Jane Fairfax Quotes

Jane hid her trembling hands inside her muff. She wished there was a way to hide the fact that she was trembling all over. “I understood you from the first moment I saw you,” she admitted, her voice little more than a whisper. Mr Churchill looked up from her ribbons, and she was bowled over by his beautiful, soul-piercing, intelligent eyes. “And I knew from the moment you looked at me, that you understood me like no one has ever understood me before.” 

Mr Churchill caught the end of one of the long ribbons from her bonnet, which were flying madly in the strong breeze. He toyed with it for a long while, then looked up into her eyes. “Do you believe in love at first sight?” he asked. “No, I don’t suppose I do,” Jane answered. Her heart started beating harder. That was a lie. Maybe her breath was catching in her throat because she was lying: she fell in love with him the moment she saw him, rescuing the poor store clerk. Or maybe it was because he was standing so close to her, just on the other end of her bonnet ribbon. She felt her cheeks growing warm, and tried to talk herself out of blushing. He was not standing any closer to her than when they danced together, or sat on the same bench at the pianoforte. Why should it fluster her that he was wrapping the end of her bonnet ribbon around his fingers like that?

Frank Churchill was waiting for her when she arrived. He had now been a convenient sixth with their party on multiple occasions, escorting Jane following the Campbells and Dixons, and it seemed so natural as he greeted them and slipped into place as they entered the hall. “Have a care, you are sparkling tonight,” he murmured under his breath. “Almost as if you had recently become engaged to the love of your life.” Jane did not dare look at him as she smiled. If she did, the entire world would know their secret.

It is a most repulsive quality, indeed,’ said he. ‘Oftentimes very convenient, no doubt, but never pleasing. There is safety in reserve, but no attraction. One cannot love a reserved person.’ ‘Not till the reserve ceases towards oneself; and then the attraction may be the greater.

To be fair he is Lord Byron," Jane said. "I don't know many people who haven't slept with him at one time or another." -- Jane Fairfax

She regained the street--happy in this, that though much had been forced on her against her will, though she had in fact heard the whole substance of Jane Fairfax's letter, she had been able to escape the letter itself.

When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense. Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect-- That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar. "You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication. "Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution... "Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?" "I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.

Jane Fairfax is a very charming young woman—but not even Jane Fairfax is perfect. She has a fault. She has not the open temper which a man would wish for in a wife.” Emma

Why she did not like Jane Fairfax might be a difficult question to answer; Mr. Knightley had once told her it was because she saw in her the really accomplished young woman, which she wanted to be thought herself; and though the accusation had been eagerly refuted at the time, there were moments of self-examination in which her conscience could not quite acquit her.

Byron clapped Walter on the back. 'Good work,' he said. Walter shook his head. 'You're the one who clocked her with the Stephen King hardcover. That took some of the wind out of her.' 'Thank heavens he's a wordy man,' said Byron.

Divine justice pursued its course; disasters came thick on me: I was forced to pass through the valley of the shadow of death. His chastisements are mighty; and one smote me which has humbled me for ever. You know I was proud of my strength: but what is it now, when I must give it over to foreign guidance, as a child does its weakness? Of late, Jane - only - only of late - I began to see and acknowledge the hand of God in my doom. I began to experience remorse, repentance; the wish for reconcilement to my Maker. I began to pray: very brief prayers they were, but very sincere.

Is it really for love he is going to marry you?” She asked. I was so hurt by her coldness and scepticism that the tears rose to my eyes. “I am sorry to grieve you,” pursued the widow; “but you are so young, and so little acquainted with men, I wished to put you on your guard. It is an old saying that ‘all is not gold that glitters;’ and in this case I do fear there will be something found to be different to what either you or I expect.

He contrived that she should be seated by him; and was sufficiently employed in looking out the best baked apple for her, and trying to make her help or advise him in his work, till Jane Fairfax was quite ready to sit down to the pianoforte again. That she was not immediately ready, Emma did suspect to arise from the state of her nerves; she had not yet possessed the instrument long enough to touch it without emotion; she must reason herself into the power of performance; and Emma could not but pity such feelings, whatever their origin, and could not but resolve never to expose them to her neighbour again.

When The Journal of Words compiled its list of the one hundred best novels written in English, do you know that Pride and Prejudice was number twelve?" She stopped pacing and glared at Jane. "And do you know where Jane Eyre was?" she asked. She looked at the four of them in turn, but nobody answered her. "Number fifty-two!" she shrieked. "Fifty-two! Below that pornographic travesty Lolita!" She spat the title as if it were poison. "Below Huckleberry Finn! Below Ulysses. Have you ever tried to read Ulysses? Have you ever finished it? No, you haven't. No one has. They just carry it around and lie about having read it.

I shook my head. “The men in green all forsook England a hundred years ago,” said I, speaking as seriously as he had done. “And not even in Hay Lane, or the fields about it, could you find a trace of them. I don’t think either summer or harvest, or winter moon, will ever shine on their revels more.” Mrs. Fairfax had dropped her

I can say nothing less, for I suppose Miss Woodhouse and Mr Frank Churchill are hearing every thing that passes. And (raising his voice still more) I do not see why Miss Fairfax should not be mentioned too . . . Now if your friends have any gratitude, they will say something pretty loud about you and me in return, but I cannot stay to hear it. -Mr. Knightely

You speak too plain. She must understand you.’ ‘I hope she does. I would have her understand me. I am not in the least ashamed of my meaning.

We must consider what Miss. Fairfax quits, before we condemn her taste for what she goes to.

I valued what was good in Mrs Fairfax, and what was good in Adèle; but I believed in the existence of other and more vivid kinds of goodness, and what I believed in I wished to behold.

I thought not.  And so you were waiting for your people when you sat on that stile?” “For whom, sir?” “For the men in green: it was a proper moonlight evening for them.  Did I break through one of your rings, that you spread that damned ice on the causeway?” I shook my head.  “The men in green all forsook England a hundred years ago,” said I, speaking as seriously as he had done.  “And not even in Hay Lane, or the fields about it, could you find a trace of them.  I don’t think either summer or harvest, or winter moon, will ever shine on their revels more.” Mrs. Fairfax had dropped her knitting, and, with raised eyebrows, seemed wondering what sort of talk this was.

I that evening shut my eyes resolutely against the future: I stopped my ears against the voice that kept warning me of near separation and coming grief. When tea was over and Mrs. Fairfax had taken her knitting, and I had assumed a low seat near her, and Adèle, kneeling on the carpet, had nestled close up to me, and a sense of mutual affection seemed to surround us with a ring of golden peace, I uttered a silent prayer that we might not be parted far or soon; but when, as we thus sat, Mr. Rochester entered, unannounced, and looking at us, seemed to take pleasure in the spectacle of a group so amicable—when he said he supposed the old lady was all right now that she had got her adopted daughter back again, and added that he saw Adèle was “prête à croquer sa petite maman Anglaise”—I half ventured to hope that he would, even after his marriage, keep us together somewhere under the shelter of his protection, and not quite exiled from the sunshine of his presence.

A tread creaked on the stairs at last. Leah made her appearance; but it was only to intimate that tea was ready in Mrs. Fairfax’s room. Thither I repaired, glad at least to go downstairs; for that brought me, I imagined, nearer to Mr. Rochester’s presence.

Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own picture, faithfully, without softening one defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imagine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye;--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution. Recall the august yet harmonious lineaments, the Grecian neck and bust; let the round and dazzling arm be visible, and the delicate hand; omit neither diamond ring nor gold bracelet; portray faithfully the attire, aerial lace and glistening satin, graceful scarf and golden rose; call it 'Blanche, an accomplished lady of rank.

Não há encanto maior do que a ternura", pensou consigo mesma mais tarde. "Não há nada que se compare. O calor e a ternura de um coração, somados a um temperamento aberto e carinhoso, valem mais e são mais atraentes do que qualquer mente privilegiada. Tenho certeza disso. [...] Harriet é superior a mim pelo encanto e pela felicidade que irradia... minha querida Harriet! Eu não a trocaria pela mulher mais inteligente, mais ajuizada, e de maior senso de justiça deste mundo. Oh! A racionalidade de Jane Fairfax! Harriet vale cem vezes mais do que Jane. E para ser esposa, esposa de um homem justo, é algo muito valoroso. Não mencionarei nomes, mas feliz do homem que troca Emma por Harriet!

To pass its threshold was to return to stagnation; to cross the silent hall, to ascend the darksome staircase, to seek my own lonely little room, and then to meet tranquil Mrs. Fairfax, and spend the long winter evening with her, and her only, was to quell wholly the faint excitement wakened by my walk,—to slip again over my faculties the viewless fetters of an uniform and too still existence; of an existence whose very privileges of security and ease I was becoming incapable of appreciating. What good it would have done me at that time to have been tossed in the storms of an uncertain struggling life, and to have been taught by rough and bitter experience to long for the calm amidst which I now repined! Yes, just as much good as it would do a man tired of sitting still in a “too easy chair” to take a long walk: and just as natural was the wish to stir, under my circumstances, as it would be under his.

Some years after I had broken with the mother, she abandoned her child, and ran away to Italy with a musician or singer. I acknowledged no natural claim on Adèle’s part to be supported by me, nor do I now acknowledge any, for I am not her father; but hearing that she was quite destitute, I e’en took the poor thing out of the slime and mud of Paris, and transplanted it here, to grow up clean in the wholesome soil of an English country garden. Mrs. Fairfax found you to train it; but

Adele took her place in front of the audience and began to sing. "Miss Eyre, perhaps you can tell me what he's saying?" Mrs. Fairfax said. "The only other person in the house who speaks French is the master, and he hates to translate anymore." Jane glanced at Mr. Rochester, but he stared straight ahead. Jane listened to the song. "The first few lines are about a famous dancer ... in a club ... She wore flowers in her hair and a dress that ... oh." Adele sang in detail about how much the dress covered. Or didn't cover. Jane blushed and glanced at Mr. Rochester, searching for a reaction to the scandalous lyrics. But he just listened. Not scandalized. "So, yes, the dancer wore a dress," Jane continued, with slightly less detail. "And she was in love with a ... dealer. Of cards. And at night, they ... oh my." Adele sang of a very special hug. Jane's cheeks flamed. "Perhaps Mr. Rochester should translate." She turned to Mr. Rochester, who coughed. He waved his hand. "Please continue, Miss Eyre. You're doing such a fine job." Now Adele sang of the woman's roving eye, and another man visiting while her lover was away. "They continued to love each other," Jane said quickly, maybe a bit desperately. In the last verse, the boyfriend found out about her infidelity, and stabbed the dancer and her other lover. "That escalated quickly," said Helen. She also spoke French, but no one had asked her to translate. "And they both lived happily ever after," Jane blurted. She was going to have to teach Adele some new songs.

Anybody may blame me who likes, when I add further, that, now and then, when I took a walk by myself in the grounds; when I went down to the gates and looked through them along the road; or when, while Adele played with her nurse, and Mrs. Fairfax made jellies in the storeroom, I climbed the three staircases, raised the trap-door of the attic, and having reached the leads, looked out afar over sequestered field and hill, and along dim sky-line - that then I longed for a power of vision which might overpass that limit; which might reach the busy world, towns, regions full of life I had heard of but never seen - that then I desired more of practical experience than I possessed; more of intercourse with my kind, of acquaintance with variety of character, than was here within my reach. I valued what was good in Mrs. Fairfax, and what was good in Adele; but I believed in the existence of other and more vivid kinds of goodness, and what I believed in I wished to behold.

Great writers and my mom never used food as an object. Instead it was a medium, a catalyst to mend hearts, to break down barriers, to build relationships. Mom's cooking fed body and soul. She used to quip, "If the food is good, there's no need to talk about the weather." That was my mantra for years---food as meal and conversation, a total experience. I leaned my forehead against the glass and thought again about Emma and the arrowroot. Mom had highlighted it in my sophomore English class. "Jane Fairfax knew it was given with a selfish heart. Emma didn't care about Jane, she just wanted to appear benevolent." "That girl was stupid. She was poor and should've accepted the gift." The football team had hooted for their spokesman. "That girl's name was Jane Fairfax, and motivation always matters." Mom's glare seared them. I tried to remember the rest of the lesson, but couldn't. I think she assigned a paper, and the football team stopped chuckling. Another memory flashed before my eyes. It was from that same spring; Mom was baking a cake to take to a neighbor who'd had a knee replacement. "We don't have enough chocolate." I shut the cabinet door. "We're making an orange cake, not chocolate." "Chocolate is so much better." "Then we're lucky it's not for you. Mrs. Conner is sad and she hurts and it's spring. The orange cake will not only show we care, it'll bring sunshine and spring to her dinner tonight. She needs that." "It's just a cake." "It's never just a cake, Lizzy." I remembered the end of that lesson: I rolled my eyes----Mom loathed that----and received dish duty. But it turned out okay; the batter was excellent. I shoved the movie reel of scenes from my head. They didn't fit in my world. Food was the object. Arrowroot was arrowroot. Cake was cake. And if it was made with artisan dark chocolate and vanilla harvested by unicorns, all the better. People would crave it, order it, and pay for it. Food wasn't a metaphor---it was the commodity---and to couch it in other terms was fatuous. The one who prepared it best won.

He did not require beauty or vast intelligence or great wit. Just one woman whose heart and soul seemed to be in communion with his. One woman who would look into his hear and see who he really was. One woman who would truly love him. He kept his eyes on this possibility wherever he went, and nowhere , it seemed, was the love that he longed for.

Am I to believe that in your spirit of matchmaking, you have been settling that I should marry Miss Fairfax?' 'No!' Emma blurted out, before checking herself. 'Certainly not. You could not come and sit with us in this comfortable way if you were married.' 'Good, then.' he replied. 'She is too reserved. I like an open temper.' 'I quite agree'.

welfare, immigration and feminism. What used to be known as Fairfax Media has tried to stick to the middle ground of political ideology on all these issues by providing more information on facts and expert analysis, while still acknowledging the more reasonable naysayers. The Guardian has staked its claim to left-leaning readers who reject and dislike the News Corp stance almost as much as News detests the ‘leftist’ view. Their opinion, feature and analysis articles are usually written by people who have already accepted the progressive premise and argue on the details of implementing change they understand to be necessary. All of these publications claim they are producing fair, verifiable and objective journalism. The public broadcaster is left swinging unhappily between all points of view and takes a battering from all sides for doing so.

The eldest daughter of a family is always addressed as ‘Miss’ followed by her surname, e.g. Jane, the eldest Bennet girl, is ‘Miss Bennet’. The younger daughters are addressed as ‘Miss’ followed by their first name and surname, e.g. ‘Miss Elizabeth Bennet’. It is most impolite to address a lady or gentleman by their Christian name unless you are a close relative. In Emma, Miss Woodhouse is appalled by Mrs Elton’s overfamiliarity – she calls Mr Knightley ‘Knightley’ and Jane Fairfax by her full name, instead of ‘Miss Fairfax’: ‘Heavens! Let me not suppose that she dares go about Emma Woodhouse-ing me! But, upon my honour, there seem no limits to the licentiousness of that woman’s tongue!’ Frank Churchill, too, Jane’s secret fiancé, is upset when he hears ‘“Jane”… bandied between the Eltons, with all the vulgarity of needless repetition, and all the insolence of imaginary superiority.

Frank married Jane Fairfax, niece of the poor Miss Bates who eked out an existence in Highbury.

It can only be weak, irresolute characters, (whose happiness must be always at the mercy of chance,) who will suffer an unfortunate acquaintance to be an inconvenience, an oppression forever.