the eyes of Antinous. In Rome, such eyes would have made her a concubine of Adrian; in Madrid they helped her become the princess of Eboli ensconced in the bed of the king. But Philip II was extremely jealous of those wonderful emerald eyes and their delicate transparency, and the princess - who was bored with the funereal palace and the even more funereal society of the king - had the fancy and the misfortune to cast her admirable gaze upon the Marquis de Posa while she was leaving church one day. It was on the threshold of the chapel, and the princess believed herself to be alone with her camarera mayor, but the vigilance of the clergy was equal to the challenge. She was betrayed, and that very evening, in the intimacy of their bedroom, in the course of some violent argument or tempestuous tussle, Philip threw his mistress to the floor. Blind with rage he leapt upon her, tore out her eye and devoured it in a single gulp. 'Thus was the princess covered in blood - a good title for a conte cruel, that, which Villiers de l'Isle Adam has somehow omitted to write! The princess was henceforth one-eyed: the royal pet had a gaping hole in her face. Philip II, who had the Jewess in his blood, could not cleave so closely to a princess who had only one eye. He made amends to her with some new titles and estates in the provinces and - regretful of the beautiful green eye that he had spoiled - he caused to be inserted into the empty and bloody orbit a superb emerald enshrined in silver, upon which surgeons then inscribed the semblance of a gaze. Oculists have made progress since then; the Princess of Eboli, already hurt by the ruination of her eye, died some little time afterwards, of the effects of the operation. The ways of love and surgery were equally barbarous in the time of Philip II! 'Philip, the inconsolable lover, gave the order to remove the emerald from the face of the dead princess before she was laid in the tomb, and had it mounted in a ring. He wore it about his finger, and would never take it off, even when he went to sleep - and when he died in his turn, he had the ring bearing the green tear clasped in his right hand.

The deafening report of the next rocket to go up masked my squeak when his hand slipped into my lap. “Oh, God.” I gasped, trying to pretend nothing was happening. Nope, absolutely nothing weird about cuddling with a near-stranger in the presence of my secret ex-lover. The pace of the detonations picked up, cloaking my gasps as the flat of his finger and then his palm rubbed up and down the crotch-seam of my jeans. He brought me right to the quivering brink of blowing my load in my pants, then backed off, cupping his hand almost protectively over the bulge there, covering but not trying to stimulate. “Here’s how it’s gonna be,” he growled in my ear between booms. “When this is over, we’re going back to my room and I’m going to fuck you until you can’t remember your own name. Then, when you can form words of more than one syllable again and string them reliably together into sentences, you’re going to tell me what the hell is going on here. But get this straight in your head: I. Don’t. Hide. Not from anyone, not for any reason. I don’t care what’s going on, if you expect me to be with you, don’t even think of asking me to pretend I’m not. Got it?

And then she caught the song. She fell upon it and music poured from the fiddle’s hollow, bright and liquid like fire out of the heart of the earth. Pierre-Jean drew back and stood mesmerized. The room around Fin stirred as every ear bent to the ring of heartsong. It rushed through Fin and spread to the outermost and tiniest capillary reaches of her body. Her flesh sang. The hairs of her arms and neck roused and stood. She sped the bow across the strings. Her fingers danced on the fingerboard quick as fat raindrops. Every man in the room that night would later swear that there was a wind within it. They would tell their children and lovers that a hurricane had filled the room, toppled chairs, driven papers and sheets before it and blew not merely around them but through them, taking fears, grudges, malice, and contempt with it, sending them spiraling out into the night where they vanished among the stars like embers rising from a bonfire. And though the spirited cry of the fiddle’s song blew through others and around the room and everything in it, Fin sat at the heart of it. It poured into her. It found room in the closets and hollow places of her soul to settle and root. It planted seeds: courage, resolve, steadfastness. Fin gulped it in, seized it, held it fast. She needed it, had thirsted for it all her days. She saw the road ahead of her, and though she didn’t understand it or comprehend her part in it, she knew that she needed the ancient and reckless power of a holy song to endure it. She didn’t let the music loose. It buckled and swept and still she clung to it, defined it in notes and rhythm, channeled it like a river bound between mountain steeps. And a thing happened then so precious and strange that Fin would ever after remember it only in the formless manner of dreams. The song turned and spoke her name—her true name, intoned in a language of mysteries. Not her earthly name, but a secret word, defining her alone among all created things. The writhing song spoke it, and for the first time, she knew herself. She knew what it was to be separated out, held apart from every other breathing creature, and known. Though she’d never heard it before and wouldn’t recall it after, every stitch of her soul shook in the passage of the word, shuddered in the wake of it, and mourned as the sound sped away. In an instant, it was over. The song ended with the dissonant pluck of a broken string.

It’s torsos that join together and then withdraw in a hurry to remove clothing, the Nordic sweater, the T-shirt, so that finally it’s skin next to skin. His torso is muscular and hairless, with nipples that are flat and dark. My chest is skinny, not yet deformed as it will be four years later by the blows of an emergency room doctor. It’s skin that is frantically caressed. My fingers find a constellation of moles, just as I guessed, on his back. It’s jeans that we unbutton. I discover his sex, veiny, white, sumptuous. I am enthralled by his sex. It will take many years and many lovers before I ever return to this sense of amazement. Love, it’s taking each other in the mouth, maintaining a certain comportment despite the frenzy. It’s exercising restraint not to come, the excitement is so powerful. It’s abandonment, that crazy trust in the other. I guessed that it was not the first time for him. His movements are too sure, too simple not to have been practiced before with someone else, maybe with many others. And then, he asks me to take him. He says the words, without shame, without ordering me to either. I obey him, though I’m afraid. I know that it can hurt if the other person doesn’t know how to do it, that the body can resist.

Billy pulled her snug against his body, forgetting his arousal in the urgent need to give her comfort. He felt her stiffen, sought the reason, and realized she must have felt his erection. She shoved him away with the flat of her palms and stared up at him, her eyes wide with surprise. Or maybe shock was a better word. Billy knew instantly what he’d lost. The wariness in her gaze spoke for itself. She’d always trusted him implicitly. Like a brother. But it was a lover’s body she’d felt. He could see she was astonished that he’d become aroused by touching her. He let his hands drop to his sides. He didn’t think excuses would work, but he was willing to give them a try. His mouth curled up on one side in a cock-eyed grin. “Sorry about that. The feel of a female body does that to a man, whether he wants it to happen or not.” “It shouldn’t happen between us,” she said with certainty. “We’re friends.” He shrugged. “You’re female. I’m male. Sometimes it happens.” “Not to us,” she insisted. She stared into his face suspiciously. “Or has it?” “It might have happened once or twice. No big deal.” She stared at the visible bulge in his jeans, then glanced up at him, her face flushed and said, “It looks pretty big to me.” Billy couldn’t help grinning. “Summer, you can’t be this naïve. This is how a man reacts when he’s around an attractive woman.” “You find me attractive?” He saw the startled interest in her eyes and realized he’d opened another can of worms. He didn’t want her judging him as a prospective suitor. There was no way he could match up to the men her father presented to her on a silver platter. “Any man would find a pretty girl like you attractive,” he said, backpedaling as fast as he could. He flipped one of her golden curls back from her shoulder and said, “Curls this bouncy, and eyes like topaz jewels, and a nose this nosy.” He tapped her playfully on the nose. “What man wouldn’t react like I did?

Excerpt from Winning Streak, Las Vegas Sinners Book 3, coming later this year: Tonight’s ensemble was typical Madden. Dark and faded but expensive jeans, a fitted, black Vegas is For Lovers t-shirt and some Doc Martin boots. Okay, those were a little unusual. “We’re not going for a hike in the desert, are we?” “Not exactly.” “What is ‘not exactly’? I’m not a pee-behind-a-tree kind of girl.

Jean-Yves looked up at his mother's face, her greying chignon, her harsh features: it was difficult to feel a rush of tenderness, of affection for this woman; as far back as he could remember, she had never really been one for hugs; it was equally difficult to imagine her in the role of a sensual lover, a slut. He suddenly realised that his father must have been bored shitless his whole life. He felt terribly shocked by this, his hands tensed on the edge of the table: this time it was irreparable, it was definitive. In despair, he tried to recall a moment when he had seen his father beaming, happy, genuinely glad to be alive.

Didn’t you know? This damaged heart Had shut out the world for an independent start I was perfectly fine behind this stone lock Depending on no one, I am my own rock Now you’re there to catch me, asking for trust Your arms are wide open but I will not jump The more you persist, the more I push back The more we resist, the more we attach Tiptoeing lightly along this brick wall Can lovers stay friends when one will not fall?

True debauchery is liberating because it creates no obligations. In it you possess only yourself; hence it remains the favorite pastime of the great lovers of their own person. --The narrator (Jean-Baptiste Clamence), in The Fall (1956)

You’ll have to excuse me,” Susan went on, wiping her hands self-consciously on her jeans. “The place is a mess, but I guess that’s what happens when you have children.

Tough boots, snug jeans and a wicked black leather jacket—trouble cruising for a place to land.

Jessica lived on Tremont Avenue, on one of the poorer blocks in a very poor section of the Bronx. She dressed even to go to the store. Chance was opportunity in the ghetto, and you had to be prepared for anything. She didn’t have much of a wardrobe, but she was resourceful with what she had—her sister’s Lee jeans, her best friend’s earrings, her mother’s T-shirts and perfume. Her appearance on the streets in her neighborhood usually caused a stir. A sixteen-year-old Puerto Rican girl with bright hazel eyes, a huge, inviting smile, and a voluptuous shape, she radiated intimacy wherever she went. You could be talking to her in the middle of the bustle of Tremont and feel as if lovers’ confidences were being exchanged beneath a tent of sheets. Guys in cars offered rides. Grown men got stupid. Women pursed their lips. Boys made promises they could not keep.

I did not choose to be a writer, an educator, a lover of words, of music. I learned, somewhere once you fight for social justice, you cannot go back.

Such cool courtesy, Alicia!' Jean-Marc drawled with soft mockery. "Where is the Snow Queen now?' 'Marshalling her forces!' she snapped. 'Have I scattered them, cherie?' he murmured. 'No, you have not!' she said angrily. 'I just didn't expect to have to fight when I arrived here! This is a romantic weekend for me!' "Not any more,' he drawled. "From the minute I kissed you this afternoon, it became war. Our war, Alicia. Our private war..." -JeanMark & Alicia

Jean-Jacques Rousseau drew up the definitive balance sheet of civilization and barbarism for the late Enlightenment. Originally a native of republican Geneva and a self-styled lover of political liberty (in 1762 he published The Social Contract), Rousseau attacked virtually every “progressive” aspect of his own century. Everything his predecessors had praised about the civilizing process Rousseau subjected to a harsh and critical analysis. Refinement in the arts and sciences, politeness in social relations, commerce and modern government were not improving men’s morals, Rousseau proclaimed, but making them infinitely worse. Luxury, greed, vanity, self-love, self-interest were all civilization’s egregious by-products. “Man is born free,” he wrote in the first sentence of The Social Contract, “and is everywhere in chains”—the chains imposed by civil society.

Ryan and his father obediently headed off. At the bathroom door his father said, “Well, if finicky eaters make poor lovers, I don’t know what you got here.

God had just enough time to throw on some jeans when a loud bang sounded on the door. He frowned and yanked the door open. God looked into the angry eyes of the wrong Day. He wanted to see Detective Day, not Dr. Day. God huffed and stepped to the side to let Jax in. “How did you find me, Jax?” God asked as his greeting. “I didn’t, your partner did. He seems to be able to track his lover anywhere in the United States,” Jax said with zero humor. His brow scrunched for a couple seconds before he realized what Jax was talking about. Track your lover. “He’s actually using that goddamn app on our phones. Sonofabitch.” “If you weren’t still sick and so freakishly huge, I’d punch you in your jaw for hurting my baby brother,” Jax fumed. God plopped down on the bed and hissed at the pain in his ribs. “Jax, I’m not a man of excuses. I fucked up and I admit it. I will fix this and soon. Leo means everything to me, and really, he’s all I’ve got.” Jax dropped his large medical bag to the floor and looked God in his eyes. “But do you love him?” God didn’t speak. “You already know how he feels about you. I’ve never seen him care for anyone else the way he cared for you while you were sick. He was scared and worried. He’s still worried. He sent me here, wouldn’t take no for an answer. You may care about him, but if you can’t love him the way he wants you to, then let him know now…not after he’s too far in,” Jax said.

I had the dream again. I was leaning in the back corner of the elevator in my building looking down at the bundle of keys in my hand. Below my hand were the blurred outlines of my black leather lace-up boots and my frayed black jeans. There was ink all over my legs from the screen-printers in my shop. There was ink on the skin beneath the rips at my knee and my thigh where the rough edge of my work table had worn through... The detail was vivid, but there was an ethereal sparkle to everything around the edges. The periphery washed out of focus as if I was looking through a narrow lens... Then the elevator stopped and the door opened. A woman climbed on board. Her face was concealed behind large sunglasses. The realism of the dream became unsteady and I lost grip. The images became fleeting close-ups, stills, and sensations. She was looking at me and my heart began to race... A part of me worried that I was drunk and about to make an embarrassing pass at some poor woman from my building. But when I reached for her, she reached for me too... She pulled my hand down and then the elevator began to plummet. I realized I didn’t have much time. I was surrounded by her scent and warmth... I was so overwhelmed with the sensuality of everything that I lost myself in her... Then I watched her eyes fade into the blackness of my apartment as I woke up.

He made quick work of undoing Syn’s belt and dropping his pants and briefs to his ankles. Furi took Syn’s length all the way to the back of his throat and held him there. “Augh. Furious!” Syn yelled, grasping at Furi’s shoulders. Furi had to take the edge off for his lover and then he had to get to work. And he had to take care of himself too, since his dick was just as hard and aching. Syn fucked Furi’s mouth while he unbuttoned his jumpsuit and anxiously dug inside his jeans, pulling himself free. He moaned deep in his throat at the first contact of cool air on his hot dick. No doubt the vibration drove Syn crazy because he grasped Furi’s hair and started slamming his cock in and out, the rhythm of his hips already faltering. “Gonna

Lovers and soldiers are the only ones living, rest of society is just dehydrating.

Giants in Jeans Sonnet 20 Who’s the saint, who’s the tyrant, Is not determined by the show of strength. Real mark of human character, Lies in your gentleness radiant. The strongest souls on earth, Keep their strength hidden unless needed, Whereas the shallow and the entitled, Walk around trotting over the hearts of the helpless. Turning the other cheek to the oppressor, May work in a world of fairies. In our primitive world of organic apes, Turning the other cheek means aiding inhumanities. Love is the only answer, there is no question, But it is a lover's duty to stand up to oppression.

Nero raises his hand to his mouth and licks the taste of me off his fingers. Like an aperitif, it seems to ignite his hunger. He throws me down in the back seat and rips my jeans off, flinging them who knows where.

Jean Rhys

I'm wearing a black sweatshirt, blue jeans, and converse sneakers. I look like a man who is quietly at work, but in my head, asteroids are crashing into Earth with the force of atom bombs.

Love is the only answer, there is no question, but it is a lover's duty to stand up to oppression.

She is Crown (The Sonnet) Love her for all she is, Not just when she can please. She is the crown of your life, Not the fly of your jeans. Love her for all she is, Even when she hates herself. If you can't be the rock to her, It is you who needs help. Love her for all she is, Be the cushion to her failure. While all celebrate her triumph, You celebrate her even in disaster. Death can't do you part if you're never two. Love is what turns two minds into one truth.

Joan Joyce is the real deal, a fierce competitor and one of the greatest athletes and coaches in sports history. Tony Renzoni’s moving tribute to Joan shows us why she is a champion in sports and in life. —Billie Jean King, sports icon and equality pioneer The story is all true. Joan Joyce was a tremendous pitcher, as talented as anyone who ever played. [responding to a newspaper account of his early 1960s match-ups against Joan Joyce] —Ted Williams, Hall of Famer and Boston Red Sox great, December 30, 1999 Joan Joyce is truly the greatest female athlete in sports history. And a great coach as well. Tony Renzoni’s well-researched book is a touching tribute to this phenomenal athlete. I highly recommend this book! —Bobby Valentine, former MLB player and manager Quotes for Historic Connecticut Music Venues: From the Coliseum to the Shaboo: I would like to thank Tony Renzoni for giving me the opportunity to write the foreword to his wonderful book. I highly recommend Connecticut Music Venues: From the Coliseum to Shaboo to music lovers everywhere! —Felix Cavaliere, Legendary Hall of Famer (Young Rascals/Rascals, Solo) As the promoter of the concerts in many of the music venues in this book, I hope you enjoy living the special memories this book will give you. —Jim Koplik, Live Nation president, Connecticut and Upstate New York Tony Renzoni has captured the soul and spirit of decades of the Connecticut live music scene, from the wild and wooly perspective of the music venues that housed it. A great read! —Christine Ohlman, the “Beehive Queen,” recording artist/songwriter Tony Renzoni has written a very thoughtful and well-researched tribute to the artists of Connecticut, and we are proud to have Gene included among them. —Lynne Pitney, wife of Gene Pitney Our Alice Cooper band recorded the Billion Dollars Babies album in a mansion in Greenwich. Over the years, there have been many great musicians from Connecticut, and the local scene is rich with good music. Tony Renzoni’s book captures all of that and more. Sit back and enjoy the ride. —Dennis Dunaway, hall of famer and co-founder of the Alice Cooper band. Rock ’n’ Roll music fans from coast to coast will connect to events in this book. Strongly recommended! —Judith Fisher Freed, estate of Alan Freed

If only she would let me talk to her! I'm sure I could change her mind...That's what is needed, to change her mind. But how?

Laurie Siler. The singer. The Rockstar. He looked older than his 21 years. I’d always thought he was good looking, in music videos and interviews. But he was so much more beautiful in person. He had a strong jaw beneath a wide mouth, kind green eyes, floppy brown hair, slicked back but still brushing his shoulders. He wore a white t-shirt and black skinny jeans over tan Chelsea boots. I looked back to his eyes and they were staring straight at me. I was struck. Breathless. He smirked. The cocky sonofabitch.

We can recognize the dawn and the decline of love by the uneasiness we feel when alone together. Out of difficulties grow miracles. The sweetest of all sounds is that of the voice of the woman we love. Those who make the worst use of their time are the first to complain of its shortness. Two persons cannot long be friends if they cannot forgive each other's little failings. All of our unhappiness comes from our inability to be alone. Children have neither a past nor a future. Thus they enjoy the present, which seldom happens to us. We perceive when love begins and when it declines by our embarrassment when alone together. We must laugh before we are happy, for fear we die before we laugh at all. At the beginning and at the end of love, the two lovers are embarrassed to find themselves alone

They had almost slept together once, three years ago. But Meg had known what would happen. She would use him to curb her loneliness until he fell in love with her. Then she would leave him. So instead of being a lover, Danny became something Meg had never known: he became a friend.

So there I was, drowning my sorrows in a slice of the most divine pecan pie in Austin, Texas, wondering why on earth I ever thought dating Bill was a good idea. But before I could finish my pie and wallow in self-pity, my fabulous best friend, Sky, swooped in like a fairy godmother in skinny jeans. With a swish of his rainbow-colored scarf, he convinced me that breaking up with Bill was the best decision I ever made. And just when I thought my love life couldn't get any crazier, a sexy billionaire strolled into the cafe, making my heart race faster than a Texan tornado.

Poor old Jean Valjean, of course, loved Cosette only as a father; but, as we noted earlier, into this fatherly love his lonely single status in life had introduced every other kind of love; he loved Cosette as his daughter, and he loved her as his mother, and he loved her as his sister; and, as he had never had either a lover or a wife, as nature is a creditor that does not accept nonpayment, that particular feeling, too, the most indestructible of all, had thrown itself in with the rest, vague, ignorant, heavenly, angelic, divine; less a feeling than an instinct, less an instinct than an attraction, imperceptible and invisible but real; and love, truly called, lay in his enormous tenderness for Cosette the way a vein of gold lies in the mountain, dark and virginal. We should bear in mind that state of the heart that we have already mentioned. Marriage between them was out of the question, even that of souls; and yet it is certain that their destinies had joined together as one. Except for Cosette, that is, except for a child, Jean Valjean had never, in all his long life, known anything about love. Serial passions and love affairs had not laid those successive shades of green over him, fresh green on top of dark green, that you notice on foliage that has come through winter and on men that have passed their fifties. In short, and we have insisted on this more than once, this whole inner fusion, this whole set, the result of which was lofty virtue, had wound up making Jean Valjean a father for Cosette. A strange father, forged out of the grandfather, son, brother, and husband that were all in Jean Valjean; a father in whom there was even a mother; a father who loved Cosette and worshipped her, and for whom that child was light, was home, was his homeland, was paradise.

Often, as right now, Jean Perdu sits in the farmhouse’s summer kitchen, eyes closed, plucking rosemary and lavender flowers, breathing in this most profoundly provincial fragrance, and writing his Great Encyclopedia of Small Emotions: A Guide for Booksellers, Lovers, and other Literary Pharmacists. He is making an entry under “K.” Kitchen solace—the feeling that a delicious meal is simmering on the kitchen stove, misting up the windows, and that at any moment your lover will sit down to dinner with you and, between mouthfuls, gaze happily into your eyes. (Also known as living.)

He won’t be happy.” I’m not sure it’s that simple. It’s not like I wouldn’t be happy if I were here with Libby. It’s more that it would feel like I was borrowing someone’s jeans. Or like I was taking a break from my own life, like this was a period of time when I’d sidestepped out of my own path for a while.

For same-sex marriage to be regarded as a serious option by serious people, marriage must be failing. Indeed, all justifications for same-sex marriage for the sake of children arise out of social tragedy accepted as the status quo. Same-sex marriage for the sake of children requires the existence of men and women who are not forming stable unions conducive to the rearing of their biological children. It requires biological parents who are not willing or able to raise their children. It accommodates husbands or wives who would like to divorce to join lovers of the same sex. It envisions men and women offering their sexual organs, or sperm and eggs, to others without intending to accept the responsibilities of being parents to the children they bring into the world. In short, same-sex marriage for the sake of children can only exist in a world in which a sufficiently critical mass of parents are willing to walk away from their biological children and the mother (or father) by whom they sired (or conceived) these children.

When a woman is leaving her man, when a woman finally decides her departure, Does she still need to water the plants everyday? Does she still need to wash his shirts, socks and jeans? Check all his pockets before washing them? Does she still need to cook food every evening before he comes back? Or just leave everything uncooked in the fridge? Like those days when he was a bachelor? Does she still need to wash the dishes, and sweep the floor? Does she still kiss him? When he comes back through the evening door? Does she still want to make love with him? Does she, or will she cry, when she feels her body needs somebody to cover it and warm it, but not this one, the one lies beside hers? Does she, or will she say, I am leaving you, on a particular day? Or at a particular time? Or in a particular moment? Does she, or will she hire a car or a taxi, to take all her things before he understands what is happening? Does she, or will she cry, cry loudly, when she starts leading her lead to a new life, a life without anybody waiting for her and without anybody lighting a fire for her?

myself. Mere satiation of physical desire would poison my mind and wound my heart beyond hope of healing. But to have no lover at all would be even worse. For then, being denied a normal woman’s experience, my mind would swell with obscene fancies and my heart would die. Those ghastly visions of the virtuous virgins – hard, bright acidular old age! No, before I can live I must go through the crucifixion of marriage; it

Business Insider of the Netherlands, Quote and Bastards, Lovers of Marilyn Monroe, really do appreciate Sandra Bland. Party of Freedom and Democracy.

This was the inviolate faithfulness of true love which no passion can ever soil, though there is no cure for love but the ambrosia of love’s embrace, which maketh love divine and everlasting . . . Some lovers think it possible to mate mortality with divine, eternal Essence. Not so—for the mortal part of lovers mates with its mortal counterpart, whilst Essence of the Spirit can only mate with equal Essence, though opposite in quality of positive and negative power: Thus completing one another and becoming One Being, as it were; though both the counterparts retain their Self-hood. There is a mortal passion and a spiritual passion; But though the mortal parts can company for a while on earth or in a Heaven, the parting comes anon, and ‘twere foolish to say otherwise. But two of equal worth, mortal and immortal, can meet, and mate, and this is paradise on earth and everlasting Paradise in Heaven. Such are true Mates, and nothing separates those happy beings—nor life, nor death; nor sleep, or waking dreams of life. Though correlated in the flesh at certain periods in time: divine Spirit and the body are not composable in such a way that they be ONE, except the flesh and lower mind of man and beast, unless the spiritual counterpart of true Mates resides within the embracing materiality of each…” The Book of Sa-Heti

She'd heard once that what made you a real New Yorker was when you could remember back three layers - the place on the corner that had been a bakery and then a barbershop before it was a cell-phone store, or the restaurant that had been Italian, then Mexican, then Cuban. The city was a palimpsest, a Mod Podged pileup of old signage and other people's failures. Newcomers saw only what was in front of them, but people who had been there long enough were always looking at two or three other places simultaneously. The IRT, Canal Jeans, the Limelight. So much of the city she'd fallen in love with was gone, but then again, that's how it worked. It was your job to remember. At least the bridges were still there. Some things were too heavy to take down.

You didn’t buy me jeans. She couldn’t resist teasing him. Women do not belong in men’s clothing. He was unruffled. Raven stepped into the shower and released the thick braid so she could shampoo her hair. You don’t like the way I look in a pair of jeans? His laughter held deep, genuine amusement. That is a loaded question. Where are you? Without meaning to, Raven communicated a sultry invitation. She touched his mark over her breast with light fingertips. The contact caused her blood to heat, the mark to throb. Your body needs rest, little one. I have not exactly been the gentlest of lovers, have I? There was self-mockery in his tone, guilt in his mind. She laughed softly. I don’t have very many lovers to judge you by, do I? There hasn’t been a parade of men in my life. Her soft laughter wrapped him in loving arms. If you like, I could always find someone to compare you with. She offered it sweetly. She felt the brush of strong fingers on her throat, curling around the fragile column. How did he do that? I’m so scared, macho man. Someone needs to drag you kicking and screaming into this century. The fingers brushed her face, and then caressed her lower lip. You love me the way I am. Love. The smile faded from her mouth at the word. She didn’t want to love him. He already had far too much power over her. You can’t hold me here, Mikhail. Obsession might be the right word, not love. Little rabbit. There are no chains on the doors, and the telephone is in working order. And you do love me, you cannot help yourself. I am perfect for you. Hurry up, you need to eat. You’re a pain in the neck.

Mom says to tell you that bakers make the best lovers.