“
Nobody loves me, nobody cares,
Nobody picks me peaches and pears.
Nobody offers me candy and Cokes,
Nobody listens and laughs at me jokes.
Nobody helps when I get into a fight,
Nobody does all my homework at night.
Nobody misses me,
Nobody cries,
Nobody thinks I'm a wonderful guy.
So, if you ask me who's my best friend, in a whiz,
I'll stand up and tell you NOBODY is!
But yesterday night I got quite a scare
I woke up and Nobody just WASN'T there!
I called out and reached for Nobody's hand,
In the darkness where Nobody usually stands,
Then I poked through the house, in each cranny and nook,
But I found SOMEBODY each place that I looked.
I seached till I'm tired, and now with the dawn,
There's no doubt about it-
NOBODY'S GONE!!
”
”
Shel Silverstein
“
Loneliness is a strange sort of thing.
It creeps on you, quiet and still, sits by your side in the dark, strokes by your hair as you sleep. It wraps itself around your bones, squeezing so tight you almost can't breathe. It leaves lies in your heart, lies next to you at night, leaches the light out of every corner. It's a constant companion, clasping your hand only to yank you down when you're struggling to stand up.
You wake up in the morning and wonder who you are. You fail to fall asleep at night and tremble in your skin. You doubt you doubt you doubt.
do I
don't I
should I
why won't I
And even when you're ready to let go. When you're ready to break free. When you're ready to be brand-new. Loneliness is an old friend stand beside you in the mirror, looking you in the eye, challenging you to live your life without it. You can't find the words to fight yourself, to fight the words screaming that you're not enough never enough never ever enough.
Loneliness is a bitter, wretched companion.
Sometimes it just won't let go.
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
I was sentimental about many things: a woman’s shoes under the bed; one hairpin left behind on the dresser; the way they said, 'I’m going to pee.' hair ribbons; walking down the boulevard with them at 1:30 in the afternoon, just two people walking together; the long nights of drinking and smoking; talking; the arguments; thinking of suicide; eating together and feeling good; the jokes; the laughter out of nowhere; feeling miracles in the air; being in a parked car together; comparing past loves at 3am; being told you snore; hearing her snore; mothers, daughters, sons, cats, dogs; sometimes death and sometimes divorce; but always carring on, always seeing it through; reading a newspaper alone in a sandwich joint and feeling nausea because she’s now married to a dentist with an I.Q. of 95; racetracks, parks, park picnics; even jails; her dull friends; your dull friends; your drinking, her dancing; your flirting, her flirting; her pills, your fucking on the side and her doing the same; sleeping together
”
”
Charles Bukowski (Women)
“
Here's to the kids.
The kids who would rather spend their night with a bottle of coke & Patrick or Sonny playing on their headphones than go to some vomit-stained high school party.
Here's to the kids whose 11:11 wish was wasted on one person who will never be there for them.
Here's to the kids whose idea of a good night is sitting on the hood of a car, watching the stars.
Here's to the kids who never were too good at life, but still were wicked cool.
Here's to the kids who listened to Fall Out boy and Hawthorne Heights before they were on MTV...and blame MTV for ruining their life.
Here's to the kids who care more about the music than the haircuts.
Here's to the kids who have crushes on a stupid lush.
Here's to the kids who hum "A Little Less 16 Candles, A Little More Touch Me" when they're stuck home, dateless, on a Saturday night.
Here's to the kids who have ever had a broken heart from someone who didn't even know they existed.
Here's to the kids who have read The Perks of Being a Wallflower & didn't feel so alone after doing so.
Here's to the kids who spend their days in photobooths with their best friend(s).
Here's to the kids who are straight up smartasses & just don't care.
Here's to the kids who speak their mind.
Here's to the kids who consider screamo their lullaby for going to sleep.
Here's to the kids who second guess themselves on everything they do.
Here's to the kids who will never have 100 percent confidence in anything they do, and to the kids who are okay with that.
Here's to the kids.
This one's not for the kids,
who always get what they want,
But for the ones who never had it at all.
It's not for the ones who never got caught,
But for the ones who always try and fall.
This one's for the kids who didnt make it,
We were the kids who never made it.
The Overcast girls and the Underdog Boys.
Not for the kids who had all their joys.
This one's for the kids who never faked it.
We're the kids who didn't make it.
They say "Breaking hearts is what we do best,"
And, "We'll make your heart be ripped of your chest"
The only heart that I broke was mine,
When I got My Hopes up too too high.
We were the kids who didnt make it.
We are the kids who never made it.
”
”
Pete Wentz
“
I'm always amazed at friends who say they try to read at night in bed but always end up falling asleep. I have the opposite problem. If a book is good I can't go to sleep, and stay up way past my bedtime, hooked on the writing. Is anything better than waking up after a late-night read and diving right back into the plot before you even get out of bed to brush your teeth?
”
”
John Waters (Role Models)
“
I was going to die, sooner or later, whether or not I had even spoken myself. My silences had not protected me. Your silences will not protect you.... What are the words you do not yet have? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? We have been socialized to respect fear more than our own need for language."
I began to ask each time: "What's the worst that could happen to me if I tell this truth?" Unlike women in other countries, our breaking silence is unlikely to have us jailed, "disappeared" or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever.
Next time, ask: What's the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it's personal. And the world won't end.
And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don't miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as I think Emma Goldman said, "If I can't dance, I don't want to be part of your revolution." And at last you'll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
”
”
Audre Lorde
“
Marry me, Kiara,” he blurts out in front of everyone.
“Why?” she asks, challenging him.
“Because I love you,” he says, walking up to her and bending down on one knee while he takes her hand in his, “and I want to go to sleep with you every night and wake up seein’ your face every mornin’, I want you to be the mother of my children, I want to fix cars with you and eat your crappy tofu tacos that you think are Mexican. I want to climb mountains with you and be challenged by you, I want to argue with you just so we can have crazy hot makeup sex. Marry me, because without you I’d be six feet under … and because I love your family like they’re my own … and because you’re my best friend and I want to grow old with you.” He starts tearing up, and it’s shocking because I’ve never seen him cry. “Marry me, Kiara Westford, because when I got shot the only thing I was thinkin’ about was comin’ back here and makin’ you my wife. Say yes, chica.
”
”
Simone Elkeles (Chain Reaction (Perfect Chemistry, #3))
“
If every life is a river, then it's little wonder that we do not even notice the changes that occur until we are far out in the darkest sea. One day you look around and nothing is familiar, not even your own face.
My name once meant daughter, grandaughter, friend, sister, beloved. Now those words mean only what their letters spell out; Star in the night sky. Truth in the darkness.
I have crossed over to a place where I never thought I'd be. I am someone I would have never imagined. A secret. A dream. I am this, body and soul. Burn me. Drown me. Tell me lies. I will still be who I am.
”
”
Alice Hoffman (Incantation)
“
A good friend will bail you out of jail.
A best friend will be sitting next to you
Saying, 'Damn. We fucked up.
”
”
Cheyenne McCray (Demons Not Included (Night Tracker, #1))
“
I had to feign interest in all this nonsense until I could ask when I could come over and sit on his face. I didn't say that out loud, of course. I never say the things I really want to. If I did, I'd have no friends.
”
”
Chelsea Handler (My Horizontal Life: A Collection of One-Night Stands)
“
Kindness
Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.
Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.
Before you know kindness as the deepest thing
inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and
purchase bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.
”
”
Naomi Shihab Nye (Words Under the Words: Selected Poems (A Far Corner Book))
“
I can explain myself: If you want to be safe, walk in the middle of the street. I’m not joking. You’ve been told to look both ways before crossing the street, and the sidewalk is your friend, right? Wrong. I’ve spent years walking sidewalks at night. I’ve looked around me when it was dark, when there were men following me, creeping out of alleyways, attempting to goad me into speaking to them and shouting obscenities at me when I wouldn’t, and I suddenly realised that the only place left to go was the middle of street. But why would I risk it? Because the odds are in my favour. In the States, someone is killed in a car accident on average every 12.5 minutes, while someone is raped on average every 2.5 minutes. Even when factoring in that, one, I am generously including ALL car-related accidents and not just those involving accidents, and two, that the vast majorities of rapes still go unreported […] And, thus, this is now the way I live my life: out in the open, in the middle of everything, because the middle of the street is actually the safest place to walk.
”
”
Emilie Autumn (The Asylum for Wayward Victorian Girls)
“
It's the time of the night I like best, when most people are asleep and it feels like the world belongs completely to my friends and me, as though nothing exists apart from out little circle: everywhere else is darkness and quiet.
”
”
Lauren Oliver (Before I Fall)
“
His tunic was unbuttoned at the top, and he ran a hand through his blue-black hair before he wordlessly slumped against the wall across from me and slid to the floor.
"What do you want?" I demanded.
"A moment of peace and quiet," he snapped, rubbing his temples.
I paused. "From what?"
He massaged his pale skin, making the corners of his eyes go up and down, out and in. He sighed. "From this mess."
I sat up farther on my pallet of the hay. I'd never seen him so candid.
"That damned bitch is running me ragged," he went on, and dropped his hands from his temples to lean his head against the wall. "You hate me. Imagine how you'd feel if I made you serve in my bedroom. I'm High Lord of the Night Court - not her harlot."
So the slurs were true. And I could imagine very easily how much I would hate him - what it would do to me - to be enslaved to someone like that. "Why are you telling me this?"
The swagger and nastiness were gone. "Because I'm tired and lonely, and you're the only person I can talk to without putting myself at risk." He let out a low laugh. "How absurd: a High Lord of Prythian and a - "
"You can leave if you're just going to insult me."
"But I'm so good at it". He flashed one of his grins. I glared at him, but he sighted. "One wrong move tomorrow, Freyre, and we're all doomed.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
All my friends thought I was a very happy human being. Because that's how I acted- like a really happy human being. But all that pretending made me tired. If I acted the way I felt, then I doubt my friends would have really hung out with me. So the pretending wasn't all bad. The pretending made me less lonely. But in another was, it made me more lonely because I felt like a fraud. I've always felt like a fake human being.
”
”
Benjamin Alire Sáenz (Last Night I Sang to the Monster)
“
This was classic Lockwood. Friendly, considerate, empathetic. My personal impulse would have been to slap the girl soundly around the face and boot her moaning backside out into the night. Which is why he's the leader, and I'm not. Also why I have no female friends.
”
”
Jonathan Stroud (The Whispering Skull (Lockwood & Co., #2))
“
Depression is all about if you loved me you would. As in, if you loved me you would stop doing your schoolwork, stop going out drinking with your friends on a Saturday night, stop accepting starring roles in theater productions, and stop doing everything besides sitting here by my side and passing me Kleenex and aspirin while I lie and creak and cry and drown myself and you in my misery.
”
”
Elizabeth Wurtzel (Prozac Nation)
“
Then, with an enormous rush of meadow-filled wind, the green candle went out, and my best friend died.
”
”
Kristin Cast (Betrayed (House of Night, #2))
“
They are enthusiasts, devotees. Addicts. Something about the circus stirs their souls, and they ache for it when it is absent. They seek each other out, these people of such specific like mind. They tell of how they found the circus, how those first few steps were like magic. Like stepping into a fairy tale under a curtain of stars… When they depart, they shake hands and embrace like old friends, even if they have only just met, and as they go their separate ways they feel less alone than they had before.
”
”
Erin Morgenstern (The Night Circus)
“
all those nights with the phone warming the side of my face like the sun. you made jokes and sure, i may have even laughed a little but mostly you were not funny. mostly you were beautiful. mostly you were unremarkable, even your mediocrity was unremarkable. when friends would ask ‘what do you like about him?” i would think of you holding a bouquet against the denim of your shirt. i mean, you had my face as your screensaver for gods sake, do you know what that does for the self-esteem of girl with an apparition for a father?
hey, do you remember the quiet between us in all those restaurants? all the other couples engrossed in deep conversation and us, as quiet as a closed mouth.
that one afternoon when i asked ‘why do you love me?’ and you replied as quick as a toin coss ‘because you’re mad, because you’re crazy’ and i said ‘why else?’ and you said ‘that mouth, i love that mouth’ and i collapsed into myself like a sheet right out of the dryer.
you clean, beautiful, unremarkable boy, raised by a pleasant mother, was i just a riot you loved to watch up close? there were times i picked arguments just so that we could have something to talk about.
last week, i walked through the part of the city i loved when i still loved you, our old haunts. you know, even the ghosts have moved on.
”
”
Warsan Shire
“
I’ve fought in three campaigns,” he began. “In seven pitched battles. In countless raids and skirmishes and desperate defences, and bloody actions of every kind. I’ve fought in the driving snow, the blasting wind, the middle of the night. I’ve been fighting all my life, one enemy or another, one friend or another. I’ve known little else. I’ve seen men killed for a word, for a look, for nothing at all. A woman tried to stab me once for killing her husband, and I threw her down a well. And that’s far from the worst of it. Life used to be cheap as dirt to me. Cheaper.
“I’ve fought ten single combats and I won them all, but I fought on the wrong side and for all the wrong reasons. I’ve been ruthless, and brutal, and a coward. I’ve stabbed men in the back, burned them, drowned them, crushed them with rocks, killed them asleep, unarmed, or running away. I’ve run away myself more than once. I’ve pissed myself with fear. I’ve begged for my life. I’ve been wounded, often, and badly, and screamed and cried like a baby whose mother took her tit away. I’ve no doubt the world would be a better place if I’d been killed years ago, but I haven’t been, and I don’t know why.”
He looked down at his hands, pink and clean on the stone. “There are few men with more blood on their hands than me. None, that I know of. The Bloody-Nine they call me, my enemies, and there’s a lot of ’em. Always more enemies, and fewer friends. Blood gets you nothing but more blood. It follows me now, always, like my shadow, and like my shadow I can never be free of it. I should never be free of it. I’ve earned it. I’ve deserved it. I’ve sought it out. Such is my punishment.
”
”
Joe Abercrombie (The Blade Itself (The First Law, #1))
“
… Some of my friends will never return, for they died on this the most extraordinary trek in history – a trek that caused untold suffering to thousands of people of many nationalities … from ‘Out of the Burma Night’ by Captain Gribble
”
”
Elizabeth Tebby Germaine (EXTRAORDINARY TRUE STORIES OF SURVIVAL IN BURMA WW2: tens of thousands fled to India from the Japanese Invasion in 1942)
“
It may be that the night will close over us in the end, but I believe that morning will come again. Morning always grows out of the darkness, though maybe not for the people who saw the sun go down. We are the Lantern Bearers, my friend; for us to keep something burning, to carry what light we can forward into the darkness and the wind.
”
”
Rosemary Sutcliff (The Lantern Bearers)
“
Closing The Cycle
One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished.
Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden?
You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill.
None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back.
Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place.
Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else.
Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important.
Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
”
”
Paulo Coelho
“
...the book had been written with winter nights in mind. Without a doubt, it was a book for when the birds had flown south, the wood was stacked by the fireplace, and the fields were white with snow; that is, for when one had no desire to venture out and one's friends had no desire to venture in.
”
”
Amor Towles (A Gentleman in Moscow)
“
I guess nothing puts a damper on a one-night stand as much as your friend pointing out all the opportunities where you might have been killed.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
Now hollow fires burn out to black,
And lights are fluttering low:
Square your shoulders, lift your pack
And leave your friends and go.
O never fear, lads, naught’s to dread,
Look not left nor right:
In all the endless road you tread
There’s nothing but the night.
”
”
A.E. Housman
“
We teach our girls how not to get raped with a sense of doom, a sense that we are fighting a losing battle. When I was writing this novel, friend after friend came to me telling me of something that had happened to them. A hand up their skirt, a boy who wouldn’t take no for an answer, a night where they were too drunk to give consent but they think it was taken from them anyway. We shared these stories with one another and it was as if we were discussing some essential part of being a woman, like period cramps or contraceptives. Every woman or girl who told me these stories had one thing in common: shame. ‘I was drunk . . . I brought him back to my house . . . I fell asleep at that party . . . I froze and I didn’t tell him to stop . . .’ My fault. My fault. My fault. When I asked these women if they had reported what had happened to the police, only one out of twenty women said yes. The others looked at me and said, ‘No. How could I have proved it? Who would have believed me?’ And I didn’t have any answer for that.
”
”
Louise O'Neill (Asking For It)
“
Sensuality does not wear a watch but she always gets to the essential places on time. She is adventurous and not particularly quiet. She was reprimanded in grade school because she couldn’t sit still all day long. She needs to move. She thinks with her body. Even when she goes to the library to read Emily Dickinson or Emily Bronte, she starts reading out loud and swaying with the words, and before she can figure out what is happening, she is asked to leave. As you might expect, she is a disaster at office jobs.
Sensuality has exquisite skin and she appreciates it in others as well. There are other people whose skin is soft and clear and healthy but something about Sensuality’s skin announces that she is alive. When the sun bursts forth in May, Sensuality likes to take off her shirt and feel the sweet warmth of the sun’s rays brush across her shoulder. This is not intended as a provocative gesture but other people are, as usual, upset. Sensuality does not understand why everyone else is so disturbed by her. As a young girl, she was often scolded for going barefoot.
Sensuality likes to make love at the border where time and space change places. When she is considering a potential lover, she takes him to the ocean and watches. Does he dance with the waves? Does he tell her about the time he slept on the beach when he was seventeen and woke up in the middle of the night to look at the moon? Does he laugh and cry and notice how big the sky is?
It is spring now, and Sensuality is very much in love these days. Her new friend is very sweet. Climbing into bed the first time, he confessed he was a little intimidated about making love with her. Sensuality just laughed and said, ‘But we’ve been making love for days.
”
”
J. Ruth Gendler (The Book of Qualities)
“
To the most inconsiderate asshole of a friend,
I’m writing you this letter because I know that if I say what I have to say
to your face I will probably punch you.
I don’t know you anymore.
I don’t see you anymore.
All I get is a quick text or a rushed e-mail from you every few days. I
know you are busy and I know you have Bethany, but hello? I’m supposed to
be your best friend.
You have no idea what this summer has been like. Ever since we were
kids we pushed away every single person that could possibly have been our
friend. We blocked people until there was only me and you. You probably
haven’t noticed, because you have never been in the position I am in now.
You have always had someone. You always had me. I always had you. Now
you have Bethany and I have no one.
Now I feel like those other people that used to try to become our friend,
that tried to push their way into our circle but were met by turned backs. I
know you’re probably not doing it deliberately just as we never did it deliberately.
It’s not that we didn’t want anyone else, it’s just that we didn’t need
them. Sadly now it looks like you don’t need me anymore.
Anyway I’m not moaning on about how much I hate her, I’m just trying
to tell you that I miss you. And that well . . . I’m lonely.
Whenever you cancel nights out I end up staying home with Mum and
Dad watching TV. It’s so depressing. This was supposed to be our summer
of fun. What happened? Can’t you be friends with two people at once?
I know you have found someone who is extra special, and I know you
both have a special “bond,” or whatever, that you and I will never have. But
we have another bond, we’re best friends. Or does the best friend bond disappear
as soon as you meet somebody else? Maybe it does, maybe I just
don’t understand that because I haven’t met that “somebody special.” I’m
not in any hurry to, either. I liked things the way they were.
So maybe Bethany is now your best friend and I have been relegated to
just being your “friend.” At least be that to me, Alex. In a few years time if
my name ever comes up you will probably say, “Rosie, now there’s a name I
haven’t heard in years. We used to be best friends. I wonder what she’s doingnow; I haven’t seen or thought of her in years!” You will sound like my mum
and dad when they have dinner parties with friends and talk about old times.
They always mention people I’ve never even heard of when they’re talking
about some of the most important days of their lives. Yet where are those
people now? How could someone who was your bridesmaid 20 years ago not
even be someone who you are on talking terms with now? Or in Dad’s case,
how could he not know where his own best friend from college lives? He
studied with the man for five years!
Anyway, my point is (I know, I know, there is one), I don’t want to be
one of those easily forgotten people, so important at the time, so special, so
influential, and so treasured, yet years later just a vague face and a distant
memory. I want us to be best friends forever, Alex.
I’m happy you’re happy, really I am, but I feel like I’ve been left behind.
Maybe our time has come and gone. Maybe your time is now meant to be
spent with Bethany. And if that’s the case I won’t bother sending you this letter.
And if I’m not sending this letter then what am I doing still writing it?
OK I’m going now and I’m ripping these muddled thoughts up.
Your friend,
Rosie
”
”
Cecelia Ahern (Love, Rosie)
“
The Layers
I have walked through many lives,
some of them my own,
and I am not who I was,
though some principle of being
abides, from which I struggle
not to stray.
When I look behind,
as I am compelled to look
before I can gather strength
to proceed on my journey,
I see the milestones dwindling
toward the horizon
and the slow fires trailing
from the abandoned camp-sites,
over which scavenger angels
wheel on heavy wings.
Oh, I have made myself a tribe
out of my true affections,
and my tribe is scattered!
How shall the heart be reconciled
to its feast of losses?
In a rising wind
the manic dust of my friends,
those who fell along the way,
bitterly stings my face.
Yet I turn, I turn,
exulting somewhat,
with my will intact to go
wherever I need to go,
and every stone on the road
precious to me.
In my darkest night,
when the moon was covered
and I roamed through wreckage,
a nimbus-clouded voice
directed me:
“Live in the layers,
not on the litter.”
Though I lack the art
to decipher it,
no doubt the next chapter
in my book of transformations
is already written.
I am not done with my changes.
”
”
Stanley Kunitz (The Collected Poems)
“
I feel wicked sleeping in a warm bed, while my dearest friends have been knocked down or have fallen into a gutter somewhere out in the cold night. I get frightened when I think of close friends who have now been delivered into the hands of the cruelest brutes that walk the earth. And all because they are Jews!
”
”
Anne Frank (The Diary of a Young Girl)
“
Casting back her head, Arya gazed up at the twinkling sky, her long neck gold with firelight, her face pale with the radiance of the heavenx. "Do you ask out of friendly concern or your own self-interest?" She gave an abrupt, choked laugh, the sound of water falling over cold rocks. "Never mind. The night air has addled me. It has undone my sense of courtesy and left me free to say the most spiteful things that occur to me."
"No matter."
"It does matter, because I regret it, and I shall not tolerate it. Did I love Faolin? How would you define love? For over twenty years, we traveled together, the only immortals to walk among the short-lived races. We were companions...and friends.
”
”
Christopher Paolini
“
I must say this now about that first fire. It was magic. Out of dead tinder and grass and sticks came a live warm light. It cracked and snapped and smoked and filled the woods with brightness. It lighted the trees and made them warm and friendly. It stood tall and bright and held back the night.
”
”
Jean Craighead George (My Side of the Mountain (Mountain, #1))
“
Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.
”
”
Alice Oseman (Loveless)
“
O friend unseen, unborn, unknown,
Student of our sweet English tongue,
Read out my words at night, alone:
I was a poet, I was young.
Since I can never see your face,
And never shake you by the hand,
I send my soul through time and space
To greet you. You will understand.
”
”
James Elroy Flecker
“
Take the back door," she said. "Claire, you and your strang friend-"
"Eve," they both said simultaneously, and Eve held out her fst for a bump. "Or, you could call me Eve the Great, Mistress of All She Surveys. Eve for short.
”
”
Rachel Caine (Fall of Night (The Morganville Vampires, #14))
“
Okay, it's like this. You wake up, you watch TV, and you get in the car and you listen to the radio. You go to your little job or your little school, but you're not going to hear about that on the 6:00 news, since guess what. Nothing is really happening. You read the paper, or if you're into that sort of thing you read a book, which is just the same as watching only even more boring. You watch TV all night, or maybe you go out so you can watch a movie, and maybe you'll get a phone call so you can tell your friends what you've been watching. And you know, it's got so bad that I've started to notice, the people on TV? Inside the TV? Half the time they're watching TV. Or if you've got some romance in a movie? What to they do but go to a movie? All those people, Marlin," he invited the interviewer in with a nod. "What are they watching?"
After an awkward silence, Marlin filled in, "You tell us, Kevin."
"People like me.
”
”
Lionel Shriver (We Need to Talk About Kevin)
“
They seek each other out, these people of such specific like mind. They tell of how they found the circus, how those first few steps were like magic.
”
”
Erin Morgenstern (The Night Circus)
“
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?”
“Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it.
“Well, what the hell? Mare didn’t even say goodbye.”
“You knew she was going to class. Quit being a cry baby.”
Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?”
“Shut up.”
“That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?”
“She didn’t say much, except that she’s not into birthdays.”
“So what are we doing?”
“Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.”
Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?”
“How do you feel about a puppy?”
Shepley laughed once. “It’s not my birthday, bro.”
I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.”
“Keep it here? Seriously? What are we going to do with a dog?”
“I found a Cairn Terrier online. It’s perfect.”
“A what?”
“Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.”
Shepley’s face was blank. “The Wizard of Oz.”
“What? I liked the scarecrow when I was a little kid, shut the fuck up.”
“It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.”
“So does America … minus the crapping.”
Shepley wasn’t amused.
“I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.”
“You can’t keep it from barking.”
“Think about it. You gotta admit it’ll win her over.”
Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?”
My brows pulled together. “Quit it.”
His smile widened. “You can get the damn dog…”
I grinned with victory.
“…if you admit you have feelings for Abby.”
I frowned in defeat. “C’mon, man!”
“Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it.
I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day.
“I like her,” I said through my teeth.
Shepley held his hand to his ear. “What? I couldn’t quite hear you.”
“You’re an asshole! Did you hear that?”
Shepley crossed his arms. “Say it.”
“I like her, okay?”
“Not good enough.”
“I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?”
“For now,” he said, grabbing his backpack off the floor.
”
”
Jamie McGuire (Walking Disaster (Beautiful, #2))
“
What are the dead, anyway, but waves and energy? Light shining from a dead star?
That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star…
Which reminds me, by the way, of a dream I had a couple of weeks ago.
I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.
I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below.
I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon.
History passing beneath my very eyes, changing every moment.
'I thought I'd find you here,' said a voice at my elbow.
It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple.
I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.'
He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.'
'What?'
He cleared his throat. 'My movements are restricted,' he said.
'I no longer have the ability to travel as freely as I would like.'
Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him.
'That information is classified, I'm afraid.'
1 looked around curiously. It seemed that I was the only visitor.
'Is it open to the public?' I said.
'Not generally, no.'
I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point.
'Are you happy here?' I said at last.
He considered this for a moment. 'Not particularly,' he said.
'But you're not very happy where you are, either.'
St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch.
'I hope you'll excuse me,' he said, 'but I'm late for an appointment.'
He turned from me and walked away. I watched his back receding down the long, gleaming hall.
”
”
Donna Tartt (The Secret History)
“
Then I thought of the drive back, late at night, along the starlit river to this rickety antique New England hotel on a shoreline that I hoped would remind us both of the bay of B., and of Van Gogh's starry nights, and of the night I joined him on the rock and kissed him on the neck, and of the last night when we walked together on the coast road, sensing we'd run out of last-minute miracles to put off his leaving. I imagined being in his car asking myself, Who knows, would I want to, would he want to, perhaps a nightcap at the bar would decide, knowing that, all through dinner that evening, he and I would be worrying about the same exact thing, hoping it might happen, praying it might not, perhaps a nightcap would decide - I could just read it on his face as I pictured him looking away while uncorking a bottle of wine or while changing the music, because he too would catch the thought racing through my mind and want me to know he was debating the exact same thing, because, as he'd pour the wine for his wife, for me, for himself, it would finally dawn on us both that he was more me than I had ever been myself, because when he became me and I became him in bed so many years ago, he was and would forever remain, long after every forked road in life had done its work, my brother, my friend, my father, my son, my husband, my lover, myself. In the weeks we'd been thrown together that summer, our lives had scarcely touched, but we had crossed to the other bank, where time stops and heaven reaches down to earth and gives us that ration of what is from birth divinely ours. We looked the other way. We spoke of everything but. But we've always known, and not saying anything now confirmed it all the more. We had found the stars, you and I. And this is given once only.
”
”
André Aciman (Call Me by Your Name)
“
I'm named Bella," the girl told Gendry. "For the battle. I bet I could ring your bell, too. You want to?"
"No," he said gruffly.
"I bet you do." She ran a hand along his arm. "I don't cost nothing to friends of Thoros and the lighting lord."
"No, I said." Gendry rose abruptly and stalked away from the table out into the night.
Bella turn to Arya. "Don't he like girls?"
Arya shrugged. "He's just stupid. He likes to polish helmets and beat on swords with hammers.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Walking around, even on a bad day, I would see things – I mean just the things that were in front of me. People’s faces, the weather, traffic. The smell of petrol from the garage, the feeling of being rained on, completely ordinary things. And in that way even the bad days were good, because I felt them and remembered feeling them. There was something delicate about living like that – like I was an instrument and the world touched me and reverberated inside me.
After a couple of months, I started to miss days. Sometimes I would fall asleep without remembering to write anything, but then other nights I’d open the book and not know what to write – I wouldn’t be able to think of anything at all. When I did make entries, they were increasingly verbal and abstract: song titles, or quotes from novels, or text messages from friends. By spring I couldn’t keep it up anymore. I started to put the diary away for weeks at a time – it was just a cheap black notebook I got at work – and then eventually I’d take it back out to look at the entries from the previous year. At that point, I found it impossible to imagine ever feeling again as I had apparently once felt about rain or flowers. It wasn’t just that I failed to be delighted by sensory experiences – it was that I didn’t actually seem to have them anymore. I would walk to work or go out for groceries or whatever and by the time I came home again I wouldn’t be able to remember seeing or hearing anything distinctive at all. I suppose I was seeing but not looking – the visual world just came to me flat, like a catalogue of information. I never looked at things anymore, in the way I had before.
”
”
Sally Rooney (Beautiful World, Where Are You)
“
I’m not listening? Okay. Let’s back up a minute. Why don’t you live with your friends? Did they kick you out of the apartment? I thought they didn’t mind you staying there.”
“Well, it’s sorta complicated, Boss. I can explain when I get there.”
“Okay. I’ll accept that answer for now. But, it’s not safe for you to be living out of a car. This isn’t good, Rudy.”
“It’s been okay, Boss. Lots of people out here live in their cars. And I’m real careful where I park for the night.
”
”
Behcet Kaya (Uncanny Alliance (Jack Ludefance PI Series))
“
Texts between Dr. Stayner & Livie(with a little help from Kacey)
Dr. Stayner: Tell me you did one out-of-character thing last night
Livie: I drank enough Jell-O shots to fill a small pool, and then proceeded to break out every terrible dance move known to mankind. I am now the proud owner of a tattoo and if I didn’t have a video to prove otherwise, I’d believe I had it done in a back alley with hepatitis-laced needles. Satisfied?
Dr. Stayner: That’s a good start. Did you talk to a guy?
Kacey(answering for Livie): Not only did I talk to a guy but I’ve now seen two penises, including the one attached to the naked man in my room this morning when I woke up. I have pictures. Would you like to see one?
Dr. Stayner: Glad you’re making friends. Talk to you on Saturday
”
”
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
“
To an eagle or to an owl or to a rabbit, man must seem a masterful and yet a forlorn animal; he has but two friends. In his almost universal unpopularity he points out, with pride, that these two are the dog and the horse. He believes, with an innocence peculiar to himself, that they are equally proud of this alleged confraternity. He says, 'Look at my two noble friends -- they are dumb, but they are loyal.' I have for years suspected that they are only tolerant.
”
”
Beryl Markham (West with the Night)
“
And I’m going to—I’m going to want to see you every day. I’m going to learn more dishes and pack your lunch and write cute little notes on it. I’m going to ask you if you want to sleep at your place or mine and always assume that we’re spending the night together. I’m going to think about you all the damn time. I’m going to assume I’m watering your plants when you’re out of town. I’m going to hold your hand in public. I’m going to kiss you in public. I’m going to organize surprise parties for you with your friend. I’m going to send a hundred texts per day with stupid online shit I think you should see. Clingy as fuck, Rue. Can you do it? Can you live with me as your boyfriend?
”
”
Ali Hazelwood (Not in Love (Not in Love, #1))
“
There is a pain you can’t think your way out of. You can’t talk it away. If there was someone to talk to. You can walk. One foot the other foot. Breathe in breathe out. Drink from the stream. Piss. Eat the venison strips. And. You can’t metabolize the loss. It is in the cells of your face, your chest, behind the eyes, in the twists of the gut. Muscles, sinew, bone. It is all of you.
When you walk you propel it forward. When you let the sled and sit on a fallen log and. You imagine him curling in the one patch of sun maybe lying over your feet. Then it sits with you, the Pain puts its arm over your shoulders. It is your closest friend. Steadfast. And at night you can’t bear to hear your own breath unaccompanied by another and underneath the big stillness like a score is the roaring of the cataract of everything being and being torn away. Then. The Pain is lying beside your side, close. Does not bother you with sound even of breathing.
”
”
Peter Heller (The Dog Stars)
“
Your father goes out. He meets his friends in barrooms or at the Club. You and Jamie have the boys you know. You go out. But I’m alone. I’ve always been alone.
”
”
Eugene O'Neill (Long Day’s Journey into Night)
“
You shouldn't make friends with crows,” he'd told her.
“Why not?” she asked.
He'd looked up from his desk to answer, but whatever he'd been about to say had vanished on his tongue.
The sun was out for once, and Inej had turned her face to it. Her eyes were shut, her oil-black lashes fanned over her checks. The harbor wind had lifted her dark hair, and for a moment Kaz was a boy again, sure that there was magic in this world.
“Why not” shed repeated, eyes still closed.
He said the first thing that popped into his head. “They don't have any manners.”
“Neither do you, Kaz.” She'd laughed, and if he could have a bottled the sound and gotten drunk on it every night, he would have. It terrified him.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
But her attention was on the prince across from her, who seemed utterly ignored by his father and his own court, shoved down near the end with her and Aedion.
He ate so beautifully, she thought, watching him cut into his roast chicken. Not a drop moved out of place, not a scrap fell on the table. She had decent manners, while Aedion was hopeless, his plate littered with bones and crumbs scattered everywhere, even some on her own dress. She’d kicked him for it, but his attention was too focused on the royals down the table.
So both she and the Crown Prince were to be ignored, then. She looked at the boy again, who was around her age, she supposed. His skin was from the winter, his blue-black hair neatly trimmed; his sapphire eyes lifted from his plate to meet hers.
“You eat like a fine lady,” she told him.
His lips thinned and color stained his ivory cheeks. Across from her, Quinn, her uncle’s Captain of the Guard, choked on his water.
The prince glanced at his father—still busy with her uncle—before replying. Not for approval, but in fear. “I eat like a prince,” Dorian said quietly.
“You do not need to cut your bread with a fork and knife,” she said. A faint pounding started in her head, followed by a flickering warmth, but she ignored it. The hall was hot, as they’d shut all the windows for some reason.
“Here in the North,” she went on as the prince’s knife and fork remained where they were on his dinner roll, “you need not be so formal. We don’t put on airs.”
Hen, one of Quinn’s men, coughed pointedly from a few seats down. She could almost hear him saying, Says the little lady with her hair pressed into careful curls and wearing her new dress that she threatened to skin us over if we got dirty.
She gave Hen an equally pointed look, then returned her attention to the foreign prince. He’d already looked down at his food again, as if he expected to be neglected for the rest of the night. And he looked lonely enough that she said, “If you like, you could be my friend.” Not one of the men around them said anything, or coughed.
Dorian lifted his chin. “I have a friend. He is to be Lord of Anielle someday, and the fiercest warrior in the land.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
She realized she'd never felt this happy.even at her old school, she had been an outsider, always the lonely girl,the one who stayed at home watching tv on Saturday nights while her friends went to parties and out on dates.
”
”
R.L. Stine (First Date (Fear Street, #16))
“
Americans are pushy, obnoxious, neurotic, crass - anything and everything - the full catastrophe as our friend Zorba might say. Canadians are none of that. The way you might fear a cow sitting down in the middle of the street during rush hour, that's how I fear Canadians. To Canadians, everyone is equal. Joni Mitchell is interchangeable with a secretary at open-mic night. Frank Gehry is no greater than a hack pumping out McMansions on AutoCAD. John Candy is no funnier than Uncle Lou when he gets a couple of beers in him. No wonder the only Canadians anyone's ever heard of are the ones who have gotten the hell out. Anyone with talent who stayed would be flattened under an avalanche of equality. The thing Canadians don't understand is that some people are extraordinary and should be treated as such.
”
”
Maria Semple (Where'd You Go, Bernadette)
“
Quietly Sophronia added, "And the soot on my dress, sir?"
"I didn't see anything." Professor Braithwope smiled down at her, showing a small hint of fang.
Sophronia grinned back. "I'm glad we understand each other, sir."
The vampire looked out into the night. "This is the right finishing school for you, isn't it, whot?"
"Yes sir, I think it might very well be."
"A piece of advice, Miss Temminnick?"
"Sir?"
"It is a great skill to have friends in low places. They, too, have things to teach you."
"Now, sir, I thought you didn't see any soot.
”
”
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
“
I speak out of the deep of night
out of the deep of darkness
and out of the deep of night I speak.
if you come to my house, friend
bring me a lamp and a window I can look through
at the crowd in the happy alley.
”
”
Forough Farrokhzad
“
There have been times when friends have said they hooked up with someone and all it means is that they had a highly anticipated kissing session. Other times it's a full-on all-night sex-a-thon. Can't we have a universal understanding of the term, once and for all? From now on, let's all agree that hooking up = sex. Everything else is "made out." And if you're older than twenty-eight, then just kissing someone doesn't count for crap and is not even worth mentioning. Unless you're Mormon, in which case you're going to hell. There, I think we're all on the same page.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
I spend my nights thinking the worst
And telling myself that everything's going to work out
I keep kicking myself in the mouth
Opening up every cut that should be a scar by now
”
”
Real Friends
“
The Standover Man. all my life, I've been scared of men standing over me. I suppose my first standover man was my father, but he vanished before I could remember him. For some reason when I was a boy, I liked to fight. a lot of the time, I lost. Another boy, sometimes with blood falling from his nose, would be standing over me. Many years later, I needed to hide. I tried not to sleep because I as afraid of who might be there when I woke up. But I was lucky. It was always my friend.When I was hiding. I dreamed of a certain man. The hardest was when I traveled to find him. Out of sheer luck and many footsteps, I made it. I slept there for a long time. Three days, they told me...and what did I find when I woke up? Not a man, but someone else standing over me. As time passed by the girl and I realized we had things in common. But there is one strange thing. The girl says I look like something else. Now I live in a basement. Bad dreams still live in my sleep. One night, after my usual nightmare, a shadow stood above me. She said, "Tell me what you dream of." So I did. In return, she explained what her own dreams were made of. Now I think we are friends, this girl and me. It was she who gave me a gift - to me. It makes me understand that the best standover man I've ever known is not a man at all...
”
”
Markus Zusak (The Book Thief)
“
I love it here in Boston and I love studying medicine. But
it’s not home. Dublin is home. Being back with you felt like home. I miss my
best friend.
I’ve met some great guys here, but I didn’t grow up with any of them
playing cops and robbers in my back garden. I don’t feel like they are real
friends. I haven’t kicked them in the shins, stayed up all night on Santa
watch with them, hung from trees pretending to be monkeys, played hotel,
or laughed my heart out as their stomachs were pumped. It’s kind of hard to
beat that.
”
”
Cecelia Ahern (Love, Rosie)
“
Why are you carrying all these sticky drinks out to the dance floor?"
"My friends just got engaged. We're doing the girls' night out thing."
"So then you're unlikely to leave here with me."
I blinked, and then blinked again, hard. With this frank suggestion, I was officially out of my depth. Way out of my depth. "I... what? No."
"Pity."
"You're serious? You just met me."
"And already I have a strong urge to devour you.
”
”
Christina Lauren (Beautiful Stranger (Beautiful Bastard, #2))
“
Where am I?" Magnus croaked.
"Nazca."
"Oh, so we went on a little trip."
"You broke into a man's house," Catarina said. "You stole a carpet and enchanted it to fly. Then you sped off into the night air. We pursued you on foot."
"Ah," said Magnus.
"You were shouting some things."
"What things?"
"I prefer not to repeat them," Catarina said. "I also prefer not to remember the time we spent in the desert. It is a mammoth desert, Magnus. Ordinary deserts are quite large. Mammoth deserts are so called because they are larger than ordinary deserts."
"Thank you for that interesting and enlightening information," Magnus croaked.
"You told us to leave you in the desert, because you planned to start a new life as a cactus," Catarina said, her voice flat. "Then you conjured up tiny needles and threw them at us. With pinpoint accuracy."
"Well," he said with dignity. "Considering my highly intoxicated state, you must have been impressed with my aim."
"'Impressed' is not the word to use to describe how I felt last night, Magnus."
"I thank you for stopping me there," Magnus said. "It was for the best. You are a true friend. No harm done. Let's say no more about it. Could you possibly fetch me - "
"Oh, we couldn't stop you," Catarina interrupted. "We tried, but you giggled, leaped onto the carpet, and flew away again. You kept saying that you wanted to go to Moquegua."
"What did I do in Moquegua?"
"You never got there," Catarina said. "But you were flying about and yelling and trying to, ahem, write messages for us with your carpet in the sky."
"We then stopped for a meal," Catarina said. "You were most insistent that we try a local specialty that you called cuy. We actually had a very pleasant meal, even though you were still very drunk."
"I'm sure I must have been sobering up at that point," Magnus argued.
"Magnus, you were trying to flirt with your own plate."
"I'm a very open-minded sort of fellow!"
"Ragnor is not," Catarina said. "When he found out that you were feeding us guinea pigs, he hit you over the head with your plate. It broke."
"So ended our love," Magnus said. "Ah, well. It would never have worked between me and the plate anyway. I'm sure the food did me good, Catarina, and you were very good to feed me and put me to bed - "
Catarina shook her head."You fell down on the floor. Honestly, we thought it best to leave you sleeping on the ground. We thought you would remain there for some time, but we took our eyes off you for one minute, and then you scuttled off. Ragnor claims he saw you making for the carpet, crawling like a huge demented crab.
”
”
Cassandra Clare (The Bane Chronicles)
“
minority and underprivileged students rise to the challenge all the time—but it takes energy. It takes energy to be the only black person in a lecture hall or one of a few nonwhite people trying out for a play or joining an intramural team. It requires effort, an extra level of confidence, to speak in those settings and own your presence in the room. Which is why when my friends and I found one another at dinner each night, it was with some degree of relief. It’s why we stayed a long time and laughed as much as we could.
”
”
Michelle Obama (Becoming)
“
He grabbed her face in his hands again. "I want to be with you forever. I want to be beside you every night, holding you close, whispering to you that I love you more than anything in the world, that you turned my whole world upside down just when it needed to be turned upside down. I want to make forever promises to you out loud, in front of God, and I want you to promise to be my woman, my wife, my one and only love, my best friend and my conscience. You're never easy, Ellie, but you're sure never boring..." (Noah Kincaid)
”
”
Robyn Carr (Forbidden Falls (Virgin River, #8))
“
But the thing is, I didn't make my friends happy and they didn't make me happy. All we did was get stoned out of our minds. That didn't have anything to do with happiness.
”
”
Benjamin Alire Sáenz (Last Night I Sang to the Monster)
“
It is a bit of a cliché to characterize life as a rambling journey on which we can alter our course at any given time--by the slightest turn of the wheel, the wisdom goes, we influence the chain of events and thus recast our destiny with new cohorts, circumstances, and discoveries. But for the most of us, life is nothing like that. Instead, we have a few brief periods when we are offered a handful of discrete options. Do I take this job or that job? In Chicago or New York? Do I join this circle of friends or that one, and with whom do I go home at the end of the night? And does one make time for children now? Or later? Or later still?
In that sense, life is less like a journey than it is a game of honeymoon bridge. In our twenties, when there is still so much time ahead of us, time that seems ample for a hundred indecisions, for a hundred visions and revisions--we draw a card, and we must decide right then and there whether to keep that card and discard the next, or discard the first card and keep the second. And before we know it, the deck has been played out and the decisions we have just made shape our lives for decades to come.
”
”
Amor Towles (Rules of Civility)
“
No one's place in this world is guaranteed. Not everyone is going to get a happy ending. But life isn't about how it ends. It's about the moments between. It's about the small things. The way our loved ones laugh. The sight of a butterfly in the sunlight after a year or two in the darkness. The love and support of an old friend. They might not be with us in body, but they are with us in spirit. The feeling of something we'd thought lost to us forever returned in a single, life-changing moment. Yes, that is simple, even though it might be momentous to us as individuals. Because every day, on this planet, people are born and people die and stranger things happen. But I know my place now, and my purpose. And no matter what trial you have to endure to find that out...
It's worth it.
”
”
Jenny Trout (All Souls' Night (Blood Ties, #4))
“
When a man only rings you late at night, when he only wants to see you late at night, when he doesn't take you out for dinner, or introduce you to his friends, or spend any time or attention on you, then this is not a relationship. This is sex.
”
”
Jane Green
“
should read a book, I should make some friends, I should write some emails, I should go to the movies, I should get some exercise, I should unclench my muscles, I should get a hobby, I should buy a plant, I should call my exes, all of them, and ask them for advice, I should figure out why no one wants to be around me, I should start going to the same bar every night, become a regular, I should volunteer again, I should get a cat or a plant or some nice lotion or some Whitestrips, start using a laundry service, start taking myself both more and less seriously.
”
”
Halle Butler (The New Me)
“
It made me shiver. And I about made up my mind to pray, and see if I couldn't try to quit being the kind of a boy I was and be better. So I kneeled down. But the words wouldn't come. Why wouldn't they? It warn't no use to try and hide it from Him. Nor from ME, neither. I knowed very well why they wouldn't come. It was because my heart warn't right; it was because I warn't square; it was because I was playing double. I was letting ON to give up sin, but away inside of me I was holding on to the biggest one of all. I was trying to make my mouth SAY I would do the right thing and the clean thing, and go and write to that nigger's owner and tell where he was; but deep down in me I knowed it was a lie, and He knowed it. You can't pray a lie--I found that out.
So I was full of trouble, full as I could be; and didn't know what to do. At last I had an idea; and I says, I'll go and write the letter--and then see if I can pray. Why, it was astonishing, the way I felt as light as a feather right straight off, and my troubles all gone. So I got a piece of paper and a pencil, all glad and excited, and set down and wrote:
Miss Watson, your runaway nigger Jim is down here two mile below Pikesville, and Mr. Phelps has got him and he will give him up for the reward if you send.
HUCK FINN.
I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper.
It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself:
"All right, then, I'll GO to hell"--and tore it up.
”
”
Mark Twain (The Adventures of Huckleberry Finn (Adventures of Tom and Huck, #2))
“
Advice to friends. Advice to fellow mothers in the same boat. "How do you do it all?" Crack a joke. Make it seem easy. Make everything seem easy. Make life seem easy and parenthood and marriage and freelancing for pennies, writing a novel and smiling after a rejection, keeping the faith after two, reminding oneself that four years of work counted for a lot, counted for everything. Make the bed. Make it nice. Make the people laugh when you sit down to write and if you can't make them laugh make them cry. Make them want to hug you or hold you or punch you in the face. Make them want to kill you or fuck you or be your friend. Make them change. Make them happy. Make the baby smile. Make him laugh. Make him dinner. Make him proud.
Hold the phone, someone is on the other line. She says its important. People are dying. Children. Friends. Press mute because there is nothing you can say. Press off because you're running out of minutes. Running out of time. Soon he'll be grown up and you'll regret the time you spent pushing him away for one more paragraph in the manuscript no one will ever read. Put down the book, the computer, the ideas. Remember who you are now. Wait. Remember who you were. Wait. Remember what's important. Make a list. Ten things, no twenty. Twenty thousand things you want to do before you die but what if tomorrow never comes? No one will remember. No one will know. No one will laugh or cry or make the bed. No one will have a clue which songs to sing to the baby. No one will be there for the children. No one will finish the first draft of the novel. No one will publish the one that's been finished for months. No one will remember the thought you had last night, that great idea you forgot to write down.
”
”
Rebecca Woolf
“
There are stories within stories, whispered in the quiet of the night, shouted above the roar of the day, and played out between lovers and enemies, strangers and friends. But all are fragile things made of just twenty-six letters arranged and re-arranged to form tales and imaginings which will dazzle your senses, haunt your imagination and move you to the very depths of your soul.
”
”
Neil Gaiman
“
No parent should have to bury a child ... No mother should have to bury a son. Mothers are not meant to bury sons. It is not in the natural order of things.
I buried my son. In a potter's field. In a field of Blood. In empty, acrid silence. There was no funeral. There were no mourners. His friends all absent. His father dead. His sisters refusing to attend. I discovered his body alone, I dug his grave alone, I placed him in a hole, and covered him with dirt and rock alone. I was not able to finish burying him before sundown, and I'm not sure if that affected his fate ...
I begrudge God none of this. I do not curse him or bemoan my lot. And though my heart keeps beating only to keep breaking--I do not question why.
I remember the morning my son was born as if it was yesterday. The moment the midwife placed him in my arms, I was infused with a love beyond all measure and understanding. I remember holding my son, and looking over at my own mother and saying, "Now I understand why the sun comes up at day and the stars come out at night. I understand why rain falls gently. Now I understand you, Mother" ...
I loved my son every day of his life, and I will love him ferociously long after I've stopped breathing. I am a simple woman. I am not bright or learn-ed. I do not read. I do not write. My opinions are not solicited. My voice is not important ... On the day of my son's birth I was infused with a love beyond all measure and understanding ... The world tells me that God is in Heaven and that my son is in Hell. I tell the world the one true thing I know: If my son is in Hell, then there is no Heaven--because if my son sits in Hell, there is no God.
”
”
Stephen Adly Guirgis (The Last Days of Judas Iscariot)
“
Sometimes we’re on a collision course, and we just don’t know it. Whether it’s by accident or by design, there’s not a thing we can do about it. A woman in Paris was on her way to go shopping, but she had forgotten her coat - went back to get it. When she had gotten her coat, the phone had rung, so she’d stopped to answer it; talked for a couple of minutes. While the woman was on the phone, Daisy was rehearsing for a performance at the Paris Opera House. And while she was rehearsing, the woman, off the phone now, had gone outside to get a taxi. Now a taxi driver had dropped off a fare earlier and had stopped to get a cup of coffee. And all the while, Daisy was rehearsing. And this cab driver, who dropped off the earlier fare; who’d stopped to get the cup of coffee, had picked up the lady who was going to shopping, and had missed getting an earlier cab. The taxi had to stop for a man crossing the street, who had left for work five minutes later than he normally did, because he forgot to set off his alarm. While that man, late for work, was crossing the street, Daisy had finished rehearsing, and was taking a shower. And while Daisy was showering, the taxi was waiting outside a boutique for the woman to pick up a package, which hadn’t been wrapped yet, because the girl who was supposed to wrap it had broken up with her boyfriend the night before, and forgot.
When the package was wrapped, the woman, who was back in the cab, was blocked by a delivery truck, all the while Daisy was getting dressed. The delivery truck pulled away and the taxi was able to move, while Daisy, the last to be dressed, waited for one of her friends, who had broken a shoelace. While the taxi was stopped, waiting for a traffic light, Daisy and her friend came out the back of the theater. And if only one thing had happened differently: if that shoelace hadn’t broken; or that delivery truck had moved moments earlier; or that package had been wrapped and ready, because the girl hadn’t broken up with her boyfriend; or that man had set his alarm and got up five minutes earlier; or that taxi driver hadn’t stopped for a cup of coffee; or that woman had remembered her coat, and got into an earlier cab, Daisy and her friend would’ve crossed the street, and the taxi would’ve driven by. But life being what it is - a series of intersecting lives and incidents, out of anyone’s control - that taxi did not go by, and that driver was momentarily distracted, and that taxi hit Daisy, and her leg was crushed.
”
”
Eric Roth (The Curious Case of Benjamin Button Screenplay)
“
I held her tight all night. Later on when Gabe came in I told him I was keeping her. With a smirk he told me he’d return with some fresh clothes. A year ago I wouldn’t have picked him out of a crowd — now it felt like he was my best friend. And I owed it all to the girl sleeping in my arms.
”
”
Rachel Van Dyken (Ruin (Ruin, #1))
“
We want to look desirable. We want others to want to mate with us. No different than a colorful peacock. When girls dress up for their night out at the club, they are doing what all animals do when they try to make themselves desirable for a potential mate. That's the whole point behind the fashion, perfume, cosmetics, diet, and plastic surgery industries.
”
”
Oliver Markus (Why Men And Women Can't Be Friends)
“
I sometimes think that we stand at sunset,' Eugenus said after a pause. 'It may be that the night will come close over us in the end, but I believe that morning will come again. Morning always grows again out of the darkness, though maybe not for the people who saw the sun go down. We are the Lantern Bearers, my friend; for us to keep something burning, to carry what light we can forward into the darkness and the wind.
”
”
Rosemary Sutcliff (The Lantern Bearers)
“
I don’t know whether you have ever seen a map of a person’s mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child’s mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads on the island, for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with sex elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate-pudding day, getting into braces, say ninety-nine threepence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still.
Of course the Neverlands vary a good deal. John’s, for instance, had a lagoon with flamingos flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents...
”
”
J.M. Barrie
“
GrayG: Just to clarify, putting the perfectly reasonable and technically correct name aside, shenanigans are a go?
Laughing now, I lean back more comfortably in the ugly plastic airport seat and answer.
IvyMac: All night, Cupcake. I can’t wait to taste your frosting.
A couple seconds pass and then,
GrayG: Mac, you sent a dirty text. I just shed a tear of pride. I also have a hard-on. I think the little old lady sitting next to me is checking it out.
”
”
Kristen Callihan (The Friend Zone (Game On, #2))
“
Sex and dominance. It’s what modern humans think vampire relationships are all about,” I said. “Their stories are full of crazed alpha-male vampires throwing women over their shoulders before dragging them off for dinner and a date.” “Dinner and a date?” Matthew was aghast. “Do you mean . . . ?” “Uh-huh. You should see what Sarah’s friends in the Madison coven read. Vampire meets girl, vampire bites girl, girl is shocked to find out there really are vampires. The sex, blood, and overprotective behavior all come quickly thereafter. Some of it is pretty explicit.” I paused. “There’s no time for bundling, that’s for sure. I don’t remember much poetry or dancing either.” Matthew swore. “No wonder your aunt wanted to know if I was hungry.” “You really should read this stuff, if only to see what humans think. It’s a public-relations nightmare. Far worse than what witches have to overcome.
”
”
Deborah Harkness (Shadow of Night (All Souls Trilogy, #2))
“
You was talkin' out of yer head last night, too," chortles Davy. "No one's gonna fancy me. I'm gonna be ugly and no on'es gonna fancyme!" he mimics, mincing about the hammock. "You are such a rum cove, Jacky, for thinkin' such things when yer just about beat t' death! Fancy me? Fancy me? Jacky, no one's gonna fancy us, we're all gonna end up lookin' like Snag!"
"Which is how a salty dog sailor's supposed to look," says Willy with a firm nod.
"And you're halfway there, Jack-o!" crows Tink.
Ah, the sweet comfort of friends.
”
”
L.A. Meyer
“
The night before brain surgery, I thought about death. I searched out my larger values, and I asked myself, if I was going to die, did I want to do it fighting and clawing or in peaceful surrender? What sort of character did I hope to show? Was I content with myself and what I had done with my life so far? I decided that I was essentially a good person, although I could have been better--but at the same time I understood that the cancer didn't care.
I asked myself what I believed. I had never prayed a lot. I hoped hard, I wished hard, but I didn't pray. I had developed a certain distrust of organized religion growing up, but I felt I had the capacity to be a spiritual person, and to hold some fervent beliefs. Quite simply, I believed I had a responsibility to be a good person, and that meant fair, honest, hardworking, and honorable. If I did that, if I was good to my family, true to my friends, if I gave back to my community or to some cause, if I wasn't a liar, a cheat, or a thief, then I believed that should be enough. At the end of the day, if there was indeed some Body or presence standing there to judge me, I hoped I would be judged on whether I had lived a true life, not on whether I believed in a certain book, or whether I'd been baptized. If there was indeed a God at the end of my days, I hoped he didn't say, 'But you were never a Christian, so you're going the other way from heaven.' If so, I was going to reply, 'You know what? You're right. Fine.'
I believed, too, in the doctors and the medicine and the surgeries--I believed in that. I believed in them. A person like Dr. Einhorn [his oncologist], that's someone to believe in, I thought, a person with the mind to develop an experimental treatment 20 years ago that now could save my life. I believed in the hard currency of his intelligence and his research.
Beyond that, I had no idea where to draw the line between spiritual belief and science. But I knew this much: I believed in belief, for its own shining sake. To believe in the face of utter hopelessness, every article of evidence to the contrary, to ignore apparent catastrophe--what other choice was there? We do it every day, I realized. We are so much stronger than we imagine, and belief is one of the most valiant and long-lived human characteristics. To believe, when all along we humans know that nothing can cure the briefness of this life, that there is no remedy for our basic mortality, that is a form of bravery.
To continue believing in yourself, believing in the doctors, believing in the treatment, believing in whatever I chose to believe in, that was the most important thing, I decided. It had to be.
Without belief, we would be left with nothing but an overwhelming doom, every single day. And it will beat you. I didn't fully see, until the cancer, how we fight every day against the creeping negatives of the world, how we struggle daily against the slow lapping of cynicism. Dispiritedness and disappointment, these were the real perils of life, not some sudden illness or cataclysmic millennium doomsday. I knew now why people fear cancer: because it is a slow and inevitable death, it is the very definition of cynicism and loss of spirit.
So, I believed.
”
”
Lance Armstrong (It's Not About the Bike: My Journey Back to Life)
“
The First [Friend] is the alter ego, the man who first reveals to you that you are not alone in the world by turning out (beyond hope) to share all your most secret delights. There is nothing to be overcome in making him your friend; he and you join like raindrops on a window. But the Second Friend is the man who disagrees with you about everything. He is not so much the alter ego as the antiself. Of course he shares your interests; otherwise he would not become your friend at all. But he has approached them all at a different angle. He has read all the right books but has got the wrong thing out of every one. It is as if he spoke your language but mispronounced it. How can he be so nearly right and yet, invariably, just not right? He is as fascinating (and infuriating) as a woman. When you set out to correct his heresies, you will find that he forsooth to correct yours! And then you go at it, hammer and tongs, far into the night, night after night, or walking through fine country that neither gives a glance to, each learning the weight of the other's punches, and often more like mutually respectful enemies than friends. Actually (though it never seems so at the time) you modify one another's thought; out of this perpetual dogfight a community of mind and a deep affection emerge.
”
”
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
“
My Friend:
Art thou abroad on this stormy night
on thy journey of love, my friend?
The sky groans like one in despair.
I have no sleep tonight.
Ever and again I open my door and look out on
the darkness, my friend!
I can see nothing before me.
I wonder where lies thy path!
By what dim shore of the ink-black river,
by what far edge of the frowning forest,
through what mazy depth of gloom art thou threading
thy course to come to me, my friend?
”
”
Rabindranath Tagore
“
Once I thought I saw you
in a crowded hazy bar,
Dancing on the light
from star to star.
Far across the moonbeam
I know that's who you are,
I saw your brown eyes
turning once to fire.
You are like a hurricane
There's calm in your eye.
And I'm gettin' blown away
To somewhere safer
where the feeling stays.
I want to love you but
I'm getting blown away.
I am just a dreamer,
but you are just a dream,
You could have been
anyone to me.
Before that moment
you touched my lips
That perfect feeling
when time just slips
Away between us
on our foggy trip.
You are like a hurricane
There's calm in your eye.
And I'm gettin' blown away
To somewhere safer
where the feeling stays.
I want to love you but
I'm getting blown away.
You are just a dreamer,
and I am just a dream.
You could have been
anyone to me.
Before that moment
you touched my lips
That perfect feeling
when time just slips
Away between us
on our foggy trip.
You are like a hurricane
There's calm in your eye.
And I'm gettin' blown away
To somewhere safer
where the feeling stays.
I want to love you but
I'm getting blown away.
The song was written in July 1975 after Young had just undergone an operation on his vocal chords after a cocaine-fueled night with friend. "We were all really high, fucked up. Been out partying. Wrote it sitting up at Vista Point on Skyline. Supposed to be the highest point in San Mateo County, which was appropriate. I wrote it when I couldn't sing. I was on voice rest. It was nuts - I was whistling it.
I wrote a lot of songs when I couldn't talk.
”
”
Neil Young
“
ON THE DAY I DIE
On the day I die, when I'm being carried
toward the grave, don't weep. Don't say,
He's gone! He's gone. Death has nothing to do with going away. The sun sets and
the moon sets, but they're not gone.
Death is a coming together. The tomb
looks like a prison, but it's really
release into union. The human seed goes
down in the ground like a bucket into
the well where Joseph is. It grows and
comes up full of some unimagined beauty.
Your mouth closes here, and immediately
opens with a shout of joy there.
---------------------------------
One who does what the Friend wants done
will never need a friend.
There's a bankruptcy that's pure gain.
The moon stays bright when it
doesn't avoid the night.
A rose's rarest essence
lives in the thorn.
----------------------------------
Childhood, youth, and maturity,
and now old age.
Every guest agrees to stay
three days, no more.
Master, you told me to
remind you. Time to go.
-----------------------------------
The angel of death arrives,
and I spring joyfully up.
No one knows what comes over me
when I and that messenger speak!
-------------------------------------
When you come back inside my chest no matter how far I've wandered off,
I look around and see the way.
At the end of my life, with just one breath left, if you come then, I'll sit up and sing.
--------------------------------------
Last night things flowed between us
that cannot now be said or written.
Only as I'm being carried out
and down the road, as the folds of my shroud open in the wind,
will anyone be able to read, as on
the petal-pages of a turning bud,
what passed through us last night.
-------------------------------------
I placed one foot on the wide plain
of death, and some grand
immensity sounded on the emptiness.
I have felt nothing ever
like the wild wonder of that moment.
Longing is the core of mystery.
Longing itself brings the cure.
The only rule is, Suffer the pain.
Your desire must be disciplined,
and what you want to happen
in time, sacrificed.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems – Coleman Barks's Sublime Renderings of the 13th-Century Sufi Mystic's Insights into Divine Love and the Human Heart)
“
Concentrate on sharpening your memory and peeling your sensibility. Cut every page you write by at least one third. Stop constructing those piffling little similes of yours. Work out what it is you want to say. Then say it in the most direct and vigorous way you can. Eat meat. Drink blook. Give up your social life and don't think you can have friends. Rise in the quiet hours of the night and prick your fingertips and use the blood for ink; that will cure you of persiflage!
”
”
Hilary Mantel (Giving Up the Ghost)
“
The most famous lenders in nature are vampire bats. These bats congregate in the thousands inside caves, and every night fly out to look for prey. When they find a sleeping bird or careless mammal, they make a small incision in its skin, and suck its blood. But not all vampire bats find a victim every night. In order to cope with the uncertainty of their life, the vampires loan blood to each other. A vampire that fails to find prey will come home and ask a more fortunate friend to regurgitate some stolen blood. Vampires remember very well to whom they loaned blood, so at a later date if the friend returns home hungry, he will approach his debtor, who will reciprocate the favour. However, unlike human bankers, vampires never charge interest.
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
The key, Dinesh said, is to have friends who hang out in different groups in different places, and to mix up the nights so that you’re spending some time with all of them. Whether it’s in church, with volunteer groups, at office parties, or on a sports field, it’s always a place where people meet organically.
”
”
Aziz Ansari (Modern Romance: An Investigation)
“
Why bother with clubs?
"Because you might get a shag," is the usual response. Really? If that's the only way you can find a partner - preening and jigging about like a desperate animal - you shouldn't be attempting to breed in the first place. What's your next trick? Inventing fire? People like you are going to spin civilisation into reverse. You're a moron, and so is that haircut you're trying to impress. Any offspring you eventually blast out should be drowned in a pan before they can do any harm. Or open any more nightclubs.
Even if you somehow avoid reproducing, isn't it a lot of hard work for very little reward? Seven hours hopping about in a hellish, reverberating bunker in exchange for sharing 64 febrile, panting pelvic thrusts with someone who'll snore and dribble into your pillow till 11 o'clock in the morning, before waking up beside you with their hair in a mess, blinking like a dizzy cat and smelling vaguely like a ham baguette? Really, why bother? Why not just stay at home punching yourself in the face? Invite a few friends round and make a night of it. It'll be more fun than a club.
”
”
Charlie Brooker
“
Dad, will they ever come back?"
"No. And yes." Dad tucked away his harmonica. "No not them. But yes, other people like them. Not in a carnival. God knows what shape they'll come in next. But sunrise, noon, or at the latest, sunset tomorrow they'll show. They're on the road."
"Oh, no," said Will.
"Oh, yes, said Dad. "We got to watch out the rest of our lives. The fight's just begun."
They moved around the carousel slowly.
"What will they look like? How will we know them?"
"Why," said Dad, quietly, "maybe they're already here."
Both boys looked around swiftly.
But there was only the meadow, the machine, and themselves.
Will looked at Jim, at his father, and then down at his own body and hands. He glanced up at Dad.
Dad nodded, once, gravely, and then nodded at the carousel, and stepped up on it, and touched a brass pole.
Will stepped up beside him. Jim stepped up beside Will.
Jim stroked a horse's mane. Will patted a horse's shoulders.
The great machine softly tilted in the tides of night.
Just three times around, ahead, thought Will. Hey.
Just four times around, ahead, thought Jim. Boy.
Just ten times around, back, thought Charles Halloway. Lord.
Each read the thoughts in the other's eyes.
How easy, thought Will.
Just this once, thought Jim.
But then, thought Charles Halloway, once you start, you'd always come back. One more ride and one more ride. And, after awhile, you'd offer rides to friends, and more friends until finally...
The thought hit them all in the same quiet moment.
...finally you wind up owner of the carousel, keeper of the freaks...
proprietor for some small part of eternity of the traveling dark carnival shows....
Maybe, said their eyes, they're already here.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
Katar," said Britta, "I thought you would want to stay with your friends from home while they were here, so I had your things moved from your room in the delegates' wing."
"You can have my things brought in too," said Peder, throwing himself onto the nearest bed. He sighed as he sank into the soft mattress and rolled onto his side.
"Um... I don't think boys are-" Britta began.
"Don't you mind me!" Peder pulled a blanket over his head.
Miri didn't know how he could even pretend to fall asleep. She could barely keep from pacing.
"Don't worry, Britta," said Esa. "We'll kick him out before night. Off to your fancy apprenticeship, big brother."
She nudged Peder's shape under the blanket. Peder made an exaggerated snoring noise.
”
”
Shannon Hale (Palace of Stone (Princess Academy, #2))
“
That I didn’t know what Trevor was doing, and it wasn’t supposed to go down like that, because out of all three of my friends, Will was the one I would always save first. That my pride and anger wouldn’t let me retreat, and that if he had been pulled to the ocean’s bottom, out of my reach, I would’ve followed him. I would’ve fucking followed him and rotted down there, close to wherever he was,
”
”
Penelope Douglas (Kill Switch (Devil's Night, #3))
“
And these nights were being acted out under a foreign sky, with no one to watch, no penalties attached—it was this last fact which was our undoing for nothing is more unbearable, once one has it, than freedom. I suppose this was why I asked her to marry me: to give myself something to be moored to. Perhaps this was why, in Spain, she decided that she wanted to marry me. But people can’t, unhappily, invent their mooring posts, their lovers and their friends, anymore than they can invent their parents. Life gives these and also takes them away and the great difficulty is to say Yes to life.
”
”
James Baldwin (Giovanni’s Room)
“
Jake's POV: Meanwhile, Ally was here with Marshall Moss, who she was obviously going to hook up with later. They'd barely stopped touching each other all night. Even now, they were out in the middle of the dance floor dancing to some Black Eyed Peas song. No reason to be touching for a fast song, but they were. Holding hands while they bounced around with friends.
She looked happy. Which made me want to punch someone. Preferably Marshall Moss.
”
”
Kieran Scott (She's So Dead to Us (He's So/She's So, #1))
“
Oh, well, isn't that nice. You are a nice young girl. Be a good friend to her and set her straight. She has love bruises on her neck and didn't come home until this afternoon."
Sweet Holy Jesus, why couldn't the ground just swallow me whole? Bones stifled a laugh and nodded solemnly. "Don't fret, Grannie. We're going to a Bible retreat to scare the devil out of her.
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
There is no better feeling to me than to wake up in the middle of the night and thrust my hand out and say, half in a dream still, ‘I love you so much,’ and for a person to turn towards me from muscle memory and say through their own sleep, ‘I love you too.’ There’s never been a drug or a friend or a food that’s even come close.
”
”
Megan Nolan (Acts of Desperation)
“
Like every experience that marks us for a lifetime, I found myself turned inside out, drawn and quartered. this was the sum of everything I'd been in my life--and more: who I am when I sing and stir-fry vegetables for my family and friends on Sunday afternoons; who I am when I wake up on freezing nights and want nothing more than to throw on a sweater, rush to my desk, and write about the person I know no one knows I am; who I am when I crave to be naked with another naked body, or when I crave to be alone in the world; who I am when every part of me seems miles and centuries apart and each swears it bears my name.
”
”
André Aciman
“
No one can get reall drunk on a novle or a painting, but who can help getting drunk on Beethoven's night, Bartok's Sonata for two Pianos and percussion or the Beatles' White Album? He loved mozart as much as rock.
He considered music a liberating force, it liberated him from lonliness, introversion, the dust of the library; it opened the door of hi body and allowed his soul to step out into the world to make friends, He loved to dance an regretted that Sabina did not share his passion
”
”
Milan Kundera (The Unbearable Lightness of Being)
“
We stood there for a minute or two, with John swaying gently against my arm. 'I'm feeling better,' he announced. Then he looked up at the stars. 'Wow..' he intoned. 'Look at that! Isn't that amazing?".
I followed his gaze. The stars did look good but they didn't look that good. It was very unlike John to be over the top in that way. I stared at him. He was wired-pin-sharp and quivering, resonating away like a human tuning fork.
No sooner had John uttered his immortal words about the stars than George and Paul came bursting out on the roof. They had come tearing up from the studio as soon as they found out where we were.
They knew why John was feeling unwell. Maybe everyone else did, too - everyone except for father-figure George Martin here!
It was very simple. John was tripping on LSD. He had taken it by mistake, they said - he had meant to take an amphetamine tablet. That hardly made any difference, frankly; the fact was that John was only too likely to imagine he could fly, and launch himself off the low parapet that ran around the roof. They had been absolutely terrified that he might do so.
I spoke to Paul about this night many years later, and he confirmed that he and George had been shaken rigid when they found out we were up on the roof. They knew John was having a what you might call a bad trip. John didn't go back to Weybridge that night; Paul took him home to his place, in nearby Cavendish Road. They were intensely close, remember, and Paul would do almost anything for John. So, once they were safe inside, Paul took a tablet of LSD for the first time, 'So I could get with John' as he put it- be with him in his misery and fear.
What about that for friendship?
”
”
George Martin (With A Little Help From My Friends: The Making of Sgt. Pepper)
“
Natalie said, “That detective in charge of the case: is he your Jake?”
My mouth dried. The words felt arid and dusty as I forced them out. “Who told you his name?” Like I had to ask.
“Lisa pointed him out on television the other night, and I recognized him as one of the cops who was in here the other day.”
I opened my mouth, and then shut it. Jake had to know he was fighting a rearguard action. And I was through lying to my own friends and family. “Yeah,” I said. “We used to be friends. A long time ago. He’s married now.”
“Bastard,” she said.
I shook my head. “Not really. He never lied to me. I just didn’t ask the questions I didn’t want to know the answers to.
”
”
Josh Lanyon (Death of a Pirate King (The Adrien English Mysteries, #4))
“
The Friend of Your Youth is the only friend you will ever have, for he does not really see you. He sees in his mind a face that does not exist anymore, speaks a name – Spike, Bud, Snip, Red, Rusty, Jack, Dave – which belongs to that now nonexistent face but which by some inane doddering confusion of the universe is for the moment attached to a not happily met and boring stranger. But he humors the drooling doddering confusion of the universe and continues to address politely that dull stranger by the name which properly belongs to the boy face and to the time when the boy voice called thinly across the late afternoon water or murmured by a campfire at night or in the middle of a crowded street said, “Gee, listen to this–’On Wenlock Edge the wood’s in trouble; His forest fleece the Wrekin heaves–’” The Friend of Your Youth is your friend because he does not see you anymore.
And perhaps he never saw you. What he saw was simply part of the furniture of the wonderful opening world. Friendship was something he suddenly discovered and had to give away as a recognition of and payment for the breathlessly opening world which momently divulged itself like a moonflower. It didn’t matter a damn to whom he gave it, for the fact of giving was what mattered, and if you happened to be handy you were automatically endowed with all the appropriate attributes of a friend and forever after your reality is irrelevant. The Friend of Your Youth is the only friend you will ever have, for he hasn’t the slightest concern with calculating his interest or your virtue. He doesn’t give a damn, for the moment, about Getting Ahead or Needs Must Admiring the Best, the two official criteria in adult friendships, and when the boring stranger appears, he puts out his hand and smiles (not really seeing your face) and speaks your name (which doesn’t really belong to your face), saying, “Well, Jack, damned glad you came, come on in, boy!
”
”
Robert Penn Warren (All the King's Men)
“
But it has occurred to me, on occasion, that our memories of our loved ones might not be the point. Maybe the point is their memories—all that they take away with them. What if heaven is just a vast consciousness that the dead return to? And their assignment is to report on the experiences they collected during their time on earth. The hardware store their father owned with the cat asleep on the grass seed, and the friend they used to laugh with till the tears streamed down their cheeks, and the Saturdays when their grandchildren sat next to them gluing Popsicle sticks. The spring mornings they woke up to a million birds singing their hearts out, and the summer afternoons with the swim towels hung over the porch rail, and the October air that smelled like wood smoke and apple cider, and the warm yellow windows of home when they came in on a snowy night. ‘That’s what my experience has been,’ they say, and it gets folded in with the others—one more report on what living felt like. What it was like to be alive.
”
”
Anne Tyler (A Spool of Blue Thread)
“
Actually, I came because I have a last-minute invitation. My friend Erika Gill is having a big party tomorrow night, one of those all-out birthday bashes that girls like. Want to go?"
----------------------------------------
"No. Sorry."
"Since it's a catered thing, at a restaurant, I'll pick you up at- what did you say?"
"I'm sorry. I can't do it."
----------------------------------------
"You're busy?"
"I just can't do it," I said.
”
”
Elizabeth Chandler (The Back Door of Midnight (Dark Secrets, #5))
“
When I’m with friends now, as an adult, I don’t want to have polite adult tea and talk about our jobs. I don’t want to sit in dress pants while we talk about a New Yorker article. Not really. I want to lie on the couch, cozy in blankets, watching movies, feeling safe enough to pass out and stay the night if we want to. I want to turn English muffins into foundations for pizza bagels at ten p.m., even though they’re not as good as bagels and we know it. I want to tell each other things we can’t talk about online, or we can’t tell our coworkers, and to cry and still be lovable, even if we’re in pain sometimes. To break in front of each other, and pick up the pieces together, before making some dumb joke and telling each other we love each other and knowing we’re safe to be all of it.
”
”
Lane Moore (How to Be Alone: If You Want To, and Even If You Don't)
“
POCKET-SIZED FEMINISM
The only other girl at the party
is ranting about feminism. The audience:
a sea of rape jokes and snapbacks
and styrofoam cups and me. They gawk
at her mouth like it is a drain
clogged with too many opinions.
I shoot her an empathetic glance
and say nothing. This house is for
wallpaper women. What good
is wallpaper that speaks?
I want to stand up, but if I do,
whose coffee table silence
will these boys rest their feet on?
I want to stand up, but if I do,
what if someone takes my spot?
I want to stand up, but if I do,
what if everyone notices I’ve been
sitting this whole time? I am guilty
of keeping my feminism in my pocket
until it is convenient not to, like at poetry
slams or my women’s studies class.
There are days I want people to like me
more than I want to change the world.
There are days I forget we had to invent
nail polish to change color in drugged
drinks and apps to virtually walk us home
at night and mace disguised as lipstick.
Once, I told a boy I was powerful
and he told me to mind my own business.
Once, a boy accused me of practicing
misandry. You think you can take
over the world? And I said No,
I just want to see it. I just need
to know it is there for someone.
Once, my dad informed me sexism
is dead and reminded me to always
carry pepper spray in the same breath.
We accept this state of constant fear
as just another part of being a girl.
We text each other when we get home
safe and it does not occur to us that our
guy friends do not have to do the same.
You could saw a woman in half
and it would be called a magic trick.
That’s why you invited us here,
isn’t it? Because there is no show
without a beautiful assistant?
We are surrounded by boys who hang up
our naked posters and fantasize
about choking us and watch movies
we get murdered in. We are the daughters
of men who warned us about the news
and the missing girls on the milk carton
and the sharp edge of the world.
They begged us to be careful. To be safe.
Then told our brothers to go out and play.
”
”
Blythe Baird
“
My brother betrayed me and our people. If I were as cold as I'd like to be, his hide would be on the floor so everyone could walk on him. Unfortunately, my other brothers were a little disturbed by that so we compromised with the wall."
"Understood," Ash said. "Where's the rest of the pack?"
"In the back.We're staying out of it. We don't like to kill our own."
Zarek snorted at that."Unless it's your brother."
Dante approached Zarek and the two of them had a mutual sneer-off."Law of the jungle.The betrayee gets to eat the betrayer."
Zarek gave him a droll stare."Law of my jungle. Kill them all and let Hades sort them out."
Dante actually laughed at that. "I like this one, Ash. He understands us."
"Gee, Z," Ash said jokingly. "I think you may have found a new friend after all. That should make Astrid happy.
”
”
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
“
A retired rabbi—the friend of a friend—writes me an email out of the blue about how he lost his mother when he was nine years old. In the message, he lists all the things he remembers about his mom and all the ways she remains in his life: her favorite flower, the books she read him, her sense of humor. “She is far from a hole in my life. She is an enormous presence that can never be replaced.” His words are a gift that I pull out some nights and let swirl through the room, brush over my skin like a tincture.
”
”
Nina Riggs (The Bright Hour: A Memoir of Living and Dying)
“
Fear of seeing a police car pull into the drive.
Fear of falling asleep at night.
Fear of not falling asleep.
Fear of the past rising up.
Fear of the present taking flight.
Fear of the telephone that rings in the dead of night.
Fear of electrical storms.
Fear of the cleaning woman who has a spot on her cheek!
Fear of dogs I've been told won't bite.
Fear of anxiety!
Fear of having to identify the body of a dead friend.
Fear of running out of money.
Fear of having too much, though people will not believe this.
Fear of psychological profiles.
Fear of being late and fear of arriving before anyone else.
Fear of my children's handwriting on envelopes.
Fear they'll die before I do, and I'll feel guilty.
Fear of having to live with my mother in her old age, and mine.
Fear of confusion.
Fear this day will end on an unhappy note.
Fear of waking up to find you gone.
Fear of not loving and fear of not loving enough.
Fear that what I love will prove lethal to those I love.
Fear of death.
Fear of living too long.
Fear of death.
I've said that.
”
”
Raymond Carver
“
I don't know what will happen with us," he said softly. "I can't predict the future. If things don't work out between us, yeah, there's a chance you'll hate my guts. To me, losing you as a friend is a pretty big risk. Do you think I'd take that big a risk for a few nights of sex?" He shook his head. "I was having freakin' nightmares about you with those other guys. What you were doing." He buried his face in her hair. "Kerri, I don't want you to see other guys. Just me.
”
”
Kelly Jamieson (Friends with Benefits)
“
I see you drinking at a fountain with tiny
blue hands, no, your hands are not tiny
they are small, and the fountain is in France
where you wrote me that last letter and
I answered and never heard from you again.
you used to write insane poems about
ANGELS AND GOD, all in upper case, and you
knew famous artists and most of them
were your lovers, and I wrote back, it’ all right,
go ahead, enter their lives, I’ not jealous
because we’ never met. we got close once in
New Orleans, one half block, but never met, never
touched. so you went with the famous and wrote
about the famous, and, of course, what you found out
is that the famous are worried about
their fame –– not the beautiful young girl in bed
with them, who gives them that, and then awakens
in the morning to write upper case poems about
ANGELS AND GOD. we know God is dead, they’ told
us, but listening to you I wasn’ sure. maybe
it was the upper case. you were one of the
best female poets and I told the publishers,
editors, “ her, print her, she’ mad but she’
magic. there’ no lie in her fire.” I loved you
like a man loves a woman he never touches, only
writes to, keeps little photographs of. I would have
loved you more if I had sat in a small room rolling a
cigarette and listened to you piss in the bathroom,
but that didn’ happen. your letters got sadder.
your lovers betrayed you. kid, I wrote back, all
lovers betray. it didn’ help. you said
you had a crying bench and it was by a bridge and
the bridge was over a river and you sat on the crying
bench every night and wept for the lovers who had
hurt and forgotten you. I wrote back but never
heard again. a friend wrote me of your suicide
3 or 4 months after it happened. if I had met you
I would probably have been unfair to you or you
to me. it was best like this.
”
”
Charles Bukowski
“
We got hungry around three in the morning, and ordered a ton of pizza from an all-night pizza place. Afterward, Blake talked a guy into letting him borrow his skateboard, and he once again entertained all of us. If it had wheels, Blake could work it.
“Is he your boyfriend?” a girl behind me asked.
I turned to the group of girls watching Blake. They were all coifed and beautiful in their bikinis, not having gone in the water. My wet hair was pulled back in a ponytail by this point and I was wrapped in a towel. “No, he’s my boyfriend’s best friend. We’re watching his place while he’s . . . out of town.”
A pang of fear jabbed me when I thought about Kai.
“What’s your name?” asked a brunette with glossy lips.
“Anna.” I smiled.
“Hey. I’m Jenny,” she said. “This is Daniela and Tara.”
“Hey,” I said to them.
“So, your boyfriend lives here?” asked the blonde, Daniela. She had a cool accent—something European.
“Yes,” I answered, pointing up to his apartment.
The girls all shared looks, raising their sculpted eyebrows.
“Wait,” said Jenny. “Is he that guy in the band?”
The third girl, named Tara, gasped. “The drummer?” When I nodded, they shared awed looks.
“Oh my gawd, don’t get mad at me for saying this,” said Jenny, “but he’s a total piece of eye candy.” Her friends all laughed.
“Yum drum,” whispered Tara, and Daniela playfully shoved her.
Jenny got serious. “But don’t worry. He, like, never comes out or talks to anyone. Now we know why.” She winked at me. “You are so adorable. Where are you from?”
“Georgia.”
This was met with a round of awwws. “Hey, you’re a Southern girl,” said Tara. “You should like this.”
She held out a bottle of bourbon and I felt a tug toward it. My fingers reached out.
“Maybe just one drink,” I said.
Daniela grinned and turned up the music.
Fifteen minutes and three shots later I’d dropped my towel and was dancing with the girls and telling them how much I loved them, while they drunkenly swore to sabotage the efforts of any girl who tried to talk to my man.
”
”
Wendy Higgins (Sweet Peril (Sweet, #2))
“
Nobody would write editorials praising Dally. Two friends of mine had died that
night: one a hero, the other a hoodlum. But I remembered Dally pulling Johnny through
the window of the burning church; Dally giving us his gun, although it could mean jail
for him; Dally risking his life for us, trying to keep Johnny out of trouble. And now he
was a dead juvenile delinquent and there wouldn't be any editorials in his favor. Dally
didn't die a hero. He died violent and young and desperate, just like we all knew he'd die
someday.
”
”
S.E. Hinton (The Outsiders)
“
I won the argument against the knife that night, but barely. I had some other good ideas around that time--about how jumping off a building or blowing my brains out with a gun might stop the suffering. but something about spending a night with a knife in my hand did it.
The next morning I called my friend Susan as the sun came up, begged her to help me. I don't think a woman in the whole history of my family had ever done that before, had ever sat in the middle of the road like that and said, in the middle of her life, "I cannot walk another step further--somebody has to help me.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Let me tell you girls a story, short and sweet. In high school, I was a junior varsity cheerleader dating a senior who was up for football scholarships. I'd slept with him several times willingly. One night I wasn't in the mood, but he was. So he held me down and forced me. The few people I told about it - including my best friend - pointed out what would happen to him if I told. They stressed the fact that I hadn't been a virgin, that we were dating, that we'd had sex before. So I kept quiet. I never even told my mother. That boy put bruises on my body. I was crying and begging him to stop and he didn't. That's called rape, ladies.
”
”
Tammara Webber (Easy (Contours of the Heart, #1))
“
Before my first battle,” Aedion said to the girl, “I spent the entire night in
the privy.”
Evangeline squeaked, “You?”
Aedion smirked. “Oh yes. Quinn, the old Captain of the Guard, said it was a
wonder I had anything left inside me by the time dawn broke.” An old ache
filled Aedion’s chest at the mention of his mentor and friend, the man he’d
admired so greatly. Who had made his final stand, as Aedion would, on the plain
beyond this city.
Evangeline let out a little laugh. “That’s disgusting.”
“It certainly was,” Aedion said, and could have sworn Lysandra was smiling a
bit. “So you’re already much braver than I ever was.”
“I threw up earlier,” Evangeline whispered.
Aedion said in a conspiratorial whisper, “Better than shitting your pants,
sweetheart.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
The time of minor poets is coming. Good-by Whitman, Dickinson, Frost. Welcome you whose fame will never reach beyond your closest family, and perhaps one or two good friends gathered after dinner over a jug of fierce red wine… While the children are falling asleep and complaining about the noise you’re making as you rummage through the closets for your old poems, afraid your wife might’ve thrown them out with last spring’s cleaning.
It’s snowing, says someone who has peeked into the dark night, and then he, too, turns toward you as you prepare yourself to read, in a manner somewhat theatrical and with a face turning red, the long rambling love poem whose final stanza (unknown to you) is hopelessly missing.
”
”
Charles Simic (The World Doesn't End)
“
Silas continued, in his voice like velvet, "You had parents. An older sister. They were killed. I believe that you were to have been killed as well, and that you were not was due to chance, and the intervention of the Owenses."
"And you," said Bod, who had had that night described to him over the years by many people, some of whom had even been there. It had been a big night in the graveyard.
Silas said, "Out there, the man who killed your family is, I believe, still looking for you, still intends to kill you."
Bod shrugged. "So?" he said. "It's only death. I mean, all of my best friends are dead.
”
”
Neil Gaiman (The Graveyard Book)
“
V grabbed him by the lapels and yanked him up against his body. The brother was trembling from head to foot, his eyes glowing like crystals in the night. "You are not my enemy."
Instantly pissed off, Butch gripped V's shoulders, bunching up the leather jacket in his fists. "How do we know for sure."
V bared his fangs and hissed, his black eyebrows cranking down hard. Butch gave the aggression right back, hoping, praying, ready for them to start clocking each other. He was jonesing to hit and get hit back; he wanted blood all over the both of them.
For long moments, they stayed locked together, muscles straining, sweat blooming, right on the edge.
Then Vishous's voice came out into space between their faces, the cracked tone riding a panting, desperate breath and getting bucked off. "You are my only friend. Never my enemy."
No telling who embraced who first, but the urge to beat the living shit out of the other guy bled from their bodies, leaving only the bond between them. They wound up tight together and stood for a time in the cold wind. When they stepped back, it was awkwardly and with embarrassment.
”
”
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
“
Sometimes, when I went to the spring to wash early in the morning," he murmured, "there'd be tiny fairies flitting around above the water, not much bigger than the butterflies you have here, and blue as violet petals. They liked to fly into my hair. Sometimes they spat in my face. They weren't very friendly, but they shone like glowworms by night. I sometimes caught one and put it in a jar. If I let it out at night before going to sleep I had wonderful dreams."
"Capricorn said there were trolls and giants, too," said Meggie quietly.
Dustfinger gave her a thoughtful look. "Yes, there were," he said. "But Capricorn wasn't particularly fond of them. He'd have liked to do away with them all. He had them hunted. He hunted anything that could run."
"It must be a dangerous world." Meggie was trying to imagine it all: the giants, the trolls, and the fairies. Mo had once given her a book about fairies.
Dustfinger shrugged. "Yes, it's dangerous, so what? This world's dangerous, too, isn't it?
”
”
Cornelia Funke (Inkheart (Inkworld, #1))
“
As Jimmy Boggs used to remind us, revolutions are made out of love for people and for place. He often talked about loving America enough to change it. 'I love this country,' he used to say, 'not only because my ancestors' blood is in the soil but because of what I believe it can become.' Love isn't just something you feel. It's something you do everyday when you go out and pick the paper and bottles scattered the night before on the corner, when you stop and talk to a neighbor, when you argue passionately for what you believe in with whoever will listen, when you call a friend to see how they're doing, when you write a letter to the newspaper, when you give a speech and give 'em hell, when you never stop believing that we can all be more than what we are. In other words, Love isn't about what we did yesterday; it's about what we do today and tomorrow and the day after.
”
”
Grace Lee Boggs (The Next American Revolution: Sustainable Activism for the Twenty-First Century)
“
Something else gets under your skin, keeps you working days and nights at the sacrifice of your sleeping and eating and attention to your family and friends, something beyond the love of puzzle solving. And that other force is the anticipation of understanding something about the world that no one has ever understood before you.
Einstein wrote that when he first realized that gravity was equivalent to acceleration -- an idea that would underlie his new theory of gravity -- it was the "happiest thought of my life." On projects of far smaller weight, I have experienced that pleasure of discovering something new. It is an exquisite sensation, a feeling of power, a rush of the blood, a sense of living forever. To be the first vessel to hold this new thing.
All of the scientists I've known have at least one more quality in common: they do what they do because they love it, and because they cannot imagine doing anything else. In a sense, this is the real reason a scientist does science. Because the scientist must. Such a compulsion is both blessing and burden. A blessing because the creative life, in any endeavor, is a gift filled with beauty and not given to everyone, a burden because the call is unrelenting and can drown out the rest of life.
This mixed blessing and burden must be why the astrophysicist Chandrasekhar continued working until his mid-80's, why a visitor to Einstein's apartment in Bern found the young physicist rocking his infant with one hand while doing mathematical calculations with the other. This mixed blessing and burden must have been the "sweet hell" that Walt Whitman referred to when he realized at a young age that he was destined to be a poet. "Never more," he wrote, "shall I escape.
”
”
Alan Lightman
“
it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven.
even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory.
and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite.
of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.
”
”
Annabel Giles (Birthday Girls)
“
We didn't talk about problems, or parents, or automobiles, or ambitions. We talked about life....And the sea was there, forty feet away and getting closer, and the sky over the sea, and the sun going down the sky. And it was cold, and it was the high point of my life.
I'd had high points before.
Once at night walking in the park in the rain in autumn.
Once out in the desert, under the stars, when I turned into the earth turning on its axis. Sometimes thinking, just thinking things through.
But always alone. By myself.
This time I was not alone.
I was on the high mountain with a friend. There is nothing, there is nothing that beats that. If it never happens again in my life, still I can say I was there once.
”
”
Ursula K. Le Guin (Very Far Away from Anywhere Else)
“
Women are so careful with each other’s feelings. We know the world shoots poison daggers into our egos—and we shoot them into ourselves—and so we rush to each other’s sides for triage: Yes, you were fine last night; yes, you are perfect exactly as you are. (Classic Onion headline: Female Friends Spend Raucous Night Validating the Living Shit Out of Each Other.) We become such reliable yes-women that any negative feedback is viewed as a betrayal, and the only place we feel comfortable being honest is behind each other’s back. Did you hear what she said last night? Did you see what she wore? These are the paths of least resistance—the unswerving praise, the gossip dressed up as maternal concern—and it can be very tricky to break rank and say, out loud, to each other: No, you weren’t fine at all.
”
”
Sarah Hepola (Blackout: Remembering the Things I Drank to Forget)
“
Know that...there's plenty of food and of course popcorn on the dining-room table. Just...help yourself. If that runs out just let me know. Don't panic. And there's coffee, both caff and decaf, and soft drinks and juice in the kitchen, and plenty of ice in the freezer so...let me know if you have any questions with that.' And lastly, since I have you all here in one place, I have something to share with you. Along the garden ways just now...I too heard the flowers speak. They told me that our family garden has all but turned to sand. I want you to know I've watered and nurtured this square of earth for nearly twenty years, and waited on my knees each spring for these gentle bulbs to rise, reborn. But want does not bring such breath to life. Only love does. The plain, old-fashioned kind. In our family garden my husband is of the genus Narcissus , which includes daffodils and jonquils and a host of other ornamental flowers. There is, in such a genus of man, a pervasive and well-known pattern of grandiosity and egocentrism that feeds off this very kind of evening, this type of glitzy generosity. People of this ilk are very exciting to be around. I have never met anyone with as many friends as my husband. He made two last night at Carvel. I'm not kidding. Where are you two? Hi. Hi, again. Welcome. My husband is a good man, isn't he? He is. But in keeping with his genus, he is also absurdly preoccupied with his own importance, and in staying loyal to this, he can be boastful and unkind and condescending and has an insatiable hunger to be seen as infallible. Underlying all of the constant campaigning needed to uphold this position is a profound vulnerability that lies at the very core of his psyche. Such is the narcissist who must mask his fears of inadequacy by ensuring that he is perceived to be a unique and brilliant stone. In his offspring he finds the grave limits he cannot admit in himself. And he will stop at nothing to make certain that his child continually tries to correct these flaws. In actuality, the child may be exceedingly intelligent, but has so fully developed feelings of ineptitude that he is incapable of believing in his own possibilities. The child's innate sense of self is in great jeopardy when this level of false labeling is accepted. In the end the narcissist must compensate for this core vulnerability he carries and as a result an overestimation of his own importance arises. So it feeds itself, cyclically. And, when in the course of life they realize that their views are not shared or thier expectations are not met, the most common reaction is to become enraged. The rage covers the fear associated with the vulnerable self, but it is nearly impossible for others to see this, and as a result, the very recognition they so crave is most often out of reach. It's been eighteen years that I've lived in service to this mindset. And it's been devastating for me to realize that my efforts to rise to these standards and demands and preposterous requests for perfection have ultimately done nothing but disappoint my husband. Put a person like this with four developing children and you're gonna need more than love poems and ice sculpture to stay afloat. Trust me. So. So, we're done here.
”
”
Joshua Braff (The Unthinkable Thoughts of Jacob Green)
“
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was.
But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information.
"You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old."
I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty.
The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever.
Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
”
”
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
“
She said to me, over the phone
She wanted to see other people
I thought, Well then, look around. They're everywhere
Said that she was confused...
I thought, Darling, join the club
24 years old, Mid-life crisis
Nowadays hits you when you're young
I hung up, She called back, I hung up again
The process had already started
At least it happened quick
I swear, I died inside that night
My friend, he called
I didn't mention a thing
The last thing he said was, Be sound
Sound...
I contemplated an awful thing, I hate to admit
I just thought those would be such appropriate last words
But I'm still here
And small
So small.. How could this struggle seem so big?
So big...
While the palms in the breeze still blow green
And the waves in the sea still absolute blue
But the horror
Every single thing I see is a reminder of her
Never thought I'd curse the day I met her
And since she's gone and wouldn't hear
Who would care? What good would that do?
But I'm still here
So I imagine in a month...or 12
I'll be somewhere having a drink
Laughing at a stupid joke
Or just another stupid thing
And I can see myself stopping short
Drifting out of the present
Sucked by the undertow and pulled out deep
And there I am, standing
Wet grass and white headstones all in rows
And in the distance there's one, off on its own
So I stop, kneel
My new home...
And I picture a sober awakening, a re-entry into this little bar scene
Sip my drink til the ice hits my lip
Order another round
And that's it for now
Sorry
Never been too good at happy endings...
”
”
Eddie Vedder
“
ALONE
One of my new housemates, Stacy, wants to write a story about an astronaut. In his story the astronaut is wearing a suit that keeps him alive by recycling his fluids. In the story the astronaut is working on a space station when an accident takes place, and he is cast into space to orbit the earth, to spend the rest of his life circling the globe. Stacy says this story is how he imagines hell, a place where a person is completely alone, without others and without God. After Stacy told me about his story, I kept seeing it in my mind. I thought about it before I went to sleep at night. I imagined myself looking out my little bubble helmet at blue earth, reaching toward it, closing it between my puffy white space-suit fingers, wondering if my friends were still there. In my imagination I would call to them, yell for them, but the sound would only come back loud within my helmet. Through the years my hair would grow long in my helmet and gather around my forehead and fall across my eyes. Because of my helmet I would not be able to touch my face with my hands to move my hair out of my eyes, so my view of earth, slowly, over the first two years, would dim to only a thin light through a curtain of thatch and beard.
I would lay there in bed thinking about Stacy's story, putting myself out there in the black. And there came a time, in space, when I could not tell whether I was awake or asleep. All my thoughts mingled together because I had no people to remind me what was real and what was not real. I would punch myself in the side to feel pain, and this way I could be relatively sure I was not dreaming. Within ten years I was beginning to breathe heavy through my hair and my beard as they were pressing tough against my face and had begun to curl into my mouth and up my nose. In space, I forgot that I was human. I did not know whether I was a ghost or an apparition or a demon thing.
After I thought about Stacy's story, I lay there in bed and wanted to be touched, wanted to be talked to. I had the terrifying thought that something like that might happen to me. I thought it was just a terrible story, a painful and ugly story. Stacy had delivered as accurate a description of a hell as could be calculated. And what is sad, what is very sad, is that we are proud people, and because we have sensitive egos and so many of us live our lives in front of our televisions, not having to deal with real people who might hurt us or offend us, we float along on our couches like astronauts moving aimlessly through the Milky Way, hardly interacting with other human beings at all.
”
”
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
“
Bright flashes of memory sparked through Kaz’s mind. A cup of hot chocolate in his mittened hands, Jordie warning him to let it cool before he took a sip. Ink drying on the page as he’d signed the deed to the Crow Club. The first time he’d seen Inej at the Menagerie, in purple silk, her eyes lined with kohl. The bone-handled knife he’d given her. The sobs that had come from behind the door of her room at the Slat the night she’d made her first kill. The sobs he’d ignored. Kaz remembered her perched on the sill of his attic window, sometime during that first year after he’d brought her into the Dregs. She’d been feeding the crows that congregated on the roof.
“You shouldn’t make friends with crows,” he’d told her.
“Why not?” she asked.
He’d looked up from his desk to answer, but whatever he’d been about to say had vanished on his tongue.
The sun was out for once, and Inej had turned her face to it. Her eyes were shut, her oil-black lashes fanned over her cheeks. The harbor wind had lifted her dark hair, and for a moment Kaz was a boy again, sure that there was magic in this world.
“Why not?” she’d repeated, eyes still closed.
He said the first thing that popped into his head. “They don’t have any manners.”
“Neither do you, Kaz.” She’d laughed, and if he could have bottled the sound and gotten drunk on it every night, he would have. It terrified him.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
They said of him, about the city that night, that it was the peacefullest man's face ever beheld there. Many added that he looked sublime and prophetic.
One of the most remarkable sufferers by the same axe---a woman---had asked at the foot of the same scaffold, not long before, to be allowed to write down the thoughts that were inspiring her. If he had given an utterance to his, and they were prophetic, they would have been these:
"I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out.
"I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward.
"I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both.
"I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice.
"It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
”
”
Charles Dickens (A Tale of Two Cities)
“
No matter what I do, I really do love you Celaena."
The word hit her like a stone to the head. He'd never said that word to her before. Ever.
A long silence fell between them.
Arobynn's neck shifted as he swallowed. "I do the things that I do because I'm sacred ... and because I don't know how to express what I feel." He said it so quietly that she barely heard it. "I did all of those things because I was angry with you for picking Sam."
Arobynn's carefully cultivated mask fell, and the wound she'd given him flickered in those magnificent eyes. "Stay with me," he whispered. "Stay in Rifthold."
She swallowed, and found it particularly hard to do so. "I'm going."
"No," he said softly. "Don't go."
No.
That was what she'd said to him that night he'd beaten her, in the moment before he'd struck her, when she thought he was going to hurt Sam instead. And then he'd beaten her so badly she'd been knocked unconscious. Then he'd beaten Sam, too.
Don't.
That was what Ansel had said to her in the desert when Celaena had pressed the sword into the back of her neck, when the agony of Ansel's betrayal had been almost enough to make Celaena kill the girl she'd called a friend. But that betrayal had paled in comparison to what Arobynn had done to her when he'd tricked her into killing Doneval, a man who could have freed countless slaves.
He was using word as chains to bind her again. He'd had so many chances over the year to tell her that he loved her--he'd known how much she craved those words. But he hadn't spoken them until he needed to use them as weapons.
And now that she had Sam, Sam who said those words without expecting anything in return, Sam who loved her for reasons she still didn't understand...
Celaena tilted her head to the side, the only warning she gave that she was still ready to attack him.
"Get out of my house.
”
”
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
“
I felt suffocated. And alone. More alone than ever. Every year, I ostentatiously crossed out of my address book any friend who'd made a racist remark, neglected those whose only ambition was a new car and a Club Med vacation, and forgot all those who played the Lottery. I loved fishing and silence. Walking the hills. Drinking cold Cassis, Lagavulin, or Oban late into the night. I didn't talk much. Had opinions about everything. Life and death. Good and evil. I was a film buff. Loved music. I'd stopped reading contemporary novels. More than anything, I loathed half-hearted, spineless people.
”
”
Jean-Claude Izzo (Total Chaos (Marseilles Trilogy, #1))
“
You come to work every day but you hardly get to know anyone. I don't even know the names of half the people I see in the elevators. They say the company is a big family, but I don't know them. And even the people I do, like you two, and Elizabeth, and Roger - do I really? I mean, I like you guys, but we only ever talk about work. When I'm out with friends, or at home, I never talk about work. The other day, I tried to explain to my sister why it's such a huge deal that Elizabeth ate Roger's donut, and she thought I was insane. And you know what, I agreed with her. At home I couldn't even think why it mattered. Because I'm a different person at home. When I leave this place at night, I can feel myself changing. Like shifting gears in my head. And you guys don't know that; you just know what I'm like here, which is terrible, because I think I'm better away from work. I don't even like who I am here. Is that just me? Or is everyone different when they come to work? If they are, then what are they really like? How can we ever know? All we know are the Work People.
”
”
Max Barry (Company)
“
You’ve been downgraded from a thrill-kill to a simple bill-kill. (Nykyrian)
Bill-kill? (Kiara)
Kill you any way possible and send the bill in for payment. (Nykyrian)
I can’t believe that someone’s life can be bartered and sold so easily. That it’s so common that there are even names for the different ways to take a person’s life. For torturing them? My God, what is wrong with you people? (Kiara)
We’re not the ones who are sick, mu Tara. With us –the predators– you know what we’ll do and why we do it. What we’re capable of. We make no bones about it and we wear the uniform so that you can see us coming. The ones who are sickening are the cowards who masquerade as sheep. The ones who lull you into trusting them and smile at your face while they plot your downfall behind your back for any number of psychotic reasons. The friends who turn on you out of jealousy or greed. Who try to ruin you for no reason at all. They are the ones who should be put down. And they’re the ones who are truly sickening. (Nykyrian)
”
”
Sherrilyn Kenyon (Born of the Night (The League, #1))
“
If the world gives you the blues, if you wake up in the middle of the night with waves of fear and senseless panic washing over you, I am your friend. If you’re overcome by a desperation that makes your mouth open for a scream that never comes out but just freezes your face in mute despair, then you and I have something in common. If you can’t understand them for the life of you, even though you’ve tried so hard, when that dislocation makes you feel like you’re the only one of your species on the planet, I know I can confide in you. If this endless ghetto of lies and heart break, this life-long run of fences and flickering neon signs, night sweats and suicidal urges makes you feel like stopping, just stopping, like stopping breathing, wait. Wait. You don’t have to tell me your name. You don’t have to prove yourself to me. I accept you. If you’re finding life to be the one thing that’s trying to kill you, I want you to stay alive to rise with the sun and fight back.
”
”
Henry Rollins (Solipsist (Henry Rollins))
“
My path is the nice one. The one filled with friends who will smile when I buy their children books for their birthdays. Who will take me out, sometimes, when I call on a random night because I can't settle down. The path with peaceful holidays with my parents, and reasonable work promotions at reasonable times.
The path with nice men, who take me on nice dates where I learn their last names the minute we shake hands at the bar.
A path clear of a man with eyes that drift into some private sorrow. A path that will never lead to a man whose hands shake when he holds my face for a kiss that feels like falling.
”
”
Mary Ann Rivers (The Story Guy)
“
I almost could.
I could almost leave and never look back.
Like Mr. Bender, I could leave everything I was behind, including my name.
Leave because of Allys
and all the things she says I am.
Leave because of all the things I am afraid that I will never be again.
Leave, because maybe I’m not enough.
Leave because of Allys, Senator Harris, and half the world knows better than Father and Mother and maybe Ethan, too.
Leave.
Because the old Jenna was so absorbed in her own needs
that she said yes when she knows she should have said no,
and the shame of night
could be hidden in a new place behind a new name.
But friends are complicated.
There is the staying.
Staying because of Kara and Locke and all that they will never
be except trapped.
Staying because for them, time is running out and I am their
their last chance.
Staying for the old Jenna and all she owes Kara and Locke and maybe all the new Jenna owes them, too.
Staying because of ten percent and all I hope I might be.
Staying because of Mr. Bender’s erased life and regrets.
Staying for connection.
Staying because two me
is enough to make one of me
worth nothing at all.
And staying because maybe Lily does love the new Jenna
as much as the old one, after all.
Because maybe, given time, people do change,
maybe laws change.
Maybe we all change.
”
”
Mary E. Pearson (The Adoration of Jenna Fox (Jenna Fox Chronicles, #1))
“
If you’d rather skip lunch, that’s fine with me. I’ve got some things to take care of anyway before I can leave the store to Robin for the weekend.”
“I don’t want to skip lunch,” he bit out. “I’m starving.”
Her temper got the better of her. “Fine, but if you plan on snapping at me the whole time then I’d just as soon you eat alone.”
His gaze darkened. “I’m not snapping.”
She poked him in the chest. “Yes, you are.”
Leo started to speak, then paused and let out a huge breath. “Sorry. Damn, I’m just having one of those days.”
Amanda smiled and patted his cheek. “You can tell me all about it over a bowl of fettuccine.
”
”
Anne Rainey (A Little Bit Naughty (Tahoe Nights, #1))
“
God, could that dopey girl dance. Buddy Singer and his stinking band was playing 'Just One of Those Things' and even they couldn't ruin it entirely. It's a swell song. I didn't try any trick stuff while we danced--I hate a guy that does a lot of show-off tricky stuff on the dance floor--but I was moving her around plenty, and she stayed with me. The funny thing is, I thought she was enjoying it, too, till all of a sudden she came out with this very dumb remark. "I and my girl friends saw Peter Lorre last night," she said. "The movie actor. In person. He was buyin' a newspaper. He's cute."
"You're lucky," I told her. "You're really lucky. You know that?" She was really a moron. But what a dancer.
”
”
J.D. Salinger (The Catcher in the Rye)
“
Dear Daniel,
How do you break up with your boyfriend in a way that tells him, "I don't want to sleep with you on a regular basis anymore, but please be available for late night booty calls if I run out of other options"?
Lily
Charlotte, NC
Dear Lily,
The story's so old you can't tell it anymore without everyone groaning, even your oldest friends with the last of their drinks shivering around the ice in their dirty glasses. The music playing is the same album everyone has. Those shoes, everybody has the same shoes on. It looked a little like rain so on person brought an umbrella, useless now in the starstruck clouded sky, forgotten on the way home, which is how the umbrella ended up in her place anyway. Everyone gets older on nights like this.
And still it's a fresh slap in the face of everything you had going, that precarious shelf in the shallow closet that will certainly, certainly fall someday. Photographs slipping into a crack to be found by the next tenant, that one squinter third from the left laughing at something your roommate said, the coaster from that place in the city you used to live in, gone now. A letter that seemed important for reasons you can't remember, throw it out, the entry in the address book you won't erase but won't keep when you get a new phone, let it pass and don't worry about it. You don't think about them; "I haven't thought about them in forever," you would say if anybody brought it up, and nobody does."
You think about them all the time.
Close the book but forget to turn off the light, just sit staring in bed until you blink and you're out of it, some noise on the other side of the wall reminding you you're still here. That's it, that's everything. There's no statue in the town square with an inscription with words to live by. The actor got slapped this morning by someone she loved, slapped right across the face, but there's no trace of it on any channel no matter how late you watch. How many people--really, count them up--know where you are? How many will look after you when you don't show up? The churches and train stations are creaky and the street signs, the menus, the writing on the wall, it all feels like the wrong language. Nobody, nobody knows what you're thinking of when you lean your head against the wall.
Put a sweater on when you get cold. Remind yourself, this is the night, because it is. You're free to sing what you want as you walk there, the trees rustling spookily and certainly and quietly and inimitably. Whatever shoes you want, fuck it, you're comfortable. Don't trust anyone's directions. Write what you might forget on the back of your hand, and slam down the cheap stuff and never mind the bad music from the window three floors up or what the boys shouted from the car nine years ago that keeps rattling around in your head, because you're here, you are, for the warmth of someone's wrists where the sleeve stops and the glove doesn't quite begin, and the slant of the voice on the punch line of the joke and the reflection of the moon in the water on the street as you stand still for a moment and gather your courage and take a breath before stealing away through the door. Look at it there. Take a good look. It looks like rain.
Love,
Daniel Handler
”
”
Daniel Handler
“
Let’s say that your significant other has been paying less and less attention to you. You realize he or she has a busy job, but you still would like more time together. You drop a few hints about the issue, but your loved one doesn’t handle it well. You decide not to put on added pressure, so you clam up. Of course, since you’re not all that happy with the arrangement, your displeasure now comes out through an occasional sarcastic remark. “Another late night, huh? I’ve got Facebook friends I see more often.” Unfortunately (and here’s where the problem becomes self-defeating), the more you snip and snap, the less your loved one wants to be around you. So your significant other spends even less time with you, you become even more upset, and the spiral continues. Your behavior is now actually creating the very thing you didn’t want in the first place. You’re caught in an unhealthy, self-defeating loop.
”
”
Kerry Patterson (Crucial Conversations Tools for Talking When Stakes Are High)
“
Each day, at the same time, Jude would return and they would be there, led by Webb, whose life could not have been more different than his. Where Webb's memories of childhood were idyllic and earthy, Jude's reeked of indifference. Webb read fantasy; Jude read realism. Webb believed a tree house was the perfect place for gaining a different perspective on the world; Jude saw it as perfect for surveillance and working out who or what was a threat to them. They argued about sport codes and song lyrics. Jude saw the rain-dirty valley; Webb saw Brigadoon. Yet, despite all this, they connected, and the nights they spent in the tree house discussing their brave new worlds and not so brave emotions made everything else in their lives insignificant. Somehow the world of Webb and Fitz and Tate and Narnie became the focus of Jude's life.
”
”
Melina Marchetta (On the Jellicoe Road)
“
They seek each other out, these people of such specific like mind. They tell of how they found the circus, how those first few steps were like magic. Like stepping into a fairy tale under a curtain of stars. They pontificate upon the fluffiness of the popcorn, the sweetness of the chocolate. They spend hours discussing the quality of the light, the heat of the bonfire. They sit over their drinks smiling like children and they relish being surrounded by kindred spirits, if only for an evening. When they depart, they shake hands and embrace like old friends, even if they have only just met, and as they go their separate ways they feel less alone than they had before.
”
”
Erin Morgenstern (The Night Circus)
“
The place is deserted except for my classmate Asterid March, who’s arranging tiny bottles on a shelf behind the counter. A long blond braid falls down her back, but the damp heat has brought out tendrils of hair that frame her perfect face. Asterid’s the town beauty and rich by District 12 standards. I used to hold that against her, but she showed up one night in the Seam, alone, to treat a neighbor woman who’d been whipped for back-talking a Peacekeeper. She brought some ointment she’d concocted herself, then slipped away, never mentioning payment. Since then, she’s who people turn to for help when a loved one goes under the lash. I guess Asterid has more substance than her pack of snooty town friends suggests. Besides, Burdock’s nuts about her, so I try to be nice even though he’s got about as much chance with her as a mockingjay with a swan. Town girls don’t marry Seam boys, not unless something really goes haywire.
”
”
Suzanne Collins (Sunrise on the Reaping (The Hunger Games))
“
This was the way we loved, until the night became a silent day. And as I lay there with her I could see how important physical love was, how necessary it was for us to be in each other's arms, giving and taking. The universe was exploding, each particle away from the next, hurtling us into dark and lonely space, eternally tearing us away from each other - child out of the womb, friend away from friend, moving from each other, each through his own pathway toward the goal-box of solitary death.
But this was the counterweight, the act of binding and holding. As when men to keep from being swept overboard in the storm clutch at each other's hands to resist being torn apart, so our bodies fused a link in the human chain that kept us from being swept into nothing.
”
”
Daniel Keyes
“
You look so beautiful
No one but me knows you're insane
I feel so damn pathetic
My friends just don't get it
Cause you've got me under oath
Before you I was in a fucking rut
One day you are in the past
That night I ask you back
It started out just harmless fun
Now you've got me thinking you are the one
Cause if you wanna take me home
You know I'm ready to leave
You've got me under your spell
Please don't set me free
Cause I've been having all these nightmares
Seeing you is my only way up
Feeling so defenseless
But I'm telling you
I wouldn't change a thing
You've got me feeling strange
Cause I love to hate you so damn much
But I can't think of leaving
Cause you're what keeps me breathing
It started out just harmless fun
Now you've got me thinking you are the one
Cause if you wanna take me home
You know I'm ready to leave
You've got me under your spell
Please don't set me free
Cause I've been having all these nightmares
Seeing you is my only way up
Feeling so defenseless
But I'm telling you
I wouldn't change a thing
Cause if you wanna take me home
You know I'm ready to leave
You've got me under your spell
Please don't set me free
Cause if you wanna take me home
You know I'm ready to leave
You've got me under your spell
Please don't set me free
Cause I've been having all these nightmares
Seeing you is my only way up
Feeling so defenseless
But I'm telling you
I wouldn't change a thing
”
”
Calum Hood
“
Imagine yourself taking a stroll through Manhattan, somewhere north of 68th street, deep inside Central Park, late at night. It would be nice to meet someone friendly, but you know that the park is dangerous at night. That's when the monsters come out. There's always a strong undercurrent of drug dealings, muggings, and occasional homicides.
It is not easy to distinguish the good guys from the bad guys. They dress alike, and the weapons are concealed. The only difference is intent, and you can't read minds.
Stay in the dark long enough and you may hear an occasional distance shriek or blunder across a body.
How do you survive the night? The last thing you want to do is shout, "I'm here!" The next to last thing you want to do is reply to someone who shouts, "I'm a friend!"
What you would like to do is find a policeman, or get out of the park. But you don't want to make noise or move towards a light where you might be spotted, and it is difficult to find either a policeman or your way out without making yourself known. Your safest option is to hunker down and wait for daylight, then safely walk out.
There are, of course, a few obvious differences between Central Park and the universe.
There is no policeman.
There is no way out.
And the night never ends.
”
”
Charles Pellegrino (The Killing Star)
“
Well, last night in a tavern, a captain in the king's guard offered violence to the sweetheart of a young solider, who naturally ran him through. But it seems there is some cursed law against killing guardsmen, and the boy and his girl fled away. It was bruited about that I was seen with them, and so today I was haled into court, and a judge asked me where the lad had gone. I replied that since he was a friend of mine, I could not betray him. Then the court waxed wroth, and the judge talked a great deal about my duty to the state, and society, and other things I did not understand, and bade me tell where my friend had flown. By this time I was becoming wrathful myself, for I had explained my position.
But I choked my ire and held my peace, and the judge squalled that I had shown contempt for the court, and that I should be hurled into a dungeon to rot until I betrayed my friend. So then, seeing that they were all mad, I drew my sword and cleft the judge's skull; then I cut my way out of the court, and seeing the high constable's stallion tied near by, I rode for the wharfs, where I thought to find a ship bound for foreign parts.
- Conan the Cimmerian, Queen of the Black Coast
”
”
Robert E. Howard
“
On Rachel's show for November 7, 2012:
We're not going to have a supreme court that will overturn Roe versus Wade. There will be no more Antonio Scalias and Samuel Aleatos added to this court. We're not going to repeal health reform. Nobody is going to kill medicare and make old people in this generation or any other generation fight it out on the open market to try to get health insurance. We are not going to do that. We are not going to give a 20% tax cut to millionaires and billionaires and expect programs like food stamps and kid's insurance to cover the cost of that tax cut. We'll not make you clear it with your boss if you want to get birth control under the insurance plan that you're on. We are not going to redefine rape. We are not going to amend the United States constitution to stop gay people from getting married. We are not going to double Guantanamo. We are not eliminating the Department of Energy or the Department of Education or Housing at the federal level. We are not going to spend $2 trillion on the military that the military does not want. We are not scaling back on student loans because the country's new plan is that you should borrow money from your parents. We are not vetoing the Dream Act. We are not self-deporting. We are not letting Detroit go bankrupt. We are not starting a trade war with China on Inauguration Day in January. We are not going to have, as a president, a man who once led a mob of friends to run down a scared, gay kid, to hold him down and forcibly cut his hair off with a pair of scissors while that kid cried and screamed for help and there was no apology, not ever. We are not going to have a Secretary of State John Bolton. We are not bringing Dick Cheney back. We are not going to have a foreign policy shop stocked with architects of the Iraq War. We are not going to do it. We had the chance to do that if we wanted to do that, as a country. and we said no, last night, loudly.
”
”
Rachel Maddow
“
On the night Sam went missing, it occurred to Sadie that nothing in life was as solid-state as it appeared. A childish game could be deadly. A friend might disappear. And as much as a person might try to shield herself from it, the possibility for the other outcome was always there. We are all living, at most, half of a life, she thought. There was the life that you lived, which consisted of the choices you made. And then, there was the other life, the one that was the things you hadn't chosen. And sometimes, this other life felt as palpable as the one you were living. Sometimes, it felt as if you might be walking down Brattle Street, and without warning, you could slip into this other life, like Alice falling down the rabbit hole that led to Wonderland. But it wouldn't be strange like Wonderland, not at all. Because you would have expected all along that it could have turned out that way. You would feel relief, because you had always wondered what that other life would have looked like. And there you were.
”
”
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
“
There are many different things in this world to hide, but a secret is not one of them. It is difficult to hide an airplane, for instance, because you generally need to find a deep hole or an enormous haystack, and sneak the airplane inside in the middle of the night, but it is easy to hide a secret about an airplane, because you can merely write it on a tiny piece of paper and tape it to the bottom of your mattress any time you are at home. It is difficult to hide a symphony orchestra, because you usually need to rent a soundproof room and borrow as many sleeping bags as you can find, but it is easy to hide a secret about a symphony orchestra, because you can merely whisper it into the ear of a trustworthy friend or music critic. And it is difficult to hind yourself, because you sometimes need to stuff yourself into the trunk of an automobile, or concoct a disguise out of whatever you can find, but it is easy to hide a secret about yourself because you can merely type it into a book and hope it falls into the right hands. My dear sister, if you are reading things I am still alive, and heading north to try and find you.
”
”
Lemony Snicket (The Carnivorous Carnival (A Series of Unfortunate Events, #9))
“
Father Brendan Flynn: "A woman was gossiping with her friend about a man whom they hardly knew - I know none of you have ever done this. That night, she had a dream: a great hand appeared over her and pointed down on her. She was immediately seized with an overwhelming sense of guilt. The next day she went to confession. She got the old parish priest, Father O' Rourke, and she told him the whole thing. 'Is gossiping a sin?' she asked the old man. 'Was that God All Mighty's hand pointing down at me? Should I ask for your absolution? Father, have I done something wrong?' 'Yes,' Father O' Rourke answered her. 'Yes, you ignorant, badly-brought-up female. You have blamed false witness on your neighbor. You played fast and loose with his reputation, and you should be heartily ashamed.' So, the woman said she was sorry, and asked for forgiveness. 'Not so fast,' says O' Rourke. 'I want you to go home, take a pillow upon your roof, cut it open with a knife, and return here to me.' So, the woman went home: took a pillow off her bed, a knife from the drawer, went up the fire escape to her roof, and stabbed the pillow. Then she went back to the old parish priest as instructed. 'Did you gut the pillow with a knife?' he says. 'Yes, Father.' 'And what were the results?' 'Feathers,' she said. 'Feathers?' he repeated. 'Feathers; everywhere, Father.' 'Now I want you to go back and gather up every last feather that flew out onto the wind,' 'Well,' she said, 'it can't be done. I don't know where they went. The wind took them all over.' 'And that,' said Father O' Rourke, 'is gossip!
”
”
John Patrick Shanley (Doubt, a Parable)
“
I would not tell this court that I do not hope that some time, when life and age have changed their bodies, as they do, and have changed their emotions, as they do -- that they may once more return to life. I would be the last person on earth to close the door of hope to any human being that lives, and least of all to my clients. But what have they to look forward to? Nothing. And I think here of the stanza of Housman:
Now hollow fires burn out to black,
And lights are fluttering low:
Square your shoulders, lift your pack
And leave your friends and go.
O never fear, lads, naught’s to dread,
Look not left nor right:
In all the endless road you tread
There’s nothing but the night.
...Here it Leopold’s father -- and this boy was the pride of his life. He watched him, he cared for him, he worked for him; the boy was brilliant and accomplished, he educated him, and he thought that fame and position awaited him, as it should have awaited. It is a hard thing for a father to see his life’s hopes crumble into dust.
...I know the future is with me, and what I stand for here; not merely for the lives of these two unfortunate lads, but for all boys and all girls; for all of the young, and as far as possible, for all of the old. I am pleading for life, understanding, charity, kindness, and the infinite mercy that considers all. I am pleading that we overcome cruelty with kindness and hatred with love. I know the future is on my side. Your Honor stands between the past and the future. You may hang these boys; you may hang them by the neck until they are dead. But in doing it you will turn your face toward the past... I am pleading for the future; I am pleading for a time when hatred and cruelty will not control the hearts of men. When we can learn by reason and judgment and understanding that all life is worth saving, and that mercy is the highest attribute of man.
...I am sure I do not need to tell this court, or to tell my friends that I would fight just as hard for the poor as for the rich. If I should succeed, my greatest reward and my greatest hope will be that... I have done something to help human understanding, to temper justice with mercy, to overcome hate with love.
I was reading last night of the aspiration of the old Persian poet, Omar Khayyám. It appealed to me as the highest that I can vision. I wish it was in my heart, and I wish it was in the hearts of all:
So I be written in the Book of Love,
I do not care about that Book above.
Erase my name or write it as you will,
So I be written in the Book of Love.
”
”
Clarence Darrow (Attorney for the Damned: Clarence Darrow in the Courtroom)
“
Aedion grinned, and ruffled her red-gold hair. “The battle won’t be pretty,” he
said as Evangeline sipped her milk. “And you will likely throw up again. But
just remember that this fear of yours? It means you have something worth
fighting for—something you care so greatly for that losing it is the worst thing
you can imagine.” He pointed to the frost-covered windows. “Those bastards out
there on the plain? They have none of that.” He laid his hand on hers and
squeezed gently. “They have nothing to fight for. And while we might not have
their numbers, we do have something worth defending. And because of that, we
can overcome our fear. We can fight against them, to the very end. For our
friends, for our family ...” He squeezed her hand again at that. “For those we
love ...” He dared to look up at Lysandra, whose green eyes were lined with
silver. “For those we love, we can rise above that fear. Remember that tomorrow.
Even if you throw up, even if you spend the whole night in the privy. Remember
that we have something to fight for, and it will always triumph.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
Citizens, the nineteenth century is great, but the twentieth century will be happy. Then, there will be nothing more like the history of old,
we shall no longer, as to-day, have to fear a conquest, an invasion, a usurpation, a rivalry of nations, arms in hand, an interruption of
civilization depending on a marriage of kings, on a birth in hereditary tyrannies, a partition of peoples by a congress, a dismemberment because
of the failure of a dynasty, a combat of two religions meeting face to face, like two bucks in the dark, on the bridge of the infinite; we
shall no longer have to fear famine, farming out, prostitution arising from distress, misery from the failure of work and the scaffold and the
sword, and battles and the ruffianism of chance in the forest of events. One might almost say: There will be no more events. We shall be happy.
The human race will accomplish its law, as the terrestrial globe accomplishes its law; harmony will be re-established between the soul
and the star; the soul will gravitate around the truth, as the planet around the light. Friends, the present hour in which I am addressing
you, is a gloomy hour; but these are terrible purchases of the future. A revolution is a toll. Oh! the human race will be delivered, raised up,
consoled! We affirm it on this barrier. Whence should proceed that cry of love, if not from the heights of sacrifice? Oh my brothers, this is
the point of junction, of those who think and of those who suffer; this barricade is not made of paving-stones, nor of joists, nor of bits of
iron; it is made of two heaps, a heap of ideas, and a heap of woes. Here misery meets the ideal. The day embraces the night, and says to it: 'I
am about to die, and thou shalt be born again with me.' From the embrace of all desolations faith leaps forth. Sufferings bring hither their
agony and ideas their immortality. This agony and this immortality are about to join and constitute our death. Brothers, he who dies here dies
in the radiance of the future, and we are entering a tomb all flooded with the dawn.
”
”
Victor Hugo (Les Misérables)
“
My ideal man," Malak said ponderingly. "I'm not sure what that means. I don't want the ideal. I want complexity. I want passion. I want imperfection.
"My ideal man is not ideal. But," she said, leaning forward, "I'll tell you about him."
"I want him to have lunch at home. I want him to help me with my own mind. I want him to be bookish, wise, cunning, and exemplary. I want him to be a good storyteller, and always on my side."
"Yes, I want him to be near me. A good conversationalist, proud, not afraid of the lofty heights."
"I want him to be a singer, one who knows and loves a good song, can play an instrument, the oud or the ney, and preferably both. I want him to be a good mourner, know how to attend to the pain of others, a consoler who could assuage the grief I have for all those I loved and befriended and who are no longer here. I want him to be a healer, an expert in all that troubles me. I want him to be a fire that annihilates all danger that lies ahead and behind me and that which I have, somehow, without his help, found a way to avoid. I want him to be faithful---"
"Incapable of deception. I want him to be constant__"
"Constant in his love and in his prayers and, when those prayers are not answered, I want him to change reality with his own hands. I want him to be my lord-"
"For all the world to see. I want him to make me proud, to make vanish old and fresh longings, new and unremembered regrets. I want him to be vigilant-"
"To protect me from sorrows even once their great heights have passed. I want him to know how to deal with the past. I want him to be occasionally gripped by fear-"
"The fear of losing me. I want him to be patient, to help me to endure the injustices visited upon the houses of those I love. But I also want him to be impatient-"
"To lose all reason and hurry off, forgetting his shoes and hat, and ride-"
"His horse flanked by wings of angry dust, galloping, if need be, all night to find the traitorous, to change my fortunes and avenge me."
"And then I want him to return to me, to prosper by my side. I want to take him to the clearest stream, one only I know the way to, and there quench his thirst. I want him to look at me sometimes as if he does not know who I am. But I want to be forever recognized by him, come what may, to point me out in a crowd when, after the passage, we are reunited."
"I want him to see me when I cannot see myself.
”
”
Hisham Matar (My Friends)
“
Finding the Father
My friend, this body offers to carry us for nothing– as the ocean carries logs. So on some days the body wails with its great energy; it smashes up the boulders, lifting small crabs, that flow around the sides.
Someone knocks on the door. We do not have time to dress. He wants us to go with him through the blowing and rainy streets, to the dark house.
We will go there, the body says, and there find the father whom we have never met, who wandered out in a snowstorm the night we were born, and who then lost his memory, and has lived since longing for his child, whom he saw only once… while he worked as a shoemaker, as a cattle herder in Australia, as a restaurant cook who painted at night.
When you light the lamp you will see him. He sits there behind the door… the eyebrows so heavy, the forehead so light… lonely in his whole body, waiting for you.
”
”
Robert Bly (Iron John: A Book About Men)
“
Are you going to hand me over to him?"
"I haven't decided yet," I teased, and he smiled again, erasing his momentary seriousness. "So, where'd you get the suit?"
"Believe it or not, that lovely friend of yours, Willa," Loki said. "She brought me a whole slew of clothes last night. When I asked her why she was being so generous, she said it was out of fear that I would run around naked."
I smiled. "That does sound like something you would do. Why are you wearing all black, though? Didn't you know you were going to a wedding?"
"On the contrary," he said, doing his best to look unhappy. "I'm in mourning over the wedding."
"Oh, because it's too late?" I asked.
"No, Wendy, it's never too late." His voice was light, but his eyes were solemn.
"May I cut in?" the best man asked.
"No, you may not," Loki said. I'd started to move away from him, but he held fast.
"Loki," I said, and my eyes widened.
"I'm still dancing with her," Loki said, turning to look at him. "You can have her when I'm done."
"Loki," I said again, but he was already twirling me away. "You can't do that."
"I just did." He grinned. "Oh, Wendy, don't look so appalled. I'm already the rebel Prince of thine enemy. I can't do much more to tarnish my image."
"You can certainly tarnish mine," I pointed out.
"Never," Loki said, and it was his turn to look appalled. "I'm merely showing them how it's done."
He began spinning me around the dance floor in grand arcs, my gown swirling around me. He was a brilliant dancer, moving with grace and speed. Everyone had stopped to watch us, but I didn't care. This was the way a Princess was supposed to dance on her wedding day.
The song ended, switching to something by Mozart, and he slowed, almost to a stop, but he kept me in his arms.
"Thank you." I smiled. My skin felt flushed from dancing, and I was a little out of breath. "That was a wonderful dance."
"You're welcome," he said, staring intently at me. "You are so beautiful."
"Stop," I said, looking away as my cheeks reddened.
"How can you blush?" Loki asked, laughing gently. "People must tell you how beautiful you are a thousand times a day."
"It's not the same," I said.
"It's not the same?" Loki echoed. "Why? Because you know they don't mean it like I do?"
We did stop dancing them, and neither of us said anything. Garrett came up to us. He smiled, but his eyes didn't appear happy.
"Can I cut in?" Garrett asked.
"Yes," Loki said, shaking off the intensity he'd had a moment ago, and grinned broadly at Garrett. "She's all yours, good sir. Take care of her."
He patted Garrett on the arm once for good measure and gave me a quick smile before heading back over to the refreshment table.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
There is a story they tell, about a girl dared by her peers to venture to a local graveyard after dark. This was her folly: when they told her that standing on someone’s grave at night would cause the inhabitant to reach up and pull her under, she scoffed. Scoffing is the first mistake a woman can make.
I will show you, she said.
Pride is the second mistake.
They gave her a knife to stick into the frosty earth, as a way of proving her presence and her theory.
She went to that graveyard. Some storytellers say that she picked the grave at random. I believe she selected a very old one, her choice tinged by self-doubt and the latent belief that if she were wrong, the intact muscle and flesh of a newly dead corpse would be more dangerous than one centuries gone.
She knelt on the grave and plunged the blade deep. As she stood to run she found she couldn’t escape. Something was clutching at her clothes. She cried out and fell down.
When morning came, her friends arrived at the cemetery. They found her dead on the grave, the blade pinning the sturdy wool of her skirt to the ground. Dead of fright or exposure, would it matter when the parents arrived? She was not wrong, but it didn’t matter any more. Afterwards, everyone believed that she had wished to die, even though she had died proving that she could live.
As it turns out, being right was the third, and worst, mistake.
”
”
Carmen Maria Machado (Her Body and Other Parties: Stories)
“
Listen up, pal, the moon is way up in the sky. Aren’t you scared? The helplessness that comes from nature. That moonlight, think about it, that moonlight, paler than a corpse’s face, so silent and far away, that moonlight witnessed the cries of the first monsters to walk the earth, surveyed the peaceful waters after the deluges and the floods, illuminated centuries of nights and went out at dawns throughout centuries . . . Think about it, my friend, that moonlight will be the same tranquil ghost when the last traces of your great-grandsons’ grandsons no longer exist. Prostrate yourself before it. You’ve shown up for an instant and it is forever. Don’t you suffer, pal? I . . . I myself can’t stand it. It hits me right here, in the center of my heart, having to die one day and, thousands of centuries later, undistinguished in humus, eyeless for all eternity, I, I!, for all eternity . . . and the indifferent, triumphant moon, its pale hands outstretched over new men, new things, different beings. And I Dead! Think about it, my friend. It’s shining over the cemetery right now. The cemetery, where all lie sleeping who once were and never more shall be. There, where the slightest whisper makes the living shudder in terror and where the tranquility of the stars muffles our cries and brings terror to our eyes. There, where there are neither tears nor thoughts to express the profound misery of coming to an end.
”
”
Clarice Lispector (The Complete Stories)
“
Connection terminated.
I'm sorry to interrupt you, Elizabeth. If you still even remember that name.
But I'm afraid you've been misinformed.
You are not here to receive a gift. Nor, have you been called here by the individual you assume. Although, you have indeed been called.
You have all been called here. Into a labyrinth of sounds and smells, misdirection and misfortune.
A labyrinth with no exit. A maze with no prize. You don't even realize that you are trapped. Your lust of blood has driven you in endless circles. Chasing the cries of children in some unseen chamber, always seeming so near.
Yet somehow out of reach.
But, you will never find them. None of you will.
This is where your story ends.
And to you, my brave volunteer, who somehow found this job listing not intended for you. Although, there was a way out planned for you, I have a feeling that's not what you want. I have a feeling that you are right where you want to be.
I am remaining as well. I am nearby.
This place will not be remembered and the memory of everything that started this, can finally begin to fade away. As the agony of every tragedy should.
And to you monsters trapped in the corridors. Be still. And give up your spirits.
They don't belong to you.
As for most of you, I believe there is peace and perhaps, warm, waiting for you after the smoke clears.
Although, for one of you, the darkest pit of Hell has opened to swallow you whole. So, don't keep the Devil waiting, friend.
My daughter, if you can hear me, I knew you would return as well. It's in your nature to protect the innocent. I'm sorry that on that day, the day you were shut out and left to die, no one was there to lift you up in their arms, the way you lifted others into yours.
And then, what became of you, I should have known, you wouldn't be content to disappear. Not my daughter. I couldn't save you then.
So, let me save you now. It's time to rest, for you, and for those you have carried in your arms...
This ends.
For all of us.
End communication.
”
”
Scott Cawthon
“
What we hadn’t known about, back then, was pain. Sure, we’d faced some things as children that a lot of kids don’t. Sure, Justin had qualified for his Junior de Sade Badge in his teaching methods for dealing with pain. We still hadn’t learned, though, that growing up is all about getting hurt. And then getting over it. You hurt. You recover. You move on. Odds are pretty good you’re just going to get hurt again. But each time, you learn something. Each time, you come out of it a little stronger, and at some point you realize that there are more flavors of pain than coffee. There’s the little empty pain of leaving something behind—graduating, taking the next step forward, walking out of something familiar and safe into the unknown. There’s the big, whirling pain of life upending all of your plans and expectations. There’s the sharp little pains of failure, and the more obscure aches of successes that didn’t give you what you thought they would. There are the vicious, stabbing pains of hopes being torn up. The sweet little pains of finding others, giving them your love, and taking joy in their life as they grow and learn. There’s the steady pain of empathy that you shrug off so you can stand beside a wounded friend and help them bear their burdens. And if you’re very, very lucky, there are a very few blazing hot little pains you feel when you realize that you are standing in a moment of utter perfection, an instant of triumph, or happiness, or mirth which at the same time cannot possibly last—and yet will remain with you for life. Everyone is down on pain, because they forget something important about it: Pain is for the living. Only the dead don’t feel it. Pain is a part of life. Sometimes it’s a big part, and sometimes it isn’t, but either way, it’s part of the big puzzle, the deep music, the great game. Pain does two things: It teaches you, tells you that you’re alive. Then it passes away and leaves you changed. It leaves you wiser, sometimes. Sometimes it leaves you stronger. Either way, pain leaves its mark, and everything important that will ever happen to you in life is going to involve it in one degree or another.
”
”
Jim Butcher (White Night (The Dresden Files, #9))
“
I read my copy of On the Road and dug the scenery whizzing past. On the Road is a semi-autobiographical novel about Jack Kerouac, a druggy, hard-drinking writer who goes hitchhiking around America, working crummy jobs, howling through the streets at night, meeting people and parting ways. Hipsters, sad-faced hobos, con-men, muggers, scumbags and angels. There's not really a plot -- Kerouac supposedly wrote it in three weeks on a long roll of paper, stoned out of his mind -- only a bunch of amazing things, one thing happening after another. He makes friends with self-destructing people like Dean Moriarty, who get him involved in weird schemes that never really work out, but still it works out, if you know what I mean.
There was a rhythm to the words, it was luscious, I could hear it being read aloud in my head. It made me want to lie down in the bed of a pickup truck and wake up in a dusty little town somewhere in the central valley on the way to LA, one of those places with a gas station and a diner, and just walk out into the fields and meet people and see stuff and do stuff.
”
”
Cory Doctorow (Little Brother (Little Brother, #1))
“
Bennie's corner of Brooklyn looked different every time Sierra passed through it. She stopped at the corner of Washington Avenue and St. John's Place to take in the changing scenery. A half block from where she stood, she'd skinned her knee playing hopscotch while juiced up on iceys and sugar drinks. Bennie's brother, Vincent, had been killed by the cops on the adjacent corner, just a few steps from his own front door. Now her best friend's neighborhood felt like another planet. The place Sierra and Bennie used to get their hair done had turned into a fancy bakery of some kind, and yes, the coffee was good, but you couldn't get a cup for less than three dollars. Plus, every time Sierra went in, the hip, young white kid behind the counter gave her either the don't-cause-no-trouble look or the I-want-to-adopt-you look. The Takeover (as Bennie had dubbed it once) had been going on for a few years now, but tonight its pace seemed to have accelerated tenfold. Sierra couldn't find a single brown face on the block. It looked like a late-night frat party had just let out; she was getting funny stares from all sides--as if she was the out-of-place one, she thought. And then, sadly, she realized she was the out-of-place one.
”
”
Daniel José Older (Shadowshaper (Shadowshaper Cypher, #1))
“
You big ugly. You too empty. You desert with your nothing nothing nothing. You scorched suntanned. Old too quickly. Acres of suburbs watching the telly. You bore me. Freckle silly children. You nothing much. With your big sea. Beach beach beach. I’ve seen enough already. You dumb dirty city with bar stools. You’re ugly. You silly shopping town. You copy. You too far everywhere. You laugh at me. When I came this woman gave me a box of biscuits. You try to be friendly but you’re not very friendly. You never ask me to your house. You insult me. You don’t know how to be with me. Road road tree tree. I came from crowded and many. I came from rich. You have nothing to offer. You’re poor and spread thin. You big. So what. I’m small. It’s what’s in. You silent on Sunday. Nobody on your streets. You dead at night. You go to sleep too early. You don’t excite me. You scare me with your hopeless. Asleep when you walk. Too hot to think. You big awful. You don’t match me. You burnt out. You too big sky. You make me a dot in the nowhere. You laugh with your big healthy. You want everyone to be the same. You’re dumb. You do like anybody else. You engaged Doreen. You big cow. You average average. Cold day at school playing around at lunchtime. Running around for nothing. You never accept me. For your own. You always ask me where I’m from. You always ask me. You tell me I look strange. Different. You don’t adopt me. You laugh at the way I speak. You think you’re better than me. You don’t like me. You don’t have any interest in another country. Idiot centre of your own self. You think the rest of the world walks around without shoes or electric light. You don’t go anywhere. You stay at home. You like one another. You go crazy on Saturday night. You get drunk. You don’t like me and you don’t like women. You put your arm around men in bars. You’re rough. I can’t speak to you. You burly burly. You’re just silly to me. You big man. Poor with all your money. You ugly furniture. You ugly house. You relaxed in your summer stupor. All year. Never fully awake. Dull at school. Wait for other people to tell you what to do. Follow the leader. Can’t imagine. Workhorse. Thick legs. You go to work in the morning. You shiver on a tram.
”
”
Ania Walwicz
“
weren't we all the same as children?" eiko asked. "all of us, destined to become beautiful brides in fluffy white dresses!" she giggled to herself. "where did we go wrong?"
isn't that what keeps life interesting?" i replied. "and who knows? next year you could be somebody's wife. no one knows what will happen."
sometimes i think it would be wonderful just to stay the way i am forever, just kick back and space out during the afternoon thinking about all the exciting things that the night will bring, all the naughty things i might take part in." she snickered again.
well," i said, "aren't you the happy one."
she squinted her tiny nose and laughed.
dawn was breaking as we said good-bye. i saw her off by watching her small body disappear into the background, her high heels clapping along, echoing in the early morning city.
my drunkenness, the sunrise, the bright sky, and a friend who was leaving.
if i had died in my fall i would have missed that morning - that splendid sunrise over tokyo.
”
”
Banana Yoshimoto
“
Hate can be a deeply stimulating emotion. The world becomes easier to understand and much less terrifying if you divide everything and everyone into friends and enemies, we and they, good and evil. The easiest way to unite a group isn't through love, because love is hard, It makes demands. Hate is simple.
So the first thing that happens in a conflict is that we choose a side, because that's easier than trying to hold two thoughts in our heads at the same time. The second thing that happens is that we seek out facts that confirm what we want to believe - comforting facts, ones that permit life to go on as normal. The third is that we dehumanize our enemy. There are many ways of doing that, but none is easier than taking her name away from her.
So when night comes and the truths spread, no one types "Maya" on their cell phone or computer in Beartown, they type "M." Or "the young woman." Or "the slut." No one talks about "the rape," they all talk about "the allegation." Or "the lie." It starts with "nothing happened," moves on to "and if anything did happen, it was voluntary," escalates to "and if it wasn't voluntary, she only has herself to blame; what did she think was going to happen if she got drunk and went into his room with him?" It starts with "she wanted it" and ends with "she deserved it."
It doesn't take long to persuade each other to stop seeing a person as a person. And when enough people are quiet for long enough, a handful of voices can give the impression that everyone is screaming.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
Movies are made out of darkness as well as light; it is the surpassingly brief intervals of darkness between each luminous still image that make it possible to assemble the many images into one moving picture. Without that darkness, there would only be a blur. Which is to say that a full-length movie consists of half an hour or an hour of pure darkness that goes unseen. If you could add up all the darkness, you would find the audience in the theater gazing together at a deep imaginative night. It is the terra incognita of film, the dark continent on every map. In a similar way, a runner’s every step is a leap, so that for a moment he or she is entirely off the ground. For those brief instants, shadows no longer spill out from their feet, like leaks, but hover below them like doubles, as they do with birds, whose shadows crawl below them, caressing the surface of the earth, growing and shrinking as their makers move nearer or farther from that surface. For my friends who run long distances, these tiny fragments of levitation add up to something considerable; by their own power they hover above the earth for many minutes, perhaps some significant portion of an hour or perhaps far more for the hundred-mile races. We fly; we dream in darkness; we devour heaven in bites too small to be measured.
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
“
Ms. Lane.”Barrons’ voice is deep, touched with that strange Old World accent and mildly pissed off. Jericho Barrons is often mildly pissed off. I think he crawled from the swamp that way, chafed either by some condition in it, out of it, or maybe just the general mass incompetence he encountered in both places. He’s the most controlled, capable man I’ve ever known.
After all we’ve been through together, he still calls me Ms. Lane, with one exception: When I’m in his bed. Or on the floor, or some other place where I’ve temporarily lost my mind and become convinced I can’t breathe without him inside me this very instant. Then the things he calls me are varied and nobody’s business but mine.
I reply: “Barrons,” without inflection. I’ve learned a few things in our time together. Distance is frequently the only intimacy he’ll tolerate. Suits me. I’ve got my own demons. Besides I don’t believe good relationships come from living inside each other’s pockets. I believe divorce comes from that.
I admire the animal grace with which he enters the room and moves toward me. He prefers dark colors, the better to slide in and out of the night, or a room, unnoticed except for whatever he’s left behind that you may or may not discover for some time, like, say a tattoo on the back of one’s skull.
“What are you doing?”
“Reading,” I say nonchalantly, rubbing the tattoo on the back of my skull. I angle the volume so he can’t see the cover. If he sees what I’m reading, he’ll know I’m looking for something. If he realizes how bad it’s gotten, and what I’m thinking about doing, he’ll try to stop me.
He circles behind me, looks over my shoulder at the thick vellum of the ancient manuscript. “In the first tongue?”
“Is that what it is?” I feign innocence.
He knows precisely which cells in my body are innocent and which are thoroughly corrupted. He’s responsible for most of the corrupted ones. One corner of his mouth ticks up and I see the glint of beast behind his eyes, a feral crimson backlight, bloodstaining the whites.
It turns me on. Barrons makes me feel violently, electrically sexual and alive. I’d march into hell beside him.
But I will not let him march into hell beside me. And there’s no doubt that’s where I’m going.
I thought I was strong, a heroine. I thought I was the victor. The enemy got inside my head and tried to seduce me with lies.
It’s easy to walk away from lies.
Power is another thing.
Temptation isn’t a sin that you triumph over once, completely and then you’re free. Temptation slips into bed with you each night and helps you say your prayers. It wakes you in the morning with a friendly cup of coffee, and knows exactly how you take it.
He skirts the Chesterfield sofa and stands over me. “Looking for something, Ms. Lane?”
I’m eye level with his belt but that’s not where my gaze gets stuck and suddenly my mouth is so dry I can hardly swallow and I know I’m going to want to. I’m Pri-ya for this man. I hate it. I love it. I can’t escape it.
I reach for his belt buckle. The manuscript slides from my lap, forgotten. Along with everything else but this moment, this man. “I just found it,” I tell him.
”
”
Karen Marie Moning (Burned (Fever, #7))
“
dishes piled in the sink, books littering the coffee table— are harder than others. Today, my head is packed with cockroaches, dizziness, and everywhere it hurts. Venom in the jaw, behind the eyes, between the blades. Still, the dog is snoring on my right, the cat, on my left. Outside, all those redbuds are just getting good. I tell a friend, The body is so body. And she nods. I used to like the darkest stories, the bleak snippets someone would toss out about just how bad it could get. My stepfather told me a story about when he lived on the streets as a kid, how hed, some nights, sleep under the grill at a fast food restaurant until both he and his buddy got fired. I used to like that story for some reason, something in me that believed in overcoming. But right now all I want is a story about human kindness, the way once, when I couldn’t stop crying because I was fifteen and heartbroken, he came in and made me eat a small pizza he’d cut up into tiny bites until the tears stopped. Maybe I was just hungry, I said. And he nodded, holding out the last piece.
”
”
Ada Limon (The Hurting Kind: Poems)
“
There is always a man eager to explain my mental illness to me. They all do it so confidently, motioning to their Hemingway and Bukowski bookshelf as they compare my depression to their late-night loneliness. There is always someone that rejected them that they equate their sadness to and a bottle of gin (or a song playing, or a movie) close by that they refer to as their cure. Somehow, every soft confession of my Crazy that I hand to them turns into them pulling out pieces of themselves to prove how it really is in my head.
So many dudes I’ve dated have faces like doctors ready to institutionalize
and love my crazy (but only on Friday nights.)
They tell their friends about my impulsive decision making and how I “get them” more than anyone they’ve ever met but leave out my staring off in silence for hours and the self-inflicted bruises on my cheeks.
None of them want to acknowledge a crazy they can’t cure.
They want a crazy that fits well into a trope and gives them a chance to play Hero. And they always love a Crazy that provides them material to write about.
Truth is they love me best as a cigarette cloud of impossibility, with my lipstick applied perfectly and my Crazy only being pulled out when their life needs a little spice.
They don’t want me dirty, having not left my bed for days. Not diseased. Not real.
So they invite me over when they’re going through writer’s block but don’t answer my calls during breakdowns. They tell me I look beautiful when I’m crying then stick their hands in-between my thighs. They mistake my silence for listening to them attentively and say my quiet mouth understands them like no one else has.
These men love my good dead hollowness. Because it means less of a fighting personality for them to force out. And is so much easier to fill someone who has already given up with themselves.
”
”
Lora Mathis
“
The woods are so human," wrote John Foster, "that to know them one must live with them. An occasional saunter through them, keeping to the well-trodden paths, will never admit us to their intimacy. If we wish to be friends we must seek them out and win them by frequent, reverent visits at all hours; by morning, by noon, and by night; and at all seasons, in spring, in summer, in autumn, in winter. Otherwise we can never really know them and any pretence we may make to the contrary will never impose on them. They have their own effective way of keeping aliens at a distance and shutting their hearts to mere casual sightseers. It is of no use to seek the woods from any motive except sheer love of them; they will find us out at once and hide all their sweet, old-world secrets from us. But if they know we come to them because we love them they will be very kind to us and give us such treasures of beauty and delight as are not bought or sold in any market-place. For the woods, when they give at all, give unstintedly and hold nothing back from their true worshippers. We must go to them lovingly, humbly, patiently, watchfully, and we shall learn what poignant loveliness lurks in the wild places and silent intervales, lying under starshine and sunset, what cadences of unearthly music are harped on aged pine boughs or crooned in copses of fir, what delicate savours exhale from mosses and ferns in sunny corners or on damp brooklands, what dreams and myths and legends of an older time haunt them. Then the immortal heart of the woods will beat against ours and its subtle life will steal into our veins and make us its own forever, so that no matter where we go or how widely we wander we shall yet be drawn back to the forest to find our most enduring kinship.
”
”
L.M. Montgomery (The Blue Castle)
“
But later, just as we're turning the corner into my road, and I'm beginning to panic about the pain and difficulty of the impending conversation, I see a woman on her own, Saturday-night-smart, off to meet somebody somewhere, friends, or a lover. And when I was living with Laura, I missed... what? Maybe I missed somebody traveling on a bus or tube or cab, *going out of her way*, to meet me, maybe dressed up a little, wearing more makeup than usual, maybe even slightly nervous; when I was younger, the knowledge that I was responsible for any of this, even the bus ride, made me feel pathetically grateful. When you're with someone permanently, you don't get that: if Laura wanted to see me, she only had to turn her head, or walk from the bathroom to the bedroom, and she never bothered to dress up for the trip. And when she came home, she came home because she lived in my flat, not because we were lovers, and when we went out, she sometimes dressed up and sometimes didn't, depending on where we were going, but again, it was nothing whatsoever to do with me. Anyway, all this is by way of saying that the woman I saw out of the cab window inspired me and consoled me, momentarily: maybe I am not too old to provoke a trip from one part of London to another, and if I ever do have another date, and I arrange to meet that date in, say, Islington, and she has to come all the way from Stoke Newington, a journey of some three to four miles, I will thank her from the bottom of my wretched thirty-five-year-old heart.
”
”
Nick Hornby (High Fidelity)
“
I knew a young fellow once, who was studying to play the bagpipes, and you would be surprised at the amount of opposition he had to contend with. Why, not even from the members of his own family did he receive what you could call active encouragement. His father was dead against the business from the beginning, and spoke quite unfeelingly on the subject.
My friend used to get up early in the morning to practise, but he had to give that plan up, because of his sister. She was somewhat religiously inclined, and she said it seemed such an awful thing to begin the day like that.
So he sat up at night instead, and played after the family had gone to bed, but that did not do, as it got the house such a bad name. People, going home late, would stop outside to listen, and then put it about all over the town, the next morning, that a fearful murder had been committed at Mr. Jefferson's the night before; and would describe how they had heard the victim's shrieks and the brutal oaths and curses of the murderer, followed by the prayer for mercy, and the last dying gurgle of the corpse.
So they let him practise in the day-time, in the back-kitchen with all the doors shut; but his more successful passages could generally be heard in the sitting-room, in spite of these precautions, and would affect his mother almost to tears.
She said it put her in mind of her poor father (he had been swallowed by a shark, poor man, while bathing off the coast of New Guinea - where the connection came in, she could not explain).
Then they knocked up a little place for him at the bottom of the garden, about quarter of a mile from the house, and made him take the machine down there when he wanted to work it; and sometimes a visitor would come to the house who knew nothing of the matter, and they would forget to tell him all about it, and caution him, and he would go out for a stroll round the garden and suddenly get within earshot of those bagpipes, without being prepared for it, or knowing what it was. If he were a man of strong mind, it only gave him fits; but a person of mere average intellect it usually sent mad.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
Magnus, his silver mask pushed back into his hair, intercepted the New York vampires before they could fully depart. Alec heard Magnus pitch his voice low.
Alec felt guilty for listening in, but he couldn’t just turn off his Shadowhunter instincts.
“How are you, Raphael?” asked Magnus.
“Annoyed,” said Raphael. “As usual.”
“I’m familiar with the emotion,” said Magnus. “I experience it whenever we speak. What I meant was, I know that you and Ragnor were often in contact.”
There was a beat, in which Magnus studied Raphael with an expression of concern, and Raphael regarded Magnus with obvious scorn.
“Oh, you’re asking if I am prostrate with grief over the warlock that the Shadowhunters killed?”
Alec opened his mouth to point out the evil Shadowhunter Sebastian Morgenstern had killed the warlock Ragnor Fell in the recent war, as he had killed Alec’s own brother.
Then he remembered Raphael sitting alone and texting a number saved as RF, and never getting any texts back.
Ragnor Fell.
Alec felt a sudden and unexpected pang of sympathy for Raphael, recognizing his loneliness. He was at a party surrounded by hundreds of people, and there he sat texting a dead man over and over, knowing he’d never get a message back.
There must have been very few people in Raphael’s life he’d ever counted as friends.
“I do not like it,” said Raphael, “when Shadowhunters murder my colleagues, but it’s not as if that hasn’t happened before. It happens all the time. It’s their hobby. Thank you for asking. Of course one wishes to break down on a heart-shaped sofa and weep into one’s lace handkerchief, but I am somehow managing to hold it together. After all, I still have a warlock contact.”
Magnus inclined his head with a slight smile.
“Tessa Gray,” said Raphael. “Very dignified lady. Very well-read. I think you know her?”
Magnus made a face at him. “It’s not being a sass-monkey that I object to. That I like. It’s the joyless attitude. One of the chief pleasures of life is mocking others, so occasionally show some glee about doing it. Have some joie de vivre.”
“I’m undead,” said Raphael.
“What about joie de unvivre?”
Raphael eyed him coldly. Magnus gestured his own question aside, his rings and trails of leftover magic leaving a sweep of sparks in the night air, and sighed.
“Tessa,” Magnus said with a long exhale. “She is a harbinger of ill news and I will be annoyed with her for dumping this problem in my lap for weeks. At least.”
“What problem? Are you in trouble?” asked Raphael.
“Nothing I can’t handle,” said Magnus.
“Pity,” said Raphael. “I was planning to point and laugh. Well, time to go. I’d say good luck with your dead-body bad-news thing, but . . . I don’t care.”
“Take care of yourself, Raphael,” said Magnus.
Raphael waved a dismissive hand over his shoulder. “I always do.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
1
The summer our marriage failed
we picked sage to sweeten our hot dark car.
We sat in the yard with heavy glasses of iced tea,
talking about which seeds to sow
when the soil was cool. Praising our large, smooth spinach
leaves, free this year of Fusarium wilt,
downy mildew, blue mold. And then we spoke of flowers,
and there was a joke, you said, about old florists
who were forced to make other arrangements.
Delphiniums flared along the back fence.
All summer it hurt to look at you.
2
I heard a woman on the bus say, “He and I were going
in different directions.” As if it had something to do
with a latitude or a pole. Trying to write down
how love empties itself from a house, how a view
changes, how the sign for infinity turns into a noose
for a couple. Trying to say that weather weighed
down all the streets we traveled on, that if gravel sinks,
it keeps sinking. How can I blame you who kneeled day
after day in wet soil, pulling slugs from the seedlings?
You who built a ten-foot arch for the beans, who hated
a bird feeder left unfilled. You who gave
carrots to a gang of girls on bicycles.
3
On our last trip we drove through rain
to a town lit with vacancies.
We’d come to watch whales. At the dock we met
five other couples—all of us fluorescent,
waterproof, ready for the pitch and frequency
of the motor that would lure these great mammals
near. The boat chugged forward—trailing a long,
creamy wake. The captain spoke from a loudspeaker:
In winter gray whales love Laguna Guerrero; it’s warm
and calm, no killer whales gulp down their calves.
Today we’ll see them on their way to Alaska. If we
get close enough, observe their eyes—they’re bigger
than baseballs, but can only look down. Whales can
communicate at a distance of 300 miles—but it’s
my guess they’re all saying, Can you hear me?
His laughter crackled. When he told us Pink Floyd is slang
for a whale’s two-foot penis, I stopped listening.
The boat rocked, and for two hours our eyes
were lost in the waves—but no whales surfaced, blowing
or breaching or expelling water through baleen plates.
Again and again you patiently wiped the spray
from your glasses. We smiled to each other, good
troopers used to disappointment. On the way back
you pointed at cormorants riding the waves—
you knew them by name: the Brants, the Pelagic,
the double-breasted. I only said, I’m sure
whales were swimming under us by the dozens.
4
Trying to write that I loved the work of an argument,
the exhaustion of forgiving, the next morning,
washing our handprints off the wineglasses. How I loved
sitting with our friends under the plum trees,
in the white wire chairs, at the glass table. How you
stood by the grill, delicately broiling the fish. How
the dill grew tall by the window. Trying to explain
how camellias spoil and bloom at the same time,
how their perfume makes lovers ache. Trying
to describe the ways sex darkens
and dies, how two bodies can lie
together, entwined, out of habit.
Finding themselves later, tired, by a fire,
on an old couch that no longer reassures.
The night we eloped we drove to the rainforest
and found ourselves in fog so thick
our lights were useless. There’s no choice,
you said, we must have faith in our blindness.
How I believed you. Trying to imagine
the road beneath us, we inched forward,
honking, gently, again and again.
”
”
Dina Ben-Lev
“
If she captured Tamlin’s power once, who’s to say she can’t do it again?” It was the question I hadn’t yet dared voice.
“He won’t be tricked again so easily,” he said, staring up at the ceiling. “Her biggest weapon is that she keeps our powers contained. But she can’t access them, not wholly—though she can control us through them. It’s why I’ve never been able to shatter her mind—why she’s not dead already. The moment you break Amarantha’s curse, Tamlin’s wrath will be so great that no force in the world will keep him from splattering her on the walls.”
A chill went through me.
“Why do you think I’m doing this?” He waved a hand to me.
“Because you’re a monster.”
He laughed. “True, but I’m also a pragmatist. Working Tamlin into a senseless fury is the best weapon we have against her. Seeing you enter into a fool’s bargain with Amarantha was one thing, but when Tamlin saw my tattoo on your arm … Oh, you should have been born with my abilities, if only to have felt the rage that seeped from him.”
I didn’t want to think much about his abilities. “Who’s to say he won’t splatter you as well?”
“Perhaps he’ll try—but I have a feeling he’ll kill Amarantha first. That’s what it all boils down to, anyway: even your servitude to me can be blamed on her. So he’ll kill her tomorrow, and I’ll be free before he can start a fight with me that will reduce our once-sacred mountain to rubble.” He picked at his nails. “And I have a few other cards to play.”
I lifted my brows in silent question.
“Feyre, for Cauldron’s sake. I drug you, but you don’t wonder why I never touch you beyond your waist or arms?”
Until tonight—until that damned kiss. I gritted my teeth, but even as my anger rose, a picture cleared.
“It’s the only claim I have to innocence,” he said, “the only thing that will make Tamlin think twice before entering into a battle with me that would cause a catastrophic loss of innocent life. It’s the only way I can convince him I was on your side. Believe me, I would have liked nothing more than to enjoy you—but there are bigger things at stake than taking a human woman to my bed.”
I knew, but I still asked, “Like what?”
“Like my territory,” he said, and his eyes held a far-off look that I hadn’t yet seen. “Like my remaining people, enslaved to a tyrant queen who can end their lives with a single word. Surely Tamlin expressed similar sentiments to you.” He hadn’t—not entirely. He hadn’t been able to, thanks to the curse.
“Why did Amarantha target you?” I dared ask. “Why make you her whore?”
“Beyond the obvious?” He gestured to his perfect face. When I didn’t smile, he loosed a breath. “My father killed Tamlin’s father—and his brothers.”
I started. Tamlin had never said—never told me the Night Court was responsible for that.
“It’s a long story, and I don’t feel like getting into it, but let’s just say that when she stole our lands out from under us, Amarantha decided that she especially wanted to punish the son of her friend’s murderer—decided that she hated me enough for my father’s deeds that I was to suffer.”
I might have reached a hand toward him, might have offered my apologies—but every thought had dried up in my head. What Amarantha had done to him …
“So,” he said wearily, “here we are, with the fate of our immortal world in the hands of an illiterate human.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
People who go through a heavy experience like that are changed men, like it or not,” he said. “They change for the better and they change for the worse. On the good side, they become unshakable. Next to that half year, the rest of the suffering I’ve experienced doesn’t even count. I can put up with almost anything. And I also am a lot more sensitive to the pain of people around me. That’s on the plus side. It made me capable of making some real friends. But there’s also the minus side. I mean, it’s impossible, in my own mind, to believe in people. I don’t hate people, and I haven’t lost my faith in humanity. I’ve got a wife and kids. We’ve made a home and we protect each other.
Those things you can’t do without trust. It’s just that, sure, we’re living a good life right now, but if something were to happen, if something really were to come along and yank up everything by the roots, even surrounded by a happy family and good friends, I don’t know what I’d do. What would happen if one day, for no reason, no one believes a word you say? It happens, you know.
Suddenly, one day, out of the blue. I’m always thinking about it. Last time, it was only six months, but the next time? No one can say; there’s no guarantee. I don’t have confidence in how long I can hold out the next time. When I think of these things, I really get shaken up. I’ll dream about it and wake up in the middle of the night. It happens a little too often, in fact. And when it happens, I wake my wife up and I hold on to her and cry.
Sometimes for a whole hour, I’m so scared.
”
”
Haruki Murakami (The Elephant Vanishes)
“
He looks up.
Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes.
He is no longer St. Clair, everyone's pal, everyone's friend.
He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend.
He is so much more.
Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect.
My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs.
"Whoa," he says. But I don't think he means me falling.
I blush and blame it on clumsiness. "Yeesh,that could've been bad."
Phew.A steady voice.
He looks dazed. "Are you all right?"
I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!"
"Hey,Anna. How was your break?"
John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank.
We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?"
The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs.
"I have something for you." He pulls me back down by my sleeve. "A late Christmas present."
"For me? But I didn't get you anything!"
He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited."
"Ooo,what is it?"
"I saw it when I was out with Mum, and it made me think of you-"
"Etienne! Come on!"
He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand."
Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned.
"Whoops," I say.
He tilts his head at me.
"I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal.
Where is it? What is it?
"Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too.
It's a glass bead.A banana.
He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..."
I close my hand around the bead. "Thank you."
"Mum wondered why I wanted it."
"What did you tell her?"
"That it was for you,of course." He says this like, duh.
I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
XXIV.
And more than that - a furlong on - why, there!
What bad use was that engine for, that wheel,
Or brake, not wheel - that harrow fit to reel
Men's bodies out like silk? With all the air
Of Tophet's tool, on earth left unaware
Or brought to sharpen its rusty teeth of steel.
XXV.
Then came a bit of stubbed ground, once a wood,
Next a marsh it would seem, and now mere earth
Desperate and done with; (so a fool finds mirth,
Makes a thing and then mars it, till his mood
Changes and off he goes!) within a rood -
Bog, clay and rubble, sand, and stark black dearth.
XXVI.
Now blotches rankling, coloured gay and grim,
Now patches where some leanness of the soil's
Broke into moss, or substances like boils;
Then came some palsied oak, a cleft in him
Like a distorted mouth that splits its rim
Gaping at death, and dies while it recoils.
XXVII.
And just as far as ever from the end!
Naught in the distance but the evening, naught
To point my footstep further! At the thought,
A great black bird, Apollyon's bosom friend,
Sailed past, not best his wide wing dragon-penned
That brushed my cap - perchance the guide I sought.
XXVIII.
For, looking up, aware I somehow grew,
Spite of the dusk, the plain had given place
All round to mountains - with such name to grace
Mere ugly heights and heaps now stolen in view.
How thus they had surprised me - solve it, you!
How to get from them was no clearer case.
XXIX.
Yet half I seemed to recognise some trick
Of mischief happened to me, God knows when -
In a bad dream perhaps. Here ended, then
Progress this way. When, in the very nick
Of giving up, one time more, came a click
As when a trap shuts - you're inside the den.
XXX.
Burningly it came on me all at once,
This was the place! those two hills on the right,
Crouched like two bulls locked horn in horn in fight;
While to the left a tall scalped mountain ... Dunce,
Dotard, a-dozing at the very nonce,
After a life spent training for the sight!
XXXI.
What in the midst lay but the Tower itself?
The round squat turret, blind as the fool's heart,
Built of brown stone, without a counterpart
In the whole world. The tempest's mocking elf
Points to the shipman thus the unseen shelf
He strikes on, only when the timbers start.
XXXII.
Not see? because of night perhaps? - why day
Came back again for that! before it left
The dying sunset kindled through a cleft:
The hills, like giants at a hunting, lay,
Chin upon hand, to see the game at bay, -
Now stab and end the creature - to the heft!'
XXXIII.
Not hear? When noise was everywhere! it tolled
Increasing like a bell. Names in my ears
Of all the lost adventurers, my peers -
How such a one was strong, and such was bold,
And such was fortunate, yet each of old
Lost, lost! one moment knelled the woe of years.
XXXIV.
There they stood, ranged along the hillsides, met
To view the last of me, a living frame
For one more picture! In a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. 'Childe Roland to the Dark Tower came.
”
”
Robert Browning
“
Will: Do you ever wonder what your life would be like if you never met your wife?
Sean: What? Do I wonder if I'd be better off if I never met my wife? No, that's okay. It's an important question. 'Cause you'll have your bad times, which wake you up to the good stuff you weren't paying attention to. And you can fail, as long as you're trying hard. But there's nothing worse than regret.
Will: You don't regret meetin' your wife?
Sean: Why? Because of the pain I feel now? I have regrets Will, but I don't regret a single day I spent with her.
Will: When did you know she was the one?
Sean: October 21, 1975. Game six of the World Series. Biggest game in Red Sox history. Me and my friends slept out on the sidewalk all night to get tickets. We were sitting in a bar waiting for the game to start and in walks this girl. What a game that was. Tie game in the bottom of the tenth inning, in steps Carlton Fisk, hit a long fly ball down the left field line. Thirty-five thousand fans on their feet, screamin' at the ball to stay fair. Fisk is runnin' up the baseline, wavin' at the ball like a madman. It hits the foul pole, home run. Thirty-five thousand people went crazy. And I wasn't one of them.
Will: Where were you?
Sean: I was havin' a drink with my future wife.
Will: You missed Pudge Fisk's home run to have a drink with a woman you had never met?
Sean: That's right.
Will: So wait a minute. The Red Sox haven't won a World Series since nineteen eighteen, you slept out for tickets, games gonna start in twenty minutes, in walks a girl you never seen before, and you give your ticket away?
Sean: You should have seen this girl. She lit up the room.
Will: I don't care if Helen of Troy walked into that bar! That's game six of the World Series! And what kind of friends are these? They let you get away with that?
Sean: I just slid my ticket across the table and said "sorry fellas, I gotta go see about a girl."
Will: "I gotta go see about a girl"? What did they say?
Sean: They could see that I meant it.
Will: You're kiddin' me.
Sean: No Will, I'm not kiddin' you. If I had gone to see that game I'd be in here talkin' about a girl I saw at a bar twenty years ago. And how I always regretted not goin' over there and talkin' to her. I don't regret the eighteen years we were married. I don't regret givin' up counseling for six years when she got sick. I don't regret being by her side for the last two years when things got real bad. And I sure as Hell don't regret missing that damn game.
Will: Would have been nice to catch that game though.
Sean: Well hell, I didn't know Pudge was gonna hit the home run.
”
”
Matt Damon (Good Will Hunting)
“
One of my greatest fears is family decline.There’s an old Chinese saying that “prosperity can never last for three generations.” I’ll bet that if someone with empirical skills conducted a longitudinal survey about intergenerational performance, they’d find a remarkably common pattern among Chinese immigrants fortunate enough to have come to the United States as graduate students or skilled workers over the last fifty years. The pattern would go something like this: • The immigrant generation (like my parents) is the hardest-working. Many will have started off in the United States almost penniless, but they will work nonstop until they become successful engineers, scientists, doctors, academics, or businesspeople. As parents, they will be extremely strict and rabidly thrifty. (“Don’t throw out those leftovers! Why are you using so much dishwasher liquid?You don’t need a beauty salon—I can cut your hair even nicer.”) They will invest in real estate. They will not drink much. Everything they do and earn will go toward their children’s education and future. • The next generation (mine), the first to be born in America, will typically be high-achieving. They will usually play the piano and/or violin.They will attend an Ivy League or Top Ten university. They will tend to be professionals—lawyers, doctors, bankers, television anchors—and surpass their parents in income, but that’s partly because they started off with more money and because their parents invested so much in them. They will be less frugal than their parents. They will enjoy cocktails. If they are female, they will often marry a white person. Whether male or female, they will not be as strict with their children as their parents were with them. • The next generation (Sophia and Lulu’s) is the one I spend nights lying awake worrying about. Because of the hard work of their parents and grandparents, this generation will be born into the great comforts of the upper middle class. Even as children they will own many hardcover books (an almost criminal luxury from the point of view of immigrant parents). They will have wealthy friends who get paid for B-pluses.They may or may not attend private schools, but in either case they will expect expensive, brand-name clothes. Finally and most problematically, they will feel that they have individual rights guaranteed by the U.S. Constitution and therefore be much more likely to disobey their parents and ignore career advice. In short, all factors point to this generation
”
”
Amy Chua (Battle Hymn of the Tiger Mother)
“
White women—feminists included—have revealed a historical reluctance to acknowledge the struggles of household workers. They have rarely been involved in the Sisyphean task of ameliorating the conditions of domestic service. The convenient omission of household workers’ problems from the programs of “middle-class” feminists past and present has often turned out to be a veiled justification—at least on the part of the affluent women—of their own exploitative treatment of their maids.
In 1902 the author of an article entitled “A Nine-Hour Day for Domestic Servants” described a conversation with a feminist friend who had asked her to sign a petition urging employers to furnish seats for women clerks.
“The girls,” she said, “have to stand on their feet ten hours a day and it makes my heart ache to see their tired faces.”
“Mrs. Jones,” said I, “how many hours a day does your maid stand upon her feet?”
“Why, I don’t know,” she gasped, “five or six I suppose.”
“At what time does she rise?”
“At six.” “And at what hour does she finish at night?”
“Oh, about eight, I think, generally.”
“That makes fourteen hours …”
“… (S)he can often sit down at her work.”
“At what work? Washing? Ironing? Sweeping? Making beds? Cooking? Washing dishes? … Perhaps she sits for two hours at her meals and preparing vegetables, and four days in the week she has an hour in the afternoon. According to that, your maid is on her feet at least eleven hours a day with a score of stair-climbings included. It seems to me that her case is more pitiable than that of the store clerk.”
My caller rose with red cheeks and flashing eyes. “My maid always has Sunday after dinner,” she said.
“Yes, but the clerk has all day Sunday. Please don’t go until I have signed that petition. No one would be more thankful than I to see the clerks have a chance to sit …
”
”
Angela Y. Davis (Women, Race & Class)
“
Until… Chase stood. The restaurant, which had been a loud rumble, suddenly quieted. Everything after that happened in slow motion. All of our family and friends faded away as the man I love got down on one knee. I heard and saw nothing but him. “I had this whole thing to say planned out in my head, but the minute I saw your face, I completely forgot every word. So I’m just going to wing it here. Reese Elizabeth Annesley, since the first time I laid eyes on you on that bus in middle school, I’ve been crazy about you.” I smiled and shook my head. “You got the crazy part right.” Chase took my hand, and it was then I noticed his was shaking. My cocky, always-confident bossman was nervous. If it was possible, I fell a little more in love with him in that moment. I squeezed his hand, offering reassurance, and he steadied. That’s what we did for each other. I was the balance to his unsteadiness. He was the courage to my fear. He continued. “Maybe it wasn’t a school bus or middle school, but I fell hard for you in the hall, that much I’m sure of. From the moment I saw your beautiful face light up that dark hallway a year ago, I was done. I didn’t even care that we were both on dates with other people, I just needed to be closer to you any way I could. Since then, you’ve distracted me every day whether you’re near me or not. You brought me back to life, and there’s nothing I want to do more than build that life with you. I want to be the man to look under your bed every night and wake up next to you in it every morning. You’ve changed me. When I’m with you, I’m myself, only a better version, because you make me want to be a better man. I want to spend the rest of my life with you, and I want it to start yesterday. So, please tell me you’ll be my wife because I’ve already been waiting for you my entire life, and I don’t want to wait any more.” I pressed my forehead to his as tears streamed down my face. “You know I’m going to be even crazier once we live together, and probably even worse when we have our own family. Three locks might turn to seven, and doing my check in that big house of yours is going to take a long time. It might get old and tiring. I don’t know if I’ll ever be able to change any of that.” Chase reached behind me and bunched my hair into his hand, cupping it along with the nape of my neck. “I don’t want you to change. Not any of it. I love everything about you. There’s not a single thing I’d change if I could. Well, except your last name.
”
”
Vi Keeland (Bossman)
“
Bliss?” I called.
“Yeah?”
“Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.”
“Okay!”
Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear.
It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real.
That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them?
What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt?
I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.”
Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly.
What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away.
I was keeping it for a friend?
It was a prop for a show?
It was… It was… shit, I didn’t know.
I could just apologize. Tell her I knew it was too fast.
I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation.
Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it?
Then, slowly, like the sunrise peeking over the horizon, she smiled.
She snapped the box closed.
She didn’t scream. She didn’t run. She didn’t faint.
There might have been a little crying.
But mostly… she danced.
She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time.
Maybe I didn’t have to wait a few months after all.
She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.
”
”
Cora Carmack (Losing It (Losing It, #1))
“
It's weird not being in our subculture of two any more. There was Jen's culture, her little habits and ways of doing things; the collection of stuff she'd already learnt she loved before we met me. Chorizo and Jonathan Franken and long walks and the Eagles (her dad). Seeing the Christmas lights. Taylor Swift, frying pans in the dishwasher, the works absolutely, arsewipe, heaven. Tracy Chapman and prawn jalfrezi and Muriel Spark and HP sauce in bacon sandwiches.
And then there was my culture. Steve Martin and Aston Villa and New York and E.T. Chicken bhuna, strange-looking cats and always having squash or cans of soft drinks in the house. The Cure. Pink Floyd. Kanye West, friend eggs, ten hours' sleep, ketchup in bacon sandwiches. Never missing dental check-ups. Sister Sledge (my mum). Watching TV even if the weather is nice. Cadbury's Caramel. John and Paul and George and Ringo.
And then we met and fell in love and we introduced each other to all of it, like children showing each other their favourite toys. The instinct never goes - look at my fire engine, look at my vinyl collection. Look at all these things I've chosen to represent who I am. It was fun to find out about each other's self-made cultures and make our own hybrid in the years of eating, watching, reading, listening, sleeping and living together. Our culture was tea drink from very large mugs. And looking forward to the Glastonbury ticket day and the new season of Game of Thrones and taking the piss out of ourselves for being just like everyone else. Our culture was over-tipping in restaurants because we both used to work in the service industry, salty popcorn at the cinema and afternoon naps. Side-by-side morning sex. Home-made Manhattans. Barmade Manhattans (much better). Otis Redding's "Cigarettes and Coffee" (our song). Discovering a new song we both loved and listening to it over and over again until we couldn't listen to it any more. Period dramas on a Sunday night. That one perfect vibrator that finished her off in seconds when we were in a rush. Gravy. David Hockney. Truffle crisps. Can you believe it? I still can't believe it. A smell indisputably reminiscent of bums. On a crisp. And yet we couldn't get enough of them together - stuffing them in our gobs, her hand on my chest, me trying not to get crumbs in her hair as we watched Sense and Sensibility (1995).
But I'm not a member of that club anymore. No one is. It's been disbanded, dissolved, the domain is no longer valid. So what do I do with all its stuff? Where so I put it all? Where do I take all my new discoveries now I'm no longer a tribe of two? And if I start a new sub-genre of love with someone else, am I allowed to bring in all the things I loved from the last one? Or would that be weird? Why do I find this so hard?
”
”
Dolly Alderton (Good Material)
“
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly.
The blond Red Sox girl looked me up and down. “Hello,” she said.
Conrad said, “With who?”
I pointed at Cam. “Him.”
“You’re not riding with someone you don’t even know,” he said flatly.
“I do so know him. He’s Sextus.”
He narrowed his eyes. “Sex what?”
“Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow.
“I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.”
I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go.
“I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before.
I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!”
He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!”
“I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.”
I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said.
He looked me dead in the eyes and said, “And you’re a four-year-old.”
As I walked away, I heard the girl ask, “Is she your girlfriend?”
I whirled around, and we both said “No!” at the same time.
Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in.
“No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse.
Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter?
I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers.
“Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it.
Red Sox girl frowned. “What is she talking about, Conrad?”
To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?”
Her pretty face twisted. “You little skank,” she hissed.
I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter.
Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly.
That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way.
“Your brother is a jerk,” I said. “That’s what’s going on.”
Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?”
I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.”
“Wait, are you guys brother and sister too?” the girl asked.
Conrad said, “Don’t even think about leaving with that guy.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
For the guard with the scar over her heart: I’ve been watching you. You’re not like the other guards — the bowing, scraping, mindlessly loyal lizards who live for your queen. You have your own thoughts, don’t you? You’re smarter than the average SandWing. And I think I know your secret. Let’s talk about it. Third cell down, the one with two NightWings in it. I’m the one who doesn’t snore. I HAVE NO INTEREST IN DISCUSSING ANYTHING WITH A NIGHTWING PRISONER. WHOSE IDEA WAS IT TO LET YOU HAVE PAPER AND INK? You should be interested. You’re going to need allies for what you’re planning … and when I get out of here, I’m going to be a very useful ally indeed. AMUSING ASSUMPTIONS. MY QUEEN BELIEVES YOU’RE GOING TO BE IN HERE FOR A LONG, LONG TIME. True … but she also believes she’s going to be queen for a long, long time … doesn’t she. An interesting silence after my last note. Perhaps it would reassure you to know I set your notes on fire as soon as I’ve read them. You can tell me anything, my new, venomous-tailed friend. Believe me, Night-Wings are exceptionally skilled at keeping secrets. WE ARE NOT FRIENDS. I DON’T KNOW ANYTHING ABOUT YOU, OTHER THAN WHAT IT SAYS IN YOUR PRISONER FILE. FIERCETEETH: TRAITOR. KIDNAPPER. RINGLEADER OF ASSASSINATION PLOT. TO BE HELD INDEFINITELY WITH FELLOW TRAITOR STRONGWINGS, ON BEHALF OF THE NIGHTWING QUEEN. OH, YES, CERTAINLY SOUNDS LIKE A DRAGON ANYONE CAN TRUST. She’s not my queen. You can’t be a traitor to someone who shouldn’t be ruling over you in the first place. Which might be a thought you’ve had lately yourself, isn’t it? I know some things about you, even without a file. Saguaro: Prison guard. Schemer. Connected to great secret plans. We’re not so different, you and I. Particularly when it comes to trustworthiness. Just think, if my alleged “assassination plot” had worked, the NightWings would have a different queen right now. Perhaps it would even be me. Well, if at first you don’t succeed … I could tell you my story, if you get me more paper to write on. Or you could stop by one midnight and listen to it instead. But I’ve noticed you don’t like spending too much time in the dungeon. Is it the tip-tap of little scorpion claws scrabbling everywhere? The stench rising from the holes in the floor? The gibbering mad SandWing a few cages down who never shuts up, all night long? (What is her story? Has she really been here since the rule of Queen Oasis?) Or is it that you can too easily picture yourself behind these bars … and you know how close you are to joining us? ALL RIGHT, NIGHTWING, HERE’S A BLANK SCROLL. GO AHEAD AND TRY TO CONVINCE ME THAT YOU’RE A DRAGON WHO EVEN DESERVES TO LIVE, LET ALONE ONE I SHOULD WASTE MY TIME ON. I DO ENJOY BEING AMUSED.
”
”
Tui T. Sutherland (Escaping Peril (Wings of Fire, #8))
“
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me.
My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand.
If I pushed her down across my knees, I could spank her ass.
She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?”
“Did you send me a potato?”
Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?”
“Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?”
Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?”
“Yeeeess. The note says to call you before I open it. Why am I afraid?”
Kristen giggled. “Open it now. Is Brandon with you?”
“Yes, he’s with me. He’s shaking his head.”
I could picture his face, that easy smile on his lips.
“Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!”
Kristen rolled forward, putting her forehead to my shoulder in laughter.
“I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!”
Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though.
“Wait, who’s with you?” Sloan asked.
Kristen wiped at her eyes. “Josh is here.”
“Didn’t he have a date tonight? Brandon told me he had a date.”
“He did, but he came back over after.”
“He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting.
Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering.
“And what did you two talk about?” I asked, arching an eyebrow.
I liked that she’d talked about me. Liked it a lot.
“Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.”
A hot fireman like you.I did my best to hide my smirk.
“So do you do this to Sloan a lot?” I asked.
“All the time. I love messing with her. She’s so easily worked up.” She reached for her beer.
I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?”
She took a swig of her beer. “With the fan on medium.”
My laugh came so hard Stuntman Mike looked up and cocked his head at me.
She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?”
“Those candles are a huge fire hazard.” I tipped my beer toward the screen.
“Right? And try getting wax out of the carpet. Good luck with that.”
I looked at the side of her face. “So what do you think is romantic?”
“Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
”
”
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
“
Twas the night before Christmas, and all
through the base
Only sentries were stirring--they guarded the place.
At the foot of each bunk sat a helmet and boot
For the Santa of Soldiers to fill up with loot.
The soldiers were sleeping and snoring away
As they dreamed of “back home” on
good Christmas Day.
One snoozed with his rifle--he seemed so content.
I slept with the letters my family had sent.
When outside the tent there arose such a clatter.
I sprang from my rack to see what was the matter.
Away to the window I flew like a flash.
Poked out my head, and yelled, “What was that crash?”
When what to my thrill and relief should appear,
But one of our Blackhawks to give the all clear.
More rattles and rumbles! I heard a deep whine!
Then up drove eight Humvees, a jeep close behind…
Each vehicle painted a bright Christmas green.
With more lights and gold tinsel than I’d ever seen.
The convoy commander leaped down and he paused.
I knew then and there it was Sergeant McClaus!
More rapid than rockets, his drivers they came
When he whistled, and shouted, and called
them by name:
“Now, Cohen! Mendoza! Woslowski! McCord!
Now, Li! Watts! Donetti! And Specialist Ford!”
“Go fill up my sea bags with gifts large and small!
Now dash away! Dash away! Dash away, all!”
In the blink of an eye, to their trucks the troops darted.
As I drew in my head and was turning around,
Through the tent flap the sergeant came in with a bound.
He was dressed all in camo and looked quite a sight
With a Santa had added for this special night.
His eyes--sharp as lasers! He stood six feet six.
His nose was quite crooked, his jaw hard as bricks!
A stub of cigar he held clamped in his teeth.
And the smoke, it encircled his head like a wreath.
A young driver walked in with a seabag in tow.
McClaus took the bag, told the driver to go.
Then the sarge went to work. And his mission today?
Bring Christmas from home to the troops far away!
Tasty gifts from old friends in the helmets he laid.
There were candies, and cookies, and cakes, all homemade.
Many parents sent phone cards so soldiers could hear
Treasured voices and laughter of those they held dear.
Loving husbands and wives had mailed photos galore
Of weddings and birthdays and first steps and more.
And for each soldier’s boot, like a warm, happy hug,
There was art from the children at home sweet and snug.
As he finished the job--did I see a twinkle?
Was that a small smile or instead just a wrinkle?
To the top of his brow he raised up his hand
And gave a salute that made me feel grand.
I gasped in surprise when, his face all aglow,
He gave a huge grin and a big HO! HO! HO!
HO! HO! HO! from the barracks and then from the base.
HO! HO! HO! as the convoy sped up into space.
As the camp radar lost him, I heard this faint call:
“HAPPY CHRISTMAS, BRAVE SOLDIERS!
MAY PEACE COME TO ALL!
”
”
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))
“
On the TV screen in Harry's is The Patty Winters Show, which is now on in the afternoon and is up against Geraldo Rivera, Phil Donahue and Oprah Winfrey. Today's topic is Does Economic Success Equal Happiness? The answer, in Harry's this afternoon, is a roar of resounding "Definitely," followed by much hooting, the guys all cheering together in a friendly way. On the screen now are scenes from President Bush's inauguration early this year, then a speech from former President Reagan, while Patty delivers a hard-to-hear commentary. Soon a tiresome debate forms over whether he's lying or not, even though we don't, can't, hear the words. The first and really only one to complain is Price, who, though I think he's bothered by something else, uses this opportunity to vent his frustration, looks inappropriately stunned, asks, "How can he lie like that? How can he pull that shit?"
"Oh Christ," I moan. "What shit? Now where do we have reservations at? I mean I'm not really hungry but I would like to have reservations somewhere. How about 220?" An afterthought: "McDermott, how did that rate in the new Zagat's?"
"No way," Farrell complains before Craig can answer. "The coke I scored there last time was cut with so much laxative I actually had to take a shit in M.K."
"Yeah, yeah, life sucks and then you die."
"Low point of the night," Farrell mutters.
"Weren't you with Kyria the last time you were there?" Goodrich asks. "Wasn't that the low point?"
"She caught me on call waiting. What could I do?" Farrell shrugs. "I apologize."
"Caught him on call waiting." McDermott nudges me, dubious.
"Shut up, McDermott," Farrell says, snapping Craig's suspenders. "Date a beggar."
"You forgot something, Farrell," Preston mentions. "McDermott is a beggar."
"How's Courtney?" Farrell asks Craig, leering.
"Just say no." Someone laughs.
Price looks away from the television screen, then at Craig, and he tries to hide his displeasure by asking me, waving at the TV, "I don't believe it. He looks so... normal. He seems so... out of it. So... un dangerous."
"Bimbo, bimbo," someone says. "Bypass, bypass."
"He is totally harmless, you geek. Was totally harmless. Just like you are totally harmless. But he did do all that shit and you have failed to get us into 150, so, you know, what can I say?" McDermott shrugs.
"I just don't get how someone, anyone, can appear that way yet be involved in such total shit," Price says, ignoring Craig, averting his eyes from Farrell. He takes out a cigar and studies it sadly. To me it still looks like there's a smudge on Price's forehead.
"Because Nancy was right behind him?" Farrell guesses, looking up from the Quotrek. "Because Nancy did it?"
"How can you be so fucking, I don't know, cool about it?" Price, to whom something really eerie has obviously happened, sounds genuinely perplexed. Rumor has it that he was in rehab.
”
”
Bret Easton Ellis (American Psycho)
“
Suppose for a moment that you were allowed to enter heaven without holiness. What would you do? What possible enjoyment could you feel there? To which of all the saints would you join yourself, and by whose side would you sit down? Their pleasures are not your pleasures, their tastes not your tastes, their character not your character. How could you possibly be happy, if you had not been holy on earth? Now perhaps you love the company of the light and the careless, the worldly-minded and the covetous, the reveller and the pleasure-seeker, the ungodly and the profane. There will be none such in heaven. Now perhaps you think the saints of God too strict and particular, and serious. You rather avoid them. You have no delight in their society. There will be no other company in heaven. Now perhaps you think praying, and Scripture-reading, and hymn singing, dull and melancholy, and stupid work—a thing to be tolerated now and then, but not enjoyed. You reckon the Sabbath a burden and a weariness; you could not possibly spend more than a small part of it in worshipping God. But remember, heaven is a never-ending Sabbath. The inhabitants thereof rest not day or night, saying, “Holy, holy, holy, Lord God Almighty” and singing the praise of the Lamb. How could an unholy man find pleasure in occupation such as this? Think you that such an one would delight to meet David, and Paul, and John, after a life spent in doing the very things they spoke against? Would he take sweet counsel with them, and find that he and they had much in common?—Think you, above all, that he would rejoice to meet Jesus, the Crucified One, face to face, after cleaving to the sins for which He died, after loving His enemies and despising His friends? Would he stand before Him with confidence, and join in the cry, “This is our God; we have waited for Him, we will be glad and rejoice in His salvation”? (Isa. xxv. 9.) Think you not rather that the tongue of an unholy man would cleave to the roof of his mouth with shame, and his only desire would be to be cast out! He would feel a stranger in a land he knew not, a black sheep amidst Christ’s holy flock. The voice of Cherubim and Seraphim, the song of Angels and Archangels and all the company of heaven, would be a language he could not understand. The very air would seem an air he could not breathe. I know not what others may think, but to me it does seem clear that heaven would be a miserable place to an unholy man. It cannot be otherwise. People may say, in a vague way, “they hope to go to heaven;” but they do not consider what they say. There must be a certain “meetness for the inheritance of the saints in light.” Our hearts must be somewhat in tune. To reach the holiday of glory, we must pass through the training school of grace. We must be heavenly-minded, and have heavenly tastes, in the life that now is, or else we shall never find ourselves in heaven, in the life to come.
”
”
J.C. Ryle (Holiness)
“
Girls aside, the other thing I found in the last few years of being at school, was a quiet, but strong Christian faith – and this touched me profoundly, setting up a relationship or faith that has followed me ever since.
I am so grateful for this. It has provided me with a real anchor to my life and has been the secret strength to so many great adventures since.
But it came to me very simply one day at school, aged only sixteen.
As a young kid, I had always found that a faith in God was so natural. It was a simple comfort to me: unquestioning and personal.
But once I went to school and was forced to sit through somewhere in the region of nine hundred dry, Latin-liturgical, chapel services, listening to stereotypical churchy people droning on, I just thought that I had got the whole faith deal wrong.
Maybe God wasn’t intimate and personal but was much more like chapel was … tedious, judgemental, boring and irrelevant.
The irony was that if chapel was all of those things, a real faith is the opposite. But somehow, and without much thought, I had thrown the beautiful out with the boring. If church stinks, then faith must do, too.
The precious, natural, instinctive faith I had known when I was younger was tossed out with this newly found delusion that because I was growing up, it was time to ‘believe’ like a grown-up.
I mean, what does a child know about faith?
It took a low point at school, when my godfather, Stephen, died, to shake me into searching a bit harder to re-find this faith I had once known.
Life is like that. Sometimes it takes a jolt to make us sit and remember who and what we are really about.
Stephen had been my father’s best friend in the world. And he was like a second father to me. He came on all our family holidays, and spent almost every weekend down with us in the Isle of Wight in the summer, sailing with Dad and me. He died very suddenly and without warning, of a heart attack in Johannesburg.
I was devastated.
I remember sitting up a tree one night at school on my own, and praying the simplest, most heartfelt prayer of my life.
‘Please, God, comfort me.’
Blow me down … He did.
My journey ever since has been trying to make sure I don’t let life or vicars or church over-complicate that simple faith I had found. And the more of the Christian faith I discover, the more I realize that, at heart, it is simple. (What a relief it has been in later life to find that there are some great church communities out there, with honest, loving friendships that help me with all of this stuff.)
To me, my Christian faith is all about being held, comforted, forgiven, strengthened and loved – yet somehow that message gets lost on most of us, and we tend only to remember the religious nutters or the God of endless school assemblies.
This is no one’s fault, it is just life. Our job is to stay open and gentle, so we can hear the knocking on the door of our heart when it comes.
The irony is that I never meet anyone who doesn’t want to be loved or held or forgiven. Yet I meet a lot of folk who hate religion. And I so sympathize. But so did Jesus. In fact, He didn’t just sympathize, He went much further. It seems more like this Jesus came to destroy religion and to bring life.
This really is the heart of what I found as a young teenager: Christ comes to make us free, to bring us life in all its fullness. He is there to forgive us where we have messed up (and who hasn’t), and to be the backbone in our being.
Faith in Christ has been the great empowering presence in my life, helping me walk strong when so often I feel so weak. It is no wonder I felt I had stumbled on something remarkable that night up that tree.
I had found a calling for my life.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men—friends, coworkers, strangers—giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much—no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version—maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”) I waited patiently—years—for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we’d say, Yeah, he’s a Cool Guy. But it never happened. Instead, women across the nation colluded in our degradation! Pretty soon Cool Girl became the standard girl. Men believed she existed—she wasn’t just a dreamgirl one in a million. Every girl was supposed to be this girl, and if you weren’t, then there was something wrong with you. But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool
”
”
Gillian Flynn (Gone Girl)
“
FATHER FORGETS W. Livingston Larned Listen, son: I am saying this as you lie asleep, one little paw crumpled under your cheek and the blond curls stickily wet on your damp forehead. I have stolen into your room alone. Just a few minutes ago, as I sat reading my paper in the library, a stifling wave of remorse swept over me. Guiltily I came to your bedside. There are the things I was thinking, son: I had been cross to you. I scolded you as you were dressing for school because you gave your face merely a dab with a towel. I took you to task for not cleaning your shoes. I called out angrily when you threw some of your things on the floor. At breakfast I found fault, too. You spilled things. You gulped down your food. You put your elbows on the table. You spread butter too thick on your bread. And as you started off to play and I made for my train, you turned and waved a hand and called, “Goodbye, Daddy!” and I frowned, and said in reply, “Hold your shoulders back!” Then it began all over again in the late afternoon. As I came up the road I spied you, down on your knees, playing marbles. There were holes in your stockings. I humiliated you before your boyfriends by marching you ahead of me to the house. Stockings were expensive—and if you had to buy them you would be more careful! Imagine that, son, from a father! Do you remember, later, when I was reading in the library, how you came in timidly, with a sort of hurt look in your eyes? When I glanced up over my paper, impatient at the interruption, you hesitated at the door. “What is it you want?” I snapped. You said nothing, but ran across in one tempestuous plunge, and threw your arms around my neck and kissed me, and your small arms tightened with an affection that God had set blooming in your heart and which even neglect could not wither. And then you were gone, pattering up the stairs. Well, son, it was shortly afterwards that my paper slipped from my hands and a terrible sickening fear came over me. What has habit been doing to me? The habit of finding fault, of reprimanding—this was my reward to you for being a boy. It was not that I did not love you; it was that I expected too much of youth. I was measuring you by the yardstick of my own years. And there was so much that was good and fine and true in your character. The little heart of you was as big as the dawn itself over the wide hills. This was shown by your spontaneous impulse to rush in and kiss me good night. Nothing else matters tonight, son. I have come to your bedside in the darkness, and I have knelt there, ashamed! It is a feeble atonement; I know you would not understand these things if I told them to you during your waking hours. But tomorrow I will be a real daddy! I will chum with you, and suffer when you suffer, and laugh when you laugh. I will bite my tongue when impatient words come. I will keep saying as if it were a ritual: “He is nothing but a boy—a little boy!” I am afraid I have visualized you as a man. Yet as I see you now, son, crumpled and weary in your cot, I see that you are still a baby. Yesterday you were in your mother’s arms, your head on her shoulder. I have asked too much, too much.
”
”
Dale Carnegie (How To Win Friends and Influence People)
“
A woman named Cynthia once told me a story about the time her father had made plans to take her on a night out in San Francisco. Twelve-year-old Cynthia and her father had been planning the “date” for months. They had a whole itinerary planned down to the minute: she would attend the last hour of his presentation, and then meet him at the back of the room at about four-thirty and leave quickly before everyone tried to talk to him. They would catch a tram to Chinatown, eat Chinese food (their favourite), shop for a souvenir, see the sights for a while and then “catch a flick” as her dad liked to say. Then they would grab a taxi back to the hotel, jump in the pool for a quick swim (her dad was famous for sneaking in when the pool was closed), order a hot fudge sundae from room service, and watch the late, late show. They discussed the details over and over again before they left. The anticipation was part of the whole experience. This was all going according to plan until, as her father was leaving the convention centre, he ran into an old college friend and business associate. It had been years since they had seen each other, and Cynthia watched as they embraced enthusiastically. His friend said, in effect: “I am so glad you are doing some work with our company now. When Lois and I heard about it we thought it would be perfect. We want to invite you, and of course Cynthia, to get a spectacular seafood dinner down at the Wharf!” Cynthia’s father responded: “Bob, it’s so great to see you. Dinner at the wharf sounds great!” Cynthia was crestfallen. Her daydreams of tram rides and ice cream sundaes evaporated in an instant. Plus, she hated seafood and she could just imagine how bored she would be listening to the adults talk all night. But then her father continued: “But not tonight. Cynthia and I have a special date planned, don’t we?” He winked at Cynthia and grabbed her hand and they ran out of the door and continued with what was an unforgettable night in San Francisco. As it happens, Cynthia’s father was the management thinker Stephen R. Covey (author of The Seven Habits of Highly Effective People) who had passed away only weeks before Cynthia told me this story. So it was with deep emotion she recalled that evening in San Francisco. His simple decision “Bonded him to me forever because I knew what mattered most to him was me!” she said.5 One simple answer is we are unclear about what is essential. When this happens we become defenceless. On the other hand, when we have strong internal clarity it is almost as if we have a force field protecting us from the non-essentials coming at us from all directions. With Rosa it was her deep moral clarity that gave her unusual courage of conviction. With Stephen it was the clarity of his vision for the evening with his loving daughter. In virtually every instance, clarity about what is essential fuels us with the strength to say no to the non-essentials. Stephen R. Covey, one of the most respected and widely read business thinkers of his generation, was an Essentialist. Not only did he routinely teach Essentialist principles – like “The main thing is to keep the main thing the main thing” – to important leaders and heads of state around the world, he lived them.6 And in this moment of living them with his daughter he made a memory that literally outlasted his lifetime. Seen with some perspective, his decision seems obvious. But many in his shoes would have accepted the friend’s invitation for fear of seeming rude or ungrateful, or passing up a rare opportunity to dine with an old friend. So why is it so hard in the moment to dare to choose what is essential over what is non-essential?
”
”
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
“
She was the first close friend who I felt like I’d really chosen. We weren’t in each other’s lives because of any obligation to the past or convenience of the present. We had no shared history and we had no reason to spend all our time to gether. But we did. Our friendship intensified as all our friends had children – she, like me, was unconvinced about having kids. And she, like me, found herself in a relationship in her early thirties where they weren’t specifically working towards starting a family.
By the time I was thirty-four, Sarah was my only good friend who hadn’t had a baby. Every time there was another pregnancy announcement from a friend, I’d just text the words ‘And another one!’ and she’d know what I meant.
She became the person I spent most of my free time with other than Andy, because she was the only friend who had any free time. She could meet me for a drink without planning it a month in advance. Our friendship made me feel liberated as well as safe. I looked at her life choices with no sympathy or concern for her. If I could admire her decision to remain child-free, I felt encouraged to admire my own. She made me feel normal. As long as I had our friendship, I wasn’t alone and I had reason to believe I was on the right track.
We arranged to meet for dinner in Soho after work on a Friday. The waiter took our drinks order and I asked for our usual – two Dirty Vodka Martinis.
‘Er, not for me,’ she said. ‘A sparkling water, thank you.’ I was ready to make a joke about her uncharacteristic abstinence, which she sensed, so as soon as the waiter left she said: ‘I’m pregnant.’
I didn’t know what to say. I can’t imagine the expression on my face was particularly enthusiastic, but I couldn’t help it – I was shocked and felt an unwarranted but intense sense of betrayal. In a delayed reaction, I stood up and went to her side of the table to hug her, unable to find words of congratulations. I asked what had made her change her mind and she spoke in vagaries about it ‘just being the right time’ and wouldn’t elaborate any further and give me an answer. And I needed an answer. I needed an answer more than anything that night. I needed to know whether she’d had a realization that I hadn’t and, if so, I wanted to know how to get it.
When I woke up the next day, I realized the feeling I was experiencing was not anger or jealousy or bitterness – it was grief. I had no one left. They’d all gone. Of course, they hadn’t really gone, they were still my friends and I still loved them. But huge parts of them had disappeared and there was nothing they could do to change that. Unless I joined them in their spaces, on their schedules, with their families, I would barely see them.
And I started dreaming of another life, one completely removed from all of it. No more children’s birthday parties, no more christenings, no more barbecues in the suburbs. A life I hadn’t ever seriously contemplated before. I started dreaming of what it would be like to start all over again. Because as long as I was here in the only London I knew – middle-class London, corporate London, mid-thirties London, married London – I was in their world. And I knew there was a whole other world out there.
”
”
Dolly Alderton (Good Material)
“
Her pretty name of Adina seemed to me to have somehow a mystic fitness to her personality.
Behind a cold shyness, there seemed to lurk a tremulous promise to be franker when she knew you better.
Adina is a strange child; she is fanciful without being capricious.
She was stout and fresh-coloured, she laughed and talked rather loud, and generally, in galleries and temples, caused a good many stiff British necks to turn round.
She had a mania for excursions, and at Frascati and Tivoli she inflicted her good-humoured ponderosity on diminutive donkeys with a relish which seemed to prove that a passion for scenery, like all our passions, is capable of making the best of us pitiless.
Adina may not have the shoulders of the Venus of Milo...but I hope it will take more than a bauble like this to make her stoop.
Adina espied the first violet of the year glimmering at the root of a cypress. She made haste to rise and gather it, and then wandered further, in the hope of giving it a few companions. Scrope sat and watched her as she moved slowly away, trailing her long shadow on the grass and drooping her head from side to side in her charming quest. It was not, I know, that he felt no impulse to join her; but that he was in love, for the moment, with looking at her from where he sat. Her search carried her some distance and at last she passed out of sight behind a bend in the villa wall.
I don't pretend to be sure that I was particularly struck, from this time forward, with something strange in our quiet Adina. She had always seemed to me vaguely, innocently strange; it was part of her charm that in the daily noiseless movement of her life a mystic undertone seemed to murmur "You don't half know me! Perhaps we three prosaic mortals were not quite worthy to know her: yet I believe that if a practised man of the world had whispered to me, one day, over his wine, after Miss Waddington had rustled away from the table, that there was a young lady who, sooner or later, would treat her friends to a first class surprise, I should have laid my finger on his sleeve and told him with a smile that he phrased my own thought. .."That beautiful girl," I said, "seems to me agitated and preoccupied."
"That beautiful girl is a puzzle. I don't know what's the matter with her; it's all very painful; she's a very strange creature. I never dreamed there was an obstacle to our happiness--to our union. She has never protested and promised; it's not her way, nor her nature; she is always humble, passive, gentle; but always extremely grateful for every sign of tenderness. Till within three or four days ago, she seemed to me more so than ever; her habitual gentleness took the form of a sort of shrinking, almost suffering, deprecation of my attentions, my petits soins, my lovers nonsense. It was as if they oppressed and mortified her--and she would have liked me to bear more lightly. I did not see directly that it was not the excess of my devotion, but my devotion itself--the very fact of my love and her engagement that pained her. When I did it was a blow in the face. I don't know what under heaven I've done! Women are fathomless creatures. And yet Adina is not capricious, in the common sense...
.So these are peines d'amour?" he went on, after brooding a moment. "I didn't know how fiercely I was in love!"
Scrope stood staring at her as she thrust out the crumpled note: that she meant that Adina--that Adina had left us in the night--was too large a horror for his unprepared sense...."Good-bye to everything! Think me crazy if you will. I could never explain. Only forget me and believe that I am happy, happy, happy! Adina Beati."...
Love is said to be par excellence the egotistical passion; if so Adina was far gone. "I can't promise to forget you," I said; "you and my friend here deserve to be remembered!
”
”
Henry James (Adina)
“
ON THE A TRAIN
There were no seats to be had on the A train last night, but I had a good grip on the pole at the end of one of the seats and I was reading the beauty column of the Journal-American, which the man next to me was holding up in front of him. All of a sudden I felt a tap on my arm, and I looked down and there was a man beginning to stand up from the seat where he was sitting. "Would you like to sit down?" he said. Well, I said the first thing that came into my head, I was so surprised and pleased to be offered a seat in the subway. "Oh, thank you very much," I said, "but I am getting out at the next station." He sat back and that was that, but I felt all set up and I thought what a nice man he must be and I wondered what his wife was like and I thought how lucky she was to have such a polite husband, and then all of a sudden I realized that I wasn't getting out at the next station at all but the one after that, and I felt perfectly terrible. I decided to get out at the next station anyway, but then I thought, If I get out at the next station and wait around for the next train I'll miss my bus and they only go every hour and that will be silly. So I decided to brazen it out as best I could, and when the train was slowing up at the next station I stared at the man until I caught his eye and then I said, "I just remembered this isn't my station after all." Then I thought he would think I was asking him to stand up and give me his seat, so I said, "But I still don't want to sit down, because I'm getting off at the next station." I showed him by my expression that I thought it was all rather funny, and he smiled, more or less, and nodded, and lifted his hat and put it back on his head again and looked away. He was one of those small, rather glum or sad men who always look off into the distance after they have finished what they are saying, when they speak. I felt quite proud of my strong-mindedness at not getting off the train and missing my bus simply because of the fear of a little embarrassment, but just as the train was shutting its doors I peered out and there it was, 168th Street. "Oh dear!" I said. "That was my station and now I have missed the bus!" I was fit to be fled, and I had spoken quite loudly, and I felt extremely foolish, and I looked down, and the man who had offered me his seat was partly looking at me, and I said, "Now, isn't that silly? That was my station. A Hundred and Sixty-eighth Street is where I'm supposed to get off." I couldn't help laughing, it was all so awful, and he looked away, and the train fidgeted along to the next station, and I got off as quickly as I possibly could and tore over to the downtown platform and got a local to 168th, but of course I had missed my bus by a minute, or maybe two minutes. I felt very much at a loose end wandering around 168th Street, and I finally went into a rudely appointed but friendly bar and had a martini, warm but very soothing, which cost me only fifty cents. While I was sipping it, trying to make it last to exactly the moment that would get me a good place in the bus queue without having to stand too long in the cold, I wondered what I should have done about that man in the subway. After all, if I had taken his seat I probably would have got out at 168th Street, which would have meant that I would hardly have been sitting down before I would have been getting up again, and that would have seemed odd. And rather grasping of me. And he wouldn't have got his seat back, because some other grasping person would have slipped into it ahead of him when I got up. He seemed a retiring sort of man, not pushy at all. I hesitate to think of how he must have regretted offering me his seat. Sometimes it is very hard to know the right thing to do.
”
”
Maeve Brennan