Jar Of Sunshine Quotes

Those who were so long imprisoned in ice and darkness seem to find the sunlight jarring, painful. The longer I walk around with this grief inside me, the more I understand that. It’s as if sunshine is a slap in the face that says, Look, the world’s all bright and shiny! Too bad you’re not.

When I was a little girl, I used to try and bring sunshine to my mother. I felt so bad that she had never really seen or felt it. So I would try and catch it in jars. When that failed, I captured jars and jars of lightening bugs and told her that if we could catch enough of them, then it would look like the sun. She’d laugh, hug me, and then set them free and tell me that nothing should have to live its life in a cage. (Cassandra)

Do you remember those days? Back porch, sunshine, mason jars" - she paused at remembered sweetness - "we were so foolish then...thinking there was a big ol' world out there to conquer.

There's something very comforting about the ritual of jam-making. It speaks of cellars filled with preserves; of neat rows of jars on pantry shelves. It speaks of winter mornings and bowls of chocolat au lait, with thick slices of good fresh bread and last year's peach jam, like a promise of sunshine at the darkest point of the year. It speaks of four stone walls, a roof, and of seasons that turn in the same place, in the same way, year after year, with sweet familiarity. It is the taste of home.

She was awakened by a shock, so sudden and severe that if Dorothy had not been lying on the soft bed she might have been hurt. As it was, the jar made her catch her breath and wonder what had happened; and Toto put his cold little nose into her face and whined dismally. Dorothy sat up and noticed that the house was not moving; nor was it dark, for the bright sunshine came in at the window, flooding the little room. She sprang from her bed and with Toto at her heels ran and opened the door.

Bath" The day is fresh-washed and fair, and there is a smell of tulips and narcissus in the air. The sunshine pours in at the bath-room window and bores through the water in the bath-tub in lathes and planes of greenish-white. It cleaves the water into flaws like a jewel, and cracks it to bright light. Little spots of sunshine lie on the surface of the water and dance, dance, and their reflections wobble deliciously over the ceiling; a stir of my finger sets them whirring, reeling. I move a foot and the planes of light in the water jar. I lie back and laugh, and let the green-white water, the sun-flawed beryl water, flow over me. The day is almost too bright to bear, the green water covers me from the too bright day. I will lie here awhile and play with the water and the sun spots. The sky is blue and high. A crow flaps by the window, and there is a whiff of tulips and narcissus in the air.

Oh, what riches live in a sunny soul! Take joy with you; cling to her, no matter where you go or what you do. It is your lubricating oil which would prevent the jars, the discords, and shut out the sorrows of life. What a heritage is a smiling face,—to be able to fling out sunshine everywhere one goes, to scatter the shadows and to lighten sorrowing hearts; to have the power to send cheer into despairing souls through a sunny and radiant disposition!

Instead I turned my attention back to the copper of peach jam, releasing its autumnal scent. Peach is perhaps the most perfect fruit for making jam: sweet, yet firm; the golden flesh turning to a darker burnt-orange with cooking. My method allows the pieces of fruit to stay intact during the process, while retaining all the flavor. Today, we will leave the sugar and peach mixture to steep under a sheet of muslin; tomorrow, we will cook it, then ladle it into clean glass jars to put away for the winter. There's something very comforting about the ritual of jam-making. It speaks of cellars filled with preserves; of neat rows of jars on pantry shelves. It speaks of winter mornings and bowls of chocolat au lait, with thick slices of good fresh bread and last year's peach jam, like a promise of sunshine at the darkest point of the year. It speaks of four stone walls, a roof, and of seasons that turn in the same place, in the same way, year after year, with sweet familiarity. It is the taste of home.

Life is about embodiment, thought Maddie. This was a point that she had discussed wth Dad many times. To experience the world through the senses was different from simply having data about the world. The memory of his time in the world was what had kept her father sane after he had been turned into a brain in a jar. And in this way, oddly, Maddie came to have a glint of the difficulty Mist faced in explaining her world to Maddie. She tried to imagine what it was like to have never petted a puppy, to have never eperienced a tomato filled with June sunshine burst between the tongue and the palate, to have never felt the weight of gravity or the elation of being loved, and imagination failed her. She felt sorry for Mist, a ghost who could not even call upon the memory of an embodied existence.

But, Emmie”—Bothwell’s cultured tones drifted through the back doors of the hall—“you know I’ve missed you.” Emmie’s reply was murmured in low, unintelligible tones, causing St. Just to pause. The damned Kissing Vicar was about to strike again, but as a gentleman… As a gentleman, hell… St. Just did not pull the door shut loudly behind him, which would have afforded Bothwell a moment to protect the lady’s privacy. He charged into the hall, boots thumping on the wooden floor, jar of icing at the ready. “Now, Emmie…” Bothwell was kissing her, one of those teasing little kisses to the cheek that somehow wandered down to the corner of her mouth in anticipation of landing next on her lips. “Excuse me, Bothwell, didn’t realize you were about.” “Rosecroft.” Bothwell grinned at him, looking almost pleased to be caught at his flagrant flirting. “I’d heard you were back. My thanks for the use of your stables.” “And my thanks for keeping those juvenile hellions in shape. You need a horse, man, congregational politics be damned.” “Maybe someday.” Bothwell’s smile dimmed a little as his gaze turned to Emmie. “But for today, I’ve a wedding to perform.” And Bothwell had known, probably from experience, Emmie would be bringing her cake over. Absent a special license, the wedding would have to start in the next couple of hours, and St. Just suspected the vicar had been all but lying in wait for Emmie. “Em?” He brought her the icing. “Shall I go offer up a few for my immortal soul, or will we be going shortly?” “I won’t be long,” she said, brows knit as she positioned the second layer atop the little pedestals set on the first. “I just need to put the candied violets around the base when I’ve got the thing assembled, and maybe a few finishing touches.” “She’ll be hours.” The vicar smiled at her so indulgently that St. Just’s fist ached to put a different expression on the man’s face. “Come along, St. Just, and we can at least spend a few minutes in the sunshine.